For Us By Us: Platonic Love Matters Too

Posted on by Moore Wright

Growing up, there was a recurring feeling of anxiety I felt when I found myself putting too much value on friendships. I loved the idea of having a tight knit group of friends, thanks in no small part to shows such as ‘How I Met Your Mother,’ and longed for one when I got older. A group of friends that did everything together, friends that were closer than family–yet my reality never seemed to quite match up to the on-screen friendships I grew up watching.

Most other media in the early 2000s however, tended to present friendships as something to be used as a placeholder, before one grows up and settles down. In many a romantic comedy, there is the depiction of a friend in usually only exists to give romantic advice, make snappy comments and give the romantic lead the final push to go after the one they love, before losing importance once that objective is reached.

In February, especially, there are many jokes endlessly circulating about how tragic it is to be single on Valentine’s Day, regardless of the people you already have in your life. For older single people especially, this is often a source of anxiety as they are made to look at where they are in their lives in comparison to where they are told they should be.

For many young adults, and particularly Nigerians, there are certain priority shifts that are expected to happen as people mature and grow older. You are supposed to move on from the stereotypical wild party twenty-something years with friends, towards a life that is more focused on your children, your spouse and your career, sometimes even in that order.

So where does that leave people who get married later than their peers, or decide to never get married at all?

The 2014 film ‘Life Partners’ deals with that very question as it chronicles the strain on an extremely close friendship between the characters Paige and Sasha that begins once Paige gets a boyfriend. In a climactic argument, Paige tells Sasha that after you begin dating seriously, “you don’t talk to your friends till two in the morning anymore. You stop needing that.” The issues that the two characters face is unfortunately one that is familiar to many young adults.

Many articles have been written about people losing touch with their friends after they enter serious relationships, especially after they enter their marital home. Friends are often seen as the fallback, the temporary placeholders used until you can move on to greener pastures, a mentality that doesn’t serve people without a romantic relationship that they see as the centre of their world. This isn’t to say that the Paige’s of this world are inherently misguided however. There is certainly nothing wrong with treating a significant other as the most important person in your life. Most people choose their partners because they genuinely enjoy spending most of their time around them. Finding a relationship like this would make a change in priorities inevitable. Having a change in lifestyle from single friends also makes it understandable when people simply drift apart, no matter how much they love each other.

It’s the assumption that growing apart from your friends as you get older is to be expected but that doesn’t make the pill any less difficult to swallow. It makes it sad to see so many friends drift when their relationships could otherwise flourish. In recent years however, there have been changes to how people view friendships. More people have been getting married later in their lives, with the number of people getting married in their sixties going up in the past decade, lengthening the ‘free single years’ that is often spent with friends.

Likely because of these sorts of changes, there has been more emphasis on how much value people put on their platonic relationships, with the term ‘platonic life partner’ making the rounds on social media. A good example is shown through the viral Tiktok life partners Renee and April. They live together, consider each other their number one priority and have stated that if they wanted children, they would adopt and raise them together. April, one half of the duo, has also shared: “We wanted to spend the mundane moments together because we made the mundane magical.”

It seemed strange to many that these two people would want to commit so deeply to each other without a romantic or sexual element, questioning what would happen if one of them gets married, but the two women are confident in their dedication to one another. Many commentators on the duos videos have been pleasantly surprised that this was even an option. People like Renee and April are showing a new kind of companionship that many young people could choose.

There has also been emphasis put on friendships that don’t have a financial aspect to hem. Galentine’s Day, a term coined by Leslie Knope on Parks and Rec, has been used as a day for women to celebrate their love for their friends. Palentine’s Day is also used as a more gender neutral term for people who want to celebrate their friendships with the same affection that is often reserved for romantic relationships.

More films and TV shows have also been centering friendships as the great loves. The 2019 film ‘Booksmart’ focuses on two best friends saying a heartfelt goodbye, instead of focusing on their respective love interests. Friendships have been some of the most meaningful parts of my life. It makes me happy, and a little nostalgic, that there is more focus on and celebration of people who are often with you during the messiest, most heart breaking and most joyful life experiences.

Young people now have an alternative version of companionship to dream about, especially for those who don’t want to daydream about marriage. This lessened pressure to marry can even let people choose their spouses more carefully, if they aren’t seen as a necessity to experience great love and commitment.

Your friends can be your epic loves and not just a fallback. Philia, the Greek term for friendship, often translated to mean ‘the highest form of love’. In my own personal experiences, I find that to be completely accurate.

Featured image credits/NATIVE

What’s Going On: ASUU Strike In Nigeria, Xenophobia in South Africa & More

Posted on by Emmanuel Esomnofu

“What’s Going On” Tallies Notable News Headlines From Across The Continent — The Good, The Bad, And The Horrible — As A Way Of Ensuring That We All Become A More Sagacious African Generation. With This Column, We’re Hoping To Disseminate The Latest Happenings In Our Socio-Political Climate From Across The Continent, Whilst Starting A Conversation About What’s Important For Us To All Discuss. From Political Affairs To Socio-Economic Issues, ‘What’s Going On’ Will Discuss Just That.

Ever so often, we have to remind developed parts of the world that Africa is not a country. It’s not just because a significant portion of people in those parts are unenlightened, but also because of the continent-wide similarities when it comes to social, political, and economic issues. For one, Africa is teeming with corrupt and inept leaders—many of them dictators— who have failed to invest in meaningful infrastructure, all while derailing and rejecting systemic change through violent means if necessary. In addition to this, they are fully aided by deeply patriarchal, religion deferring, and ultra-conservative social constructs.

At the same time across the continent, the current generation of African youth are pushing against these systemic boundaries, in order to continue the arduous work of rewriting the narrative. Even with all of the endeavours, talent and records being witnessed from music to tech, the limitations put in place by the continent’s political landscape still looms large. Every week, disparaging headlines from around Africa make their way to the news, reminding us of the bumps affecting these perceived stripes, and the roadblocks which delay our growth towards more wholesome and enabling societies for all Africans. Below are few news bits of what’s been going in on in the past few days.

Nigeria’s ASUU embark on one-month warning strike

Earlier today, the Academic Staff Union of Universities (ASUU) declared the immediate start of a month-long strike. Going back to November last year, unconfirmed reports in the media suggested that ASUU were planning on embarking on a strike. Today, the union’s head confirmed a “comprehensive and total strike.”

The announcement was made by the President of ASUU, Prof. Emmanuel Osodeke, following meetings from the union’s National Executive council being held at the University of Lagos since Saturday. “We don’t like to see our students at home,” he said. “We don’t want our academic calendars disrupted but our demands are not met.”

Since 2009, the Nigerian government and the premier university association have been at loggerheads over the support owed to public universities around the country. ASUU’s demands have barely changed over that duration: funding to improve the standards of universities, University Transparency Accountability Solution, academic allowances and inconsistencies in the association’s preferred Integrated Payroll and Personnel Information System Payment (ISPIS).

Almost two years ago, the association embarked on an indefinite strike which eventually ended in December 2020, nine long months after. Led by the Minister of Labour and Employment, Dr. Chris Ngige, the government agreed to meet the association’s demands. This strike A apparently confirms they haven’t done so. A number of undergrads and individuals have criticised both the government and ASUU for their inconsideration towards the plight of the nation’s undergraduates.

The International Court of Justice rules against Uganda

Last week the International Court of Justice (ICJ) ruled against Uganda in a case involving them and the Democratic Republic of Congo (DRC). The ICJ in its ruling specified the sum of $325million as compensation for Uganda’s invasion and forceful occupation of the Ituri province between 1998 and 2003, during the Second Congo War. During this period, Uganda’s activities provoked a swathe of actions which went against international law: the killing of civilians, recruiting child soldiers, rape and all other sorts of harassment.

Reading the verdict, Judge Joan Donoghue of the ICJ said: “This global sum includes 225million U.S. dollars for damage to persons, 40 million U.S. dollars for damage to property, and 60 million U.S. dollars for damage related to natural resources.”
Seven years ago, the DRC asked for $11billion in damages which Uganda refused to pay, arguing it was “disproportionate and economically ruinous”. “It essentially seeks to make Uganda responsible for everything that happened in the conflict,” said Uganda’s Attorney General William Byaruhanga.

Congolese personalities were partly satisfied by the ruling. “It was a reason for pride for us because this condemnation goes in the direction of dissuading any other state that would try to carry out military activities on another independent state without its agreement,” said Christian Uteki, a Congolese jurist. “But there’s dismay, because the amount for which Uganda was condemned, $325 million, is a very small amount. This amount cannot cover the reparation as expected by the Congolese people.” The total sum is to be paid in annual instalments of $65 million, due in September each year from 2022 to 2026.

Ghanaian citizens protest unfavourable bill

The residents of Ghana are protesting against the government-proposed e-levy bill. As announced by the Finance Minister Ken Ofori-Atta during the budget statement for 2022, the bill would place a 1.75% tax on all mobile money transactions exceeding 100 Ghana Cedis.

The majority leader of the Ghanaian parliament, Osei Kyei-Mensah-Bonsu, suggested that the bill was necessary for providing funds for the 2022 budget and would deliver crucial services and improve infrastructure.

However, for Ghanaians who have been acting against the bill since last year, it would surely contribute to the country’s growing inefficiencies, which includes rise in fuel prices, corruption and the skyrocketing cost of living generally. Members of the Coalition of Concerned Ghanaians (CCG) led the “Yentua demo” in the streets of Accra. Joining the protests were civil society organisations, other political parties and the National Democratic Congress (NDC), Ghana’s opposition party which was founded by former president Jerry Rawlings in 1992.

South Africa stokes the flame of Xenophobia, Again

Since 1994 when all-race elections began in South Africa, no other political party has been more successful than the African National Congress (ANC), whose first president was none other than Nelson Mandela.

However, last year’s local elections saw the party perform poorly, especially in Johannesburg and Pretoria where a number of groups carried out anti-foreigner campaigns. Concerns about the 2024 national elections have led analysts to predict that the party will win less than half the votes, the first time that would be happening since 1994.

As a result, the South African cabinet have moved in place to introduce xenophobic policies. One of those is to send almost 200,000 Zimbabweans back home after their residence in South Africa since 2009. Another policy seeks to introduce employment quotas for foreign nationals. According to Home Affairs Minister Aaron Motsoaledi, a law is being finalized that will cap the number of foreigners that businesses owned by locals can hire. “If you are a South African business person who opens a restaurant or a factory, there is no law that tells you what to do, you can bring 100% foreign nationals or 100% South Africans,” Motsoaledi said in an interview. “We are saying there is an issue with unemployment and the absence of those quotas.”

South Africa has had a history of anti-migrant attacks. Although 3million of SA’s 60million population are migrants (according to the national statistics agency), jobs for unskilled persons are remarkably low. That hasn’t stopped the resentment among South African nationals for what they perceive as competition for limited opportunities, housing and other services.
In 2008, attacks on migrants left at least 67 people dead and about 6,000 people fled the country. Another outbreak of xenophobic violence in 2015 left dozens dead and saw hundreds of shops plundered and looted, as goverments tried to repatriate their citizens.

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Here’s A List Of Films To Watch On Netflix Naija This Valentines Day

Posted on by Wonu Osikoya

With the arrival of Netflix Naija, the slew of Nollywood films we are watching these days have been varied in their content and message. In modern films such as Damilola Orimogunje’s ‘For Maria Ebun Pataki’ and Kayode Kasum’s ‘This Lady Called Life’, more societal matters are addressed, giving room for nuanced conversations on mental health and parental abuse in Nigeria. 

Yet for every didactic message shared in these recent films, Netflix Naija has now followed this up with easy, feel-good releases that entertain us without necessarily teaching us any moral code. This Valentine’s Day, especially there are a number of romance films to endlessly dig into as we celebrate the day of love. Everyone knows how a typical Nollywood love story used to end up back in the days, it was either there was the was a feud between the families of the couples or something goes wrong on the day of the wedding.

Whether you’re celebrating with a partner or just looking to binge movies on your own, here are some Netflix films you can get into this Valentines Day. 

Wedding Party

As the highly anticipated wedding arrives, Dunni Coker and Nonso Onwuka’s lavish wedding plans turn into a nightmare of exes, fighting parents, and uninvited guests. The Kemi Adetiba-directed film features Banky and Adesua Wellington as the lead actors of the film and Zainab Balogun, Sola Sobowale Ireti Doyle and more as supporting cast.

Tango With Me 

The newly married couple Lola and Uzo merge self-discovery and healing while they deal with the aftermath of a traumatic event on their wedding night. The 2010 nollywood film directed by Mahmood Ali-Balogun features Genevieve Nnaji & Joseph Benjamin as lead characters. 

Dear Affy

An engaged couple hit a number of speed bumps and obstacles on their road to matrimony including major career complications and questions of fidelity This film stars Toyin Abraham, Odunlade Adekola, Kehinde Bankole, Enyinna Nwigwe and more and is directed by Samuel Olatunji. 

2 Weeks In Lagos 

A businessman returns back to his Nigerian home and falls in love with his friend’s sister irrespective of his family’s plans for him to marry a politician’s daughter. The cast includes Mawuli Gavor, Beverly Naya, Shaffy Bello, Efe Irene & more. 

The Bridge 

A Yoruba prince and a young lady from a well-to-do Igbo family face tribal prejudice and parental pressure when they secretly get married. The 2017 film is directed by award-winning actor and film producer Kunle Afolayan. 

Hire A Woman

An uptight man attempts to make his ex-girlfriend jealous when he pays his co-worker to act as his lover at a university reunion, starring Nancy Isime, Erica Nlewedim, Uche Nwaefuna, Alex Ekubo. 

Lara and The Beat

When their glamorous lifestyle comes to a screeching halt, two sisters try to rebuild their fortunes through music and enterprise. The 2020 film which stars Seyi Shay, Vector, Sharon Ooja, Shaffy Bello and more, is directed by Tosin Coker.

The Eve

At an epic beach party thrown by his buddies, a groom-to-be meets a lovely stranger who makes him rethink the meaning of life and true love. The 2018 Tosin Igho-film features Adeolu Adefarasin, Beverly Naya, Kunle Remi, Mr Ibu, Meg Otanwa and more.

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 A 1-Listen Review of Basketmouth’s ‘Horoscopes’

Posted on by The Native

When news started to filter out of Nigerian comedian, Basketmouth’s camp that he was going to drop his debut album in 2020, many people underestimated the much-loved figure who was more popular for his comedy than he was for any form of musicality. That album, ‘Yabasi,’ a deft fusion of Highlife and Hip-Hop produced in conjunction with Duktor Sett, arrived like a tempest, upending conventions about what Nigerian Pop can and should sound like while canonising the much-heralded renaissance of Eastern Nigerian Highlife music. 

The arrival of album two is now being treated as a legitimate occasion by many who are curious to see what direction Basketmouth takes on his new venture. Originally titled ‘The Scorpio Effect,’ this new undertaking, now titled ‘Horoscopes,’ has arrived on the back of months of tweaking and fine-tuning between Basketmouth and his collaborators.

In a chat with Apple Music, Basketmouth admitted as much, confessed that the music he has been making with Duktor Sett is an exercise in bravery, but what stands undoubted is Basketmouth’s inspired curatorial instincts and knack for seamless melodic immersion. It is the sweet ecstasy of discovering Nigerian music re-imagined in tantalising fashion that makes ‘Horoscopes’ such a tantalising proposition, and with the album dropping today, we are about to bear witness to the new arc of Basketmouth unfolding story.  

In Usual 1-Listen Review Fashion, All Reactions Are In Real-Time While The Music Plays. No Pauses, Rewinds, Fast-Forwards Or Skip.

“Love and Life” (ft. Johnny Drille, Simi, and MI Abaga)

I like how this one starts off and the first thing I remember is Dennis’ piece from last year about Johnny Drille and how he’s become such a rounded performer. He’s the soul of the song here if I’m being honest because the way he translates anguish is so exquisite. Simi is in her bag as well and, for all his personal drama, MI Abaga’s pen remains elite, there’s true synergy between all the artists here. I think that’s the magic of Basketmouth, he’s a true A&R, he knows what records need and he just arranges these unions that make the music truly remarkable. We’ve heard that this is a soundtrack album for a movie later in the year and this is truly big screen music. Definitely adding to a couple of playlists. 

“Your Body” (ft. Buju)

Within the context of this album, I think this song comes a little too early. A very rare misstep from Basketmouth but please can we talk about how Buju’s voice is such a delight, a breath of fresh air; this is a virtuoso at work. The percussions barely ascend and according to Basketmouth, this beat had to be remade because Buju’s delivery forced Duktor’s hands. I know we’re not supposed to rewind but I am sorely tempted to, will be revisiting this many times this year. A definite keeper. 

“Listen” (ft. Wande Coal)

These songs are running a little too late and it’s pissing my homegirls. The opening stretch of this song is also why we all know and acknowledge as one of the most influential contemporary Nigerian musicians of the last 15 years. His voice is so evocative, there’s pain, there’s elation and luster in it all. It’s just some twinkling synths and percussion here because I would imagine that they know Wande Coal’s voice is an instrument in a way. Would have loved to see what WC would do with a highlife instrumental but sightings of the legend are so rare that we can’t even be angry. “Love and Life,” however makes it hard for me to truly appreciate this song in this arrangement because the energy is slightly off, but this is a solid jam. 

“Celowi” (ft. Peruzzi)

Okay, ‘Yabasi’ alum in the building, and this is what I expected to follow up “Love and Life.” There’s a refreshing fervour to how Peruzzi is layering his vocals on this track. He was made to make music like this if we’re keeping it a buck. There’s a lounging jazz energy to this track and it’s the perfect centerpiece for an album like this. Again, barely over 2 minutes long but what a song, what a pivot into highlife. Let’s go!

“Money” (ft. Oxlade and Efya)

I think Oxlade fits perfectly within Basketmouth’s musical landscape hence why he was recruited here again, he has such an intoxicating voice that makes it easy to listen to him on loop. Efya’s music is also the perfect response to Oxlade’s opening section, she’s really going into it, getting into the essence of that “If I do mistake get money” line. I’ve noticed that Duktor Sett has really kept things dialled down and generally avoided any complicated flourishes which is a credit to how good he is because his presence is still noticeable on these tracks; he’s basically a metronome here, just keeping things ticking nicely. Great deep cut here. 

“Trouble” (ft.2Baba and Blaqbonez)

I think the first thing that I should say about this record is that this is musical heritage right here. Blaqbonez is joining 2Baba on a record, that’s like the G.OA.T of Nigerian pop music. Just wow, head blown and he doesn’t let himself down. What can I say about 2Baba man, that’s a timeless musicbox, he toys with pockets that he has no business being able to handle and just leaves a sonic pattern for Blaqbonez to basically devour. I also love how Duktor Sett blunts out Blaq’s voice at certain points, it’s exciting having to strain to hear what profanities he’s uttering. This is a tentpole record, I want to hear it at the Crusade on Sunday. 

“The Traveller” (ft. The Cavemen and Kwabena Kwabena)

If there’s any track that shows the scope of Basketmouth ambition, I think it has to be this one. For him to fuse Igbo Highlife and Ghanaian Highlife requires him to be attuned to the pulse of music on both sides and he just about pulls it off even if there is a slight drop somewhere in the interchange. It’s more fluid on the latter end of the track but to even attempt it shows how much of a serious musician he is. Not entirely sure about this, but I’ll revisit.

“Leave Me” (ft. Reekado Banks and Falz)

Reeky’s voice is so sultry and he carries this track so elegantly. I want to play this record for all the people that are stressing me, to be honest, but I’m too mild-mannered so I’ll just be content with jamming it up and laughing along to Falz’s verse. Weirdly, I think this is a song that might not get the attention it deserves for some reason. 

“Assembly of Gods” (ft. Magnito, Illbliss, Dremo, The Cavemen, Falz, and Flavour)

I don’t think I can tell you how pissed I am that this song is just 3 minutes, 15 seconds long. This is the posse cuts of all posse cuts and it’s just such a proficient record in terms of arrangement and structure. Everyone brought their A-games to this record and I like how all the rappers bring a unique signature to the record while The Cavemen and Flavour provide the bridges needed. A lovely, poignant record that only gets better when Basketmouth rounds things up. 

Final thoughts

With ‘Horoscope,’ Basketmouth has created an entirely new soundscape, coming less than 24 months after his last effort. It doesn’t have the frenzied Highlife-adjacent energy of ‘Yabasi,’ but it’s a body of work with its own convictions and messaging. It’s also infinitely more complex than the former record and deals with a myriad of issues without a startling level of clarity that has left me impressed. 

My biggest issue, however, is in its arrangement. Sometimes, it feels like Basketmouth was hyperaware that this is a different type of record and the arrangement reflects that because the clarity that mapped out the journey of ‘Yabasi’ is sorely lacking here. Still, many parts of the project capture the flair of cinema and shows that the Basketmouth train is only just creaking into motion. 

Listen to ‘Horoscopes’ here. 

Featured image credits/

Songs Of The Day: New Music From Rema, Preyé, Nasty C & More

Posted on by Emmanuel Esomnofu

After the many wins forged by Afropop last year, the musical landscape has never looked more promising. As such the fast and furious pace of new music releases makes it hard to keep track of all the good music coming out of Africa. That’s where our Songs of the Day column comes in.

We’re doing the work to stay on pulse with all the music coming out from across the continent and beyond, bringing you exciting songs of tomorrow: today. Earlier this week, we brought you new releases from CKay, AYLØ, Kawabanga, Somadina & more. To ease you into the weekend, enjoy these new releases from Rema, Preyé, Nasty C, Basketmouth, L.A.X, Barry Jhay, Djaji Prime and more. Enjoy.

Rema – “Calm Down”

It’s a no-brainer why Rema’s ‘Rave and Roses’ made our list of most anticipated projects this year. Since breaking out about three years ago, the Benin-born superstar has smashed commercial expectations and birthed a singular vibe, unfound in the music of any other contemporary. With some, he might share musical inspirations but the product has always been markedly Rema, helmed by Mavin’s endless supply of genius producers. Andre Vibez and London join forces to explore a groovy lo-fi sound on Rema’s latest, “Calm Down.” The song blends youthful zest and romantic angst, with lines such as “baby girl if you leave me, I no go love again”. It is also set to feature on the singer’s debut album which is now slated for a March 25 release date.

Preyé – “Red Wine”

The talented vocalist Preyé kicks off the year with an inspired song about intoxication and its storied relationship with steamy moments. In her own words, “Red Wine” is sexy with a “purpose!” and her vocals are pure streams of emotions clashing into each other, settling in the song’s Neo-soul groove. “Red Wine” is also the first glimpse of the singer’s upcoming debut EP ‘DON’T LOOK DOWN!’ which is set for release later this year.

Basketmouth – “Leave Me” ft. Reekado Banks & Falz

In 2020, Basketmouth’s ‘Yabasi’ crept from seemingly nothing to become one of the year’s most acclaimed tapes. For that he was rewarded with a celebrated EMPIRE deal. Today the world woke up to Basketmouth’s sophomore album, ‘Horoscopes’. A standout is this jam featuring Reekado Banks and Falz whose voices are in perfect sync as they sing of a love interest. “Girl I always wanna impress,” sings Reekado in a tone that drips with desire and intent. Falz’s verse is laced with sexual innuendos and cheeky wordplay (“tell me if I go down I go drown for water”), underlined by Dukktor Sett’s warm, minimalist percussions.

Dai Verse – “Sweet Daddy” ft. Buju

Dai Verse’s song “Sweet Daddy” originally dropped last year in May, capturing the ears and hearts of listeners around the country. The earworm track now earns a befitting feature from BUJU. For its 2022 spin, Buju infuses his sweet saccharine vocals on the already enjoyable song. The Semzi-produced beat is as sweltering as a Lagos afternoon, packing a groovy bounce. Dai Verse and Buju’s chemistry permeates off the song, as listeners coast through some of the most affectionate lyrics on unrequited love you’ll hear this year.

Nasty C – “Stalling”

There are few rappers on the continent touching Nasty C when it comes to creating songs about love. We’ve heard the strength of such bars on “Mrs Me” and “SMA,” and just some days before Valentines, the South African rapper has painted another remarkable picture on the archetypical modern relationship. “You can leave if you wanna leave, if you don’t wanna go the whole way,” he raps on the first line, before detailing the hurt of loving someone who doesn’t love back with the same vigour. The smooth production (as well as Nasty’s cadence) is Trap-influenced and any rapper from Lil Baby to Young Thug would do a madness on it if a verse was ever recorded.

Angelique Kidjo – “Do Yourself” ft. Burna Boy

What does one expect when two giants of African music collaborate? If anything, some heavyweights have flopped on songs together, but certainly not Angelique Kidjo and Burna Boy, whose relationship hints at Burna’s early days adapting styles from the Beninese icon and even sampling her on “Wombolombo.” On their second official collaboration–off Kidjo’s 2021 album ‘Mother Nature’–the stars unite for a groovy record about being confident in one’s skin, especially as an African. The just-released Meji Alabi visual colourfully captures the energy and intent of the song, casting warm hues across scenes brimming with musical activity and African aesthetic.

L.A.X – “Options” ft. Ayra Starr

L.A.X is never far away from a good record, rewarded by his consistency down the years. With Zaza Vibes coming two years ago, the artist took the time out to rest—and perhaps come up with fresh vibes—in anticipation of 2022. “Options” is a stirring duet with Ayra Starr, taking up both sides of a toxic relationship. “I want you but I have to choose me,” sings Ayra on the emotive hook, underlining the tension which makes the record so enjoyable.

Peruzzi – “Ready” ft. Aceberg

This breezy record features the best of both artists, starting with a scintillating verse and chorus from Peruzzi, before taken up by Acebergtm’s verse. The Yung Willis production bounces with the style of Afropop, but there’s an undeniable Caribbean flavour which enunciates the song’s sensual direction even better.

Djaji Prime – “Kolo (Oh No)” ft. JVSH

Djaji Prime famously pushes his music to sonic extremes, emerging with something new each time. His new song is an emo-trippy affair, blending rock-esque psychedelia with Nigerian swag. Imagine a zombie fell in love and was walking through the shattered street, singing the name of his departed human. Well, this song doesn’t sound that grim but it’s close enough, and possesses a mystifying bent that will make you return again and again.

4Rain, KLY & Niniola – “Disturb the Phone”

On this cross-continental collaboration, the French DJ and electronic music producer links up with Nigerian vocalist Niniola and Kly, the South African musician. Over a House tempo beat lined with guitar notes and jumpy percussions, the musicians get the party started. Though Niniola’s verse hints at a heartbreak, the beat is too cherry for contemplation. It just sweeps you along, deep in the vibe.

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Fireboy DML taps 21 Savage & Blxst for another Peru Remix

Posted on by Tami Makinde

Fireboy DML’s “Peru” is the gift that keeps on giving. After taking over the Nigerian charts and warming its way into our hearts and ears last year, Fireboy DML has now followed up with the song’s second official remix, this time featuring American rappers, 21 Savage and Blxst. The illustrious singer released the song’s original version in July last year and treated fans to an early Christmas gift—releasing the second re-up featuring UK music icon Ed Sheeran—on Christmas Eve.

 

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Since its release, the remix with Ed Sheeran enjoyed astounding success in the UK. Peaking at number one on Apple Music’s UK songs chart and making its way to several charts in the country, the remix also earned him a coveted debut on the Billboard Hot 100 earlier this week.

The “Peru” singer is certainly not losing any steam as he teams up with two American artists to widen the reach of the song and bolster its current standing on the Billboard Hot 100. Without departing from the catchiness of the song’s original version, the new remix features stellar additions from Blxst and 21 Savage who make the song a more enjoyable listening experience. “Say she love me but I’m deaf/Lace front but she like her beats Afro,” raps 21 Savage on the song’s third verse, interspersing his gruffy hard-hitting flows with the song’s rhythmic production.

Interestingly, he’s currently on his debut US headlining tour—which started on February 3 in Providence Rhode Island and will come to a close on February 28 in Seattle, Washington.

Featured image credits/EMPIREAfrica

Essentials: BenjiFlow brings retro-futuristic & groovy vibes on ‘The Thrill’

Posted on by Wonu Osikoya

The emergent years of North London-based artist BenjiFlow aren’t storied or exactly clear, but he caught the attention of listeners within and beyond his immediate locale. Armed with a voice that oozes ease without dampening the emotional weight of his expressions, the singer pairs clear, relatable writing with a rhythmic musical blend that includes the bounce of Afro-swing, R&B melodies, Bossa Nova lilt and the feel-good rhythms of Brazilian Samba.

The talented young artist first started out as a grime artist in London before intentionally defining his path as a singer, songwriter and producer. Surrounded by so much music and coming from a musical family, finding a path in the game was not far fetched for BenjiFlow. The multifaceted rising star initially leaned towards being a record producer rather than a performing artist but shortly after spending some time in the studio recording, the instrumentalist realised he was more about singing and performing than producing the music. 

 

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BenjiFlow makes music based on personal experiences, things he has been through and real life scenarios. He crafts his creation in a particular form in which listeners can resonate with. Last year he released the Oxlade–assisted “My Bella,” a track which found the artist singing genuine and sweet lyrics to his love interest. The track came as the lead single off his newly released EP, ‘The Thrill’, a 25-minute run of smooth and sensual vibes, with honest lyricism, catchy production and stellar vocal delivery. The self-produced 9-tracker blends old school sounds and themes with modern day melodies, showing off Benji’s skills as a creator and his interpretation of music.

BenjiFlow opens the EP with ‘The Thrill’, a quick 1-minute prelude—a perfect album opener for a project such as this. The prelude gives an insight on what to expect on the tape, from the percussion to the drums and strings, it is easy to tell that the tape is about to take you on a nostalgia-influenced ride. Following the prelude is “She’s Not In Love,” a mid tempo track with bouncy production which sees the artist delivering a melodious and rhythmic performance. The beat of the track simply captures you on first listen and along the way, listeners also get hooked to his melodious vocals. He sings lyrics such as, “Even though I’m losing in this game we play/Love should never fail so I take this L/she’s not in love,” detailing how the woman he wants seems to be rejecting him.

As the project builds up, he delivers the next single “Go,” a track which he brought to the ears of listeners and fans a few months ago. The track is more of a promise and confession from the artist, stating all he can do for his lover. BenjiFlow opens the track with standout lyrics, “Take you where money can’t go, I wanna see if you know/Take all you want on the low, baby where ya go?”. “One Of One,” a slow tempo tune is a soft and sensual track which is equally nostalgic. The romantic number finds the artist serenading his muse with mesmerising lyrics such as, “But you’re one of one, you shine brighter/brighter than the sun, take your time, you’re priceless,”  over its retro-futuristic production. Each step of the way BenjiFlow is adopting old sounds and techniques, and reworking them for a modern audience. 

On the Juls-assisted “Ready,” BenjiFlow delivers a more upbeat track infused with heavy drums which gives a slightly different vibe from the rest of the project. The track sees the artist expressing his deepest feelings for his muse with lyrics like “I told you I told you I’m ready, don’t let this feeling go, don’t let it go/Baby when the rain comes, shine comes, moon comes, I want you all the same” . It’s only right that the project closes just as it opened. The final track “The Chill” is a postlude, a 3-minute outro with a number of elements and instruments on the production, from drums, to guitars, to strings and percussion, the project wraps up nicely. For anyone who is looking for a unique and distinct musical experience, this one’s for you.

At each moment in ‘The Thrill,’ BenjiFlow reinforces one thing only one thing: the power of his glitchy saccharine-sweet melodies against retro-futuristic beats. With a charisma that permeates off our screen, the singer takes another bold step towards being a powerhouse with polished production and emotion-baring writing.

Listen to ‘The Thrill’ here.

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NATIVE Premiere: DAP The Contract Pens ‘Open Letter III’

Posted on by Damilola Animashaun

DAP The Contract has been playing the long game and it seems to be paying off. In the past five years, he has maintained an incredible work rate releasing a slew of singles and projects, including 2018’s ‘Everybody Falls In The Summer,’ and ‘Powers, Vol. 1 & 2.’

All this while, his rap skills and writing abilities have only become clearer as he tackles success and pain with sharp, clear raps. He’s endlessly digging into the beautiful and most frustrating moments of life and flipping them into relatable and poignant stories told over memorable production.

 

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First starting off his ‘Open Letter’ series over four years ago, DAP’s straight-to-the-matter verses were an honest snapshot of his life. So far, with two editions deep, DAP has shown a 360-view of his life, offering insightful glimpses into his academic career, the state of mental health, his strive for success and his musings on the complexities of his own wiring.

With a masterful grasp of Hip-Hop, he offers a spit-along confessions that are jam packed with critical observations and charismatic production. This year, to get the ball rolling, DAP The Contract is serving up ‘Open Letter III,’ a track that serves as a reflection of what he’s been up to since his last letter four years ago.

From his expansive academic career which includes piano recitals, Latin & Greek and a pandemic graduation from law school, DAP The Contract peels back the layers to ‘Open Letter III’ in his NATIVE exclusive premiere.

NATIVE: Hi DAP, what was the inspiration behind your Open Letter series? Did you ever envision it would grow to have three parts?

DAP: ‘Open Letter I’ was inspired by everything I was going through in 2016. I got some big opportunities that year, probably the biggest in my career at that point, and then ended up parting ways with management at the time that was instrumental in getting me some of those opportunities for reasons that had little to do with me and were out of my control. I had a lot to get off my chest and, since my music was already very autobiographical, I wanted to really tell the story of this rollercoaster year almost verbatim and in a much more conversational way. In releasing the first one, it felt so good to get so much off my chest in one song that I knew periodically I would want to have these timestamps that sum up my life since the last open letter.

NATIVE: Is there any link between the three letters?

DAP: The first 2 mirror each other visually. They both had text breaking up the song so you can read parts of the story, but 1 was all white and 2 was all black. Ultimately, they all capture a specific time frame and describe true events in my life. Open Letter III is different visually but is very appropriate because it follows my academic journey and references Ye’s Good Morning video on his graduation album.

NATIVE: Each open letter chronicles snapshots of different moments in your life. The latest, ‘Open Series III’ looks into your entire academic career, including the change brought about to learning by the COVID-19 pandemic and a summer of racial reckoning. Why were these experiences important for you to document–and in a way immortalise?

DAP: I was looking forward to this graduation so much because I was sure it would be my last. I had no plans of going to any other grad school program or anything so this one was going to be extra sweet, entire family there, the whole nine. I actually ran late to my graduation as an undergrad and almost slept through it, and I planned to make this video before the pandemic hit with me barely making it to graduation being the conclusion.

When quarantine started and we knew our graduation would be on zoom, and then protesting the murders of George Floyd and Breonna Taylor right after that, studying for the New York bar, I wanted to make sure that I stuck to my truth in this series and actually timestamped what was really going on at the time. What was even more of a trip was attending protests in New York against police brutality in Nigeria. It was just a really crazy time, people losing family, just crazy for so many reasons. I know some people will hate that those things were immortalised, and I understand why, but it was important to not allow what happened that year to just fade away in our memory like most things do in our shrinking news cycle these days.

 

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NATIVE: Nearly every line on there references loss of some kind. What are some of the ways you have grown as an artist since ‘Open Letter I’?

DAP: I’ve become a lot more open-minded. I’ve become more confident in trusting my instincts and exploring and experimenting as I felt as opposed to what I thought people wanted to hear. ‘Powers Vol. 2’ was a true experiment that I knew I believed in and was happy whether people liked it or not, and I think that’s why it became one of my best performing projects. I’ve also learned to let go a lot more and that has let me be more collaborative and trust other people with my art.

NATIVE: This installment also seems to be the shorter of the three. Was this intentional in any way?

DAP: The change in format was the main reason. I wanted it to be a quick moving timeline of my life and highlighting certain aspects only, so it could only be so long. I do want to make it a full animation series one day though and unpack each stage of my life almost as its own season of an animation series.

NATIVE: The visualiser for ‘Open Letter III,’ is an animation that offers visual snapshots of your lyrics. What inspired you to use animation to convey your message?

DAP: Definitely Ye inspired, but you’ll notice that almost all the visuals for the songs on ‘Powers Vol. 2’ are animated visualisers. Creating this right at the beginning of quarantine forced me to create around the restrictions and find ways to be productive from my apartment. Animation made sense as opposed to real, full-blown music videos, and then because of the timing with graduation and the story of the song, it just all fell together and made sense.

NATIVE: ‘Open Letter III’ also features on your last project ‘Power Vol.2?’ How have things changed since you wrote and released the song and now, during its video release?

DAP: A lot has changed since I wrote this in May 2020! I passed the bar, I’ve now been a full-time attorney for a full year (“everybody did their bid and now they working, and that shit working”, “I think they boxing me in, my cubicle full of paper” etc.), I got engaged, I’ve also been away from home for longer than I ever have in my life. In terms of music, I think I’m making some of my best music right now, and that feels amazing.

NATIVE: Now that school’s out, what’s next for DAP The Contract this year?

DAP: I have more power, more passion, more access, more experience, and I have a lot of music in the stash, bunch of singles and a full length album. I have a couple more very important pieces to complete the world of Powers Vol. 2, including this timestamp, but then… flood!

Watch the video for “Open Letter III” below.

Featured image credits/Courtesy of the artist

Ghanaian creative Ekow Barnes Makes His Film Producer Debut In ‘Life Happened’

Posted on by Wonu Osikoya

Ghanaian multi-disciplinary creative Ekow Barnes has spent many years building a formidable career in Ghana’s fashion and culture scene, recently directing and producing the global campaign for New Balance’s ‘Lion’s Roar’. Barnes’ catalogue also includes creative direction on The NATIVE’s digital cover, ‘Sounds From 𝓣𝓱𝓲𝓼 Side: Asaaka Drill’, another undeniably fine showcase of his abilities and importance to Ghana’s creative scene. 

 

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Now, the new film ‘Life Happened’ executively produced by Ekow Barnes is set to take over our screens soon. The film, which is based on a true life experience, is centred on how a devastating situation heavily reshapes the life of a young man. The Twin-plug production film, in association with Indie Visuals, is led by actors such as Anele Matoni, Erg Geneel, Thaamir Morerat and Vunisexa Skeyi. Alongside Barnes, more producers such as Steve Crags, Lovis Filane, Abdullai Mohammed, Evans Appiah & Anele Geqiwe also play a pivotal role in creation and production of the film. Although there is no set release date yet, the film was announced recently on instagram with the trailer and is expected to grace our eyes really soon. 

 

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ICYMI: HOW “FOR MARIA (EBUN PATAKI)” DEFTLY EXPLORES POSTPARTUM DEPRESSION

Hot Takes: Spotify Shitshow, the return of WWTBAM & More

Posted on by Chibuzo Emmanuel

It feels like just yesterday that we chanted “happy new year” in unison. At the start of 2022, expectations were high for the new year which brought new hope as the world slowly reopened, even in the face of a global pandemic. January burned through like a birthday candle and we’re already knee-deep in the season of love, as it’s a few days until Valentine’s day.

It’s that time of the season when almost everyone seems to be booed-up, ready to enter the day of love with caption-worthy moments while those left out busy themselves by posting anti-love memes on Twitter. Twitter is already teeming with these kinds of dark-yet-extremely-funny memes. Blaqbonez has assumed leadership of the anti-love crusade, joining forces with industry colleagues to craft brilliantly hilarious promotional antics for his soon-coming concert that have been rocking the internet. We’re just a few days into the month so it’s safe to say the party only got started.

On this episode of hot takes, in our usual fashion I take you on a voyage through the most sizzling topics rocking the internet and what I’m currently watching and listening to. This episode features an interesting selection of topics, ranging from the Spotify/ Joe Rogan debacle to the announcement of the comeback of ‘Who Wants To Be A Millionaire’. Enjoy.

What I am watching: The Daily Show with Trevor Noah

In my freshman year in college, Trevor used to be my favourite person. I read his autobiography in that period. Almost every evening after my gruelling engineering classes, I’d whip my laptop open and type “Trevor Noah stand up” into the YouTube search bar. I kind of fell off along the way, leaning towards people like Hassan Minhaj and Russell Peters for comic relief. But in the last week, I fell in love over again and I’m addicted to his show “THE DAILY SHOW WITH TREVOR NOAH”. He has this uncanny ability to create rib-cracking comic material from super serious news.

What I am listening to: “Whole Lotta Red” by Playboi Carti

It’s 2022 and Playboi Carti still reigns supreme. Carti’s sound is one of the most jagged in the world of Hip Hop but oddly, these days I’ve found his album ‘WHOLE LOTTA RED’ oddly comforting. Distorted guitars, sombre chords, boisterous syncopated drums, Playboi crooning in a tone that sounds like a chisel scraping titanium—pure chaos—but I put my headphones on and I find pure peace in this hubbub. Weird but yeah!

The Joe Rogan Spotify Shitshow

The whole drama started when iconic Canadian-American folk singer/songwriter Neil Young threatened that he’d take down all his content from Spotify if they allowed Joe Rogan to keep spreading misinformation on COVID-19. Of course, Spotify didn’t budge—they bought Joe’s podcast for a whopping one hundred million dollars, Neil on the other hand is just one artist on a platform with hundreds of thousands of artists. Well, more  artistes and creators have gone on to line up behind Neil, threatening to also boycott the platform. Soon after the increasing dissent, Joe Rogan made a video apologising for his inappropriate action, even though you could easily allege that Spotify made him. Whilst still stuck in that sticky web, he received an even stronger blow: A video compilation of various snippets where he used the N-Word and one where he referred to an all-black neighbourhood as ‘Planet of the Apes’ surfaced on the internet. Rogan immediately issued an apology to that effect, claiming that he’s not racist and that he was only trying to be entertaining.

Here’s what I think, regardless of his apology and whatever his army of supporters say (side note, he has many black supporters who think he wasn’t racist), Joe was obviously racist in that video. Saying you’re not racist and pulling out the “I have black friends” card does not make you not racist, and you don’t have to take my word for it. In a longer version of the clip, he chuckled and admitted that his statement was racist. He made a racist joke to get laughs from his white friends present in the room. This is a classic case of a person committing deliberate racist acts but being absolutely petrified of being branded as a racist.

It’s unequivocal that Joe was racist but the big question is ‘What makes someone a racist?’ Does committing a racist act make someone a racist? It’s tempting to say yes, but just like doing a bad act doesn’t necessarily make someone a bad person, perhaps committing a racist doesn’t make someone a racist. The follow-up question is ‘Does Joe deserve to be booted off Spotify and how should the streaming platform react?’

No more Boondocks?

On the 7th of February, word got out to the streets that media giant HBO Max had canceled its order of 24 new episodes of The Boondocks. This news probably dealt a huge blow to fans of the show, who have been keenly expecting new episodes of the animated series since HBO Max announced its deal with the creator Aaron McGrudger and Sony Pictures Animation back in 2019. On the sunnier side, this announcement doesn’t mean that the series is going to the gallows, some other company may pick up the mantle and deliver the reboot.

‘Who Wants To Be A Millionaire’ returns this year

For 13 years, Who Wants to be a Millionaire was a staple in millions of Nigerian homes, until its cancellation in 2017. There’d been hushes of a reboot in the last few years, but it’s pretty much certain now. The announcement of the reboot of the show was met with overwhelmingly positive reviews from fans of the show, and by ‘fans of the show’ I mean the entirety of Nigeria—Everyone loved the show, young, old, Igbo, Yoruba, Hausa…everyone! The announcement stokes nostalgic memories—Sunday nights where the whole family is gathered in a dimly lit sitting room, an eerie silence presses down on the room, save for the sound of the TV, the anticipation in the room is palpable, the whole room is still frozen, all eyes are on the TV, magic happens: The theme song of WWTBAM comes on and everyone breaks into a smile. The show captured the dream of the average Nigerian family—The hope of escaping the rat race.

Frank Edoho coming back as the show’s host is mildly concerning. He was accused of domestic violence by his estranged wife. Although he repeatedly refuted the claims and no formal complaint was made to the police by his ex-wife, it does feel like the situation was hastily swept under the carpet. It is particularly important to address this issue given the prevalence of domestic violence in Nigeria and the message it sends. Look, I’m not calling for Frank to be canceled, cancel-culture is another huge problem in Nigeria, the organisers just have to ensure that he properly exonerates himself from these claims before he carries on as the host of the show.

Cheaper By The Dozen Is Getting A Remake

Yesterday Disney put out the official poster for their ‘CHEAPER BY THE DOZEN’ remake starring Zach Braff and Gabrielle Union. It’s interesting to note that this is the third remake of the movie. Most people only know the 2005 version which enjoyed commercial success—Ranking at #2 on the box office, grossing about $27 million in its opening weekend, and going on to rake in over $190 million globally. The 2005 version is a remake of the 1950 version. I don’t understand why Disney is pumping money into the remake of a remake when they could put it into bringing new ideas to life but ironically the answer is obvious—It’s an easy way to make even more money. Fingers crossed, let’s see how they pull this off.

‘Turning Red’ Is Pixar’s First Feature Film With An All Female-Leadership Team

It’s 2022 and it’s saddening that in this day and age, an all-female leadership team is an object of spectacle. Even with all the advancements in the struggle for gender equality and Inclusivity, women being in leadership in certain industries is still a rarity. On the sunny side, it’s a step in the right direction and it’s exciting anticipating what they’ll deliver.

ICYMI: 5 INTRIGUING ACTS SUPPORTING BLAQBONEZ AT HIS ANTI-LOVE “REVIVAL”

Songs Of The Day: New Music From Somadina, AYLØ, Chrystel & More

Posted on by The Native

After the many wins forged by Afropop last year, the musical landscape has never looked more promising. As such the fast and furious pace of new music releases makes it hard to keep track of all the good music coming out of Africa. That’s where our Songs of the Day column comes in.

We’re doing the work to stay on pulse with all the music coming out from across the continent and beyond, bringing you exciting songs of tomorrow: today. Earlier this week, we brought you new releases from Shasimone, Adekunle Gold, Ycee & more. Now to ease you into your routines for the week, we are bringing you releases from CKay, AYLØ, Kawabanga, Somadina & more. Enjoy.

Ronehi & AYLØ – “Saudade” 

Since releasing his excellent sophomore project, “dnt’dlt,” AYLØ has maintained a causal aloofness within the music industry. Last year’s “Project 19” was a poignant tale of exiting a relationship on peaceful terms, using his ornate writing to capture his side in the difficult scenario. His latest single, “Saudade,” a collaborative single with Ronehi finds him recounting the high points of a relationship and all that bliss that it brought him over Ronehi’s buttery instrumental. 

Somadina ft. SGaWD – “Kno Me”

Back in 2020, Somadina and SGaWD served up a delicious slice of pop rap on “Kno Me” while solidifying themselves as part of a new lineage of rap women taking their position at the center of the genre. More than 12 months later, the Nollywood-themed video for the single has arrived and finds the singers luxuriating in the company of their female friends while bathed in red neon lights. 

SuperSmashBroz ft. Chrystel – “Whine For Your Life”

Boston DJ Duo, SuperSmashBroz, have built a reputation for pairing their R&B soundscape with experimentalist patterns that meander from emo-rock to soul-tinged Afropop. On their latest project, these influences collide across the 12 minutes runtime of ‘Miles Away,‘ as they intently bring the cadence and lingo into their work. On “Whine For Your Life,” Chrystel Bagrou melds afropop with Caribbean influences while urging people to throw it down on the dancefloor as she lustrously whispers the words of the song. 

Kawabanga – “Broke Niqqas Is Sick” 

Last year, Ghanaian drill ascended to global popularity thanks to a gritty series of singles that originated from the Santasi and Bantama areas of Kumasi led by Kawabanga’s “Akatafoc.” On his debut album, ‘God Bless Kawabanga,’ the rapper expands on the narrative that birthed his breakout single and nowhere does his energy and dynamism shine through like it does on “Broke Niqqas Is Sick,” a withering denunciation of lack and his urgent manifesto to make a success of his life regardless of the price or cost of success. 

Mwanjé ft. Sampha The Great – “Wildones”

Newcomer, Mwanjé’s, fluid sonic style spans alternative R&B, neo-soul, jazz and spoken word poetry and inspired by her elder sister, Sampa The Great, her debut single, “‘Wildones,”  speaks to freedom, innocence and the recklessness of blind youth. Ably assisted by Sampa here, Mwanjé’s flair for storytelling through music and symbolic visuals help her stamp her mark fresh out of the door while speaking with a wisdom that is not typically associated with youth. 

Amaarae ft Kali Uchis & Moliy – “Sad Girlz Luv Money Remix”

After delivering the hypnotic remix for the hit single “Sad Girlz Luv Money”, Amaarae, Kali Uchis & Moliy have teamed up to deliver the vibrant video for the track. The video finds all three artists showing off their dollar bills and stacking up their racks, letting listeners and viewers know they’re all about their money. The vibrant and colourful video is directed video by Remi Laudat.

Lil Kesh ft. Zinoleesky – Don’t Call Me

As 2021 winded up, it was undoubtedly clear that street pop had spent another year soundtracking some of the most euphoric moments in Nigerian music and no one contributed to that charge more than Zinoleesky. He caught another hit on his slow-burning collaboration with Lil Kesh, “Don’t Call Me,” which was originally released with a visualiser. The official video for the single is out now and sees the duo replicate the party-starting energy of the song across a series of shots that take them from deep in the streets to the bowels of an empty swimming pool.

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Breaking the Yoke of Love: 5 intriguing acts supporting Blaqbonez at his “Revival”

Posted on by Dennis Ade Peter

Blaqbonez is a promotions genius. In the last three-plus years since making his major label appearance with ‘Bad Boy Blaq’, the rapper has combined the amplifying power of social media with inventive gimmicks to career-elevating results. In 2018, he went on an inundating push for his Oxlade-assisted breakout single, “Mamiwota,” filling Twitter with videos addressed to popular artists, soliciting their listenership and attention. Nearly two years later, at the height of the first coronavirus lockdowns, ‘Stream Haba’ was his mantra, digitally extolling it until it became an inescapable quip across timelines.

For last year’s official debut album, ‘Sex > Love’, Blaqbonez indulged in the same antics, famously dropping a freestyle aimed at Kanye West, after it was rumoured that the American rapper/producer would release a new album on the same date. At the same time, he rallied support for his pre-album single, “Bling,” to make its way to the top of Nigeria’s Apple Music, and a top five run on the TurnTable Top 50. While he’s already some ways into preparing a new album for this year, Blaqbonez is still in his Sex > Love era, a champion of hedonism and emotional frivolity over romantic commitment.

To support the LP, he’s gearing up for an accompanying headline concert, hilariously and profoundly titled “Breaking the Yoke of Love.” Announced a few weeks back, the promotional run for BTYOL is quintessential Blaqbonez and more, authoring his best PR campaign till date by being undeniably funny and creative. Taking place at Lagos’ Muri Okunlola Park on February 13, a day before Valentine’s, the live event is an anti-love gathering, one that he’s described as a crusade. The graphic info for the event is styled in the same form as that of a flier advertising a church program, featuring Blaqbonez wearing the sort of white suit you’d associate with a pastor’s Sunday fit.

There have also been supporting, funny videos leaning into the religion-inspired theme of BTYOL. Ahead of the live event, he recently unveiled his cast of supporting acts, prefacing their names with titles like elder, minister and brother. Those scheduled to perform alongside Blaqbonez include M.I Abaga, CKay, Zinoleesky, Buju, Falz, Psycho YP, and more.

Interestingly, there are no women on the line-up, taking the event’s thematic inspiration a little too literally. Churches are quite the misogynistic institutions when it comes to their leadership hierarchies, heavily tilted towards men—which is exactly what Blaqbonez replicates. At the same time, churches do have Mummy GOs and deaconesses, and Blaqbonez has worked with several women—Tiwa Savage, Bella Alubo, Kahren, and more—so that’s not enough justification.

Beyond that oversight, though, BTYOL looks like an event that will be worth its premise and attention. If the gimmicks translate to the live show’s stage, Blaqbonez will have curated a great experience for fans and attendees. Below are five support inclusions we find most intriguing ahead of the live show.

CKay

CKay calls his style of music emo-Afrobeats, and he calls himself the African boyfriend; basically, he’s the poster boy for being a heartthrob. It’s slightly odd that such an advocate for romantic affection will be part of the ministration crew at an anti-love crusade. I mean, he has a global smash hit titled “Love Nwantiti,” and the bulk of his music unabashedly pines for love. Maybe his inclusion is part of a joke, because it’s not difficult to envision fans throwing tomatoes and cans while he’s preaching love. Blaqbonez might just be a bad friend.

Mohbad

Mohbad is a champion of living your best, and part of that doctrine includes a fair bit of debauchery. It’s fair to say he’s a solid fit for BTYOL, with a cameo set-list that would include huge hits “KPK” and “Feel Good.” What would also be apt for the live event would be lascivious bangers like “Ponmo” and recent single, “Backside,” irreverent odes to the carnal that would be fitting on a night where sex is king and love is a forbidden concept.

Josh2Funny

Comics that blow up through digital channels can be hit or miss, but it’ll be a boldface lie to call Josh2Funny anything but a hit. Josh became a viral sensation with the ‘Don’t Leave Me’ skits, but he’s consistently proven his ability to capture Nigeria’s pop culture zeitgeist with amusing performances, and a lot of it is Christianity-inspired, which makes him the ideal fit for BTYOL. Between his slew of parody songs and his brief but incredible stint as a the pastor in Falz and Toke Makinwa’s ‘Therapy’ web series, Josh will get the crowd going, and he’ll very likely by premiering a new parody song, at the request of Blaqbonez himself.

Ric Hassani

In a promotion video for BTYOL, Blaqbonez takes a walk with Ric Hassani, digging into the singer’s change of oeuvre across his two biggest songs, “Gentleman” and “Thunder Fire You.” Without letting Ric get a word in, Blaqbonez infers that the singer has had his heart broken, making him a perfect example of the gospel he’s preaching with his debut album and concert. Personally, I’m not the biggest Ric Hassani listener and he seemed like an odd selection for the “choir master” role, but I get it and I’m intrigued by what he comes up with for his supporting appearance.

Jaido P

I know this is a Blaqbonez headline concert, and he has an album befitting its chosen ethos, but Jaido P’s “Tesina Pot” is a perfect theme song. “Mi o r’aye ‘baby, I love you’,” he says on the song, denouncing any romantic attachments with a sexual partner. The script just writes itself in this case.

ICYMI: HOW BLAQBONEZ SUCCESSFULLY SECURED A RETURN OF INVESTMENT ON HIS MUSIC

Fireboy DML “Peru” Remix Debuts on Billboard Hot 100

Posted on by The Native

If you need any reminder that Afropop is set to have a global explosion in the biggest music market in the world, news of Fireboy DML’s Ed Sheeran-featuring remix of “Peru” debuting on the Billboard Hot 100 should suffice as proof of the genre’s staying power. 

 

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The news was confirmed by chart tracking account, Chart Data, on Monday, earning the singer his first entry on the Billboard chart. Now at No.97 on the Billboard Hot 100 chart, “Peru (Remix),” joins a recent slew of Afropop singles breaking into the American market, with Fireboy DML becoming the fourth Nigerian to have a song debut on the charts, following Wizkid, Tems, and CKay for “Essence” and “Love Nwantiti” respectively, with all three songs still on the charts concurrently.

Since its release in July 2021, “Peru” has risen to become one of the leading Afropop records in the world, peaking at #1 on UK R&B Chart, #2 on UK Singles Chart, #3 on New Zealand Hot Singles, #11 on Irish Singles Chart, #13 on UK Indie, #18 on Dutch Single Top 100, #31 in Switzerland, #35 in Sweden, #44 on Billboard Global 200, #49 on Canadian Hot 100.

Additionally, the song spent its first week at No. 1 on Billboard’s Top Triller U.S. list for the week Jan. 29. after topping global Triller charts with his chart-topping remix. 

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PreGame: BOJ Takes Us Behind-the-Scenes At Jameson Connects

Posted on by Damilola Animashaun

PreGame is a NATIVE Original series which grants us an all-access pass to the lives of your favourite artists & icons, on their most important days. In our second episode, BOJ takes us on a trip around Lagos, Nigeria before he hits the stage at the Jameson Connects show in Iddo Terminus.

As the leading whiskey brand in Nigeria, Jameson’s long-standing influence on Nigerian popular culture cannot be overstated. From its involvement in the careers of notable figures in the alternative scene including the Grammy-nominated singer, Tems and DRB to its highly anticipated Jameson Connects events, held every Independence Day at historical locations in Lagos, its reach into the music industry has been wonderous to behold.

 

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Back in October, Jameson held its annual Independence Day event at Iddo Terminus in Lagos to incredible fanfare. Notable names such as Ayra Starr, BOJ, Ajebutter, Odunsi the Engine, Buju, Aye & DJ Camron graced the stage. Alongside unveiling their latest limited-edition pack, which can be viewed here, last October’s event was an incredible day of bonding & connecting and performances which had fans encoring for more from their favourite performers.

BOJ, one-third of the DRB crew, was one of the night’s hottest acts, performing alongside friend and long-time collaborator, Ajebutter for an exclusive ‘Make E No Cause Fight’ set. Both artists performed notable songs from their two tapes including “Yawa,” “Tungba,” “Too Many Women” and more. Before taking to the stage, we trailed BOJ hours before the show, tracking his pre-show antics from his visit to Jameson sponsored barber – Kayzplace, to the hectic Lagos car rides and then to his home away from home, Golden Tulip hotel. BOJ ends his night on the Jameson Connects stage and wows the crowd with an unforgettable performance, setting the stage for later acts including Ayra Starr and Odunsi the Engine.

Without further ado, watch the second episode of PreGame below.

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Best New Music: Reekado Banks Breathes New Life Into “Ozumba Mbadiwe” with a Fireboy DML remix

Posted on by The Native

There are very few dates that will live on in the collective psyche of young Nigerians like 20/10/20. The massacre that took place at the Lekki Toll Plaza and other places across Nigeria was a painful reminder of the Nigerian government’s remorseless capability to deploy brute military force to silence the legitimate requests of its citizens. 

On the one-year anniversary of that dark day, the pain was not any easier to work through but Reekado Bank’s “Ozumba Mbadiwe” —  named after the expressway that leads to Lekki Tollgate in Lagos — served as both salve and vociferous response to the government after months of cover-up and obfuscation. In the months since then, the song has become one of the most ubiquitous tracks around and reignited the ever-burning career of Reekado Banks.

The truth of the matter is that “Ozumba Mbadiwe,” despite its famous 20/10/20-remembering tagline and all its conscious leanings, is not strictly a protest anthem. It is steeped in the delectable Afropop melodies that entertain and inform, just as much as it draws us to dance. The Fireboy DML-featuring remix of “Ozumba Mbadiwe” takes inspiration from the introspective air of the original track while keeping the sonic structure of the original. 

In the three years since coming to widespread attention via “Jealous,” Fireboy DML has become one of the most important artists of his generation and his verse references that status with him singing, “Since 2019 when I don blow, I’ve been on the road if you don’t know and I no get time for your convo.” Currently, in the thick of a United States of America tour, Fireboy DML’S own Ed Sheran-featuring remix of his 2021 smash hit, “Peru,” recently cracked the billboard top 100, debuting at number 79, and on the back-end of the track, he admits that he’s motivated by providing for himself and his loved ones. 

All said, the success of the “Peru (Remix)” hints at the utility of collaboration in the streaming world and this catchy remix of “Ozumba Mbadiwe” could be following the same path in bringing more visibility — particularly internationally — to an already successful song. Plans are underway to spread the reach of the single across Africa with a star-studded ‘Ozumba Mbadiwe’ Remix EP set to feature  Ghanaian pop star KIDI, Tanzanian singer, Rayvanny, and award-winning Ivorian rap artist Elow’n, and South African amapiano frontliner, Lady Du.

Listen “Ozumba Mbadiwe (Remix)” here.

ICYMI: A 1-LISTEN REVIEW OF FIREBOY DML’S ‘APOLLO’

14 Projects The NATIVE Team Are Excited For This Year

Posted on by Damilola Animashaun

Between Grammy Award wins and monumental inroads into the heart of popular music across the world, in 2021, Afropop and African music provided fresh impetus to a world reeling from the effects of the COVID-19 pandemic. In 2021, Afropop did not witness the glut of releases that it did in 2020. What the genre did experience was a variety of blockbuster showings from its emergent class like Blaqbonez’s ‘Sex Over Love,’ Prettyboy D-O’s ‘Love Is War,’ and The Cavemen’s delicate sophomore, ‘Love In Highlife’ as well as plays for legacy shouts by veterans like Olamide (‘UY Scuti’), Kizz Daniel (‘Barnabas’) and Tiwa Savage (‘Water and Garri’).

In Kumasi, the Asakaa scene moved beyond the gritty singles format that birthed it with key players like Yaw Tog, Jay Bahd, and Reggie dropping well-received projects — ‘Time,’ ‘The Return Of Okomfo Anokye,’ and ‘2 Times A Guy’ respectively — while rap veterans Sarkodie and M.anifest served up succinct reflections on their lives on ‘No Pressure’ and ‘Madina To The Universe.’

Beyond West Africa, it was clear that the sub-Saharan Africa was engaged in a transcontinental musical conversation as influences moved back and forth in fluid manner. The Scorpion Kings’ ‘Rumble In The Jungle’ with TRESOR was a pan-Africanist work that incorporated elements of Kizomba, Zouk, and Rumba into its core while TRESOR returned later in the year with the elegiac “Motion.” Further afield, acts like Cassper Nyovest, A-Reece, Victoria Kimani, and Shekhinah have expanded the scope of African music in interesting fashion.

2022 promises to be as storied if not more impactful for the continued trajectory of Afropop with the looming shadow of Wizkid’s next project — tentatively titled ‘More Love, Less Ego’ — while Rema is expected to share his debut album, ‘Rave and Roses.’ Ghanaian upstart, Black Sherif, continues to tantalise ears across the continent with his gravelly voice and smoky melodies that mine the boundless energy of Asakaa, but tincture it with trap’s traditional melodies and, after the success of his “Second Sermon” and its Burna Boy-featuring remix, will now be expected to definitively take form on a project. With all this and more expected, the NATIVE team has compiled a list of projects that track some of the most eagerly-anticipated records from this year as well as other selections that spotlight some of the continent’s most promising stars. Enjoy.

Sarz & Azanti

Release date: TBA

Sarz’s importance to Nigerian music is irrefutable. In a career going on fifteen years, the super-producer has defined multiple periods in Nigerian pop, while consistently redefining his craft as a versatile and constantly top tier soundman. Having gone over a decade without putting together a joint project with a vocalist, Sarz turned out three within a two year span, outfitting his collaborators with varying sonic palettes that played to their strengths and stretched the scope of his (and their) sound.

There’s the sensual and speaker-throbbing fusion of afro-house and R&B on ‘I Luv Girls with Trobul’ alongside WurlD, the sultry and vibrant melding of Afropop-tinged R&B and electropop on ‘LV N ATTN’ with Lojay, and the retro-futuristic Funk and Disco of ‘Sweetness’ with Obongjayar. Sarz is set to that immaculate canon, having tapped Apex Village prodigy Azanti as his latest collaborator. Azanti won the iconic producer’s attention following a ‘Free Sarz’ social media challenge, where up-and-coming artists were asked to freestyle over a Sarz beat for the opportunity to work on a joint project.

Azanti’s voice, brimming with teenage charm and precocious charisma, sounded like a perfect fit over that instrumental, so much so that Sarz thought he was quite clear of his colleagues. Whether they’ve even started working on the project is not known, but the possibilities of a Sarz and Azanti tape is tantalising. The singer is a melody wunderkind with a knack for insanely catchy hooks, and Sarz will always be a genius regardless of where he pushes the sound to.

Dennis Ade-Peter

Rema

Release date: TBA

Perhaps one of the most sonically unpredictable stars on the continent right now, one thing we do know 100% about Rema is that we’re finally getting an album from him in 2022. ‘Raves & Roses’, his debut LP under Mavin Records, has been announced (albeit without a date, for now). The fact Rema has ascended to the lofty heights he currently inhabits, without a full length album, is both a testament to his stardom and a fascinating look into just how much the music industry has changed.

It’s not an exaggeration to say ‘Ravers & Roses’ will be one of the most anticipated debut album since Wizkid’s ‘Superstar’ in 2011. Mavin’s golden child has come a long way from freestyling in the car, but you would be a confident punter to predict which Rema we’re going to get on his first full set. Lover boy Rema, as heard on the inescapable “Soundgasm”? Trap star Remy Boi, that we instantly gravitated to on “Beamer Freestyle”? Hook gawd Rema, that we’ve seen all too fleetingly on cuts like Jae5’s “Dimensions”? The answer probably lies somewhere in the middle. We live in an era in which there has never been this level of easy access to music, and there has never been more new music released on a consistent basis. Rema knows this better than anyone, capturing the hearts and minds of a new generation during his 2019 EP run. Since then, he’s dipped in and out of the public eye, emerging from his cave for shows and straight back into it.Now, with all eyes firmly on him, it appears he’s finally about to open his world for all to see.

Seni

Scorpion Kings

Release date: TBA

DJ Maphorisa and Kabza De Small formed Scorpion Kings in quite the spontaneous manner. The pair had worked on a slew of tracks together, featuring a long list of vocalist, and unbeknownst to Kabza, Phori shared a free download link to a zip file, which contained their eponymous debut album, a game-changer for Amapiano. That sparked a ridiculously prolific 5-album run within a year, climaxing with Kabza’s own proper debut in the lockdown summer of 2020. They would reunite, with singer TRESOR for the ride, on last year’s Rumble in the Jungle, adding subtle pan-African shades to their inimitable craft.

Since then, Kabza and Phori have been spreading their influence through personal and occasionally intersecting ventures, from Kabza’s integral mentoring of Young Stunna and his 50-track tape with MDU aka TRP, to Phori’s splendid vocal participation—as Madumane—on bangers like “Izolo” and “Bopha.” Thankfully, the iconic ‘Piano pair are back to helming seminal hits, closing 2021 with two Ami Faku-assisted stunners, “Abalele” and “Asibe Happy.” For me, and many others, that means a new Scorpion Kings album is on the horizon. It’s been nearly three years since they became a driving force for the Yanos to become a prominent part of Afropop, but as those two singles clearly prove, the Scorpion Kings remain musically progressive. A new project would be less of a reminder, and more of a flex, another assertion of their singularity in an ever-widening genre.

Dennis

Omah Lay

Release date: TBA

In 2020 during the peak of the pandemic, Omah Lay stepped into the limelight with the release of his debut solo EP ‘Get Layd’ to incredible fanfare. Largely unknown to fans a few months before its release, the EP catapulted Omah Lay into superstardom, earning him a spot in the upper echelons of Afropop conversations. Over 5 tracks, the singer unfolds his loverboy side as he delivers romantic tunes such as “You”, “Lo Lo” and “Damn”, making confessions and owning up to his feelings for his muse.

Since then, there’s been little doubt that 2022 would see Omah Lay shoot into greater heights once again. Over the past few months, the singer has been teasing his debut album titled ‘Boy Alone,’ whetting fans appetites for what’s to come with teasers and promo clips of the new universe he’s creating. Although no release date has been announced, fans are already hypothesising on what Omah Lay could bring to the album. Lover boy Lay who we’ve grown accustomed to? Jaded Lay whose shown he’s a “Bad Influence” or would it be smooth talking Omah whose sweet-tongued lyrics draws women to the dancefloor? Whatever the case may be, Omah Lay is keeping his cards very close to his chest at the moment. While there’ve been whispers of what an Omah Lay album would sound like, none of the speculations can prepare us for what’s to come and if his recent string of singles is anything to go by, this album will be replete with daring love songs and fiery club bangers, neatly packed from one of Port Harcourt’s most viable hitmakers.

Wonu Osikoya

Black Sherif

Release date: TBA

The sound of post-2019 Ghanaian music owes very much to the hard-hitting brand of drill music being made in the Ashani region. In 2020, the Asakaa boys from Kumasi made a big splash across the world with the strength of their culture and their melodic tunes inspired by the harsh realities of life around them. Konongo-based rapper, Black Sherif is at the vanguard of the immediate of this emerging sound on the continent, coming to fame last year with a series of singles that distilled his reflections on life in the trenches and hoping for a better life. “First Sermon” made him a regional star but “Second Sermon” with its painful reference to a tragic passing and Blacko’s zest for life made him a truly national star before a Burna Boy co-sign elevated his profile. With part of his Christmas spent recording music in Nigeria, with the likes of Prettyboy D-O and more, expectation is rife for a debut project from the ascendant rapper.

Wale Oloworekende

Tems

Release date: TBA

What a whirlwind couple of years it’s been for Big Tems. Following the success of breakout single “Try Me” and the fantastic ‘For Broken Ears’ EP, perhaps it wasn’t a surprise to hear Wizkid had enlisted her for a cut on his hotly-anticipated ‘Made In Lagos’ album. But few – well, apart from us – could have predicted would come next: the unprecedented success of “Essence”, quickly followed by festival sets, sold-out international dates, a collaboration with Drake, another genre-bending offering in ‘If Orange Was A Place’, all culminating in a sold-out homecoming show in Lagos.

Now, what next? A debut album from Tems truly is one of the most exciting prospects in music this year. Take away the aforementioned groundbreaking success she’s had, and you see an artist whose creativity has been going from strength to strength with each release. Most recently on ‘If Orange Was A New Place’ cuts “Vibe Out” and “Found”, her innovative manoeuvring of her vocals on the record provides a brief glimpse into a new sonic dimension for the girl who was once afraid to sing in her school choir. ‘Orange’ also proved to be her most introspective release till date, with songs like the standout “Replay” offering a peek behind the shades. One would expect a full-length album to open up the blinds even more.

Seni

Cruel Santino

Release date: March 4

By now, it’s no small secret that we’re a while away from new Cruel Santino music. Originally announced late last year, and set for release sometime last October, ‘Subaru Boys: Final Heaven,’ was indefinitely pushed back, due to delays from his label and management, after two years spent working on it. Despite this heady start, the album didn’t suffer from any delay to its epic rollout as anticipation for its release has not waned, qualifying as an accurate representation of the singer’s magnetic pull.

Now, ‘Subaru Boys’ which has been status imminent for the last few months, is now full steam ahead to its March 8 release date (IWD coincidence? I think not). Beginning the year hot and heavy, Cruel Santino has now shared the album’s tracklist and cover art to incredible reception from his loyal fans. Announced to arrive in multiple arcs (which hint at yet another multiverse created by the singer) and set to feature a range of exciting acts such as Koffee, Gus Dapperton, Skepta, Amaarae, SOLIS and newcomer, Brazy Bih, the new album promises to be packed with fierce reflections of Cruel Santino and his many alter-egos tumultuous life. With only a month left to its release, Cruel Santino is already teasing the new drop with regular updates shared on his newly minted subaruwwworld IG account, as he takes us behind-the-scenes on the making of Subaru World.

Tami Makinde

Moliy

Release date: TBA

‘The Angel You Don’t Know,’ the debut album by Ghanaian singer, Amaarae, hinges its magnificence on being a rich depiction of singer’s eclectic music taste. Rising singer, Moliy, is at the center of some of the record’s cornerstone songs like “Feel A Way” and “Sad Girlz Luv Money,” helping bring earthy urgency to these songs that interrogate money, carnal pleasure, and more money with her lithe voice while maintaining a semblance of candy-eating playfulness in the margins.

On the Billboard Hot 100-charting remix of “Sad Girlz Luv Money,” the self-proclaimed Wondergirl is a perfect foil for both Amaa and Kali Uchis, providing a bridge to connect their worlds. Moliy’s own songs push the boundary just a little further along against a backdrop of airy beats accesorised with light percussion and her soul-meets-R&B delivery. Her quaint 2020 extended play, ‘Wondergirl,’ showed that she was not lacking in confidence or ability and, following the success of the remix of “Sad Girlz Luv Money,” she could be set for a big year. A new link asking listeners to pre-add a song, “Love Doc,” has been a significant feature on her social media bios and it could be the beginning of a year filled with Moliy music.

Wale

Olamide

Release date: Unknown

Olamide’s influence is as strong as anyone who ever did this music thing, and he’s still going hard. So it was somewhat surprising when he hinted at his retirement after ‘Unruly,’ his forthcoming album which is “95% done.” Past efforts ‘Carpe Diem’ and ‘UY Scuti’ successfully updated his sonic strengths, loosening his rap tendencies while playing up his effortless charisma and dazzling beats.

While he’s certainly prolific, his approach to an album roll-out is remarkably private. Not much has been heard of the album but in between partying with Wizkid and collaborating with Wande Coal on his next song, one could expect to hear the Olamide of “Rock” or “Jailer”—songs which center romantic tension amidst Afropop’s quintessential flair for the dramatic. Yet the title—’Unruly’—evokes an outlier, Hip-Hop vibe, stoking the possibility he could be part boastful and part introspective on the tape, looking back at the legacy he’s built, from the jaws-off rapping on 2011’s ‘Rapsodi.’ In recent years, Olamide has become an important figure in connecting Nigerian talent to international audiences, whether it’s through his mentorship of the generational Fireboy DML, their distribution deals with EMPIRE, or his ongoing feature run which includes Portable’s “Zazoo Zehh” and T.I Blaze’s “Sometimes”—Olamide has inevitably set himself perfectly for glory, and with genius producers like Pheelz and P Priime working with him, ‘Unruly’ is already shaping up to be an album to be reckoned with.

Emmanuel Esomnofu

Victony

Release date: TBA

In 2021, Victony was on track to burst into the next stage of his career with flying colours. Then, in April last year, the worst happened and Victony was impaired from the waist down, unable to exercise his motor skills. An experience such as this is enough to weigh one down, let alone an artist on the cusp of a breakthrough moment. Yet, in 2022, Victony’s name hasn’t faded from the lips of many Afropop lovers and industry insiders. After a string of exceptional guest appearances last year including his scene-stealing hook on Mayorkun’s hit single “Holy Father” to his two-pack single ‘Nataraja,’ with Grammy-award winning producer Rexxie, and his solo releases such as “Pray,” Victony has consistently shown why he deserves to have our attention. Ready to begin the year with a bang, the singer recently took to his Twitter, hinting at the release of his debut project. While he’s been rather clandestine about the details around its release or content, eager fans are already piecing together the pieces from his social media and holy smokes, it seems we might be getting some Victony and DJ Maphorisa heat in the next few months. In any case, all eyes (and ears) are on the charming singer and his voice of gold.

Wonu Osikoya

Asa

Release date: February 25

Asa is known to cause conversation with minimal effort. Countlessly forging her own path in the industry with her otherworldly sounds and a sense of unflappable chill, she’s undeniably brought the warm and dreamy vocals to Nigeria’s indie scene, serving as a role model of sorts for a new vanguard of Afropop stars. On the pulse of yet another changing terrain, last year, Asa released the Ppriime-produced “Mayana,” a bubbly and soulful number that pairs Asa’s mesmerising vocals with timeless production. The release served as the first tell-all sign of her fifth studio album which we’ve gathered is titled ‘V’. With little word about the album’s content, what we know so far is that Asa worked on the project throughout the lockdown period when everywhere was shutting down and she was confined in her home in Lagos, Nigeria. ‘V’ was also inspired by Asa’s passions outside music, such as watching the calm ocean view from outside her home. If 2020’s ‘Lucid,’ is anything to go by, ‘V’ promises to feature some of the singer’s boldest hooks and loosest songwriting till date.

Tami

Teezee

Release date: February 18

There hasn’t been a better time than ever for new Teezee material and the streets are in agreement. After an almost 7-year break from releasing any solo material, rapper Teezee is about to release his debut project after serving as an indelible ⅓ of DRB for the past decade. Interestingly titled ‘Arrested By Love,’ as he told NME in an exclusive last November, the forthcoming EP promises to explore the many layers and types of love that Teezee has experienced. That’s not all, the rapper has also teased the EP’s exciting features which include but are not limited to Davido, Lancey Foux, Pa Salieu and Backroad Gee.

As one of the leading voices in the alternative scene, Teezee has been blessed to work with a range of local and international acts which he now invites to his sonic world in his most daring musical effort to date. Already, the rapper has released the Maison2500 and New World Ray-assisted “GUALA”, followed by the Davido-assisted “BADI” and more recently, the EP’s lead single, “New Government” with PrettyboyDO and Kofi Mole. With the year only just begun, Teezee has already been crowned one of NME’s Artists to Watch, setting the scene for what could be an incredible year for the rapper and new-father. For someone this advanced in his career, it is only expected that the EP caters to fans and listeners, as well as showing off Teezee’s new and improved skills as an artist.

Wonu

Tiwa Savage

Release date: TBA

Tiwa Savage’s inclusion on this list may draw eyebrows, only because the singer has been working consistently for the past two years keeping her fans satisfied with frequent releases. In 2020, she released her third studio album ‘CELIA,’ a 13-song set inspired by her mother then followed it the preceding year with ‘Water & Garri,’ her sophomore EP which featured the likes of Brandy, Stefflon Don and Amaarae. Now it seems like the crowned Queen of Afropop is set to release the second half to 2021’s EP, with rumours of the project circulating ever since the first half’s release last August.  Whether it’s the rumoured second hald or an entirely new album, we’re rest assured that it’ll be some of her best work yet. It’s been a long way for the artist since her “Eminado” featuring Don Jazzy and “Love Me, Love Me, Love Me”, and with an impeccable work ethic and saccharine-sweet melodies, we can only expect something positively delicious.

Ada Nwakor

NSS

Release date: TBA

Even with the backdrop of a global pandemic, 2020 was an eventful year for The NATIVE. There was Issue 004 with Tems, Naira Marley and Mowalola as cover stars, an exclusive zine focused on Wizkid (!), and, to close out the year, majority of the recording for the upcoming NATIVE Sound System album happened at a clandestine location in Lagos. Members of the team, whether directly involved or not, were privy to watching dozens of cutting edge artists and producers from across Nigeria lay down and commingle sonic ideas. For whatever reason, I didn’t make it to any of those sessions, and it still eats at me occasionally.

Beyond the teasing stories of my colleagues who watched some of these songs take shape in real time, I’ve heard a handful of (rough) cuts over random to know there’s so much great, diverse music on the NSS album. Also, contributions to the album are not limited to those from the recording camp, with the collective A&R team sourcing out collaborations from across Africa and the diaspora. I don’t know what the results will be, but the possibilities from what I’ve heard are endless. There’s possibly a silky electro-pop song from one of last year’s breakout stars; I heard an American R&B singer’s demo that’s meant to be performed by a former NATIVE cover star; there’s an amalgamation of two pioneering groups on one song; there’s an artist who’s acclaimed as an album auteur having unbridled fun over a dusty amapiano beat — I could go on and on, but you get the gist.

Writing this blurb, I think I’m no longer salty about not being at the camps, mainly because I do not envy the final decision-makers, as well as those with special attachments to songs they watched get created. Right now, I’m like the rest of our community: eager to hear what NSS puts together.

Dennis

Featured image credits/NATIVE

ICYMI: THE BEST NEW ARTISTS OF 2021

Songs Of The Day: New Music From Shasimone, Adekunle Gold, Ycee & More

Posted on by The Native

After the many wins forged by Afropop last year, the musical landscape has never looked more promising. As such the fast and furious pace of new music releases makes it hard to keep track of all the good music coming out of Africa. That’s where our Songs of the Day column comes in.

We’re doing the work to stay on pulse with all the music coming out from across the continent and beyond, bringing you exciting songs of tomorrow: today. Earlier this week, we brought you new releases from Obongjayar, Koffee, Emo Grae, Phyno, Psycho YP & more. Now to begin the new week, we’re bringing you new releases from Shasimone, Adekunle Gold, Ycee & More. Enjoy.

Shasimone Ft SuspectOTB – “Schweet”

Our Fresh Meat alum, Shasimone is back with a single alongside a video featuring British rapper SuspectOTB titled “Schweet”. This single is the first to be revealed as a feature on the British Ghanaian’s upcoming debut EP ‘Simma Down’, set to drop in March 2022. In this blend of Uk rap, Afropop and R&B, we see Shasimone coming into her own as she gives one of the biggest Uk rappers, SuspectOTB, a run for his money in this later track.

“Schweet is about living in the moment, having a good time cos we’re not here forever” says Shasimone. The track was reportedly enjoyable and easy to create as both artists worked seamlessly together. The video is also a visual feast which finds the rapper flexing her lyrical chops against a dazzling sequence.

Adekunle Gold – “Dior, Dior, Dior” ft. Fousheé

Tapped from Adekunle Gold’s latest studio album ‘Catch Me If You Can’, is the 11th track featuring American singer and songwriter Fousheé dubbed “Dior Dior Dior”. The SPAX produced song is a blend of Afro-classic and R&B inspired sounds as both singers extol their love for their partners. Fousheé’s and Adekunle Gold’s voices sound just like melted butter on the romantic mid-tempo track that will have you falling in love all over again, just in time for the Valentine’s Day spirit.

Ycee & Nanpa Basico – “Intentionally Remix”

With the success of the ‘Love Drunk’ EP and his fan favourite single from the project titled “Intentionally”, Afro-pop hitmaker Ycee taps Columbian rapper Nanpa Basico to feature on the remix. On this record, he details his intentional love towards his girl. This single comes just after the “Aunty Lovina” song with Patoranking and YCee just celebrating his 29th birthday.

Wizkid – “Mood” ft. Buju

Wizkid’s hit single “Mood” featuring hitmaker Buju from his Grammy-nominated album ‘Made in Lagos: Deluxe Edition’ is again in the conversation with the release of its long-awaited music video release. The visual is a modern neon colour inspired visual directed by Kuukua Eshun. We get a glimpse of the mood Buju and Wiz were singing about. Wizkid has had such an exceptional couple of years, and the same goes for Buju, who has continuously delivered hit track upon hit tracks for the past year. A must watch.

Teffy – “Motion”

Last year, rapper Teffy released his latest EP titled ‘Melody King III,’ which featured the standout single “Motion.” Now, he has returned to our screens with a new music video directed by Z3RO and edited by Yaro. “Motion” is a trap record filled with poignant storytelling, detailing his push and strive to the get to the top. He uses real-life stories and good music to pull his listeners into his world.

dndSection – “24 Days in Lagos”

dndSection’s music is the gift that keep on giving. His merge of this old-school Hip-Hop style with a gruff rapping style and trunk-rattling sonic homages will have you running back his songs to catch all the intricacies. For his latest release, “24 Days In Lagos”, Dndsection details the crazy antics he gets up to when he’s in the motherland in Lagos, Nigeria. He also speaks on the struggles of putting out music and making it as an artist with “Gatekeepers trying to stop his progress”.

Lucianne – “More”

Successful Nollywood actress Lucianne is back with an exciting single titled “More” to kickstart the new year. The British Nigerian singer-songwriter released “More” under her independent label known as RIV Records. “More” is set to feature in her forthcoming comeback EP ‘Becoming’. Produced by Majeek, the Afropop number is commingled with hints of R&B with pop sensibilities as she speaks on her online attraction that she lungs to take offline. The song comes with its music visual directed by Dotun Ajakaye, which features clips of Luciann in her online fantasy world where she meet her love interest.

Featured image credits/NATIVE

TurnTable Top 50: Skiibii continues to set the pace with “Baddest Boy (Remix)”

Posted on by Dennis Ade Peter

A week after rocketing up to the top of the charts with his first entry, Skiibii continues to set the pace on the TurnTable Top 50 with the Davido-assisted “Baddest Boy (Remix).” In its second consecutive week as the biggest song in Nigeria, it tallied 7.05 million equivalent streams, a drop-off from last week’s numbers, but it gained massively in radio reach (45 million) and TV reach (10.7 million). Having put up historic numbers last week, as the song with the biggest total chart points, this week sees “Baddest Boy (Remix)” put up the second biggest total chart points in TurnTable Top 50 history.

The rest of this week’s top three is unchanged, with Fireboy DML and Ed Sheeran’s “Peru” staying at No. 2, and Kizz Daniel’s “Pour Me Water” at No. 3. With Adekunle Gold’s “Mercy” falling to No. 6, two spots from its previous TurnTable Top 50 position, this week’s top five is rounded out by one step rises for Lil Kesh and Zinoleesky’s “Don’t Call Me” (No. 4), and Burna Boy’s Wizkid-assisted “B. D’OR” (No. 5). Having just released his fourth album, Catch Me If You Can, it wouldn’t be odd to see Adekunle Gold reclaim a spot in the top five, and perhaps field several new entries on the TurnTable Top 50.

The rest of the top ten is filled up with familiar songs from recent weeks, with the only new entry being Bella Shmurda’s new single, “My Friend,” debuting at No. 10 a week after its release. The songs above it include a new peak for TI Blaze’s “Sometimes” at No. 7, Ckay’s “Emiliana” is at No. 8, and Kizz Daniel’s “Eh God (Barnabas)” continues its run in the top ten at No. 9. This is the tenth consecutive week Kizz Daniel has logged multiple entries into the top ten of the TurnTable Top 50, and he’s only two weeks off from setting a new record in that column.

You can go through the full rundown of this week’s TurnTable Top 50 here.

ICYMI: OUR FIRST IMPRESSIONS OF ADEKUNLE GOLD’S ‘CATCH ME IF YOU CAN’

What’s Going On: Coup in Guinea-Bissau, Tropical Cyclone Ana in Southern Africa & More

Posted on by Tami Makinde

“What’s Going On” Tallies Notable News Headlines From Across The Continent — The Good, The Bad, And The Horrible — As A Way Of Ensuring That We All Become A More Sagacious African Generation. With This Column, We’re Hoping To Disseminate The Latest Happenings In Our Socio-Political Climate From Across The Continent, Whilst Starting A Conversation About What’s Important For Us To All Discuss. From Political Affairs To Socio-Economic Issues, ‘What’s Going On’ Will Discuss Just That.

Ever so often, we have to remind developed parts of the world that Africa is not a country. It’s not just because a significant portion of people in those parts are unenlightened, but also because of the continent-wide similarities when it comes to social, political, and economic issues. For one, Africa is teeming with corrupt and inept leaders—many of them dictators— who have failed to invest in meaningful infrastructure, all while derailing and rejecting systemic change through violent means if necessary. In addition to this, they are fully aided by deeply patriarchal, religion deferring, and ultra-conservative social constructs.

At the same time across the continent, the current generation of African youth are pushing against these systemic boundaries, in order to continue the arduous work of rewriting the narrative. Even with all of the endeavours, talent and records being witnessed from music to tech, the limitations put in place by the continent’s political landscape still looms large. Every week, disparaging headlines from around Africa make their way to the news, reminding us of the bumps affecting these perceived stripes, and the roadblocks which delay our growth towards more wholesome and enabling societies for all Africans. Below are few news bits of what’s been going in on in the past few days.

Attempted coup in Guinea-Bissau

Last Tuesday, it was reported by Guinea-Bissau’s incumbent president Umaro Sissoco Embaló that an attempted coup was staged in the government palace. The attack is said to have taken place for several hours, during which assailants attempted to overthrow security forces with machine guns and AK-47s. The news of the attack was shared by the country’s president via a national broadcast on Radio TV Bantaba who said, “I have never imagined that we would arrive to this type of situation,” Embaló said. “I never thought that Bissau-Guineans could practice another act of violence.”

Crossfire is said to have lasted for five hours with Embaló also adding that “many” members of security forces were killed in the failed attempt, however he did not confirm the number of casualties. Embaló also said that he believes the perpetrators of the coup intended to kill him and members of his cabinet, who were gathered for a weekly meeting in the palace. It is not clear who was behind the planned attack but the president mentioned that, it “also has to do with our fight against narco-trafficking”. Guinea-Bissau became known as a transit point for cocaine between Latin America and Europe in the 2000s as traffickers profited from corruption and weak law enforcement.

The coup attempt in Guinea-Bissau comes after months of similar devastations across the African continent. In recent memory, in West Africa, there has been one in Mali in 2020 and again in August last year, another coup in Guinea in September, and in Burkina Faso just last week. Coups have also taken place to the East of the continent, in both Chad and Sudan.

Fire rages across Kenya national park

On Sunday, forest rangers and volunteers battled flames and strong winds to stop a fierce fire raging across Kenya’s Abedare national park which broke out for nearly 24 hours. According to Kenya Wildlife Service (KWS), the government body in charge of national parks, the fire broke out on Saturday night in the park. Located in the Aberdare mountain range, the park is home to spectacular waterfalls and lush bamboo jungles as well as a variety of wildlife including leopards, elephants and critically endangered black rhinos.

A number of other local bodies have teamed up to aid efforts to cure the fire. Rhino Ark, a conservation charity in Kenya, said on Twitter that it had deployed helicopters to conduct aerial surveys of the area to estimate the extent of damage to the forest cover. The Mount Kenya Trust, a body set up to conserve the country’s forests, said Sunday that a team had “headed up to help with the bushfires in the Aberdare.

Tropical Cyclone Ana tears across Southern Africa

Earlier this week, Tropical Cyclone Ana tore across Southern Africa leaving more than 80 people dead and thousands displaced and impacted in their homes. Although it is not yet known where these deaths are situated, the European Civil Protection and Humanitarian Aid Operations (ECHO) shared in its latest update that Madagascar, where prolonged drought has pushed people to the brink of famine — had been worst-hit, with at least 41 deaths and more than 110,000 people affected.

In Mozambique, at least 15 people were killed and more than 45,000 have been affected, while Malawi has reported at least 11 deaths, with nearly 217,000 people impacted, according to ECHO. It said that heavy rainfall had caused rivers to overflow, and that floods and landslides resulted in casualties and widespread damage. Although CNN reports that the storms have weakened, the South African Weather Service said that Malawi and Zambia could experience more heavy showers over the weekend. As we continue to witness the effects of climate change, it is said that climate the whole continent is projected to experience a greater frequency of heavy rain, according to the Intergovernmental Panel for Climate Change’s latest report. Southern Africa is particularly vulnerable to drought in a warmer climate.

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We Are Getting New Music From Nonso Amadi Soon

Posted on by Wonu Osikoya

In 2020, five years after his scene-stealing debut, Canada-based, Nigerian singer, songwriter Nonso Amadi announced that he was taking a social media hiatus. “Leaving the socials, coming back with new music,” his tweet had read, prompting conversations on the timeline about his departure and all the good music we’d receive upon his return.

Unbeknown to many, a few months later, a deadly global pandemic would hit, changing the world as we knew it and disproportionately affecting artists and the music industry in seismic ways. It’s taken Nonso Amadi thirteen months and six days to make his return but we can be sure of great music, in due time.

 

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A post shared by Nonso Amadi (@nonsoamadi)

First stepping into the limelight in 2015 with the release of his 5-track debut compilation ‘Alone.’ The project was our first introduction to the singer’s emotion-baring writing and his buttery-smooth vocals. His music also arrived with solid production, produced and engineered by the singer himself, a feat that instantly placed him in a lane entirely of his own making back then.

Soon enough, Nonso Amadi scored his first breakout hit with “Tonight,” only a year after his debut on the scene. The hit single created a loyal fan base for the artist and gained him the attention of listeners from all over the world as well as industry peers. Over time, more fans and peers started to make their own covers for “Tonight,” which eventually boosted the song to a wider audience and certified Nonso Amadi’s name in Afropop conversations. 

Over time, Nonso Amadi’s discography has only grown. The singer currently boasts of 2 solo EP’s, 1 collaborative EP with Odunsi The Engine and a handful of singles and features. Just before his departure, in 2019, he released his sophomore EP ‘Free’, a 6-tracker which boldly shows his crossover appeal, while retaining the hallmarks of an experimental artist.

There’s very little doubt that Nonso Amadi’s comeback will anything short of legendary. The singer’s Instagram post was shared from Kingston, Jamaica, a place that’s birthed generational talents including Bob Marley, Sean Paul, Buju Banton and more, could be indication of his sonic growth over the past few years–or at least, would explain where he’s been.

While we await his new music, revisit his last EP ‘Free’ below.

 

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Temi Otedola lands a role in Niyi Akinmolayan’s upcoming film ‘The Man For The Job’

Posted on by The Native

After starring in her debut performance on Kunle Afolayan’s 2020 film ‘Citation,’ Temi Otedola will be returning to our screens once again on Niyi Akinmolayan’s upcoming film ‘The Man For The Job.’ Revealed yesterday in an Instagram post shared on the actor’s page, it’s said that the upcoming film has now begun filming in Lagos, Nigeria.

 

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A post shared by Temiloluwa Otedola (@temiotedola)

According to the synopsis, the crime drama follows the life of a young, ambitious man who is disturbed by the actions of the CEO of a highly optimistic startup company while fighting to balance his personal life and work life. Also announced to star in the upcoming film alongside Otedola are Ini Edo, Alibaba, Uzor Arukwe, Baba Rex, Suleiman Ibrahim and many more.

While details are still scarce, from what we can gather from the Anthill production teaser, ‘The Man Of The Job’ is filmed in modern-day Lagos, where the tech world thrives. The movie promises to be packed with exciting drama, suspense and gut-wrenching twists and turns. The film is scheduled to run exclusively on Amazon Prime Video after its cinematic showings in a multi-titled deal.

Akinmolayan whose production company, Anthill studios recently secured a global exclusive licensing deal with Amazon Studios, will release ‘The Man For The Job,’ on Amazon Prime Video exclusively on its platform after the film has made its local theatre run.

If you enjoyed Temi Otedola’s debut performance, stay tuned here for more updates.

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