Conversations with Young Nigerians on Faith and God

Story and production by Saratu Abiola

Religion has been a major story this past year. In Nigeria, we have seen sexual violence in churches; entire schools for young boys run by Imams involved in organized abuse of children; and questions on the role of women in politics, much of which tend to brush up against religious notions of women’s place. Power and religion is a heady mix in any context, but in a place where the most institutionalized thing is lack of protection against abuse of any kind, it is headier still. What has been glaring about these stories of abuse of power is the extent to which these people used power vested in them —  by church or state, or in the case of that one professor in the University of Lagos sexual harassment, both  — to oppress vulnerable populations. If God created human beings in his own image, human beings have in turn molded God in their own.

Because of the ways that religion shapes such macro-level dynamics as politics and culture, it is easy to miss the quieter ways it shapes the most intimate of our relationships  –  with our communities, with our friends, with partners, and with ourselves. In 2017, I started collecting stories of people’s relationships with religion through a series of interviews in my DMs. In these conversations, I asked each person questions about what drives their un/belief, how it shapes their relationships with others, and how they have evolved and grown in their [lack of] faith. Each image I share from these conversations show these people’s experiences and personal truths that they have graciously accepted for me to share.

I have not always been able to write this. Some of these conversations are two years old, because I had wanted to write a much more personal piece on religious belief back then. I stopped being religious as a teenage girl and was angry  — I can’t even articulate at whom this anger was directed - - for a long while after. This anger would pretty much shape my attitude towards religion for a long time, until it no longer did. I cannot say that I am aware of how this change happened. Time does it work, rounding out our hard edges and smoothing over our rough surfaces like sandpaper. For me, writing this and telling these stories is a sort of milestone in my own evolution, much the same way that these stories mark these people’s trajectories.

Religion is a dye that colors everything in modern Nigerian life. That I am not religious does not mean that I have not had to negotiate the contours of belief or relationship with God as an adult. I would venture that no Nigerian is able to live in the country completely adrift of the idea of faith. The shape of my moral universe is not consciously determined by religious instruction today, but it likely is by how I was raised and what I have experienced. All of these things are very closely aligned with a sense of belief, and ideas around sin and penance, faith and grace.

Here’s what I have learned.

1. The Importance of Community


A lot of the people I talked to shared that their major driver for their religious practice is the sense of community they get out of it.

This is doubly important for immigrant communities and is a very easy way of building relationships in new cities. The importance of this community will likely take on a different dimension for Nigerians abroad as it does Nigerians in the country. It makes me wonder about what else takes on a renewed importance when one is far away from home. In the calculation of better electricity and access to education and other opportunities, nobody really talks about how lonely emigrating to another country can be. Here, B. tells me how her aunt joined the Jehovah’s Witness church when she moved to another country. It became a link to the community, something she likely missed sitting alone in her apartment when the JW missionaries came knocking.

 

If a sense of community is a key driver, it does make it harder when you withdraw. This is especially when religion is a glue that binds you to your family . Most of the people who engaged with me that have lost faith told me that they could not tell their parents and still carried on going their places of worship.


Community brings to it a weight that either feels comforting or constricting, depending on the extent to which you neatly fit. Yet, my interviews showed me the extent to which it is still a need that drives our behavior.

2. A relationship with God Is Very Much A, Well, Relationship

 

This was something I never quite understood. How, after all, can you have a relationship with a being you’ve never seen? What shape does this relationship take?

 

As with every relationship, there will be some things that happen that you’re not altogether happy about, but the idea of having an intimate, ultimately beneficial relationship with an almighty creator is a powerful one. Whatever I think of religious practice,  I came away from these conversations thinking of the ability to believe as a kind of superpower, much like the ability to love. Of course, not every relationship with God is rosy. Someone shared with me how his mental health struggles made him feel guilty and question the strength of his own faith.

In much the same way that the personal is also political, the community around one’s faith and the way one is taught about religion often shapes one’s relationship with God. That’s where it tends to get complicated.

3. There Is a Grieving Process When Faith Is Lost, Much Like Other Kind of Loss

There is a sense that people who walk away from religion skip away into the sunset at the thought of some newfound freedom to do as they please. From my conversations in these interviews as well as elsewhere, I find that this is not necessarily true. Precisely because a relationship with God is a relationship, it is possible to fall out or to walk away. And as we know in other kinds of relationships that we have, then your agency in the ending of that relationship does not mean you will not mourn its end. Indeed, I would argue that even the anger and viciousness of atheists who used to be religious is a manifestation of mourning. Anger is very much part of the grieving process.

 

I honestly did not understand this until I read R. O. Kwon’s “The Incendiaries”. The writer herself is a Korean-American who was raised Evangelical and has spoken publicly about mourning her loss of faith.

In a 2018 interview, she says this of her loss:

“With religion as I experienced it, the first and foremost feeling was one of love. I loved my idea of God. I really wanted to show how exciting and passionate religion can be and therefore how terrible it was to lose that, and to lose my faith. When I most deeply fell into religion, not entirely unlike when I’ve had one-off crushes, there was a feeling of ‘maybe this will give me all the answers I’ve been seeking.’ Losing my faith was devastating to me. For the next year I was as depressed as I’ve ever been. I was and am close to my parents, but I remember thinking that I’d rather lose one of my parents than lose God. When I believed, I lived in a world where there was no real loss and no real death. It’s such a different worldview than what I have now. Before I lost my faith, I would never have considered myself an especially anxious person. I didn’t have to be anxious because somebody omnipotent was always looking out for me. Now I could pretty reasonably call myself anxious. I wanted to try to bridge the chasm between these worldviews. On the one hand it was devastating that my friends and family couldn’t understand at the time how alone I felt and on the other hand it felt strange to then start making friends at college who were just like “okay, you used to be a Christian.” Very quickly I learned to turn it into a joke.”

If religion is a compass with which one moves through the world, then acting on one’s lack of faith requires a kind of courage not unlike the kind that wills one to be guided by a being followed a legion of equally flawed humans. Everything about the way we move through life requires courage, and to own up to what you do and do not believe in an environment as hostile to unbelief as Nigeria is its own kind of integrity.

4. How Religion Fits Into Your Life Is Just As Important As How You Fit Into It

Religious belief is not about what you want, but what is right given a set of principles that determine what being a Muslim/Christian/etc means. Still, the level of people’s adherence seems very much shaped by the extent to which their religion as they know it will accommodate who they are becoming, and to what extent they can bring to their God their fullest selves.

Some of the most poignant stories I heard were about this negotiation of how much of themselves they can be while also being an adherent of their religious practice. A former church leader spoke to me about the experience of coming to terms with his sexuality:

A woman told me about how the fears surrounding her body shaped her experience in the Yoruba religious tradition as a child:

Another person told me of her discomfort with the church’s teachings on religion and a woman’s place:

Sometimes, the people on the other end of the religious fervor in an intimate relationship can get hurt by their significant other’s practice. Religious people can be so preoccupied with their own internal struggles that they forget that their significant other or family member is not some disembodied test of righteousness, but a human being with feelings as valid as theirs. These stories abound anecdotally from people in my personal relationships and that I’ve heard through these conversations. Here’s one I can share because it has few identifying details.

I think it is no surprise sexuality shows up a fair bit in some of these stories. The shame and fear in sexuality that Abrahamic religions tend to impart can manifest itself in hypocrisy and judgement of other people, especially towards those who are not straight or who opt to express their sexuality differently. So much of the associated shame in their bodies and sexual proclivities does not merely turn off once a ring hits their finger, though. I worry about this especially for women, who I see often take years, decades even, to unlearn the learned shame and fear. For all its value, I worry about the benefits of worldviews that leave one with so much to unlearn, and the lack of grace this community allows for those who are unlike them.

5. There are always more questions than answers

For all its performative aspects and community, religion is a deeply personal thing. Young Nigerians are facing cultural influences from their ethnicity, religion and a barrage of messaging from a western perspective, all of which are competing for their attention in a social media-driven world. Social mores will continue to evolve elsewhere, feeding into a cultural conversation in Nigeria that will in turn shape how we live and, in turn, the lenses with which we will regard religious practice. Changes to the way we believe come with changes in the way we live. That likely won’t change.

Watch Efe, BOJ and Ice Prince Party In The Video for “Campaign”

Efe’s music career is still yet to top the fanfare from his Big Brother Nigeria campaign, however, his latest song, “Campaign”, has certainly impressed his music fans. Thanks to the assist from BOJ who does what he does best with the hook and Ice Prince’s rap verse, the song captures the celebratory zeitgeist of club music while Efe rapped about his difficult path to acclaim and his disregard for critics; “No be dem be Jesus/ I go just dey do am my own way”.

The recently released music video for “Campaign” highlights the song’s festive intention with the party setting directed by Frames by Wealth. We watch BOJ, Ice Prince and Efe partying with friends and models at night party where they play party games like dart, rock, paper, scissors and beer pong while they perform their verses.

Watch the music video for “Campaign” below.

https://www.youtube.com/watch?v=yYu1-mkyfoU

Featured Image Credits: YouTube/Efe Money
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ICYMI: “Campaign” as part of Efe’s ongoing renaissance

GoodGirl LA enlists Terri for new single, “Talo Lomo”

By all accounts, 2019 has been favourable to GoodGirl LA. The singer opened the year with her spiritually inclined single, “Bless Me”, shared the music video for her breakout single, “Faraway”, and finally released her long-awaited debut EP, ‘LA Confidential’, to positive reactions. To close out the year, she’s just released a new single, “Talo Lomo”, and it featuring Wizkid’s latest signee, Terri.

P.Prime and Tempoe co-produce the catchy beat for “Talo Lomo”, merging light piano chords, groovy guitar riffs and lively percussions. Matching the club-ready inclinations of the beat, LA and Terri deliver a jovial set where both singers woo their love interests, admitting the lengths they would go to prove their affections. “I go die on top your matter, you’re driving me crazy”, LA sings on the first verse, while Terri delivers the song’s memorable hook.

Stream “Talo Lomo” here.

Featured Image Credits: 

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Chidinma and Flavour deliver a stunning duet in the music video for “Nkem”

Earlier this month, Chidinma and Flavour confirmed their rumoured relationship when they released a joint EP ’40 Years Everlasting’. Over the 5-track project, they professed their love for each other, with a promise to keep their love burning for forty years. Their EP’s titular track “40 Yrs” was the first single to get a befitting video treatment, and showed them cosying up.

Now, they have released a Clarence Peters-directed music video for one of their joint singles “Nkem” which sees Flavour delivering his romantic verse while playing the piano for an audience of listeners. ‘Cause in you, I’ve seen the treasure I was looking for’ he sings, professing his love for his new boo. Chidinma then joins him on stage, and they both deliver a stunning duet where they let their love for each other take centre stage.

Watch the music video for “Nkem” below.

Featured image credits/instagram


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


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Naira Marley announces upcoming EP, ‘Lord of Lamba (LOL)’

Naira Marley has had one hell of a year. The rapper rose to even greater prominence earlier this year, after the release of his smash singles, “Am I A Yahoo Boy” and “Soapy”.  He’s gone on to drop several other hit singles, however, he’s looking to close out the year in style with the release of a new EP, ‘Lord of Lamba’. Naira hinted at the possibility of dropping a 5/6 track project on his Twitter page earlier this week, while asking his Marlians to help name the EP by suggesting titles.

It’s unclear as to how Naira landed on the present title, but ‘Lord of Lamba’ is as fitting as it gets, since it references his ongoing hot run and his ability to release bangers. There’s currently no tracklist or release date for the EP, but we can rest assured that we’ll be getting more Naira bangers sooner rather than later, with his Lagos headlining concert, MarlianFest Lagos, scheduled for this December.

Check out the announcement post here.

https://twitter.com/officialnairam1/status/1199746186615361549

Featured Image Credits: YouTube/Naira Marley

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You Can Now Read A Snippet Tomi Adeyemi’s ‘The Children of Virtue and Vengeance’

Tomi Adeyemi is the #1 New York Times Bestselling author for the novel and upcoming motion picture, The Children of Blood and Bone. Earlier this year she announced her new book The Children of Virtue and Vengeance, the blockbuster sequel to her debut book, will be on sale December 3rd.

Ahead of the book’s release, she has made the first six chapters of The Children of Virtue and Vengeance available online. The sequel follows the West African mythological fantasy that began in the previous book, and follows the story of Zélie and Amari who have finally succeeded in bringing magic back to the land Orïsha.

However the ritual to return magic to their homeland was more powerful than they could have imagined, as nobles have their magic ancestry returned to. Both Zélie and Amari find themselves at odds as their kingdom is on the verge of a civil war and they must find a way to unite their kingdom or watch as Orïsha tears itself apart.

https://www.instagram.com/p/B5VrbZ-psMn/

Featured image credits/FranciscoEsteves


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


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The Shuffle: M.I and Wizkid’s evergreen classic, “Fast Money Fast Cars”

M.I has dominated Nigeria’s hip-hop scene since he debuted ‘Talk About It’ over a decade ago, and the album established M.I as the future of rap with songs like “Anoti” and “Safe” laying the template others have followed for commercialising rap in Nigeria. To celebrate the project’s 11th anniversary, we are revisiting “Fast Money Fast Cars”, the Wizkid-assisted track that highlights M.I’s ear for catching the sound of the future before anyone else does.

M.I put Wizkid on before the Starboy even became a household name in Nigeria, and as extraordinary as that sounds, it’s not often mentioned. The first time most fans heard Wizkid’s boyish voice was on the hook of “Fast Money Fast Cars”, where he joined M.I to reflect on the commercial attribute of dating in the 21st century; “To ba lowo oma tele e lo (They’ll follow you if you have money)”. Since Wizkid was relatively unknown when the song was released in 2008, M.I’s wordplay and punchlines were the song’s biggest appeal. But in retrospect, M.I’s faith in Wizkid’s sound at the start of his career is more compelling now given Wizkid’s career trajectory to become a globally accomplished artist.

His dominance is often questioned but impossible to ignore and songs like “Fast Money Fast Cars” hint at how he has remained relevant with his remarkable knack for taking risks with his sound and reinventing himself.

Stream M.I and Wizkid’s “Fast Money Fast Cars” below.

Featured Image Credits: Instagram/Mi_abaga
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Watch Koffee and Gunna In The Opulent Video For “W”

Since the release of her debut EP ‘Rapture’ earlier this year, Koffee has set herself up to become one of the forces leading the charge in the prominent reggaee scene. This year alone, she’s joined Daniel Caesar on the remix to his single “Cynaide” and was nominated for Best Reggae Album at the 2019 Grammys; all the while cementing her rise to international acclaim.

Now in a bid to continue her winning streak, she has now Koffee linked up with Gunna for a new single titled “W”. The music video which is set in her homeland, Jamaica is directed by Mattt Baron. Gunna and Koffee deliver their verses, while a tempestuous storm broods on the horizon causing everyone to panic and stay locked indoors. ‘Where di dolla sign? Money pon me mind’ she sings, reflecting the joyous mood the islanders adopt once the storm arrives and it turns out it is raining dollar bills.

“W” is all about encouraging people to focus on the Wins and not the Losses, to not forget to live their best life and to always remember to give thanks,” Koffee reportedly admits, giving more context to the new stunning bop from she and Gunna.

Watch the music video for “W” below.

Featured image credits/instagram


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


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Watch Timi Dakolo & Emeli Sande In The Cheerful Video For ‘Merry Christmas, Darling”

The announcement of Timi Dakolo’s label signing with Virgin EMI Records came with the promise of a new Christmas-themed album, ‘Merry Christmas, Darling’. In anticipation of the full-length, the singer released the title track as the project’s lead single, and it features British singer Emeli Sande. With their emotive performance, both singers capture the feeling of longing to spend the holidays with your favourite person(s).

‘Merry Christmas, Darling’ was released last Friday, and Timi has just shared the video for “Merry Christmas, Darling”, and it visualises the romantic elements of the song. In the video, we see both singers delivering their lyrics sullenly, because they’re not together on Christmas eve. Things brighten up at the end, when Timi arrives at home from his trip, and we finally see Emeli crack a smile through the window.

Watch “Merry Christmas, Darling” here.

Featured Image Credits: YouTube/Official Timi Dakolo

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Zlatan takes us to church in the video for “Wake Up”

It’s hard to imagine a time when we weren’t awkwardly trying to ‘gbese’ and figure out the steps of Zlatan’s Zanku, and his mark on the scene has been made pretty clear. A few hit songs later, he dropped his debut project, ‘Zanku’, where he offers fans more context for his journey from humble beginnings to becoming one of the indigenous artists putting Nigerian music on the world map.

Now, he has released the music video for the project’s opening track, “Wake Up” and it plays out like a documentary as we watch clips from his stage performances and dance sessions with fans on the street. Directed by Twitch, the scenes set in a studio where a choir with trumpet players perform and dance to the Spellz-produced beat.

Watch the music video for “Wake Up” below.

Featured Image Credits: YouTube/ZlatanIbileVEVO
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ICYMI: All the essentials from Zlatan’s ‘Zanku’

Watch the celebratory video for Sarkodie’s “Oofeetsɔ” ft Prince Bright

Sakordie’s reign as a pioneer of Ghanaian rap has been a long itme coming, and since ascending to widespread prominence, he has managed to remain a rapper’s rapper, while hitting new milestones in subsequent years. He recently picked up the inaugural award for Best International Flow at this year’s BET Hip-Hop Awards, and in October, he successfully pulled off his first headlining music festival in his home city, Tema. To celebrate the success of the latter event, Sarkodie has just released a new single, “Oofeetsɔ”, as well as a fitting music video.

Assisted by Ghanaian hiplife singer, Prince Bright, who sings the catchy hook, Sarkodie celebrates his rise from humble beginnings into becoming a symbol of hope for his community. Although his two verses are mostly delivered in his local language, Twi, his vibrant candour and the endearing music video help in conveying the upbeat tone of his lyrics. In the video for “Oofeetsɔ”, footage from the 3-day festival are spliced together, including awe-inspiring shots of performances taken from the concert finale.

Watch Sarkodie in “Oofeetsɔ” below.

Featured Image Credits: YouTube/OfficialSarkodie

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We finally have A Sex Offenders List In Nigeria

Given how deeply rooted misogyny and rape culture is in Nigeria, it comes as no surprise that there has never been an official sexual offenders list in Nigeria. UNICEF says 1 in 4 Nigerian girls are victims of sexual violence before they turn 18, and according to a national survey carried out in 2014, only 38% of those who experienced sexual violence as children told someone about it, and only about 5% sought help.

The National Agency for the Prohibition of Trafficking in Persons is the law enforcement agency charged with administering the provisions of the Violence Against Persons (Prohibition) Act. Currently on the website, there are 7 incidents reported, 10 verified reported cases and 5 convicted cases. Although this numbers do not represent the vast amount of underreported cases, it is a first step towards proper documentation and accountability.

Last summer, we all witnessed how young women in Nigeria took to social media to name and shame their abusers, with media personality, Busola Dakolo adopting the same approach when divulging her encounter with COZA Pastor Fatoyinbo. Social media has always been a useful tool that women can use to make their voices heard in a society where the police and the government have turned a deaf ear.

The advent of the list, although long overdue, is extremely important to ending silence culture in Nigeria, and it’s good that we are finally having a permanent list that can be used to hold perpetrators in our society accountable.


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Busola Dakolo says awareness is victory, and she’s right

UK singer Taliwhoah links with M.I Abaga in video for new single, “Sweet Sweet”

With streaming being the primary mode of music consumption these days, artists are always looking to find new listeners in any part of the world, and collaborations are great way to make that happen. Case in point, UK dancehall singer Taliwhoah who’s hot on our radar with her latest single, “Sweet Sweet”, featuring M.I Abaga.

The cut is the final track on her debut album, ‘Another Dimension’, accompanied by a video for the M.I-assisted cut in its promotion.

Shot in Toronto, the video for “Sweet Sweet” captures the summery vibe of Taliwhoah and M.I’s romantic set, on which they sing sensual lines about being attracted to one other over the catchy beat SAK PASE produced. The video starts off with a daytime pool party, where both artists perform their lyrics with smiles on their faces. It then ends with a club scene, where we see Taliwhoah singing and dancing in intimate poses with her love interest.

Watch Taliwhoah and M.I in “Sweet Sweet” below.

Featured Image Credits: Taliwhoah

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ICYMI: M.I ABAGA SHARES MUSIC VIDEO FOR NONSO AMADI-ASSISTED “PLAYLIST”

Watch Erigga show off his hood credentials in video for “Welcome to Warri”

In October, Nigerian rapper Erigga released his latest album, ‘The Erigma II’, to widespread acclaim from older listeners and Nigerian rapheads in general. Across its sprawling 17-tracks, the southside rapper draws on past influences for songs focused on storytelling, while also putting his trademark penmanship to work.

In an effort to promote the album in time for Christmas, Erigga has just dropped a befitting music video for the intro track, “Welcome to Warri”. In the ominous video, Erigga is captured in an inner city environment alongside goons, conveying the severity of his grimy set where he recaps a bunch of past traumatic events in vivid detail. Erigga also flexes his hood credential, with a pivotal scene that shows him signing a physical copy of his album for two confrontational rivals.

Watch “Welcome to Warri” here.

Featured Image Credits: YouTube/Erigga Paperboi

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


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M.anifest and Burna Boy are on baecation in the video for “Tomorrow”

M.anifest and Burna Boy’s latest collaboration, “Tomorrow”, saw them ditch their political conscious cards for a romantic confessional. The song is expected to feature on M.anifest’s coming ‘The Gamble’ tape and the accompanying music video ensures the lead single builds interests as they shoot a colourful set to celebrate their love for their muse.

Apagnawen Annankra and Scilla Owusu direct the music for “Tomorrow” with a photographic direction that captures the artists’ romantic intentions in a serene setting. Both artists are seen at a beachside resort with their muses dancing along to the highlife beat while they confess their sultry feelings for their lovers. Simi and Kwesi Arthur are also expected to feature in the M.anifest’s album when it’s released.

You can watch the music video for “Tomorrow” below.

Featured Image Credits: YouTube/M.anifest
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


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Watch Rema’s self-assured performance on A Colors Show

Mavin’s golden child Rema is one of the most prolific artists in the game currently, and he’s having a moment in his career. Following his 3rd EP this year, ‘Bad Commando’, he’s bagged the Next Rated Award at the 2019 Headies and taken his ongoing tour to the United States which has been exceedingly well-received.

Rema continues to cement his rise to international acclaim by performing his recent EP’s titular track “Bad Commando” on the iconic A COLORS Show stage. A COLORS Show is known for only inviting people with particular vocal ability, has seen many notable stars this year from Burna Boy to Koffee, and now Rema has joined the long line of exceptional featured musicians. Over the beat produced by Honter, Rema shows off his impressive vocal range as he delivers a captivating performance just as crisp as the studio version.

Watch Rema’s COLORS performance below.

Featured image credits/Youtube


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


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Ajebutter22, BOJ & Falz announce joint EP, ‘Make E No Cause Fight 2’

Ajebutter22 and BOJ effectively broke into mainstream ears after the success of their 2012 collaboration, “Omo Pastor”. While they’ve gone on to work together a few more times since then, the pair finally fulfilled the wishes of fans eager for a joint project with last year’s EP, ‘Make E No Cause Fight’. On the 5-song project, BOJ and Ajeutter play off their dynamic energy as collaborators to create some anthems for last summer.

Considering that the ‘MENCF’ was short and sweet, it’s exciting that the duo are returning for a sequel, and this time around they’ve included Falz into the mix. While BOJ and Ajebutter have been teasing a second project, they finally confirmed ‘Make E No Cause Fight 2’ will be released this Friday, with the addition of Falz coming as a surprise.

All three artists have worked in varying combinations, but never together on one song. With the positive reception from previous collaborations, we’re looking forward to what a full project between all three would sound like. There’s currently no tracklist for ‘MENCF2’, but we’re confident that we’ll be getting bops.

Check out the announcement teaser here.

https://www.instagram.com/p/B5QsTaEpI6L/

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BEST NEW MUSIC ALBUM SPECIAL: AJEBUTTER22 – “WHAT HAPPENS IN LAGOS”

Zamir and Amaarae are hungry for “Munchies” on their new single

Zamir has made a reputation for himself as the hip-hop bad boy in these parts. His recent offerings “Anti” featuring YCee and “Hate” have both shown his more cut-throat and edgy side, with lyrics laced with suggestive hints of violence and danger.

But for his new single, Zamir enlists Ghanaian pop princess Amaarae for a more sex positive number. Over the GMK-produced beat, Zamir raps about the intoxicating feeling of being around his girl. ‘One touch, one kiss, girl I wan chop girl I’m getting munchies’ he raps over the hook, explicitly laying out his intentions over the up-tempo beat.

The track also shows a different side for Amaarae who opts for a highly sensual rap verse, ‘If you want this kitty kat, you will have to come and get it’ she says, inviting her love interest to get lost in her.

Stream “Munchies” featuring Amaarae below.

Featured image credits/TSE/Instagram


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


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Cardi B, Burna Boy, Tiwa Savage to headline Livespot X Festival this December

Carbi B is set to join the long list of international acts that have graced our concert stages in Africa. Livespot booked the Grammy Award-winning rapper for their debut festival, Livespot X Festival, which is scheduled to hold at the Eko Atlantic Energy City in Nigerian on the 7th of December and at the Accra Sports Stadium in Ghana on the 8th of December.

https://www.instagram.com/p/B4lU7rxAg1h/

The Chief Creative Director of Livespot360, Dare Art Alade explained his reasons for inviting Cardi B to entertain Nigerians;

“We know how much love the fans have for Cardi B and this was one of the reasons we chose to give fans a special experience to see the queen of hip-hop live in Lagos. We also are aware of the massive appeal of some of our Nigerian music acts. This show will not be complete without these music stars, and this is why we are thrilled to announce these performing acts for the Livespot X festival.”

Cardi B will be sharing the stage with Nigerian artists like Burna Boy, Tiwa Savage, Darey, R2Bees, Tiwa Savage, Olamide, Patoranking, Teni, Wande Coal, Seyi Shay, Niniola, Reekado Banks, Ice Prince, Fireboy, Joeboy, DJ Spinall, DJ Crowd Kontroller, DJ Cuppy, DJ Obi, DJ Deluxe, Do2Dtun and Shody at the Eko Atlantic Energy City venue. Shatta Wale, Joey B, Becca, Sarkodie, Medikal, Kofi Mole and Eno will be joining the lineup in Accra.

You can get tickets for the concert here.

Featured Image Credits: Instagram/iamcardib
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


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J Molley and Emtee are war ready in their music video for “Going Down”

J Molley and Emtee have the type of cult following that lets them chart their individual paths as leaders of the trap scene in South Africa. The two have teamed up for a new single, “Going Down”, where they combine their assertive rap bars over the airy synth-led trap beat Lincoln produced for the song.

“Going Down” features J Molley’s signature melodic raps as he lays down cocky lines about his dominance in the rap game while Emtee supports his boastful intentions with showy lyrics of his own. Emtee shows off his street-savvy nature with lyrics that allude to violence and J Molley captures his aggression in the music video he self-directs. The video shows him and Emtee decked out in military uniform and carrying rifles while they perform their sets. There are also shots of them in a theatre wearing flashy clothes and jewellery to validate their showy lyrics.

Watch the music video for “Going Down” by J Molley and Emtee below.

Featured Image Credits: YouTube/J Molley
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


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Best New Music: 2Baba waxes philosophical about the duplicity of fame on “Important”

Through his 20-year career, 2Baba’s most introspective moments often come as mirrors of his own life. Tracks like “4 Instance”, “Only Me” and “Raindrops” glimpse how he has dealt with personal difficulties and general life ambiguity.

“Important” his new track, forewarns against the perils of undeservingly embracing spotlight and status. It’s a poetic rendering on looking before you leap into fame, coming from a man who has been a pop-culture anchor point for so long, critique and iconoclasm by naysayers is presumed to be validation.

Mr Idibia, however, has never been a camera hog for credit, which has always made him vulnerable to public scrutiny yet impossible to dislike. Earlier this year, in celebration of his two-decade run, he quietly launched ‘Next Up’, his own music enterprise platform similar to Mr Eazi’s emPawa Africa. Three vocalists—who will make their debuts in December—and one video director, have already been unveiled as beneficiaries of the initiative.

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“Important” is a promotional song for his upcoming 2-city concert (Abuja & Lagos) and tie-in ’20 Years A King’ national media tour. For a purposeful song like “Important” many artists would have opted for a dance number to gain promo mileage, yet it’s on this song—radio will probably hate—that we see 2Baba in his finest element, as afropop’s philosopher-supreme.

Filmmaker-director, Clarence Peters is infamous for near-miss music videos, but this is not always the case when he works with 2Baba. His rendition of 2face’s “Only Me”, is a visual think-piece on self-assessment and is in part why the track assumes classic status. Similarly, for “Important” Peters uses subliminal symbolism that echoes the 2Baba’s eponymous reality, sequenced from a wide-angled opening scene with the feels of an epic.

When he reaches for depth in his music, the real art of 2Baba is in blurring the lines of morality. This inadvertently also makes him a subject of his own sermons, given his often ironic self-righteousness. One of the most poignant scenes from “Important”, is of a small crowd of children watching a dancer in Afrofutuistic clothing. It’s a subtle reference to how “different” is treated as a public spectacle in our society. Elsewhere, 2Baba waxes lyrical about politicians seeking party favours from locals while poised as a wealthy politician himself. “You no tell dem say e dark, but they go want to sell you light. The moment you buy am, you don sell your human rights” 2Baba sings, as the scene cuts from him to a man whose face has been bounded by a mask of leather belts.

See 2Baba in “Important” below

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Toye is Editor-at-Large at NATIVE Nigeria. Tweet at him @ToyeSokunbi


Best New Music Score: 7.1