M.anifest and Burna Boy are on baecation in the video for “Tomorrow”

M.anifest and Burna Boy’s latest collaboration, “Tomorrow”, saw them ditch their political conscious cards for a romantic confessional. The song is expected to feature on M.anifest’s coming ‘The Gamble’ tape and the accompanying music video ensures the lead single builds interests as they shoot a colourful set to celebrate their love for their muse.

Apagnawen Annankra and Scilla Owusu direct the music for “Tomorrow” with a photographic direction that captures the artists’ romantic intentions in a serene setting. Both artists are seen at a beachside resort with their muses dancing along to the highlife beat while they confess their sultry feelings for their lovers. Simi and Kwesi Arthur are also expected to feature in the M.anifest’s album when it’s released.

You can watch the music video for “Tomorrow” below.

Featured Image Credits: YouTube/M.anifest
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ICYMI: Watch the music video for Burna Boy and M.anifest’s politically conscious song, “Another Story”

Watch Rema’s self-assured performance on A Colors Show

Mavin’s golden child Rema is one of the most prolific artists in the game currently, and he’s having a moment in his career. Following his 3rd EP this year, ‘Bad Commando’, he’s bagged the Next Rated Award at the 2019 Headies and taken his ongoing tour to the United States which has been exceedingly well-received.

Rema continues to cement his rise to international acclaim by performing his recent EP’s titular track “Bad Commando” on the iconic A COLORS Show stage. A COLORS Show is known for only inviting people with particular vocal ability, has seen many notable stars this year from Burna Boy to Koffee, and now Rema has joined the long line of exceptional featured musicians. Over the beat produced by Honter, Rema shows off his impressive vocal range as he delivers a captivating performance just as crisp as the studio version.

Watch Rema’s COLORS performance below.

Featured image credits/Youtube


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Watch Burna Boy’s Tiny Desk performance

Ajebutter22, BOJ & Falz announce joint EP, ‘Make E No Cause Fight 2’

Ajebutter22 and BOJ effectively broke into mainstream ears after the success of their 2012 collaboration, “Omo Pastor”. While they’ve gone on to work together a few more times since then, the pair finally fulfilled the wishes of fans eager for a joint project with last year’s EP, ‘Make E No Cause Fight’. On the 5-song project, BOJ and Ajeutter play off their dynamic energy as collaborators to create some anthems for last summer.

Considering that the ‘MENCF’ was short and sweet, it’s exciting that the duo are returning for a sequel, and this time around they’ve included Falz into the mix. While BOJ and Ajebutter have been teasing a second project, they finally confirmed ‘Make E No Cause Fight 2’ will be released this Friday, with the addition of Falz coming as a surprise.

All three artists have worked in varying combinations, but never together on one song. With the positive reception from previous collaborations, we’re looking forward to what a full project between all three would sound like. There’s currently no tracklist for ‘MENCF2’, but we’re confident that we’ll be getting bops.

Check out the announcement teaser here.

https://www.instagram.com/p/B5QsTaEpI6L/

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BEST NEW MUSIC ALBUM SPECIAL: AJEBUTTER22 – “WHAT HAPPENS IN LAGOS”

Zamir and Amaarae are hungry for “Munchies” on their new single

Zamir has made a reputation for himself as the hip-hop bad boy in these parts. His recent offerings “Anti” featuring YCee and “Hate” have both shown his more cut-throat and edgy side, with lyrics laced with suggestive hints of violence and danger.

But for his new single, Zamir enlists Ghanaian pop princess Amaarae for a more sex positive number. Over the GMK-produced beat, Zamir raps about the intoxicating feeling of being around his girl. ‘One touch, one kiss, girl I wan chop girl I’m getting munchies’ he raps over the hook, explicitly laying out his intentions over the up-tempo beat.

The track also shows a different side for Amaarae who opts for a highly sensual rap verse, ‘If you want this kitty kat, you will have to come and get it’ she says, inviting her love interest to get lost in her.

Stream “Munchies” featuring Amaarae below.

Featured image credits/TSE/Instagram


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: YCEE and Zamir collaborate on new single “Anti”

Cardi B, Burna Boy, Tiwa Savage to headline Livespot X Festival this December

Carbi B is set to join the long list of international acts that have graced our concert stages in Africa. Livespot booked the Grammy Award-winning rapper for their debut festival, Livespot X Festival, which is scheduled to hold at the Eko Atlantic Energy City in Nigerian on the 7th of December and at the Accra Sports Stadium in Ghana on the 8th of December.

https://www.instagram.com/p/B4lU7rxAg1h/

The Chief Creative Director of Livespot360, Dare Art Alade explained his reasons for inviting Cardi B to entertain Nigerians;

“We know how much love the fans have for Cardi B and this was one of the reasons we chose to give fans a special experience to see the queen of hip-hop live in Lagos. We also are aware of the massive appeal of some of our Nigerian music acts. This show will not be complete without these music stars, and this is why we are thrilled to announce these performing acts for the Livespot X festival.”

Cardi B will be sharing the stage with Nigerian artists like Burna Boy, Tiwa Savage, Darey, R2Bees, Tiwa Savage, Olamide, Patoranking, Teni, Wande Coal, Seyi Shay, Niniola, Reekado Banks, Ice Prince, Fireboy, Joeboy, DJ Spinall, DJ Crowd Kontroller, DJ Cuppy, DJ Obi, DJ Deluxe, Do2Dtun and Shody at the Eko Atlantic Energy City venue. Shatta Wale, Joey B, Becca, Sarkodie, Medikal, Kofi Mole and Eno will be joining the lineup in Accra.

You can get tickets for the concert here.

Featured Image Credits: Instagram/iamcardib
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ICYMI: Burna Boy, Cardi B and others feature on DJ Snake’s Carte Blanche’ album

J Molley and Emtee are war ready in their music video for “Going Down”

J Molley and Emtee have the type of cult following that lets them chart their individual paths as leaders of the trap scene in South Africa. The two have teamed up for a new single, “Going Down”, where they combine their assertive rap bars over the airy synth-led trap beat Lincoln produced for the song.

“Going Down” features J Molley’s signature melodic raps as he lays down cocky lines about his dominance in the rap game while Emtee supports his boastful intentions with showy lyrics of his own. Emtee shows off his street-savvy nature with lyrics that allude to violence and J Molley captures his aggression in the music video he self-directs. The video shows him and Emtee decked out in military uniform and carrying rifles while they perform their sets. There are also shots of them in a theatre wearing flashy clothes and jewellery to validate their showy lyrics.

Watch the music video for “Going Down” by J Molley and Emtee below.

Featured Image Credits: YouTube/J Molley
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ICYMI: Listen to J Molley’s uncharacteristically jovial “Flower Child”

Best New Music: 2Baba waxes philosophical about the duplicity of fame on “Important”

Through his 20-year career, 2Baba’s most introspective moments often come as mirrors of his own life. Tracks like “4 Instance”, “Only Me” and “Raindrops” glimpse how he has dealt with personal difficulties and general life ambiguity.

“Important” his new track, forewarns against the perils of undeservingly embracing spotlight and status. It’s a poetic rendering on looking before you leap into fame, coming from a man who has been a pop-culture anchor point for so long, critique and iconoclasm by naysayers is presumed to be validation.

Mr Idibia, however, has never been a camera hog for credit, which has always made him vulnerable to public scrutiny yet impossible to dislike. Earlier this year, in celebration of his two-decade run, he quietly launched ‘Next Up’, his own music enterprise platform similar to Mr Eazi’s emPawa Africa. Three vocalists—who will make their debuts in December—and one video director, have already been unveiled as beneficiaries of the initiative.

https://www.instagram.com/p/B44WAKLptbd/

“Important” is a promotional song for his upcoming 2-city concert (Abuja & Lagos) and tie-in ’20 Years A King’ national media tour. For a purposeful song like “Important” many artists would have opted for a dance number to gain promo mileage, yet it’s on this song—radio will probably hate—that we see 2Baba in his finest element, as afropop’s philosopher-supreme.

Filmmaker-director, Clarence Peters is infamous for near-miss music videos, but this is not always the case when he works with 2Baba. His rendition of 2face’s “Only Me”, is a visual think-piece on self-assessment and is in part why the track assumes classic status. Similarly, for “Important” Peters uses subliminal symbolism that echoes the 2Baba’s eponymous reality, sequenced from a wide-angled opening scene with the feels of an epic.

When he reaches for depth in his music, the real art of 2Baba is in blurring the lines of morality. This inadvertently also makes him a subject of his own sermons, given his often ironic self-righteousness. One of the most poignant scenes from “Important”, is of a small crowd of children watching a dancer in Afrofutuistic clothing. It’s a subtle reference to how “different” is treated as a public spectacle in our society. Elsewhere, 2Baba waxes lyrical about politicians seeking party favours from locals while poised as a wealthy politician himself. “You no tell dem say e dark, but they go want to sell you light. The moment you buy am, you don sell your human rights” 2Baba sings, as the scene cuts from him to a man whose face has been bounded by a mask of leather belts.

See 2Baba in “Important” below

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Toye is Editor-at-Large at NATIVE Nigeria. Tweet at him @ToyeSokunbi


Best New Music Score: 7.1

Tiwa Savage joins Coldplay on “Èkó”

The first hint at the global direction for the new Coldplay album, ‘Everyday Life’, came when they released the two lead singles, “Arabesque” and “Orphan”. Femi Kuti and his band delivered the blaring saxophone solo on the Afrobeat inspired pre-released single, “Arabesque”. The song added a perp to Coldplay’s step as they built anticipation for the project.

The 17-track tape has just been released and Tiwa Savage also makes an appearance on the album through her soothing backing vocals on “Èkó”. The folky mix of guitars and piano harmonies Simpson, Green and Rahko produce for the track listens like a lullaby and Simon’s lyrics follow a similarly sleep-inducing narrative as he describes Africa singing, “In Africa the rivers are perfectly deep and perfectly wide /In Africa the mothers will sing you to sleep and say, ‘It’s all right.’” It takes extra attention to catch Tiwa Savage’s soft cooing in the background, but it’s worth it to hear her on the slow-burning ballad that celebrates the serene beauty in Africa.

Earlier in the year, Beyonce also featured Tiwa Savage for standout track, “KEYS TO THE KINGDOM”, from her ‘The Lion King: The Gift’ album. Perhaps there are more international collaborations in store for Tiwa as her reputation seems to be at an all-time high

You can stream “Èkó” and “Arabesque” below.


Featured Image Credits: Instagram/tiwasavage
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ICYMI: Listen to Tiwa Savage’s two new singles, “Owo Mi Da” and “Attention”

Essentials: Davido delivers ‘A Good Time’ as promised

It speaks to Davido’s cultural impact that he has shaped the last decade of Nigerian music with just the one album out. After scoring several hit singles, featuring on Billboard Hot R&B and selling out shows around the world, we’re finally getting ‘A Good Time’, the followup to his ‘OBO – The Genesis’ debut from 7 years ago.

https://www.instagram.com/p/B5FbOHdBUGw/

Davido’s music was always suited for singles. There’s nothing wrong with that; so much of music is consumed through radio, playlists and club DJ sets and Davido’s impassioned singing never fails to connect with his audience. But when stretched across a 17-track album, the pop star qualities that give his songs staying power are replaced by an even more compelling narrative that humanizes him through his storytelling lyrics.

‘A Good Time’ opens with “Intro” where Davido’s vivid reflections are given life by lush guitar harmonies produced by Kiddominant. “I’m a shooting star in a blockbuster/ I’m a young stunner, Freedom fighter/ So many haters on my Instagram,” he sings while keeping a steady melody over the laidback beat. Having set the premise of the reality that shapes his world view, he returns to the lightweight theme of romance on the second track, “1 Milli”, but continues to allude to the haters while delivering his charming lyrics addressed at his love interest as he sings “Them say we no go last/ Them say na we do pass/ Them dey jealous our love”.

Labelmate, Peruzzi, joins Davido for the catchy “Disturbance” track. The two make a formidable pair over the groovy mix of traditional drums, synths and percussion as they confess their sultry intentions for their muse. Summer Walker also contributes a sultry verse for “D & G”, which finds Atlanta producer, London on da Track trying his hand at an afropop beat with assistance from Kiddominant. The genre-blending is however more cohesive on “Big Picture”, where Dremo, Gunna and A Boogie wit Da Hoodie join Davido in his smooth exercise in translating and flattening his range of influences into a global bop.

Each of the new romantic cuts from the album are just as compelling as early tracks like Popcaan assisted “Risky”, “Blow My Mind” featuring Chris Brown, “If”, “Fall” and “Assurance”—all five land on the album—but they lose some of their gloss when they all run together and are padded out with different versions of the same piano-heavy afropop beats. The album does, however, give Davido room to stretch, relieving him of the pressure to deliver songs that instantly resonate as club bangers. Closing track, “Animashaun” featuring Yonda, for instance, features some of the most introspective lyrics from Davido’s catalogue with every line he lays over the sparkling keys Fresh produced providing a vivid image of Davido’s journey to becoming an internationally recognized pop star.

Stream ‘A Good Time’ below.

Featured Image Credits: Instagram/davidoofficial
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ICYMI: Watch the music video for Davido and Popcaan’s “Risky”

“Golden” is Tay Iwar & Le Mav’s Gold band’s debut single

Tay Iwar handled the bulk of production—12 of the 16 tracks—on his excellent debut LP from earlier this year, ‘Gemini’. Joining him behind the boards was 80s sound producer, Le Mav, who produced two standout cuts, “Stranger” and “Fools”. With the chemistry they shared on both songs, it’s no surprise that they’ve continued to release more songs together and now seem to be forming a band called GOLD.

GOLD’s debut release is titled “Golden” and it finds both artists pushing past the boundaries of their previous work. Le Mav pairs an electric guitar riff with hypnotic EDM drums for a bouncy beat, while Tay glides through with his honeyed vocals. Tay Iwar’s mastery of writing about different types of romantic tensions is exhibited here when he sings lyrics narrating what follows a breakup caused by his newfound fame and the resulting ego. His fantasising about his ex-lover wanting him back makes “Golden” a conceited cut with romantic overtones but it also serves a mouth-watering teaser for what a Tay Iwar and Le Mav joint project would sound like when it eventually comes out.

Stream “Golden” here.

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ICYMI: LISTEN TO LUPITA’S ODE TO BROWN SKIN GIRLS, “SULWE’S SONG”

Barry Jhay returns with surreal music video for new single, “O Ga Ra”

Barry Jhay’s fuji influences were instantly recognizable on his breakout single, “Aiye”, but it was his motivational lyrics that earmarked him as an artist to watch. He has since kept up his reflective and spiritual persona through subsequent releases. His latest single, “O Ga Ra”, offers more of the street-smart counselling we’ve come to expect from him as he sings over the beat Tuzi produced to fit into DJ sets at clubs.

TG Omori directs the accompanying music video for “O Ga Ra”. The video captures some of the sentiments Barry Jhay expresses in the song as we watch a riot break out in front of him while he casually sings lyrics that admonish listeners not to be bothered by the negative energy around them. Dancers dressed in elaborate 80s costumes are also featured in the video, adding a surreal ambience to the Barry Jhay’s performance.

Watch the music video for “O Ga Ra” below.

Featured Image Credits: YouTube/BarryJhayVEVO
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ICYMI: Watch the music video for Barry Jhay’s prayerful single, “Normal Level”

Wavy the Creator teams up with Flohio, for new single, “3”

After featuring Tiwa Savage on the ambitious “Body Deep Remix”, Wavy the Creator is continues to defy singular genre constraints on her new single, “3”. The song features a energetic verse from Flohio, the energetic MC from South London. The lightweight beat which balances synthpop lushness with bouncy 808 drums leaves space for Wavy the Creator’s airy vocals and Flohio’s cutting bars to blend seamlessly as they try to convince their lovers to choose them.

Wavy the Creator interpolates Tony Tetuila’s classic hit song, “Omode Meta n Sere”, on the bridge of “3”. She spins the familiar melodies and lyrics from the ode to friendship, using it instead to capture the love triangle narrative of her own song. Her reference to the throwback song showcases new dimension to the Wavy we thought we knew, and you can expect to hear this feature on playlists in the coming weeks.

Stream Wavy The Creator and Flohio’s “3” below.

Featured Image Credits: Instagram/wavythecreator
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ICYMI: Stream “Body Deep Remix” by Wavy the Creator and Tiwa Savage

Watch Stormzy, Burna Boy & Ed Sheeran party in video for new single, “Own It”

Earlier this week, UK rap superstar Stormzy announced the impending arrival of his sophomore album, ‘Heavy Is the Head’. He also shared the project’s tracklist, revealing its array of guest features that includes Headie One, Tiana Major 9 and more. To build hype for the upcoming release, Stormzy has released “Own It”, the highly anticipated collaboration with Ed Sheeran and Burna Boy, alongside an accompanying music video for the club-ready track.

Over screeching piano synths and pulsating 808 bass, all three artists deliver a breezy set admiring the physical attributes of their love interests, while also expressing their lust-driven desires. Stormzy performs most of the song’s first verse, Ed sings the second verse, while Burna plays a much laid back but equally prominent role, contributing a brief section of the first verse as well as backing vocals for the hook and ad-libs for Ed’s verse.

Capturing the song’s lightweight inclinations, the music video for “Own It” is built around the raunchiness of dancefloor romance. While the video showcases various colourful scenes of all three artists performing their lyrics in solo and each other’s company, the video climaxes with a party scene, where Stormzy and Ed dance with models in sensual poses at a neon-lit club filled with smoke.

Watch “Own It” here.

Featured Image Credits: Twitter/burnaboy

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: BURNA BOY SNAGS HIS FIRST GRAMMY NOMINATION

Niniola to headline EatDrinkFestival this year

Nigeria’s fastest-growing food festival is back again this year. But this time, there’s a twist—the addition of music performances and workshops. Since the first edition of the EatDrinkFestival in 2015, every successive edition has come with some new developments to make each one more memorable than the last. This year’s edition is sure to leave a lasting impression, as they’ve now included the ultimate Lagos Christmas vibe, with live music sets featuring Niniola, BOJ and Dami Oniru.

Eat.Drink.Lagos and by extension, the festival, started out as a platform to spotlight the best food vendors in Lagos, shifting the paradigm in food culture as we knew it, before they emerged. Having successfully dominated this niche, they are now exploring different ways to add complementary elements to this year’s edition of the festival, most notably—live music performances by popular artists. The 2-day event for foodies all over Lagos is also now a hub for music lovers to unite and enjoy good music.

Speaking to The NATIVE about their new addition to the festival, the Eat.Drink.Lagos team said: “In the last year, we’ve been sharing weekly playlists on blog to give our readers a feel of music we listen to and basically establish our vibe. The artist lineup is an extension of that in the same way the festival is an extension of what we are as a food website.

We’re huge fans of Niniola so having her as our headliner was a no brainer. Boj and Dami Oniru are another pair that we listen to a lot. We’ve carefully selected our DJs as well so it should be a lot of fun. The same way the festival started out as a way to share our favourite food vendors in Lagos, we’re trying to share the music we listen to with our guests as well.”

Given the choice of musicians, we’re in for an even better time than we’re used to at EatDrinkFestival – while the food still remains the festival’s core, the lineup is sure to entertain guests and create a truly unique festival experience you don’t want to miss out on.

Check out all the details below.

For more information and updates visit eatdrinkfestival.com.

Featured Image Credits: Instagram/officialniniola
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ICYMI: Niniola and Sarz team up for new single, “Omo Rapala”

‘A Good Time’ unravels a new era for Davido’s artistic excellence

Nobody could have predicted how returning back to basics would have played out for Davido following the breakdown of his relationship with Sony in 2017.

A 7-year wait (since the release of OBO: Genesis), one failed EP, a three-year-long roll out, and now fans finally have a project, that feels worthy of Davido’s uncompromising artistic vision. The new project, hit the internet earlier today sating the appetite of eager fans who have been anticipating its arrival since Davido started dropping hints, during his US press rounds.

https://www.instagram.com/p/B5FbOHdBUGw/

Sonically, A Good Time, emblemises Davido’s resolute Africa-first creative gaze while expending a wide-range of collaborators as homage to afropop’s expansive inspirations and influences. Featuring already tested smash hits, like “Fall”, “Assurance”, and “Risky”, A Good Time also packs additional heft with guest appearances from Summer Walker, Naira Marley, Gunna, Zlatan, A Boogie With A Hoodie, Wurld, Popcaan, Peruzzi,  and Yonda. With the exception of “D&G” featuring Summer Walker, where American producer, London On Da Track’s tag can be heard, production work for A Good Time is mostly helmed by usual suspects, Kiddominant, Shizzi and Speroach Beats.

With Burna Boy’s Grammy nomination, Afropop assenting to global reverence in 2019, has become a misnomer for the genre itself. Especially for afropop firebrands like Davido for whom creating an international presence is both a personal agenda and an altruistic campaign for the greater viability of African music. After selling out the O2 Arena earlier in the year, charting on the Billboard Hot R&B with “Fall”  then headling festivals over the summer, A Good Time is already poised to easily be another win on the belt Africa’s biggest popstar.

Stream all tracks from Davido’s A Good Time via Apple Music below:


Toye is Editor-at-Large at NATIVE Nigeria. Tweet at him @ToyeSokunbi



Read The NATIVE’s Issue 2 cover story: Davido vs The World

French singer, Dadju features Davido, Wizkid and Burna Boy on his ‘Poison Ou Antidote’ album

MHD’s Wizkid-assisted “Bella” already highlighted afropop’s proficiency on dancefloors around the world when it was released last year. The fanfare it enjoyed seems to have whet France’s appetite for more Nigerian songs as French singer, Dadju, features Davido, Wizkid and Burna Boy on three different songs on his new album, ‘Poison Ou Antidote’.

Burna Boy’s contribution comes on the 20th track, “Donne-moi L’accord”, a lightweight afropop bop produced by Kel P. The romantic lyrics from Burna Boy confirms the song’s romantic direction, but the smooth mix of rattling samples, horns, percussion and Dadju’s French lyrics already carried the sultry quality of romance. The 24th track, “Nous” features a verse from Davido who performs a confident set to charm a love interest. Kel P also produced the Wizkid assisted “Danger”, but this time he flexes the range of his sonic palate with the Caribbean fueled synth-pop beat he produced for the romantic number.

Stream “Donne-moi L’accord”, “Nous” and “Danger” off Dadju’s228-track ‘Poison Ou Antidote’ below.

Featured Image Credits: Instagram/dadju
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ICYMI: Watch the music video for “Bella” by MHD and Wizkid

Idowest restates street reputation on new single, “Set Awon”

The street-hop scene’s knack for making songs to serve dancefloors while driving conversation with edgy lyricism has made it one of the most entertaining parts of the Nigerian music scene. Idowest’s new single, “Set Awon”, makes sure he’s not left out of the conversation as he spins the viral “Set Awon” joke Small Doctor started on his Instagram for a party song produced by Vstix. Fast-paced drum locks the song in a groovy ambience while Idowest lays down confident bars bragging about the strength of his clique; “Ose David, ninu Bently be set awon Brizzy”. Idowest’s charming sense of humour helped him breakout with “Shepeteri”, and it comes into play again to make “Set Awon” a potential club hit.

You can stream “Set Awon” below.

Featured Image Credits: Instagram/officialidowest
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ICYMI: Watch the music video for Idowest’s “Ye Mama”

Davido performs piano rendition of his hit singles, “Fall” & “Risky”

After a long waiting period, Davido album SZN is finally here. In October, the singer announced his sophomore LP, ‘A Good Time’, to be released on November 22nd (tomorrow). He’s been driving up the hype in the last few days, unveiling the star-studded tracklist as well as its stunning cover art. For his latest public appearance, the singer performed stripped-down renditions of his hit singles, “Fall” and “Risky” for Audiomack’s Fine Tuned live sessions.

Accompanied solely by a piano, Davido sings the romance-themed set of both songs, smoothly transitioning from one song to the next for a mini-medley. In this minimalist setting, Davido’s gruff vocals get all the shine, emphasising the infectious quality of his memorable lines and catchy melodies. Davido’s “Fall”/”Risky” set was recorded for Audiomack’s ‘Fine Tuned’ series, where select artists perform their hit songs backed by a single instrument. Davido is the second Afropop act to feature on the series, following Mr Eazi’s appearance back in August.

Watch Davido’s Fine Tuned set below.

Featured Image Credits: YouTube/Audiomack

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


AFTER A 7 YEAR WAIT, DAVIDO’S SOPHOMORE ALBUM, “A GOOD TIME” IS ON THE WAY

Yemi Alade reaches for new levels of sexy in new video for “Shake” featuring Duncan Mighty

Yemi Alade’s newest album, ‘Woman of Steel’, dropped back in September, and she’s ensured attention remains on the project by dropping accompanying music videos. For her latest release, Yemi delivers a set of visuals for the Duncan Mighty-assisted “Shake”, the project’s third track. Both singers deliver sensual come-ons to their love interests, the Paul Gambit-directed video is focused on Yemi’s sex appeal, while Duncan Mighty is sparingly featured. The video opens with Yemi, spotting seductive poses on a bed, she’s joined by dancers styled in leather outfits and flowing garments inspired by the old Roman Empire.

Watch Yemi Alade’s “Shake” here.

Featured Image Credits: YouTube/Yemi Alade

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


BEST NEW MUSIC: BROKEN HEARTS WON’T HEAL ON BELLA ALUBO’S “DON’T TRUST GEMINIS”

Burna Boy snags his first Grammy nomination

The nominations for the 62nd Academy Awards were announced earlier this evening, with many international acts like Lil Nas X and Billie Eilish leading the pack with the most nominations.

However, the most notable nomination for us, was Burna Boy’s latest album ‘African Giant’ being picked up for its first-ever Grammy nomination under the category Best World Music Album. Burna Boy now joins the growing list of Nigerians like Seun Kuti, Kah-Lo, Wizkid and King Sunny Ade who have previously been nominated for the Grammys. Although none of these artists went on to win a Grammy, Burna Boy is a sure contender for the category which he competes in alongside one of his inspirations, Angelique Kidjo.

The self-titled African Giant has one of the most prolific runs as an artist this year, and it’s everything he predicted for himself in our Birth issue coming true. Also nominated as part of the production credits are producers GMK, Kel P, P2J who are some of the powerhouses behind the record.

Featured image credits/Michaeltubescreations


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Burna Boy features on the soundtrack for upcoming Hollywood film, ‘Queen & Slim’

Busola Dakolo says awareness is victory, and she’s right

Story by Aisha Salaudeen 

21-year-old survivor, Olive Nnorom first heard that celebrity photographer, Busola Dakolo was allegedly raped by her pastor as a teenager, during one of her group therapy sessions back in June. “At that time, I didn’t know who she was or what they were talking about. So, I went on Twitter to read about it and I was shocked,” Nnorom said, explaining that the story hurt so much she immediately became outraged.

Earlier on in the year, Busola spoke in an interview about being defiled as a teenager by her pastor, Biodun Fatoyinbo, founder and head pastor of COZA. The allegations, detailed and dreadful, sparked conversations, much like the one in Nnorom’s therapy session, on Nigeria’s rape culture in a way that previous allegations haven’t before.

Since the news broke, Fatoyinbo has been accused of rape by other women. Today, he’s a free man who continues to deny the allegations, “I have never in my life raped anybody,” he wrote in a statement released June.

Nigeria’s rape culture

In the weeks following Dakolo’s interview, social media was flooded with doubts and questions asking why she took so long to come out and why she felt the need to ‘expose a man of God.’

Ours is a deeply patriarchal society, which has normalised abuse such that women are blamed and questioned, while their perpetrators exonerated. UNICEF says 1 in 4 Nigerian girls are victims of sexual violence before they turn 18, and according to a national survey carried out in 2014, only 38% of those who experienced sexual violence as children told someone about it, and only about 5% sought help.

These numbers point to a harrowing reality that many survivors don’t talk about their experiences in fear of being chastised for it. In spite of her on-going therapy, Olive Nnorom reiterated this too, buttressing the mark of disgrace attached to being assaulted. In her case, it contributed to her long silence, and lack of why she didn’t feel comfortable sharing her story. “The first time it happened, it was a family friend. Other times were strangers and a coursemate,” Olive told The NATIVE.

A new generation of women

But it’s possible, that in the wake of the global #MeToo movement, things are slowly taking a different turn. Nigerian women are sharing their stories and starting movements that speak against sexual violations and the many ugly forms it rears its head.

26-year-old women’s rights advocate, Fakhriyyah Hashim is one of them. Through #Arewametoo, Hashim is trying to change how Arewa (a collective name for the north of Nigeria) sees cases of sexual abuse.

It can be argued that Nigeria’s north is the most conservative region in the country. Women there don’t traditionally discuss sexual or physical abuse openly, but this movement, co-directed by Hashim, is opening doors for more women to share and seek psychosocial help.

“There has been a shift. You look at the conversations and how people viewed sexual violence 5 or 10 years ago to now, it is very different,” Hashim told The NATIVE. She’s convinced that now, more than ever, women have washed away the shame associated with calling out sexual violence, “You can see from last year to this year that women are saying ‘this happened to me, I am not ashamed of it and I am not responsible for this heinous crime that happened to me.’”

According to her, all it takes is one person to shatter the glass of silence, and others follow. This is why it’s important to highlight the wave of protests and conversations post-Dakolo’s #MeToo moment, challenging the role of the church in trivializing sexual harassment. Like Busola Dakolo, in Northern Nigeria, Khadijah Adamu’s voice, gave many northern women the strength, under #ArewaMeToo, to take off the masks they previously used to discuss gender-based violence. Beyond publicly sharing stories, these women have created specific tools for other women to use. There are mental health organisations that provide mental health support to women who have been abused, and not-for-profits dedicated to filing police reports and assigning lawyers to survivors who want to take their case to court.

It is not just Nigeria. Women from all over the continent have had enough. In June, CNN reported that three women accused Gambia’s former president, Yahya Jammeh, of a series of rapes and sexual assaults while in power. A month earlier, a former presidential adviser in Sierra Leone spoke on being assaulted by a church leader and how that impacted her life.

Awareness is victory

While more women are bracing the odds to challenge Nigeria’s widespread rape culture, it is not without challenges. Dakolo’s allegation, for example, earned her a visit from the Nigerian police who claimed she was being investigated in a case of criminal conspiracy. She also had to contend with trolls on social media and whispers on the streets that was lying about being assaulted.

Maryam Awaisu who co-directors ArewaMeToo with Fakhriyyah Hashim was arrested in Kaduna, northwest Nigeria by men of Nigeria’s Special Anti-Robbery Squad (SARS), a notorious branch of the Nigerian police. Awaisu, 29, was picked up in February after a political aide filed a defamation petition against her for calling him out on a series of allegations of sexual abuse.

These societal pushbacks are not limited to Nigeria alone. It has hit women in many countries including the United States and Uganda. But survivors in Nigeria say they feel a different kind of fear, “Women are not and may never be safe in this country,” Olive Nnorom said, sullenly. It is why those who are damning the possible consequences and creating awareness about the dangers of abuse are winners; It takes immense courage to constantly work towards breaking a system that was built to break women.

View this post on Instagram

I have just been briefed by my lawyers on the court’s ruling in the matter before it pertaining to my stand against injustice represented by the reprehensible actions of Mr. Biodun Fatoyinbo and, in light of the present and anticipated inquiries from friends, family and well-wishers, it is pertinent to convey my sincere reaction to said ruling. When I set about confronting one of my biggest fears and a horrible experience from my past, the first hurdle was finding the confidence to. Victims usually do not find a place for their voice, certainly not in our deeply conservative country where might is right and a virtue while innocence is a licence for abuse and disregard. I had no illusions about the herculean task before me in not only openly confronting the man behind the mask but seeking remedy and sanction against him before the court. I set out to ease the hurt, the sense of shame and abuse, the nightmares and traumas not by securing judicial victory only but by boldly sharing my story and calling out my transgressor robed in the vestiges of clerical power and pretence. I understood and accepted that by voicing out I was silencing the screams in the night. Ever since my story broke, the reactions were mixed but largely comforting. I noted that otherwise hushed victims of rape and sexual abuse were taking a cue from my stoicism in the face of ridicule and opposition and sharing their equally appalling stories. It is in this response that my victory was sealed, in knowing that one woman’s boldness could encourage others and challenge the institutionalized silence and the repression of the victim’s narrative by a culture of guilt-tripping, stigma and an inexplicable clamour to make irrational excuses for sexual offenders. Even so, there is much to be said about what transpired in court. In the court’s wisdom, my legal action is statue barred and that means the time has passed within which I could or should have initiated the suit. The substance of the suit which is my allegations of sexual abuse leading to emotional distress on my person against Mr. Biodun Fatoyinbo has neither been entertained by the court nor ruled up

A post shared by Busola Dakolo (@busoladakolo) on

Last week, Busola Dakolo put out a statement on her Instagram page after a high court in Nigeria’s capital city, Abuja, dismissed a case she filed against Biodun Fatoyinbo. In September, she drew up a civil suit against him for intentionally inflicting her with emotional distress. She wrote that she is fine with how things have played out so far because awareness is victory.

“I set out to ease the hurt, the sense of shame and abuse, the nightmares and traumas not by securing judicial victory only but by boldly sharing my story and calling out my transgressor robed in the vestiges of clerical power and pretence. I understood and accepted that by voicing out I was silencing the screams in the night.”

When matched against an even more recent case involving two artists, DJ Rico (real name, Segun Rasaq) and Don Chima George, who were accused of raping an unconscious girl, the pattern seems familiar. First came the social media uproar, then the parade of arrest, leading up to a series of adjourned court cases. Last anyone heard of the ‘suspected’ rapists, was that they were both free men.

Still, it would be defeatist to deem the demand for justice null, because the system failed the victims. For Busola Dakolo, part of her healing was confronting her abuser, and that itself is a win. Awazi Angbalaga, 25-year-old women’s rights advocate and radio personality told the NATIVE that Dakolo has done more than just healing from the trauma she experienced as a teenager, “She has helped other women in similar situations heal too.”

Angbalaga works for Standtoendrape, a not for profit with a focus on providing psychosocial support to survivors of gender-based violence. She strongly maintains that having the strength to confront trauma from abuse is worth celebrating. “Busola went to court and more people, now more than ever see the need to hold their religious leaders accountable. I have personally seen it in my church in Abuja. How is that not victory? It is because a lot more people are checking, they are asking the right questions, they are not quiet,” she said.

Beyond awareness, however, it is clearer than ever that a lot more needs to be done. Law enforcement, for example, is still a major challenge as perpetrators often get away with acts of violence. The acknowledgement of a problem is a step in the right direction, but perhaps the new war to be waged by civil society and other interest groups is against the patriarchal instruments that prevent justice from being served. Until then, the hope is that naming names and having conversations about the experiences of multiple women, will tilt us in the direction of minimizing sexual violations.


Aisha Salaudeen is a multimedia journalist at CNN, with experience telling and helping people tell stories. She has worked in full time and freelance journalism, using videos and text to report diverse human interest stories. Tweet at her @aishasalaudeen


The High Court Has Dismissed Busola Dakolo’s Case Against Pastor Biodun Fatoyinbo