All the breakout stars from each year this decade

The way we consume music has changed significantly over the decade, and this shift in the culture is mainly due to the immense talent we’ve seen over the years. In the 2000s, we saw the emergence of some of the most revered artists today from D’banj and Wande Coal to Psquare and M.I, and as a strong follow up,  we’ve seen a younger crop of artists having their time in the limelight.

Throughout the decade, they’ve risen right to the top of the ranks, from Wizkid charming us with his boyish swag in the beginning of the decade to becoming one of the biggest African artist ever by the end of the decade.

In addition to the clear and immense talent, social media culture has also contributed to these artists’ reach, and they are now able to breakout into international markets as well in a way their predecessors couldn’t quite. Burna Boy is currently on his first global run, Wizkid is recognised all around the world and 2019’s golden child, Rema is on an international tour within the first few months of his breakout.

So as the decade draws to an end, we’ve put together a list of all the breakout stars from this decade.

2010 – Wizkid

Breakout song: Holla At Your Boy 

Notable Hits: “Don’t Dull”, “Ojuelegba”, “Soco”, “Baba Nla”, “Come Closer”, “Nowo”

https://youtu.be/Aw6IUBu5DBw

It took no time for Wizkid to become the massive star he is today, and that’s all thanks to his breakout song from 2010, “Holla At Your Boy”. When the song dropped, there was no real young artist filling the teenage heartthrob void in the Nigerian music scene, and this instantly made the chantable track a hit amongst young Nigerians, sparking the trend of colourful skinny jeans and plaid shirts we suffered for years.

By the time he dropped his follow-up single, “Don’t Dull”, it was too late for anyone to dispute his talent, and his star has been burning brightly since. Over the past decade, he continued to build on the success by starting his own record label, working with the biggest superstars in the world from Drake to Beyoncé and even rising to the top of the coveted Billboard Hot 100 chart with his feature on Drake’s “One Dance”.

2011 – Davido

Breakout Song: “Back When”

Notable Hits: Dami Duro, If, Aye, Fall, Fia, Skelewu, Assurance 

Not very many people can pull off releasing only one studio album over the span of 8 years, but leave it to Davido to do this and still give us all the bangers nearly every year. When he first made his entry into the scene with the Naeto C-assisted “Back When”, the party starter established him as an artist to look out for.

While the song gained steady traction, it was his follow up single, “Dami Duro” that cemented his status as a hitmaker, and he hasn’t dropped the ball since. Every year since then, he has given us a hit that causes the same raucous on the dancefloor “Dami Duro” would almost a decade after release. In our Issue 002 cover, we spoke about his return back to basics, which has led to the global success he’s currently enjoying, with his album, ‘A Good Time’ already enjoying airplay after only a week of release.

2012 – Burna Boy

Breakout Song: “Like To Party” 

Notable Hits: Soke, Ye, Dangote, Killing Dem, Anybody, 

Burna Boy’s “Like to Party” had all the makings of a classic from the moment it was released, and the reception serves as a foreshadowing of Burna’s trajectory. When he first broke out, his self-assuredness was misconstrued for cockiness, and gave him a bit of a bad rap, however, he remained relevant by doling out a steady string of quality songs with staying power.

We witnessed him over the years testing out all the different genres as he built his signature sound and identity into what we know him to be today. His cover story on our birth issue tells the story about how Burna Boy took charge of his narrative in 2017, just before releasing ‘Outside’, the fuel to the fire of his current global acclaim.

2013 – Sean Tizzle

Breakout Song: “Sho Lee”

Notable Hits: “Perfect Gentleman”, “Loke Loke”, “Pempe”, “Kpro Kpro”

The Nigerian music scene is fueled by the nation’s partying culture, so it comes as no surprise that the most popular songs cater to our numerous party settings, much like Sean Tizzle’s Sho Lee did when it dropped in 2013.  Although he can’t move the same kind of crowd he once did, his talent is still apparent, albeit wildly underrated.
His debut project, ‘The Journey’, came with well-liked songs like “Perfect Gentleman” and “Loke Loke”, and today, his impact can still be felt as he slowly returns to the mainstream with ear-warming songs like “Gyal Dem”, “Kpro Kpro” and more.

2014 – Lil Kesh

Breakout Song: “Shoki”

Notable Hits: “No Fake Love”, “Is It Because I Love You” “Lyrically”

YBNL unleashed Lil Kesh with a dance-themed single, “Shoki”, that saw him rise to mainstream acclaim with the remix, featuring Olamide and Davido. The song’s nasty lyrics were marketed to a specific audience that has blossomed to be known as the street, a set of fans still being served by artists like Naira Marley today.

The shock effect of Lil Kesh’s brash lyrics has worn off over the years, however, his reputation remains intact with singles like “Logo Benz” sustaining his crude and raunchy image. For extra measure, he has made sure to feature artists with similarly risqué lyric books like Zlatan and Naira Marley.

2015 – Ycee

Breakout Song: “Jagaban”

Notable Hits: “Juice”, “Omo Alhaji”, “Dakun”

Before he became the pop star he is today, Ycee started out as a rapper and earned fans’ respect with “Jagaban”, which became a popular slang after he released the song in 2015. He proved the song’s success wasn’t a fluke through his follow up single, “Omo Alhaji”, another well-accepted hit that confirmed rap fans of his penmanship and built on his reputation as a rapper. His versatile stint was initially perceived as a cute gimmick that allowed him to sing his own catchy hooks without needing a guest feature, but that was quickly rectified when he dropped “Juice” and took the industry by storm with the viral success the song enjoyed around the globe.

Though parting ways with his former label under unpleasant circumstance put Ycee in an awkward position with fans who had watched him grow into acclaim under the label, he has continued to dominate the music scene on his own terms. He just released his first project as an independent artist, ‘Ycce Vs Zaheer’, and his star power is maintained through the hit song from the new project, “Dakun”.

2016 – Mr Eazi

Breakout Song: “Skin Tight”

Notable Hits: “Legover”, “Pour Me Water”, “Surrender”

It’s hard to believe that it has only been 3 years since Mr Eazi’s breakout single, “Skintight”, took over the radio and created the foundation for what is now one of the biggest music careers in Africa today. The lightweight highlife melodies of his ‘banku music’ is groovy enough to serve dance floor audiences but also sultry enough to make him a fan favourite despite the initial backlash from Nigerian fans when he showed his preference for his Ghanaian influences in 2017. Two successful projects and world tours later, Mr Eazi has become the toast of the whole continent by taking charge of the tools streaming platforms provide and redefined how Nigerian music is distributed globally through his impressive streaming numbers around the world.

He has also earned the goodwill of fans by using the pull of his platform, Empawa to help promote other upcoming artists like Joeboy who’s currently having a good breakout year of his own.

2017 – Niniola

Breakout song: “Maradona”

Notable Hits: “Sicker”, “Bana”, Boda Sodiq”

Niniola charmed the pop world with “Maradona”. The afrohouse song satisfied Nigerians’ thirst for party music but also established Niniola’s confident personality through the lyrics that embodied her sexuality with careless abandon. Delivering sex-positive messages through Yoruba lyrics wasn’t something people generally associated with women in the Nigerian music scene but she broke the boundaries and has since continued to release sensually charged songs to keep dance floors steamy and sticky.

Her debut album, ‘This is Me’, showed her diverse range of influences from R&B to Reggae, but she has shown that she understands what fans want and followed the project with the more afrohouse tunes that make her a regular feature on DJ turntables at parties and on the lineup of big stage concerts.

2018 – Teni

Breakout Song: “Fargin”

Notable Hits: “Case”, “Askamaya”, “Billionaire”

It’s understandable to see how some would say Teni the Entertainer won over the music industry with the strength of her personality. Her charming sense of humour is reflected in everything she does like her cover story feature on issue 003 of our NATIVE magazine. But while her playful lyrics are catchy and relatable, her vocals are also quite impressive with standout performances on “Obe” and “Billionaire”.

Her fan base has continued to grow at a rapid pace and she took the initiative to go on a world tour earlier this year, where she performed in 3 continents, 9 countries and 20 cities before she had even released her first project. The tour seems to have helped her hone her craft so her music is taken more seriously as her latest single, “Billionaire”, shows immerse growth and maturity that establishes her staying power as a pop star.

2019 – Rema

Breakout Song: “Dumebi”

Notable Hits: “Boulevard”, “Lady”, “Spiderman”

Rema has proven that it doesn’t take long to leave your mark on the music world, particularly with all the social media tools of engagement available to us today. He was discovered through his freestyle videos on Instagram before he got signed to Mavins and scored the biggest hit of 2019, “Dumebi”. Releasing 3 EPs within the space of the year was already an impressive feat, but topping charts with each one shows the 19-year-old’s dominance as he continues to grow into a household name.

His sophomore tape, ‘Rema Freestyle’ has proven that he can create music that’s much more intricate and well-produced than the sultry Afropop hit that spun him into fame and earned him a spot on Barack Obama’s list of favourite songs from 2019. The angst-filled trap songs on the tape made him a staple for sad high-schoolers and provides a convenient bridge to appeal to American audiences and explore Nigerian music’s international allure as he embarks on a US tour that has been met with positive feedback.

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Listen to D’banj’s joyous new single, “Everything Is Ok”

Earlier this year, D’banj began the roll out for a new album, with the back-to-back release of two singles, “Shy” and the Slimcase-assisted “Mo Cover Eh”. There haven’t been any new updates about an upcoming D’banj project since then, as the singer has been busy with fatherhood duties in recent months, however, he’s back with a new single, “Everything Is Ok”, and it reflects his joyous mood these days.

Set against fast-paced afropop drums, D’banj sounds as boisterous as ever, celebrating his good fortune, while urging listeners to dance away their problems since it will all get better soon. “E bami yi s’oke, eyin bobo e jeun s’oke (help me turn the volume up, let guys enjoy themselves)”, he sings on the hook, adding a harmonica section that brightens the song even more.

Stream “Everything Is Ok” here.

Featured Image Credits: 

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Juls teams up with King Promise & Mugeez for new single, “Your Number”

Juls has been on a prolific run of supplying us with groovy bops since he first broke out, and has collaborated with a long list of the biggest afropop artists to compliment his distinct production sound. Back in July, he celebrated the rich sound of Africa with his latest album, ‘Colour’, however, he’s back to dropping new music, and has collaborated with King Promise and Mugeez for his latest single, “Your Number”.

For “Your Number”, Juls puts together an assortment of guitar riffs, intermittent horn scats and mid-tempo percussions, laying down an entrancing groove for his collaborators to float over. On their path, King Promise and Mugeez deliver a romantic set aimed at wooing their love interest, singing the majority of their lyrics in their language, with their heartfelt intentions shining through in their impassioned melodies.

Listen to “Your Number” here.

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Get to know the Ghanaian artists on the Afronation Ghana lineup

A few days ago, we put together a care package for you, to introduce you to some of the exciting Ghanaian acts we’ll be seeing at Afro Nation later this month. Given the success of the debut edition in Portugal, the beloved festival will be returning to Africa this December, for a homegrown edition. This Christmas, Ghana will be hosting the festival between the 27th to 30th of December in Accra, and you can imagine the excitement it’s building up.

https://www.instagram.com/p/B2EAtiSJFjP/?utm_source=ig_embed

Whilst Nigeria has dominated the mainstream afropop conversations for the majority of this decade, Ghana’s new crop of talent have been making some of the best music coming out of the continent in the last few years. This is what makes Afro Nation Ghana special, as in addition to the international superstars from LVRN’s golden-child 6LACK, and New-York based Nigerian, Rotimi, they will be shining a light on the emerging and established talent of the country.

The festival is fast approaching and if you haven’t already, you should get your tickets right here. If you’re still looking to be convinced, we put together another care package to introduce you to some more of the Ghanaian artists we’re looking forward to seeing at the festival this month.

Wendy Shay

Given the strict cultural norms and impositions on women, expressing sexual desire and sexuality is not really a space women are welcome in, and there are very few women in the African music scene get to do this in their music as much as Wendy Shay does. The Ghanaian singer broke into the mainstream as a result of the outrage towards her freedom of expression, and instead of allowing the negative comments get to her, she doubled down on the sexually charged music, and we’re all the way here for it. The dance club-inclined “All for You” is a crowd-pleaser and the infusion of Yoruba lyrics is further proof of Ghana and Nigeria’s symbiosis.

R2Bees

R2Bees have left a notable imprint on Nigerian music alining with A-listers to make hit songs like “Kiss Your Hand” featuring Wande Coal and “Tonight” featuring Wizkid. The duo released their latest album, earlier this year with a star-studded guest list featuring  Wizkid, Burna Boy and more. This shows their staying power over the years, and will definitely be a great vibe on stage!

KiDI

Ghanaian high-life singer, KiDI, broke into the Nigerian music scene with the Davido and Mayorkun-assisted remix of his already buzzing single, “Odo”. Having won the 4th season of MTN’s “Hitmaker” reality TV competition, he was already building a buzz in Ghana before the song found a fan in Davido, who then proceeded to take the singer along on his 30BillionGang tour. We’re sure there will be a reunion of sorts at Afro Nation since both artists will be there!

Kofi Kinaata

Kofi Kinaata has become one of the most commercially successful artists in Ghana, thanks to his knack for making pop songs that convey messages about real-life. This is what makes his music relatable and songs like “Confession” find their appeal in  being able to encourage listeners to party responsibly, but still make them want to turn up.

To make the festival more memorable for you and your crew, check out some of Afro Nation Ghana VIP packages, which offer the best view of all these artists listed above and other exciting perks for up to 10 people.

Tickets are available for purchase here.

Check out details below:

https://www.instagram.com/p/B5dVZq7Jh88/

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ICYMI: Watch the music video for “Reveal” by La Meme Gang featuring Darkovibes and $pacely

Watch Tiwa Savage’s stunning live performance of new single “Attention”

Last week, afropop’s bad girl Tiwa Savage released two new singles “Attention” and “Owo Mi Da” which she dubbed the official ladies anthem, blessing fans everywhere with her smooth vocals.

Now, she has now graced the iconic COLORS Show stage, where she performs one of her new singles “Attention”. The music platform helps showcase exceptional talent from around the globe and has hosted a number of African artists, from Burna Boy to Mavin’s golden child, Rema just last week.

Tiwa Savage knows her strength is in her voice, and she shows off her impressive vocal range during her performance. Clad in a double denim fit, she has the moves and swagger to complete this stunning live performance.

Watch Tiwa Savage’s COLORS performance below.

Featured image credits/youtube


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Watch Rema’s self-assured performance on A COLORS Show

Ajebutter22, BOJ & Falz release joint EP, ‘Make E No Cause Fight 2’

Earlier this week, Ajebutter22 and BOJ confirmed the release of the second joint EP, as a follow up to their 2018 project, ‘Make E No Cause Fight’. This time around, they’ve brought Nigerian rapper Falz along, perhaps as a move to increase their project’s visibility. ‘Make E No Cause Fight 2’ is now out in its entirety, featuring five new tracks, with sole guest appearance coming from indigenous rapper Reminisce on the final track, “Faaji”.

To promote the EP, they’ve picked out the second track, “Ronaldo”, as the project’s lead single, releasing an accompanying music video for the song as well. Directed by The Alien, the video for “Ronaldo” parodies the boastful lyrics by all three artists, where they reference a handful legendary football strikers while brag about their deep pockets and status as ballers. In the amusing video, we see Ajebutter, BOJ and Falz at their menial day jobs, before they transform into big spenders and life of the party at a colourful circus show.

Stream ‘MENCF2’ and watch the video for “Ronaldo” below.

Featured Image Credits: Instagram/Deeds Art

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Watch the CGI-heavy video for Reekado Banks’ new single, “Put In Pressure”

After a brief hiatus, Reekado Banks returned in September with “Rora”, a song that effectively put him back in radio rotation and on party playlists. The comeback song is currently slated as the lead single for his highly anticipated sophomore LP, ‘Daddy To Many’, and while there are no indications as to when the project will arrive, the singer has just released “Put In Pressure”, another single targeted at dancefloor audiences.

Over Kel P’s mix of whirring bass guitar riffs and explosive drum synths, Reekado sings about a lust-driven encounter with a love interest, loading his set with scarcely veiled innuendos that makes its dancefloor romance intentions known. “Put In Pressure” also comes with a Clarence Peters-directed music video, where CGI effects are used to match the tenor of Reekado’s lyrics. There are also colourful shots of Reekado Banks in a couple of eye-catching outfits, singing his lyrics while dancing in the company of beautiful models.

Watch “Put In Pressure”

Featured Image Credits: YouTube/Reekado Banks

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Best New Music: Davido’s “Sweet in the Middle” is afro-fusion at its finest

Davido’s plan to take afropop global culminated a two-year-long campaign which resulted in the release of his sophomore album, A Good Time.

As expected, ‘A Good Time’ delivers a smooth exercise in translating and flattening Davido’s dual-national range of influences, as he features artists and producers from both Nigeria and America. The project is soaked in the pop sound of West Africa filtered through mainstream pop flavours that highlight the omnivorous evolution of afropop. Standout track, “Sweet in the Middle”, draws from neo-R&B, rap, pop and Nigeria’s regional street-hop style.

Produced by Shizzi, mellow synths and zanku-ready drums background Davido’s modulations, in the opening verse. Naira Marley’s usually boisterous cadence is more laid-back on “Sweet In the Middle”, allowing Zlatan to steal the show with a more energetic follow-up delivery. Towards the end of the track, WurlD comes in to meld all of the track’s varying textures and moods together, mashing afropop with his own unique R&B-inspired style.

Despite the different sounds, each artist allows the beat’s transfixing rhythm to shine. “Sweet in the Middle” sums up the wide range of influences in afropop, while offering a dream-pop vision for what we may come to understand as authentic afropop for many many years

You can stream “Sweet in the Middle” below.

Featured Image Credits: Instagram/davidoofficial
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ICYMI: Best New Music score: 8

Buju and Zlatan release befitting video for their hit song, “Spiritual”

Buju’s broke right into mainstream acclaim earlier this year when he released “Spiritual”, featuring Zlatan. The song portrayed him as a romantic singer, whose folky melodies are bolstered by a healthy dose of street-hop swagger. Club DJs and partygoers alike couldn’t resist putting the song to work on dancefloors.

Having helped him crossover to more audiences, “Spiritual” just got an accompanying music video as it introduces his mass appeal through the romantic and festive direction Visional Pictures follow. We see Buju and his muse having a good time at the beach before he’s seen singing his sultry lyrics to encourage her as she dances for him at a party. Zlatan also makes an appearance at the party with cuts of him dancing with Buju while delivering his Yoruba-infused rap verse.

See the music video for “Spiritual” below.

Featured Image Credits: YouTube/Buju toyourears
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ICYMI: “Spirtual” is Buju’s second feature on our Best New Music

Wani releases two new singles, “Fast Life” & “No Love”

It’s been nearly a year since Wani released any new music, and his last single “In 2 U” left us wanting more from the talented singer. Well, the wait is over as just in time for Christmas rocks, he has shared two new singles “Fast Life” & “No Love”.

“Fast Life” is a romantic song in usual Wani fashion, featuring artist and producer Minz. Over the drum-led beat, Wani sings about his love interest, addressing her directly as he tries to get her attention. ‘Put your hands around my body, my Ifunanya’ he sings, infusing r&b and afropop tropes to court his lover, wishing to have her sooner rather than later.

On the less affectionate “No Love” produced by Higo, Wani enlists Prettyboy D-O for a cut-throat braggadocios anthem, on which they send a message to fake people around. Wani sings about not wanting any fake G’s around him while D-O joins him to rap about how fake all the niggas around him are. ‘When they see the boy, they wan hug man, no be you wey just curse man’ D-O raps, fed up with the insincerity, while Wani warns people not to step in his terrain when they’re not cool.

Listen to “Fast Life/No Love” below.

Featured image credits/TSE


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Fireboy DML starts a post-apocalyptic party in the video for “Scatter”

The Fireboy DML fandom already set Friday, the 29th of November, aside in anticipation for the YBNL singer’s debut project, ‘Laughter, Tears and Goosebumps’. He has released the album as promised but has also upped the ante with a graphic accompanying video for “Scatter”, one of the new cuts from the 13-track tape.

Produced by Pheelz, the energetic instrumentals for “Scatter” compel listeners to move to the beat’s alluring EDM-fueled rhythm. The music video also seems to build on the song’s irresistible narrative through a post-apocalyptic set, which shows Fireboy DML waking up the dead with a device on his wrist, before leading them to a party where they dance in harmony with the beat. There are also scenes tributing “The Joker” through the clown costumes and chaotic scenes while we watch Fireboy DML boast about the effect his songs have on the dance floor; “As I enter, the party scatter”.

Watch the music video below.

Featured Image Credits: YouTube/Fireboy DML
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Dice Ailes gets in his Spanish bag on Kaydy Cain’s “Hasta El Piso”

Dice Ailes joins the conversation for afropop’s global takeover with his feature on “Hasta El Piso”, Spanish singer, Kaydy Cain’s new single. The catchy mix of synths, percussions and groovy afropop drums produced by Steven Lean gives the song a party vibe which inspires Kaydy Cain and Dice Ailes to adopt lightweight flows that invite listeners to the dancefloor.

While Kaydy Cain sings sultry Spanish lyrics for his verse and the chorus, Dice Ailes’ mix of English and Spanish lyrics give the song more international appeal. Through his verse, the raunchy intentions of “Hasta El Piso” are exposed to non-Spanish speakers with his verse describing a romantic meeting on the dancefloor.

You can stream “Hasta El Piso” by Kaydy Cain, Dice Ailes and Steven Lean below.

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ICYMI: Listen to “Ginika” by Dice Ailes

Conversations with Young Nigerians on Faith and God

Story and production by Saratu Abiola

Religion has been a major story this past year. In Nigeria, we have seen sexual violence in churches; entire schools for young boys run by Imams involved in organized abuse of children; and questions on the role of women in politics, much of which tend to brush up against religious notions of women’s place. Power and religion is a heady mix in any context, but in a place where the most institutionalized thing is lack of protection against abuse of any kind, it is headier still. What has been glaring about these stories of abuse of power is the extent to which these people used power vested in them —  by church or state, or in the case of that one professor in the University of Lagos sexual harassment, both  — to oppress vulnerable populations. If God created human beings in his own image, human beings have in turn molded God in their own.

Because of the ways that religion shapes such macro-level dynamics as politics and culture, it is easy to miss the quieter ways it shapes the most intimate of our relationships  –  with our communities, with our friends, with partners, and with ourselves. In 2017, I started collecting stories of people’s relationships with religion through a series of interviews in my DMs. In these conversations, I asked each person questions about what drives their un/belief, how it shapes their relationships with others, and how they have evolved and grown in their [lack of] faith. Each image I share from these conversations show these people’s experiences and personal truths that they have graciously accepted for me to share.

I have not always been able to write this. Some of these conversations are two years old, because I had wanted to write a much more personal piece on religious belief back then. I stopped being religious as a teenage girl and was angry  — I can’t even articulate at whom this anger was directed - - for a long while after. This anger would pretty much shape my attitude towards religion for a long time, until it no longer did. I cannot say that I am aware of how this change happened. Time does it work, rounding out our hard edges and smoothing over our rough surfaces like sandpaper. For me, writing this and telling these stories is a sort of milestone in my own evolution, much the same way that these stories mark these people’s trajectories.

Religion is a dye that colors everything in modern Nigerian life. That I am not religious does not mean that I have not had to negotiate the contours of belief or relationship with God as an adult. I would venture that no Nigerian is able to live in the country completely adrift of the idea of faith. The shape of my moral universe is not consciously determined by religious instruction today, but it likely is by how I was raised and what I have experienced. All of these things are very closely aligned with a sense of belief, and ideas around sin and penance, faith and grace.

Here’s what I have learned.

1. The Importance of Community


A lot of the people I talked to shared that their major driver for their religious practice is the sense of community they get out of it.

This is doubly important for immigrant communities and is a very easy way of building relationships in new cities. The importance of this community will likely take on a different dimension for Nigerians abroad as it does Nigerians in the country. It makes me wonder about what else takes on a renewed importance when one is far away from home. In the calculation of better electricity and access to education and other opportunities, nobody really talks about how lonely emigrating to another country can be. Here, B. tells me how her aunt joined the Jehovah’s Witness church when she moved to another country. It became a link to the community, something she likely missed sitting alone in her apartment when the JW missionaries came knocking.

 

If a sense of community is a key driver, it does make it harder when you withdraw. This is especially when religion is a glue that binds you to your family . Most of the people who engaged with me that have lost faith told me that they could not tell their parents and still carried on going their places of worship.


Community brings to it a weight that either feels comforting or constricting, depending on the extent to which you neatly fit. Yet, my interviews showed me the extent to which it is still a need that drives our behavior.

2. A relationship with God Is Very Much A, Well, Relationship

 

This was something I never quite understood. How, after all, can you have a relationship with a being you’ve never seen? What shape does this relationship take?

 

As with every relationship, there will be some things that happen that you’re not altogether happy about, but the idea of having an intimate, ultimately beneficial relationship with an almighty creator is a powerful one. Whatever I think of religious practice,  I came away from these conversations thinking of the ability to believe as a kind of superpower, much like the ability to love. Of course, not every relationship with God is rosy. Someone shared with me how his mental health struggles made him feel guilty and question the strength of his own faith.

In much the same way that the personal is also political, the community around one’s faith and the way one is taught about religion often shapes one’s relationship with God. That’s where it tends to get complicated.

3. There Is a Grieving Process When Faith Is Lost, Much Like Other Kind of Loss

There is a sense that people who walk away from religion skip away into the sunset at the thought of some newfound freedom to do as they please. From my conversations in these interviews as well as elsewhere, I find that this is not necessarily true. Precisely because a relationship with God is a relationship, it is possible to fall out or to walk away. And as we know in other kinds of relationships that we have, then your agency in the ending of that relationship does not mean you will not mourn its end. Indeed, I would argue that even the anger and viciousness of atheists who used to be religious is a manifestation of mourning. Anger is very much part of the grieving process.

 

I honestly did not understand this until I read R. O. Kwon’s “The Incendiaries”. The writer herself is a Korean-American who was raised Evangelical and has spoken publicly about mourning her loss of faith.

In a 2018 interview, she says this of her loss:

“With religion as I experienced it, the first and foremost feeling was one of love. I loved my idea of God. I really wanted to show how exciting and passionate religion can be and therefore how terrible it was to lose that, and to lose my faith. When I most deeply fell into religion, not entirely unlike when I’ve had one-off crushes, there was a feeling of ‘maybe this will give me all the answers I’ve been seeking.’ Losing my faith was devastating to me. For the next year I was as depressed as I’ve ever been. I was and am close to my parents, but I remember thinking that I’d rather lose one of my parents than lose God. When I believed, I lived in a world where there was no real loss and no real death. It’s such a different worldview than what I have now. Before I lost my faith, I would never have considered myself an especially anxious person. I didn’t have to be anxious because somebody omnipotent was always looking out for me. Now I could pretty reasonably call myself anxious. I wanted to try to bridge the chasm between these worldviews. On the one hand it was devastating that my friends and family couldn’t understand at the time how alone I felt and on the other hand it felt strange to then start making friends at college who were just like “okay, you used to be a Christian.” Very quickly I learned to turn it into a joke.”

If religion is a compass with which one moves through the world, then acting on one’s lack of faith requires a kind of courage not unlike the kind that wills one to be guided by a being followed a legion of equally flawed humans. Everything about the way we move through life requires courage, and to own up to what you do and do not believe in an environment as hostile to unbelief as Nigeria is its own kind of integrity.

4. How Religion Fits Into Your Life Is Just As Important As How You Fit Into It

Religious belief is not about what you want, but what is right given a set of principles that determine what being a Muslim/Christian/etc means. Still, the level of people’s adherence seems very much shaped by the extent to which their religion as they know it will accommodate who they are becoming, and to what extent they can bring to their God their fullest selves.

Some of the most poignant stories I heard were about this negotiation of how much of themselves they can be while also being an adherent of their religious practice. A former church leader spoke to me about the experience of coming to terms with his sexuality:

A woman told me about how the fears surrounding her body shaped her experience in the Yoruba religious tradition as a child:

Another person told me of her discomfort with the church’s teachings on religion and a woman’s place:

Sometimes, the people on the other end of the religious fervor in an intimate relationship can get hurt by their significant other’s practice. Religious people can be so preoccupied with their own internal struggles that they forget that their significant other or family member is not some disembodied test of righteousness, but a human being with feelings as valid as theirs. These stories abound anecdotally from people in my personal relationships and that I’ve heard through these conversations. Here’s one I can share because it has few identifying details.

I think it is no surprise sexuality shows up a fair bit in some of these stories. The shame and fear in sexuality that Abrahamic religions tend to impart can manifest itself in hypocrisy and judgement of other people, especially towards those who are not straight or who opt to express their sexuality differently. So much of the associated shame in their bodies and sexual proclivities does not merely turn off once a ring hits their finger, though. I worry about this especially for women, who I see often take years, decades even, to unlearn the learned shame and fear. For all its value, I worry about the benefits of worldviews that leave one with so much to unlearn, and the lack of grace this community allows for those who are unlike them.

5. There are always more questions than answers

For all its performative aspects and community, religion is a deeply personal thing. Young Nigerians are facing cultural influences from their ethnicity, religion and a barrage of messaging from a western perspective, all of which are competing for their attention in a social media-driven world. Social mores will continue to evolve elsewhere, feeding into a cultural conversation in Nigeria that will in turn shape how we live and, in turn, the lenses with which we will regard religious practice. Changes to the way we believe come with changes in the way we live. That likely won’t change.

Watch Efe, BOJ and Ice Prince Party In The Video for “Campaign”

Efe’s music career is still yet to top the fanfare from his Big Brother Nigeria campaign, however, his latest song, “Campaign”, has certainly impressed his music fans. Thanks to the assist from BOJ who does what he does best with the hook and Ice Prince’s rap verse, the song captures the celebratory zeitgeist of club music while Efe rapped about his difficult path to acclaim and his disregard for critics; “No be dem be Jesus/ I go just dey do am my own way”.

The recently released music video for “Campaign” highlights the song’s festive intention with the party setting directed by Frames by Wealth. We watch BOJ, Ice Prince and Efe partying with friends and models at night party where they play party games like dart, rock, paper, scissors and beer pong while they perform their verses.

Watch the music video for “Campaign” below.

https://www.youtube.com/watch?v=yYu1-mkyfoU

Featured Image Credits: YouTube/Efe Money
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: “Campaign” as part of Efe’s ongoing renaissance

GoodGirl LA enlists Terri for new single, “Talo Lomo”

By all accounts, 2019 has been favourable to GoodGirl LA. The singer opened the year with her spiritually inclined single, “Bless Me”, shared the music video for her breakout single, “Faraway”, and finally released her long-awaited debut EP, ‘LA Confidential’, to positive reactions. To close out the year, she’s just released a new single, “Talo Lomo”, and it featuring Wizkid’s latest signee, Terri.

P.Prime and Tempoe co-produce the catchy beat for “Talo Lomo”, merging light piano chords, groovy guitar riffs and lively percussions. Matching the club-ready inclinations of the beat, LA and Terri deliver a jovial set where both singers woo their love interests, admitting the lengths they would go to prove their affections. “I go die on top your matter, you’re driving me crazy”, LA sings on the first verse, while Terri delivers the song’s memorable hook.

Stream “Talo Lomo” here.

Featured Image Credits: 

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


INTERVIEW: GOODGIRL LA ON HER DEBUT EP, RELIGION AND HER MUSICAL INFLUENCES

Chidinma and Flavour deliver a stunning duet in the music video for “Nkem”

Earlier this month, Chidinma and Flavour confirmed their rumoured relationship when they released a joint EP ’40 Years Everlasting’. Over the 5-track project, they professed their love for each other, with a promise to keep their love burning for forty years. Their EP’s titular track “40 Yrs” was the first single to get a befitting video treatment, and showed them cosying up.

Now, they have released a Clarence Peters-directed music video for one of their joint singles “Nkem” which sees Flavour delivering his romantic verse while playing the piano for an audience of listeners. ‘Cause in you, I’ve seen the treasure I was looking for’ he sings, professing his love for his new boo. Chidinma then joins him on stage, and they both deliver a stunning duet where they let their love for each other take centre stage.

Watch the music video for “Nkem” below.

Featured image credits/instagram


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Newlyweds Chidinma and Flavour release joint EP, ’40 Years Everlasting’

Naira Marley announces upcoming EP, ‘Lord of Lamba (LOL)’

Naira Marley has had one hell of a year. The rapper rose to even greater prominence earlier this year, after the release of his smash singles, “Am I A Yahoo Boy” and “Soapy”.  He’s gone on to drop several other hit singles, however, he’s looking to close out the year in style with the release of a new EP, ‘Lord of Lamba’. Naira hinted at the possibility of dropping a 5/6 track project on his Twitter page earlier this week, while asking his Marlians to help name the EP by suggesting titles.

It’s unclear as to how Naira landed on the present title, but ‘Lord of Lamba’ is as fitting as it gets, since it references his ongoing hot run and his ability to release bangers. There’s currently no tracklist or release date for the EP, but we can rest assured that we’ll be getting more Naira bangers sooner rather than later, with his Lagos headlining concert, MarlianFest Lagos, scheduled for this December.

Check out the announcement post here.

https://twitter.com/officialnairam1/status/1199746186615361549

Featured Image Credits: YouTube/Naira Marley

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: OLAMIDE & NAIRA MARLEY TEAM UP ON PHEELZ’S BANGER, “GOBE”

You Can Now Read A Snippet Tomi Adeyemi’s ‘The Children of Virtue and Vengeance’

Tomi Adeyemi is the #1 New York Times Bestselling author for the novel and upcoming motion picture, The Children of Blood and Bone. Earlier this year she announced her new book The Children of Virtue and Vengeance, the blockbuster sequel to her debut book, will be on sale December 3rd.

Ahead of the book’s release, she has made the first six chapters of The Children of Virtue and Vengeance available online. The sequel follows the West African mythological fantasy that began in the previous book, and follows the story of Zélie and Amari who have finally succeeded in bringing magic back to the land Orïsha.

However the ritual to return magic to their homeland was more powerful than they could have imagined, as nobles have their magic ancestry returned to. Both Zélie and Amari find themselves at odds as their kingdom is on the verge of a civil war and they must find a way to unite their kingdom or watch as Orïsha tears itself apart.

https://www.instagram.com/p/B5VrbZ-psMn/

Featured image credits/FranciscoEsteves


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Tomi Adeyemi’s debut novel “Children of Blood and Bone” scores a publishing and movie deal

The Shuffle: M.I and Wizkid’s evergreen classic, “Fast Money Fast Cars”

M.I has dominated Nigeria’s hip-hop scene since he debuted ‘Talk About It’ over a decade ago, and the album established M.I as the future of rap with songs like “Anoti” and “Safe” laying the template others have followed for commercialising rap in Nigeria. To celebrate the project’s 11th anniversary, we are revisiting “Fast Money Fast Cars”, the Wizkid-assisted track that highlights M.I’s ear for catching the sound of the future before anyone else does.

M.I put Wizkid on before the Starboy even became a household name in Nigeria, and as extraordinary as that sounds, it’s not often mentioned. The first time most fans heard Wizkid’s boyish voice was on the hook of “Fast Money Fast Cars”, where he joined M.I to reflect on the commercial attribute of dating in the 21st century; “To ba lowo oma tele e lo (They’ll follow you if you have money)”. Since Wizkid was relatively unknown when the song was released in 2008, M.I’s wordplay and punchlines were the song’s biggest appeal. But in retrospect, M.I’s faith in Wizkid’s sound at the start of his career is more compelling now given Wizkid’s career trajectory to become a globally accomplished artist.

His dominance is often questioned but impossible to ignore and songs like “Fast Money Fast Cars” hint at how he has remained relevant with his remarkable knack for taking risks with his sound and reinventing himself.

Stream M.I and Wizkid’s “Fast Money Fast Cars” below.

Featured Image Credits: Instagram/Mi_abaga
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: M.I taps alte scene for ‘Rendezvous’ playlist

Watch Koffee and Gunna In The Opulent Video For “W”

Since the release of her debut EP ‘Rapture’ earlier this year, Koffee has set herself up to become one of the forces leading the charge in the prominent reggaee scene. This year alone, she’s joined Daniel Caesar on the remix to his single “Cynaide” and was nominated for Best Reggae Album at the 2019 Grammys; all the while cementing her rise to international acclaim.

Now in a bid to continue her winning streak, she has now Koffee linked up with Gunna for a new single titled “W”. The music video which is set in her homeland, Jamaica is directed by Mattt Baron. Gunna and Koffee deliver their verses, while a tempestuous storm broods on the horizon causing everyone to panic and stay locked indoors. ‘Where di dolla sign? Money pon me mind’ she sings, reflecting the joyous mood the islanders adopt once the storm arrives and it turns out it is raining dollar bills.

“W” is all about encouraging people to focus on the Wins and not the Losses, to not forget to live their best life and to always remember to give thanks,” Koffee reportedly admits, giving more context to the new stunning bop from she and Gunna.

Watch the music video for “W” below.

Featured image credits/instagram


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Watch Koffee’s cover of Burna Boy’s “Ye” at BBC Radio 1Xtra!