Essentials: Veen’s ‘Eternal Flex’ EP

Although Trap music’s ongoing dominance has made it a global phenomenon, it is yet to become a solitary force in the Nigerian music mainstream. This automatically suggests that emerging purveyors of the hip-hop subgenre in Nigeria have to be pliable, finding the appropriate blend between popular sounds dominating the local airwaves and their western influences, so as to improve on their crossover potentials.

On his debut EP, ‘Eternal Flex’, Port Harcourt based artist/producer Veen effectively bounces between Afropop’s colourful warmth and Trap’s kinetic minimalism. It is a combination that has been coming into focus in the past year, in the mould of artists like Psycho YP and Rema. Joining that exciting list, Veen leans into the unique tropes of both genres on a song-by-song basis, with the short project ultimately listening as an impressive display of Veen’s continued growth into a diverse and well-rounded artist.

Veering between lanes, Veen keeps the project consistent by being at its centre. In addition to his primary vocal role, Veen handles production duties in its entirety, exhibiting heterogeneity while keeping a steady pulse. On opener “Lai Lai Lai”, Veen aptly matches his romantic sentiments with a knotty ‘2000s R&B guitar riff and an easy rocking 808 drum pattern, while on the self-assured title track, ominous electric guitar riff samples, greasy hi-hats and swinging bass enhances the urgency of his raps.

While he brandishes his ability to move across an engaging range of subject matter, it is underlined by his pliable delivery—between sincere singing and hard-nosed rapping—and penchant for succinct writing. Assisted by Psycho YP, who sings the catchy hook, Veen raps two quick, poignant 8-bar verses on “Race”, wasting no lines while reiterating his unrelenting ambition. “Got a lot of dreams, I could never fall back”, he fierily spits over the groovy trap beat. Elsewhere, on “Wayo”, he demands to know the definite status of a relationship from a flailing love interest, singing his vulnerable yet vindictive lyrics in repetitive mode to express resolve.

Following track, “IDK” returns to stern posturing, with conceited guest verses from Txby and Blaqbonez. However, the EP closes on reflective terms with the Kiienka-assisted “Demons”, with Veen droning his self-effacing lyrics over a rock-inflected trap beat, featuring sputtering guitars that add a Travis Scott-esque psychedelic filter. While a noticeable level of vulnerability and self-awareness is present throughout ‘Eternal Flex’, it peaks on “Demons”, making it the EP’s emotional centrepiece.

Stream ‘Eternal Flex’ via Apple Music here.

Featured Images Credit: Instagram/abstractveen

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ESSENTIALS: REMA’S ‘REMA FREESTYLE EP’

Watch the music video for Nonso Amadi and Mr Eazi’s “Go Outside”

Even after breaking out with “Tonight”, Nonso Amadi remained somehow apart from the Nigerian mainstream. His newly released EP, ‘Free’, however, seems to focus on capturing a more Nigerian fanbase, featuring artists like Mr Eazi and Simi over the 6-track duration. Mr Eazi assisted “Go Outside” is getting an accompanying music video to push his crossover agenda through the charming video for the lightweight and groovy single.

Though the lyrics Mr Eazi and Nonso Amadi perform for “Go Outside” are too showy to be described as romantic, the music video Mollana Burke directs is centred around the relationship between lovers. Set in a summer-y outdoor glow, Nonso is seen chatting up a woman at the store while the dancers are also paired together like a couple as they dance along to the catchy guitar baseline of the song.

You can watch the music video for “Go Outside” below.

Featured Image Credits: YouTube/Nonso Amadi
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch the music video for Nonso Amadi’s “No Crime”

Watch the video for Darkovibes’ “Different”

Less than two months after the music video release of his spiritual “Bless Me” single with Kidi, prolific Ghanaian artist Darkovibes has just followed up by sharing a new solo single, “Different”, along with an accompanying music video. Gliding over the lively mid-tempo beat Uche B produces, mixing electric highlife guitars and bouncy Afropop drum synths, Darko delivers a romantic set that dually listens like a devotional to a singular love interest, and homage to the beauty of Ghanaian women. Visualizing his intentions, the video Sampah Francis directs, features shots of the singer performing his lyrics in front of a white background and in the company of an attractive muse. There are also quick, sultry shots of various dark-skinned models, increasing the video’s woman-centric allure.

You can watch the video for Darkovibes’ “Different” below.

Featured Image Credits: Instagram/Darkovibes

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: WATCH THE MUSIC VIDEO FOR LA MÊME GANG’S “REVEAL”, FEATURING DARKOVIBES AND $PACELY

Mr Real returns with catchy new single, “Oloun”, featuring Reminisce, Phyno and DJ Kaywise

Nigerian pop songs are not known for their educational impact, but Mr Real has continued to push his agenda for giving street lessons on his new single, “Oloun”. His breakout single, “Legbegbe”, had brought the ‘shaku-shaku’ dance on the street to the mainstream along with some hints on the bargaining tactics for buying second-hand iPhones. His new single, however, sees him go for more existential lessons, waxing philosophical while speaking to his creator over the Afro-house beat Cracker produces.

The mind-numbing synths of house music have become the go-to sound for street-inclined pop songs and Mr Real owes his success to his command of the Afro-house genre. With contributions from Reminisce and Phyno, adding their indigenous vocals, “Oloun” speaks to a diverse audience. And DJ Kaywise’s feature is a sort of guarantee for the song’s accomplish on dancefloors.

Listen to Mr Real, Reminisce, Phyno and DJ Kaywise on “Oloun” below.

Featured Image Credits: Instagram/mr_realgram
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Read Mr Real’s NATIVE interview

Illgod & Timi Kei drop music video for “Respiration”

In June, Port Harcourt-based hip-hop artists Timi Kei and Illgod released their collaborative album, ‘Soulsoup’, with the former handling vocal duties and the latter working behind the boards. Featuring Timi’s supremely sculpted, lived-in raps, and Illgod’s immaculate, sample-based production, the pair turned out an album that has won unanimous praise from afficionados of Nigerian rap music.

Capitalizing on the ongoing goodwill, and attempting to improve on their listening audience, the pair recently released the music video for “Respiration”, a standout selection that flexes Timi’s pyrotechnical mix of spiritual and personal lyrics, over the pristine guitar sample loop and crisp boom bap drums Illgod produces. Directed by nBeni Johnson, the video carries a DIY feel, with shots of Timi animatedly performing his raps in somewhat deserted locations, jovially embellishing the sincerity of his lyrics.

Watch the video for Illgod & Timi Kei’s “Respiration” here.

Featured Image Credits: YouTube/Timi Kei

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter

A Chapter by Chapter Breakdown of Santi’s “Raw Dinner (The Movie)”

Santi is expanding the universe around Mandy and the Jungle. With the promise of an accompanying comic book, fans can expect more context from the landmark debut, but video releases are already painting a clear picture of what is to come. Last year, Freaky”,  kickstarted Santi’s Nollywood-grunge aesthetic, a theme that surfaced in follow up videos “Rapid Fire” and “Sparky”“Raw Dinner”, his first post-album video release tows a similar line to his earlier work using goth elements to present a refreshing take on nostalgic Nollywood nuances.

Starring Nigerian model Daberechi in the lead role, “Raw Dinner” dabbles with surrealism and fantasy. Producer, Ebuka Nwobu gives a character breakdown that lists Santi as Quila and newcomer actress Mimi as the clairvoyant, Luna. Both form a crime-fighting duo that befriends Erin (Daberechi) another super-powered human. “Raw Dinner” nods Tarantino, one of Santi’s main visual influences with a chapter-by-chapter split that spreads the plot across 6 interspersed parts and here is how they play out:

Chapter One: Luna’s Vision

The opening chapter introduces two supernatural characters, Erin and Luna. Erin appears to use her telepathic abilities on a shopkeeper who is stunned by the encounter and offers them goods without accepting any payment. Luna’s powers are also revealed in a quick scene that pays homage to children cinematic classic, Matilda. In this sequence, we catch a brief glimpse at an evidence board with flyers about a missing boy, amongst other details of a case in progress.

Chapter Two: The Burning Sisters

The ominous scene opens into a red room. Kida and Santi, unassumingly, come across a gruesome dinner table seemingly set by four entranced women in dressed in all black. Luna arrives at the crime scene with a spellbook, that wards off the villainous-looking women at the gathering.  However, the evil is not defeated, elsewhere a mad doctor restrains patients for experiments and tests. Kida is one of such experiments and he delivers his verse while restrained.

Chapter Three: The New Friend

This scene shows off the growing friendship between the trio. The voiceover narration (performed by Moyosore Briggs), keys us into the bond that has grown between Quila, Luna and Erin: “It feels great when you know you’re not alone when you find someone just like you everything starts making sense”, Briggs narrates. Erin also shows off her abilities to her friends by effortlessly defeating a horde of zombies; Quila and Luna are visibly impressed in Erin’s mastery of her power.

Chapter Four: Hungry Little Kids

 

Santi’s Nollywood inspirations manifest fully in this chapter. Quila, Luna and Erin are working on a case of the missing boy from the evidence board. This scene segues into the lair of an unidentified supernatural creature, who appears to have held the missing boys captive. Edna Ogholi’s classic track, “Happy Birthday” interludes “Raw Dinner”, while Luna telepathically transports herself to rescue the boys, against the better knowledge of the creature who kidnapped them.

Chapter Five: The Foundations of Evil

This scene opens with the narration echoing the propensity for evil that lies in all of us. The running theme here is the inevitability of destiny. Erin squares off with the child-napping creature who insists her path is destined for evil. The confrontation is intense, and Erin is seen struggling to accept her fate as she tries to grasp on to the friendship she has found in Quila and Luna. However, we see Erin accepting her fate as the confrontation ends with the creature laying on the floor leading up to the last chapter where her full form emerges.

Chapter Six: Don’t Pray For Nice Things

The final act of “Raw Dinner” is perhaps the most picturesque, it is a blend of contrasting colours; black and blood red. Erin is shadowed by an effeminate dark angel who appears to be helping her direct her energy in a room filled with onlooking followers in black robes. Quila is seen trying to make his way to her but it is clear that her path has changed as she basks in the adoration of the coven around her. He is restrained from reaching her and brought to his knees. There is the look of betrayal on Quila’s face when he comes face to face with his former friend, who has now transformed into the Demon Queen. Devoid of emotion, she sends him to what we presume to be his perdition.

Check out Santi’s announcement of “Raw Dinner” for more details on everyone who worked on the project here.

Watch the music video for Santi’s "Raw Dinner (The Movie)” below

[mc4wp_form id=”26074″]


Tami is a lover of astrology, good music and women. Tweet your fave female artists at her @tamimak_


ICYMI: Santi is Set to Direct Goldlink and Tyler the Creator “You Say” Video

6 videos you should see this week

ODIE – “North Face”

It has been over a year since the spotlight shun brightly on Toronto-based Nigerian singer, ODIE, after he shared his ‘Analogue’ album debut. The singer is, however, reviving the reflective mood of the tape with the newly released music video for “North Face”, one the more somber tracks. Yumna Al-Arashi directs a wanderlust themed music video, mirroring the laid-back and dreamy direction of the song as ODIE seems to dream about being on a date with his love interest while on public transit.

Normani – “Motivation”

R&B doesn’t command the same mainstream appeal it once did, but Normani put the sultry genre back at the top of popular conversation with her latest release, the music video for “Motivation”. The retro direction of the Dave Meyers and Daniel Russell directed video captured the zeitgeist for its nostalgic bent, paying homage to Beyoncé’s “Crazy in Love” and Jennifer Lopez’s “I’m Real” and also for the mind-blowing coordination of her choreographed dance sequence with a basketball.

Dremo – “Ringer” Feat. Reekado Banks

Dremo and Reekado Banks follow up their “Ringer” collaboration with a music video that celebrates their pop sensibilities. Twitch directs the music video through a night-party narrative informed by the romantic lyrics from Dremo and Reekado Banks, as well as the bouncy Afropop beat. With cameos from comedians, models, and celebrities like Mayrokun, the music video seems to capture the superstar lifestyle of the two artists.

Wale – “On Chill” Feat. Jeremih

“On Chill” is being packaged as the lead single for Wale’s upcoming sixth studio album, due on Warner Records later this year. The music video Daniel CZ directs stays true to the romantic direction of the song, capturing the tense and intimate moods that exist between couples. Set in the Hollywood Hills, the video shows the D.C rapper’s more flashy side with the pool party set and beautiful muses in the video.

Sho Madjozi – “John Cena” on A COLORS SHOW

Tsonga rapper, Sho Madjozi is certainly playing her role in pushing our indigenous sounds around the globe since she won the BET Award for Best International Act. She just recently featured on “Colors” and debuted her “John Cena” single on the international music platform with a studio-recorded performance. Her energetic performance, dancing as she spits the hard-hitting rap bars in her charming mix of English and her native language has gotten the attention of new listeners, including the John Cena, who clearly inspired the song. John Cena shared the video on his Instagram and even got WWE to post a tweet about the song.

Naira Marley – “Soapy”

Artists who channel their personal experiences into their art are usually more convincing than those who don’t. You can say what you want about Naira Marley’s political views and opinions on cybercrime, but the fact remains that he has served his time in prison and the songs inspired by the experience connected with fans. Naira Marley released “Soapy” as a testament of his commanding street appeal, singing about his return to acclaim after being thrown in jail and getting written off by critics. The music video TG Omori directs captures the conversations that surrounded Naira Marley’s arrest through the cast of friends who were also arrested along with the singer, featuring the quirky jerking off ‘Soapy’ dance move, and setting the video in a makeshift prison set with orange uniforms as the costume.

Featured Image Credits: YouTube/COLORS
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Here’s why you should be worried about Naira Marley caping for yahoo-yahoo crimes

Veen Releases Debut EP, ‘Eternal Flex’; Shares Music Video For “Lai Lai Lai”

About two months after reiterating his money-driven mindset on “Dream$$”, Port Harcourt-based rapper Veen released his debut EP, ‘Eternal Flex’, last Friday. Comprising six new tracks, the short tape displays Veen’s qualities as a music polymath, from the ear catching mix of personable raps and appealing melodies, to his knack for vibrant production choices. Flexing the weight of his phonebook, the rapper also calls in vocal assists from Blaqbonez, Psycho YP, Txby and frequent collaborator Kiienka.

In support of ‘Eternal Flex’, Veen has also dropped the video for “Lai Lai Lai”, the opening song on the EP. Adapting the romantic set Veen performs over a bouncy mid-tempo beat, the video Viktor Awuse directs, crisply captures the song’s summery, intimate mood. Surrounding solitary shots of Veen performing his pining lyrics, the main frames showcase the rapper and his muse being charmingly cozy, in a swanky apartment and at a chill outing.

Watch the video for Veen’s “Lai Lai Lai” here.

Featured Image Credits: YouTube/Veen

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ESSENTIALS: KIIENKA’S ‘SPACEMAN’ EP

See Payper Corleone & Alpha Ojini In Music Video For “Sacrifices”

Rappers tend to amass the least attention from the Nigerian audience. Amidst recent conversations concerning Nigerian hip-hop, rappers are still plugging away at making their voices heard and widening the current audience base of the genre. On their novel collaboration, “Sacrifices”, the second track off the former’s recently released ‘Fly Gangsta From The ’90s’ album, Payper Corleone and Alpha Ojini address the series of thorny obstacles on their path to widespread acclaim and prominence, while also reiterating their unrelenting ambition.

Over a gently entrancing mix of sombre keys, jazzy horn scats and boom bap drums, both rappers deliver first person perspective observations about the music industry, flipping their impressionable bars about unfavourable circumstances into an introspective song about resilience. In the XYZ-directed music video for “Sacrifices”, both artists perform their raps in a dimly lit recording studio, in the company of friends and colleagues like Paybac, creating the ambience of an honest beer parlour conversation with friends. In addition to the presence of framed images of icons like Fela, an omnipresent mural combining the faces of rap legends 2Pac and The Notorious B.I.G is present, highlighting the era of rap music Payper highly reveres.

You can watch the video for “Sacrifices” below.

Featured Image Credits: Youtube/Payper Corleone

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: ALPHA OJINI SHARES ‘TEN MINUTES – MY “QUICKBARS” COMPILATION’

Cuppy features Zlatan for new single, “Gelato”

Despite the initial backlash that followed Cuppy’s Afropop curating career, she has shown resilience, keeping a steady stream of new music released for her fans or perhaps more likely, because she enjoys it. Her latest single, “Gelato” is the follow up to Ceeza Milli, Kwesi Arthur and Shaydee featuring “Abena”, released earlier this year. And it’s evidence of Cuppy’s ability to spot trends as she features one of the most demanded artists of 2019, Zlatan and titles the song after the viral video she shared of her cross-continental Ice-cream adventures with her dad.

In typical version, Cuppy contributes vocals for “Gelato”, opening the song in her tiny school-girl voice and responding to the call and response hook Zlatan performs with his signature street-inclined vocals. With the influence both artists command on social media and in the Nigerian music scene, you’d expect to have the song feature on DJ sets and radio rotation over the next few weeks.

You can stream Cuppy and Zlatan’s “Glatao” below.

Featured Image Credits: Instagram/cuppymusic
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch the music video for “Abena” by Cuppy, Ceeza Milli, Shaydee and Kwesi Arthur

Watch the music video for Picazo’s new single, “Pray For Me”

Picazo’s shows off the range of his pen game on new single, “Pray For Me”. After getting discovered last year from sharing freestyle videos on social media till he got called up by Olamide to contribute for the ‘YBNL Mafia Family’ album, Picazo became a name to remember for his confident street-inclined raps. His flamboyant music video debut for “Macaroni” leaned heavily into this new-found celebrity status, portraying him as comfortably established act. His latest release, “Pray For Me” however offers more personality, providing fans and listeners with a chance to look beyond the glamour as he adds more character to his growing catalogue.

“Pray For Me” finds Picazo at the most reflective we’ve seen him yet, speaking on the harshness of life. Though it’s a narrative that has been well documented by other street-hop artists, his first-person account adds a unique perspective from his experience while also allowing him to explore his more musical side, singing the catchy hook. Just like the title suggests, “Pray For Me” is fueled by Picazo’s spirituality which also informs the airy instrumentals Stubborn produces for the introspective single. TG Omori directs the accompanying music video, capturing the thought-provoking direction of the song through the beach scenes and the sombre expressions on the faces of those in the video.

Watch the music video below.

Featured Image Credits: YouTube/PicazoVEVO
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch the music video for Picazo’s “Macaroni”

Watch The Dual-Sided Video For Odunsi The Engine’s “Wetin Dey/Better Days”

Odunsi The Engine put his ability to mine old sounds for inspiration on full display for his stellar ‘rare.’ debut album. Last week, the singer returned into his nostalgia-fueled bag of tricks for two new singles, “Better Days” with WANI and “Wetin Dey”. On the former, P2J sampled popular ’00s Nigerian hip-hop supergroup Ruff, Rugged & Raw, while GA sampled Paul Play Dairo on the latter record.

Odunsi has just shared a music video for both songs, collapsing differing treatments for each song into a single, dual-sided video. Opening the video, the “Wetin Dey” section features summery, daytime settings and tropes from Nigerian music videos of the early ’00s, with Odunsi performing his set in the company of bubbly friends, all distinctly styled to evoke that specific era. By contrast, “Better Days” is set at night, with sinister, horrorcore scenes bathed in red lights, while there are also shots of Odunsi and Wani singing their lyrics under streetlights.

The video for “Wetin Dey/Better Days” is co-directed by Ademola Falomo and Odunsi, you can watch it here.

Featured Image Credits: Youtube/Odunsi The Engine

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


EXCLUSIVE: GO BEHIND-THE-SCENES OF ODUNSI THE ENGINE’S HOROSCOPIC OWAMBE

See Jorja Smith and Burna Boy in their second collaboration “Be Honest”

Burna Boy backed his claim as the ‘African Gaint’ with the positive reviews that followed his newly released album last month. He has since climbed to the top of everyone’s wishlist, securing features with big corporations like Spotify and media organizations like “The Daily Show with Trevor Noah”. His accomplished Afrofusion sound has also proven accomplished on features, collaborating with Fall Out Boys on “Sunshine Riptide” and Dave’s chart-topping “Location”.

“Gum Body” off Burna’s ‘African Gaint’ already highlighted the compelling synergy between Jorja Smith and Burna Boy, but her newly released collaboration with him, “Be Honest”, finds them exploring a different sound, channelling their Caribbean influences for the sultry bop. While the rocksteady pace of the acoustic guitar riff captures the confessional mood of their heartfelt lyrics, the bouncy dancehall fueled drums conjures the groovy ambience of dancefloors. The music video Amber Grace Johnson directs, however, focuses on the song’s streamy direction, set on a sunny summer day where Jorja Smith teases in her swimsuits and Burna Boy performs lying down on a bed such that his dreads hang off the edge.

“Be Honest” is Jorja Smith’s first release since she debuted with her ‘Lost and Found’ album last year.

Watch the music video for “Be Honest” below.


Featured Image Credits: Instagram/jorjasmith_

[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: See the music video for Dave and Burna Boy’s “Location”

Tekno co-produces new Swae Lee and Drake collaboration, “Won’t Be Late”

With American tastemakers like Drake and Beyonce backing the Afropop sound, it was only a matter of time before Nigerian artists began to find their foot on American soil. While songs like the Wizkid featuring “One Dance”, Davido’s “Fall” and Burna Boy’s latest ‘African Gaint’ album ensured the cross over happened organically, Tekno’s production credit on Swae Lee and Drake’s new collaboration, “Won’t Be Late”, spells an increasingly borderless future where musicians from all over the world can blend their unique styles to remind listeners of the harmonious vibe of dancehall.

The beat Tekno co-produces with Mike WiLL Made-It for “Won’t Be Late” shapeshifts from Swae Lee’s first attempt at the Afropop sound on “Unforgettable” with ease as he speeds up the drum kick tempo, infuses lush and sprawling horn samples and finishes with an EDM flourish; it’s an instantly familiar but imaginative blend of pop sounds from around the world. Swae Lee and Drake’s voices glide over the lightweight beat with almost instinctive composure as the song unfurls with an easy-going vibe, singing of their romantic feelings in a sultry and slightly mournful intonation. Not being one to leave any stones unturned when taking influences from another culture, Drake’s verse sees him using indigenous Nigerian slangs, singing; “Ikebe/ Pressing on me heavy/Bakasi moving on me Wasi/ Time is moving real slow”. This suggests that the 6god had some help with the songwriting and confirms one of the theories from 2017, when Drake and Tekno were seen in a photograph together.

You can stream Swae Lee and Drake’s “Won’t Be Late” below.

Featured Image Credits: Instagram/teknoofficial
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: See the music video for “Agege”, Tekno’s new single with Zlatan

Listen To Joeboy’s New Single, “Beginning”

Joeboy recently warmed his way into novel prominence, with his endearing “Baby” single becoming one of the biggest songs of this year. Although the breakout hit is still in rotation across radio stations and DJ setlists, the emPawa Africa poster artist has his eyes set on moving from his current status as one of Afropop’s hottest prospects, to a consistent hitmaker. His latest single, “Beginning”, follows the same mix of romantic sentiments and catchy songwriting that characterized his preceding single.

Afropop super-producer Killertunez produces the groovy beat for “Beginning”, mixing whirring guitar riffs and propulsive Afropop drum synths, embellishing Joeboy’s lovey-dovey lyrics confessing his feelings for a love interests. Adding to the charming, impassioned flair with which Joeboy performs the song, “Beginning” comes with a visualizer, setting it up for the same viral success “Baby” enjoyed on its way to blowing up the charts.

You can watch the visualizer for Joeboy’s “Beginning” here.

Featured Image Credits/Instagram/joeboyofficial

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


MR EAZI’S EMPAWA AFRICA INITIATIVE IS ACCEPTING SUBMISSIONS FOR NEW SET OF RECIPIENTS

D’Banj expected to make cinema debut in Jadesola Osiberu’s coming film, “Sugar Rush”

D’Banj has always built his music career around an undisputed reputation as ‘the ultimate entertainer’ right from his debut in 2005. Having featured on 2Baba’s “Baecation”, joining DJ Tunez and Flash for “Ojoro” and releasing solo singles like “Mo Cover Eh” and “Shy” this year alone, the Koko Master has certainly enjoyed an elongated lifespan of relevance that’s reserved for only elite entertainers. He has spent years proving his proficiency at pleasing audiences with his daring music performance but now, Jadesola Osiberu is offering him a chance to try his hand at the Nollywood screen with her coming film, “Sugar Rush”.

The anticipation for Jadesola Osiberu’s “Sugar Rush” reached new heights when she announced D’Banj as a part of the cast for the film. Bisola Aiyeola, Omoni Oboli, Toke Makinwa, Tobi Bakare, Nkem Owoh, Adedimeji Lateek, Zack Orji and Bimbo Ademoye were also included on the cast list she shared on her IG. And according to the video she shared, the movie is expected to hit the cinemas this Christmas. With her production credit on acclaimed movies like “Isoken” and TV series like “Rumour Has It”, we are really looking forward to seeing tho the film plays out and of course, how D’Banj’s character is depicted.

See the announcement video below.

https://www.instagram.com/p/B08O4QgleKt/?utm_source=ig_embed&utm_campaign=embed_video_watch_again

Featured Image Credits: Instagram/iambangalee
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: See the trailer for Abba Makama’s coming film, “The Lost Okoroshi”

DJ Jimmy Jatt partners with Mr Eazi and Skales for new single, “Halima”

Mr Eazi has played a monumental role in the recent peaks Nigerian music has reached with his globe trouting hits and charitable contributions like the EmPawa Africa campaign that has fostered the discovery of exceptional talents like Joeboy. His latest contribution to the game, however, comes in form of new music as he joins Skales to contribute vocals for “Halima”, a new song by DJ Jimmy Jatt who has also done his bit to push the Nigerian music culture.

“Halima” is a love song tailored to the intoxicating groove of the dancefloors African music serves around the world. While Mr Eazi and Skales confess their romantic intentions for their love interest, GuiltBeatz sets a lightweight mood with the beat synth-led beat he produces. The hypnotic groove of the synths and percussion wrapping around the pair’s charmingly warm vocals, “Halima” has the familiar laid-back vibe of every romantic Afropop song ever, but Skales’ incorporation of his indigenous dialect offers an exciting new change. K Rus directs accompanying music video for “Halima”, showing the artists partying on a yacht with a few women who seem to be the song’s muses.

Watch the music video below.

Featured Image Credits: YouTube/DJ Jimmy Jatt
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch the music vidoe for DJ Jimmy Jatt and Burna Boy’s “Chase”

Listen To Bella Alubo’s New Single, “Agbani”

In addition to consolidating her pop credentials, Bella Alubo’s impressive EP from last year, ‘re-Bella’, highlighted her voice’s ability to whip simple melodies into psychedelic moodpieces. She continues to wield that superpower on her latest single, “Agbani”, delivering her suggestive lyrics in a repetitive manner to induce a sensual, hypnotic feeling. TUC provides a dually boisterous and atmospheric backdrop, mixing droning piano strings and rattling Afropop drums, that help improve the song’s chances for radio rotation and clubbing purposes.

You can listen to “Agbani” below.

Featured Image Credits: Instagram/bellaalubo

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: BELLA ALUBO AND LADY DONLI COLLABORATE FOR NEW SINGLE, “UNAVAILABLE”

Essentials: Bez Idakula’s ‘The Light’

Bez Idakula has always been charming. At the turn of the decade, the guitar-strumming singer rode the entrancing novelty of his patented Alternative-Soul sound to mainstream attention. That first arch of his career was earmarked by his 2011 debut album, ‘Super Sun’, one of the better debuts of this decade, helped along by the success of singles like “Zuciya Daya”, “That Stupid Song” and the title track. Five years later, he’d put out ‘Gbagyi Child’, a finely-crafted, under-promoted comingle of Pop-rock and folksy Afropop, that went everywhere at once.

With far less mainstream prominence these days, but still enough cache to make fans and casual observers genuinely interested in new music, Bez’s recently released third studio album, ‘The Light’, is a return to form. It is also a musical recalibration as he enters the veteran stage of his career. Prior to its release, the singer took to social media to explain the inspiration behind the album, touching on the profound effect of a two-month trip last year, as well as the importance of a bible verse (Phil. 2:4) to the creative process.

While the music that is inspired by religious texts and beliefs is predictably insular, the socially preoccupied candour of ‘The Light’ carries the widely appealing aura of a warm dap or hug, regardless of creed. Across its eleven tracks, there’s no overt reference to Christian theology, but the album harps on a soulfully stirring the core of his ideals.

On ‘The Light’, Bez is mostly bothered with dispensing hope, as a relatable mechanism to evoke the potential for a brighter future. “Cheers to better days, no retreat no surrender”, he spiritedly sings on opener “Better Days”, setting the album’s consummately positive motif. The next track, “High”, establishes a personal connection, with Bez singing of challenging personal details from his past, including his dad passing away at an early age, and financially slogging his way through school for his degree.

Released in late 2017, “High” is the only pre-released song, and even though the swinging production recalls the rock-inclined era of Bez’s previous album, its inclusion helps usher the album away from being thinly written or overbearingly innocuous. Similarly drawing on the past for substance, “Beauty”, featuring the Cavemen, teeters on the more glamorous aspect of nostalgia to pass its message of positivity, regardless of current trials, as Bez sings “Beauty is coming our way” on the hook, over the bubbly combination of highlife guitars, and crackling live drums.

Though still showcasing premium musicianship, the music on ‘The Light’ contains some of the grooviest material Bez has turned out till date, reliant on an assortment of guitar harmonies and sway-inducing drum patterns.  The bucolic charm of his Northern Nigeria upbringing is evident on motivational cut, “Gona”, featuring a short but fiery rap verse from DAP The Contract; Bez’s mirror of the Nigerian society’s propensity to ignore lawlessness and grave issues on “Look Away”, musically harks back to his Alternative Soul days, albeit with a punchy twist; while potential radio rotation single, “Shine” is a feel-good jam backed by a highlife-inspired Jollof groove.

Partnering the catchy mood pieces, Bez is at his loosest, writing-wise, without losing the poetic charm of his previous work. On “Go Go Go”, he playfully attempts to woo a love interest, while indulging in Afropop’s cliché of materialistic promises. While the sporadic love songs on ‘The Light’ don’t carry the same gravitas as his more reflective songs, their allure is rooted in Bez’s gentlemanly persona. “Far Away” is replete with devotional lyrics about missing a physically distant lover, and on penultimate track “Dey For You”, the motive is a reassurance of his everlasting affectionate feelings for his better half.

‘The Light’ ends with its wordless title track, featuring intricately plucked guitar harmonies by Nsikak, dually serving as a buoyant ending to an upbeat project, and a palette cleanser that personifies the feeling of an optimistic epiphany.

Stream Bez’s ‘The Light’ via Apple Music here.

Featured Image Credits: Instagram/BezIdakula

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: READ THE ESSENTIALS FOR TAY IWAR’S DEBUT ALBUM, ‘GEMINI’

Mr Eazi’s emPawa Africa Initiative Is Accepting Submissions For New Set Of Recipients

Last year, Afropop superstar Mr Eazi launched ’emPawa’, an initiative aimed at providing wholesome support services for upcoming African artists. The initiative’s first phase, “emPawa100”, provided funds $3,ooo each for 100 artists to shoot a music video, subsequently providing promotion for the videos via the emPawa Africa YouTube channel. Of the first set of recipients so far—all of whom have thousands of views on their videos—Nigerian singer Joeboy and Ghanaian Afro-dancehall artist J. Derobie have moved from obscurity, to becoming two of the breakout acts of the year.

Taking the program to a more comprehensive level, Mr Eazi and his team, in partnership with YouTube Music, have just opened the gates to submissions for emPawa’s second phase, ’emPawa30′. In addition to providing funds to shoot a music video, ’emPawa30′ will feature marketing support, and a mentorship program in which each of the 30 recipient will be assigned mentors, including Diplo, Juls, E. Kelly, Diamond Platinumz, Mr Eazi and more. Of the recipients, four artists will also receive additional funding to record more music, shoot more videos for the entirety of next year.

Spreading opportunities across the board, the eventual recipients will include 10 artists from Nigeria, 10 artists from other countries in Nigeria, 5 UK-based African artists, and 5 African artists in other parts of the world, including Canada and the U.S. Artists who want to be considered for the ’emPawa30′ phase, are asked to upload a short Instagram video clip of themselves performing an original song, a freestyle or a cover, with ‘#emPawa30’ as part of the video caption. Submissions close on September 15th, while chosen recipients will be announced on September 30th.

Featured Image Credits: Instagram/empawaafrica

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYM: WATCH MOBELIEVE’S EMPAWA-FLOATED VIDEO FOR “BI OBA (REMIX)” EP

Masego Features Santi On “Queen Tings (Remix)”

Last year, singer-songwriter and saxophonist Masego released his debut studio LP, ‘Lady Lady’, an album dedicated to the divine beauty of Black women. He’s been promoting the project ever since its release, touring around the world, and in connecting with his African roots, shared a 3-song remix set put together by the Nigerian-based production collective, ADM. Two weeks ago, he dropped the immaculate music video for the Tiffany Gouche-assisted “Queen Tings”, providing striking visuals for the album’s centrepiece.

The Jazz-Trap singer has now dropped a remix of “Queen Tings”, recruiting Nigerian genre-mashing star Santi for a new, stellar verse. While the gently bubbling piano keys and punchy mid-tempo drum synths off the original remain in place, the remix Le Mav and Higo co-produce, carries slightly more fervour, with the addition of snappy glockenspiel riffs. Masego leads the endearing set, performing the same googly-eyed lyrics adoring a love interest, while Santi performs the final verse, painting a vivid representation of a charming relationship with a lover. With their mutually beneficial collaboration, Masego continues to embolden his respect for artists in Africa, and Santi’s ongoing stateside crossover bid is given extra boost.

Stream “Queen Tings (Remix)” via Apple Music here.

Featured Image Credits: Instagram/Masego

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ESSENTIALS: MASEGO’S ‘LADY LADY (ADM REMIXES)’ EP