Watch Davido perform “Intro” & “Green Light Riddim” for Vevo Ctrl Live Sessions

Since releasing his excellent sophomore album, ‘A Good Time’, Davido has been in promo mode, releasing the Mad Max-inspired video for Best New Music entry, “Sweet in the Middle”, and headlining a Lagos concert named after the album this past December. In his latest move, the Afropop juggernaut has just shared videos of his performance on Vevo Ctrl’s Live Session series, a platform that has hosted a long list of artists like Burna Boy, Jidenna and Ari Lennox.

For his two-song set, Davido performs “Intro”, the self-assured opener off ‘AGT’, and the sultry, Shaydee co-written bop, “Green Light Riddim”. In trademark fashion, the singer’s bubbly persona takes the fore, as he sings, dances and mimics instrumentals with an energy that is nothing short of infectious. Davido’s Vevo Ctrl’s Live Session is his latest appearance for an online platform, following his piano-backed renditions of “Fall” and “Risky” for Audiomack’s ‘Fine Tuned’ series last November.

Watch Davido perform “Intro” and “Green Light Riddim” here.

Featured Image Credits: YouTube/Davido

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: ‘A GOOD TIME’ UNRAVELS A NEW ERA FOR DAVIDO’S ARTISTIC EXCELLENCE

Juba’s “Assurance” documentary explores gender bias in Lagos music scene

Berlin-based DJ, Juba, has released a new documentary titled “Assurance”. The 30-minute long video is inspired by the difficulties and prejudice she experienced while trying to book shows in the UK. But having grown up in a Nigerian household in the UK, she’s aware that sexism is even more pronounced in the Nigerian society. She came to Lagos last year to document the gender stereotypes and bias in the Lagos music scene, using DJ Yin, DJ Ayizan and Sensei Lö as her case studies.

Her conversations with each of the DJs allowed her to explore the nuanced context for why women are underrepresented in the music scene. Each DJ described the obstacles society put in their way because they are women. Random people on the street were also interviewed to offer their thoughts on male and female DJs and their responses give further proof of the gender bias in Nigeria.

Juba tells us that the “Assurance” documentary was birth out of her pursuit for new perspectives in the gender debate. “As a co-founder of “Boko! Boko!”, a DJ collective formed to encourage women to take up space behind London’s DJ booths, striving for increased female representation has always been a constant priority”. The documentary revealed the harsh but important truths about the way women are viewed in the Nigerian music scene. Though it doesn’t offer solutions to the problem, we can’t rule out the impact watching DJ Yin, DJ Ayizan and Sensei Lö share their DJing stories will have on viewers.

Watch the “Assurance” documentary by DJ Juba below.

Featured Image Credits: YouTube/4:3

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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Danny Wonders’ “This Is Ghana” documentary

Yung L releases new project, ‘Juice & Zimm’; shares video for single, “Tropicana Baby”

Yung L is wasting no time in hitting the ground running this year. The afro-caribbean singer has just dropped ‘Juice & Zimm’, a new project he only announced last week. The new 7-track tape is the follow-up to his EP from last April, ‘Jollification’, and it includes features from Nigerian singer Tay Iwar, Ghanaian rapper Sarkodie and Tanzanian singer Vanessa Mdee. Yung L has also shared the music video for the lead single, “Tropicana Baby”, and it follows the song’s dancefloor-driven direction.

Stream ‘Juice & Zimm’ and watch the video for “Tropicana Baby” below.

Featured Image Credits: YouTube/Yung L

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: SEE THE COLORFUL MUSIC VIDEO FOR “GET UP” BY YUNG L AND REEKADO BANKS

We ask a few millennials what songs they listen to when they’re sad

If you’re anything like me, you dislike January: the promises of resolutions, the painfully low funds left after splashing out in December, and the lack of events on your social calendar. January has its way of creeping slowly, and making days seem like eons and eons of mundane activities, that can make anyone feel gloomy and low-spirited—particularly with the foggy harmattan mornings.

That’s why we here at the NATIVE have asked a few millennials what songs they listen to days they feel glum. Here are our some of our best picks, guaranteed to lift your mood or make you reach for a box of tissues—it’s your call.

“Murvlana” by Santi

“Lonely World” by Moses Sumney

“Ain’t it Fun” by Paramore

“Home with You” by FKA Twigs

“Life is Beautiful” by Lil Peep

“White Sky” by Vampire Weekend

“Promises Never Fail (Live)” by Bethel Music

“American Love” by Rema

“Summertime Sadness” by Lana Del Ray

“Mirrors” by Justin Timberlake

“Sonder Son (Interlude)” by Brent Faiyaz

“Youth” by Daugther

“On this side of Forlorn” by Ilaye

“3:16 AM” by Jhene Aiko

“Switch” by 6LACK

“HONEST” by Baby Keem

“Love Never Fails” by M.I

“Bissa” by Fatoumata Diawara

“Going Through It” by Skepta

Featured image credits: instagram/debola_abimbolu 


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: We asked a few young Nigerians what they do whilst in Lagos traffic

Kiddominant joins Bas and Ari Lennox in the colourful video for “Amnesia”

Last year, Bas released the follow-up to his 2018 EP, ‘Spilled Milk Vol. 1‘ which contained infectious number “Amnesia” featuring fellow Dreamville artist, Ari Lennox and Nigerian producer, Kiddominant. The catchy track produced by DJ Moma, celebrates pan-africanism by intermingling a slew of musical influences from afrobeats to afro-house, soca and even sounds from Brazil known for its cross-cultural ties with Africa. In the colourful music video, there are several references to Africa from the ankara print to the steaming pot of jollof and plantain cooking.

Watch the music video for “Amnesia” below.

Featured image credits/youtube


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Watch Kida Kudz and Jaykae in the flashy video for “1AM”

Best New Music: Kida Kudz reworks a familiar African sample for new jiggy bop, “1 AM”

Music of African origin is in it’s most innovative time in history. We’ve seen the sound expand as new artists offer their distinct styles to the melodic sound. Self-proclaimed Afro-swank artists, Kida Kudz is proof of this trend and his unorthodox approach is what makes his latest release, “1 am” such a thrilling listen.

Moving to the UK from Nigeria as a teenager didn’t discourage Kida Kudz from being himself or even indulging his nerdier impulses, and as a result, he has become a distinct figure in the UK rap community. He leans into his Nigerian background while detailing his reality as a UK rapper to create a sound that neatly fits alongside his sing-song delivery.

“1 am” is a prime example of him doing what he does best—blending influences from his African roots with his hip-hop upbringing in the UK. The song is built on the groovy baseline from Ghanaian hip-life classic, “Ahomka Womu” by VIP, which he reinterprets into a whirling club song with his boastful lyrics; “It’s 1 am and I’m active/ I’m just cooking up a mad ting”. While his catchy melody is set to the lightweight ambience of the dancefloor, you never question his rapper intentions with the way he filters his roadman antics through his melodic African influences.

“1 am” also features a guest verse from Jaykae. The rising Birmingham rapper joined Kida Kudz to rap over the beat as they bridged the continents through music. Rapping “Litty on a weekend/ It could be a weekday/ We don’t need a reason”, Jaykae captures the flashy rapper lifestyle and the music video Jiggy Boyz Films produced brings it to life through the glitter-covered CDs and models.

Kida Kudz’s roadman interpretation of Afropop makes the genre more accessible to non-African audiences. With each new release, his compositions have gotten more sophisticated and with the VIP sample on “1 am”, it might be his most career-defining song yet.

Featured Image Credits: Instagram/kidakudzgram
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Davido’s “Sweet in the Middle” as Best New Music

Nnedi Okorafor’s novella, “Binti” is being adapted into Hulu Tv Series

Nnedi Okorafor has been booked and busy, and it looks like she’s getting even deeper in her bag these days. Last year, her novel ‘Who fears Death?’ was being developed into an HBO series in collaboration with George RR Martin, all while writing the script for Amazon Films, in collaboration with Wanuri Kahiu (‘Rafiki’). 

Now, her critically acclaimed novella, “Biniti” is being adapted into a Hulu TV series, which she will also write the script for, alongside Stacy Osei-Kuffour (writer on ‘Watchmen’, ‘The Morning Show’). Nnedi Okorafor shared the news on her twitter to celebrate with  fans.

“Biniti” is set in a technologically advanced future and tells the story of a bright and rebellious woman who rejects her family’s wishes to pursue her personal ambitions in the starry skies. Seeing as the Hulu hasn’t set a release date or cast for the TV show yet, there should be plenty of time to read the sci-fi trilogy if you haven’t already. Nnedi’s Afrofuturist approach to storytelling  is a testament to the potential in telling stories that are inspired by our African culture.

Featured Image Credits: Instagram/nnediokorafor
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Check out NATIVE’s exclusive interview with Nnedi Okorafor

Watch Kida Kudz & Jaykae in the flashy video for “1am”

Kida Kudz is continuing right where he left off from the impressive run he enjoyed last year. The UK based Nigerian artist has kicked off the new year with the release of the video for his 2020 debut, “1am”,  and it captures the lavish lifestyle he described on the song.

Though the song samples Ghanaian hip-life classic, “Ahomka Womu”, Kida Kudz has no problem fusing it with his UK influences. He also teamed up with Birmingham rapper, Jaykae, who joins him in the video along with glitter-covered models.

Watch the music video for Kida Kudz and Jaykae’s “1am” below.

Featured Image Credits: GRM Daily
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Listen to “Money” by Kida Kudz and Teni

Gigi Atlantis is a party starter in the new video for “Wahala on the Rocks”

Last year, Gigi Atlantis cemented her place in the industry with her catchy Fasina-assisted  “Wahala on the Rocks”, which is sure to get any listener in the mood to party. All Christmas, Gigi teased the release of the video, and now for the new year, the stunning music video is finally here. In the music video directed by Anaka, we see Gigi and her girls getting ready and cruising down the highway on the way to a function. “Wahala on the Rocks” is definitely on the forecast as with the help of some liquid courage, they take part in a betting game before joining Fasina in a colourful-lit intimate party.

Watch the music video for “Wahala on the Rocks” below.

Featured image credits/youtube

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Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Watch Zamir and Amaarae in the colourful music video for “Munchies”

How upcoming Nollywood film, ‘Who’s The Boss’ represents the modern Nigerian woman

Since breaking out in Ndani TV’s ‘Skinny Girl In Transit’, Sharon Ooja seems to be stepping well out of the bratty sister/ex/side chick persona, and is showing off her talent with thoughtful lead roles like EbonyLife’s ‘Oloture’ and now ‘Who’s The Boss‘.

While previously, young people were usually used as accessories in a Nollywood story, millennial and Gen Z culture has been creeping its way into Nollywood films recently, and with the recently released trailer for, ‘Who’s The Boss’, it’s clear that the industry is fully ready to move into a new era and face the realities of society.

Directed by Chinaza Onuzuo, the comedy is set to follow the life of Liah (played Ooja) who has to manoeuvre life with her overbearing boss (played by Funke Akindele-Bello), less-than-acceptable secret lover (Blossom Chukwujekwe) with her best friend, Jumoke (Ini Dima-Okojie).

In the brief teaser clip, we are plunged into Liah’s chaotic world; from her tyrannical bosses giving her a hard time at work to her best friend catching her in a compromising position. All of these will resonate with any young Nigerian woman immediately, and we finally have something that’s not shoving societal norms down our throats.

Set to hit screens in February 2020, ‘Who’s The Boss’ adopts the first-person persona, and Sharon Ooja’s character becomes the eyes through which viewers interpret the story. Through Ooja’s narration, which is rooted in her experiences as a millennial woman in the work place, many nuances of female millennial culture are explored and the young Nigerian woman inn every facet; romantically, emotionally and professionally is represented.

Nollywood, to many, can be that embarrassing, out-of-touch aunty who is a gate keeper of the patriarchy, and believes that the woman is the neck, while the man is the head. In a society where women are often punished for stepping an inch ‘out of line’, Nollywood often adopts this casual misogyny, and lead female characters are usually typecast. If they’re not playing the virtuous woman who’s stuck on her ain’t shit husband, it’s a dice throw between a scorned lover, a pick me church-going girl or the glamorous prostitute with her foot on men’s necks.

Liah’s narration comes attached with colourful graphics and lively animations that depict her aversion for her bosses. There’s no filter on the display of her conflicting feelings, just like any other millennial woman you and I know, we see Liah going to the club, fighting with her best friend, having sex with men she’ll regret in the morning and pursuing her dream career; all while steering clear of any judgment for her lifestyle.

More recent releases like Ndani TV’s ‘Skinny Girl in Transit’ and Jadesola Osiberu’s ‘Isoken’ certainly attempted to, but didn’t quite get an accurate depiction of the modern young woman. This has everything to do with the way society views women, and we must always adhere to these expectations – whether you’re a fictional character or not.

This is what makes ‘Who’s the Boss’ stand out just from the first teaser, presenting a very fresh idea that usually won’t get airplay on the big screen.

With a crop of younger talent being given the chance to flex their muscles, the film industry will have no choice but  to up the stakes and deliver well-shot, challenging, funny and thought provoking television. This way, young millennial and Gen Z women who watch these films can see themselves in these in a society that almost always silences them.

We’re excited to see how Who’s The Boss tackles this, and are hopeful for them to get it right. You can check out the trailer here:

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Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Sugar Rush has been banned from cinemas nationwide and nobody is happy

Watch Zamir and Amaarae in the colourful music video “Munchies”

Following the release of his new single “Munchies” last November, Zamir has been teasing the video drop for the sex positive single with Ghanaian pop princess, Amaarae. You can always count on Zamir for riveting visuals, and in keeping with her usual energy, the bubblegum pink candy set matches the sensual tone of the mid-tempo number. The  video has certainly made us like the song even more, and after revisiting it, we’re sure it will make you hungry for more Zamir tracks this 2020.

Watch the music video for “Munchies” below.

Featured image credits/TSE

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Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Listen to Zamir and Amaarae are hungry for “Munchies” on their new single

Watch mini Ycee in video for latest single, “Vacancy”

Ycee kicks off the new year with the music video for “Vacancy”, a romantic cut from his ‘Ycee Vs Zaheer’ album. The music video is directed by TG Omari who pairs the rapper with DJ Tgarbs in the 3-minute long clip. Ycee is captured in different surreal shots that depict him as a pocket-sized man while he confessed his lustful intentions for his muse.

Watch the dreamy music video for Ycee’s “Vacancy” below.

Featured Image Credits: YouTubbe/YCee
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Check out all the essentials from Ycee’s ‘Ycee vs Zaheer’

You want to check out this exhibition at Terra Kulture this month

Over the weekend, Terra Kulture teamed up with a bunch of young visionaries, for an exhibition centred on social media consciousness. This group of creatives and visual artists living in Lagos put together their different bodies of work, which aim to represent the impact of social media within Nigeria, firmly rooted in their contemporary experiences.

The exhibition, which was curated by Boluwatife Ade-Adedeji, focuses on social media as an increasingly pertinent tool in this digital age, for young emerging creatives and artists to build and curate their platforms. The motivation behind the exhibition lies in the recently proposed Social Media Bill which has now passed its second reading.

The Bill is proposed to curb the spread of falsehood and fake news in Nigeria but it contains stringent provisions like granting the government the power to restrict and block access to social media sites and internet providers as well as dishing out outlandish punishment for offences.

The exhibition which kicked off on Saturday will run till the 25th of this month and feature a host of creatives and visual artists including Ashley Okoli, Chuchu Ojekwe, Dan Mbo, Ayo Sanusi and George Igwe. Attendees to the event will also be encouraged to sign a petition against government policies that limit freedom of speech.

Featured image credits/DemolaMako


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: You can now read a snippet of Tomi Adeyemi’s ‘The Children of Virtue and Vengeance’

The Cavemen weave retro-inspired magic on their new single, “Runaway Lady”

It could be very tempting to call the Cavemen revivalists, however, that would be limiting the scope of their craft to just their recognisable influences. Led by bassist Kingsley Okorie and drummer Benjamin James, the four-man band usually makes music that leans heavily into Igbo Folk and Highlife music, however, these days they are working up a unique identity with an incorporation of colourful genres like Jazz and Rock.

On their latest release, “Runaway Lady”, The Cavemen continue to weave their retro-inspired magic to charming and compelling effect. Benjamin James takes centre stage with his helium-pitched vocals, singing about his attraction to a beautiful woman on a night out. In his vivid lyrics, he describes his muse’s carefree persona with a sense of wonder and admiration, eventually circling back to impassioned pleas on the infectious hook: “my lady, nne, nyem nsogbu (baby, give me trouble)”.

Accentuating the charm of James’ singing, the production on “Runaway Lady” continues the Cavemen’s rustic path, with flute scats and Salsa guitar fills adding lustre to the trademark elements of a Cavemen song. “Runaway Lady” is the fourth single in the Cavemen’s growing discography, and with reported plans to release a debut album sometime in April, the song is a statement of intent from a band looking to improve their stock this year.

Listen to “Runaway Lady” here.

Featured Image Credits: Instagram/the.cavemen

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: THE CAVEMEN FEATURE ON “CORNER” OFF LADY DONLI’S DEBUT ALBUM, ‘ENJOY YOUR LIFE’

The Shuffle: Wizkid’s “Don’t Dull” set the pace for his impressive trajectory

When Wizkid debuted “Holla At Your Boy”, the song gained so much popularity that it could have been a tough act to follow. The glossy music video amplified his boyish charm and established him as a superstar for the future. However, it wasn’t until he showed his more accessible, indigenous side on “Don’t Dull” that he finally convinced everyone to join the train.

The striking traditionally Nigerian elements of SamKlef’s beat for “Don’t Dull” brought out an unfiltered side to Wizkid’s sound, and his take on his superstardom. He stripped back his teen heartthrob persona to reveal his indigenous influences, with folky musing over the talking drums which also showed off the impressive style his career is still benefitting from today. With lyrics that captured his celebrity lifestyle in intricate detail, “Don’t Dull” was all the confirmation fans needed to show that he was more than just a one-hit-wonder

Though “Holla At Your Boy”, “Tease Me” and “Pakurumo” were the promoted lead singles for his debut album, ‘Superstar’, “Don’t Dull” is a fan favourite and cult classic, which never fails to get fans riled wherever it’s played. The song certainly established Wizkid’s street appeal, and he has managed to maintain that energy at every stage in his super impressive trajectory.

Critics often credit Banky W’s influence and the major label push for Wizkid’s breakout success, but there’s no debating the chokehold he has retained on the industry since. He has continuously given us hits since “Don’t Dull”,  with the consistency of one who understands his audience. If “Don’t Dull”‘s mainstream success showed us anything, it’s that the street loves Wizkid as much as he loves the street. It’s no wonder he’s the undoubted artist of the last decade.

Stream Wizkid’s “Don’t Dull” below.

Featured Image Credits: Instagram/wizkidayo
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch the best music videos of the last decade

Fireboy DML shares music video for new single, “Need You”

Continuing with promotional efforts for his well-received debut album from last November, ‘Laughter, Tears & Goosebumps’, Fireboy has just shared the music video for “Need You”, an acoustic guitar-driven highlight off the LP. Following the Joker-inspired video for “Scatter”“Need You” is the fifth song off ‘LTG’ to get a video. With its success so far, there’s a high probability that the singer will drop more videos in support of the album.

You can watch the video for “Need You” below.

Featured Image Credits: YouTube/Fireboy DML

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: FIREBOY DML BRINGS LOVERBOY FEELS TO NEW VIDEO, “KING”

Sugar Rush has been banned from cinemas nationwide & nobody is happy

During the all-but-serene festive season last year, Jadesola Osiberu’s latest film ‘Sugar Rush’ was neatly unwrapped to audiences across the country on Christmas Day. The new release managed to gross ₦40 million in its opening week, and quickly hit a new record of ₦152 million in only two weeks after release.

Given the pooling together of the younger crop of Nollywood talent such as Banky W, Adesua Etomi, and more on D’banj & Jadesola Osiberu’s collaborative production, news of the film’s suspension from cinemas nationwide was met with outcry from eager supporters. If you cast your mind back to films like ‘Half of a Yellow Sun’ and ‘Black December’, two heavily politically-charged dramas whcih were restricted from taking on full life in the Nigerian cinema, due to their political subject matter, this won’t even shock you.

Despite the collective efforts by some of the aforementioned to assuage the outrage of the Nigerian online community, The Movie Pencil reported that an important government agency was criticised and portrayed as corrupt in the film, and therefore pulled their weight to have the film taken out of the cinemas. ‘Sugar Rush’ impliedly portrays them enabling political propaganda, and playing for the powers that be, as opposed to doing what is expected of them to serve the country.

Creative license in societies that function as they should, allows filmmakers the room to pass commentary on the current state of affairs. In Nigeria however, people are put on a tethered leash and going against the grain will almost always land you in hot water.

The recently proposed Social Media Bill also shows the government’s brash disregard for the online community, as the bill gives the government the power to restrict and block access to social media sites and internet providers if they within the ambits of the proposed bill.

The executive director of the National Film and Video Censor Board (NFVCB), Alhaji Adedayo Thomas over the weekend released a public statement that explained that due to ‘exigency of time, the film was only granted a temporary approval for screening’ so as to meet the production teams December 25 release date and a temporary suspension was not a complete ban as all efforts were geared towards re-releasing the film.

While this could very well be true, it doesn’t erase the reality that the powers that be often throw their weight around. It’s also not good enough for the executive director of the NFVCB to wait until the film’s temporary approval time had run out, before a final approval was made. ‘Sugar Rush‘ felt like a moment, and the film has done really well since its release,  significantly increasing box office revenue. There needs to be a system in place which takes better consideration of the creative and film industries, and as it is the NFVCB is not doing a good job championing the film industry and staying on top of all registration of films locally and internationally.

Featured image credits/


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: There’s a remake of Nollywood classic ‘Glamour Girls’ in the works

Here are the music projects we’re looking forward to in 2020

If there’s anything the last decade managed to reinforce, it’s that albums and multi-song projects in general will always be a mainstay. As streaming increasingly became the primary mode of music consumption across the globe, there were initial speculations about the possibility of full-length projects losing their significance, which further aided by the prioritisation of playlists by streaming platforms. However, with the barrage of new music seeking attention from listeners every Friday, it is clear that the instant access of the streaming era has improved the two-way street of project release and reception.

Currently, the African music terrain is still warming up to music streaming, however, its slow and steady adoption has had a similar effect on the release of albums and EPs, even playing a direct role in the increasing musical diversity across the continent. While Africa remains a singles-driven market, the stakes around multi-song projects have grown considerably, serving as a solid medium to cement artistry and increase fan love. Reference points from last year include the crossover success of Burna Boy and Santi via their albums, ‘African Giant’ and ‘Mandy & The Jungle’, career-defining debuts from Fireboy DML and Lady Donli, and Rema’s rapid rise to prominence with the release of stunning back-to-back-to-back EPs.

We’re still in very early days of 2020, but it’s only right to project that this will be a banner year for music, especially pertaining to albums and EPs. With superstars like Wizkid, Olamide and Nasty C due for follow-ups to their previous solo projects, and ascendant artists like Tems, Oxlade and Darkovibes most likely dropping debut projects, the line-up for 2020 looks fully stacked.

So to get everyone excited, here’s a list of projects to look forward to as the year kicks into gear.

Tiwa Savage – TBA

It’s been over two years since we got a Tiwa Savage project, ‘Sugarcane’ (EP), and we can all agree that a new project is due. After a successful stint as the flagship artist of Mavin Records, Tiwa Savage made a potentially big move by signing an international recording contract with Universal Music Group. The singer has been relatively busy since, dropping three singles, “49-99”, “Owo Mi Da” and “Attention” which she performed on A Colors Show last November. With Universal’s resources at her disposal, Tiwa is primed to make an even bigger splash this year, and we think a full-length should definitely be on the horizon.

Cassper Nyovest – TBA

If any African rapper personifies JAY-Z’s evergreen bar, “I’m not a businessman, I’m a business, man,” it’s South African rapper Cassper Nyovest. Since he broke out with his viral hit song, “Doc Shebeleza”, Cassper, who was independent until he signed with Def Jam Africa in late 2018, has continually pushed the bar for commercial excellence. Following a relatively silent 2019 and his last project, the Kwaito-infused, ‘Short & Sweet’, the rapper might just be gearing up for a new body of work, especially since in the past, the longest period between Cassper’s albums maxes out at 18months.

Odunsi (The Engine) – TBA

Odunsi’s game-changing debut album, ‘rare.’, moved the singer from aspiring star to juggernaut. Drawing inspiration from the sleek and bouncy sounds of ‘80s disco, Odunsi managed to make an album that stands out from everything in his catalogue —and contemporary afropop as well — while also strengthening his identity as an artist who writes his own rules. In just over a year since, the dark prince of afro-pop has been making moves to hit the next level, including recording new music for an upcoming project. Hopefully, this effort culminates into sonic exploration that will thrill us very soon – fingers crossed.

Wizkid – ‘Made In Lagos’

Ever since Wizkid publicised ‘Made In Lagos’ as the title of his fourth studio album, the anticipation hasn’t dwindles. Expected to drop in 2019, the singer refrained from delivering any further details, and even starved fans of new solo music for the majority of last year. However, when it rains, it pours, and in a typical superstar flex, Wiz dropped ‘SoundMan, Vol. 1’ last December, a 6-track project, which is meant to serve as a placeholder for ‘MIL’. When Wizkid is ready, you can rest assured we’ll all be ready.

Tems – TBA

Tems only makes riveting music, and this is why the big voiced singer has managed to go from from hot prospect to superstar-in-the-making after 15months and just three singles. Last year, she dropped “Try Me”, her runaway hit, which unravels her projected full form as a strong afropop vocalist. One would only expect Tems to build her increasing fan base from her sparse catalogue so far, and a sure-fire way to seal her ceremonious arrival will be with the release of a debut project that cements her as the leading light of a new crop of artists.

Olamide – TBA

For the first time since debuting in 2011 with ‘Rapsodi’, last year was the first year where we didn’t get a full-length project from Olamide. Although his status as a seminal figure in contemporary pop culture has already been sealed, his prolific streak of multiple hit songs every year, suggests he has more than enough fuel in the tank to keep going as we enter a new decade. Unless there’s a serious glitch in the matrix, we should be receiving an album from the tireless artist in 2020—it’s long overdue.

Darkovibes – TBA

Ghanaian singer/rapper Darkovibes is an artist you should keep your ears tuned to in 2020. As the de-facto face of La Meme Gang, Darko melds slang-infused lyrics with gruff vocals, lending an edginess to his catchy music. It was initially rumoured that Darko would be releasing his solo debut project in 2019, but it seems like he’s pushed back to this year, and his increased activity from the second half of last year suggest as much. He released the romance-themed “Different” in August, following up with the menacing, Runtown-assisted “Mike Tyson”, then closing out with “Come My Way” featuring Mr Eazi.  With all of this in mind, we say again, look out for Darko’s debut.

Gigi Atlantis – TBA

It’s easy to be excited about Gigi Atlantis’ future as a singer/songwriter, given what we’ve already got from her. Her 2019 single, “2020,” showcased her ability to make emotive and relatable music, while she effectively broke out with her follow-up single, the Fasina-assisted “Wahala On The Rocks”. In 2020, the tender-voiced singer will look to establish herself as a distinct voice. This means more great music, and there’s already rumours of a debut project in the works. Hopefully it comes out soon, showing off the best of her powers.

Prettyboy D-O – Pretty World

D-O’s machismo-driven persona, chant-ready lyrics and ear for stomping production has made him a distinct figure in contemporary afropop. His debut project, ‘Everything Pretty’, received instant acclaim, showcasing D-O as an artist built for the long run. The rapper is gearing up to release his sophomore album, ‘Pretty World’, a project he revealed on his socials back in July last year. Two singles off ‘Pretty World’ have already been unveiled—“Dey Go Hear Wehh” and “Same Energy”— which continue his ability to spin anarchy into mischievous bangers.

GMK – TBA

GMK prefers to let his music do the talking, and has receded further away from the spotlight in recent years, but his catalogue of credits—mixing and mastering entire albums from Odunsi and Santi—is proof of someone who’s hard at work. But he’s not just working on other artists’ project, word on the streets is that GMK will be dropping more music this year. In an interview with Culture Custodian last year, the multi-hyphenate creative shared plans to release two projects, one as a producer/curator and another as a rapper. With his reputation as a meticulous music maker, either or both GMK projects will definitely be a blessing for this year.

Nasty C – TBA

Nasty C proclaimed himself “King” on his previous album, ‘Strings & Blings’, and he’s been living up to that title ever since. The high-flying rapper recently wrapped up the ‘Ivyson’ tour in support of his sophomore project, which has been certified double platinum by the Recording institute of South Africa. Looking to keep the momentum going, Nasty C is moving on to the next phase of his career, recently promising to drop “new fire music real soon.” The rollout for his new project may have already started, with his single from last year, “God Flow”, and he sounds as imperial and buoyant ever.

SoulBlackSheep – TBA

SoulBlackSheep has a preternatural ability to turn complex emotions into trippy, affecting songs. ‘Ecstasy, Just Chill’, Soul’s debut mixtape, was one of the most pleasant surprises from 2018, where the the Ibadan-based singer channelled a range of heartfelt feelings into a lo-fi universe. The NATIVE Trybe Alum was quiet for most of last year, only releasing the Tron-assisted “Dream”, but we have it on good authority that he’s currently building towards dropping a new project sometime in the coming months. This means more gorgeously sung, hymn-like tearjerkers to catch and expel feelings to.

MOJO – TBA

In just three singles, MOJO has shown flashes of an artist with the potential to become a mainstay, and a huge star even. His Prettyboy D-O-assisted single, “Chop Life Crew”, grew into one of the biggest songs from last year, and it’s still even racking huge co-signs. However, MOJO’s huge hit is only the foundation for an exciting career ahead, as the rapper is already gearing up to release a body of work. With his gruffy voice, deadpan delivery and quotable slangs in Yoruba and Pidgin English, the prospect for MOJO’s debut project is very enticing.

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


NATIVE TEAM PICKS: THE BEST MUSIC VIDEOS OF THE 2010S

Burna Boy, Naira Marley and others bag Soundcity MVP Award

Soundcity’s MVP Awards set the ball rolling for music enthusiasts in 2020, as the first music award show of the decade. Fans started voting for their favourite artists between the 4th & 11th of January , and on Saturday the winners were revealed at the award ceremony hosted in the Eko Convention Centre.

The lineup promised performances from Diamond Platnumz, Prince Kaybee, Wizkid, Shatta Wale, Rema and Stonebwoy, while Tiwa Savage and GoodGirl LA came out as the surprise acts. Though their performances were among the show’s highlights, the awards are what everyone came for.

Popular narrative tends to pit the three breakout artists from last year, Joeboy, Rema and Fireboy DML, against each other, but all three acts won awards for Best Pop Song, Best New MVP and Listeners Choice respectively at the Soundcity MVP Awards.

Fans were also excited to see Naira Marley win his first award since breaking out with “Japa” in 2018, and the often controversial rapper went home with the Viewers’ Choice award while Burna Boy went home with the most awards, bagging the Best African Artist of the year award, the Best Male MVP award and Song of The Year.

See the full list of nominees below.

Song of the Year

Jealous – Fireboy DML

Killin Dem – Burna Boy (Winner)

Malwhede – King Monada

Soapy – Naira Marley

Tetema – Rayvanny

Zanku – Zlatan

Baby – Joeboy

Case – Teni

Dumebi – Rema

Fetch Your Life – Prince Kaybee

Jama – DJ Mic Smith

African Artist of the Year 

Burna Boy (Winner)

Davido

Diamond Platnumz

Shatta Wale

Tiwa Savage

Wizkid

Yemi Alade

Best Pop

Innos B

Nandy

Joeboy – Winner

Otile Brown

Kizz Daniel

Teni

Mayorkun

Rayvanny

Naira Marley

Best Hip-Hop

Blaqbonez

Falz

KHALIGRAPH Jones – Winner

Kwesta

Medikal

Shinski

Sarkodie

Reminisce

Ricky Rick

Zakwe

Best Duo

Black Motion

Blaq Diamond

DopeNation (Winner)

Ethic

Show Dem Camp

Toofan

African Producer of the Year

Cracker

Prince Kaybee

Jay Synth

Kel P

MOG

Ozedikus

Pheelz

Rexxie

S2Kizzy

Best Female MVP

Betty G

Daphne

Nandy

Sho Madjozi

Teni (Winner)

Tiwa Savage

Yemi Alade

Best Male MVP

Burna Boy (Winner)

Davido

Diamond Platnumz

King Promise

Sjava

Wizkid

Zlatan

African DJ of the year

DJ Creme De La Creme

DJ Kaywise

DJ Neptune

DJ Spinall (Winner)

DJ Vyrusky

DJ Zinhle

Digital Artiste of the Year

Cassper Nyovest

Davido (Winner)

Diamond Platnumz

Kizz Daniel

Mr Eazi

Yemi Alade

Wizkid

Listeners’ Choice

Baby – JoeBoy

Dumebi – Rema

Fetch your Life – Prince Kaybee

Jealous – Fireboy DML (Winner)

Jama – DJ Mic Smith

Kainama – Harmonize

Killin Dem – BurnaBoy

Kpo K3K3 – StoneBwoy

Oil & Gas – Olamide

Viewers’ Choice

49-99 – Tiwa Savage

Able God – Chinko Ekun

Banomoya – Prince Kaybee

My Level – Shatta Wale

On The Low – Burna Boy

Soapy – Naira Marley (Winner)

Tetema – Rayvanny

Zanku (Legwork) – Zlatan

Video of the Year

49-99 – Tiwa Savage by Meji Alabi (NG) – Winner

Dangote – Burna Boy by Clarence Peters (NG)

Jericho – Simi by Adasa Cookey (NG)

Ngwa – Blick Bassy by Tebego Malope (SA)

Ohema – Kuami Eugene by Rex (GH)

Song of the Year

Jealous – FireBoy DML (NG)

Killin Dem – Burna Boy (NG) – Winner

Malwhede – King Monada (SA)

Soapy – Naira Marley (NG)

Tetema – Rayvanny (TZ)

Zanku (Legwork) – Zlatan (NG)

Baby – JoeBoy (NG)

Case – Teni (NG)

Dumebi – Rema (NG)

Fetch Your Life – Prince Kaybee (SA)

Jama – DJ Mic Smith(GH)

African Artiste Of The Year

Burna Boy (NG) – Winner

Davido (NG)

Diamond Platnumz (TZ)

Shatta Wale (GH)

ShoMadjozi (SA)

Tiwa Savage (NG)

Wizkid (NG)

Yemi Alade (NG)

Excellence in Philanthropy: DJ Cuppy – Winner

Excellence in Sports: Anthony Joshua – Winner

Excellence in Social Entrepreneurship and Digital Influence: Bright Jaja – Winner

Community and Socio-Political Development: Adebola Williams & Jude Jideonwo – Winner

Excellence in Music: Innocent Idibia (2Baba) – Winner

 

Burna Boy win the awards for Best African Artist of the year, Best Male MVP and Song of The Year.

Burna Boy picks up two nominations for 2020 BRITs Awards

Over the weekend, nominations for the 4oth edition of the BRITs awards were announced, with prominent UK artists like Dave, Stormzy and Michael Kiwanuka amongst those leading the charge with multiple nominations. Most notable for fans of afropop are the two nominations for Burna Boy, further embellishing his dominant run in 2019.

Burna Boy is nominated for Best International Male Artist, while his Uber-successful collaboration with Dave, “Location”, is up for song of the year. These are the latest nominations for Burna on a global stage, following his Grammy nod from late last year. The 2020 BRITs will take place at London’s O2 Arena on February 18, hopefully the African Giant adds to his trophy collection on that day.

Image Credits: Youtube/Tidal; brits.co.uk

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


IMPORTANT READ: BURNA REBORN

Essentials: ‘Gold’ is a stunning debut EP from the talented duo, Tay Iwar and Le Mav

Earlier this year, Tay Iwar released ‘Gemini’, his stunning debut LP under the Soulsection imprint which housed standout cuts “Fools” and “Stranger” produced by 80s sound proudcer, Le Mav. With the producer-artist chemistry they shared on these earlier songs, it is no suprise that the pair have formed a new band under the moniker Gold and released their eponymous joint EP last Friday.

The stunning 8-track project from the talented duo spotlights more of Tay Iwar’s sonically charged vocal abilities and his knack for murdering any beat he is given. ‘I literally just chose what I liked. That’s how similar our tastes were’ admits Le Mav, revealing to me how easy it was to make beats tailored for the Abuja-based Soulsection artist.

The project opens with “Seal”, a flamboyant cut on which Le Mav taps into the summery vibe of dancehall, which is deeply sated with heavy bass drums and lightweight supple guitar riffs. ‘You’re sexy and my life is wavy/All I see is golden’ comes Tay Iwar’s rich silvery voice, setting the free, spirit-filled tone of the entire project which seems to centre on having a good time above everything else.

On “Champion” Le Mav opts for a more mellow beat, as he ditches the summery vibe of “Golden” and switches the track’s direction to a pitched-down drum-led beat which provides the perfect backdrop for Tay Iwar’s more suggestive lyrics. ‘Tell me how everyone’s tryna put me down/but it’s your waist I be calling all season’ he sings, addressing an unnamed muse who throws him off balance with her salacious body movements.

https://www.instagram.com/p/B6DoFacF1Be/?utm_source=ig_web_copy_link

The project’s two pre-released singles “Heat” and “Golden” follow each other sequentially, with “Golden” being a bouncy, conceited cut that addresses a breakup caused by Tay’s new found fame and resulting ego while on “Heat”, the focus is on the carefree, hedonistic lifestyle he is currently entangled in. This hedonistic approach to life follows through on “Ricochet” a catchy number on which Tay sings , ‘Life is forever/I don’t need forever’ as he realises problems don’t ever go and turns his focus to making money and living in the moment.

The tempo begins to pick up on “Gun Fighter” which sees Le Mav tapping into catchy, upbeat drum and percussion sets primed for dancefloors. ‘Waist killer she don’t believe/Bad girl you can put that work in’ Tay Iwar sings, suggestively singing about enchanting women he encounters on the dance floor. Esskay joins Tay Iwar for the song’s uptempo hook, ‘I hit her with the gunfighter’ comes his husky voice as he delivers a stunning verse that sure to get everyone moving.

The project closes with “Karma” which Tay Iwar uses to deal with the consequences of his carefree actions. ‘I-I-I don’t need bad karma anyway’ he sings over the bouncy, bass-drop beat Le Mav produces. Tay Iwar addresses a past lover, who he says changed overnight as he tries to free himself of the guilt attached with leaving her.

At the end of the short-but-sweet project, we’re left wanting more from the producer-artist duo, ‘Gold 2 is already in the works’ Le Mav makes known to me, determined to make their band, Gold a stunning powerhouse that can rival all other producer-artist pairings.

Featured image credits: instagram/ternaiwar


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Showdem Camp welcome us aboard ‘Palmwine Express’