The Shuffle: In loving memory of MC Loph and his “Osondi Owendi” hit single featuring Flavour

Nwaozo Obiajulu immortalized himself as one of the fondest rappers to come out of Nigeria when he released “Osondi Owendi”, featuring Flavour, under his MC Loph alias in 2009. The rapper’s career came to an abrupt end when he lost his life in a fatal car crash on the 14th of September, 2011, but the music he made remains evergreen.

Listening to “Osondi Owendi” today is a small journey into the past at a steady pace that appreciates the patience of artists who recognize music gets better with time. The song charms you with its utter simplicity, sampling Chief Stephen Osita Osadebe’s 1984 highlife record of the same title. At the song’s core is the relaxed guitar melody of the original highlife instrumentals, around which Flavour performs a captivating rendition of the Igbo classic while MC Loph adds plainspoken rap bars like “Make we dey flex/ If you dey vex, you be enemy of progress” imbibing an effortless ease to the celebratory song.

In a way, “Osondi Owendi” was our introduction to the pairing of artists harnessing their indigenous influences for distinct aesthetics; while Flavour’s retained the traditional melodies, MC Loph went the hip-hop route, rapping in a fluid mix of Igbo and English. Their lyrics and earworm melodies worked magic on dancefloors, but thanks to the cinematic music video that accompanied the song, we also see how it was an ode to the seemingly outdated highlife sound while wholly resonating in the hip-hop sound of their present moment.

It’s hardly a surprise his death was mourned so profoundly by the music industry with several artists offering their condolence and even recording tribute songs. 8 years have passed since MC Loph passed on but we continue to cherish his memory through the timeless music he gave us.

Stream “Osondi Owendi” by MC Loph and Flavour below.

Featured Image Credits: YouTube/Bongorep
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: HHP and Naeto C’s “Boogie Down” was last week’s Shuffle

Police reaction conflates what you should know about the infamous ‘Port Harcourt serial killer’

Social media is calling for an end to the indifference of the Nigerian police, towards the shocking news of murdered women in Port Harcourt. Over the past month, there have been reports that over ten young women were being murdered across Port Harcourt. The distinct style in which the bodies are found—asphyxiation with a white cloth bounded around their necks and legs—has raised suspicions that this is not a series of random murders. The growing assumption is that the incidents have been the work of a calculated killer, escaping police detection due to the lack of surveillance cameras in these hotels.

Over the weekend, female residents of Port Harcourt took to the streets and to the police headquarters in Port Harcourt to engage in peaceful protests for their deceased sisters. In response however, the state Commissioner of Police, Chuks Enwonwu narrowed the context around the murders to sex work saying “In as much as societal values degenerate, you need to go back to educate your fellow women and advise them against prostitution because they are the targets and victims of such crimes”. His comment reinforces a dangerous narrative that has left sex workers vulnerable to abuse and assault, sending the internet into an uproar and spurring the hashtag #ProtectPHGirls.

The Nigerian Police often comes under fire for general negligence and not following due process but this reality feels particularly jarring because there are consequences of a society presumably placing social values over injustice. Recommending impetuous social solutions about sex workers who are already underrepresented in Nigeria could potentially incite further violence against them. The result of this kind of ignorance could lead to a new range of anxieties from the possibility of inspiring copycat killers to unmetered crime against women in general. The assumption that only prostitutes go to hotels already tells a lot about how expansive this threat could become.

As at the time of this report almost bizarrely, there is still no official comment from Rivers state Governor, Ezenwo Wike on the murders. Optimism is difficult in these circumstances and some of the natural expectations is that beyond the authorities, women rights non-governmental organisations (NGOs) and agencies concerned can take charge. Please #ProtectPHGirls.

Featured image credits/BBC Pidgin


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Gruesome history trails reports of xenophobia in South Africa

Black Coffee and Usher give us the soundtrack to dancefloor romance with new single, “LaLaLa”

If you’ve ever wondered what a Black Coffe and Usher collaboration would sound like, you no longer need to. The South African DJ-producer and R&B veteran have teamed up to deliver a new song to soundtrack dancefloor romance, “LaLaLa”, while also establishing how timeless party songs can be.

The EDM baseline Black Coffee produces for “LaLaLa” transport listeners to the early 2010s when Usher exclaimed, “DJ Got Us Fallin’ in Love”. With the beat already evoking a sweeping nostalgia, Usher adds his sultry vocals, singing “You give me reason to light up the place/ You keep me going, keep me rolling, go without the breaks/ Bring back your love again”. The pining lyrics reveal a romantic sentiment at the core of the dancefloor-ready beat but it also seems a throwback to a time when you heard an Usher song and instantly imaged the possible dance moves he’d perform to the beat should the music video get released.

Stream Black Coffee and Usher’s “LaLaLa” below.

Featured Image Credits: Instagram/realblackcoffee
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Hear Black Coffee talk African music and collaborations on Beats 1

Kojey Radical & Amaarae use sex as a metaphor for transience on “Sugar”

Last Friday, British-Ghanaian rapper/visual artist Kojey Radical released his major label debut, ‘Cashmere Tears’, after months of build-up. Clocking in at half an hour, the project is a brisk and potent portrait of the rapper’s self-reclamation, using low moments as substantial references for his growth. In addition to his splendid, lived-in lyricism, the album is ushered along by plump G-Funk rhythms and jazz-indented flourishes.

‘Cashmere Tears’ mainly features vocals by Kojey, with Ghanaian singer Amaarae picking up the project’s lone credited guest vocals, adding her fairydust magic to standout track, “Sugar”“I just want to take a ride on you, I just wanna slide on you”, she delicately sings over the swooning strings, wobbling bass guitar riff and explosive bass synths, setting the song’s sensual premise. While Kojey starts both of his verses seemingly intoxicated by a sexual encounter with his muse, reeling off a litany of descriptive raps, he pivots into contemplating just how temporary the act is as a coping mechanism. In this way, “Sugar” fits in as a confrontational part of the album’s overarching theme of growth, using sex as a metaphor for transience.

Listen to Kojey Radical & Amaarae on “Sugar” here.

Featured Image Credits: Instagram/

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: JULS CELEBRATES THE RICH SOUND OF AFRICA ON HIS 11-TRACK ALBUM, ‘COLOUR’

6 videos you should see this week

Eugy – “Hold Me Down” Feat. Wavy The Creator

British-Ghanaian artists, Eugy, features Wavy the Creator his latest single, “Hold Me Down”, and he maximizes the potential for their collaboration through the accompanying music video. While they perform their romantic sets over the highlife inspired beat Emile Laurent produces to a lightweight groove, Meji Alabi directs a colourful and flowery display, showing the artists and some models dressed in different fashionable threads.

Rick Ross – “Gold Roses” Feat. Drake

The history books have documented that every time Drake and Rick Ross get together in the studio, they make classic records. Their latest attempt, “Gold Roses” has all the markings of their sophisticated blend of brags and introspection and the recently released music video portrays all the glitter of their flamboyant lifestyles through the sparkling props of gold baths, chandeliers, grand pianos, beautiful models and huge pillars. Though Drake doesn’t cameo in the video and has his verse cut out from the song’s video, his chorus sets the brooding mood for the dark and pensive clip.

Jaywon – “Aje Remix” Feat. Barry Jhay, Lyta

Jaywon, Barry Jhay and Lyta teamed up for the spiritually motivated “Aje Remix” earlier this year. The fuji-pop trio have returned to give the song a deserving music video directed by Inioluwa Adesola, showing them performing their heartfelt verses in a suburban neighbourhood that highlights the folky direction of the song as they pray for blessings to have a better life.

Swae Lee – “Sextacy”

Rae Sremmurd’s ‘SremmLife 4’ is expected to drop soon but that elusive Swae Lee debut as a solo artist seems closer than ever. The singer released two singles, “Sextacy” and Tekno produced “Won’t Be Late”, featuring Drake earlier this year, stating that he’s already working on his solo album. He just shared the music video for “Sextacy” directed by Chuck Grant and Mike WiLL, detailing his intoxicating relationship with his model co-star Cenit Nadir as they drive on the highway in a vintage Corvette Stingray and sit poolside at their Malibu pad surrounded by flamingos. The video closes with a beach where Swae Lee pops a bottle of champagne and lights a joint under the night stars.

Afro B – “Go Dance” Feat. Busy Signal

As Afropop continues to grow a stronger brand to rival other international genres, London based Ivorian singer, Afro B keeps his foot on the gas as he continues to build his discography in the dancehall rhythm the sound supports. His “Joanna (Drogba)” song still goes in the club but his latest song expands his sonic palette to accommodate Caribbean audiences through the hypersensual lyrics and feature from Jamaican dancehall artist, Busy Signal. 300k directs the music video at a beach party set where women in sex body suits dance to the lightweight groove of the beat Team Salut produces.

“Jojo Rabbit” Trailer

Taika Waititi’s satire about World War 2, “Jojo Rabbit”, already won the people’s choice award at this year’s Toronto film festival and many expect it to also get Oscar nods. The film won’t be out in theatres till October but the trailer shows it’s based on a young boy in the German arm’s coming of age story after discovering his mother is hiding a Jewish girl in their house. With stars like Scarlett Johansson and Roman Griffin Davis and the director, Taika Waititi’s recent success with films like “Thor: Ragnarok”, it’s sure to be entertaining as we watch the comical sequences and dialogues when the young boy turns his idol, Adolf Hitler into an imaginary friend.

Featured Image Credits: YouTube/ FoxSearchlight
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch Tiwa Savage’s music video for “49-99”

Skales & Harmonize flaunt their continued chemistry on new single, “Oyoyo”

Skales and Tanzanian singer Harmonize have worked enough times in the last few months to be tagged as close collaborators. Including last year’s “Fire Waist”, both singers have been on the same song three times, with their latest collaboration “Oyoyo” being the fourth time in the last eighteen months. In a classic case of not fixing what already works, the new single is split between their adulation for a muse’s physique and their intention to serve dancefloors all the way from Lagos to Dar Es Salam. In addition to flaunting their continued chemistry, the accompanying music video is a collage of dancers performing energetic moves, as a means of showing just how proficient the song should prove proficient in club settings.

See Skales & Harmonize in “Oyoyo” video here.

Featured Image Credits: YouTube/Skales

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


THE NATIVE EXCLUSIVE: “SOMEONE LIKE OLAMIDE WOULD SAY ‘SKALES SHOULD HAVE KILLED HIMSELF BY NOW” – SKALES

Stonebwoy & Teni add to the lineage of Ghana-Naija bangers with “Ololo”

From 2Face and V.I.P linking up back in ’06, to Ghanaian-originated dance crazes like the Azonto finding a second home in Nigeria earlier this decade, there’s a rich lineage of cultural exchanges and continued collaborations between both west African countries, so much so that it’s now commonplace. For his third single of this year, “Ololo”, Ghanaian Dancehall mainstay Stonebwoy traverses the same familiar bridge, recruiting Afropop’s Girl next door Teni for a spirited bop steeped in the genre’s romantic tropes.

Produced by iPaapi, who throws together a stomping blend of highlife guitar licks, summery piano chords and a rollicking percussion pattern, “Ololo” finds both artists expressing their lightweight sentiments in jovially assertive terms. The music video Prince Dovlo directs also does its part in capturing the spirit of song, including shots of Teni painting a portrait of a love interest (kinda), and Stonebwoy performing his lyrics in the company of models, under strobe lights.

Watch the video for “Ololo” here.

Featured Image Credits: YouTube/Stonebwoy

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: NASTY C DROPPED TWO VIDEOS FOR “SMA” FEATURING ROWLENE; WATCH HERE

Seyi Shay enlists Teyana Taylor for the remix to her single, “Gimme Love”

International collaborations featuring Afropop acts have become frequent sightings, a noteworthy highlight being Beyonce’s executive produced ‘Lion King: The Gift’; which shone a light on Africa’s thriving music scene. Adding to that growing list is Nigerian singer Seyi Shay, picking up a guest feature from American R&B star Teyana Taylor, on the remix of her single “Gimme Love”, which had a Runtown feature on its initial version. Speaking exclusively to the NATIVE, Seyi revealed that the collaboration came together courtesy of her international team. “They believed it was about time we bridged the gap between female musicians in Africa and the United States so I of course, decided to champion it. I also love Teyana’s music, so it was quite seamless”, she says via mail.

“Gimme Love (Remix)” was released last week Friday, with no changes to the mid-tempo production by Afropop super-producer Sarz. However, there’s an accompanying music video shot in Teyana Taylor’s hometown, Harlem, and directed by Walu, under Meji Alabi’s production company, JM Films. The set of visuals show both artists intimately bonding with each other and their respective partners, depicting their highly sensual lyrics: ‘Baby don’t speak, let your hands do the talking’. In the last chorus of the song, Teyana and Seyi Shay deliver a duet where both artist’s distinct voices blend together seamlessly; exquisitely marrying both afropop and R&B.

Watch the music video for “Gimme Love” below.

Featured image credits/youtube


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Avala reminds us that love is blind on her new single “Mo Fe Be”

Afro-house singer, Avala, reminds us love is blind on new single, “Mo Fe Be”

Before becoming a housemate at this year’s Big Brother show, Avala prepared a generation of 90s babies for the festival lifestyle by inciting the House music-fueled mood for party rave-ups on her Juls produced 2015 hit song, “Crazy House”. She is however more concerned with her romantic feelings on her latest single, “Mo Fe Be”, where she admits to being blindly in love and doesn’t care what others have to say about it.

CKay produces the groovy beat for “Mo Fe Be”, setting a tropical dancefloor scene for Avala’s confessionals, “if na juju you dey use oh/ I don’t mind”. With her carefree lyrics mirroring the lightweight vibe of the beat, she gets away with edgy lyrics in the name of depicting the blind trust required in love. Fortunately for 90s babies, we’ve had enough experience of our own to know better than to take relationship advice from a song written for dancefloor audiences.

You can stream Avala’s “Mo Fe Be” below.

Featured Image Credits: Instagram/lookingforavala

[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch Tiwa Savage’s music video for “49-99”

Bella Shmurda & Olamide flip their gritty past into hustlers’ anthem on “Vision2020”

Regardless of individual perceptions of street-bred artists and the lifestyle they portray in their music, an irrefutable trait is the potency with which they document their stories. With a pseudonym clearly derivative of New York rapper Bobby Shmurda, you’ll win no prizes for guessing what Bella Shmurda represents in his music. The singer released his debut single, “Vision2020”, back in December, on which he describes the gritty circumstances around his ongoing hustle, while also cleverly indicting the Nigerian government’s continued neglect of underprivileged youth.

Picking up a monumental co-sign, he’s just secured a fiery verse by street-hop heavyweight Olamide. “A ma gba’we mo’ju, a ma j’eba t’abaji (We fast overnight then eat Eba when we wake)”, Olamide emphatically recalls over ID Cabasa’s nudging production, strengthening the song’s riveting quality. In its accompanying TG Omori-directed video, both artists energetically meme their lyrics, in the company of an enthusiastic posse, embellishing its intention as a street anthem for fellow hustlers.

See Bella Shmurda & Olamide “Vision2020” here.

Featured Image Credits: YouTube/BellaShmurdaVEVO

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: WHY YOU SHOULD BE WORRIED ABOUT NAIRA MARLEY CAPING FOR YAHOO-YAHOO CRIMES

Idowest is living the ghetto dream in his music video for “Ye Mama”

The ghetto dream is very well documented thanks to the number of artists who have achieved success from their humble beginnings. Idowest secured his spot among the fortunate number when he became an overnight sensation off the impact of his street-hop hit, “Shepeteri”, which saw him get co-signed by Davido and go as far as featuring on Tim Westwood’s BBC “Crib Session”.

The rapper cemented his place as an established rapper with his criminally slept on EP, ‘Mafia Culture Vol. 1’, opening with “Ye Mama”. He just put out the music video for the song on which he narrates his less-privileged past; “Daddy mi sope awon olowo uni/ Uncle mi sope awon o raye story/ Mo wa di omo titi bi eni to fa poli(My dad said no money for college/ My uncle said no time for stories/ So I became a street kid like a drug addict)” The Lucas Ried directed music video opens with shots of Idowest smoking till an old woman starts to question him and eventually chases him out of the house. The video for “Ye Mama” celebrates Idowest’s growth to acclaim as he leaves the house in a red Chevrolet then hits the streets to perform the rest of the triumphant lyrics in front of his adoring fans.

Watch the music video for “Ye Mama” below.

Featured Image Credits: YouTube/Davido Adeleke

[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch Idowest freestyle on Tim Westwood’s BBC Crib Session 

Johnny Drille sings of eternal love on new single, “Count on You”

Johnny Drille sings of love in the most idyllic sense possible. Instead of coming off as totally naive, though, his penchant for declarative writing, fervent melodies and live instrumentation create an optimistic yet lived-in aura for his music. On his new single, “Count on You”, the Mavin singer dials up the mushiness to an 11, professing undying love with lyrics that land between a marriage proposal speech and a wedding vow. “Baby, this is day one of forever”, he passionately sings on the mostly piano ballad.

Visualizing the song’s emphasis on eternal commitment, the accompanying music video for “Count on You” is built around scenes centred on Teddy A and Bam Bam, both ex-BBNaija contestants who recently tied the knot. The Timmy Davies-directed video follows an endearing sequence of romantic events, climaxing on the stunning proposal and wedding scenes. There are also frames of Johnny Drille performing his set both solo and for the couple, while suited up and playing the piano.

Watch the video for “Count on You” here.

Featured Image Credits: YouTube/MavinRecords

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: WATCH THE VIDEO FOR LADIPOE’S STATEMENT TRACK, “LEMME kNOW”

$pacely shares release date & tracklist for debut album, ‘Fine$$e or Be Fine$$ed’

At the beginning of this month, La Même Gang’s $pacely announced the impending arrival of his debut album, titled ‘Fine$$e or Be Fine$$ed’. The singer/rapper has now shared October 11th as the project’s release date, and has also unveiled its star-studded tracklist. Including the two pre-released singles from earlier this year, “Yenkodi” featuring BuMan and Odartei and “Yawa” with Kofi Mole, the project will comprise ten songs. With only one solo song, $pacely pulls in a diverse list of guest features from Ghana and Nigeria, including Pappy Kojo, Joey B, Cina Soul, Odunsi (The Engine), prettyboydo and Teezee.

Building up the anticipation for ‘Fine$$e or Be Fine$$ed’, he’s also shared a third single off the album, “Show Me”, in collaboration with Nigerian singer BOJ. On the new romantic single, both singers express their competence as lovers while requesting the same level of reciprocation from their partners. “Sweety mama follow me, show me love”, $pacely tenderly pleads on the hook, hovering over jazzy horn harmonies and gently propulsive drums.

You can listen to “Show Me” and pre-add ‘Fine$$e or Be Fine$$ed’ below.

Featured Image Credits: Instagram/spacely1z

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: WATCH THE MUSIC VIDEO FOR LA MÊME GANG’S “REVEAL”, FEATURING DARKOVIBES AND $PACELY

Wizkid subverts dancehall tropes for Afrobeat bop, “Ghetto Love”

Before Wizkid became a household name in international publications, the Starboy already played a pivotal role in shifting the sound of the mainstream towards the smooth sound of Jazz fueled Afrobeat melodies that still dominates terrestrial radio. Chalk it up to Fela’s monumental influence, but Wizkid has had enough era-defining anthems of his own and for his latest single, “Ghetto Love”, he subverts Afrobeat tropes on his other compositions as he fuses dancehall melodies with the horns and chant samples Killertunes produces.

Though his romantic themed lyrics are predictably lightweight and dance-friendly, the music video for “Ghetto Love” expands the narrative to give a reminiscing approach that sees him reflecting on his journey to being a superstar. A presumed younger version of Wizkid is shown travelling around with his headphones on before we see him performing along to the lyrics in a makeshift studio. Wizkid is also seen performing in a more advanced studio, then with a lit-up background that seems to tribute his “Azonto” music video before the video closes showing shots of Wizkid as he climbs the stage to perform for his adoring fans in Jamaica.

Watch the music video for “Ghetto Love” below.

Featured Image Credits: YouTube/Starboy TV
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch the music video for “Dis Love” by DJ Spinall, Wizkid and Tiwa Savage

Vader’s “Ghosted” plays out the rapper’s darkest fantasies

Different artists have employed several gimmicks to portray the hostilities of their reality in the music they make. On Vader’s latest single, “Ghosted”, he imagines a chaotic universe where he’s the hero and the villain, rapping over a synth-heavy beat that pulsates with a haunting aura that fits his dry vocals.

“And now these niggas tryna play me/ It’s all games till I come out spraying/ And now these girls tryna save me/ I just get me a blunt and tell the baby I’m ghosted”, he raps, delivering vivid imagery in each line with graceful control. Though the beat further embellishes the chaos in the world he imagines, it’s his confidence and composure that works the magic to make Vader’s “Ghosted” so compelling.

Listen below.

Featured Image Credits: Instagram/thelastsithlord
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Listen to Vader’s “Wasted Dreams” featuring Bawa

Lyta gets the Davido co-sign on “Monalisa (Remix)”

At the beginning of the summer, Lyta was singing his summer blues. The teenage singer publicly exited YBNL under controversial circumstances, but he’s picked it up since then, joining a new management and dropping a new single, “Monalisa”, as well as its accompanying video. In addition to becoming a sleeper hit, it also caught the ears of Afropop superstar Davido, who has given the singer the highest co-sign with a new verse on the song’s new remix. Apart from Davido’s appearance, nothing about the romantic song is changed, but the addition of an A-list artist will sure help the song’s popularity, and by extension, Lyta’s popularity as well. While its newly released, DK-directed video does touch on the mushy sentiments present on the song, via its destination setting and a couple, the main highlight is the bromance between both artists, and the huge admiration Lyta palpably displays for his high profile guest.

See the video for “Monalisa (Remix)” here.

Featured Image Credits: YouTube/LytaVEVO

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


READ: OLAMIDE, YBNL AND THE FUTURE OF STREET HIP-HOP

Watch Dapo Tuburna, Psycho YP & Ycee catch trips in a rad “Penthouse”

Three months after dropping the video for his pseudo-inspiring single, “Lituation”, Dapo Tuburna is still in high spirits on his new single, “Penthouse”, although this time he’s more fixated on delivering outright boasts. Spotting an iteration of a melodic trap flow, it is an interesting stylistic pivot that makes even more sense with the guest features by Psycho YP and Ycee, who are in more familiar territory while delivering their brag-filled bars. Capturing the exuberant and hedonistic essence the song inspires, the accompanying video features all three artists performing their lyrics, while catching trips in the midst of friends, models and hundred dollar bills.

Watch the video for Dapo Tuburna’s “Penthouse” below.

Featured Image Credits: YouTube/Dapo Tuburna

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: PSYCHO YP PUTS ON A FLEXING CLINIC ON “WOAH”

Asa details new album, ‘Lucid’

For those at the back, Asa is back. The maverick singer recently returned to putting out new music, after about five years of relative silence. In May, she dropped her comeback single, “The Beginning”, to serve as an immersive palette cleanser. She followed up with “Good Thing”, a radiant cut that harps on the beauty of starting over, put front and centre by the heart-warming, Sesan-directed music video.

Apart from the tangible narrative threads tying both songs together, the somewhat traditional roll-out seemed to point to an upcoming album, which the singer has now confirmed. Taking to her social media pages to detail the LP, she announced ‘Lucid’ as its title, unveiled its stunning cover art and shared an October 11th release date. The album will comprise fourteen (14) songs, with the inclusion of both pre-released singles as the second and third tracks. ‘Lucid’ is Asa’s fourth studio album, and it succeeds her acclaimed 2014 album ‘Bed of Stone’.

Pre-add the album on Apple Music here.

Featured Image Credits: Instagram/Asaofficial

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: DOCUMENTING THE YEARS SINCE ASA SET FIRE TO THE MOUNTAIN

Aramide plays out an apprehensive wooing scenario with Reminisce on “Baba Abule”

It’s been three years since Aramide’s debut album, ‘Suitcase’, and although she hasn’t exactly looked like she’s dropping a new LP anytime soon, her occasional string of new singles and lauded stage acumen has kept her name firmly in the mix. After opening the year with her “I Don’t Mind” single and making a guest appearance on Boogey & Paybac’s ‘Alternate Ending’, the singer picked up the distinguished achievement of being inducted into the Recording Academy’s governance board in June, later dropping her first live album, named after a recent headlining concert, ‘Songsversation With Aramide, Vol. 1’.

For her latest act, she features heavyweight rapper Reminisce on her latest song, “Baba Abule”. While SizzlePro’s Yoruba Folk-indebted is brightly layered, Aramide unfolds a dour narrative about repelling the advances of a suitor she plainly deems to be trouble. “Baba abule ma ba mi s’oro ife mo (Don’t talk to me about love anymore, mister)”, she sternly sings on the hook, after relaying her apprehensions on the first verse. Although she remains resolute with her decision, Reminisce still gets off his affectionate raps, going into his Lothario bag for a bunch of lines packed with sweet nothings.

Stream Aramide’s “Baba Abule” below.

Featured Image Credits: Instagram/aramidemusic

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: LET ARAMIDE’S “MAGIC” TAKE YOU TO A HAPPY PLACE

Tide recounts a captivating tale of love and betrayal on new single, “No Lie”

Tide’s peculiar knack for crafting soulful, sincere vocals that convey heartfelt emotions despite being showy was highlighted on his NATIVE debut, “Rolling”, a soulful ode to youth. His latest release, “No Lie”, ups the ante even further as he attempts to admit his infidelity without breaking out of his effortlessly cool character.

https://www.instagram.com/p/B19pVjSgrCI/

Singing “Shawty super fine, I ain’t gan lie/ Only hit her once, I ain’t gan lie/ Had too much to drink, I ain’t gan lie/ Yeah I do the most, I ain’t gan lie” confidently over the sparse beat Damie produces, he isn’t quite apologetic, but is charming enough to seem convincing with his honesty. He however never shows his hands, delivering widescreen, yet intimate lyrics that could be addressed at a lover, a friend, a sibling or even God. Refusing to cohere into a single straightforward emotion, “No Lie” seesaws between love and hate and devotion and betrayal while painting Tide a victim of being “cool”, blaming his charm for putting him in a situation where he has sex with someone he clearly shouldn’t have.

Stream Tide’s “No Lie” below.

Featured Image Credits: Instagram/olatidewright
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Listen to Tide’s “ROLLING”

Best New Music: ICTOOICY’s “Melancholy Baby” is an unapologetic commentary on saviour syndrome in romance

ICTOOICY may be one of this year’s sacred discoveries. The first uploaded track on her SoundCloud, “Misunderstood”, a heart-wrenching alt-R&B and hip-hop fusion, dates back nearly two years ago. Though it is more likely the self-described ‘poet with a flow’ creates her own music with tools in her immediate environment, ICTOOICY’s intuitive songwriting balances minimalism and rhythm for smooth lo-fi listening. On “Melancholy Baby”, guitar-riffs subsumed in ambient synths backgrounds themes of mental health as IC sings “call me a melancholy baby”. It’s not entirely clear if she’s broken from love, but IC’s interluding rap verse hints at an overhead gloom hanging over her relationship. If you have ever heard the J.Cole line: ‘she don’t wanna be saved, don’t save her’,  ICTOOICY’s haunting chorus about ‘needing saving’ will feel all too familiar; it echoes a sentiment common in angst-filled romance. IC’s brazen embrace of that ‘sad girl’ label is an unapologetic commentary on the complexities of saviour syndrome in romance.

Stream “Melancholy Baby” via SoundCloud


Toye is managing-partner at NATIVE Nigeria. Tweet at him @ToyeSokunbi


Best New Music: Accra City Vice comes to life in Tulenkey’s trap-house anthem “Yard””