Watch Yemi Alade in the cheery video for latest single, “Vibe”

Since the release of her third studio album, ‘Woman of Steel’, Yemi Alade has kept the buzz alive by sharing music videos for songs off the project. Her latest release is for “Vibe”, a light-hearted cut on which she demands for affection from her love interest, while also alluding to her lust-driven desires.

In keeping with the song’s cheery energy, the accompanying music video is a collage of bright, sun-soaked shots that capture the singer at her usual, exuberant best. Mainly styled in yellow and black colour contrasts, Yemi sings her lyrics and dances with a carefree attitude, with back-up dancers and an all-female posse accompanying her in various cheery scenes. The video is definitely fitting to the song, as it draws attention to the song’s ability to keep parties going.

Watch Yemi Alade’s “Vibe” below.

Featured Image Credits: YouTube/Yemi Alade

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: CHECK OUT THE TRACKLIST FOR BELLA ALUBO’S COMING EP, ‘SUMMER’S OVER’

Watch Tekno’s TG Omori-directed video for new song, “Skeletun”

Over the years, Tekno has mainstained his status as one of afropop’s longstanding stars, with his club-ready bangers such as “Pana” to “Greenlight”. His latest single, “Skeletun”, puts his undoubtable ability in full glare, merging Tekno’s dancefloor-filler rhymes and preppy melodies with a propulsive beat from Phantom.

The singer has now updated “Skeletun” with a TG Omori-directed music video, which plays into the party starting ethos of the song. The colourful video opens with a party sequence, with partygoers guzzling multiple beers and empty green bottles laying on the ground.  The rest of the video sees Tekno performing giddy dance steps mimicking the unsteady steps of drunkard, portraying his lyrics that “e don tey wey we dey shayo (it’s been a long time since we’ve been getting drunk)”.

Watch “Skeletun” below.

Featured Image Credits: YouTube/TeknoMilesVEVO

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: WATCH CKAY IN THE GLOSSY MUSIC VIDEO FOR “WAY”

Falz & Oxlade join Juls in the engaging video for their latest collab, “Angelina”

A few weeks ago, UK-based producer Juls released his 11-track album ‘Colour’, with one of the undoubtable standouts being, the Falz and Oxlade-assisted “Angelina”. Now to circle our attention back to the engaging project, the energetic song has been given a befitting music video treatment.

Directed by Xamanijr, the engaging video is set on the beach and features varying clips of all three artists hosting a beach party filled with food, alcohol and games. Following the song’s title, the music video focuses on different beautiful women who could possibly even the song’s subject, Angelina. “I’m losing control, Baby I’m losing it” Oxlade sings on the hook, referring either to the effect the beautiful women have on him or the alcohol or both.

Watch the music video for “Angelina” here.

Featured image credits/Youtube


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Listen to “Mo Salah”, the 2nd single off Ycee’s upcoming album

Tiwa Savage breaking down the lyrics to ’49-99′ & 5 other videos you should see this week

Verified – Tiwa Savage “49-99” 

Earlier this year, Tiwa Savage signed a recording with Universal Music Group under which she released her single “49-99” which has now grossed over 5 million Youtube views since its release. The afropop superstar now joins as the latest guest to explain the meaning of the song’s lyrics on Genius’ show, Verified.

During the video, Tiwa shows she has a serious side from the glamorous looks in her music videos as she reveals that she is a double degree holder. “49-99”, which is produced by Pheelz and co-written by Tiwa Savage and Olamide, is a termed coined by Afrobeat legend Fela Kuti in his song “Shuffering and Shmiling”. It refers to the poor economic system in Nigeria and the constant hustle to get to the top.

Krept & Konan – “G Love” ft. Wizkid

UK duo, Krept and Konan are on the verge of releasing their second studio album ‘Revenge is Sweet’. Last week, they released a new single “G Love” which featured Afropop superstar, Wizkid. Now the accompanying music video for the song has been released which features all three artists delivering their verses in front of women beautifully clad in black. The video is simple at best, but we get to see varying shots of Wizkid and that’s more than enough for us.

Xavier Omär, Sango – Just Get Here ft. Wale & Van Jess

Xavier Omär and Seattle based producer, Sango link up for their second collaboration on new album titled ‘Moments Spent Loving You’, a follow up to their 2016 joint mixtape ‘Hours Spent Loving You’. They both link up with Nigerian artists,  rapper Wale and the Nigerian-American duo Vanjess which we first heard about on Lady Donli’s single “Corner”. In the brightly coloured music video directed by Aya Tanimura, Xavier Omär can be seen wandering a house waiting for his lover to return, he looks out the window to find VanJess sunbathing in the backyard.

Zirra – “In The Mood” ft. Santi

Dubai-based artist, Zirra released a project last week titled ‘Positivity Only’ to mark 10 years of making music. He has now released the video for one of the pre-released singles “In the Mood”. Set on the white sandy beach, the music video includes clips of Zirra with his love interest. The only thing missing is Santi, who is absent for his verse but this is subsided with video clips of Zirra and his friends having a good time.

Sarkodie, Donae’O & Idris Elba – “Party & Bulls#!t”

British-Nigerian actor, DJ and musician Idris Elba links up with Ghanaian artist Sarkodie and Donae’O for the music video to their single “Party & Bulls#!t”. The music video directed by Capone and Guise, is set in a lively neon-splattered house party. Although the single misses the mark to becoming a memorable song with replay value, we can still appreciate the effort put into the colourful music video.

Tyler, the Creator – “I THINK”

Tyler the Creator has made a name for himself, owing to his weird and wonderfully creative music videos and incredible wit. He’s just released the music video to “I THINK” one of the singles from his latest self-produced project ‘IGOR’.

In the fraction of the music video made available on his YouTube page, Tyler the Creator is seen in the male’s public restroom in a nightclub clad in his infamous, and pushed right into an ongoing fight scene. He makes his way through the crowd, elbowing everyone in the way to catch up to a potential love interest. We also get to see to see members of his former group, OFWGTA.

Featured image credits/Youtube


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Listen to Kah-Lo’s energetic club-banger “Exit Sign”

D’banj to co-produce upcoming Jadesola Osiberu-produced film

Earlier this year, we reported that legendary afropop figure D’banj will be making his cinema debut in “Sugar Rush”, a new film from Jadesola Osiberu, the producer behind the critically acclaimed blockbuster, “Isoken”.

In the post announcing D’banj’s role back in April, Jadesola noted that the film is expected to hit the big screen sometime this Christmas, and she’s now confirmed that viewers will be able to see “Sugar Rush” from December 25.

https://www.instagram.com/p/B4CBuKXFGcc/?utm_source=ig_embed

She also shared the star-studded line-up, alongside short teasers which serve as first looks at the characters. The A-list cast includes former BBNaija housemates Bisola Aiyeola and Tobi Bakre, Adesua Etomi, Toke Makinwa, Omoni Oboli, Mawuli Gavor, Bankole Wellington, and a handful of other familiar faces in Nollywood.

In addition to making an on-screen appearance, D’banj also serves as co-executive producer for “Sugar Rush”, giving his own production outfit, DKM media, its first film credit, alongside prominent Nollywood production companies, FilmOne and Jungle Filmworks.

Although rapidly shot in 14 days, Jadesola revealed that “Sugar Rush” has been in the works since 2017, and it is the first of a handful of upcoming films being spearheaded by her production company, Greoh Media. With its proven cast, “Sugar Rush” already looks like a must-see film for the holiday season.

Check out the first look teasers here.

https://www.instagram.com/p/B4Ck92NFmFf/

https://www.instagram.com/p/B4CmBEtlWkF/

Featured Image Credits: Instagram/jadeosiberu & iambangalee

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: TENI THE ENTERTAINER MAKES HER NOLLYWOOD DEBUT IN “DEAR AFFY”

Listen to “Mo Salah”, the 2nd single off Ycee’s upcoming album

Two weeks ago, Ycee shared details for his debut album, ‘Ycee vs Zaheer’, releasing the afropop-inclined “Dakun” as the lead single a few days later. To get listeners more excited, he recently shared “Mo Salah” as the second single in the lead up to his album, and it serves as introduction to the rap-based side of the project.

Over the ominous keys and rumbling bass put together by Buzzin Producer, Ycee delivers a litany of boast-filled raps, milking his reference to the superstar Egyptian footballer, Mohammed Salah, for all it’s worth. “The way I’m living life, you’d think I did it twice/want me to save the game, I no be Jesus Christ”, he raps with a drowsy vocal tone, highlighting his conceited frame of mind he presents throughout the track.

Stream “Mo Salah” here.

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: 8 UPCOMING NIGERIAN PROJECTS WE ARE ANTICIPATING BEFORE THE END OF 2019

AMAA 2019: Kemi Adetiba’s King Of Boys Is The best Nigerian Film

Established in 2005, the Africa Movie Academy Awards (AMAA) are aimed at facilitating the development of African cinema by providing a recognition platform for filmmakers all over the continent. Although the African Movie Viewers Choice Awards gets the most buzz, AMAA’s are dedicated to actually giving appropriate accolades, and their 15th edition yesterday backs this up.

Nominations were announced last month, with Adekunle Adejuyigbe’s “The Delivery Boy” leading the way with twelve nods. Amongst the other multiple nominees, Kemi Adetiba’s critically acclaimed blockbuster, “King Of Boys” followed with eight nods, eventually picking up three awards last night.

Veteran actress Sola Sobowale won the award for Best Actress In A Leading Role, for her stunning portrayal as Eniola Salami, the central character in “K.O.B”. Adesua Etomi-Wellignton picked up the prize for Best Actress in a Supporting Role, while “K.O.B” won the award for Best Nigerian Film. In the other Nollywood-related win of the night, Dare Olaitan’s “Knockout Blessing” won the prize for Best Achievement in Visual Effects.

Emphasising its aim to celebrate the best filmmakers across Africa, the winners at the AMAA 2019 were spread across the continent. Critically acclaimed films like Wanuri Kahiu’s “Rafiki” (Kenya) and Jahmil Qubeka’s “Sew the Winter to my Skin” (South Africa) picked up multiple prizes, while Joël Karekezi’s “Mercy of the Jungle” (Rwanda) won the coveted award for Best Film.

Check out the full list of winners below.

Michael Anyiam Osigwe Award For Best Film by an African-Born Director Living Abroad

Julius Amedume – “Rattlesnakes”

Tosin Coker – “Lara and the Beat”

Robert O. Peters – “Makeroom”

Best Diaspora Short Film

“Bail” (UK)

“Oath Bound” (UK)

“Fevah” (USA)

“I Am Superman” (Brazil)

Best Diaspora Documentary

“My Friend Fela” (Brazil)

“Wax Print 1 FABRIC, 4 continent” (UK)

“The Guardian of No Return” (Guadalope)

“Dare to Dream” (USA/CUBA)

“Drugs as Weapons Against Us” (USA)

Best Diaspora Narrative Feature

“Hero” (Trinidad and Tobago/Canada)

“Nine Nights” (UK)

“Olympia” (USA)

“Sprinter” (Jamaica)

Best Achievement in Production Design

“Redemption” (Mozambique)

“Rafiki” (Kenya)

“Ellen: The Ellen Pakkies Story” (S. Africa)

“Urgent” (Morroco)

“Sew the Winter to My Skin” (S. Africa)

“Mercy of the Jungle” (Rwanda)

“Delivery Boy” (Nigeria)

Best Achievement in Costume Design

“Mercy of the Jungle” (Rwanda)

“Sew the Winter to My Skin” (S. Africa)

“Light in the Dark” (Nigeria)

“Rafiki” (Kenya)

“Lara and the Beats” (Nigeria)

“Urgent” (Morocco)

“Mabata Bata” (Mozambique)

Best Achievement in Make-Up

“Mercy of the Jungle” (Rwanda)

“Makeroom” (Nigeria)

“Gold Statue” (Nigeria)

“Veronica’s Wish” (Uganda)

“Sew the Winter to My Skin” (S. Africa)

“Before the Vows” (GHANA)

“The Burial of Kojo” (Ghana)

Best Achievement in Soundtrack

“Mabata Bata” (Mozambique)

“Subira” (Kenya)

“Mercy of the Jungle” (Rwanda)

“Sew the Winter to My Skin” (S. Africa)

“Lara and the Beat” (Nigeria)

“The Delivery Boy” (Nigeria)

“Redemption” (Mozambique)

Best Achievement in Visual Effects

“Knockout Blessing” (Nigeria)

“Makeroom (Nigeria)

“Sew the Winter to My Skin” (S. Africa)

“Mabata Bata” (Mozambique)

“The Delivery Boy” (Nigeria)

“The King of Boys” (Nigeria)

“Burial of Kojo “(Ghana)

NFVCB Award For Best Nigerian Film

“King of Boys”

“Lara and the Beats”

“Makeroom”

“Gold Statute”

“Up North”

“Knockout Blessing”

Best Documentary

“Khartoum Offside” (Sudan)

“Djambar, Sembene the Unsubmissive” (Cameroun)

“The State Against Mandela” (South Africa)

“Golden Fish, African Fish” (Senegal)

“Skin” (Nigeria)

“Le loups d’or de Balole” (Burkina Faso)

“Sur Les Traces de Mamani Abdoulaye” (Niger)

“No Gold For Katsaka” (Burkina Faso)

“Mother, I am Suffocating, This Is My Last Film About You” (Lesotho)

Ousmane Sembene Award For Best Film in an African Language

“Rafiki” (Kenya)

“Makeroom” (Nigeria)

“Mabata Bata” (Mozambique)

“Bahasha -The Envelope” (Tanzania)

“Azali” (Ghana)

Efere Ozako Award For Best Short Film

“A Tune of Kora” (SENEGAL)

“The Fisherman” (Ghana)

“ICYASHA” (Rwanda)

“NAMOW2018” (KENYA)

“Vagabond” (GHANA)

“Measure of a Woman” (S. Africa)

“Mma Moeketsi” (S. Africa)

“Tonight’s Opening Act” (EGYPT)

“Hello Rain” (NIGERIA)

Best Achievement in Sound

“Mabata Bata” (Mozambique)

“The Last Victim” (S. Africa)

“Sew the Winter to My Skin” (S. Africa)

“Makeroom” (Nigeria)

“The Delivery Boy” (Nigeria)

“The Burial of Kojo” (Ghana)

“Urgent” (Morocco)

“Redemption” (Mozambique)

Best Achievement in Cinematography

“Sew the Winter to My Skin” (S. Africa)

“Mabata Bata” (Mozambique)

“Mother, I am Suffocating, This Is My Last Film About You” (Lesotho)

“Redemption” (Mozambique)

“Rafiki” (Kenya)

“Delivery Boy” (Nigeria)

“The Burial of Kojo” (Ghana)

“Redemption” (Mozambique)

Best Achievement in Editing

“Rafiki” (Kenya)

“The Delivery Boy” (Nigeria)

“The Burial of Kojo” (Ghana)

“The Last Victim” (S. Africa)

“The Gold Statute” (Nigeria)

“Diamond in the Sky” (Nigeria)

“Mercy of the Jungle” (Rwanda)

“Sew The Winter To My Skin” (S. Africa)

Best Achievement in Screenplay

“Redemption” (Mozambique)

“The Delivery Boy” (Nigeria)

“The Last Victim” (S. Africa)

“Rafiki” (Kenya)

“Diamond in the Sky” (Nigeria)

“Gold Statute” (Morocco)

“Lara and the Beats” (Nigeria)

“Up North” (Nigeria)

Best Animation

“Choices” (Nigeria)

“Kitwana Journey” (Kenya)

“Isolated” (Kenya)

“Afrogames” (Burkina Faso)

Best Young/Promising Actor

Cynthia Dankwa (Esi) “Burial of Kojo”

Youssef Alaoui (Ayoub) “Urgent”

Angel Onyinyechi Unigwe (Adaeze) “Light in the Dark”

Emilio Bilo (Azarias) “Mabata Bata”

Jamma Ibrahim (Amir) “The Delivery Boy”

Catherine Credo (Neema) “Fatuma”

Best Actor in a Supporting Role

Jarrid Geduld 9 (Abie) “Ellen: The Ellen Parkies Story”

Remilekun “Reminisce” Sarafu (Makanaki) “King of Boys”

Zolisa Xaluva (Wyatt Earp) “Sew the Winter to my Skin”

Kanayo O. Kanyayo (Chief Otuekong) “Up North”

Kobina Amissah-Sam (Kwabina) “The Burial of Kojo”

Bucci Franklyn (Dagogo) “Knockout Blessing”

Best Actress in a Supporting Role

Adesua Etomi (Kemi) “The King of Boys”

Eniola Shobayo (Vivian) “Knockout Blessing”

Linda Ejiofer (Oby) “Knockout Blessing”

Kandyse McClure (Golden Eyes) “Sew the Winter to My Skin”

Joke Silva (Mama Jumoke) “Light in the Dark”

Arlete Bombe (Mia) “Redemption”

Best Actor in a Leading Role

Marc Zinga (Sergeant Xavier ) “Mercy of the Jungle”

Gabriel Afolayan (Wale) “Gold Statue”

Joseph Otsiman (Kojo) “The Burial of Kojo”

Chinedu Ikedieze (Big Chi) “Lara and the Beats”

Jimmy Jean Louis (Robert McQueen) “Rattlesnakes”

Gil Alexandre (Bruno) “Redemption”

Ezra Mabengeza (Samson) “Sew The Winter To My Skin”

Ayoub Bombwe ( Mwanyusi ) “Fatuma”

Best Actress in a Leading Role

Sola Sobowale (Eniola) “King of Boys”

Sheila Munyiva (Ziki) “Rafik”

Rita Dominic (Jumoke Arinze) “Light in the Dark”

Jill Levenberg (Ellen) “The Ellen Parkies Story”

Beatrice Taisamo (Fatuma) “Fatuma”

Seyi Shay (Lara) “Lara and the Beats”

Jemima Osunde (Nkem) “The Delivery Boy”

Samantha Mugatsia (Kena) “Rafiki”

Best Director – First Feature Film

Blitz Bazawule – “The Burial of Kojo” (Ghana)

Adekunle “Nodash” Adejuyigbe – “The Delivery Boy” (Nigeria)

Sippy Chadha – “Subira” (Tanzania)

Nicole Amarteifo – “Before the Vows” (Ghana)

Best Director

Jahmil X. Qubeka – “Sew the Winter to My Skin” (S. Africa)

Wanuri Kahui – “Rafiki” (Kenya)

Adekunle “Nodash” Adejuyigbe – “The Delivery Boy” (Nigeria)

Daryne Joshua – “Ellen: The Ellen Parkies Story” (S. Africa)

Kemi Adetiba – “King of Boys” (Nigeria)

Mohcine Besri – “Urgent” (Morocco)

Mickey Fonseca – “Redemption” (Mozambique)

Joël Karekezi- “Mercy of the Jungle” (Rwanda)

Best Film

“Mercy of the Jungle” (Rwanda)

“Rafiki” (Kenya)

“The Delivery Boy” (Nigeria)

“Ellen: The Ellen Parkies Story” (S. Africa)

“Sew the Winter to My Skin” (S. Africa)

“Redemption” (Mozambique)

“King of Boys” (Nigeria)

“Urgent” (Morocco)

EXCLUSIVE: IAMISIGO SS/20 Collection explores sustainability in fashion

Too often in Nigeria, and in Africa in general, fashion is viewed through a Eurocentric lens, however, we’re currently experiencing a paradigm shift, where we’re demanding the right to tell our own stories, for us, by us. This is why The NATIVE in collaboration with  Nigerian creative director, MOMO have been commissioned by Lagos Fashion Week to produce a limited edition zine, showcasing a variety of the immense talent this season.

From veteran designers such as Lisa Folawiyo of namesake brand, to newcomer Faith Oluwajimi of Bloke, the predominantly editorial zine features powerful looks from some of the latest collections to be showcased on the catwalk over the next four days.

In a bid to tell our own stories, it was essential for us to bring together a young, talented team of African creatives to present these collections through editorial. Following the runway shows from Day 1, here are our exclusive profile and editorial for Lagos Fashion Week, on Orange Culture.

With visually textured fabrics and structured silhouettes, IAMISIGO aims to merge typically African aesthetics with audacious yet minimal designs.

Ogisi tells us that this collection explores the issue of sustainability and waste in the African fashion industry. The collection is made through a process, spanning three great cities in Africa – Lagos, Nairobi and Kampala- in a journey of the divine female aesthetic.

Designer: IAMISIGO

Photography: Danielle Mbonu 

Styling & Creative Direction: MOMO 

Models: Dami & Halimat (AIM Models)

Exclusive: The mood of CLAN’s SS/20 collection is “Flintsones gone rogue”

EXCLUSIVE: The mood of CLAN’s SS/20 collection is “Flintsones gone rogue”

Too often in Nigeria, and in Africa in general, fashion is viewed through a Eurocentric lens, however, we’re currently experiencing a paradigm shift, where we’re demanding the right to tell our own stories, for us, by us. This is why The NATIVE in collaboration with  Nigerian creative director, MOMO have been commissioned by Lagos Fashion Week to produce a limited edition zine, showcasing a variety of the immense talent this season.

From veteran designers such as Lisa Folawiyo of namesake brand, to newcomer Faith Oluwajimi of Bloke, the predominantly editorial zine features powerful looks from some of the latest collections to be showcased on the catwalk over the next four days.

In a bid to tell our own stories, it was essential for us to bring together a young, talented team of African creatives to present these collections through editorial. Following the runway shows from Day 1, here are our exclusive profile and editorial for Lagos Fashion Week, on Orange Culture.

CLAN’s objective as designers is to produce staple pieces that have staying power. With simple, yet striking designs, their latest collection houses a host of pieces crafted to flatter different body shapes, in keeping their aim to elevate the status of every wearer upon sight.

They describe the collection as the marrying of wildlife necessities and voyage versatility” with “high-end urban contemporary. Promoting free-spiritedness, comfort, ease and a “not-so-subtle hint of bad-ass” they label the predominant mood as “[The] Flintstones gone rogue”.

Designer: CLAN
Model: Yasmina Dialo
Photography: Abiola Renee
Creative Direction & Styling: Aisha-Juanita Arden

Exclusive:Lisa Folawiyo presents the new way to dress with SS/20 collection

Tiwa Savage joins Wale and French Montana on Saweetie’s “My Type” Remix

Californian artist, Saweetie’s single “My Type” went on to become a smash success owing to its infectious beat which recognisably comes from Petey Pablo’s 2013 hit “Freak-A-Leek”. The song continues to gain momentum as the ultimate girls anthem and the rapper  has now released an EP of 6 remixes to the track.

Nigerian singer/songwriter, Tiwa Savage joins the remix with Saweetie, alongside Wale and French Montana to show that international collaborations can occur without compromising one’s indigenous language. On the remix to “My Type”, Tiwa Savage lives up to the Savage name as she delivers a self-assured set “If you talk money, I go like like like yeah that’s my type” she sings, confidently making known her preference in men.

Stream “My Type Remix” here.

Featured Image Credits/Instagram


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Tiwa Savage embodies the strength of women’s sexuality in new music video for “49-99”

EXCLUSIVE: Lisa Folawiyo presents the new way to dress with SS/20 collection

Too often in Nigeria, and in Africa in general, fashion is viewed through a Eurocentric lens, however, we’re currently experiencing a paradigm shift, where we’re demanding the right to tell our own stories, for us, by us. This is why The NATIVE in collaboration with  Nigerian creative director, MOMO have been commissioned by Lagos Fashion Week to produce a limited edition zine, showcasing a variety of the immense talent this season.

From veteran designers such as Lisa Folawiyo of namesake brand, to newcomer Faith Oluwajimi of Bloke, the predominantly editorial zine features powerful looks from some of the latest collections to be showcased on the catwalk over the next four days.

In a bid to tell our own stories, it was essential for us to bring together a young, talented team of African creatives to present these collections through editorial. Following the runway shows from Day 1, here are our exclusive profile and editorial for Lagos Fashion Week, on Orange Culture.

The veteran brand Lisa Folawiyo Studio, is best known for incorporating homegrown textiles with an emphasis on beading and sequins. This season, they maintain their usual penchant to immediately catch your attention with structured silhouettes and dreamy fabrics.

Lisa sees the collection as a reclamation of sorts: “Dresses over boubous; skirts over skirts; power suits and tanks that uncover a sudden surprise; all layered to be peeled back and worn again, or left just as they are – this is the new way to dress. This collection, most importantly, represents what women want to wear; and the more you wear, the less you discard.”

Designer: Lisa Folawiyo

Photography: Manny Jefferson 

Styling & Creative Direction: MOMO

Model: Morinsola Hassan-Odukale

Exclusive: Orange Culture’s latest collection is an expression of self

Listen to Kah-Lo’s energetic club-banger “Exit Sign”

Last week, Grammy-nominee, Kah-Lo announced her debut solo single “Exit Sign” which is finally available for streaming. “Exit Sign” is a tale as old as time itself, on the track Kah-Lo narrates the story of an alcohol-induced night out with friends where she finds herself alone with a stranger, ‘Can’t find my friends and you look cool, come find me dancing by the exit sign’ she sings, open to the inebriated bad decisions she is about to make.

Kah-Lo continues in her smooth delivery of techno house music drops that is sure to get anyone dancing. Speaking on her new single, the Nigerian-American artist explains “It feels WILD to finally put something out of my own! It’s one of my fave tracks about the madness me and my girls got up to on NYE. I want people to hear it and feel the vibes that we felt on that crazy night”.

Stream “Exit Sign” below.

Featured image credits/DavidVassalli


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: ‘Foreign Ororo’ by Kah-Lo and Riton

Naira Marley is pointing fingers on his new single, “Bad Influence”

Although he’s currently in between the cross-hairs of the Nigerian justice system, Naira Marley is having a swell time rebelling against the powers that be. The singer has split public opinions since his arrest, back in April, but his notoriety has grown with back-to-back hit songs. He announced “Bad Influence” as his latest single, just yesterday, and as usual it has been greeted by a mix of curiosity and widespread fanfare.

On the new song, he continues to reiterate the sentiment that no one should be judging him since we’re all imperfect. It is an intriguing yet problematic ideal, considering that Naira seemingly capes for cyber-crimes. But he’s not just defending his stance on “Bad Influence”, he’s also pointing fingers, mainly at the Nigerian government he deems as inept.

“We want school but they gave us prison, we want education but they taught us lesson”, he sing-raps over the acoustic guitar, radiant piano riffs and hip-hop drums Rexxie produces. He also laughs off the notion that he’s a menace to society, relating that all he wants is to enjoy his life without any interference.

Listen to “Bad Influence” below.

Featured Image Credits: 

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: NAIRA MARLEY STEALING THE SHOW AT STARBOY FEST & 5 OTHER VIDEOS YOU SHOULD SEE THIS WEEK

EXCLUSIVE: Orange Culture’s SS/20 Collection is a “fiery battle with self”

Too often in Nigeria, and in Africa in general, fashion is viewed through a Eurocentric lens, however, we’re currently experiencing a paradigm shift, where we’re demanding the right to tell our own stories, for us, by us. This is why The NATIVE in collaboration with  Nigerian creative director, MOMO have been commissioned by Lagos Fashion Week to produce a limited edition zine, showcasing a variety of the immense talent this season.

From veteran designers such as Lisa Folawiyo of namesake brand, to newcomer Faith Oluwajimi of Bloke, the predominantly editorial zine features powerful looks from some of the latest collections to be showcased on the catwalk over the next four days.

In a bid to tell our own stories, it was essential for us to bring together a young, talented team of African creatives to present these collections through editorial. Following the runway shows from Day 1, here are our exclusive profile and editorial for Lagos Fashion Week, on Orange Culture.

Orange Culture is one of the most definitive fashion brands, made with the intention to challenge the status quo and learned ideals about gender. Orange Culture champions wardrobe androgyny, with colourful pieces and unconventional silhouettes from netted trousers to asymmetric tunics.

Describing this collection, Creative Director Adebayo Oke-Lawal explains it as “the fiery battle with self, as we probe the relationship between man and his destructive, shadowed self. We venture into the necessary and progressive need for men and women to look within themselves, and fight the demons that constantly haunt them.”

Designer: Orange Culture

Photography & Creative Direction: Dotun Abeshinbioke

Styling: Nkem Onuorah

Models: Clarise Rachel & Taiwo Aloba 

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Exclusive: How An All-Nigerian Cast Brought Nike’s ‘Naija Collective’ To Life

Peruzzi teases debut album with a second single, “Only One”

Over the last few months, Peruzzi has regained momentum following the lukewarm reception to his 2018 EP, ‘Heartwork’. Earlier this month, the singer announced his debut album, ‘Huncho Vibes’, revealing its tracklist a few days later. The project now has November 8 release date, and listeners can also pre-order the album before it drops.

He’s also shared a new single, “Only One”, as the second single in the lead up to ‘Huncho Vibes’. Over a mid-tempo beat that bears similarities with his sleeper hit, “Majesty”, Peruzzi sings affectionate lyrics aimed at his love interest, cherishing her beauty and their romantic relationship. Following up the reggae-tinged lead single, “Nana”, the new single foreshadows a romance-themed album from Peruzzi, in his usual fashion.

Pre-add ‘Huncho Vibes’ and listen to “Only One” below.

Featured Image Credits: Instagram/peruzzi_vibes

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: CATCH THIS DMW FLEX ON “ON GOD”, FEATURING DAVIDO, MAYORKUN AND DREMO

Joeboy announces debut EP, ‘Love & Light’; shares “Don’t Call Me Back” with Mayorkun

Joeboy became one of this year’s breakout stars, after scoring an inescapable hit with “Baby”. The singer landed another successful hit with his recent follow-up, “The Beginning”, sealing his status as one of the brightest newcomers. Keeping up the momentum, he’s getting ready to drop his debut EP, ‘Love & Light’ next month, with five songs including the previously released singles.

To whet our appetites, he has also dropped “Don’t Call Me Back” as the latest single preceding the EP, and it features a high profile guest appearance from afropop star Mayorkun. While the light piano riffs and sparse percussions produced by BeatsByKO sets up a sunny aura, both singers thread on the darker side, airing their grievances at lovers taking them for granted, matching their vindictive stance with snappy melodies that convey their seriousness.

Pre-add ‘Love & Light’ and listen “Don’t Call Me Back” below.

Featured Image Credits: Instagram/joeboyofficial

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: SEE MAYORKUN AND KIZZ DANIEL IN VIDEO FOR THEIR NEW COLLABORATION, “TRUE”

Essentials: Blaqbonez shows off his versatility with latest EP, ‘Mr Boombastic’

When Blaqbonez first emerged onto the scene, his larger than life personality caught our attention well before his music did. It didn’t take long to catch up, however, as he definitely backed up his self-assured bragging with solid music, which he has maintained all year round, resulting in his second project of the year, Mr Boombastic.

The past couple of months have seen him trying to convince the nay-sayers that he is every bit as talented as he thinks he is, and his latest attempt certainly confirms this. Although he has asserted that he’s the best rapper in Africa all year, on this project, he’s not rapping like he usually does, he instead delivers 7 party-friendly bops, reminding his haters that he’s a cut above.

Sonically richer than any other project he’s put out, Blaqbonez’ artistic growth is impossible to ignore on Mr Boombastic, and it’s clear right from the intro song, “Run My Race“. Leaning into the patios sound he introduced with the pre-released “Shut Up”, Blaqbonez asserts that he’s only trying to stay in his own lane and do what he wants to do, without people getting in his way.

When “Shut Up” dropped, Blaqbonez admitted to being inspired by Prettyboy D-O, and this influence is made most clear on the opening track, setting the tone for the entire project. The next track “Mr Boombastic” features Falz, who drops his own alter ego funny bone, and brings some syncopation to the party-ready track with a solid verse.

The album’s best track, in my humble opinion would have to be the reclusive Blackmagic-assisted “Magic”, who brings the magic (no pun intended) we saw on his evergreen track, “Repete”. The love song sees each artist admitting to being in love, affirming that what they’re feeling must be magical – I’ve heard women have that kind of effect on man people!

At this point, Blaqbonez handles the rest of the project on his own, clearly with the aim to drive his versatility as the sound switches up drastically and his vocal ability shines through. While “Come For You” serves as a warm-up to this switch up, “God When” sees him at his best vocally, where he shows off that he’s clued into social media lingo, singing that his relationship is goals, and that he will not hesitate to pull up on anyone who gets in his way.

The closing track, “Promo” brings it all to a mellow end after the highs the last three songs brought about with a mellow beat, where he bears his heart honestly, singing about his state of mind and how people are insensitive to the fact that he’s going through things.

In addition to his fantastic penmanship, Mr Boombastic benefits greatly from the production work, which serves as a solid foundation for Blaqbonez to show off his versatility. The larger-than-life personality once told me that he admires the way Drake is respected as a rapper and a pop star, and with this project, it won’t be a far cry to predict this in his own future.

Listen to Mr Boombastic here:

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ICYMI: 8 UPCOMING NIGERIAN PROJECTS WE ARE ANTICIPATING BEFORE THE END OF 2019

AV Club: Watch Adewale Akinnuoye-Agbaje open up about his painful autobiography ‘Farming’

Adewale Akinnuoye-Agbaje was working on his feature directorial debut ‘Farming’ for nearly 15 years prior to its release. The British-Nigerian actor is one of the industry’s biggest exports, as he’s best known for his role in ‘Bourne Identity’ and as Malko in the final season of ‘Game of Thrones’. Now, he’s bringing his talents back home with his directorial debut, ‘Farming’ which was premiered last week.

In a recent interview, the British-Nigerian actor narrates how he did not think the world was ready for the seriousness of the film’s subject matter⁠—looking at Britain through black eyes⁠—which inevitably delayed his story.

Akinnuoye-Agbaje chose ‘Farming’ as his directorial debut because of how deeply personal the story is to him, as it’s based on his own experiences as a teenage member of a 1980s white skinhead gang in Tilbury, Essex. The film was a deeply cathartic project for him and many others, as he recalls many Nigerians reaching out to him to recount their personal experiences with farming.

He explains he first heard the term farming from British social workers who coined the phrase to describe the practice of Nigerians coming over from to Britain in the 60s to ‘farm’ their children out to white working class families.

‘Farming’ is the story of Femi (played by Akinnuoye-Agbaje) and Tolu (played by Genevieve Nnaji) who farm their young son, Enitan out to a white working class family living in Tilbury. Enitan is bullied in this white neighbourhood as a child, causing him to hate his black skin; this leads him to join a blackskin head gang in his teenage years.

The African premiere of ‘Farming’ was held earlier this week at Filmhouse Cinema in Lekki. The film will be available to watch in select cinemas across Lagos and Abuja from today.

 

Featured image credits/Angus Young/Momentum Pictures


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


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Buju is self-assured in his newest single, ‘L’enu’

Earlier this year, Buju captured our ears with his Best New Music entry, “Energy”. Since then, the singer has worked his way into becoming one of Afropop’s hottest prospects, getting mainstream cosigns with the Zlatan-assisted “Spiritual” and a nomination for Rookie of the Year at the recent Headies. Looking to continue his high flying year, he’s just released a new single, “L’enu”, where we see him flaunt his accomplished pop sensibilities.

Over summery piano riffs and bouncy afropop drums produced by his go-to producer, Steph, Buju sings a self-assured set centred around his ability to make great songs. “O ta l’enu, o po l’enu, o dun l’enu (it’s hot, it’s plenty, it’s sweet in my mouth) tell me what I cannot do”, he asserts on the hook, showing us that he knows his worth and he’s here to stay.

Mirroring the song’s club-ready mindset, his verses are memos aimed at party seat-huggers, adding a compelling edge to the song’s light-hearted tilt.

Stream “L’enu” here.

Featured Image Credits: Instagram/Bujutoyourears

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: WURLD, LADY DONLI & BUJU SLATED FOR ART X LIVE! 2019

Zlatan & Burna Boy link for another club-ready banger, “Gbeku”

“Mo gbe Zanku wole, mo ni ko fade shaku shaku (I brought in Zanku and told them to fade the shaku shaku)”, Zlatan rapped on Burna Boy’s “Killin’ Dem”, where he’s aware of his influence on the scene. Now, in keeping with the same energy, the two artists have linked up for a sequel collaboration, “Gbeku”, and they are looking to spring the same magic of their previous work.

Produced by Rexxie, the club-ready beat merges Makossa-style guitar harmonies with rattling shakers and thumping drums. Burna delivers the infectious hook in Yoruba, singing instructive lyrics meant to guide listeners through the Gbeku dance, while Zlatan drops two rapped verses, splitting his lyrics between brags and dancefloor filler lines.

While Zlatan has partly performed the dance in the music videos for “Shotan” and “Yeye Boyfriend”, a music video displaying the Gbeku dance in its full format should arrive soon. “Gbeku” is giving us another taste of what to expect from Zlatan’s upcoming debut album, ‘Zanku’, due for release this November 1.

Stream “Gbeku” here.

Featured Image Credits: Youtube/Onaspaceship

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: BUJU FEATURES ZLATAN ON NEW SINGLE, “SPIRITUAL”

We asked a few young Nigerians what they do whilst in Lagos traffic

Anyone who lives in Lagos knows a thing or two about the intense daily traffic, which will turn your usual 10 minute commute into a tedious hour and a half journey.

Being the commercial capital of Nigeria, Lagos has acquired the reputation of being a city that wakes up very early and goes to sleep very late. We’re 100% sure that’s only because people are waking up early to beat traffic in the morning and getting stuck for hours in the evenings, making everyone constantly feel like

Although it’s the smallest state in Nigeria, in terms of land mass, the city is a mecca which houses people from all over the country, and is therefore over-populated. Commuting from one place to another in Lagos can be an extreme sport, especially during peak periods. Given this, it’s no shock that to survive the traffic, Lagosians adopt a variety of activities to keep themselves busy and less fixated on the difficulty of moving through the city.

So, as we’re all suffering the current traffic caused by the floods from the heavy rain (let’s take climate change a bit more seriously now guys!), we asked a few Nigerian youths about their routines while in Lagos traffic. From catching up on Call Of Duty, to catching up on some necessary rest, here are some of the answers we got:

I listen to queued music; it’s the actual time you can be immersed in the content of a project/track. I read articles on medium, I’m learning new things from write-ups and exploring new ideas. I also scroll through social media feeds and play games on my mobile phone.

T, 25, male.

It’s actually the best social time I have, to be honest. I go home with my friends, so we get to gist and throw bants around, so Lagos traffic never really feels hectic.

J, 24, female.

I spend most of the time mapping out alternate routes, so I can manoeuvre through traffic faster. Also I’ve got my radio on to keep me company, Cool FM 96.9 mainly.

B, 28, male.

Bro, I sleep. Well, except I’m driving. I didn’t come and kill myself, I wake up before 5:30 in the morning, so shout-out to Lagos traffic for helping my sleep pattern.

K, 26, male.

I play ‘Call of Duty’ on my phone and I also catch up on movies.

L, 24, male.

That’s my dedicated Netflix time. I recently watched all six episodes of “The Spy” within a day, going and coming from work. Each episode was like an hour, meaning I spent close to six hours in traffic on that day. Mad o.

F, 22, female.

That’s actually the only time I really get to check new music. And read sports articles.

S, male.

Look for content to write about/read articles, ‘cos I get car sick, so traffic is the only time I can do that in the car. I also listen to new, long albums like Lana Del Rey’s ‘Norman Fucking Rockwell’ and Dave’s ‘Psychdrama’, while also taking the scenery in. Obviously, also sleep and tweet.

D, female.

It’s either I sleep or listen to music. I’ve heard of people’s phones getting jacked in Lagos traffic, can’t be causing myself heartbreak because I want to press phone inside danfo.

G, 24, female.

I try to listen to podcasts—’try’ because I end up zoning out or sleeping off.

N, 25, male

Featured Image Credits: sunnewsonline

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: WE ASK A FEW MILLENNIALS HOW THEY COPE WITH BAD MENTAL HEALTH DAYS