Watch Maleek Berry’s showy music video for “Flashy”

Often existing in shades of blue, Maleek Berry’s music tends to be preoccupied with romantic yearnings, set to his breezy musical sensibilities. A few weeks after delivering the stellar hook on Goldlink’s “Zulu Screams”, Maleek’s first single of 2019, “Flashy”, finds the singer taking an ebullient turn that is apt for the lyrics he sings, recounting his come-up as well as his continued determination.

Set to a bouncy production comprising light piano harmonies, mumbled background vocals and punchy drums, Maleek sings a flurry of brag-filled quotables like, “Bitch, I’mma glow if I don’t shine/make a million with my guys”, and also delivers a quick but impressive 8-bar rapped verse. While his lyrics carry some weight, the song listens like a shoo-in for constant radio play in the coming months, due to the catchy beat, Maleek’s confident performance and the music video Capone and Guise direct, showing Maleek Berry in his flashy drip, surrounded by pretty women and driving a Lamborghini. Other Afropop acts like in the UK like Juls, Eugy and more also feature as cameos, joining Maleek Berry to celebrate their climb to the mainstream dominance.

You can watch the music video below.

Feature Image Credits: YouTube/Maleek Berry
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ICYMI: Maleek Berry closed 2018 with two surprise release, “Wait” and “Doing U”

BOJ shares “Awolowo (Remix)” featuring Falz, YCee and Fresh L

BOJ continued the tradition of Nigerian and Ghanaian collaborations that have punctuated different eras in our music industry with his  “Awolowo” single released in April. The song features verses from three of the most exciting new acts from Ghana; Kwesi Arthur, Darkovibes and Joey B. But for “Awolowo (Remix)”, BOJ returns to Nigeria, enlisting Falz, YCee and Fresh L for a remix that continues the original song’s theme, speaking on the distress attached with wealth. While Falz and Fresh L spit playfully bars with punchlines aimed at haters, YCee is just as convincing with his showy brags tailored to the lightweight vibe of the beat GMK produces.

You can stream BOJ’s “Awolowo (Remix)” below.

Featured Image Credits: Instagram/bojonthemicrophone
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ICYMI: Watch the music video for “Awolowo” featuring Kwesi Arthur, Darkovibes and Joey B

Zamir and YCee collaborate on new single, “Anti”

Zamir’s music thrives on a personal, intoxicating blend of anarchy and irreverence. “I don’t like people, yeah I know/antisocial, and I know”, Zamir raps on the hook to his new single, “Anti”, continuing down the path of his chosen ethos. On his sole verse, he delivers a slew of conceited brags related to his young OG status, as well as his affluence via catchy flips like, “they should call my neck Jon/that shit snow”.

Flexing the weight of his phonebook, Zamir features YCee who contributes a verse, delivering a playful but cocky set in line with the already laid out, self-assured intentions of the song. Perfectly accentuating the lyrics from both rappers, Tochi Bedford produces a menacing, minimalist trap beat mixing ominous piano harmonies, finger snaps and a low rumbling drum pattern with 808 bass and greasy hi-hats. All parts accounted for, “Anti” is a guaranteed mosh pit starter.

You can stream “Anti” Below.

Feature Image Credit: Instagram/KingZamir_LOS
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ICYMI: Listen to Zamir and Kida Kudz’s “Dangerous”

dndSection shares new single, “Brand New”

After debuting in 2019 with “Pressure” and “Nothing” featuring Ade T, dndSection continues his attempt at capturing the delights of being on the verge of an explosive rise with his new single, “Brand New”. The JZ Productions produced song bridges his influences from the no-bullshit attitude of 90s hip-hop and the post-internet flair of artists like Uzi Vert.

Over the atmospheric beat, mixing colourful and summery synth sample with 808 drum machines, dndSection reminisces on his less privileged days and the abuse he endured from those who wrote him off. But rather than dish out punishment now that he’s doing a lot better, he takes the high road, offering advice instead;“Make sure you talk to me proper huh/ Remember to always be cautious huh/ Don’t care who you flex all your dollars to/ Cause Karma a hell of partner huh”. Though “Brand New” thrives on dndSection’s glistening, catchy, and pop rap sensibilities, it is punctuated by his cocksure confidence.

You can stream “Brand New” below.

Featured Image Credits: Instagram/dndsection
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ICYMI: Listen to “Revenge” by Traplanta

See Teni’s new music video for “Power Rangers”

After going the street-pop route with her last single, “Sugar Mummy”, Teni the Entertainer’s new single, “Power Rangers”, is a return to her renowned folky sensibilities. Once you’ve gotten past the disappointment that the song doesn’t feature any choreographed fight sequence or Megazord transformation, you can finally appreciate the Headies next rated award winner’s ability to make delightful songs out of emotional strife.

“Power Rangers” address the frustration of being in a relationship with an unfaithful lover, but the lightweight beat JasSynths produces and Teni’s impassioned performance listens like the romantic songs that serve dancefloors audiences. Her lyrics, “Deola No Love You Like Me”, suggesting the sting of being cheated on hasn’t numbed her romantic feelings, highlights the popular saying that love is blind and the video Toka McBaror directs embellishes her lovey-dovey intentions through a fairytale-esque traditional wedding set.

You can watch the music video for Teni’s “Power Rangers” below.

Featured Image Credits: YouTube/Teni Entertainer
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ICYMI: See the music video for Teni’s “Sugar Mummy”

Fireboy DML shares music video for romantic new single, “What if I Say”

Fireboy DML has been the frontman of Olamide’s YBNL label since the video for “Jealous” gave the single a new breath of life and engraved the song’s catchy melody into the subconscious of Nigerian music lovers. The singer has followed up with a new single, “What if I Say”, piling on the storm as he shows off his melodic chops and the romantic narrative he excels in.

His confident performance on “What If I Say” is a lesson on serenading your way into a love interest’s heart, cleverly leading with teasing questions before sweetly admitting, “I want you”, and asking, “Give me Love Oh”. His romantic performance is built atop a layered mid-tempo beat Pheelz produces mixing percussion, ambient synth harmonies, and a catchy drum riff. The song comes package with a TG Omori-directed video that follows Fireboy DML on his romantic persuits of his love interest, basking in the glow of romance and sunlight.

 

Watch the video for Fireboy DML’s “What If I Say” below.

Featured Image Credits: YouTube/Fireboy DML
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ICYMI: Watch Fireboy DML’s music video for “Jealous”

See the captivating music video for Burna Boy’s “Anybody”

As far as confident opening gambits go, “I don charge my energy/ I no get time for no enemy”  is extremely effective. The lyric which opens Burna Boy’s new single, “Anybody”, is specific, yet elusive. It’s subtly hostile, bringing to mind all the backlash Burna Boy has faced for his opinionated defiance.

However, the antagonistic lyrics are made even more intriguing once you consider the lightweight Afrobeat inspired instrumentals backing them. Rexxie produces the groovy mix of traditional drums, soft synth and percussion harmonies, and fluttering horn samples that give the song an exotic flourish. Bura Boy rides the groove with a laid back flow that betrays the aggressive momentum he maintains in his lyrics, singing “Anybody wey no dey carry body/ Knack am something”. It’s a roaring statement that punctuates Burna’s spirited rise to mainstream dominance and the video Clarance Peters directs highlights his acclaim through neon lights stage lights and tribal face paints that have psychedelic effects as dancers and models perform to the captivating song.

Burna Boy has hinted at a project, ‘African Gaint’, in the works and “Anybody” could very well be the lead single that heralds its release.

Watch the video for “Anybody” below.

Featured Image Credits: YouTube/Burna Boy
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ICYMI: Bleakness meets beauty in Burna Boy’s “Thuggin/Darko” short-film

Vanessa Mdee contributes a verse to Adekunle Gold’s “Before You Wake Up (Remix)”

Adekunle Gold’s adorable debut for 2019, “Before You Wake Up”, has grown into quite the hit record in Nigeria but the song is positioned to grow even further across the continent with a newly released remix featuring Tanzanian singer, Vanessa Mdee. Though romantic performance and the catchy highlife inspired beat Sess produces for the song remains intact, Adekunle Gold revamps the song with a guest verse from Vanessa Mdee who joins him to sing of the beautiful emotions being in love provides.

“Before You Wake Up (Remix)” isn’t exactly an upgrade from the original song but it’s certainly a smart marketing move on Adekunle Gold’s part, retooling an already popular single as we edge closer to the summer season of partying and romance.

You can stream “Before You Wake Up (Remix)” below.

https://www.youtube.com/watch?v=NNnMX-eoGeI&feature=youtu.be

Featured Image Credits: Instagram/vanessamdee
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ICYMI: Listen to Adekunle Gold’s “Before You Wake Up”

Watch Johnny Drille dedicate his new single, “Papa”, to fathers

Johnny Drille’s latest single, “Papa” carries all the hallmarks of his unique identity, but the song’s spiritual incline and lived-in richness magnifies them to create probably his most affecting song yet. Singing with his soft tenor, “If you lose your way, you can pray/don’t be afraid, don’t lose faith”, the Mavin singer charmingly recounts the admonitions of his father, depicting the close relationship between the pair in the process.

It’s the type of all too rare moment in Nigerian music, where parental homages are often maternal, and in paternal cases isn’t quite emotionally reverent. Amplifying his intentions, the self-production on “Papa” is a gradually morphing mosaic of live instrumentation, from simple, soothing piano chords and sombre violin strings, to the addition of tribal drums and folksy Irish guitars in its lively final moments. The song comes with a music video Clarence Peters directs, set in the same rustic universe Johnny Drille’s music lingers in.

You can watch Johnny Drille’s “Papa” music video below.

Feature Image Credits: YouTube/MavinRecords
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ICYMI: See Johnny Drille’s music video for “Finding Efe”

Watch Falz and Dice Ailes flex on video for “Alakori”

Taking a turn from the weighty concerns of his ‘Moral Instruction’ album from earlier in the year, Falz’s new “Alakori” single taps from the pop-rap sensibilities that have brought him to mainstream prominence. While his Brother Taju shtick is very much present, it is clad in a slightly more ominous tone, highlighting the severity of the lyrics he raps, simultaneously declaring his affluence and sneering at those who perceive themselves as financial competition.

The rapper is joined by Chocolate City act, Dice Ailes, who delivers the snide hook in Yoruba, as well as the closing verse. Mixing bouncy downbeat drums, submerged piano riffs and intermittent bass guitar interpolations, the percussive mid-tempo beat Chillz produces for “Alakori” highlights the catchy lyrics from Falz and Dice.

In the new Clarence Peters-directed video for “Alakori”, Falz and Dice are set in a variety of animated scenes—two of them harkening back to classic Hollywood movies, ‘Goodfellas’ and ‘Bad Boys’—as they both perform their vindictive lyrics with a palpable and apt level of vigour.

You can watch the video for “Alakori” here.

Featured Image Credits: YouTube/FalzVEVO

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ICYMI: Watch the music video for “Hypocrite” by Falz and Demmie Vee

BlackMagic shares rustic music video for “Anything For Love”

Since earning a cult following with his evergreen hit single, “Repete”, and his highly underrated ‘Version 2.0’ sophomore album, BlackMagic has kept up a stream of quality releases despite his dwindling claim to mainstream audiences. Earlier this year, the rapper/singer put out “Anything For Love”, on which he professes affectionate feelings for a lover, over the spry, glassy guitar riffs and soft clanging, mid-tempo drum pattern produced by Spax. The single dropped just in time for the cuffing season proceedings of Valentine’s Day.

BlackMagic just released the self-directed (under his government name) music video for “Anything For Love”, and although it doesn’t depict the romantic concerns of the song, it is an endearing set of visuals, set in a rural area in Minna, Northern Nigeria, showcasing the joyful faces of locals and the rustic beauty of Black models.

You can watch the video for “Anything For Love” here.

Featured Image Credits: Instagram/ejayblackmagic
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ICYMI: Watch the music video for BlackMagic’s “No Need”

Davolee finally shares the sequel we’ve been waiting for, “Festival Bar Pt. 2”

It has been over two years since Davolee’s breakout single, “Festival Bar”, introduced us to the rapper’s penchant for cinematic storytelling. He ended the song, promising a sequel and the now ex-YBNL affiliate artist has finally put out the sequel.

While the events on “Festival Bar” were streamlined to a single location, “Festival Bar Pt. 2” is spread out across a successive array of locations, succinctly describing important events linked to a moment in the timeline. Unbelievable Beats produces a new beat for this round, mixing an ominous piano riff and sparse 808 snares for Davolee’s recount of the menial jobs he had to take up in order to survive; Transporting goods for a water vendor, Being a “motor boy”.

His story captures the rough reality of surviving on the streets, but what really makes “Festival Bar Pt. 2” riveting is the vivid detailing as he sprinkles in street hacks he and his friends used in getting food, and a bust-up with a supervisor at one of his jobs. Like the initial record, “Festival Bar Pt. 2” closes with the rapper promising another installation, this time hinting at the tale of how he met former boss, Olamide, who helped in his journey into being a celebrated artist.

You can listen to “Festival Bar Pt. 2” below.

Featured Image Credits: Instagram/eminidavolee
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ICYMI: Watch the cinematic video for Davolee’s prayerful single, “Way”

Listen To Lady Donli’s Retro-Inspired Bop, “Comforter”

Late last month, Lady Donli announced her debut album, ‘Enjoy Your Life’ will be released shortly through her social media platforms. She credits African legends as the project’s inspiration and her newly released single, “Comforter”, keeps up her newfound appreciation for classic sounds with the beat JMS produces, combining percussion harmonies, guitar riffs, flute samples, bass and 808 drum machines.

The beat for “Comforter” is as a result reminiscent of a time when Trybe Records and Kennis Music dictated the pace of Nigerian music. Save for the few lines interpolating Burna’s “I’m killing them pa”, her vocal performance listens straight out of the early 2000s. Though the retro-inspired nature of “Comforter” follows her album’s precedent narrative, it is only a loosie single and will not be featured on her album.

You can stream Lady Donli’s “Comforter” below.

Featured Image Credits: Instagram/
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ICYMI: See the music vidoe for Lady Donli’s “Ca$h”

Listen to Goldlink’s new collaboration with Wizkid on “No Lie”

Goldlink has kept his foot on the gas since earning Grammy nods with “Crew” off his major label project debut, ‘At What Cost’. For his follow up album, ‘Diaspora’, the DC rapper looks to his African roots, adding collaborations with Maleek Berry, Juls and Wizkid to his guest list that boasts of features from Tyler the Creator, Pusha T and Khalid.

After featuring on Santi’s ‘Mandy and The Jungle’ album and pre-releasing his Maleek Berry assisted “Zulu Screams” single, Goldlink already hinted at his interests in Nigeria’s explosive music scene and continues with a Wizkid verse and hook on “No Lie”, the 11th track on the album. “No Lie” starts out with a laidback and danceable beat tailored to Wizkid’s Afropop melodies but the tempo for the P2J co-produced beat switches just before the 2nd-minute mark to fits Goldlink’s relaxed yet assertive flow, waxing poetic about his growing acclaim and .

Stream Goldlink and Wizkid’s “No Lie” below.

Featured Image Credits: Instagram/wizkidayo
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ICYMI: Watch the music video for “Zulu Screams” by Goldlink, Maleek Berry and Bibi Bourelly

Watch Mojo and Prettyboy D-O team up for new “Chop Life Crew” music video

Mojo and Prettyboy D-O are offering context for their reckless lifestyle on their new collaborative single, “Chop Life Crew”. The song invites listeners into their ominous headspace while simultaneously making it sound like the coolest place on earth; “Hide the poli in the backseat, in case the po-po wanna pat-down”.

The beat Ronehi and Le Mav produce to a glowering and captivating mid-tempo bounce is punctuated by layered flute samples, synth harmonies, ad-lib vocals, and drum riffs. It serves as the backbone of the song, laying the buoyant foundation for the rapper’s cocksure bars as they encourage listeners to make the most out of life. Though the overarching mood for the song is showy, there’s an unmistakable air of grit which the July Drama and Aidum Tom directed music video displays through the grim filters, moss-covered walls and face-mask wearing cameos. The street life is tough, but that’s no reason not to live it to the fullest.

Watch the compelling music video for Mojo and Prettyboy D-O’s “Chop Life Crew” below.

Featured Image Credits: YouTube/MOJO
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ICYMI: See the music video for Prettyboy D-O and Santi’s “Pull Up”

Listen to Daramola and Daneon’s joint single, “Love Don’t Cost a Thing”

It’s been nearly a year since Daramola’s last release, “Heartbreak Please”, but his new entry shows no sign of rust as he performs yet another ode to love, “Love Don’t Cost a Thing”. His lightweight melody, auto-tuned and familiar, might remind you of a Tropical version of an EDM song, but by infusing some Nigerian quirks in his vocals, the summer song is as homely as it is festive.

American DJ and producer, Daneon is credited as a co-owner of “Love Don’t Cost a Thing” but he leaves all the vocal performance for Daramola who sings “Leave All Your Worries Behind”, encouraging a love interest and listeners to embrace the carefree vibe the song inspires as we begin this summer. Daramola recently signed a publishing deal with Sony and is expected to release a project in the coming week.

In the meantime, you can stream “Love Don’t Cost a Thing” below.

Featured Image Credits: Instagram/itsdaramola
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ICYMI: Listen to Daramola’s “Heartbreak Please”

J Molley is in a rare amusing mood for new single, “Flower Child”

J Molley’s music often paints the South African artists in a gloomy, sinister universe where heartless monsters lurk in dark alleys. However, for his newly released “Flower Child” single, he takes a detour into a much much brighter scene as he celebrates his acclaim over a mid-tempo trap beat produced by Stick X.

The mix of catchy drum riffs and cheeseball synth chords create a party driven ambience for J Molley to sing/rap in his melodic vocals that make it obvious he’s at the top of the food chain, prowling around the beat, thumping his chest. His “Feeling Way Too Good, I’ve Been liberated/ Know that you don’t understand so you’re just sitting, hating” line punches through the whole track as he confidently explains several reasons the bad vibes around him can’t get to him.

You can stream J Molley’s “Flower Child” below.

Featured Image Credits: Instagram/hoodpharmacist
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ICYMI: Watch the music video for J Molley’s “Always $tressed”

8 Artists we love who need to show up in 2019

It usually takes a couple of years before artists find a healthy rhythm with their audience because the music release cycle runs on popstars sustaining their spotlights for extended periods. In the last six months, new names and faces have shuffled into Nigeria’s class of hit-makers making Nigerian music a little more vibrant. The arrival of Mavin Record’s Rema, Chocolate City inking a huge deal with Warner Music, and Afropop’s outing at Coachella has kept the genre visible globally. However, in spite of newly-infused energy, there are still some fave hitmakers The NATIVE would like to see on the scene in 2019.

Tekno

Everyone misses the Tekno that gave us “Pana”, a track that now brings back 2016 nostalgia when it shuffles into playlists, today. Though his progressive highlife single, “Woman”, stayed in conversations for a few weeks, the cold reception for his latest single, “Uptempo”, took him back to a time before he was the toast of the game; featuring on Drake’s Instagram feed and bagging a feature with Ciara a few months later. Tekno’s penchant for indigenous melodies is a sure bet for Afropop’s dancefloor sensibilities but his recent efforts have seemed lazy as his songs slip farther down playlists.

Niniola

“Maradona” marked the first of many Afro-house hit songs that would revolutionalize the texture of Nigerian mainstream pop. Her raunchy lyrics established her as one of the leading voices in Afropop with her growing discography which saw her release her debut album, ‘This is Me’ in 2017. Though she kept a steady string of singles to keep parties going all through last year, Niniola hasn’t had the same turn-around of women-positive hyperrealistic music. In spite of the release of  “Designer”, a lone single featuring Sarz and it’s hard not to notice her absence.

Wani

Wani became the flag bearer for neo-Afropop after releasing “Blem Refix” on his SoundCloud in 2017. Last year, he followed his rise to fame with a critically acclaimed debut project, here his breezy fusion of R&B and neo-Afropop melodies introduced a modern Afropop to audiences. In spite of the fanfare Wani’s ‘Lagos City Vice’ earned, the singer has since retreated into the comfort of his solitude, releasing just one follow up single, “In 2 U” last year. Wani fans deserve better.

AKA

The hip-hop scene in South Africa was the pride of the whole continent once upon a time and AKA played a major role in that. Last year, “Fela in Versace” reminded everyone of his ability to capture the zeitgeist of the entire continent but this year, the rapper has bearly made any impact. Since the release of “Jika” to ambivalent reactions back in January, AKA hasn’t etched much of a mark on African music in 2019 but enjoy the euphoria of his ‘Touch My Blood’ album from last year.

Reekado Banks

After parting ways with former label, Mavins Records, Reekado Banks has had the creative freedom to release more music and show up for guest verses more frequently. But his more pronounced presence hasn’t had the same wholesome feel he once enjoyed under Mavin’s management. It’s only June and there’s no real pressure but for an artist who just started his own label, there are valid reasons to be concerned about any prolonged silence.

Minz

Though Minz owned the pre-existing Afropop wave of 2017 on his break out single, “Story”, he built a notable following and renown with multiple features and single releases that kept his music in rotation. But for 2019, the singer’s only release is the video for last year’s “Skin” single. For someone who only needs a few more successful singles to crossover to mainstream reverence, staying under the radar may not be the surest-bet strategy.

To Name A Few

To Name a Few have only shared a handful of songs since their haunting “Stay Over” debut earmarked the duo as shiny examples of brilliance in the age of niche music taste. The band was featured in the  Trybe section of our Birth Issue where they discussed T.N.A.F and their unnamed EP, but it’s been over two years since “Based”, the last release from the melancholy fueled Chillwave/Alternative soul band. That unnamed EP has still not gotten a title, nor have they surfaced anywhere ever since.

Boyewa 

Despite occasional releases, Boyewa has shied away from the public spotlight for a few years now, it has also helped build more mythos. With his liking for randomly removing songs from his Soundcloud library, it has always been tough to be a Boyewa fan but this year has seen a drought of new music from the artist/producer. There have however been whispers that he could be dropping a project at any moment, so fingers crossed, the silence is just to build anticipation for its release.

Featured Image Credits: Instagram/hoodpharmacist
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ICYMI: The Best Songs of Summer 2018

Listen to AYLØ’s latest single, “Paris!”

Following lyrics from his debut mixtape, ‘<insert project name\>’, suggesting that he only drops projects and no singles, 2018 seemed like a prolific year for AYLØ, cranking out two singles, a video and some features. He has, however, been quiet for the most part of this year, and so his new single “Paris!” feels like a return to form.

“Paris!” reintroduces fans to the laid back ambience AYLØ’s songs often linger in, thriving under the lightweight vibe of synth harmonies and his neo-R&B vocal texture. Though the song’s romantic intentions are heard in his lyrics, singing “When she moves, I’m a fool”, the catchy and soothing beat is danceable, paired with his relaxed yet assertive flow.

Stream AYLØ’s “Paris!” below.

Featured Image Credits: Instagram/arkhonellz
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ICYMI: Watch the music video for AYLØ’s “Still II”

Listen To Adey’s New Single, “Red”

Anytime Shaggy’s “It Wasn’t Me” is referenced in a song, there’s a high chance the trust in the relationship has been broken. Adey’s “Red”, the singer/producer’s first single of the year, opens with an interpolation of lyrics from Shaggy’s 2000 smash hit, setting the stage for a confessional that is somehow both dubious and seemingly heartfelt.

Although he admits his guilt when he sings, “I a lover and a cheat, and I know this”, he doesn’t seem ready to follow through on his promise to do better, while still trying to hold on to his aggrieved lover. It might be a lot to take in on paper, but the catchy combination of his preppy Afro-Caribbean melodies and the catchy mid-tempo beat Adey produces makes “Red” a leisurely listening fit to slip into sticky summer evening playlists.

You can stream “Red” below.

Featured Image Credits: Instagram/itsadey
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ICYMI: Listen to Adey’s era defining single, “Cigarette”