Wizkid’s ‘Made In Lagos: Deluxe Edition’ is finally here

Wizkid’s Made in Lagos’ came to us at the tail-end of one of the most difficult years in living memory. Released 10 days after the military opened fire on protesters at the Lekki Toll Plaza, the album was a much-needed salve for the specific moment it arrived in, helping some get through the wave of confusion and emotional uncertainties of those chaotic days. As if the stakes of its arrival weren’t heightened enough, ‘Made in Lagos’ was Wizkid’s first full-length effort in four years, following the experimental, if highly underrated, ‘Sounds From The Other Side’.

 

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Upon release, ‘Made in Lagos’ received praise for its subtle rewiring of the sonic texture of the patented Afrobeats sound and Wizkid’s visionary execution. Needless to say, ‘Made in Lagos’ has gone to become a success and is already being tipped to become a modern classic that will serve as a touchstone of the culture in the years to come. More importantly, the success of Made in Lagos has spun another tun for Wizkid in the American music industrial complex with the Tems-featuring “Essence” cracking the Billboard Hot 100 charts, marking Wizkid’s first appearance on the charts as a solo artist.

Two weeks ago, Wizkid shared a Justin Bieber-featuring remix of “Essence” and announced that a deluxe version of Made in Lagos was forthcoming. Today that deluxe version has arrived, with the 14 original songs from Made in Lagos joined by four new songs including the Justin Bieber remix of “Essence” that is currently at number 16 on the Billboard Hot 100 charts. The first thing we notice on the deluxe is that the cover art has been updated with a more visible picture of Wizkid’s face, even if his hand is still in a clasped position.

The new additions are similarly in tune with the mid-tempo vibe of the original version: “Anoti,” produced by rising producer, P.Priime, is a sensual-themed number that is undergirded by alluring guitar riffs while Wizkid’s vocals swim along as he continues to express a desire to explore all available options to him on a steamy night out; unfortunately, Bella Shmurda could not take a more prominent place on “Anoti,” but his distinctive vocals undergird the song. Singer, Buju, joins Wizkid on “Mood,” translating a moody overcast into a thesis on the satisfaction that one can derive from spending significant time with a lover. Buju’s dulcet vocals flow into Wizkid’s lucid verse on relaxation and taking care of a lover, it’s a formula that is now the de facto of Nigerian pop.

“Steady” is a sticky R&B song that tunnels into Wizkid’s desire for something more permanent. The pop icon is at his most unhurried while a revamped loop of Tay Iwar’s voice produces counterbalance to his calm reflection on his woman over a simple percussive instrumental adorned with fleeting horn interludes. The remix of “Essence” with Justin Bieber closes out this deluxe version of Made in Lagos showing Wizkid’s integrated vision for the Afrobeats sound.

Stream ‘Made In Lagos: Deluxe Edition’ below.

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NATIVE Premiere: Get An Exclusive First Look At Psycho YP’s New Video “Euphoria”

2021 has undoubtedly been a good year for rappers all over Africa. From Blxckie’s ‘B4NOW’ to Blaqbonez’s ‘Sex Over Love’,  rappers have consistently made defining statements that have showcased their undeniable star power. Psycho YP is certainly not left out of this conversation as his newly released EP, ‘Euphoria’ sets out to make a mark in the Nigerian Trap and Rap scene. 

The 9-track EP which he released a day ago, is a compilation of cross-continental records within the soundscape of Afro-infused Trap music which the Abuja-based rapper helped pioneer since his early work. With help from some of Africa’s most promising rappers including Alpha P, J Molley, PatricKxxLee, and TrillTega, ‘Euphoria’ is an otherwordly exploration from one of Nigeria’s most promising rap voices.

 

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In typical Psycho YP fashion, the lead single “Euphoria” comes accompanied today with a new video release that broadens the world around the newly released project. The Ceeander Ent-directed cut seamlessly matches the song’s spellbinding lyricism and hard-hitting bars.

In the video, we see a jaded YP delivering his verse while experiencing an out-of-body experience as he lays on a large size bed. From the trippy effects and his unusual ability to fly a few feet off the bed, it’s clear that Psycho YP is feeling himself in the most ecstatic way as he sings over the futuristic production of the track. The video captures the artist in complete awe of his environment, expressing the trippy feeling which happened to be stimulated by several psychedelics.

Get an exclusive first look of “Euphoria” exclusively on the NATIVE.

Featured image credits/Masonskirt

Hot Takes: Only Fans, Tiffany Blood Diamond, Love Island Finale & More

With August almost out the way and the summer days rolling on, we’re counting down to a very special announcement here at the NATIVE, and things have been busier than usual. Our NATIVE Sound Production Camp just kicked off in London this week and we’re so excited to see our in house team and friends cooking up some heat for something special coming very soon.

Even in the middle of a global pandemic, the wheels of pop culture never stop spinning, and over the past couple of months, the cultural moments that have collectively got us through the tough times have only become wackier and more bizarre with each passing day. Some things fade away quickly while others linger for weeks or months, taking space on our social media timelines and populating every conversation with friends, with the ability to change the shape of mainstream popular culture.

From DaBaby exposing Hip-Hop/Rap’s blatant homophobia to Saweetie and Quavo’s epic breakup and now reunion, there’s never a shortage of pop culture moments that deserve our hot and sometimes unpopular takes. This week, I take the lead on Hot Takes after weeks of going dark to bring you my picks for the week including blood diamonds, the anticlimatic Love Island finale, Only Fans losing the plot, and more.

What I’m currently listening to

I’m not particularly listening to anything of note currently because I’m always super jaded when I return from a long hard day of creating the content you need. However, recently, I have found myself giving Ayra Starr’s debut album ’19 & Dangerous’ and Liya’s debut EP ‘Alari’ a couple of spins. They’re both really fun albums by two rising talents in Afropop’s new vanguard who have an inspiringly firm sense of identity and a powerful voice. The other day Dennis said in our newsroom that female Pop is probably at the highest peak its been in a while again and now, I kind of get it. Women have been holding it down in Pop for a long time but there’s no denying that they’re often pitted against one another or maligned by their fans looking to crown only one woman at the top. Now Tems, Ayra Starr, Liya, Fave, Tsuni, Somadina, and more are redefining Afropop on their own terms.

What I’m currently watching

I haven’t really been tuned into much this week except catching up on Gossip Girl episodes. However, earlier this week, Ryan Murphy’s Hulu series ‘American Horror Story’ celebrated its 10th year anniversary so I’ve spent most of the week watching episodes when I can in between breaks and before bedtime. I’m not sure if this exactly counts as horror maybe soft-horror but I do love watching films and series in this genre. It’s amazing to see how far the AHS franchise has come. Tweet me your favourite season?

 

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Justice for Kaz and Tyler

A Black couple might have made it to the Love Island finale for the first time ever, but they certainly didn’t take home the £50k and win the game thanks to the UK’s ingrained racism. Despite being one of the most unproblematic and the most compatible couples in the villa, Kaz and Tyler were passed up for the win to Mille and Liam and Toby and Chloe but the shocking twist came when even Faye and Teddy scored higher votes than the pair. Even though we all watched a woman verbally abuse and harass her partner, and hit the record for the highest number of Ofcom complaints, we still devastatingly watched a good couple get last place votes because of the colour of their skin.

Kaz was often branded as aggressive on social media, despite being one of the more collected and articulate contestants. As with previous Black contestants, she wasn’t given the same access to public forgiveness as their white counterparts and was simply written off and faced harsher criticisms than her castmates who were dished nothing more than a slap on the wrist. Well, it seems that Black Twitter is definitely not letting up this time around. Although the season promised to be the most diverse season yet, it failed miserably at delivering such and missed an opportunity as a show with a huge platform to create a worthy standard that could be emulated by other reality dating shows of today. Disappointing and can’t say I’ll be tuned in to the next season. #JusticeForKazandTy though!

Dripped in (Blood) Diamonds?

Is this your Queen?! Earlier this week, Beyoncé received some pushback after donning a rare diamond from South Africa in a Tiffany & Co. campaign. In the past, the diamond has been worn by Audrey Hepburn and Lady Gaga and is worth an astonishing $30 million (about £22.9 million) making Beyoncé the first Black woman to wear the diamond which was originally extracted from the Kimberly Mine in South Africa in 1877.

But having any sort of firsts for Black people in 2021 is not the celebratory moment most people are making it out to be. More than this, a Black woman wearing a diamond obtained by colonial powers through illegal means is certainly not the news that many of us want to hear this week. But really my take on all this is what do we really expect from a couple that has previously sang “At the Saxon Madiba suite like Mandela/Bumpin’ Fela on the Puma jet, like we from Lagos/Mansa Musa reincarnated, we on our levels,” on ‘Black is King’, an album executively produced by Beyoncé and in collaboration with Disney.

 

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Tell those aunties I’m a bad bitch

I haven’t really been tuned into Big Brother Naija this year but I’ve been able to catch glimpses of everything going on in the house from my Twitter timeline. Notably, we’re all discussing how much Big Brother is too much Big Brother when the memories of Erica, Laycon, and more from the lockdown edition last year are still permanently etched in our memories. The gist this season seems to be that there’s a dearth of content brought about by the fact that the housemates this year just aren’t fun or engaging enough. A contributing factor to this current plight seems to be the vast age differences between many of the contestants with some on the lower-20s spectrum and others on the early to mid-30 spectrum.

These age differences already seem to be playing out in the house. It seems that the older men or women are unwelcoming to this season’s Gen Z queen, Angel who’s been endlessly slut-shamed and berated since she joined the season over a month ago. By viewers and her fellow housemates alike, Angel has faced opposition for the way she chooses to dress, the things she says, and the men she’s associated with. With the way she seems to be constantly piled on (yes I saw the Sammie episodes), it’s hard to forget that she’s a 21-year old woman trying to navigate her way through a reality television show in one of the most conservative nations on earth. The more I see Angel slut-shamed and put down by other older contestants, the angrier I am and the more I just want these aunties to know that she’s a bad bitch and we all support her all the way! #TeamEmoSlutz

Only Fans lost the plot

Earlier last week, it was announced that Only Fans, the subscriber-based video and audio platform would be banning explicit and pornographic NSFW content on its website starting in October. The company’s valuation went up to more than $1 billion dollars in the past year, following the effects of the socially distanced lockdowns which had more people indoors and glued to their phone screens. A large majority of this valuation was due to the milieu of adult content that lives on the platform which has attracted many subscribers and consumers from around the world.

So, it seemed abrupt that Only Fans would suddenly be pushing out the very industry it should have been keeping close to its chest. OnlyFans founder and CEO Tim Stokely put the blame for the porn ban on international banks in an interview with the Financial Times, saying that banks including JP Morgan Chase, Bank of New York Mellon and the U.K.’s Metro Bank had cut off OnlyFans’ ability to pay creators. While the ban has now been reversed, with Only Fans reneging on the suspension later this week, sex workers and adult content providers cannot trust that ban like this will not happen arbitrarily again. I, personally don’t trust anyone willing to chuck out sex workers on a whim after gaining popularity as a result of this industry.

Featured image credits/NATIVE


ICYMI: With Darkoo, You Always Get Twice As Much

Get To Know FreeBornNoble, the first-ever Black hair vendor on Love Island UK

This week, after months of tuning unto our television screens to watch the sizzling romance between hot singles, the seventh season of the Love Island UK franchise came to an end. Contestants, Millie and Liam may have had all the attention on them as this season’s official winners, however, it’s clear that everyone’s also raving about runner-up Kaz Kamwi and her man, Tyler who have become one of the season’s favourites.

The finale is memorable for a number of reasons. Firstly, an all-Black couple had made it to the season finale, a novel occurrence in the show’s 6-year history. Kaz’s appearance all through to the finale also stoked the embers of another popular conversation on the reality dating show as many debated and discussed her hair which was mostly worn in a wig or a bonnet for the entire season.

Over the past few iterations of the show, Black women have come and gone without much care and protection provided for their natural hair or their silky human hair bundles. Instead, Black women’s hair has oftentimes become the butt of many jokes as viewers have consistently teased their leave outs, the wig choices or their lack of proper maintenance. Well, this year, that seems to have changed as the Love Island producers contracted the show’s first-ever Black hairstylist: FreeBornNoble wigs.

FreeNobleBorn Hair and Wigs is an Irish hairstyling company based in Dublin which specialises in the highest grade of virgin human hair extensions, lace systems, hand and machine-made wigs. According to the company’s slogan ‘Creates with Desire’, each unit is slayed to perfection for the individual wearer with an aim to create hair that is both healthy and fabulous. The Irish company has gained a reputation for selling and using responsibly sourced virgin hair.

Though this will be the company’s first time sourcing hair for an entire season, it won’t be the first time that Camillat Mashaun, the 27-year-old Black founder of FreeBornNoble will work with Love Island. According to the brand’s Twitter account, they came to the rescue of fellow Irish Love Islander, Yewande Biala during the show’s season five.

Apart from selling the best quality of products, FreeNobleBorn also ensures that they are fully involved with the distribution of the hair all the way from the production process to the retail level to its final consumer. FreeBornNoble does not only make or produce the wigs but also sells products that assist in hair maintenance and educating the clients on the best ways to ensure the wigs last longer and remain in the best condition. They make available affordable hair products to push the initiative of getting the best out of your hair. The Black-owned hair company occasionally holds seminars and masterclasses to teach people how to get more acquainted with their wigs by learning how to colour, style, make and adjust their wigs. It seems that the producers are finally paying attention to their Black audience and contestants for a change.

In ITV’s efforts to become more diverse, they have contracted a Black hair vendor capable of ensuring that its Black islanders are also taken care of and complemented as much as their white counterparts. With all these put in place, ITV still has a long way to go but it hasn’t always been the case. Contracting FreeBornNoble for the entire season was definitely a step in the right direction, however, the show still has a long way to go to create an environment in its challenges that isn’t unwelcoming to Black hair.

Featured image credits/NATIVE


ICYMI: With Darkoo, You Always Get Twice As Much

Track By Track: Psycho YP Walks Us Through His New EP ‘Euphoria’

PsychoYP’s strength as a Trap and Rap artist is near faultless. In the conversation surrounding the state of Trap in Nigeria, YP’s consistency in the art poses a possible solution to the question of the genre’s mainstream viability. From the UK to the Capital City of Abuja, the 22-year old rapper continues to tie different cultures together through his artistry. He never fails to brag about how he has managed and continues to, make a name for his city in this oversaturated music industry – “And I put my city on the map, and I got them on my back.” Psycho YP’s evolution as an artist is not just remarkable, it is truly distinct. 

With an ever-growing audience, the young rapper with every project manages to refine his craft and sound. In 2016, he set his career in motion with his first tape ‘Lost In The Sauce’, an album that captures the artist spitting bars over heavy clear and distinct Trap beats. His debut mixtape ‘YPSZNcame in June 2018 and a year after, he followed up with his sophomore mixtape ‘YPSZN2′The body of work that gained him his rise to fame as the rapper shows off his abilities track after track. The ongoing effect of the mixtape seems to be evident as the mixtape ‘YPSZN2‘ earned him a nomination spot at the Headies Awards 2020 for ‘Best Rap Album’, alongside AQ, Illbliss and more.

As fans, we were expectant of a ‘YPSZN3‘, but Psycho took us by surprise last month, announcing the release of his new EP ‘Euphoria’. This tape, which he describes as personal to him, is a balance between sonics and themes; “This project is going to do a lot for the trap scene in Nigeria he says over a zoom call.

In an exclusive track-by-track breakdown, PsychoYP offers a window into what each song on ‘Euphoria’ is about.

 

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 Big Moves 

This song basically is the intro. It’s a song I recorded off a BTG and Malik Bawa beat and when I finished recording the track, I knew it was definitely an intro track. It was either going to be for this project or another project. I eventually sent the song to [another producer I work with,] Ileri, because I felt like the beat was missing something, and he finished it up and that just had to be a track one.

+234 (Daily Paper)

+234 is actually one of my favourite tracks off the project. Recording the track was crazy, I was with Jaylon in Birmingham in this crazy apartment and from where we were, we could see more than half of Birmingham. It was a mad view and this was like 7am. But yeah, this track is a track for every Nigerian to be proud of based on the +234. I don’t really pick anything Nigerian on that track but, I mean, be proud still.


Industry N****s

The song is for “Industry Niggas” – I mean the second verse of this track is for industry niggas. The first verse is just for verse sake, but you see the second verse is where I really got into the beef with industry niggas. 

Guapane$E

This one is also one of my favourites as well but it’s kind of old. I recorded this in Manchester when I was still in my last year of uni or during my masters, one of them. But yeah, it was before COVID and it’s one of the oldest tracks on the tape. I recorded this and sent it to RassTokyo, he recorded a verse, sent it back, [and] then I sent it to TrillTega. [TrillTega] recorded a verse as well and sent it back and yeah, the track was done. I don’t even have a verse on that.

Target 

Target was just one of those songs that, from the beat, I just knew I had to do something crazy on this and I don’t usually write so I just started recording. At that time, I was talking to J Molley so I just sent him the song and a couple others, and he sent me back the verses and I just picked the best one to drop at the time. 

Smoke 4 Free

This was also produced by one of the producers on track 1, Big Moves. The track was recorded in Abuja at like 3/4am. BTG sent this beat to this group chat and said nobody wanted to hop on the beat and I knew this was something I’d have done easy. And, well, I did. It’s also one of my favourite tracks, I literally performed it like 2 weeks after recording it sometime in Abuja. 

In Peace

“In Peace” is another crazy track produced by Jaylon, recorded in Abuja as well. I love the song so much, I literally shot a video for it not too long after I recorded the song. You just need to listen to the song to really understand it. It’s basically kind of like an interlude type of thing and has skits on it as well.


6 Feet Deep

Alpha P and PatrickxxLee went crazy on this track actually. Big shoutout to those guys. Alpha P always comes through for me and PatrickxxLee and I have a couple of songs together. We had been working on a lot of stuff together and luckily enough, I get to put out one of the first songs we’ve worked on together so yeah, that’s another very interesting song.

Euphoria

“Euphoria” of course, Ramoni produced that special song, backup vocals by Azanti and yeah, a video ready. I was still in Birmingham, same apartment, same view and Ramoni sent a couple of beats. He sent this beat he made in 2018 or so and it was this Euphoria beat. I asked if he still had the file and yeah he did and I just knew I was going to do something crazy on the beat. [For] most of the time, I just let the beat let me know what to do. It’s not really what I’m thinking about or what I’m going through at the moment, It’s really just what the beat is telling me to do, and yeah, the song came out.

Stream ‘Euphoria’ in full below.

Featured Image Credits/AbdullahiAli


ICYMI: All We Need To Know About Wizkid’s ‘Made In Lagos – Deluxe’

Diamond Ring, a Classic Nollywood Thriller Is Getting A Remake

Over the past few years, Nollywood media houses have continued to acquire the rights to classic films from our collective past. So far, we’ve seen titles such as ‘Living In Bondage’, ‘Glamour Girls’, ‘Aki and PawPaw’ and more get befitting remakes or sequels with a modern twist. Many of these titles have met the much-needed demand for nostalgic content, particularly last year, during the socially distanced lockdowns.

As the industry continues to develop and rub shoulders with other local industries such as Bollywood and Hollywood, we’re seeing a continued shift in the quality of films that we’re receiving these days. Gone are the days where Nollywood films were bogged down by bad graphics, poor sound quality and shoddy special effects, now, many of our favourite classics from way back then are getting befitting remakes that develop the stories and characters beyond what they were in the ’90s.

 

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The latest film to receive a remake will be the 1998 classic thriller, ‘Diamond Ring’ which was originally released in two parts back then. The original film which starred our Nollywood favourites including Teju Babyface, Sola Sobowale, Richard Mofe Damijo, Bimbo Akintola and more, follows the story of Chidi, a university freshman who steals a valuable diamond ring from the corpse of a dead woman in an attempt to impress his peers in his cult. ‘Diamond Ring’ which was initially written, directed and produced by Tade Ogidan then takes viewers through the thrilling tale of Mrs. Glady’s spirit which begins to torment and terrorise the cult members.

Play Network Studios, the production company responsible for the remakes of the sequel to ‘Living In Bondage’ as well as the remakes of Amaka Igwe’s ‘Rattlesnake’ and Zeb Ejiro’s ‘Nneka the Pretty Serpent’ have recently announced that they have acquired the intellectual property rights for the film’s remake. Charles Okpaleke, the network CEO shared the announcement via his Instagram stating that “This might probably be the last movie under the ‘Play Network Nostalgic Collection.” There is no official release date yet. 

You can watch Parts 1 & 2 ‘Diamond Ring’ here.  

Featured image credits/PlayNetworks


ICYMI: Blood & Water Is Returning To Netflix This September

Songs Of The Day: New Music From Don Jazzy, Burna Boy, Niniola & More

More than most people, the team at The NATIVE knows that the sheer scope of music available to us at this exact moment in human history is mind-numbing but our goal is still the same as always: we don’t want exciting music to be slept on. That’s where our Songs of the Day column comes in. We try to keep our fingers on the pulse of music from across the continent and beyond, bringing you exciting songs from talented musicians who are continuously trying to bounds of artistry with their music.

Song of the day is perfect for everyone who is a pioneer in developing their sound and taste. A tweak here and there in your library is always needed and encouraged. Be that friend that puts others on to your ears so they can possess the soundtrack to your mind and at the same time elevate theirs. On Friday, we had a soothing collaboration between Tiwa savage, Tay Iwar, Mayorkun and many more. Today’s column brings you the sounds from Zamir, Niniola, Eugy, Show Dem Camp & more. Enjoy.

Burna Boy – “Question” ft. Don Jazzy

For his second official single of the year, Grammy-award-winning artist Burna Boy is nostalgically taking it back to older and simpler times. Following the release of “Kilometre”, the Port Harcourt-raised singer has struck back with the release of the Don Jazzy-produced number titled “Questions.”

The befitting new collaboration finds both artists delivering relatable lyrics about life in these parts over a catchy and memorable beat. “Question but dem no get answer/Anything wey you wish, that be your portion/Na by the grace of God and Insha Allah we dey move am,” he quips confidently over the song, speaking directly to the naysayers and reminding them of the grace of God on his life. The accompanying TG Omori-directed video features nostalgic clips from hair salons and barbershops that will surely resonate with anyone who grew up in these parts.

Zamir – “Amnesia”

Zamir has been gearing up for the release of a new project titled ‘FLOWERBOI4000’ which is slated for release later this year. All year long, he’s been expanding the world around the upcoming project with new releases including the Odunsi The Engine-featuring “LUV HRTS” and the dndSection-assisted “A.Iverson.” His latest release ahead of the project drop is the catchy new number titled “Amnesia.”

On this high tempo alternative track, he sings “Baby I need you, wanna spend all night with you/ Baby I won’t forget you” as he addresses a love interest directly and promises to never forget her despite suffering from moments of amnesia. Her effect on him is so lasting and strong that he never wants to forget her and he goes ahead to praise her “told her baby you a G.O.A.T” showing just how highly he regards his lover.

Oladapo – “Alone”

Oladapo Tunji popularly known as Oladapo is an Afrofusion Nigerian artist stretching the boundaries of the Afropop genre with neighboring sounds. Recently, he debuted his first single of the year titled “Alone” which is set to feature on his project titled ‘Blind’ which is set for release next month. The catchy Ppriime-produced number finds the singer speaking on the inevitable attraction he has nurtured for a romantic interest. Although the song title would suggest a sombre mode, the song is uncharacteristically upbeat as the singer addresses his lover and pleads with her not to depart from his presence.

Juls & Niniola – “Love Me”

British-Ghanaian producer, Juls is gearing up for the release of a new project. Earlier this year, he released the Tay Iwar-assisted “Chance” and the Knucks, Sam Wise & kadiata-featuring “Wicked” to whet fans appetites for what was to come on the project. To double down on this, he’s now just released a new single titled “Love Me”, this time featuring the Queen of Afro-House herself, Niniola.

The song is an Afro-fusion affair replete with smooth percussion, groovy tempos and traditional Afropop drums that harken back to the funk and jazz-influenced sound of Afrobeat pioneers such as Fela Kuti. The infectious rhythm provides the perfect backdrop for Niniola to spit out her romantic lyrics as she implores with a muse to take a chance on their shared love. The accompanying Ray Fiasco-directed video doubles as a short film that follows a vibrant and colourful story of a beautiful woman with a dark secret.

May D – “Dodo”

For the past few months, May D has been making his return to the music scene with a string of new releases. His first official single of the year “Dodo” is his latest offering for his loyal fans that have stayed with him through the years. On the Dante-produced single, he quips “Orobo toh bad, in the right place/I really don’t mind, all I need is you,” addressing a love interest and showing off his affection for her. Over an Amapiano-influenced beat, he delivers a romantic track sure enough to swoon his lover while having her grooving and dancing to the beat. This is definitely one to add to your playlist this week.

Laime – “Money medicine”

Nigerian rapper Laime is gearing up for the release of his debut project ‘If Summer Happened’ early next month. Ahead of this, he’s shared new singles including the Psycho YP-assisted “Purple Rain” and “Money Medicine” which were released a few weeks ago. While he continues to unveil the world around the project to listeners, he’s just released the video for the promotional single “Money Medicine” to whet fans appetites for what’s to come. The noir-inspired visualiser finds the rapper delivering his hard-hitting verses while cruising through Lagos streets with stacks of cash to match his baller lifestyle and uber-cool lyrics.

Ogranya & Show Dem Camp – “Gbese”

For his latest musical effort, Nigerian singer Ogranya has just teamed up with rap duo Show Dem Camp for a new mid-tempo number titled “Gbese.” The smooth-sounding number finds the singer delivering a sombre and memorable hook as he attempts to convince his muse of his affection for her. He’s joined by SDC on the song’s verses as they deliver catchy rhymes about the woman in their lives. “Baby you’re far away but I need you next to me/Gbese re oh,” quips Ogranya on the song’s hook, turning his romantic intentions into the stuff of singsong choruses with ease.

Timaya ft Phyno – “Eff All Day”

Timaya and Phyno have just come together for a new catchy single titled “Eff All day”, the pair’s first collection since they initially worked together on 2017’s “Telli person.” The new single finds both men speaking their unfiltered minds as they chastise naysayers, ignore the bad vibes, live their best lives and focus on the spate of beautiful women that they consistently come across.

Eugy Official ft Falz, Medikal, Kwesi Arthur, D-black – “My Touch Remix”

Earlier this summer, a British-Ghanaian singer, songwriter and producer released the infectious number titled “My Touch” which has become an instant fan favourite. To double down on this, he’s just hit back with the song’s official remix which features a host of African talent including Falz, Medikal, Kwesi Arthur and D-Black. The new release features a rapid-fire hook accompanied with a catchy hook that will surely soundtrack all your dancefloor activities as the summer days roll on.

Featured image credits/Instagram


ICYMI: DEELA is unafraid to speak her mind

Meet Khaby Lame, the Senegalese comedy star taking over TikTok

Comedy has always been a currency to wrangle Internet fame. Over the years, the face of comedy has consistently shifted, moving from live in-person comedy experiences to staying connected through social channels from Vine to Thriller to TikTok and more. In the past few months especially, the need for laughter and moments of joy has mattered more than ever before. The lockdown period during the peak of the pandemic has heightened the need to connect to others through the sharing of laughter.

Through these difficult times, internet comedy soared, bringing joy and light to many people around the world and providing them healing in a time where we were disconnected from loved ones. It is in no way news that TikTok became one of the most engaging platforms this year with the power to connect people around the world through the shared language of laughter.

 

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Names such as Elsa Majimbo, James Brown, and more have populated timelines as their distinct brand of comedy met the demand for much-needed entertainment. Their ability to connect to people and make them feel seen while maintaining their unfiltered sense of confidence has made them popular fixtures on the Internet. Among this new generation of comedians is 21-year-old Senegalese TikToker, Khaby Lame who recently made comedy history as one of the most followed Africans on TikTok with over 100 million followers.

Born Khabane Lame but better known as Khaby, the young African TikToker based in Italy made viral fame last year during the lockdowns last year. He is known for his short comedy skits where he sarcastically points out people who make simple tasks seem difficult. The 21-year old comedy star first gained traction for his videos in 2020 after losing his job as a CNC machine operator in 2020 and taking to online comedy to pass away time.

From factory work to fame, Khaby’s job loss gained him enough free time to build on his comedy skills and create his own brand of humour–making people feel silly. Whether by divine faith or not, the young star has been able to break the mold and stand out at a time where many were looking for a distraction from the traumatic events of the past year.

 

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Now Lame’s star is shining brighter than ever. Over the past few months, he’s built a network of loyal followers moving from 40 million to 65 million TikTok followers between April and June this year. Over the past few weeks, these numbers have only continued to increase as he hit the 100 million follower mark on the video-sharing app. The ‘Gen Z Mr Bean’ as he’s called, is only rivalled on TikTok by Charli D’Amelio, an American teenager whose dances have attracted him over 122 million followers on the platform.

With a growing network of followers and fans, the TikTok megastar is only expected to soar higher in the coming months and his current win could hint at TikTok’s eventual foray into African-focused content. Recently, in July, the Chinese-based app announced a cash grant for 20 South African creators for a sum of 860,000 rands (approx. $57,000) in addition to mentorship on content creation and curation. It’s already begun scouting local influencers on the platform in preparation for a full African roll-out. While it’s yet to be seen how this will take off in the coming months, it’s a step in the right direction for young comedic talent on the African continent.

Featured image credits/NATIVE


ICYMI: Osita Iheme memes are now available as NFTs

All We Need To Know About Wizkid’s ‘Made In Lagos – Deluxe’

It’s 3 days to‘Made in Lagos: The Deluxe.’ After months of continued success and replays, Wizkid’s magnum opus is getting an extension, and being rereleased as a deluxe album. The 14-track LP came to us at one of the most difficult times, as it brought smiles to us following the harrowing month of EndSARS protests and the tragedy of the Lekki-Tollgate massacre. 

Since then, ‘Made In Lagos’ has truly proven to be the gift that won’t stop giving, and the album continues to increase in quality day after day. The success of the album is undeniable, and the reception all over the world is only further proof of this. Earlier this year, the Tems- assisted track “Essence”, debuted on the US Billboard Top 100 charts and continues to clinch further to the top 50 each passing day. Wizkid followed this up with a remix that featured Justin Bieber and alongside the release of the track, came the release date for the ‘Made In Lagos – Deluxe’, which is set to drop Friday, August 27th. 

 

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The deluxe version will host 18 tracks including all 14 tracks from the original album and 3 new tracks “Steady”, “Anoti”, “Mood” and “Essence Remix” featuring Justin Bieber. The album will feature returning producers P2J and Legendary Beatz, and will also feature Ppriime. “Mood” is rumoured to be produced by Jae5. Wizkid has also added another date 29th November, to the O2 Arena show due to popular demand as the first show sold out in 12 minutes and added new dates to the North America tour. He also might be announcing a Lagos show soon.

 

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Best New Music: Tiwa Savage provides an inspirational nudge with “Work Fada”

There’s a running joke that humans are the only beings on earth who have to work to live on the planet. It doesn’t take too long to realise that living to work is an inescapable part of the human experience. And in a world that has capitalism increasingly baked into its core and crevices, it’s not just about finding a means to sustain, to many, it’s working hard and smart enough to live a life of largesse. Within the framework of life’s ephemerality, this practice can be confounding – intimidating even – but it is aptly couched under the twin terms of purpose and fulfillment.

“Work Fada,” the intro track to the newly released first part of Tiwa Savage’s two-sided EP Water & Garri, is a balmy acknowledgment of life’s work-based cycle, and a bracing call to action for those who haven’t fully gotten with the program just yet. Reflecting Africa’s economic terrain, where millions of its young population are actively dealing with unfavourable factors in order to earn an honest living and live their best lives, Afropop has no shortage of songs aimed at inspiring its listeners to brave the odds. More than just being an addition to this fodder, “Work Fada” cuts through with its superb execution, a near-wholesome nudge that is as critical as it is warm.

 

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In the song’s opening moments, Tiwa Savage sets the scene with the imagery of someone who’s glued to his video games, will rather sit back and much on some chips – preferably Lays – and down one more bottle of Dos Equis beer, than be “productive.” In isolation, this habit isn’t ideal but it also can’t be categorised as deleterious to the person, that is until the stakes are revealed. “So you wan run run run run run the show,” she harmonises alongside Rich King on the bridge, an indictment on the sort of people whose work ethic and intellect don’t match their immediate wants and long-term ambitions. Expressing disappointment at this incongruity, Tiwa Savage’s voice embodies a motherly chagrin – or easy-going reproach of a cool aunt – the sort of genuine disapproval that stings even though the cadence isn’t harsh.

Complementing this perspective, Rich King comes across as the sagely friend who’s always been driven and acts slightly older than his actual years, while American rap icon Nas is the stately uncle with a chastising streak. Having already set up its character, “Work Fada” is something along the lines of an intervention with a broad interpretation. The lessons are abundant: envy doesn’t do much for your own goals (“heard you say they were pretenders”), time is a limited commodity, “go read some scripture, lazy boy,” tenacity is key (“it might take you years/to figure out the bolts and things”), and laziness is a sickness.

Produced by Rich King, the music on “Work Fada” bubbles constantly, an entrancing gumbo of Neo-Soul, Reggae and Yoruba Folk. It’s the perfect accompaniment to Tiwa’s soul-reaching coos, Rich King’s earthy intonations, and Nas’ conversational – if heavy-handed – counsel. When the tracklist for Water & Garri hit the internet, there was some trepidation on this particular song, considering Nas’ last collaboration with an Afropop artist wasn’t particularly well-received. The evident brilliance is further validation of Tiwa Savage’s ability to cajole fitting performances from her cross-Atlantic collaborators – in addition to this, Omarion and Sam Smith in the last few years, the EP houses another strong combo with R&B icon Brandy.

From a primary standpoint, “Work Fada” is a capitalist’s fever dream, an admonition to rise and grind relentlessly. What makes it truly affecting on a broad level, however, is the wiggle room it leaves in the understanding that people want different things for themselves. It’s not entirely explicit, but the message that an individual’s action has to match their personal intentions makes it quite apparent. Living to work can be daunting and exhausting, but Tiwa Savage, Rich King and Nas suggest that effort will always be meaningful, and they sound mighty convincing.

Listen to “Work Fada” here.

Featured image credits/NME


ICYMI: READ OUR 1-LISTEN REVIEW OF TIWA SAVAGE’S ‘WATER & GARRI’ EP

Turntable Top 50: Kizz Daniel holds steady at No.1 with “Lie”

In a show of his staying power, “Lie,” the comeback single by Kizz Daniel, has maintained the number one position on the Turntable Charts Top 50 songs, becoming only the third song after Teni’s “FOR YOU” and Burna Boy’s “Kilometre” to spend their first two weeks atop the chart. 

“Lie” tallied 51.8 million in radio reach and 2.5 million equivalent streams. Impressively, “Lie’s” second week on the chart still ranks as one of the biggest yet for any song, even surpassing the total chart points recorded by the song in its first week. 

Omah Lay’s “Understand” remains at number two after three non-consecutive weeks in the spot,  getting 1.71 million equivalent streams, 52.4 million in radio reach, and 12.2 million in TV reach while topping both the radio and TV charts this week. In the process “Understand” becomes only the fifth song ever to reach No. 1 on all four major charts published by TurnTable ChartsTop 50. 

Wizkid’s Tems-featuring summer hit, “Essence,” moves from number 15 to 3 after its remix with Justin Bieber. “Essence (Remix)” tallied 1.70 million equivalent streams, 50 million in radio reach, and 4.1 million in TV reach, recording its biggest week on the TurnTable Top 50 Chart. For this week’s chart, the chart points for both the remix and original version of the song count towards a single chart entry (the remix),  giving Justin Bieber his third top ten entry and highest-charting entry yet in Nigeria.

Adekunle Gold’s “Sinner” holds at number four after peaking at number three while YBNL signee, Fireboy’ DML’s, “Peru” continues to ascend on the chart, moving from number six to five. Ladipoe and Buju’s “Feeling” slides from number three to six and is followed at number seven by Ruger’s “Bounce.”

Rounding out this week’s top ten of the Top 50: Olamide’s “Rock” drops one position from number seven to eight and Patoranking’s “Celebrate Me” is steady at number nine while AV’s “Big Thugs Boys” falls five places from number five to ten. 

Just outside this week’s top ten, Ayra Starr’s “Bloody Samaritan,” off her debut album 19 & Dangerous’ soars from number 28 to a new peak of number 12 while Oxlade’s “Ojuju” debuts at number 13 in its first full week of tracking. 

Featured image credits/KizzDaniel


ICYMI: A 1-Listen Review of Tiwa Savage’s ‘Water & Garri’ EP

‘Blood & Water’ Is Returning To Netflix This September

Last year during the COVID-19 lockdowns, South African Netflix original series ‘Blood And Water’ took to our screens for the first time and had everyone gagging with its plot of secrets, teenage angst and never-ending drama. it quickly became a fan favourite across the continent and the diaspora as viewers sought out the truth about Fikile’s long-lost sister: Puleng.

Since the first season wrapped up last year, anticipation has been rife for the new season which will reportedly be returning to our screens this September. Announced just earlier today with the official trailer, the new season is set to launch on the streaming platform on the 24th of next month. 

 

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According to Netflix’s official press release, the long-awaited series will pick up right where it left off as viewers will get all of the answers that they have been waiting for. This new season promises to bring more drama, more entanglements, more lies, and a constant source of break up, make-ups, and drug deals in its wake.

The new season will be featuring returning characters Puleng, KB, Fikile and many more, and will also introduce brand new characters and new roles arriving with a spoon, ready to stir the pot of drama.

Watch the trailer for ‘Blood & Water’ below.

Featured image credits/Netflix


ICYMI: Ebony Life & Netflix set to release the second season of ‘Castle & Castle’

EbonyLife & Netflix set to release the second season of legal drama TV show, ‘Castle & Castle’

In recent years, Mo Abudu’s EbonyLife studios has emerged as one of the leading film production companies in Nollywood, especially as the local film industry attracts more international investors. In the last year, the production company has entered a partnership with Netflix to produce screen adaptations of two Nigerian literary classics, signed a first look deal with Sony Pictures Television, and most recently, is set to partner on an international film production on the life of Ramon “Hushpuppi” Abbas. There’s a lot in the pipeline for viewers to expect in the near future, and EbonyLife is clearly eager to deliver.

In partnership with Netflix, the production company is set to release the second season of its TV show, ‘Castle & Castle.’ A legal drama centred on the happenings in a local law firm headed by a married duo of high-powered lawyers. Starring Richard Mofe-Damijo and Dakore Egbuson-Akande in the lead, titular roles, the debut season tested the bonds of the firm and its main characters, leading to a deep fissure that has set the stage for its continuation. The second season, scheduled for an exclusive Netflix release on September 15th, is set six months after the first season’s finale and will continue to explore what keeps its main lawyer characters awake at night, while they fight for justice by day.

The second season will feature returning cast, including RMD and Dakore Egbuson, as well as Denola Grey, Blossom Chukwujekwu, Deyemi Okanlawon, Eku Edewor, Bimbo Manuel, and more. It will also feature several new cast members, including Bisola Aiyeola, Kenneth Okoli, Bimbo Ademoye and Mimi Chaka. “We are tremendously excited about bringing audiences the sequel to Africa’s first legal drama series,Castle & Castle,’ along with our partners, Netflix,” Mo Abudu said in a press statement announcing the upcoming second season. “Fans were riveted by Season 1, with a lot of talkability on social media, and we responded to their desire to see more. Castle & Castle’ Season 2 is a very sexy series and promises to deliver on high drama and some very unexpected twists and turns.”

The return of Castle & Castle,’ this time premiering on Netflix, has been teased since its first season made its way to the streaming platform. This release, along with the 7-part ‘King of Boys: Return of the King’ scheduled for late August, will set the tone for the slate of Nigerian-produced original TV shows that many have been expecting to land on Netflix since the streamer made its interest in Nollywood content explicit early last year. With these curtain-raising stakes attached to it, the second of “Castle & Castle” will be dropping to high expectations from Nigerian audiences, and hopefully, millions of viewers across the world.


@dennisadepeter is a staff writer at the NATIVE.


ICYMI: WE SPOKE TO DIRECTOR KEMI ADETIBA AND GATHERED SOME INFO ON ‘KING OF BOYS: THE RETURN OF THE KING’

Songs of the Day: New Music From Mayorkun, Tiwa Savage, Tay Iwar & More

More than most people, the team at The NATIVE knows that the sheer scope of music available to us at this exact moment in human history is mind-numbing but our goal is still the same as always: we don’t want exciting music to be slept on. That’s where our Songs of the Day column comes in. We try to keep our fingers on the pulse of music from across the continent and beyond, bringing you exciting songs from talented musicians who are continuously trying to bounds of artistry with their music. 

On Wednesday, we had a soothing collaboration between Duncan Mighty and Burna Boy, a new extended play from Yemi Alade, and soul singer Omawumi’s first album in two years. Today’s column brings you the lead single off Mayorkun’s wildly-anticipated sophomore album, a swanky collaboration between Tiwa Savage and Tay Iwar, and more. Enjoy.

Mayorkun – “Let Me Know”

The Mayor of Lagos is back in office. After thoroughly soundtracking the entire span of the 2020 COVID-19-enforced lockdown in Nigeria and the wider year with a breath-taking series of singles and features, Mayorkun retreated from public attention to complete his sophomore album. The first song off that body of work, “Let Me Know,” arrives today. Replacing the bombast of his 2020 offerings with mellow introspection, Mayor makes a series of promises to his love interest, assuring her of his affection over a mid-tempo instrumental adorned by warm fluttery melodies.

Tiwa Savage – “Special Kinda” (feat. Tay Iwar)

Last year, Tiwa Savage gave a stellar performance across the stretch of her third album, Celia, dexterously melding her pop sensibilities with eloquent songwriting. Tiwa’s latest offering, ‘Water and Garri’, sees her lean more into emotive songwriting, delivered over soulful beats. “Special Kinda,” taken from the five-track project, is a genteel, breezy collaboration between Ms. Savage and shape-shifting creator, Tay Iwar. Atop a lounging beat, they send a reminder of all the special things love can inspire.

Rooky – “Shiva”

On last year’s ‘Worlds Apart’, Saskatchewan-based Nigerian singer, Rooky, made a beautiful blur of sounds that crisscrossed genre boundaries, hopping between R&B, hip-hop, and Afropop influences while sharing snippets from his life. His latest release, “Shiva” is a melodious reflection on romantic couplings as he breathlessly switches cadences from syrupy-toned Afrobeats-tinged coos to more urgent patois across the song’s three-minute runtime.

Boohle – “Amawaza” (feat. Busta 929 & Mpura)

Making her mark last year with two formidable projects, debut LP Izibongo and Umbuso Wabam’nyama with ace Amapiano auteur Josiah De Disciple, Boohle established herself as one of the finest Amapiano vocalists in South Africa. Shortly after scoring two of her biggest hits yet, featuring on Mr JazziQ’s “Woza” and Cassper Nyovest’s “Siyathandana,” the velvet-voiced singer has just dropped her new EP, Sfikile. At the top of the 4-song set is “Amawaza,” a soulful banger that combines her evocative vocals with Busta 929’s inventive production, and features a lively verse from recently deceased Amapiano star Mpura.

Laime – “Money Medicine”

To get fans in the groove for his coming extended play, If Summer Happened, Laime has been sharing songs nonstop. Very recently, he released “Purple Rain,” a hypnotic collaboration with Psycho YP. This Friday, his latest release, “Money Medicine,” has arrived. A dancehall-inspired bop produced by Mike Misan, Laime is trying to prove his credibility to a love interest while reminiscing on the important landmarks that have delivered him to his present station in life.

Benji Flow – “Go”

Since breaking out with 2019’s “Deep End,” Benji Flow has been one of the UK’s most compelling up-and-comers. Crystallizing the song’s success with his well-received EP ‘Benergy’, his latest single, “Go,” is the beginning of a new era for the North London artist as he gears up for the release of another project to be titled The Thrill. Infused with Latin vibes, “GO,” as explained in Benji’s words, is about “my  fondness for a beautiful woman and wanting to take her higher than the sky, and closer to the moon!” 

Zarion Uti – “Tale Bana”

Despite COVID-19 disrupting the planned touchpoints of last year’s emPawa class, Zarion Uti’s momentum did not slow down. “Rain Or Shine” with Buju showed an inventive side to his music, and earlier this year, “PROUD,” a collaboration with Minz displayed his capacity for memorable lyricism. The nexus of both capabilities manifest on his latest release, “Tale Bana,” an Amapiano-inspired cut that is dialed to the maximum to soundtrack nights out.

Una Rams – “btb” (feat. Blxckie)

South African R&B singer Una Rams releases music sparingly, opting for quality over quantity. Three years after his last project, the singer is set to drop a new mixtape, hold me when it’s cold, next Friday. Ahead of the tape, he’s shared the second single, “btb,” a smouldering cut asking for passionate companionship from a love interest. Una Rams’ gentle rasp glides over the slow-burning yet snappy production, and he’s joined by emergent rap superstar Blxckie, who spins a formidable, melodic rap verse.

Featured image credits/Instagram


@walenchi Is A Lagos-based Writer Interested In The Intersection Of Popular Culture, Music, And Youth Lifestyle.


FOR THE GIRLS: DEELA IS UNAFRAID TO SPEAK HER MIND

A 1-listen review of Tiwa Savage’s ‘Water & Garri’ EP

At the top of this week, Tiwa Savage announced the arrival of her second-ever EP, one quick year after her latest album, Celia. A sprawling body of work,Celia took up significantly less space than it deserved, as patriarchal bias for the big three seemed to push Nigeria’s leading lady out of focus. But like Burna Boy after the 2020 Grammy L, Tiwa Savage isn’t dwelling in the disappointment. Wasting no time in coming back and better, today Tiwa Savage releases the front side of what is rumoured to be a double EP, ‘Water & Garri’.

 

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Last year featuring Sam Smith and Stefflon Don from offshore, and Hamzaa, Dice Ailes, Naira Marley and Davido hailing from the continent, though only five tracks long, ‘Water & Garri’ blows ‘Celia‘ out of the water in terms of its feature buzz. Unveiled on Tuesday, ‘Water & Garri’ features Nas (who equally featured on ‘A Better Time‘ last year), Tay Iwar, Amaarae and Brandy, the last two emerging the most anticipated credits.

Clearly flaunting her international record label contact list, as she taps artists from alternative music spheres, Tiwa Savage, through her features alone is ensures this project encapsulates every corner of the industry. This effort is by no means lost in the musical content either. An album full of surprises, ‘Water & Garri’ is a dynamic amalgamation of tastes and styles, woven together by Tiwa Savage’s purposeful artistry. But before I get ahead of myself and give the game away, here were my first thoughts of the project upon one listen.

“Work Fada” featuring NAS & Rich King

This production is fire. I love the jazz notes, this bass guitar is phenomenal, the chorus chants are fire. This is a very pleasant surprise from Tiwa Savage, this spoken-word delivery. Oh, Rich King is Yoruba? This is a really beautiful song and a very shocking and captivating album opener. Very powerful! The inspiration from classical African American genres of music is not only emblematic of her crossover but also is illustrative of her own American history.

I was just thinking how long this song is and then Nas breaks on with his verse which is obviously heavily conscious, in both lyricism and also the tone of delivery. I think my favourite part of this song is the “run” (or whatever they say) shout that keeps the song apace. Very clever. Very cool.

“Ade Ori”

Ade Ori is the only song that she goes solo. I am very confused about what’s going on, this feels very Tiwa Savage but then with a few too many elements. Like the harmony on the song’s pre-hook and her soprano vocalising – which sounds auto-tuned!??? – is just a touch much. Very glad that this one’s a short number because the noise was a little too… noisy.

“Tales By Moonlight” featuring Amaarae

Okay, I like how she’s taking sung rap inspiration from Amaarae already in this first verse. Tiwa Savage adores a chorus (as in choir, multiple people singing together, not a synonym for ‘hook’), and I love it too in her music. Okay, loving this uptempo reverberated hook. Reminds me of my favourite part in “PARTY SAD FACE”. Amaarae, ever so cool. The way she just glides onto records, with no fanfare, no fuss, she just slides into our ears and kills it. I wish her verse lasted longer and transitioned into the pre-hook, I’d have loved to hear Amaarae get in on that chorus (again like choir) action. That was a beautiful ending, adding those sax elements to the already familiar post-hook, the definition of a sonic cherry on the top.

“Somebody’s Son” featuring Brandy

Okay, a nice upbeat Pop number. Awww I love these lyrics. I feel this (but I won’t say too much on that). Wow, Brandy!!!! She’s so beautiful and has such a stunning voice and YESSS to the Yoruba. Wow, this is perfect, Brandy really stepped the fuck up to the plate. I am so gassed by this collaboration, especially because Tiwa Savage has had a fan in Brandy for at least four years now. I’m really hoping this gets mainstream attention because these moments are the joys of music.

“Special Kinda” featuring Tay Iwar

Yesss! She lets stay Iwar start this one, and as always he’s mesmerising. Tay Iwar is so versatile. Oh of course he includes his signature one-note ad-lib. Half the track and all we’ve heard is Tay Iwar. Wait, has he been given a solo? Because I’m not mad at that. This song is so pretty, it’s so dreamy and it, again, resonates (I think you can tell where I am in life LOL). Oh. My. Goodness. A DICSO BREAK!!??? I think Tiwa Savage has definitely been inspired greatly by Amaarae, this also reminds me of the Rock ending of ‘TAYDK‘ (the “CRAZY WURLD” that comes after “PARTY SAD FACE”). And it’s a dark disco. Wait, is that what part II is gonna be about? Ok. “Special Kinda” is my absolute favourite song now, shocks at every turn and each time the deviation from custom pays off.

After thoughts

Prior to this project’s release, I had thought about all the reasons why I was excited for ‘Water & Garri’. Particularly caught up with the feature credits, I was also excited by the fact that Tiwa Savage has been bringing more women into her productions. But upon listening to the project, all of that is for the birds, there is so much more sonic depth to ‘Water & Garri’.

These tracks are stunning, they subvert our expectations and indeed exceed them. Teaming up with Hip-Hop and R&B legends, Tiwa Savage doesn’t compromise her identity to fit into the global space in which she’s found herself. Even on “Work Fada”, Savage’s use of Yoruba on this track symbolises her determination to stay grounded. She did so in her past life in America (moving back to Nigeria to pursue her performing artist career) and remains steadfast now, even as her Universal deal facilitates a global crossover.

In the past writing for R&B powerhouses such as Monica and Whitney Houston, Tiwa Savage bringing their peer into her own world is a tearful moment for any fan. Now writing Yoruba lyrics for Brandy on her own song and terms, Tiwa Savage has truly come full circle, and this moment is as good an indication as any, that she’s on the exact path the universe intended.

Last and definitely not least, I was very interested to see what role Tay Iwar would play on this project, especially as I was listening to the other songs. I knew he’d bring something unique and I was greatly anticipating how this would marry with Tiwa Savage’s vocals and the rest of the project altogether. In the end, given a whole song to himself, Tay Iwar delivers an outstanding close to the EP, that doesn’t at all question why we hardly hear Tiwa in the final moments of her own project.

This decision to let Tay Iwar fly solo signifies the increased diversity in the music-making of mainstream Nigerian Pop. It is unsurprising, seeing as Tiwa has got Amaarae and Tay Iwar on the project – two artists at the helm of the “Alté” breakthrough back in 2026/17. It shows that more mainstream Pop artists, from whom you typically knew what to expect, are now doing new and exciting things with their music. Whether its double-sided songs or tapes, a switch in production, or handing the reins over to someone else entirely, it is clear that the success and pervasiveness of the Alté movement in music has inspired divergence across the board. Tiwa Savage is reaping the benefits.

ICYMI: NATIVE PREMIERE: WATCH LIYA FIND HER POWER IN THE VIDEO FOR “ADUA”

NATIVE Premiere: Watch Liya Find Her Power In The Video For “Adua”

Since arriving on the scene last October with a major label backing, DMW’s First Lady, Liya has been one of the names to watch out for. Although the singer had been making music long before the Davido co-sign, her introduction as the first female artist on the DMW roster only served to boost her profile and endear her to fans who were eagerly waiting to witness her star power.

While she’s previously flaunted her vocal range on numbers such as Davido-assisted “Melo” and “Trust Issues,” Liya is now more ready than ever to invite listeners further into her world. Today, the singer has just unveiled her debut EP titled ‘Alari’ which is Yoruba for ‘the one that stands out or is separate’, an aptly titled project to mark her self-determined showcase to re-introduce herself to listeners and loyal fans over the years.

On ‘Alari’, Liya is unafraid to tell poignant intimate stories of her life, tracing her times from austerity into fame with records effectively swathed in her Yoruba heritage. The most effective display of her life can be found on the project’s penultimate single, the mid-tempo soulful number titled “Adua,” which finds Liya urging herself to handle her newfound fame with a calm certitude.

Here, she takes a metamorphic period in her life and shapes it into music that will surely resonate with listeners coursing through similar moments of turmoil and pain. Singing “Eyi eyi mo fi n duro/Mu kan meji a mi a jora won/E no Dey easy/Aso o le forawon,” Liya paints a picture that visualises her experiences before she got her big break in the music industry.

In the accompanying Dammy Twitch-directed video, Liya’s star power is on full display as she fights and bargains for her way out of difficult situations using nothing but her intelligence, her captivating voice and her ability to persevere in dire situations. We see varying clips of Liya discovering the strength of her power within and defeating the bad men that want to keep her star power under lock and key. With a powerful voice and an even stronger message, Liya shows that she’s able to stand on her own two feet and carve a path for herself without anyone’s help but God.

Get an exclusive first look at the video for “Adua” below.

Featured image credits/Liya


ICYMI: Blxckie’s “Tired” Is An Ode To Perseverance

Pre-Listen Review: Oxlade’s ‘Eclipse’

Oxlade has one of the most distinct voices within the new generation of Afropop hitmakers. With no recognisable label backing since his entrance on the scene and a penchant for orchestrating ethereal romantic drops that linger on lips for weeks after their release, the singer has been able to carve out a place for himself in today’s oversaturated music industry.

Since breaking into the limelight with the catchy hook on Blaqbonez’s 2018 single “Mamiwota”, Oxlade has only grown more consistent and experimental with his art by collaborating with some of the biggest names in music and establishing himself as one of the most formidable hook killers in these parts which have only served to make him a figure of importance to this day.

His captivating voice continues to grow organically and earn him new levels of recognition and respect from his peers, mentors and music lovers alike. Last year, at the peak of the pandemic, Oxlade released his debut solo EP ‘Oxygene’, a delectable 6-tracker that found the Afropop superstar delivering love tunes and Afropop bangers, giving listeners more proof of his star power and veteran tendencies. Since then, the 24-year-old wunderkind has in no way relented on his mission to soundtrack our lives as he continues to sharpen his artistry one hit at a time.

This year, solo releases from Oxlade’s camp have been far and few within as he’s mostly served up stellar collaborations with a spate of talented artists from Ajebutter 22 to Spinall, YCee, Mizzle, Falana, and more. However, that all seems to be changing now with the release of his sophomore EP titled ‘Eclipse’. The succinct 4-track tape gives listeners a further taste of Oxlade’s soul-stirring vocals and his ability to seamlessly match the synergy of each of his collaborators.

The production is helmed exclusively by DJ Coublon and features more of the singer’s usual romantic and relatable musical offerings including the promotional single “Ojuju”, his first solo release of the year. Although the EP is rather short, clocking in at a 12-minute runtime, Oxlade brings the warmth of lush soundscapes and dreamy vocals into each track on the project. Over an array of sweet melodies and the twinkling of delectable percussion, Oxlade conveys weighty messages that will surely resonate with his listeners.

On “More”, he displays his eagerness for romance as he pleads with a romantic interest to open up further to him and take a chance on their budding romantic relationship. As he bargains for more time and affection for his lover, crooning about his commitment to their love using apt metaphors from the story of Oliver Twist, Oxlade gives listeners a taste of what’s to come: his refreshingly unfiltered ability to serenade, coo, and pine for the love he wants.

Much of his lyrics are very romantic and transparent as he unabashedly declares his desire for romance. The entire project exerts the feeling of one who is willing to fall in love a million times until he finds his person. He ruminates on what he expects from relationships on the project’s lead single “Ojuju”, which finds him truthfully revealing his fear of falling in love with an undeserving lover. On this track, he uses the term ‘ojuju’ as a metaphor to highlight his fear of falling in love because it reminds him of a ghostly terrifying experience.

Melodies are front and centre on everything that Oxlade puts his mind to. On the next track “Pay Me”, Oxlade delivers fierce reflections about love, trust and commitment. With lyrics such as “E no go pay me to break your heart,” the singer shows that it doesn’t pay to be unfaithful to his romantic partner as no amount of money can make him change his values for a quick moment of pleasure. He never strays from the singular vision of soundtracking our most romantic thoughts, a sentiment that seems like the driving force of most of his musical offerings.

On the final track “Incomplete”, Oxlade signs out with a high tempo number, a depature from the earlier songs. Here, the singer partially segues from romantic tracks to musing on his life without any reservations. “I got a lot of things I want to shalaye/this thing dey pain me inside my mammary gland,” he quips on the song’s first verse, attempting to clue listeners further into his psyche which results in a song that is equal parts fiery and reflective. In its entirety, ‘Eclipse’ is a clear indication that Oxlade has created a planet of his own with poignant metaphors and uplifting lyrics. We’re just visitors to his sonic multiverse which he continues to improve upon with each new release.

Stream ‘Eclipse’ below.

Featured image credits/NATIVE


.@adnnei dresses better than your faves. Get at me for style, trend and fashion tips.


ICYMI: DEELA is unafraid to speak her mind

For The Girls: DEELA Is Unafraid To Speak Her Mind

Born Adeola Oni, Nigerian female rapper DEELA has been listening to rap music for as long as she can remember. Before there was ever known as DEELA, young Adeola had been intrigued by the process of making rap music. As a pop culture fan who grew up with curious eyes and ears while glued to channels like MTV, taking in the various aspects of the craft of making music.

Rappers were pivotal to the early formation of DEELA and she listened to a melange of raconteurs from the Bronx to Victoria Island, Lagos. She tells me that she was exposed to these two different styles of rap music from an early age because of her family. While she would hear common names such as M.I, Naeto C, Nicki Minaj, Lil Wayne and more around her, DEELA was concerned that she wasn’t hearing rap music from women who looked, talked and behaved like her.

 

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However, it wasn’t until 6th form that a friend of DEELA’s introduced her to writing her own rap music. From then on, she began writing music and discovering beats in her free time and soon began sharing it with close friends. She fondly reminisces on the lyrics of the first rap she shared on Soundcloud – which she reveals has unfortunately been taken down. With lyrics such as “DEELA on the track/ yeah you know this hoe is back. It’s a shame you bitches lack,” it’s safe to say that DEELA has had it in her right from the jump. 

With her confidence and unfiltered sense of expression, it’s surprising that DEELA has only been making music officially for a year now. Back in 2020, she began making music during the socially distanced lockdowns that swarm the global during a global pandemic of seismic change. In August, she released her debut mixtape, the self-titled 5-track offering that introduced the world to her fierce bars and self-assured personality.

Since then, she’s only doubled down on her mission to make music for women just like her. What followed was a string of single releases showcasing her stellar penmanship and clever wordplay. “BITCH BOI” was a menacing track where she declared boldly declared that “I am a rapper so don’t get attached.” She followed this up with KA$H-assisted “ROLLING STONES” and T6lu-assisted “FIT” before serving up solo releases including bass-thumping “CHAINS” and the audacious unfiltered “GET A GRIP.” Every release gives listeners a closer look into her mind as a Gen Z African woman carving her own space in a world set against her. Luckily, she’s got the words to fight her way through it all.

 

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In a male-dominated industry, DEELA is happy to be a part of and witness to the surge of female mcees in the Nigerian music scene. From Phlow to SGaWD to DETO BLACK and more, there is a slew of rappers determined to make music on their own terms while inverting the male gaze. She explains that besides making rap music she is happy to be surrounded by so many talented women who make music as well, recognising their individuality as well as the diversity of their sound.

“All of us are doing our own different things and that is what I love the most. Not saying that the men that have been out there all sound the same but like, just saying. YTboutthataction doesn’t sound like DEELA. T6lu doesn’t sound like YTboutthataction. L0LA doesn’t sound like Brazy. You get what I mean. It’s just their own sound and that’s what I really love.” Her support for the Nigerian female rap industry manifests itself in her collaborations with other rappers of the same ilk with many features in the works with frequent suspects such as T6lu, Brazy, Lola and more.

For her mixtape, ‘DONE DEEL, DEELA chose the opposite route in deciding not to feature so many artists on the project as she wanted her sound to shine through independently as well as speak for itself. The only features were T6lu on “FIT” and KA$H on “Rolling Stones”. Her razor sharp lyrics speak loudly for themselves, emanating an air of fierceness and confidence as she always says what’s on her mind. When asked on how she would describe her sound, she says:

“I think my sound is very like, I don’t want to say in your face, but it is very in your face. My lyrics are quite sharp and I just say what’s on my mind. I never really hold back whenever I’m writing.”

With the release of ‘DONE DEEL’, the artist felt the need to put out a serious project following her self-titled EP, ‘DEELA’– to let people know that she meant business and was certainly a voice to look out for in the industry. It’s in every lyric she writes and each beat she spits over, DEELA is bad and about it. “I’m done with all the bs, done with people trying to come at me and I’m done with people taking me for granted and talking all sorts of sh*t to me,” she tells the NATIVE.

On this tape, she bares her raw emotions with ease choosing to express herself as boldly as she can. She’s unafraid to mince her words for anyone and especially not for the no-good men that try to come into her space. Before arriving at the project’s final title, DEELA tells me that she had tried on a couple of different names looking for one which was equally as razor-sharp and to the point as her lyrics. ‘Get Out My Face’ was a close second but she soon settled on ‘DONE DEEL’, an apt decision considering the play on her stage name.

Considering ‘DONE DEEL’ took inspiration from Flo Milli’s ‘Ho, Why Is You Here?’, it is no surprise to find that one of the tracks on the project, “CHAINS” was produced by  WizzerOnDaBeat who also made Flo Milli’s hit track “Pussycat Doll”. Coincidentally, the producer of the track made the beat for “CHAINS” and put it out on YouTube where DEELA discovered it. Though she gets beat packs, she often opts for retrieving her beats from YouTube by searching for beats made for her favourite rappers including Megan thee Stallion and Flo Milli. She was pleasantly surprised to discover, during the accreditation stage of post-production, that she and Flo Milli had the same producer as she jokingly -but with an underlying hint of seriousness shares “I guess that also speaks for itself. Flo Milli and I should be on a song soon.”

To properly market her brand, however, DEELA didn’t focus solely on creating music but also on her brand aesthetic to properly encapsulate the versatility of the artist, hence her current alter ego Agent DEELA. In a set of stunning images taken by talented Nigerian photographer Tsemaye Jemide, we get a closer look at Agent DEELA, the part-time superspy and rapper. Influenced by one of her favourite animated tv series ‘Archer’, Agent DEELA like the show’s main character is a spy. The idea of embodying another personality, she derived from other female rappers such as Nicki Minaj, Megan thee Stallion and even pop sensation, Beyoncé.

“With the name Agent DEELA, I thought yeah I’m going to be a spy. So I said yeah I’m depicted as a spy that’s done with everything. I’m done with all the bs.”

DEELA has forged a lane for herself and made a significant mark amongst the pool of Nigerian rappers as she unapologetically speaks her mind and delivers the hottest verses on her catchy tracks. As we anticipate more exciting collaborations, features and possibly even music videos from DEELA, listen to her mixtape DONE DEEL here.

Stream ‘DONE DEEL’ below.

Featured image credits/DEELA


Nwanneamaka couples her creative interests with her individuality and uses writing as a vessel for her expression.


ICYMI: It’s Time For Nigerian Rap To Embrace Its Women

NBN Clothing Is ReImagining Streetwear In Nigeria

Over the past few years, streetwear has emerged as an immensely lucrative industry in the world of fashion. In 2019, the global streetwear market was estimated to be valued at $185 billion, a considerable figure that was expected to rise significantly over the next couple of years.

As it continues to gain traction, particularly in a pandemic when our relationship with clothes have invariably changed and developed over time, many have questioned the sustainability factor of the entire streetwear industry and whether or not its posed to eventually fade out as life returns back to normal within the next few years. Still, in face of these polarising conversations, international Brands such as Supreme, Union and more continue to rack up impressive sale and resale value, establishing flagship stores around the globe and influencing the style and aesthetic of an entire generation of people.

Locally as well, streetwear continues to thrive. While it’s been slow to catch on in these parts, over the past few years, there’s been a gradual emergence of streetwear brands catering to the country’s thriving creative scene. A number of local brands including Motherlan, Vivendi, Severe Nature and more, are gaining cult followings through the use of social media which has resulted in global recognition. These brands continue to channel their interests in music, sports, entertainment, art, and more through streetwear fashion which is now carving out a unique place for itself within our cultural identity.

 

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While streetwear makes its way towards mainstream recognition in Nigeria, more and more brands are emerging and filling up a much-needed niche in the market for these products. Cue in Nothing But Net (NBN), a new streetwear brand founded in 2020 for young women looking to diversify their wardrobe. The brainchild of 26-year-old Nigerian, Ayo Biobaku, the brand name was inspired by a double entendre that simply means to win at life while also aiming its focus at the current style trends of internet kids.

As the brand continues to make its mark both home and away and is worn by all our favourite influencers from Naomi Offor to Temi Ojora, we speak to the founder about the future of the streetwear brand. He explains that the brand was started to cater to youths who are subscribed to a growing culture of “winners” and “icons”. From hoodies and tees to socks and womenswear, two pieces and many more, here’s everything you need to know about NBN clothing.

Our conversation, which follows below, has been lightly edited for clarity.

NATIVE: Hi Ayo, how are you doing? Could you please tell me how NBN first began and the inspiration behind your brand name?

AYO: Hey Ada, I’m doing great actually. I have always been into sneaker culture, especially during my undergrad or master’s. Whenever there’s a sneaker drop, I would always go after it. So when I started my brand, I decided to tie my love for sneaker culture to an aspect of fashion then I started NBN pre-pandemic. The brand is focused on streetwear culture and internet kids. I do believe “fashion is a sport”, as it is quite competitive. You wanna be better than everyone, so the name means a lot to me.

NATIVE: Who were some of your earliest fashion inspirations?

AYO: I’ve had so many inspirations but it’s a fact that Kanye West started it all. From the start of Yeezy’s to now. Even my mentor, Bryson Foster, who owns a brand called ‘cease and desist” and makes clothes for big players such as Young Thug and more, also recognises Kanye’s impact in fashion. I also respect the likes of Pharrell in fashion.

NATIVE: Do you remember your first-ever drop? What were some of the pieces that featured back then?

AYO: The LOVE WINS collection was my first drop, it had unique designs that feature a dog at the back. There’s also one with cupid, and another with a teddy bear and so on. The message was important because it springs eternal, love always wins.

NATIVE: Who is the NBN consumer?

AYO: The brand is for the noughties and Gen Z kids who grew up on pop culture and are into street culture, sneaker culture and modern fashion. If you like Yeezy’s or some Rick Owens, then I believe that NBN Clo is the brand for you.

 

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NATIVE: How has the reception been since you first started?

AYO: It’s been really good. People are always taking photos of the looks and sharing them on social media. I go out to the club and people come to me and let me know they’re wearing my stuff. It’s just great seeing people wearing my designs. I love my product speaking for itself. Everyone you see wearing my stuff including the ladies, you can tell they are fans of street culture.

NATIVE: What are the realities of running your own fashion brand here in Nigeria and UK?

AYO: I run my business between Nigeria and the UK and you can always get them wherever you are in the world. It’s for anybody really. As I said ‘Fashion is a sport, so you have to keep up.’

NATIVE: What is the most challenging aspect of running your own brand? Equally, what’s been the most rewarding part of owning a brand?

AYO: I think the most challenging part is not living up to expectations. When I started this I wanted everyone t o be like “yeah, he is No. 1”. I wanted my brand to become the go-to when men or women were seeking out streetwear because I know how hard it is and all the effort and time that goes into running a brand in Nigeria. The most rewarding aspect, however, has been seeing my brand randomly worn in the streets.

NATIVE: How do you typically approach the design process and see things all the way to completion? Are you more of a collaborative designer or do you prefer to work alone?

AYO: I put them down and try to see how they will be received by the real world. I’d be home chilling while sipping on wine and start thinking about themes such as “LOVE WINS”. I, then, create a mood board, so that when you see it all you see is what you understand from the concept of “LOVE WINS”. I travel in my mind and inspiration comes consciously and unconsciously. I do things to make you think and the messages will also make you think.

I also definitely work alone. I’ve had opportunities with other designers but I’ve always preferred solo work. Even with my idols, I don’t see myself doing a collaboration. I still have a lot to learn. I always think I can do better and I believe in my vision and it makes me feel youthful at heart. I see my brand as a community/tribe that is primed for growth.

NATIVE: How do you typically stand out from the competition in the country?

AYO: Can I just say that I don’t think I have any competition and my brand speaks for itself and has its own distinct identity. The brand speaks to my personality and aesthetics. From looking at my brand you can easily take a peek at my persona. It shows how open I am. For example, with womenswear, I try not to oversexualise them with my designs. I was also hoping to add more inclusivity by highlighting members of the LGBTQIA+ in my future collections so stay tuned for that.

NATIVE: Biggest celebs that have been spotted in your garms?

AYO: It’s mainly the alté scene. So people such as Wurld, Boj, Ladipoe. I’ll be at the studio and I’ll see them rocking my hoodies or they’ll tell me how they want a pair of the hoodie or a tee and it means everything to me.

NATIVE: What’s next for NBN?

AYO: Opening a flagship store soon, for sure. Any new drops will come probably after the store. I already have a lot of products out there and occasionally do restocks. I don’t wanna do stuff because everyone else is doing it. I have ideas but I will put them out when I’m ready. For now just the flag ship store is my main priority.

 

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Featured image credits/NATIVE


.@adnnei dresses better than your faves. Get at me for style, trend and fashion tips.


ICYMI: With Darkoo, You Always Get Twice As Much

Songs of the Day: New Music From Mannywellz, Omawumi, Yemi Alade & More

More than most people, the team at The NATIVE knows that the sheer scope of music available to us at this exact moment in human history is mind-numbing but our goal is still the same as always: we don’t want exciting music to be slept on. That’s where our Songs of the Day column comes in. We try to keep our fingers on the pulse of music from across the continent and beyond, bringing you exciting songs from talented musicians who are continuously trying to bounds of artistry with their music. 

Last Friday, we had the much-debated remix of Wizkid’s “Essence” featuring Justin Bieber, the lead single of Oxlade’s forthcoming EP, and the latest single from the talented Ghanaian singer, Skillz 8Figure. Today’s column brings new music from Port Harcourt favourites, Duncan Mighty and Burna Boy, an extended play from Yemi Alade, a song pack from PapiGunzo, a new video from Mannywellz and Tems and a debut album from Kelly Anthony, and more. 

Mannywellz – “Peace” ft. Tems

Following the release of his stellar self-produced EP ‘Mirage’ last year, Maryland-based, Nigerian-born singer and producer, Mannywellz has just released the official video for one of the project’s standout tracks, the Tems-featuring “Peace.” The Quinci Bryant and Sarah Lorentzen-directed video is set in Los Angeles, as it takes us around scenic views and impeccable sartorial choices. It subtly uses symbols and movement to depict the things that might cause us to spiral or get stuck in certain cycles in our lives.

Duncan Mighty ft. Burna Boy – “Nibolowa”

On “Nibolowa,” two of Port Harcourt’s most eminent musicians from succeeding generations unite for a mid-tempo love ditty that showcases their strong suits: Duncan Mighty’s griot-leaning mellifluousness and Burna Boy’s genre-bending magnetism. Atop a spectral beat inspired primarily by PH’s sonic proximity to highlife, the duo sound in sync as they coo and whisper their desires and visions for a romantic relationship. 

PapiGunzo ft. Aux Africa – “Intermission”

After taking a COVID-19-enforced break from their regular live performances and music drops last year, Aux Africa is back, and, as part of their welcome back, have linked with wordsmith, PapiGunzo, for a three song-pack titled “Intermission.” On the first two songs of this release, “Intermission” and “RIGOR MORTIS,” PapiGunzo flexes his lyrical capabilities, flowing nimbly on the bouncy instrumentals with lines delivered in Engish, Yoruba, and pidgin to reflect his dexterous capabilities. 

Kelly Anthony –  “Untimely”

Since leaving Nigeria as a 12-year-old, Kelly Anthony has always tried to keep in touch with the music brewing out of the country, and on African Prince, his debut project, he works around afropop references across the project’s sic tracks. “Untimely,” the song that opens African Prince finds the singer reflecting on the steps that led him into music over a sprightly Kelp P-woven beat that accentuates his sung-rap flow perfectly. 

Omawumi – “BS”

Across four albums, Omawumi has established herself as one of Nigeria’s most euphonious voices, gracefully expressing a range of emotions with her boundless vocals. Her latest album, Love Deep High Life, sees her settle on love as an inspiration for her creative output. Powered by the hypnotic grooves of highlife, she sashays between themes like romantic bliss, living a satisfying life, and Lagos’ endemic traffic to make a sonic tribute to love. 

Bless Clymax – “Better Days” ft. DTS

Rap newcomer, Bless Clymax has just released a new single titled “Better Days”, a follow-up to his sensational rave/house party drill hit, “Oga Move (Paper)” featuring Mr. Awele. On the newly released Toyin Ores-produced single, the rapper spits about his current living situation over an unmissable drill beat. “As the days get darker my lights get brighter, I use fire baptise the new empire/ never quit, never tire, black power moving way higher,” he quips on the number, reminiscing on a very difficult period in his life and what it meant or means getting through those dark days.

Featured image credits/Instagram


ICYMI: Blxckie’s “Tired” Is An Ode To Perseverance

Here’s All We Know About The 7-Part Netflix Original Series ‘King Of Boys: The Return Of The King’

Following the renowned success of Kemi Adetiba’s 2018 film ‘King of Boys’, which grossed over 450 million Naira ($1million), anticipation has been rife for the sequel which was slated for a Netflix premiere this year. However, anticipation has only doubled as more details for the film have been revealed in the run-up to its release.

Recently, the award-winning fan favourite has been garnering all the rave following the announcement that the sequel had been converted into a Netflix original 7-part series, the first of its kind to emerge from the streaming behemoth’s recent foray into the Nigerian market. While the first season of the series will be released in a matter of weeks, fans and viewers around the world are already clamouring for hints and exclusives for the upcoming release which will see old characters from the original, including actor Toni Tones, who reprises her role as a young Eniola Salami and new characters such as Nse Ikpe-Etim.

 

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Earlier in the week, we attended the official press day for the highly-anticipated 7-part series and had the opportunity to speak to the cast and crew and get some exclusives to share with our audience. In conversation with film director Kemi Adetiba, it’s clear that there is a lot to look forward to with the upcoming series. She tells the NATIVE:

”I’m happy that I did my best and I’m happy that I put everything in there” she says as we discuss reasons why she decided to convert this into a sequel – “it was important for me to do and say everything that I really wanted to say and I don’t think I would have been able to tell this story in it’s fullest if  I was contained in a 2-hour film.”

NATIVE: Hi Kemi, How have you been holding up since filming wrapped up?

Kemi Adetiba: Well, I’ve been fine thank you! I’ve gained weight of course. We’ve been in post-production all this while until a few days ago and that’s just what we’ve been doing, just making sure that it’s done right for the people to be able to consume properly and you know, enjoy.

NATIVE: I enjoyed watching the first film but I want to know, why should anyone see ‘KOB: The series’?

Kemi: Because it’s KOB. Well yes, I mean that literally but I’m hoping that people trust me enough to not just rely on the title because something that is very important to me is not tricking people to come and watch. I’m one of those people that refused to do a follow-up to KOB 1 unless I had something new and exciting to give the people so I’m hoping people trust me enough to know that there’s a lot in this second installment.  

NATIVE: Why did you decide to convert this into a sequel of 7 parts?

Kemi: KOB 1 is a very tall order to come back from. Once I ventured in and said I was going to do a sequel, it was important for me to do and say everything that I really wanted to say and I don’t think I would have been able to tell this story in its fullest if I was contained in a 2-hour film or something like that. The characters are too complex, so much has happened in “5 years” which is where the series begins. Likewise, so many things are still happening in the present day as you’re watching so it was very important for me to have the elbow room and the space to fully and properly tell the story of these characters so the audience can properly connect with the story and the characters.

NATIVE: And have you been able to properly tell your story? 

Kemi: The thing about this project is when I’m going into anything, I want to fully remove everything from my system. Whether it goes left or right, I’m happy that I did my best and I’m happy that I put everything in there, and not leave anything behind so I’m very content with what I have done. However, I will not project that on the viewers watching because, at the end of the day, they’re the ones going to mark and score the report card so I’m very curious to see how people respond to it. The responses we’ve been getting so far from the previewing are very encouraging and I’m very happy with them.

NATIVE: What were some challenges you had to face putting this piece together?

Kemi: So, I was initially supposed to shoot in February last year before the rain started but I was ill so we had to push that. So when I got back in, I rewrote the script after I got better, and then we were shooting a month after. We were knee-deep in the rainy season, in a pandemic and there was a partial lockdown by 12am so wherever we were, we had to stay there or risk riding back home in the early hours of the morning. Then EndSars happened which boxed us in severely and it kept boxing us in so we couldn’t move around as much and then there was the full lockdown after the unfortunate incident.

So yes, there were a lot of challenges along the way but if there’s something I’m grateful for, it’s the determination of the cast and the crew. They never came into this project like they were being paid for anything. They came into this like they put their own money into it and like it was their own project. We were all very close all through these times because we needed to lean on each other. So when someone was feeling weak at some point, someone else was strong enough to pull them out of that and it was just a fantastic exchange of energy. This is why I’m so excited for the crew to watch it because when I watch it, I don’t just see the pictures on the screen, I actually see all we went through to get it done because there’s so much back story to every scene. Challenges happened but it wasn’t able to stop us.

NATIVE: What was the major highlight of the filming process for you?

Kemi: When we called a wrap. We shot for over two months then we were done. It was a bittersweet moment. Yes, we were happy we didn’t have to shoot again but it was just I couldn’t believe I wasn’t going to see these people every day and that was just something to miss and what is so weird was I kept waking up at the same time and I just missed my phone going off for one problem or the other and I just missed the family feeling, I think I cried the next day, so yes the highlight was finding a family in the crew and in the cast because it was really special on KOB 2.

Watch the trailer for ‘King Of Boys: The Return Of The King’ below.

Featured image credits/Netflix


ICYMI: ‘Quam’s Money’, ‘Ije’ & More On Netflix Naija This Month