The first hint at the global direction for the new Coldplay album, ‘Everyday Life’, came when they released the two lead singles, “Arabesque” and “Orphan”. Femi Kuti and his band delivered the blaring saxophone solo on the Afrobeat inspired pre-released single, “Arabesque”. The song added a perp to Coldplay’s step as they built anticipation for the project.
The 17-track tape has just been released and Tiwa Savage also makes an appearance on the album through her soothing backing vocals on “Èkó”. The folky mix of guitars and piano harmonies Simpson, Green and Rahko produce for the track listens like a lullaby and Simon’s lyrics follow a similarly sleep-inducing narrative as he describes Africa singing, “In Africa the rivers are perfectly deep and perfectly wide /In Africa the mothers will sing you to sleep and say, ‘It’s all right.’” It takes extra attention to catch Tiwa Savage’s soft cooing in the background, but it’s worth it to hear her on the slow-burning ballad that celebrates the serene beauty in Africa.
Earlier in the year, Beyonce also featured Tiwa Savage for standout track, “KEYS TO THE KINGDOM”, from her ‘The Lion King: The Gift’ album. Perhaps there are more international collaborations in store for Tiwa as her reputation seems to be at an all-time high
You can stream “Èkó” and “Arabesque” below.
Featured Image Credits: Instagram/tiwasavage
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It speaks to Davido’s cultural impact that he has shaped the last decade of Nigerian music with just the one album out. After scoring several hit singles, featuring on Billboard Hot R&B and selling out shows around the world, we’re finally getting ‘A Good Time’, the followup to his ‘OBO – The Genesis’ debut from 7 years ago.
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Davido’s music was always suited for singles. There’s nothing wrong with that; so much of music is consumed through radio, playlists and club DJ sets and Davido’s impassioned singing never fails to connect with his audience. But when stretched across a 17-track album, the pop star qualities that give his songs staying power are replaced by an even more compelling narrative that humanizes him through his storytelling lyrics.
‘A Good Time’ opens with “Intro” where Davido’s vivid reflections are given life by lush guitar harmonies produced by Kiddominant. “I’m a shooting star in a blockbuster/ I’m a young stunner, Freedom fighter/ So many haters on my Instagram,” he sings while keeping a steady melody over the laidback beat. Having set the premise of the reality that shapes his world view, he returns to the lightweight theme of romance on the second track, “1 Milli”, but continues to allude to the haters while delivering his charming lyrics addressed at his love interest as he sings “Them say we no go last/ Them say na we do pass/ Them dey jealous our love”.
Labelmate, Peruzzi, joins Davido for the catchy “Disturbance” track. The two make a formidable pair over the groovy mix of traditional drums, synths and percussion as they confess their sultry intentions for their muse. Summer Walker also contributes a sultry verse for “D & G”, which finds Atlanta producer, London on da Track trying his hand at an afropop beat with assistance from Kiddominant. The genre-blending is however more cohesive on “Big Picture”, where Dremo, Gunna and A Boogie wit Da Hoodie join Davido in his smooth exercise in translating and flattening his range of influences into a global bop.
Each of the new romantic cuts from the album are just as compelling as early tracks like Popcaan assisted “Risky”, “Blow My Mind” featuring Chris Brown, “If”, “Fall” and “Assurance”—all five land on the album—but they lose some of their gloss when they all run together and are padded out with different versions of the same piano-heavy afropop beats. The album does, however, give Davido room to stretch, relieving him of the pressure to deliver songs that instantly resonate as club bangers. Closing track, “Animashaun” featuring Yonda, for instance, features some of the most introspective lyrics from Davido’s catalogue with every line he lays over the sparkling keys Fresh produced providing a vivid image of Davido’s journey to becoming an internationally recognized pop star.
Stream ‘A Good Time’ below.
Featured Image Credits: Instagram/davidoofficial
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Tay Iwar handled the bulk of production—12 of the 16 tracks—on his excellent debut LP from earlier this year, ‘Gemini’. Joining him behind the boards was 80s sound producer, Le Mav, who produced two standout cuts, “Stranger” and “Fools”. With the chemistry they shared on both songs, it’s no surprise that they’ve continued to release more songs together and now seem to be forming a band called GOLD.
GOLD’s debut release is titled “Golden” and it finds both artists pushing past the boundaries of their previous work. Le Mav pairs an electric guitar riff with hypnotic EDM drums for a bouncy beat, while Tay glides through with his honeyed vocals. Tay Iwar’s mastery of writing about different types of romantic tensions is exhibited here when he sings lyrics narrating what follows a breakup caused by his newfound fame and the resulting ego. His fantasising about his ex-lover wanting him back makes “Golden” a conceited cut with romantic overtones but it also serves a mouth-watering teaser for what a Tay Iwar and Le Mav joint project would sound like when it eventually comes out.
Stream “Golden” here.
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Barry Jhay’s fuji influences were instantly recognizable on his breakout single, “Aiye”, but it was his motivational lyrics that earmarked him as an artist to watch. He has since kept up his reflective and spiritual persona through subsequent releases. His latest single, “O Ga Ra”, offers more of the street-smart counselling we’ve come to expect from him as he sings over the beat Tuzi produced to fit into DJ sets at clubs.
TG Omori directs the accompanying music video for “O Ga Ra”. The video captures some of the sentiments Barry Jhay expresses in the song as we watch a riot break out in front of him while he casually sings lyrics that admonish listeners not to be bothered by the negative energy around them. Dancers dressed in elaborate 80s costumes are also featured in the video, adding a surreal ambience to the Barry Jhay’s performance.
Watch the music video for “O Ga Ra” below.
Featured Image Credits: YouTube/BarryJhayVEVO
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After featuring Tiwa Savage on the ambitious “Body Deep Remix”, Wavy the Creator is continues to defy singular genre constraints on her new single, “3”. The song features a energetic verse from Flohio, the energetic MC from South London. The lightweight beat which balances synthpop lushness with bouncy 808 drums leaves space for Wavy the Creator’s airy vocals and Flohio’s cutting bars to blend seamlessly as they try to convince their lovers to choose them.
Wavy the Creator interpolates Tony Tetuila’s classic hit song, “Omode Meta n Sere”, on the bridge of “3”. She spins the familiar melodies and lyrics from the ode to friendship, using it instead to capture the love triangle narrative of her own song. Her reference to the throwback song showcases new dimension to the Wavy we thought we knew, and you can expect to hear this feature on playlists in the coming weeks.
Stream Wavy The Creator and Flohio’s “3” below.
Featured Image Credits: Instagram/wavythecreator
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Earlier this week, UK rap superstar Stormzy announced the impending arrival of his sophomore album, ‘Heavy Is the Head’. He also shared the project’s tracklist, revealing its array of guest features that includes Headie One, Tiana Major 9 and more. To build hype for the upcoming release, Stormzy has released “Own It”, the highly anticipated collaboration with Ed Sheeran and Burna Boy, alongside an accompanying music video for the club-ready track.
Over screeching piano synths and pulsating 808 bass, all three artists deliver a breezy set admiring the physical attributes of their love interests, while also expressing their lust-driven desires. Stormzy performs most of the song’s first verse, Ed sings the second verse, while Burna plays a much laid back but equally prominent role, contributing a brief section of the first verse as well as backing vocals for the hook and ad-libs for Ed’s verse.
Capturing the song’s lightweight inclinations, the music video for “Own It” is built around the raunchiness of dancefloor romance. While the video showcases various colourful scenes of all three artists performing their lyrics in solo and each other’s company, the video climaxes with a party scene, where Stormzy and Ed dance with models in sensual poses at a neon-lit club filled with smoke.
Watch “Own It” here.
Featured Image Credits: Twitter/burnaboy
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Nigeria’s fastest-growing food festival is back again this year. But this time, there’s a twist—the addition of music performances and workshops. Since the first edition of the EatDrinkFestival in 2015, every successive edition has come with some new developments to make each one more memorable than the last. This year’s edition is sure to leave a lasting impression, as they’ve now included the ultimate Lagos Christmas vibe, with live music sets featuring Niniola, BOJ and Dami Oniru.
Eat.Drink.Lagos and by extension, the festival, started out as a platform to spotlight the best food vendors in Lagos, shifting the paradigm in food culture as we knew it, before they emerged. Having successfully dominated this niche, they are now exploring different ways to add complementary elements to this year’s edition of the festival, most notably—live music performances by popular artists. The 2-day event for foodies all over Lagos is also now a hub for music lovers to unite and enjoy good music.
Speaking to The NATIVE about their new addition to the festival, the Eat.Drink.Lagos team said: “In the last year, we’ve been sharing weekly playlists on blog to give our readers a feel of music we listen to and basically establish our vibe. The artist lineup is an extension of that in the same way the festival is an extension of what we are as a food website.
We’re huge fans of Niniola so having her as our headliner was a no brainer. Boj and Dami Oniru are another pair that we listen to a lot. We’ve carefully selected our DJs as well so it should be a lot of fun. The same way the festival started out as a way to share our favourite food vendors in Lagos, we’re trying to share the music we listen to with our guests as well.”
Given the choice of musicians, we’re in for an even better time than we’re used to at EatDrinkFestival – while the food still remains the festival’s core, the lineup is sure to entertain guests and create a truly unique festival experience you don’t want to miss out on.
Nobody could have predicted how returning back to basics would have played out for Davido following the breakdown of his relationship with Sony in 2017.
A 7-year wait (since the release of OBO: Genesis), one failed EP, a three-year-long roll out, and now fans finally have a project, that feels worthy of Davido’s uncompromising artistic vision. The new project, hit the internet earlier today sating the appetite of eager fans who have been anticipating its arrival since Davido started dropping hints, during his US press rounds.
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Sonically, A Good Time, emblemises Davido’s resolute Africa-first creative gaze while expending a wide-range of collaborators as homage to afropop’s expansive inspirations and influences. Featuring already tested smash hits, like “Fall”, “Assurance”, and “Risky”, A Good Time also packs additional heft with guest appearances from Summer Walker, Naira Marley, Gunna, Zlatan, A Boogie With A Hoodie, Wurld, Popcaan, Peruzzi, and Yonda. With the exception of “D&G” featuring Summer Walker, where American producer, London On Da Track’s tag can be heard, production work for A Good Time is mostly helmed by usual suspects, Kiddominant, Shizzi and Speroach Beats.
With Burna Boy’s Grammy nomination, Afropop assenting to global reverence in 2019, has become a misnomer for the genre itself. Especially for afropop firebrands like Davido for whom creating an international presence is both a personal agenda and an altruistic campaign for the greater viability of African music. After selling out the O2 Arena earlier in the year, charting on the Billboard Hot R&B with “Fall” then headling festivals over the summer, A Good Time is already poised to easily be another win on the belt Africa’s biggest popstar.
Stream all tracks from Davido’s A Good Time via Apple Music below:
Toye is Editor-at-Large at NATIVE Nigeria. Tweet at him@ToyeSokunbi
MHD’s Wizkid-assisted “Bella” already highlighted afropop’s proficiency on dancefloors around the world when it was released last year. The fanfare it enjoyed seems to have whet France’s appetite for more Nigerian songs as French singer, Dadju, features Davido, Wizkid and Burna Boy on three different songs on his new album, ‘Poison Ou Antidote’.
Burna Boy’s contribution comes on the 20th track, “Donne-moi L’accord”, a lightweight afropop bop produced by Kel P. The romantic lyrics from Burna Boy confirms the song’s romantic direction, but the smooth mix of rattling samples, horns, percussion and Dadju’s French lyrics already carried the sultry quality of romance. The 24th track, “Nous” features a verse from Davido who performs a confident set to charm a love interest. Kel P also produced the Wizkid assisted “Danger”, but this time he flexes the range of his sonic palate with the Caribbean fueled synth-pop beat he produced for the romantic number.
Stream “Donne-moi L’accord”, “Nous” and “Danger” off Dadju’s228-track ‘Poison Ou Antidote’ below.
Featured Image Credits: Instagram/dadju
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The street-hop scene’s knack for making songs to serve dancefloors while driving conversation with edgy lyricism has made it one of the most entertaining parts of the Nigerian music scene. Idowest’s new single, “Set Awon”, makes sure he’s not left out of the conversation as he spins the viral “Set Awon” joke Small Doctor started on his Instagram for a party song produced by Vstix. Fast-paced drum locks the song in a groovy ambience while Idowest lays down confident bars bragging about the strength of his clique; “Ose David, ninu Bently be set awon Brizzy”. Idowest’s charming sense of humour helped him breakout with “Shepeteri”, and it comes into play again to make “Set Awon” a potential club hit.
You can stream “Set Awon” below.
Featured Image Credits: Instagram/officialidowest
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After a long waiting period, Davido album SZN is finally here. In October, the singer announced his sophomore LP, ‘A Good Time’, to be released on November 22nd (tomorrow). He’s been driving up the hype in the last few days, unveiling the star-studded tracklist as well as its stunning cover art. For his latest public appearance, the singer performed stripped-down renditions of his hit singles, “Fall” and “Risky” for Audiomack’s Fine Tuned live sessions.
Accompanied solely by a piano, Davido sings the romance-themed set of both songs, smoothly transitioning from one song to the next for a mini-medley. In this minimalist setting, Davido’s gruff vocals get all the shine, emphasising the infectious quality of his memorable lines and catchy melodies. Davido’s “Fall”/”Risky” set was recorded for Audiomack’s ‘Fine Tuned’ series, where select artists perform their hit songs backed by a single instrument. Davido is the second Afropop act to feature on the series, following Mr Eazi’s appearance back in August.
Watch Davido’s Fine Tuned set below.
Featured Image Credits: YouTube/Audiomack
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Yemi Alade’s newest album, ‘Woman of Steel’, dropped back in September, and she’s ensured attention remains on the project by dropping accompanying musicvideos. For her latest release, Yemi delivers a set of visuals for the Duncan Mighty-assisted “Shake”, the project’s third track. Both singers deliver sensual come-ons to their love interests, the Paul Gambit-directed video is focused on Yemi’s sex appeal, while Duncan Mighty is sparingly featured. The video opens with Yemi, spotting seductive poses on a bed, she’s joined by dancers styled in leather outfits and flowing garments inspired by the old Roman Empire.
Watch Yemi Alade’s “Shake” here.
Featured Image Credits: YouTube/Yemi Alade
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The nominations for the 62nd Academy Awards were announced earlier this evening, with many international acts like Lil Nas X and Billie Eilish leading the pack with the most nominations.
However, the most notable nomination for us, was Burna Boy’s latest album ‘African Giant’ being picked up for its first-ever Grammy nomination under the category Best World Music Album. Burna Boy now joins the growing list of Nigerians like Seun Kuti, Kah-Lo, Wizkid and King Sunny Ade who have previously been nominated for the Grammys. Although none of these artists went on to win a Grammy, Burna Boy is a sure contender for the category which he competes in alongside one of his inspirations, Angelique Kidjo.
The self-titled African Giant has one of the most prolific runs as an artist this year, and it’s everything he predicted for himself in our Birth issue coming true. Also nominated as part of the production credits are producers GMK, Kel P, P2J who are some of the powerhouses behind the record.
Featured image credits/Michaeltubescreations
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21-year-old survivor, Olive Nnorom first heard that celebrity photographer, Busola Dakolo was allegedly raped by her pastor as a teenager, during one of her group therapy sessions back in June. “At that time, I didn’t know who she was or what they were talking about. So, I went on Twitter to read about it and I was shocked,” Nnorom said, explaining that the story hurt so much she immediately became outraged.
Earlier on in the year, Busola spoke in an interview about being defiled as a teenager by her pastor, Biodun Fatoyinbo, founder and head pastor of COZA. The allegations, detailed and dreadful, sparked conversations, much like the one in Nnorom’s therapy session, on Nigeria’s rape culture in a way that previous allegations haven’t before.
Since the news broke, Fatoyinbo has been accused of rape by other women. Today, he’s a free man who continues to deny the allegations, “I have never in my life raped anybody,” he wrote in a statement released June.
Nigeria’s rape culture
In the weeks following Dakolo’s interview, social media was flooded with doubts and questions asking why she took so long to come out and why she felt the need to ‘expose a man of God.’
Ours is a deeply patriarchal society, which has normalised abuse such that women are blamed and questioned, while their perpetrators exonerated. UNICEF says 1 in 4 Nigerian girls are victims of sexual violence before they turn 18, and according to a national survey carried out in 2014, only 38% of those who experienced sexual violence as children told someone about it, and only about 5% sought help.
These numbers point to a harrowing reality that many survivors don’t talk about their experiences in fear of being chastised for it. In spite of her on-going therapy, Olive Nnorom reiterated this too, buttressing the mark of disgrace attached to being assaulted. In her case, it contributed to her long silence, and lack of why she didn’t feel comfortable sharing her story. “The first time it happened, it was a family friend. Other times were strangers and a coursemate,” Olive told The NATIVE.
A new generation of women
But it’s possible, that in the wake of the global #MeToo movement, things are slowly taking a different turn. Nigerian women are sharing their stories and starting movements that speak against sexual violations and the many ugly forms it rears its head.
26-year-old women’s rights advocate, Fakhriyyah Hashim is one of them. Through #Arewametoo, Hashim is trying to change how Arewa (a collective name for the north of Nigeria) sees cases of sexual abuse.
It can be argued that Nigeria’s north is the most conservative region in the country. Women there don’t traditionally discuss sexual or physical abuse openly, but this movement, co-directed by Hashim, is opening doors for more women to share and seek psychosocial help.
“There has been a shift. You look at the conversations and how people viewed sexual violence 5 or 10 years ago to now, it is very different,” Hashim told The NATIVE. She’s convinced that now, more than ever, women have washed away the shame associated with calling out sexual violence, “You can see from last year to this year that women are saying ‘this happened to me, I am not ashamed of it and I am not responsible for this heinous crime that happened to me.’”
According to her, all it takes is one person to shatter the glass of silence, and others follow. This is why it’s important to highlight the wave of protests and conversations post-Dakolo’s #MeToo moment, challenging the role of the church in trivializing sexual harassment. Like Busola Dakolo, in Northern Nigeria, Khadijah Adamu’s voice, gave many northern women the strength, under #ArewaMeToo, to take off the masks they previously used to discuss gender-based violence. Beyond publicly sharing stories, these women have created specific tools for other women to use. There are mental health organisations that provide mental health support to women who have been abused, and not-for-profits dedicated to filing police reports and assigning lawyers to survivors who want to take their case to court.
It is not just Nigeria. Women from all over the continent have had enough. In June, CNN reported that three women accused Gambia’s former president, Yahya Jammeh, of a series of rapes and sexual assaults while in power. A month earlier, a former presidential adviser in Sierra Leone spoke on being assaulted by a church leader and how that impacted her life.
Awareness is victory
While more women are bracing the odds to challenge Nigeria’s widespread rape culture, it is not without challenges. Dakolo’s allegation, for example, earned her a visit from the Nigerian police who claimed she was being investigated in a case of criminal conspiracy. She also had to contend with trolls on social media and whispers on the streets that was lying about being assaulted.
Maryam Awaisu who co-directors ArewaMeToo with Fakhriyyah Hashim was arrested in Kaduna, northwest Nigeria by men of Nigeria’s Special Anti-Robbery Squad (SARS), a notorious branch of the Nigerian police. Awaisu, 29, was picked up in February after a political aide filed a defamation petition against her for calling him out on a series of allegations of sexual abuse.
These societal pushbacks are not limited to Nigeria alone. It has hit women in many countries including the United States and Uganda. But survivors in Nigeria say they feel a different kind of fear, “Women are not and may never be safe in this country,” Olive Nnorom said, sullenly. It is why those who are damning the possible consequences and creating awareness about the dangers of abuse are winners; It takes immense courage to constantly work towards breaking a system that was built to break women.
Last week, Busola Dakolo put out a statement on her Instagram page after a high court in Nigeria’s capital city, Abuja, dismissed a case she filed against Biodun Fatoyinbo. In September, she drew up a civil suit against him for intentionally inflicting her with emotional distress. She wrote that she is fine with how things have played out so far because awareness is victory.
“I set out to ease the hurt, the sense of shame and abuse, the nightmares and traumas not by securing judicial victory only but by boldly sharing my story and calling out my transgressor robed in the vestiges of clerical power and pretence. I understood and accepted that by voicing out I was silencing the screams in the night.”
When matched against an even more recent case involving two artists, DJ Rico (real name, Segun Rasaq) and Don Chima George, who were accused of raping an unconscious girl, the pattern seems familiar. First came the social media uproar, then the parade of arrest, leading up to a series of adjourned court cases. Last anyone heard of the ‘suspected’ rapists, was that they were both free men.
Still, it would be defeatist to deem the demand for justice null, because the system failed the victims. For Busola Dakolo, part of her healing was confronting her abuser, and that itself is a win. Awazi Angbalaga, 25-year-old women’s rights advocate and radio personality told the NATIVE that Dakolo has done more than just healing from the trauma she experienced as a teenager, “She has helped other women in similar situations heal too.”
Angbalaga works for Standtoendrape, a not for profit with a focus on providing psychosocial support to survivors of gender-based violence. She strongly maintains that having the strength to confront trauma from abuse is worth celebrating. “Busola went to court and more people, now more than ever see the need to hold their religious leaders accountable. I have personally seen it in my church in Abuja. How is that not victory? It is because a lot more people are checking, they are asking the right questions, they are not quiet,” she said.
Beyond awareness, however, it is clearer than ever that a lot more needs to be done. Law enforcement, for example, is still a major challenge as perpetrators often get away with acts of violence. The acknowledgement of a problem is a step in the right direction, but perhaps the new war to be waged by civil society and other interest groups is against the patriarchal instruments that prevent justice from being served. Until then, the hope is that naming names and having conversations about the experiences of multiple women, will tilt us in the direction of minimizing sexual violations.
Aisha Salaudeen is a multimedia journalist at CNN, with experience telling and helping people tell stories. She has worked in full time and freelance journalism, using videos and text to report diverse human interest stories. Tweet at her @aishasalaudeen
Tiwa Savage has had a great year since signing with Universal Music Group and releasing her debut single “49-99” under her agreed global recording agreement. She has teamed up Saweetie and Wale for “My Type (Remix)” as well as featured on dancehall king, Sean Paul’s single “When It Comes to You” with DJ Spinall.
Now afropop’s bad girl is back with two new singles just before the year ends, titled “Attention” and “Owo Mi Da”, both sure to resonate with girls everywhere and become a sure anthem. In Black Jheerze-produced track “Attention”, Tiwa Savage speaks directly to her love interest, admonishing him for the lack of attention he is putting into their relationship. ‘If you no give me quality attention, I might get it from somebody else’ she warns, while showing off her vocal range over the mid-tempo beat.
Elsewhere on “Owo Mi Da” which was produced by Pheelz, Tiwa Savage does not care for niceties as she explicitly calls out her debtor. ‘Mr Lavida, Lavida Loca why you want to play me?’ she sings, questioning her affluent debtor who cares more about appearances than coming good on his debt. Tiwa Savage is not afraid to deliver cut throat remarks at this unnamed borrower, as she lashes out over the catchy piano-led beat.
Stream “Attention” and “Owo Mi Da” below.
Featured image credits/Ibrosnaps
Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_
Nigerian and Ghanaian collaborations are at an all time high, with BOJ’s standout single “Awolowo” featuring Darkovibes, Kwesi Arthur and Joey B going on to become a fan favourite and sure contender for best singles this year. Now, Ycee and Ghettoboy join the ever-growing list of collaborations with their new single “Humble” which was released on Ghettoboy’s debut project ‘Me vs You’, a 7-track offering packed with high quality authentic afropop songs from Ghana.
The music video for “Humble” is simple at best, featuring both artists being appreciative of the women in their lives, who stood by them in their earlier modest days.“Those days when I no get money for my account…I go dey for you I go be humble” Ghettoboy sings on the hook, admiringly delivering his set while looking into his lovers eyes. The music video was set in London, and Ghettoboy secured this Ycee feature through shooting the artist a direct message and hoping for a response. The end result is “Humble” a catchy bop that is sure to feature on many playlists and DJ sets.
Watch the music video for “Humble”.
Stream ‘Me vs You’ below.
Featured image credits/ghettoboygram
Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_
It’s been over seven years since Davido released his debut LP, ‘Omo Baba Olowo’. After a number of false starts and dashed expectations, the afropop superstar is finally releasing a sophomore album, ‘A Good Time’, three years after his EP, ‘Son of Mercy’. The wide gap between both full lengths has been packed with all kinds of positive activity for the singer, a testament to how he’s been able to fashion himself into the quintessential Nigerian pop star.
In the Nigerian music terrain, the prominence of an artist is mainly judged by success of their singles, and the ability to move a large crowd in concert. Since breaking out with his instant smash hit, “Dami Duro”, it’s a given that a Davido song is in widespread rotation upon release, both on the radio and in the clubs. With this track record as one of this decade’s perennial hit-makers, Davido’s immense popularity has barely ever wavered.
The closest thing we’ve had to a Davido drought was in the short-lived ‘Son of Mercy’-era, due to the lukewarm reception the EP generated amongst listeners. In his 2018 cover story for NATIVE’s issue 002, the singer was pointed in his own criticism of the EP, calling it “shit”. By his high standards, Davido’s self-effacing honesty made sense, even though the project still spawned its own hits, like the General Pype co-written “Gbagbe Oshi”, and “Coolest Kid in Africa”, his collaboration with South African rap ascendant, Nasty C.
However, Davido returned to unquestionable popularity in the following year with a slew of back-to-back hit records, culminating in one of the most dominant runs we’ve seen in contemporary afropop. The singer powered through 2017, starting off with the Tekno-produced “IF”, then following up shortly after with “Fall”, eventually closing out with fan favourites, “Like Dat” and “FIA”. Despite formidable competition from his main competition of the decade, Wizkid, who had put out his Billboard charting major label debut, ‘Sounds from the Other Side’, Davido emerged as the clear leader for MVP of 2017.
In the two years since then, Davido has been riding even higher, becoming one of the bonafide superstars of the ‘Afropop to the world’ movement. While he continued his run of infectious hits in 2018, including NATIVE Best New Music entries “Assurance” and “Wonder Woman”, his star power has only shone much brighter this year.
To kick off the year, the singer headlined a filled-up concert at the prestigious O2 Arena in London. It is a massive feat that has only been matched by his steady rise to popularity in the U.S. After becoming one of the most Shazam’d singles in January, Davido’s 2017 hit “Fall” became a phenomenon, stateside, landing on the Billboard Airplay charts and peaking at number 13.
The renewed success of “Fall” opened up an avenue for aggressive promotion, and the singer took the opportunity with both hands, pulling up at a handful of popular media spots in the U.S, including the highly-rated morning show ‘The Breakfast Club’. During this period, Davido also went on a mini U.S tour in support of his buzzing single, followed up by appearances on high profile stages, like New York’s Summer Jam Festival in June, and a cameo at the renowned Madison Square Garden in August.
Strengthening his crossover potentials, Davido collaborated with Chris Brown, for his summer slapper, “Blow My Mind”. Although the Shizzi-produced song caters to the R&B inclinations of its guest artist, it still contains the groovy flavour of made in Nigeria afropop. Being a direct product of the back-to-basics campaign in 2017, the song underlines Davido’s main intention to make music that represents his abilities as a Nigerian artist.
Emphasising the singular nature of his artistic vision, Davido’s most recent single, “Risky”, flips his hilarious and embarrassing freestyle on Shade45 into a banger. While its minimalist, dancehall-inclined production plays into Jamaican singer Popcaan’s wheelhouse, it’s the type of song that was clearly crafted with Lagos clubs in mind. This leaves no doubt that Davido’s soon-to-be-released album, ‘A Good Time’, will be one Nigerian audiences will identify with. He might be reaching further across the Atlantic but his roots are firmly planted at home.
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Amping up excitement for his sophomore LP, Davido finally unveiled the star-studded tracklist over the weekend. Naira Marley, Zlatan, WurlD, Peruzzi, Dremo and Yonda make up the Nigerian contingent, while there a handful of mouth-watering international collaborations. In addition to the high-profile features on pre-released songs, R&B star Summer Walker, and rappers Gunna and A Boogie With Da Hoodie complete the list of guests from across the pond. From already laid out precedents, these variety of guests should be coming into Davido’s musical orbit, adding their own bit of colour to the vibrant playhouse the singer has been constructing for a long minute.
In a new Instagram post debuting the album’s eye-catching cover art, Davido referred to ‘A Good Time’ as the “album of the century”. Part of that lofty claim comes down to the anticipation that followed the announcement of an upcoming album back in September. While fans were expectant, there wasn’t an active clamour for a new Davido full-length, since the singer has held the scene in chokehold with mostly singles and features. Less than 48hours to the album, it is apparent that Davido is only looking to strengthen that. With that, it seems fitting to project that Davido’s good time will only continue, even if it takes another seven years to get a third album.
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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter
Back in June, Stormzy made history as the first UK rapper to headline the longstanding British festival, Glastonbury. The top billing showcased Stormzy as a leader of the UK’s thrilling rap scene, and as a nod to that historic feat, the rapper has just announced a new album, ‘Heavy is the Head (H.I.T.H)’. The cover art sees him wearing a crown and looking down at the Union Jack stab-proof vest he wore during his triumphant set.
While the album is set to feature high-profile guests like H.E.R, Headie One and Tiana Major9, one of the more anticipated tracks is “Own It”, Ed Sheeran and Burna Boy. With the combination of Stormzy’s prominence, Ed Sheeran’s prestige as a commercial behemoth, and Burna Boy’s status as a crossover star, the cut could very easily soar up the charts quickly.
Earlier this year, Burna Boy collaborated with Dave on “Location”, a smash hit off Dave’s debut album, ‘Psychodrama’, which quickly rocketed up the UK singles charts. He’s followed up by collaborating with UK singers Jorja Smith and Mahalia, for infectious summer slappers, and he recently made a standout appearance on Wretch 32’s “All In”, off the rappers recent album, ‘Upon Reflection’. The reception and successes of these songs point to another 2019 win for Burna in the UK.
‘H.I.T.H’ is Stormzy’s sophomore album, following his 2017 debut, ‘Gang Signs & Prayers’. It is scheduled for release on December 13. You can take a look at the cover art and tracklist below.
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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter
It was always only a matter of time before Mr Eazi scored an American feature, given the international trajectory his music has charted from ‘Accra to Lagos’ to‘Lagos to London’. His newest release, “Tony Montana” features American rapper, Tyga, for a cocky afropop bop that tributes his growth in the industry so far.
While Mr Eazi sings his melodic set, reminding everyone of how far he has come—from the days where he needed a Starboy co-sign, to putting others on through his emPawa campaign—the Killertunez-produced beat shows afropop’s ability to create a lightweight mood with synth percussion, guitar harmonies and bouncy drum riffs. One would think the singer and rapper switch lyrics books as Tyga’s verse gives a romantic spin to the confident ethos Mr Eazi’s opening verse and hook inspires.
The music video for “Tony Montana” is set in a studio, following the direction from Mahaneela. The black and white edits and shots of the artists smoking cigars gives the song more heft as they brag about their accomplishments while dancers move to the tune of the drums. Mr Eazi appears to have released “Tony Montana” as a birthday gift to Tyga who celebrates his birthday today.
You can watch the music video below.
Featured Image Credits: YouTube/Mr Eazi
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Burna Boy and M.anifest have contributed to the ever growing list of solid Nigerian/Ghanaian collaborations. We already saw how well they work together on the politically inclined cut from‘African Giant’ , “Another Story”, and now, they have teamed up again for “Tomorrow”, a more lighthearted track where they both confess their love.
Earlier this year, the Ghanaian rapper told Tim Westwood that his coming project, ‘the Gamble’, will feature tracks with Simi, Kwesi Arthur and Burna Boy, so it’s safe to assume that “Tomorrow” is one of the lead singles released ahead of the project. M.anifest gets in his sultry elements as he delivers witty lyrics addressing his love interest. Burna Boy’s chorus and closing verse amplify the song’s romantic intentions, as he confesses his own sultry feelings, over the groovy highlife beat produced for the song.
You can listen to “Tomorrow” below.
Featured Image Credits: Instagram/manifestive
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him@debola_abimbolu
Last month, Lupita Nyong’o released her debut children’s book “Sulwe”, which tells a heartwarming story about a young girl who is learning to love her dark skin; a true coming-of-age movie that explores colourism, self-love and self-esteem.
Earlier on in the year, Beyonce’s Wizkid-assisted “Brown Skin Girl” referenced Lupita’s darksin to praise other brown skinned girls, and now, the actress has followed suit, as she shared her first-ever song titled “Sulwe’s Song” celebrating young dark skinned women.
She describes the song as ‘an ode to Sulwe’, and the song definitely serves it’s purpose as the lyrics serenade the book’s titular character, and every other little girl ike her. ‘Never thought I would find the key inside me’ she sings, as she strips societal norms, affirming that black is beautiful and has been all along.
Listen to “Sulwe’s Song” below.
Featured image credits/instagram
Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_