Runtown has made it clear since he broke out in 2014 with “Gallardo” that he considers himself a man of high taste. Besides being able to count on him for confidence-inspiring songs, the singer has also shown a penchant for putting out aesthetically pleasing music videos like the colourful “Mad Over You” and the surreal “International Badman Killa”.
His latest music video is for “Redemption” and the director, Mahine Sef, captures Runtown’s romantic performance with dreamlike scenes. The video shows Runtown and his muse in different iconic locations all over the world, from the White House, a place in Paris with a view of the Eiffel Tower to a forest, on a horse. The nearly 4-minute long video is a reel of impressively scenic photography with almost every frame being good enough to print out and hang up as art.
Watch the music video for Runtown’s “Redemption” below.
Featured Image Credits: YouTube/Runtown
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him@debola_abimbolu
Last year, Seun Kuti & Egypt 80 released ‘Black Times’, an album of socio-political manifestos with militant overtures. The project was critically acclaimed, earning the Afrobeat band their very first Grammy nomination. In a bid to further immortalize the album and its messages, they’ve just released ‘Seun Kuti & Egypt 80 (Night Dreamer Direct-To-Disc Sessions)’, an EP filled with material from live session recordings of select songs off ‘Black Times’.
Recorded at Artone studios in Holland, the 4-song tape features improvised interpretation of standout tracks like the “Black Times” (without Carlos Santana, though) and “Bad Man Lighter (BML)”. Being a direct-to-disc recording, the songs were cut in one take, using vintage mixing and mastering equipment, before being taken to a recording plant to be galvanised and pressed. However, with streaming being the primary means of music consumption, the EP is also available on digital streaming platform.
‘Seun Kuti & Egypt 80 (Night Dreamer Direct-To-Disc Sessions)’ was recorded for Night Dreamer, a new record label looking to channel the classic feel of jazz records from the ‘60s. Seun Kuti & Egypt 80’s live session is the inaugural release of the series, with several other acclaimed world music artists and bands slated to debut their sessions in the coming months.
Kida Kudz and Teni have been teasing their collaboration, “Money”, with clips from their recording session together. The IG video confirmed the dancehall direction of the song with the groovy beat SOS produced for the song. Kida and Teni have already proven more than competent at making tunes for dance floor fascination, and “Money” sees them combine their unique sounds to make a bop that celebrates the hustler lifestyle.
Singing “I want the money/ I need that paper” on the chorus, “Money” encourages listeners’ desire for cash, and whether it was intended to or not, it’s a sentiment that captures a distinctly Nigerian partying culture where people are encouraged to dance by spraying Money.
You can stream Kida Kudz and Teni’s “Money” below.
Featured Image Credits: Instagram/kidakudzgram
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him@debola_abimbolu
Over the last few months, 2Baba has been celebrating to decades since his entrance into the Nigerian music scene, making him one of the most revered artists working today. While he’s not as active a hitmaker as he was in his prime, he still sneaks out new music that has potential to dominate the airwaves, like last year’s hit song, “Amaka”. For his new single, “Important”, he’s socially aware for the type of contemplative song that is familiar to his catalogue.
Performed in a fluid mix of Pidgin and his indigenous language, Tiv, 2Baba sings of the importance of knowing your self-worth and refusing enticing offers from predators. Using himself as a point of contact, he smirks at politicians who wanted his endorsement during elections, after openly calling him out for trying to plan a protest. “My guy be careful make dem no photoshop greener pastures for you”, he sing on the hook, with his impassioned vocals gliding over an acoustic guitar riff, faint vocal chants and mid-tempo drums.
Stream “Important” here.
Featured Image Credits: Instagram/official2baba
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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter
DJ Yin is back with a new single titled “Let Go” which serves as her first release since her earlier 5-track offering in March ‘Life of Fatima’. She is joined by Dj Sketch and Echo, to form a blended fusion of EDM and Afrobeats which she dubs as Africa Dance Music (ADM).
On “Let Go”, DJ Yin is sending a clear message to her lover ‘why are you always trying to let go, why are you desperate to let go’ she sings to a lover who doesn’t seem interested in working out the relationship. She pleads with him to return home so they both work out their relationship, and despite the honest confession she makes to her lover, the catchy up-beat track is a fusion of ambient synths and drums, making for a very danceable song.
Stream “Let Go” below.
Featured image credits/theseyekehinde
Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_
After an inexorable absence, Sinzu, formerly known as Sauce Kid, was re-introduced to fans of Nigerian music in a welcome yet surprising record deal with DMW. Since then, the rapper has released a few singles and made a few feature appearances, but his most definitive step so far, is the release of his lateralbum, ‘Better Late Than Never’.
With its title clearly alluding to his time away, the album is first project since his 2015 mixtape, ‘Industreet’, and his second official studio LP after his 2010 debut, ‘African American’. ‘Better Late Than Never’ is a 17-track star studded project, with A-list features from artists like Olamide, Zlatan and Peruzzi, while rappers Yung6ix, Czure and MiketheGlory complete the line-up of guest artists.
You can stream ‘BLTN’ below.
Featured Image Credits: Instagram/chiefhunnitbands
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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter
With two summer hits—“Ego” and “Trobul”—and a new EP, Sarz and WurlD have emerged as one of the stronger producer-artist pairings of 2019.
As is evident from his wide-ranging production credits for Wizkid, Niniola, Reminisce and more, the true craft of Sarz is mashing sonic flavours. The new joint project with WurlD, I Love Girls With Trobul, dropped last week pre-packaged with Nollywood fascinations; a dramatic title, grunge album art style, and consistent themes of drama and tension in love. This is why the synth-led, “SWEAT”, is decidedly the most defining track off I Love Girls With Trobul.
What sticks out about “SWEAT” after first listen, is the inverted verse-chorus arrangement. WurlD opens the track with an Afropop groove, setting the stage for Sarz’ shimmering disco-fused baseline. On the first verse, WurlD offers a lover reassurance with a ballad-like sultriness, demanding fair consideration under her gaze. Notwithstanding this dramatic build-up, the titular chorus—precluded by WurlD’s interpolation of Bob Marley’s “One Love”—and song climax only occur once. The rest of the story is told sonically; through enveloping dark-ambient synths and a sequence of looped bridges and reverbs.
“SWEAT” is not only the steamiest song off I Love Girls With Trobul, It’s also designed with the replay value of a sleeper hit, courtesy, one of the most inventive beatmakers for this Afropop era.
Stream it now below:
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Toye is Editor-at-Large at NATIVE Nigeria. Tweet at him@ToyeSokunbi
Fewer things are as aggravating as the toxic and obnoxious way sexual harassment and assault are tackled in Nigerian society. The patriarchy strikes yet again, as yesterday, the High Court of the Federal Capital Territory, dismissed the case filed by Busola Dakolo against Pastor Biodun Fatoyinbo of COZA. The court held that the Busola’s case against Fatoyinbo amounted to an injustice, and an abuse of the judicial process as the case was purely sentimental and empty.
In July, we spoke to a Benin-based lawyer, who explained that a conviction charge of rape requires “proof of penetration, and there must also be corroborative evidence and medical evidence” for conviction to be valid. This already hampers upon Busola’s case in court, as the assault happened nearly 16 years ago. As though to add alt to the wound, the court also fined her N1,000,000 for wasting their time, because the civil case is supposedly time-barred by the six year statute of limitations.
The law has once again failed women, giving room for rape culture to prevail, and sending a dangerous message to perpetuators everywhere that there’s always a way out for them. Earlier this year, Fatoyinbo stepped down from his position of power at COZA, and this was celebrated under the assumption that it would bring about justice for Busola Dakolo and many other victims of his abuse.
In Nigeria where rape and silence culture is already the order of the day, it would have been good to make an example of such a notorious assaulter, much like in the case of Bill Cosby, Harvey Weinstein and others. Having Bidoun Fatoyinbo locked up and ensuring that he pays for his crimes, and would have set a great precedent and been a cautionary tale to other perpetrators still at large causing harm to other women all over the country.
It’s a shame to see that the law and our society favours a man’s reputation more than a woman’s safety, especially powerful men like Fatoyinbo, who can literally get away with murder. It’s bad enough that societal teachings force women to avoid trouble and go on to punish them when trouble comes, however, the source of the trouble is enabled more often than not, with this being the perfect example.
While going to the club should be about having a good time with your friends, for men, it offers a chance of meeting and having fun with people of the opposite sex. Without women, the dance floor loses its allure for many men, since there’s no sexual tension to generate or explore. It’s on this premise that Falz builds his new, Patoranking-assisted single, “Girls”.
“The party no go nice if girls no dey”, Patoranking sings on the hook, capturing the song’s thirsty intentions. Falz delivers two rap verses in his Brother Taju inflection, describing the dead state of a party he organised, after the invited ladies didn’t show up on time. Their set is delivered over fast-paced house drums, making it potential mainstay on club DJ sets.
Listen to “Girls” below.
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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter
2019 has been a good year for Maison2500 fans. After sharing a full-length project, ‘Maseworld’, back in August, he has released two new tracks, “Mood Swings” and “Molly + Fast Cars”, seemingly flexing his commanding grip of fans’ interest.
The two new singles offer fans more of his blunt and edgy personality, as he raps over his preferred free-wheeling trap beats. “Mood Swings” features confident bars and catchy ad-libs as Maison2500 flows over the airy beat with his malicious intentions heard in each brag; “Flip the switch/ We can switch on these hoes”. Though “Molly + Fast Cars” has a mellow undertone, inspired by the romantic undertone in the lyrics, the intention seems more sexual than loving.
Stream Maison2500’s “Mood Swings” and “Molly + Fast Cars” below.
Featured Image Credits: Instagram/maisonvendetta
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him@debola_abimbolu
Last month, Teni the Entertainer released her debut project ‘Billionaire’, and the EP’s titular track “Billionaire” became a heavy fan favourite. Over the Pheelz-produced beat, Teni channels Afro-juju influences to create a catchy bop that is sure to resonate with almost every Nigerian as she chants the words ‘I wanna be a billionaire’.
Now, the NATIVE 003 cover star has released the accompanying music video for “Billionaire” her EP’s standout track. In the short film, shot and directed by TG Omori, Teni is seen during her modest formative years where she lists out her wishes for success and fame, ‘I want to wake up on the moon, dancing to my tune’. In a dimly lit room, she sifts through self-help guides to attaining the life she wants, keeping awake with her feet plunged in a bucket of water.
Teni becomes a contestant on a reenactment of popular television show, Who Wants to be a Billionaire? where she is posed with a question that determines whether she wins one billion dollars. She decides to use one of her lifelines on the show and reaches out to her friend, Brother Shaggi who comically eliminates the options she has and decides on a final answer. As the video ends, Teni becomes the billionaire she’s always wanted to be and is celebrated by everyone.
Watch the music video for “Billionaire” below.
Featured image credits/Youtube
Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_
While Simi has never been described as an old soul, the rustic charm of her music often evokes the feel of vintage afropop. This is made more evident by her sampling of Commander Ebenezer Obey’s classic song, “Aimasiko”, for her hit of the same title off her debut album.
On her new single, “Selense”, she continues blazing this trail, echoing the central ideal of Mike Okri’s “Time Na Money” for a feel-good bop with a life lesson.
Inserting characters who continually procrastinate as resonant examples, Simi urges listeners to make hay while the sun shines. “Time no go pause, e no go stop”, she posits on the closing bridge against a groovy beat by Vtek.
Listen to “Selense” here.
Featured Image Credits: Instagram/symplysimi
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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter
What a time to be alive! Drake -one of the biggest superstars in the world- got booed off the stage at the Camp Flog Gnaw concert, while Santi’s exciting performance at the same show was met with warm reception.
Where Drake’s set failed to connect with Tyler, The Creator’s audience specifically, Santi had no such problems when he performed songs off latest ‘Mandy and the Jungle’. His energetic performance got cheers from the crowd as he performed “Rapid Fire” and other standout cuts from the project.
“John Cena” by Sho Madjozi and John Cena
Sho Madjozi became an international sensation after her single, “John Cena” got acknowledged by the titular inspiration for the song. She’s still having her moment, as she featured on Kelly Clarkson’s “The Kelly Clarkson Show” last weekend. After speaking about her background and the inspiration behind the show, she performs the song for the audience and gets loud screams from them when she’s joined by the retired WWE wrister whos performs the John Cena dance by her side.
“Ifesinachi” by DNA
DNA have released a new single, “Ifesinachi”, and accompanied it with a music video. Produced by Don Jazzy, the catchy afropop beat for “Ifesinachi”, sees the twins singing “We must dance oh” while celebrating their good fortune. The music video is directed by Lekan who shows the duo as they take a joyride through Lagos in a convertible Benz with girlfriends in the backseat. After releasing “Ayo” and “Star” at the start of the year, “Ifesinachi” is the third song from DNA this year.
“Cyber Sex” by Doja Cat
Though the internet is responsible for making Doja Cat’s “Moo” a hit song, she has surpassed the one-hit pop star label critics were quick to give her. Her newly released project, ‘Hot Pink’ removes any doubt about the hit song being a flash in the pan as she delivers 12 impressive tracks. The music video for the opening single, “Cyber Sex” plays out like a tribute to the internet (or at least technology) as she explores the raunchy side of technology with the sci-fi inclined music video.
MTV Shuga Naija (Season 4)
The second episode of the new season of “MTV Shuja Naija” was released last Sunday. In the 21-minute run time of the episode, we see Faa continue her fight to ensure Ebsinde gets justice, while he serves jail time for a crime he didn’t commit. The highschool plot, however, follows Frances’ struggle with mental health, as she withdraws from her friends to cope with the trauma of being assaulted. The next episode is expected to be released next Sunday by 7:30PM.
Sonic the Hedgehog Trailer
Fans were quick to dismiss the first trailer for Paramount’s “Sonic the Hedgehog” live-action film. The lovable blue speedster was depicted as a nightmarish experiment with the seemingly more realistic art style. The newly released second trailer shows the studio listened to the complaints from fans and made changes to the CGI look for Sonic. The cartoonish big eyes are among the more notable changes made to give the film a more family-friendly allure as the trailer also offers scenes that capture the bromance between Sonic and his human friend, Tom, and the goofy villain played by Jim Carrey.
Featured Image Credits: YouTube/Brownson Arebojie
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him@debola_abimbolu
‘I swear the sun never leaves, never sets, it just descends’
Every week for the past 8, DAP the Contract has shared new music from his weekly offering ‘Contract Thursdays’, while on tour for his latest album Everybody Falls in the Summer. Just yesterday, the talented rapper landed a spot on “Be Nice”, a Christmas special on the original soundtrack for Disney’s new film ‘Joelle’.
Alongside the final track, DAP released an accompanying 4-minute clip titled ‘Last Words’, filmed and edited by DAP himself. Over the soft acoustics and drums, DAP talks about the year he has had, and the energy he lets in to his space; pronouncing the importance of cultivating wholesome tribes.
Just before the year runs out, DAP returns for the final inclusion in his weekly CTIII series, “In My Room” featuring a host of other artists like Peter Enriquez, Kaliné, JRah, Mia Maxima, Stxtic who either lend their additional vocals or contribute a guest verse. ‘
‘Made this all in my room, but don’t worry I was born with a silver spoon’ DAP introspectively raps, turning his attention to his fortunate upbringing where his parents played a huge role in shaping his present man. Over the drum-led guitar riffs, each artist featured turns inwards for a heartfelt number befitting of the final track of DAP the Contract’s weekly music drop, that could very well be a complete body of work.
Larry Gaaga’s reputation as an afropop curator continues to grow with hids latest effort being the curator of the soundtrack for Nollywood classic, “Living in Bondage” sequel. The 12-track soundtrack album was released earlier on in the month, ahead of the film’s nationwide premiere last week. Larry Gaaga keeps the promotional momentum of the film going as he releases the music video for Flavour-assisted “Tene” off the project.
Flavour delivers lyrics centred around the film’s romantic theme on “Tene” and the music video directed by Clarence Peters captures his emotional sentiments. The song’s accompanying video follows Flavour as he falls in love with a woman he finds in the pouring rain. Other scenes show their relationship’s progress, clipped together with scenes from “Living in Bondage: Breaking Free” to form a montage to the romance between the film’s hero and his love interest.
Watch the music video for “Tene” by Flavour and Larry Gaaga below.
Featured Image Credits: YouTube/Larry Gaaga
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him@debola_abimbolu
Merry-Lynn first caught our attention when she debuted “911” with a haunting music video to match the song’s destructive depiction of love. The song earned her a spot to perform at this year’s Lemon Curd concert alongside artists like Wavythecreator and Lady Donli, and also served as the first hint at the rustic direction she would eventually take with her debut project, ‘Petrichor’.
The Abuja based singer released ‘Petrichor’ a few days ago to her growing poll of adoring fans. The opening track, “Skin”, sets up the romantic story she tells all through the 6 tracks on the project. The Veen-produced guitar-led beat ushers Merry-Lynn’s sultry vocals into a cinematic world of strings and piano harmonies, where she develops her emotionally charged characters.
If “Skin” told the story of falling in love with ‘Mr Wrong’, the next track, “Temptation” expands further on the sensual intentions behind her feelings, while still reinforcing the relationship’s toxicity as she likens her desires to sin; “Stuck between the night and day/ In limbo baby/ We’re so high, it’s too hard to see the limits baby/ Ain’t no stopping me”. While her vocals are as enthralling as the story she tells, the country beat Veen produces is what makes “Temptation” so captivating.
Merry-Lynn’s vocal prowess is further pronounced on “Boy Tears”, which is fueled by her fierce lyrics aimed at the heart of a boy she’s over. She returns to singing from a vulnerable place on the next track, “In My Feelings”, before we hear the updated King Perry-assisted “911” where he shows off his penmanship with a romantic closing verse. “Osa (Interlude)” is a rapturous closer written in appreciation of fans and significant others who inspire and support her. Her lyrics, “Can’t you see I live for you” are even more compelling within the context of the project where she describes the torture she’s dealing with in her relationship.
Though the production on ‘Petrichor’ stands out for its distinct guitar riffs, Merry-Lynn remains the star of the show, leading the project down a romantic path. Veen only stays in the background, creating a backdrop of crisp synth melodies and haunting guitar riffs that move her plot forward with the vivid ambience of a daydream.
Stream Merry-Lynn’s ‘Petrichor’ album below.
Featured Image Credits: Instagram/asipoflynn
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him@debola_abimbolu
With its inclination towards rawness, songs from the street-hop subgenre have been as entertaining as they are crude and a little bit suspect. Case in point, being Reminisce’s new single, “Instagram”, a jovial cut about thirst traps on social media that quickly devolves into unfettered slut-shaming.
On the Sarz-produced “Instagram”, the track mixes a jagged bassline with bombastic synth drums for a Zanku ready beat. Olamide handles the hook, describing the high traffic in his DMs, while also doing a roll call of names in the same vein as Kizz Daniel’s “Fvck You”. Naira Marley and Reminisce deliver a verse each, with the former referencing women who send him nudes to do the Soapy dance to, while the latter rebukes the demands of someone he deems a gold-digger.
You can listen to “Instagram” below.
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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter
Olamide is one of the most consistent musicians we have working today, and this is what makes him such an important figure in the street-hop scene. With his previously released singles, “Oil & Gas” and “Pawon”, still making the rounds on the set lists of club DJs, he’s just dropped “Choko Milo”, another single with the potential to join his list of big songs in 2019.
Over the South African house-inspired drums, eerie whistles and bass guitar riff produced by Spaceboy Mercury, Olamide delivers a set that playfully highlights his ability to mix anecdotes and streetwise idioms. On the hook, he jokes casually about drinking habits with raunchy innuendo, while he spins a loose narrative about his attractiveness on the sole verse, citing his affluence and sexual prowess as the main factors.
You can listen to “Choko Milo” here.
Featured Image Credits: Instagram/baddosneh
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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter
Disney launched their new streaming platform, Disney Plus yesterday, housing a number of their classic productions available for streaming. In a Christmas special, “Noelle” starring Anna Kendrick and Bill Hader, the accompanying sound track features our very own DAP, who is currently piecing together his latest body of work, CTIII.
“Be Nice”, is a festive number from Lawrence the band and Stolen Jars, which sees DAP on top form as usual. Disney films were a ritual for most millennials, therefore it’s always a welcome time, made even more special by one of our very own contributing to this.
‘Noelle’ follows the story of Santa Claus’ kids played by Kendrick and Hader, faced with the task of becoming the next Santa Claus, Hader runs away because of the pressure to live up to his father. In his place, Kendrick step up as ‘Noelle’ find her brother and save the Christmas season.
Stream “Be Nice” below.
Featured image credits/AkinkunleAkinkugbe
Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_
Last week on Nigerian Twitter, a viral trending topic, #RedFlag , explored the peculiarities of the dating culture in Nigeria. After a full 48 hours of hilarious tweets contributing to the topic, it also highlighted how influential crowd-sourcing personal experience and social expectations is, for an entire generation who have been self-groomed on a diet of social media.
It started innocently enough, with a single tweet about rap’s toxic king, Future, which suggested that men who ascribe to his ethos should be avoided. This sparked some serious, other humorous responses, making a digital compendium of all the ways in which we have come to define behaviour in potential romantic partners.
Inspired by the women’s takes on what they consider red flags, Twitter user @D_iiW asked other men to share what they consider red flags in romance and relationships, and all of Twitter descended on the trend, sharing their souped-up versions of anecdotal evidence.
Although strappy sandals, took the worst hit (spawning nearly 24 hours of pure entertainment), two things were made clear amidst the banter; millennial humour fuelled the conversation, and everyone’s ‘Red Flags’ hinted at a complex, yet, defined rule book for relationships and courting in the age of @s and hashtags.
THE CURSE OF PSEUDO-SOCIAL RELATIONSHIPS
While the Red Flag trend seems like an isolated case, the reality is that it’s only one event in a series of ever-expanding negotiations on the dynamics of contemporary relationships.
In the past, to meet someone new, you would have to leave your home, whereas, these days, digital media has made it such that without your input, permission or physical effort, you are offered an endless array of potentially compatible persons to connect with, all with the click of a button. The Internet, by extension, circumvents a lot of the emotional and intellectual barriers required when starting new relationships, platonic and otherwise. For many young people, their most enduring and fulfilling relationships live online, however, the real task is keeping a manageable network of friends and acquaintances – much like a start-up CEO would.
In Twitter threads, Instagram and Facebook DMs, swiping and tapping through Tinder, Bumble and Grindr, we are trying to sift through a near-endless offering of attractive, emotionally available people to find someone who we can take ‘offline’. It has never been this easy to be in constant virtual communication with a plethora of desirable people from all over the world, hoping for a possible happy ending. Having this many options means we often develop choice paralysis, and tend to look to external sources for metrics to cull our options.
Relationships online seem like a low-risk, high-reward bargain at first, with the possibility of a big offline pay-off, if your gamble works in your favour. However, it also comes with the risk of increasing susceptibility to pseudo-social relationships, where we form strong bonds with people who seem to share enough of themselves that we are able to create a convincing illusion of a real relationship – platonic or otherwise.
WHAT’S YOUR PLATFORM
Much like cars revolutionised modern love in the ’40s and drugs revolutionised courting in the ’60s, social media has changed the dating game for the past decade. One’s preferred choice of social media platform has a significant influence on who they become, and how they date. On Instagram for example, a spur of likes on old photos indicates that a person is trying to get your attention. Frequent responses to tweets can constitute as very subtle flirting on Twitter, and Facebook is renowned for its descriptors that allow people to announce changes in their romantic status, without having to officially inform their families and friends.
Tinder, Bumble and Grindr, all give the option for a user to connect their social media profiles to their dating profiles, so significant love interests don’t have to stalk to find secondary information – even the cursory Google search to browse a potential lover’s digital footprint is now as commonplace as a handshake.
As with everything, social media comes with its pitfalls, with the most reviled being cat-fishing, the use of false identities to start and sustain real relationships. The betrayal when the party being catfished uncovers the truth has become a reality of digital dating, so much so, that there are hit television shows built around the idea.
Infidelity is much easier with social media, as is narcissistic and sociopathic behaviour. The ‘delay’ of digital interaction means that a facade of interest and civility can be kept alive much longer than it would be possible to in a physical relationship. But the most frightening thing about social media-based relationships is the dual reality of performativity and isolation.
CROWDSOURCING SEXUAL EXPERIENCES IN A DIGITAL AGE
Every social media relationship is plagued with the decision of publicly displaying affection and opening the relationship to an audience or maintaining privacy and forgoing any public spontaneity for risk of outing the relationship. These flaws, however, are no less damning than the risks of a physical relationship.
While the nature of these conversations are fairly predictable and subject to the rules of the platforms they’re being had, their triggers aren’t so easily predictable. Anecdotes, a random question, an unrelated video clip, anything really can spark an interaction that spirals into wildfire topic, enveloping the denizens of Nigerian Twitter, spilling out onto other platforms and eventually offline.
The combination of the volatility of the internet and the emotional toll of the experiences that inspire these conversations mean that the debates that follow are extremely difficult to navigate with neutrality. Sometimes, they veer into a territory that would be considered bullying.
A recent example happened a few weeks ago when male Twitter users started a pointed conversation about how heterosexual men, who had started public relationships on the platform were dealing (or not dealing) with the eventual fallout from the uncoupling of their very public relationships. Laced with the acerbic humour that usually undercuts conversations that revolve around male emotions, a number of the named subjects had to step forward and make public statements addressing the chatter, naming it as ‘harassment’, and essentially reiterating that breakups are devastating for men as they are for women.
These conversations aren’t always productive, however. #TwitterAfterDark, is a hashtag that celebrates sex, the naked body and wanton lust. Pockets of resistance, aptly categorised as freak accounts, exist for users who want to indulge their baser instincts without worrying about their carefully constructed digital identities.
Sub-fetish groups like furries and BDSM groups are able to find each other and form visible communities on the internet, challenging the misconceptions about their sexual identities and proclivities. The end product of all these niche communities and sociological conversations is information about relationships that is crowdsourced and sifted through to simultaneously affirm and disprove whatever beliefs we already hold.
A TRULY WOKE DATING SCENE
This stew of pseudo-social relationships, choice paralysis and oversharing has led to a truly woke dating scene. Misogyny, privilege and consent are words we weave into our discussions of sex, rarely misapplying them in romantic situations. While everything is clearly defined, because we have worried each topic down to the bone, the internet keeps expanding the boundaries for possibilities, and demanding more acceptance for non-mainstream fetishes, expectations and desires.
This hyper-visibility has created catchment for LGBT+ and non-conforming persons, who are unable to express their sexualities offline. It has also made internet-aged young people hesitant to commit; to any assumptions, declarations or expectations. Nothing has to be taken purely on its merit, when there is an answer or personal anecdote an Instastory away.
Digital dating is one that demands radical honesty from its commentators and its principal players. In exchange, it offers validation that our experiences, while unique are not isolated. Dating in the Internet age avails a cloud resource that challenges our biases and occasionally affirms them. Today, young people now have universal romance languages, like #RedFlags under which we can couch our diverse experiences, no matter whether we’re dating in Brooklyn or Bariga.
Last week, Ghanaian rapper Ko-jo Cue released his latest album, ‘For My Brothers’, a 15-track project, Ko-jo tackles generational failures with purpose, unpacking various shades of trauma while urging young people to do better for the sake of the next generation. The project is an excellent combination of honest lyricism, great production and impressive features.
On standout track, “Smiling”, Ko-jo features Lady Donli and Show Dem Camp, the only non-Ghanaian artists on the project. The song is an example of the musical cross-pollination that has occurred between Nigeria and Ghana in the last five decades, with its groovy, highlife-inspired beat mirroring sounds all three artists have played around with in recent times.
Subverting the serious topics Ko-jo explores on his album, “Smiling” is a hustler’s anthem with a light-hearted edge. Lady Donli sings the infectious hook in a helium-pitched, echoing the same poverty-rebuking ideals of her debut album, ‘Enjoy Your Life’. Ko-jo, Tec and Ghost take turns delivering rapped verses, reiterating their drive to keep getting money.
Listen to “Smiling” here.
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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter