A look back at Wizkid’s album cover arts from his debut, ‘Superstar’ to ‘Made In Lagos’

Alas, the moment we’ve all been waiting for is almost here. Today, the 29th of October is the day that (it seems) Wizkid finally finally FINALLY drops his long-awaited 4th studio album, ‘Made in Lagos’. It has been a long road with numerous date changes that left fans questioning if the album would ever see the light of day. It’s been 3 years since he shared his last studio album, ‘Sound From the Other Side’ and though he shared a 7-track EP, ‘Soundman Vol. 1’ last December, the Wizkid FC have relentlessly pressured the Starboy to share the highly anticipated album.

 

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MadeinLagos!! Tonight!! 11:11pm naija time!! 🇳🇬🖤❤️🦅 #dropthenaijaflag if you ready!!

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In September, he finally matched fans’ enthusiasm by sharing a new lead single from the project, “No Stress” along with an album cover art, preorder link, and a release date set for the 15th of October. Although the deliberate approach of the rollout was more convincing than previous such announcements, he was forced to push back the release date yet again because young Nigerians were still in the process of protesting against police brutality and demanding for their voices to be heard. Wizkid joined the protest while in London and put his release on hold so as to keep the focus fully on what’s at hand.

Nevertheless, the protests have quieted in the meantime and Wizkid is now gearing to share the 14-track album with fans. Although we saw a different album cover when “No Stress” dropped, he has revealed a new album cover, replacing the previously expected abstract artwork that featured symbols representing different locations in Lagos with a monochrome self-portrait. We wouldn’t be too surprised if he has also made a few adjustments to the sound as well given the politically charged climate we’re in.

 

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October 15th 😇🦅

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All of Wizkid’s previous album covers have reflected the context of the times when he recorded them. While we count down the minutes to the release of ‘Made In Lagos’, we’ve decided to look back at cover arts for Wizkid’s projects and how they captured its essence.

‘Superstar’ – 2011

Wizkid’s debut album, ‘Superstar’ was covered by a striking image of the young singer in his urban fit—rocking Ray-Ban shades and a green baseball hat. Despite the basic design of the photoshopped background of 3D star shapes, the lasting significance of the image is seen in how aptly it captures the fashion trends of the early 2010s and Wizkid’s immediate impact on youth culture. There are still millions of images on Facebook of people who tried to mimic that look down to the camera angle.

I was in secondary school when Wizkid dropped his debut album, ‘Superstar’ and it was already obvious from the video for his debut single, “Holla At Your Boy” that Wizkid was going to be big. He managed to match his impressive command of melodies with charming looks, trendy clothes, and of course the support of an industry mogul, Banky W who had signed him to his EME (Empire Mates Entertainment) label. It was no surprise that he went for an ambitious title, ‘Superstar’ despite the fact that it was his debut album as he delivered great pop songs that borrowed from the indigenous sound of Fuji on tracks like “Pakuromo” and contemporary r&b and hip-hop for tracks like “Gidi Girl” and “EME Boyz”, featuring label mates, Skales and Banky W.

After listening to the album, it was impossible to deny the Starboy’s impressive talent as he deftly mixed indigenous melodies with modern drums and rhythms. However, as evident from the pretty boy look he’s giving in the cover art, ‘Superstar’ was written for the ladies as Wizkid sang his way into the hearts of young female fans by delivering romantic bops like “Tease Me” and “Wiz Party”.

‘Ayo’ – 2014

Wizkid’s sophomore and last project under the EME label management, ‘Ayo’ portrays the singer clad in a traditional Aso Ofi attire. He also wears the traditional accessories like beads and carries the Ìrùkèrè (horsetail) as he’s surrounded by traditionally dressed models who join him in front of a mud hut. The cover art showcases how he rebranded his image by doubling down on his local sensibilities and ditched the fun and trendy image of his debut tape.

The switch is also reflected in the sound of ‘Ayo’ as his songwriting is a lot more conservative and mature, dedicating tracks like “Mummy Mi” to his mother and the ubiquitous “Ojuelegba” (which introduced him to the rest of the world) to his neighbourhood. This saw him expanding his audience to be more inclusive, as he also featured an artist who evoked memories of the past, Femi Kuti on the lead single, “Jaiye Jaiye”. The concept of the striking imagery for the cover art enabled Wizkid to appeal to everyday Lagosian who could better relate with the autobiographical content of the album that narrates his grass to grace story.

‘Sound From The Other Side’ – 2017

Wizkid’s third studio album, ‘Sounds From the Other Side’ was an ambitious project that marked his debut under international label management, RCA. Fans didn’t seem too thrilled by the change of direction to accommodate the international audience and as a result, two videos were made for the lead single, “Come Closer”. Similarly, fans didn’t approve of the minimalist art direction for ‘Sounds From The Other Side’ done by Kobmart.

The bright illustration of Wizkid with the sun and hills reflecting in his signature shades channels a similar motif to the graffiti often drawn for barbers’ shops in Africa. Its bright colours translated to the music through beach-party themed bops like “Sweet Love” and “African Bad Gyal”.  The art seemed to invite listeners to see the beauty of Africa through his eyes, and the music also accomplished that with traditional drums, highlife guitar riffs, and Wizkid’s vivid lyrics celebrating the beauty of African women.

‘Made in Lagos’ – 2020

The initial cover art that Wizkid shared for ‘Made in Lagos’ had an abstract design that captured the iconic landmark locations of Lagos. It was even more abstract that ‘SFTOS’ as his face wasn’t featured at all in the art. The singer who has been the shining light of the city’s entertainment scene seemed prepared to historify the city, joining the ranks of legendary city-inspired music projects like NWA’s ‘Straight Outta Compton’. He already shared a video, offering the intricate details about each of the landmarks represented in the art, but perhaps upset by the state’s handling of the #EndSARS protests, he has moved in a new direction.

 

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He announced that ‘Made In Lagos’ will be out by 11.11 pm tonight and shared a new cover art made by Ghanaian creative director, Fawaz Concept. He also designed the cover for the tape’s lead single, “Ghetto Love” and has designed cover arts for other artists like Stonebwoy and Killerbeatz. The new cover art for ‘Made In Lagos’ is a portrait of Wizkid with his right-hand covering the right side of his face and his left hand behind him. He’s wearing a pair of brown trousers that match the colour of his brown shirt and the brown background. With his posture, silver watch, chains, green, white and green studded ring and a cross pendant, this will be the edgiest cover art in Wizkid’s catalogue which has sparked many conversations about his clean and fashionable outfit. It seems we’ve come full circle to the boyish swagger of the ‘Superstar’ era, except now, the boy from Ojuelegba is grown and has the swagger fitting for a true superstar.


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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch Wizkid in the cheerful video for H.E.R-assisted single, “Smile”

Here’s how some young Nigerians are making it through these trying times

The whole month of October has felt like one long bad trip and it’s still not over yet. For many young Nigerians, this was the first time in a long time that it felt like our voice mattered in our own country. A while ago, we looked into how the fight to #EndSARS was more than just about disbanding a rogue police unit but rather about coming to terms with the decades of rot at the heart of the Nigerian system. A system that exonerates killers and assaulters, one that diminishes the value of its young people and exalts and upholds a gerontocratic state.

But in these trying times, there have been moments where we have been able to come together and feel a sense of collective healing. Earlier this week, while young Nigerians were still demanding answers to questions from the night of last week’s massacre, footage emerged on our timelines showing an ex-Lagos State Governor mysteriously discovering a camcorder at the scene of last week’s brutal attacks. The camcorder was posited to continue key footage that would help further the ongoing investigations about what took place at the toll gate but young Nigerians were not easily fooled. Noise erupted on the timeline as everyone shared their disdain for how gullible our leaders assumed we were, a parallel which can be drawn with how they consistently infantilise young Nigerians.

After the initial shock died down, Nigerians did what they do best. We made jokes out of a bad situation and began memeing our way through the pain as a way of coping with the distressing revelation. On the timeline, things seem to be getting lighter and conversations and debates we once had have started making their way back to our minds and hearts. While we’re still monitoring the judicial panels and increasing the pressure on elected government officials through social media, we’re also trying to find some healing amidst the long journey ahead to good governance and total police reform in Nigeria.

For me, I’ve been listening to Tems’ EP ‘For Broken Ears’ and drawing parallels with the current reality that we have to navigate. It’s helped me find new strength to take on each day, even when results haven’t been forthcoming. To this end, I spoke to some members of our community on what they are doing to lighten the load in these deeply unsettling times. From immersing themselves in rap music to engaging in new passion projects, here is what members of our community had to say.

W, 23, F.

I’m watching Gotham. I started watching it with my sister when she was near the end, but I returned to season one a couple of weeks ago. Seeing the crime and corruption of the city has been quite triggering, especially as the story is told from the position of good police officers – at a point, I genuinely found myself jealous of Gotham City. Still, I keep watching because I am very attached to the characters.

L, 24, F.

I’ve actually started therapy for the first time. I was just feeling so down at the height of the protests just a week ago and then Tuesday happened, that really shook me. I had to get some help and reached out to a therapist so I’m glad to be working through all my survivor’s guilt. I can’t say I’m better now but I’ve learnt it’s a process.

D, 25, M.

I started watching a cartoon called Bravest Warriors. It’s super chilled and has helped me get my mind off the weight of our present reality. The new albums from TY Dolla $ign, Tems and Preme and Popcaan have also been great for escape. I’ve also been playing online games with friends. Being out in Lagos doesn’t feel safe these days but at least we still have things like the iPhone games to keep in touch in a fun way.

B, 27, M.

I’ve actually not done that much to help myself and I realise that’s bad to say. But I guess I’m now aware that I haven’t so I am trying to take some active steps to change that. I actually met someone at the protests and that’s been a good way to lose myself in another world when things get rough.

S, 25, M.

I’ve been watching Community, Perfect Blue and Lovecraft Country. And I’m listening to bktherula’s album, Ty Dolla $ign’s new album, Linkin Park’s ‘Living Things’ and Pvris’ new album, ‘Use Me’. I’ve also been playing Nneka’s ‘Soul Is Heavy’ like every day recently.

M, 23, M.

I don’t know exactly how I’ve been feeling. The only thing I know is that I want to spend time with my friends, great art and good merch. I think this is the time to work on ideas we have mentioned before and look for ways to implement. Also just drugs. I’ve been trying to express some feelings that I haven’t confronted. The massacre has taken a big toll because the toll gate was the safest spot during the whole protests. So to see how it has become, no one is safe at all.

N, 20, M.

I’d say first off, taking a break from regulated work (my day job) has been super helpful. Also listening to Solange’s ‘A Seat at the Table’ each morning and Ari Lennox’s ‘Chocolate Pomegranate’ every afternoon. Immersing myelf in old television series like Moesha and spending loads of time doing nothing or engaging with banter on Twitter has also been helpful.

T, 26, F.

I think the #EndSARS protests have really given me a sense of awakening. It’s so crazy how our leaders don’t know what they’re doing and are leading this country into vibes. So honestly I have just tried to recenter myself and remember that life is so short and we need to seize each moment. So I’ve started taking my rapping seriously. I always said I’d record one day so why not now?

F, 26, F.

I’ve been listening to a lot of rap cause no matter what the cause of my uncertainty is, the way rappers juxtapose their past and present lives on wax gives me grounding. Trying to decipher what their clever wordplay means occupies my mind and distracts me from reality, but at the same time, I’m applying what they’re saying to my own reality. In this instance for example when Roddy Ricch says ‘rich but I’m still ducking one time’ on “Perfect Time”, it makes me think about how no amount of money or privilege protects you from Nigeria doing its thing, and essentially, you can be rich and still ducking the police because they’re out of anybody’s control.

M, 23, F.

I’ve honestly just been drowning myself in work. Also listening to a lot of music that I like and focusing on passion projects that I haven’t started yet. I’ve been watching horror movies, eating junk food, and usually doing things I would do when I need to deal with distressing shit. I’m also doing work that makes me happy so I am trying to focus on that. Obviously, I couldn’t stay away from social media but at least this helped relax my mind a bit.

S, 24, F.

I have found myself wanting to educate myself more and know about Nigerian history cause I wasn’t really taught. So that Netflix special Journey To An African Colony and a couple of videos about Biafra my cousin sent me on Instagram.

Featured image credits/VictorAdewale


Tami is available here @tamimak_


ICYMI: How the Festival of Lights captured the heart of the End SARS protests

5 Halloween costume ideas for black couples

In partnership with Bumble UK*


I learned everything I know about Halloween in a 2004 lecture theatre directed by Cady Heron. Watching her awkward car crash into the reality of adolescent Halloween celebrations equipped me with significant enough second-hand embarrassment to never falter when October 31st came around. What Mean Girls didn’t equip me with, however, was a character that looked like me, for me to dress up as. Every Halloween event, where the fancy dress is not limited by theme, the rotating go-tos for my girls and I were Aaliyah, Cat Woman or Storm, or settle we’d settle for a costume that invited the parenthesis “black” – one of my proudest costumes my “black girl” Batman outfit.

In my older years, however, the pool of potential costumes grows fuller and fuller, thanks to increased representation in film and TV and growing visibility of black love. From Orange Is The New Black Jumpsuits, to inspired recreations of Beyoncé and Jay Z iconography, Halloween doesn’t have to be a reminder that mainstream media viciously omits people that look like you, have experiences like you, or even love like you.

So, for the couples who want to show off their bond (as well as their style), we’ve got a few ideas of couples, from contemporary culture, that make excellent inspiration for a Halloween night with bae.

Eric & Rahim

If you’re looking for a Halloween costume that celebrates contemporary cultural artefacts and the increased representation of queer black love in mainstream media, then Eric and his doting boo, Rahim are the perfect couple for you. Though in the end he went with his heart and settled on an abusive Adam, Rahim’s love for Eric was proud, pure and frankly, aspirational. If you’re not too superstitious, you should be willing to look past the bitter ending of their relationship in appreciation of what would have been the best TV couple of the year, if the writers weren’t so set on breaking our hearts. Dressing as these two for Halloween would be particularly perfect for couples who share diverging styles and characters. Eric’s fashionable exuberance versus Rahim’s signature leather jacket will highlight your differences in a playfully dramatic way.

The Wilsons

The Tethered family, as created by Jordan Peele in his 2019 horror moie, Us, make an excellent Halloween costume for those who seek out actual spook on the scariest holiday in our calendar. With this simple red jumpsuit, you and your partner are likely to silence the room upon entry, similar to Cady’s ‘Ex Wife’ costume – only yours would be met with nods of approval (from us first) and not head shakes in contempt. An added bonus to this costume is that there’s room for more! Whether you have children of your own or you’re adopting friends as kids for the night, the unrelenting familial bonds of the tethered Wilson family gives you the opportunity to show off your own close ties to your nearest and dearest, including your partner, in the most frightful way.

Priscilla & Mike

 

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Robbed of the Love Island win at the start of this year, Mike and Priscilla were synonymous with Black British Love and unlike a few of their fellow Islanders, their own South African romance has stood the test of time. Black don’t crack, and it seems neither does Black Love. Their Instagrams are populated with visual media that boasts about their lasting love – from date nights, and campaign shoots to protests and loved-up tik toks – but no image screams Priscilla & Mike more than their official Love Island coupling up picture. If you’re concerned about the impracticality of topless chests and swimming costumes in the winter, let the immortal words of Cardi B remind you, “A hoe never gets cold”.

Mike and Priscilla are not quite Bey & Jay, but once couple memorialise their Love Island couple shot in the Halloween spirit, the iconic image might just emerge the next ‘Carters @ Le Louvre’ for UK lovebirds.

The Ex-Wives

 

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If you’ve got a dark sense of humour and a healthy obsession with Mean Girls like anyone who grew up in the 00’s should, this Halloween costume will undoubtedly be your favourite on the list. Married for only two months, Lena Waithe and Alana Mayo, were quite the headlining act across the new year. Whilst their relationship might have ended badly, their sadly severed bond and Cady Heron’s frightful “Ex Wife” pun, make for a thrilling Halloween costume for any tongue-in-cheek couples out there. With fake blood and wounds, fangs, contacts and distressed patterns on your clothing, this all simple all black ensemble morphs into a your worst nightmare – just what Halloween should be.

FKA Twigs & 645AR

Given the current restrictions in the UK, celebrating Halloween at an actual party is something of a luxury. Most of us will have to flaunt our fancy dress on Instagram, as the function is no longer an operational catwalk, whilst others of us, the more dedicated Halloween goers, might have a virtual party planned. If you’re in the latter group, it seems like a no-brainer to take advantage of of the lockdown commemorative video from 645AR and FKA Twigs, “Sum Bout U”. As always, Twigs’ styling in the music video is eye-catching and unmistakable to replicate, so even if the 645AR get-up might not be immediately recognisable (although it should be because who really dresses like that), you and your partner’s tag team will become clear, clever and witty upon seeing the FKA Twigs costume – a match made in Internet.

Featured Image Credits: Instagram/Ciara


ICYMI: Exploring the contours of Black Love in the UK 

#VidasAngolanasImportam: Angolans Protests the country’s poor governance

2020 has been a truly historical year. At first, we opened our history books to compare the coronavirus outbreak to other pandemics that have shaken the world in centuries past. As the year has progressed, however, our fight against COVID-19 took a back seat, as the world finally demanded an end to the wanton corruption, injustice and inexplicable inequity perpetuated by our world leaders – an oppressive characteristic that trickle down into, is even upheld by, the failing police systems that abuse their power worldwide.

Over the summer, the Black Lives Matter movement dominated the media, as, following the murder of George Floyd, Americans flooded the streets once again to protest police brutality and America’s racist, classist and sexist governance. This month all across Africa, protests have flared up as the people of Cameroon, Namibia, Congo, Nigeria, Liberia, and other countries rise up to take their stand against the bad governance that persist across the nation, that results in crimes against human beings, from police killings, to sexual and gender-based violence, child trafficking and underage labour under unsafe working conditions. Over the past five days, this is the battle Angolans have been fighting, a movement tagged #VidasAngolanasImportam on social media.

Demonstrations began last week Saturday, in Angola’s capital city of Luanda last week Saturday, with the people demanding that local elections – which have ben postponed as a result of COVID-19 restrictions – finally hold. Five days later, and Angolan’s have been given a plethora of reasons to protest against police brutality, bad governance and corruption. On October 24 a Presidential Decree was imposed, restricting street gatherings to a maximum of five people, and in accordance with this decree, the Angolan Police Force have been targeting and harassing protestors who are defying the mandate in favour of fighting for a truly democratic regime. According to the interior ministry secretary Salvador Rodrigues, as reported by the BBC, over one hundred people were detained at Saturday’s ‘Citizen March‘, with protesters due in court next week Monday.

Much like during the #EndSARS protests in Nigeria, the Angolan police are systematically silencing the voices of the protests, through these indiscriminate arrests and also by thwarting press coverage of the events ongoing in Angola. It has been reported that at least eight journalists have been arrested during the demonstrations, harassed physically and verbally whilst in custody – for days in some cases – for simply doing their job, with the requisite press credentials. With journalists being silenced, the need for social media becomes even more pertinent as first hand reportage from users on ground becomes the primary source of information dissemination. During civil uprisings worldwide, social media has been the foreground of activist organisation and continues to prove an invaluable resource in the revolution. Governments’ threats to limit social media usage are only further evidence of their malicious intentions in power.

The National Union for the Total Independence of Angola (UNITA), is Angola’s primary opposition party, and has made every effort to align with the #VidasAngolanasImportam social media campaign, in a bid to prove their dedication to good, fair and democratic governance. Endorsing the protest, the UNITA spokesperson, Marcial Dachala spoke out against the excessive use of force by the police, saying protests “should never be met with tear gas, live bullets,” and demanding, the “unconditional release” of the protesters and journalists that had been arrested. Dachala, additionally, condemned the ruling parting, saying: “The behaviour exhibited by the regime clearly shows that Angola is in a state that is neither democratic nor based on the rule of law.

Unlawful policing is rife within Angola, with Manuel Ekuikui, UNITA’s provincial secretary in Luanda, himself, having been attacked by the police. Last month, Angola’s Doctors’ Union also protested police brutality, in the wake of the death of their fellow medical professional, Silvio Dala, who was apprehended for breaching COVID regulations – driving without a face mask – and died in police custody. Though the police claimed Dala suffered a heart attack, fell (incurring minor head injuries) and then died, blood and scares were found on the 35-year-old victim’s body upon its release to the morgue.

It is clear from public grievances all over the world that the police systems need reform. Officers are keen to abuse their power, only bestowed upon them to protect the citizens, and are brainwashed with the same oppressive ideologies that plague our corrupt leaders too. Thankfully, this year, we are putting our feet down and demanding better, for ourselves and the world. The fight is far from over, but victory is ours.

Featured Image Credits: Twitter/Judicaelle Irakoze


ICYMI: HERE’S WHAT WE KNOW ABOUT THE ATTACKS IN KUMBA, CAMEROON

Reports from the Nigerian army consolidate what we already know about the Lekki Massacre

Until now, the reports from the horrific attacks that took place across Lagos state last week were met with speculation from the Nigerian Armed Forces and State and Federal Governments alike. For us tuned into social media, we watched in real-time how the events that occurred leading to the death of Nigerian citizens happened. On the evening of October 20, 2020, a curfew was announced, instructing Lagosians to return to their respective homes by 4pm, and young Nigerians, in bravery, organised demonstrations at the Lekki toll, Mushin, and other areas around Lagos. That evening, as the military mobilised across Lagos Stat, the lowest and most harrowing form of targeted violence on Nigerian citizens took place that day, and, until now, no one has taken responsibility.

The Lagos State Governor, Babajide Sanwo-Olu had previously announced that “forces beyond [his] direct control” were responsible for last Tuesday’s brutal attack even going as far as to claim no lives were lost on national tv, implying that the video evidence we all saw via live-stream were doctored. Nigerians have been angry and reasonably so, both the Nigerian Army and the Lagos State government have asserted that the videos we saw were “fake news”, a distressing denial considering social media is rife with Nigerians sending out missing posters for their loved ones last seen at the toll gate.

Days ago, footage of a conversation between Governor Sanwo-Olu and CNN news reporter, Becky Anderson surfaced on social media where the governor was confronted once again with questions about the lives lost last Tuesday, and the army’s involvement in the attacks. In the interview, the governor said, from the footage that we could see, it is military officers who descended upon the toll gate for the attack, and that CCTV from the site would be part of the evidence put forward in the investigation held by the judicial panel. This was the first time that the governor recognised the footage that we had all witnessed, and it seemed like continued international coverage and protests had played a huge part in the mounting of pressure on the Nigerian government.

The Nigerian army has now announced that they were acting in compliance with an order to ensure compliance with the curfew set in place by the Lagos State Government. In a statement by the Acting Deputy Director, 81 Division Army Public Relations, Major Osoba Olaniyi, the Division explained that the intervention of the soldiers was on the request of Governor Sanwo-Olu. He said:

“The attention of Headquarters 81 Division of the Nigerian Army has been drawn to a viral video on social media in which it was alleged that civilians protesters were massacred by soldiers at the Lekki Toll plaza. This allegation is untrue, unfounded and aimed at causing anarchy in the country. At no time did soldiers of the Nigerian Army open fire on any civilian.

From the onset of the EndSARS protest, there was no time personnel of 81 Division Nigerian Army, Lagos was involved. However, the decision to call in the Military was taken by the Lagos State Government after a 24-hour curfew was imposed. This was as a result of the violence which led to several police stations being burnt, policemen killed, suspects in police custody released and weapons carted away”.

The Lagos State governor is yet to address the new allegations before him.

Currently, judicial panels are ongoing to investigate accusation from survivors of SARS-related abuses and those with valid complaints from the Lekki toll gate. You can register your complaints here.

Featured image credits: NATIVE


ICYMI: Here’s what we know about the judicial panels

Burna Boy dedicates BET hip-hop awards performance to the victims of police brutality

One of the truly remarkable aspects of the #EndSARS protests, and the ongoing movement for a safer and saner Nigeria, is the emphasis on decentralisation. The common rhetoric of the past few weeks it that every concerned Nigerian youth is a leader of the demonstrations, and that includes celebrity figures who would have somehow become arrowheads in these sort of moments, due to their fame.

During these recent, tumultuous days, many celebrities have opted to use their platforms in amplifying the agitations against police brutality, rightly joining in the fight for change, rather than leading. Although conspicuously radio silent for the first few days of protests, Burna Boy has been one of several prominent Nigerian artists playing their part in the fight for change which the Nigerian youth populace have been so passionately pushing for.

Towards the end of the first week of agitations, the first couple of #EndSARS billboards were spotted in Lagos and other parts of the country, which were apparently sponsored by the Nigerian singer. During that period, Burna Boy also put out a statement showing his solidarity with the protests and announcing that he had set up Project Protect, an initiative to help in providing financial, medical and legal resources during and after the demonstrations. He’s also remained vocal on Twitter, sharing reactions to real time happenings, even briefly sharing an extended snippet of a tribute song to peaceful protesters killed by Nigerian soldiers on October 20, 2020.

Continuing to use his voice of activism, yesterday, at the 15th edition of the BET hip-hop awards, Burna Boy dedicated his performance to all victims of police brutality. Aired during the ceremony last night, Burna performed the raging socio-political cut, “Monsters You Made”, a standout track off his last studio album, ‘Twice As Tall’. The Chris Martin-assisted song received a symbolic music video soon after the album release, and Burna heavily interpolates the rebel universe of the video into the set of his performance.

https://www.youtube.com/watch?v=Qt8XvIl_f7I

Backed by his band, the Outsiders, with Chris Martin singing his parts remotely, Burna delivers his impassioned set while a montage of real life clippings showing police brutality on peaceful protesters – from Selma in 1965 to Lagos in 2020 – is projected unto a large screen. The set also includes extras dressed in the same vein as the music video of “Monsters You Made”. As is customary during his live shows, Burna’s vocals are crisp and clear, painfully so this time around, due to the poignant nature of his lyrics and how much they relate to current happenings.

As the #EndSARS protests have been sustained, the Nigerian government are resorting to gas-lighting the Nigerian youth, from demanding an end to protests, even though we’ve not seen concrete steps towards implementation; to deploying thugs against peaceful protesters; to pinning the destruction of properties on demonstrators who have always ensured to clean up after themselves. Instead of actually paying attention to the demands of protesters, the list of counter-responses has been long, painting us out to be unreasonable – or, in other words, monsters.

On the first verse of “Monsters You Made”, Burna mirrors the attitude of government towards citizens who dare ask for change, after long years of enduring unideal conditions. You could say the song is prescient, considering what is going on, but it fits quite easily, mainly because Nigeria’s governmental challenges haven’t really evolved in our 60 year, and a lot of activism-driven songs remain relevant till date. By honouring victims of police brutality in Nigeria – Tiamiyu Kazeem, Kolade Johnson, amongst others – Burna’s BET hip-hop awards performance is a resounding reminder of the urgency with which change needs to happen.

Watch the performance here:


Dennis is a staff writer at the NATIVE. Please share any useful resources for the #EndSARS movement with me @dennisadepeter


ICYMI: THE FIGHT TO #ENDSARS IS REALLY A FIGHT TO FIX THE NIGERIAN SYSTEM

How the Festival of Lights captured the heart of EndSARS protests

Since the #EndSARS movement developed into a nationwide protest three weeks ago, the Nigerian authorities have vilified protesters, accusing them of “disrupting the peace” in Nigeria. Bank accounts used to raise funds for medical and finical support for the movement were blocked, while prisoners and hoodlums were released on to the streets to delegitimise the peaceful demonstrations. The armed forces also took advantage of this narrative and used brute force to suppress protesters at the Lekki toll gate where the likes of godson45 and DJ Switch live recorded the massacre that took the lives of several innocent Nigerians.

Two days after the Lekki massacre, president Buhari gave a speech saying “The spreading of deliberate falsehood and misinformation through the social media, in particular, that this government is oblivious to the pains and plight of its citizens, is a ploy to mislead the unwary within and outside Nigeria into unfair judgement and disruptive behaviour.”  The speech lasted for nearly 10 minutes and was broadcasted nationwide before being seeded into social media via a twitter thread. By painting protesters as national adversaries and refusing to acknowledge the military’s attack on Lekki protesters, the genocide attack was thrown into doubt. The Governor of Lagos state, Jide Sanwoolu declared that no life was lost at the Lekki toll gate and the Nigerian Defence Headquarters’ Director of Information, Maj, Gen. John Eneche claimed it was fake news and the videos we saw on Instagram live were “photoshopped”.

I studied political science in the University of Ibadan, but none of my lectures compared with the real time experience of witnessing the government employing denialism to alter history. Facebook and Instagram flagged posts about #EndSARS as “Fake News” and since the speech on Sunday evening, we’ve seen the Nigerian cyberspace become more dysfunctional as conspiracy theories (for example, Buhari being replaced by a clone called Jubril) have started to fester. Like most young Nigerians, I had hoped that at this point in our history, the available technological resources would prevent people from using disinformation for political gain. I assumed, arrogantly, that our nation’s democratic institution and free press would expose anyone attempting to cover up the murder of our citizens. Instead, we’re being censored by Facebook and insulted by politicians who go as far as staging investigatory performances to validate their involvement in the movement against police brutality.

With the current climate where our leaders are refusing to even acknowledge that its citizens were killed by the very people appointed to protect them, it’s important to highlight how the Festival of Lights were able to honour the fallen, shining the spotlight on the core reason behind the movement. Festival of Lights was set up in Abuja, Lagos, Enugu, Ibadan, Port harcourt, London and some states in America to tribute the lost heroes with candle light vigils where victims of police brutality shared their stories. With its organisers being from different creeds, religions, sexual orientations, genders and such, the Festival of lights was an inclusive vigil that did not discriminate against anyone.

One of the particularly moving narratives was the story of Chijoke and his family’s tragic encounter with SARS officers, as it covered the emotional and physical abuse dealt out by the police unit. The video recording of the narration of Chijoke’s story from the Festival of Lights vigil held in Abuja has been watched over 500,000 times on twitter and it helped raise awareness on the genocidal atrocities of the SARS unit and why it is important for the world to join the movement to #EndSARS.

Like most young Nigerians, the organisers, Theo Awobokun Allanso, Damilola Waterton, Zara, Dara and Iyiola Ajala have also suffered at the hands of the rouge police unit. Dara whom I spoke with over WhatsApp had a very traumatic encounter, physically abused by SARS in February. Dara relocated to Lagos, Nigeria in 2017 and, because of her privilege, she was regularly harassed and extorted by SARS officers and had started to normalise it. However, she recalls that things went left at her last encounter with them, “they said they were going to rape me, they’d fuck me in the dirt and they’d kill me; that there’s nothing anyone could do”. Before she knew what was happening, they pushed her and tore her blouse open while she begged them to stop. She explained that they only let her go because she began to chant the Bismillah after hearing one of them’s Muslim name. Dara was forced to set aside her agnostic religious status and also part with some of her money just so that her life could be spared.

For her, the Festival of Lights was a therapeutic experience; “[my encounter with SARS] damaged quite a lot of my confidence and some personal relationships. It required a lot of healing and [organising the Festival of Lights] was just [another step in] healing for me.” Another organiser whom I spoke with, Zara, was lucky that her experience with SARS didn’t get violent. A medical practitioner, though Zara had her medical coat in her car, she was stopped out of nowhere on a busy street in Abuja at 8pm and was subjected to an annoying search. Fortunately, nothing was planted in her car to implicate her, but other victims aren’t always so lucky.

Dr Zara struggled to make time out in her work schedule to be at the protests in Abuja, but one evening while she was there, she noticed that some protesters were beginning to forget the reason they were gathered. She got talking with other protesters that she knew, Theo Awobokun Allanso, Damilola Waterton and Iyiola Ajala. “We realised it’d be a nice gesture and a way to sort of refocus everybody into realising that the reason we’re fighting is because of the amount of people we’ve lost to police brutality,” Zara explained. Damilola Waterton shared the idea for honouring the dead with a candle light vigil on his twitter and it instantly went viral as it resonated with people like Dara who had been trying to figure out how best to lend her voice during this #EndSARS movement. The rallying cry came at a moment when other protest sites, namely the Lekki toll gate, were beginning to lose sense of their reason for protesting, so the vigil quickly became an essential part of the nationwide movement to help refocus protesters.

“So Festival of Light is like a thing that happens in India, but it’s called ‘Diwali’,” Dara explained. “I saw the tweet and was like it’s just like Diwali but even though Diwali is used to celebrate other things and it’s a different thing entirely, it just made sense that we should focus on honouring people that had passed and were not lucky enough to be here to see this movement.” She was motivated, by Damilola’s tweet, to champion the event in Lagos and when she tweeted about her intentions, people started to DM her about how they too would like to be involved. “It just kinda morphed into this huge thing that just took off everywhere. [I came] to find out that a lot of our friends were the people also championing it in other places. Some complete strangers, some friends. That’s how we put a group together, put a twitter handle together and the whole thing just kinda took off.”

Social media has already proven to be a powerful tool against oppression as it was employed for the Black Lives Matter movements. In Nigeria, the hashtag #EndSARS is currently being used over a thousand times every hour on twitter. International celebrities like Rihanna, Kanye West and Beyonce have also shared it with their large audiences on twitter; with Jack endorsing the movement with a designated emoji, twitter has become synonymous with the youths’ fight against the oppressive government in Nigeria. Though some argue that a large majority of young Nigerians aren’t on Twitter, there’s no denying that it has been a useful tool for introducing social change within our communities – EndSARS started on twitter. Similarly, Festival of Lights used the platform for spearheading its event.

“The word is Twitter,” was Dara’s response when I asked how they were able to mobilise for a nationwide event in such short time. “It really was just social media. By the time people started posting on their Instagram, I started getting some DMs on Instagram. But twitter was the main tool used to mobilise and put this together.” Dr Zara admitted that she wasn’t expecting such quick response from people when she tweeted about the vigil, but she’s grateful that she did. “Once I tweeted it, literally immediately, a friend of mine messaged and said ‘Yes I’m going to help financially with this,’” she recounted.

It was the contributions from people who saw the tweets about the Festival of Lights that made the events possible. FK Abudu and the Feminist Coalition led by showing us the impact of using a recognisable slogan and highly visible social media presence to provide information and funds to support EndSARS protesters. While some people focused on organising strategic locations for protesters to converge, they took it a step further by setting up a network of volunteers who could provide for the needs of protesters while they demonstrated peacefully. Festival of Lights employed a similar community-based operation, which allowed people to contribute towards the success of the event.

“We wouldn’t have been able to put it together if not for the donations of very kind hearted people. At first it started independently of any brands or any movement that’s actively in the protests,” Dara explained as she talked me through the process of mobilising for the vigil. “It started from my personal funding and people putting their money down.” The bigger it got, the more funds they needed. However, generous contributors took care of all the necessary things like security, food, mics, candles and such. Dara mentioned a few brands that helped out but asked that the names be withheld to prevent government from escalating their assistance and accusing them of being “terrorists”.

Dr Zara also explained that in Abuja, there were lots of logistics involved and every single part of the process, preparation and planning was covered by donations. “Nothing came out of pocket for the organisers, except if they wanted to donate,” she said. “What came out from our pockets was basically time and preparation. Obviously going around town to get all the necessary things for [the vigil]. To a certain degree I’d say for the people that donated, it probably didn’t cost them a lot because they kept saying they wished they could have done more. It felt like if they had a chance to do more, they’d lay everything out. It was beautiful thing.”

When I asked if the Festival of Lights was a one-off act of solidarity, both Zara and Dara expressed that it depends on how the protests go. This was before the Lekki massacre happened on Tuesday, 20th of October. They had been optimistic that the peaceful protests would lead to a resolution and young Nigerians would no longer die at the hands of the police. Sadly, their hopes haven’t yet come to fruition as lots more people have since been killed by the police and the Nigerian military.

“By all means, I’m very much down to make this a regular occurring thing,” Dr Zara affirmed. “I don’t want it to be, because the whole point is to not have people that are dying. But if people continue to die then we’re a 100% ready to keep on doing this.”

While Nigerians continue the fight to bring down the pillars of oppression, those involved in organising the Festival of Lights vigil are playing their part to ensure that those whose lives are lost to SARS are given the heroes honour they deserve. The vigils aren’t just for the families of the victims but also for those who haven’t been affected as they bring awareness that help us stay focused on the fight to end police brutality in Nigeria.

Featured Image Credits: Twitter/visualsbyuche


ICYMI: WE WILL NEVER FORGET WHAT REALLY HAPPENED AT THE LEKKI TOLL GATE

Exploring the contours of Black Love in the UK

In partnership with Bumble UK*


This October, as part of their celebration of Black History Month social media networking site, Bumble are sharing stories and experiences of black love, in a way that the British media has hardly ever seen before. Born and raised in the UK, black love to me meant the bond shared between family; meeting other black students and bonding over our shared experiences of discrimination. Of course, there were times that I did develop a fancy for other black students, but having rarely ever seen representations of happy, stress-free black couples, my default was to remove my blackness from romantic pursuits, even if the apple of my eye was another black child.

Representation matters. As children, our minds are very impressionable. The world is new to us, everything must be learned, and we do so through experiences – our own and those depicted to us by the things that surround us. In an interview with gal-dem as part of their ‘Growing Up With gal-dem podcast series, Tiwa Savage expressed that in teaching her son to say his P&Qs she realised that she didn’t practice the same politeness when speaking to others. What Tiwa Savage was explaining is that if Jam Jam only hears “pass that” and “give me this”, he’s likely to mimic these commands, and unlikely to see the reason or appeal of adding an extra word like “please”, or an extra two in the case of “thank you”. Similarly, when we see only specific expressions of love – during my childhood it was the white-dominated genre of romantic comedies which thrived on female folly, or different variations of the ride or die stereotype when it came to black couples – we learn that this is the way to love, regardless of what our parents tell us. Discussing black love with NATIVE, sex and relationship expert, Oloni tells me “Shows such as ‘My Wife And Kids’, ‘Fresh Prince Of Bel Air’ and ‘All Of Us’ really excelled at showing me what black love is all about. It felt special to see. But that is an issue in itself. Black love shouldn’t be so rare that it amazes you when you see it.

She went on to say, “when the ‘norm’ is a having functional white relationship on your TV screens, in the magazines and films, you start to associate successful marriages with other races and not your own. Subconsciously you feel that maybe you are less likely to be in a happy long term relationship because you don’t get the same amount of black love represented in the media.” If Jamil struggles to understand why he has to say please and thank you when mummy and her friends and colleagues don’t, then it’s not unimaginable that preachings to black children of healthy romance and self-love fell on deaf ears. Throughout the British media, these narratives were omitted from black people’s stories.

What we learn as children follows us through our formative years and have tangible impacts on our lives as adults – what we don’t learn, when we miss out on authentic representations of blackness, is no different. In addition to the heartwarming videos shared each day over Bumble UK’s socials, the Bumble team also carried out an extensive survey, posing questions to 1,000 respondents between ages 16 and 60, about representation of black love. In this survey, Bumble found that “two thirds (66%) of millennials said the lack of relatable images and stories, about what it is like to date as a British Black person, does negatively impact their mental wellbeing.

In her Black Girl’s Manifesto For Change, co-written alongside fellow Cambridge graduate, Ore Ogunbiyi, Chelsea Kwakye discusses black love in the context of her Cambridge University experiences, discussing the multiple ways in which romantic inclinations in university have been made a contentious pursuit for black women, and men, “because of how little we see strong representations of black love,” Chelsea writes. On of the first subsections of the ‘Desirability and Relationships’ chapter is ‘Self-Love over Everything’, where Chelsea narrates how throughout her life, she has battled with a sense of shame in her black features, particularly her hair. Being told that her “hair was too big,” Chelsea was also insecure in her constantly changing hairstyles, something that black women are all too familiar with but only just beginning to celebrate.

Chelsea’s fear that people would have too much to say about the fact that her hair was a different length now that it was in braids, speaks to the lack of representation of black women. If non-black people were seeing these regular hair changes – afros, braids and wigs – with the same frequency as we do Collin Firth fall in love, there would be no need for these intrusive uncomfortable comments. More importantly though, if black women were more popularly represented, and our representations also included those of love, of care, of desirability towards us, Chelsea would have felt normal, safe, confident and worthy of love – whatever hairstyle she chose to wear in however quick succession.

Ultimately, if you haven’t seen yourself be loved, if you’re always told that you’re too dark, or your chest is too flat amongst other things beyond your control, it’s hard to even begin to love yourself. So representation of black love, black women being loved, black men being loved, is so important, not only because it has an impact on our love lives, but also because it has an impact on our sense of self-worthiness and love. It’s hard to believe you are something that you’ve generally never been assured of.

“Desirability wasn’t necessarily an external thing, I felt desirable once I desired myself”

In the research conducted by Bumble, respondents were asked to answer how seeing themselves represented in broader British media would make them feel when approaching dating; “included in society“, “empowered and/or confident“, “secure“, “celebrated” and “worthy of love” were the top 5 responses. These responses illustrate that self-love and a strong sense of self is the first most important ingredient in being able to love others, a similar point to the one Saredo made in her quotation above, cited in Taking Up Space.

 

As illustrated by Taking Up Space and experienced by many black students, dating in university comes with its many challenges, but dating beyond university, where work life might make socialising and meeting new people more difficult, is yet another steep mountain to climb in the never-ending pilgrimage to happily ever after.

One of the less daunting ways to manoeuvre the dating scene in the UK, as a black women especially, is through dating apps, in particular one like Bumble which empowers women with the choice of making the first move, helping us avoid harassment and giving us the control and confidence that dating spaces have often taken away from us. According to the research carried out by Bumble, “nearly three quarters (74%) of respondents think it is important that dating apps play a role in the way black love is depicted in mainstream online media.” As dating apps have become a mainstay in the world of dating 85% of Bumble respondents asserted that it is the responsibility of dating apps to ensure that they actually present diverse and inclusive stories and are welcoming to varying forms of love, from black love to queer love, to interracial love and the intersection of all of these.

“So often, the stories of black LGBTQ+ students have been written out of the wider ‘black experience’ at university”

Chelsea reminds us in her chapter that whilst black people are victims of discrimination, within black communities, we often uphold systems of oppression towards the queer community, alienating LGBTQ+ black people within a space we purport to be safe. Over the summer, as Black Lives Matter protests sprung up across the world, so did awareness of the disproportionate violence black trans people face, as news of Riah Milton in Ohio and Dominique Fells’ murders broke. These incidents sparked an All Black Lives Matter movement, which emphasised inclusivity and the need for black people to check their queerphobia. In the ongoing protests in Nigeria, calling for the effectual dissolution of the Special Anti-Robbery Squad (SARS) and police reform beyond that, chants that “Queer Lives Matter” are being met with bigotry and ignorance, despite the common knowledge that SARS particularly target queer men, or men they believe to be gay. Like women, the queer community are given a lower priority in the fight for justice and equal rights, as heterosexual black men abuse their straight male privilege in these spaces. These dynamics exist within the dating space as well.

Given that masculinity is such a racialised concept, with black men expected to be strong, virile, the epitome of masculinity, for queer men who reject these stereotypes, there are so few representations they see of themselves, talk less of representations of themselves being loved. These strict, traditional gender roles that are violently forced upon black men naturally lead to an incredibly transphobic attitude nurtured within the black community. This bigotry is most often ignored because black people are still victims of discrimination, and as a result, shy away from looking at the oppression they themselves exact. It’s important that in seeking representation for black couples, we don’t fail to include queer black representation, and we are mindful of how our the biases that we were taught as children might still linger within the safe spaces we have created for black people.

“I think within the community we need to ditch our homophobia and have more respect for one another and each other’s choices”

Queer and black and a woman, DJ Femo tells me that she is careful of the spaces in which she finds herself, as otherwise, she risks feeling and being alienated in particular spaces within the black community. Lamenting the default homophobia that is driven into the consciousness of every Nigerian child, Femo has found dating in the UK to be a challenge owing to the intersection of her nationality and her sexuality. This has led to her finding her own tribe of like-minded people, rejecting popular heteronormative black spaces in favour of places where she is loved, celebrated and, most importantly, safe – an extremely rare comfort for the black womxn.

However, whilst within our own communities, black people have found spaces in which they feel secure, proud and celebrated, external to the black community is a world of racism and microaggressions that shape our dating experiences even before we’ve secured the date. Every person of colour has a long list in the back of their heads of restaurants, clubs, even general areas to avoid when going on dates or nights out, because the last time you went the staff treated you like a second-class customer because of the colour of your skin. Oloni, who has, of course, witnessed microaggressions –  “it’s been hard to deal with because sometimes you feel as though it’s all in your head but when you speak to other black people they too have the same experiences” – raises this issue in the context of first dates, expressing how challenging it can be to “make a good first impression” after having just experienced racism.

“[It] can definitely and understandably affect your mood. No one wants to feel off on a date but sometimes this can’t be helped. It also means thinking about which type of establishments you choose when you’re organising dates.”

Representation matters. It’s said so often because it’s true,” Oloni goes on. The stereotypical representations of black people that pervade modern media have created a set of expectations of black people that precede us in any context. “We are fed countless pieces of information by the media and the world around us both verbally and visually. It’s impossible for us to not have those images contribute to our opinions and beliefs,” Oloni says, and whilst here, she is referring to what black people take from the mal-representations we see, this statement can also be extrapolated to explain why representation is important is battling racial misconceptions. When they see a black person or group of black people walk through their doors, those establishments that you come to blacklist expect loudness, lack of comprehension, or from my own experience, an inability to afford the higher price points on the menu. They sometimes project racist caricatures picked up from entertainment to new media onto the black people they encounter. In this case, genuine authentic representations of black people, told by black people, through our lens, would go a long way in dismantling the biases white-led media have cultivated for so long.

Naturally, these experiences not only affect the places our dates go, or the way our dates go, they also affect our sense of self-worth and self love. Being able to see yourself more in everyday life, being able to see yourself loved, as a child, a parent, a partner, a friend, will certainly combat the psychological damage of racial microaggressions; seeing this love will remind us that we are indeed worthy. Representation matters for a whole host of reasons, but most importantly, it matters because it empowers.

I take no pleasure in quoting a racist Ghandi here but it is important that we “be the change [we] want to see in the world.” At NATIVE we’re telling the all-important stories of the youth on the African continent from our own perspectives, owning our own narratives – not international press or local outlets helmed by an out-of-touch generation. For sexpert, Oloni the change she wants to see and the change she is, places black women in the forefront of conversations about sexual pleasure, helping “the movement progress and given a safe space for black women to express themselves as sexual beings which in turn makes them more able to communicate their wants and needs to their partners.”

This Black History Month, Bumble is giving the British people the representation that has for far too long been repressed in mainstream media. With over half of their survey respondents noting that they didn’t feel like black love was represented online, just 39% saying they felt represented when they started dating, Bumble are showing us the change we all want to see: Black Love.

 

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Illustrations by Temi Daibo


ICYMI:THE SOUNDTRACK OF NIGERIA’S REALITY HAS NOT CHANGED FOR YEARS

We’re doomscrolling and memeing away the pain

When Nigerians took to social media last month amid political instability and financial insecurity to reimagine what life would be like if superheroes lived among us, we knew instantly that we were masking our current pain through sharing memes. In the digital age, the stock response to any unfortunate news seems to have become a need to flood social media with memes in attempts to make light a terrible situation. Come rain, come world war, we found jokes to laugh at. Even when mysterious reptiles made away with millions of naira whole, social media became a channel to make light of our problems, which quite frankly, is a better use of our time than remaining miserable about what exists.

And now it seems we’re right back where we back to the same position we were in over a month ago. The past two weeks have been incredibly tense for many young people, as we took to the streets to fight against the violence constantly meted by the members of the Special Anti-Robbery Unit, aka SARS. For many of us, social media became the quickest tool to disseminate information on protests and any violations that occurred during the day from armed forces stationed across the country. When protesters in Abuja were shot and teargassed, we watched over social media in horror as everything unfolded on social media, shortly after, we say the attack from armed mischief makers all over the country, and then on Tuesday when the Nigerian army and police descended on protesters perceived to be in violation of a state-wide curfew, we watched in real-time how scary and violent those moments quickly became. Needless to say that social media had been missing that humorous element for quite some time, and for a good 10 + days, all we did was consume horror. That was until this weekend.

It first started after President Muhammudu Buhari’s address to the nation last week. At that point, tensions were high and violence had ensued all over the country by armed men who were allegedly empowered by the government to disrupt the peaceful demonstrations. It’s important to note that for well over 10 days, the only violence had come from policemen and other state security agencies, and amongst civilians, it had been going well for days before these mischief makers emerged. In his address, the president made no direct mention the lives of the protesters we had lost so far, choosing instead to exonerate the police officers who had lost their lives during service and offering a stern warning on continued participation in protests. Social media platforms like Twitter have become a safe space for young Nigerians to discuss with one another, and that Thursday, there was a palpable sense of pain and gloom after the President’s address.

 

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Rather than cry, memes flooded the streets, with many Nigerians calling for their fellow country people in the diaspora to engage in the next phase of the protests by asking for their hands in marriage. On a darker note, others called themselves ‘forza speciale’, a popular phrase from the latest Netflix Naija film ‘Oloture’ by Kenneth Gyang which is a term used in sex trafficking rings to separate the “wheat from the chaff” as we learnt from an anonymous sex trafficking survivor. Many people saw these memes as offensive and it’s not hard to disagree, as neither sex trafficking nor threats of violence from our governing bodies were humourous. However, these jokes and memes may not be instances of callous-minded individuals looking to make fun of particularly grave situations but rather people like you and me, trying to make sense of our current reality.

Thinking about the year we have had, the jokes make more sense within this context. Ever since the COVID-19 pandemic left many people working from home around the clock and left others without employment (another blow courtesy of the technologically averse Nigerian system) the daily ritual for those with internet access has been clear for all to see. We’re endlessly scrolling–or doomscrolling as some may suggest–through our social media in desperate need of some respite in a tumultuous year. And with the endless news cycle, it’s easy to fall into a pattern of unhealthily consuming bad news. I, for one, have struggled on many occasions during the last two weeks to peel away from my phone, out of fear that I would miss an atrocity taking place in real-time that would become the target of ‘fake news’ if I didn’t catch it.

On social media, there has not been a dearth of graphic images and videos of fellow Nigerians being killed and tortured on our timelines and we’re constantly consuming this on a daily basis. Nigerians have become so desensitised to seeing acts of violence being perpetrated that it has become common to stomach even the most gruesome of content in order to disseminate the cruel ways we are being treated by law enforcement. But how long can one consume such content until it becomes far too much? Well, for me, a tipping point has definitely been reached as my fears have now begun to manifest as nightmares. When I close my eyes, these graphic images appear in my dreams as I try to make sense of the callous ways many citizens of this country have been treated. It is deeply heartbreaking and social media has become a way to express my fears about the present – whether it’s in complete seriousness or in light.

It’s not even as though anything is actually funny about the way we are being treated by our government. Last night, a mysterious camera was located at the scene of Tuesday’s massacre by the former Lagos State Governor, Babatunde Fashola. The news of this discovery comes nearly a week after several citizens have called for a swift and transparent investigation into what took place at the Lekki Toll Gate and around other areas in Lagos state. Many Nigerians felt insulted by the actions of the governor with many wondering how a sizable camcorder could just surreptitiously be located at an active murder scene after several days of looting and following a thorough cleanup by LAWMA.

The video of the ex-governor coming across the camera has now been widely circulated on social media and has given rise to the #FasholaChallenge as Nigerians try to emulate the actions and habits of the minister in an attempt to highlight how dubious it all seems. Trust Nigerians to make humour a coping mechanism and the evidence is currently awash on social media for all to see. But humour as a coping mechanism isn’t just something exclusive to Nigerians alone, in fact, many millennials and Gen Zers across a range of cultures and people have pontificated their fears and worries through humourous memes or tweets. So why is it only morbid when we do it? As long as there is no actual dangerous or negative narrative, I think we should let people find a way to express their pain, albeit without taking it too far.

Things have been bleak for a while and humour has always been a backdrop through which we have filtered such news. For me, true happiness won’t come till all our demands are met by the federal government but until then, we won’t hesitate to roast our leaders for the entire world to see.

Here are our favourite memes below:

Featured image credits/


Tami is numb. Send me memes @tamimak_


ICYMI: The soundtrack of Nigeria’s reality has not changed in years

National Broadcasting Commission sanctions Arise TV, Channels TV & AIT for coverage of #EndSARS events

In the past two weeks since #EndSARS protests erupted across the country, the coverage by a significant portion of the Nigerian press has been uneven. Newspaper publications and local television and radio stations have been found wanting on several occasions, with some of them initially ignoring the demonstrations altogether, and sometimes helping in the spread of misinformation and propaganda by the government.

Just yesterday, Channels Television was on hand to show the Federal Minister of Works & Housing, Babatunde Fashola, conveniently “finding” a camera at the Lekki-Victoria Island tollgate, five whole days after the Nigerian military attacked peaceful protesters. This sort of shoddy coverage has largely been effected by guidelines put in place by the National Broadcasting Commission (NBC), the regulatory body for media content in Nigeria. In the heat of the Lekki tollgate massacre, the NBC put out a statement outlining the rules for covering the #EndSARS “crisis”, basically urging the Nigerian press to not embarrass the government while reporting.

Evidently making sure their guidelines are being adhered to, the NBC has sanctioned Africa Independent Television (AIT), Channels Television and Arise Television, for some of their reportage of the events in the past week. The Acting Director-General of the commission, Armstrong Ichaba, announced these sanctions during a press conference in Abuja earlier today, stating that these stations had violated broadcast code, especially in their use of “unverifiable” video footages that have made it to social media. According to the DG, the sanctions will carry a fine of at least three million naira for each television station.

In addition, AIT has also been sanctioned for reporting untrue information of the Nigerian Christian Centre in Abuja being demolished and set on fire by hoodlums. The station has since retracted this report, which the NBC acknowledges, and it is unknown what the consequence for this sanction will be. While this particular sanction is justified, sanctioning television stations for reporting on tragic events using first-hand witness sources is bogus.

The spread of misinformation is a well-known downside of social media, but in the past few days, Nigerian citizens have used these platforms in documenting and spreading information of real-time happenings. It isn’t wrong to demand that media platforms do due diligence on the sources of their information, but punishing them for even using them at all sends a wrong signal that any and all reports found on the internet is unfit to be a part of news coverage.


Dennis is a staff writer at the NATIVE. Please share any useful resources for the #EndSARS protests with me @dennisadepeter


ICYMI: THE FIGHT TO #ENDSARS IS REALLY A FIGHT TO FIX THE NIGERIAN SYSTEM

Here’s what we know about the attacks in Kumba, Cameroon

This month, the several injustices taking place across the African continent have been thrown into the limelight and it’s clear that there’s a lot to interrogate. Social media has accentuated the violations taking place in Congo, Liberia, Guinea, Ghana and more, allowing for us to watch in real-time how unsafe the world has become.

As we try to make sense of the next practical steps to take in the aftermath of the #EndSARS protests, we are reminded that many people near us are also facing grave problems at this time.

Cameroon has been under harsh global spotlight since its minority English speaking regions came under attack. The unrest initially broke out in 2017 when members of the marginalised English-speaking communities came out to protest against the government’s alleged failure to give enough recognition to the English legal and education systems in the North-West and South-West. Reports show that hundreds have been killed and thousands of others have been displaced since 2017 with many schools having to shut down in the region for over three years. Anglophone secessionists continue to demand their voices be heard under the French-speaking government of Paul Biya, but their methods have not always been peaceful.

Over the weekend, the situation in the country was exacerbated when a group of gunmen arriving on motorcycles and clad in civilian clothes, attacked a school known as the Mother Francisca International Bilingual Academy in the city of Kumba at around midday on Saturday. They opened fire on the school grounds, killing eight children in the process and leaving many others injured and hurt from the murderous attack. It’s not clear if the attack is linked to the continued struggle between government forces and secession groups in the English-speaking region, says a report on Al Jeezera.

Horrific images of injured and deceased kids have been awash on social media and it’s a painful reminder that justice is not enacted until every member of society is safe and free from harm and violence. We need to protect these children and make sure the world knows the injustices that are currently taking place in Cameroon.

Featured image credits/Twitter


Tami is numb. Do not tweet at her @tamimak_


ICYMI: Congo is bleeding and here are the details

The soundtrack of Nigeria’s reality has not changed for years

When Tiwa Savage took to her Instagram Live last week to call on Beyoncé and other global artists who benefit from Nigerian culture to speak up about what has been happening in Nigeria, one thing she said struck a chord. Considering that afropop’s origin is traced back to Fela Kuti, who used his music as the weapon to discuss society’s ills in a way that made it appealing and digestible to everyone, Tiwa explains that beyond feeling duty-bound as a citizen to the country, she can’t call herself an ‘afrobeats artist’ without lending her voice and platform to what’s happening at the moment. Fela did not cower from calling out the government’s iniquities through his music, and it’s insane that listening to a song which was written and recorded nearly 3 decades ago is speaking to the exact reality we’re currently faced with in the same country.

We know the legendary status of Fela’s music, we read about it and see how widely celebrated it is all over the world. However, as the youngest of the millennial generation, I can’t honestly tell you that listening to the actual lyrics ever resonated with me before today. In this climate, revisiting a song like “Sorrow, Tears & Blood” which I’ve heard my whole life, immediately took me to Burna Boy’s “Ye”, which was an anthem #thatyear and captured how any young Nigerian was feeling at the time. I remember listening to “Ye” in the shower every morning, belting out ‘I no wan die, I wan enjoy, I wan buy moto, I still wan turn up’, as I amped myself up to face gridlock traffic on the way to work. I’m sure this is how the youth in 1977 felt about their reality, when the song “Ye” interpolates dropped, and it’s interesting that both songs released so many decades apart managed to capture the respective zeitgeist.

Now, having lived through the most politically tumultuous time I’ve experienced as a conscious adult, both songs have found new meaning. If the past few weeks have shown us anything, it’s that Nigerians can put their blood, sweat and tears into something to achieve a common good, and still get no results. Nigerian societal beliefs and codes are built to bend you into shape, punish anyone who won’t take that shape and the Nigerian government has shown us through their reaction to the protests that they are the enforcers of these beliefs. Young Nigerians took to the streets on the 8th Of October to protest for the police to stop killing innocent citizens unjustly, and instead, the response from the Police Force even more killings with absolutely no one held accountable.

 

Nobody can deny the patriotism young Nigerians felt over the past few weeks. I personally have never felt more proud to be a Nigerian and to play my part within the fight for our people’s emancipation from oppressive governance, however as time passed, Nigeria reminded me why I had never felt that pride before. From the fact that we all knew why the Feminist Coalition had to retract their statement about supporting LGBT rights to the tragic massacre of the peaceful protestors at the Lekki Toll Gate, it was a jarring reminder of the broken system and the fact that it is built intentionally so to benefit certain people.

“Them leave sorrow, tears and blood, them regular trademark/that is why everybody run run run, everybody scatter scatter” Fela sings and we can all agree that perfectly captures the current mood of the country. Lagos, where I live is currently on its second lockdown of the year, and people are being killed in the comfort of their homes, bullets are flying in through kitchen windows and roofs into people’s bedrooms, while others are awakened with the sounds of gunshots. In other places, business owners are having their shops looted and items stolen, cars being burnt, and a general sense of unease throughout the state. Elsewhere in the country, the story is no different, and we are all living in a constant fear of what’s to come. This is all because some audacious youth managed to take the government to task, and demand to not be killed. As Fela’s song continued, I couldn’t help but finally resonate with the lyrics when he says: ‘My people sef dey fear too much, we fear the thing we no see. We fear for the air around us, we fear to fight for freedom, we fear to fight for liberty, we fear to fight for justice/ We always get reason to fear, we no wan wound we no wan quench, we no wan go’.

Before things became this bleak, we all celebrated Davido’s “Fem” becoming the sound of the protests. Following a viral video of protesters at Alausa playing the song when the Lagos State Governor took to the stage to present us with empty platitudes that didn’t reflect what we were demanding from the government, everybody, whether you were at the protest grounds or not, collectively agreed that the song was the sound of the moment. “It be like you don dey do too much, small talk you don dey talk who talk, fem” the song goes, and while Davido might have dropped it a few weeks ago as a diss track, the song’s targeted lyrics manage to capture everything we collectively feel towards the government. It might not speak to the direct reality we’re facing, however, many things he says manage to capture our feelings, such as when he says “I dey live my life, man dey turn am to shoot on sight”. This is the reality we face with the Nigerian Police, and instead of curbing these killings, the police and other security agencies continue to wreak havoc on Nigerian citizens with aid from the powers that be.

We’re telling the government to ‘fem’ with their empty promises and general lack of regard for what has happened, but we should also channel this energy to the people among us who are intentionally being incendiary. It seems as though we have failed to realise that we have one common enemy, and social media has been rife with comments, videos and many more things that incite tribal divisiveness. Anyone who listens to rap music will agree that a lot of the music resonates with the reality black Americans face with their police system. In the heat of the Black Lives Matter protests earlier on in the year, Lil Baby dropped “The Bigger Picture”, and donated all the proceeds from the song to the BLM movement. While the song was directly targeted at the movement, other songs such as Meek Mill’s “What’s Free”, 21 Savage’s “Nothin New”, Kendrick’s “Alright” and many more interrogate the system that enables the hindrance of a black people’s forward motion in society. ‘We all screwed ’cause we never had the tools’, Jay Z raps on “Family Feud”, and it rings the same sentiment as Lil Baby rapping ‘it’s bigger than black and white it’s a problem with the whole way of life’ on the chorus of “Bigger Picture”.  It would do those who are trying to be divisive, and others who are falling for the tricks well to meditate on these lyrics and understand that efforts have been made to create this kind of division between us. We’re better off together, and it will serve us well to realise that it’s bigger than where we’re from, what we identify as, who we’re affiliated to and like Lil Baby said, ‘it’s a problem with the whole way of life’.

Music is a universal language, and the unity it brings for Nigerians is undeniable. Afropop is laden with happy-go-lucky, dance-driven songs, and it takes a critical listening ear to hear any pain when it’s present. Harrysong’s inescapable 2015 hit, “Reggae Blues” comes to mind, where he repeatedly sings “after the Reggae,  play the Blues” on the catchy hook. This line is probably dismissed as a mindless bit of wordplay, however, you could also interpret that he’s saying it’s best to dance and be jolly when “the blues” show up. Since Fela used music as his weapon against bad governance, and to provide his generation with the ammunition of knowledge, there has been an onus placed on Nigerian artists to use their platform for the same. Rapper, Ladipoe tells me: “For me, the real responsibility is in knowing where I stand on any given issue and unapologetically communicating it through whatever I deem fit, despite the fear of repercussions or condemnation” when asked why he feels the need to speak about police brutality in his music. From his debut album, ‘Talk About Poe’ he says on the hook of “Win Win” “I’d rather greet police before I need ambulance”, and any young Nigerian can agree with that sentiment. It takes absolutely nothing to fall victim of police brutality, and it’s usually as easy as greeting them nicely to escape death. In the same way we can relate with Ladipoe’s 2 year old bar, we can relate to Trybesemen when Timi started their 2001 hit “Plenty Plenty Nonsense” rapping ‘Oh I don tire for police dem wahala no dey seize’. The whole verse plays out a hypothetical story of the police who stops them for driving a Benz, and ends up with he and his guy being brushed. While humorous and hypothetical, this is real life in Nigeria and real people have died for this reason.

While the protests started after the unjust killing of a young man in Ughelli, Delta, and mainly called for the Nigerian government to End Sars, the problem became bigger than police brutality and unearthed a wider issue, bad governance. We all know the song “Mr President” by African China, where he’s urging for those in positions of power to do what they are supposed to do for a better Nigeria. ‘Lead us well, no let this nation to fall inside well’, he sings on a 14-year-old song, and today, it feels every bit as though the nation has fallen inside well [sic].  Rapper, D-O tells me “I honestly feel like it’s my duty as a citizen of this country to use my voice as a weapon against the corruption, injustice and poverty”, and the evidence is undeniable in his music. Probably most glaringly with a song like “Chop Elbow”, where he calls out the system, and actually directly speaks about SARS telling them to do as the title says. He continues saying “the first track I ever dropped that I feel was a weapon was “Chop Elbow”, and when I recorded it, Police had been disturbing me for like weeks straight. When I go through things like that I know I have to use my platform to speak about it”. Nigerian rappers, much like Black American rappers have channelled the weight of their systematic oppression into forms of expression that we can all relate to as a society, and we’ve seen the attempts to gaslight us and erase our current reality. More than bops, these songs serve as documentation of our communal mourning, and evidence of the potential that comes to die in Nigeria.

Showdemcamp’s Tec believes that the Nigerian system is not built to benefit Nigerians, and through his music, he wants to ensure that it is made clear. Rap’s most important tenet is the ability of the rapper to reflect their reality, and Tec believes that there is not one thing that works for the betterment of Nigerians, whether it’s medical, educational, or literally anything else that’s supposed to. He says: “In my current mindset, I think systems are here to stifle, and it’s not enough for us to just exist like we’ve been asking for. They want to stifle us and we have to speak on it”. We confirmed as a generation this week, that the Nigerian system is built to break you with no regard for your rights and zero accountability for those who are in positions to enable society’s progress. Regardless, we must remember that they can bend us as far back as they want to, but we must never break the way they would like us to. After this week, it’s easy to be broken by what’s happened, however, we have history to learn from, as this has happened before and they managed to break the last generation who tried. Here we are today, fighting the same fight our parents attempted in 1993, with the music we’re currently listening to saying a lot of the same things the music then did, and more jarringly, what Fela said in 1977.

An older adult once told me that living in England, with no real proximity to the racism their Nigerian friends in America faced, they listened to songs like Marvin Gaye’s “What’s Going On” at parties with no reflection on what he was actually saying, however, watching the death of George Floyd made them realise what the lyrics meant decades later. A wise man once said on a track, ‘where I’m from the police so corrupt, your last name alone get you a bullet in the gut, and if they don’t know you, a bullet in the gut, and if you don’t drop shit, a bullet in the gut’. I want to play a song like that for the future generation as a memento, to show them how far we’ve come in the fight against systems put in place against us. I hope for a Nigeria where unlike I have done with Fela’s music, the next generation can’t relate to music that was made to reflect a time when they didn’t exist.

Featured image credits/Spin


ICYMI: How Tekno is the voice of a broken Nigerian generation

DJ Switch shares her account of the Lekki tollgate massacre

The past week has been a particularly tumultuous one for Nigerians everywhere, especially for those of us who have been invested in the protests against police brutality in the country. On Tuesday evening, a new low was reached when soldiers of the Nigerian army violently attacked peaceful demonstrators at the Lekki-Victoria Island tollgate, killing over a dozen and injuring hundreds more with live bullet ammunition.

Shortly after recorded videos of the vicious attacks began to spread on social media, we were getting real-time updates through an Instagram Livestream by DJ/artist, DJ Switch. Pulling in over 150 thousand viewers from all over the world, we witnessed the extremely hostile environment the army had effected, and even got to watch the tragic passing of a protester from a gunshot wound—the army allegedly kept ambulances from getting to the grounds until over two hours after they attacked.

 

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A post shared by Switch (@djswitch_) on

Somehow, though, this national tragedy has been vehemently denied by the Nigerian federal government, the Lagos state government, the army and several Nigerians, even though the evidence is irrefutable. In the days since the attacks, several survivors have come out to share their accounts of the gory event. Yesterday, in a series of videos, DJ Switch shared parts of her experience with the public, giving us a first-hand perspective of what happened.

In the videos, she recounts how submissive the demonstrators were, assuming that being non-threatening with waved flags and singing the national anthem would quell the soldiers. She recalls one of the protesters acting as a human shield for her, and the hunt for shell casings by those alive, since the army was bent on erasing evidence of their presence, by picking up the shells from the bullets aimed at protests. She also remembers spotting fifteen casualties, noting that the number of deaths will probably remain unconfirmed since the soldiers took away the corpses.

While it clears up some of the news that has been spreading around, including the unconfirmed count of 78 deaths and the untruth of her cousin passing away in the tragic attacks, DJ Switch’s account remains consistent with the fact that the army attacked peaceful protesters, and she even goes on to display some of the shell casings she picked up. In fact, her account and approach tallies with one of the survivors who was interviewed by BBC, a day before. The survivor, identified as Akin, recounts the predatory nature of the attacks, while also displaying shell casings recovered during the massacre.

In a bid to sweep this tragic event under the rug, the government and army have adopted a dual strategy of denial and silence, as evidenced by press appearances of these parties in the days since. Apart from the fact that the whole world watched it happen, the seams of this approach might just be wearing off with each day. On Thursday, an alleged phone call between the Lagos state governor, Mr. Babajide Sanwo-Olu, and a foreign envoy surfaced on social media, and it finds the governor admitting that soldiers were indeed present and were the attackers, a fact he’s yet to publicly and officially admit.

On the same day, the Vice President of the country, Professor Yemi Osibanjo, received a visit from officials of the U.S. state department, who later put out a statement saying that their meeting with the VP was to ensure thorough investigation of the instigators of the Lekki tollgate massacre. Until now, the government and army still hasn’t officially acknowledged this grave crime against humanity on its own soil, but young Nigerians are determined to ensure that the truth is well documented and doesn’t get covered up by lies.

Thank you, DJ Switch and Akin, for sharing your stories. Rest in peace to all those that died at the hands of the Nigerian military, may their memory never be diminished or forgotten.


Dennis is a staff writer at the NATIVE. Please share any useful resources for the #EndSARS protests with me @dennisadepeter


ICYMI: WE WILL NEVER FORGET WHAT REALLY HAPPENED AT THE LEKKI TOLL GATE

The Congolese call for an end to genocide over natural resource, cobalt

Despite decades of emancipation from colonialism, and Africa’s wealth of natural resources it feels like we’re still catching up with the rest of the world. While unrest ensues all over the continent from Namibia to Nigeria, The Congo is also experiencing some tough times. About 60% of the world’s cobalt, the metal used for making batteries for smartphone and other electronic devices, is found in the Democratic Republic of Congo, however, unfortunately, the revenue and benefits from the sales of these resources aren’t spreading to the average citizens. According to the world bank, in 2018, 72% of the population, especially in the North West and Kasaï regions, was living on less than $1.90 a day.

Much like we’ve seen with #EndSars and #ShutItAllDown, since last Thursday, people from Congo have taken to social media to use the hashtag, #CongoIsBleeding to raise awareness on the genocide happening in their nation. The hashtag seeks to highlight the child slavery, deadly conflicts and corruption spawned by the quest to feed megacompanies with minerals to the benefit of some an detriment of most.

The Democratic Republic of Congo has been in conflict for decades, and between 2016 and 2018, 4.5 million people were displaced by the conflict between the military and fragments of ethnic militias, fighting for dominance. Amidst all of this, the country has the world’s most prolific cobalt mines, and they produce about half of the cobalt used all over the world. It’s very possible that the device you’re reading this post in was formed by the mines in Congo, and the lucrative nature of cobalt mining means that all efforts to ensure production should match the effort put in by demand.

The east of the DRC, where the mines are located, is home to nearly 40,000 child labourers digging for the minerals that would eventually be utilized by giant corporations. The people of Kawama have grumbled that too much of their land has been sold to mining firms who restrict the people from digging freely. The sites where the people are still allowed to dig have concessions that miners have to sell to them at a rate of $7 for a day’s work.

However, the value of cobalt has plummeted since the pandemic took off. It now costs barely a third as much as it did at its peak. Big companies like Telsa are trying to stop using cobalt in order to avoid ruining their reputation by patronising Congolese miners. This is because child labor is often employed at different mines, where tunnels sometimes collapse and kill the unskilled workers.

In addition, the people of Congo believe that the state-owned mines only serve to enrich corrupt politicians. Though the owners of the big mining firms make fortunes, the actual miners live in poverty or worse, get arrested for mining illegally. With the little media coverage for these people losing their very basic human rights, some have referred to it as a silent holocaust.

Social media continues to serve as an important tool for raising awareness of the injustice happening across the world. The Congo crisis came to light on Twitter just a few days after Nigerians reignited the #EndSARS movement on Twitter to protest police brutality in Nigeria. In both cases, the problem has its root in the general lack of transparency and corruption from the nation’s leaders. The people have stopped being so passive about being oppressed and are using their voices to appeal for justice.

Though these issues of bad leadership, genocide, violence against women and children, rape and police brutality are far from new in Africa, there’s a sense that a revolution is at hand and it’s being televised on social media.

 

Featured Image Credits: Twitter

We will never forget what really happened at the Lekki toll gate

On the evening of October 20, 2020, soldiers from the Nigerian army prevailed upon peaceful protesters at Lekki-Victoria Island tollgate in Lagos, shooting at these unarmed civilians from shoulder level and at point-blank range. Contrary to what the Lagos state government and Nigerian army have maintained, the atrocious facts of this heart-breaking incident are irrefutable, with eyewitness accounts and videos disseminated via social media acting as strong evidence.

The Lekki tollgate massacre has been, perhaps, the lowest and most harrowing form of targeted violence to beset Nigerians who have simply dared to take to the streets in protest against the Special Anti-Robbery Squad (SARS), and police brutality in general. Prior to Tuesday evening, there had been multiple nationwide reports of harassment and physical assaults on campaigners by the police and alleged state-sponsored vandals, which according to Amnesty International, has culminated in at least ten deaths and serious injuries to many more. The arrival and subsequent shooting by the Nigerian army, which reportedly led to the deaths of over a dozen people and wounding over many more hits different – not just for the brazenness and heartlessness on full display, but also because of the preceding activities.

Just after midnight on that day, former Lagos State governor and National Leader of the APC, Bola Ahmed Tinubu, took to Twitter to acknowledge the agitations of concerned Nigerians, putting out a public address for the very first time since the ongoing wave of #EndSARS protests began. In the 24-tweet thread, he validated the concerns that triggered the movement against police brutality, before appealing to the Nigerian youth to call off protests, asking them to give the federal government time to begin implementing the #5for5 demands they have publicly claimed to accept.

It was a familiar appeal young Nigerians have been hearing for days from prominent political figures after sustaining the protests for the whole of the previous week. The response from the youth was a firm “NO”, as it had been with similar requests, and the reason was simple: the government and the police have paid lip service to abolishing SARS and reforming Nigeria’s policing system many times. It was made crystal clear that for protests to end, tangible signs that they would be taking the demand to #EndSARS seriously this time around were needed.

In this particular case, though, the rebuff was a little louder due to the subtle threats dressed as an appeal to protesters in the thread. In addition, Bola Tinubu’s alleged status as Kingmaker and one of the economic powerhouses within the state led many to believe that the motive behind his address was largely financial. The Lekki Concession Company, which is in charge of the blocked toll gate due to the sit-in protests has been reported to have lost about N234 million all through last week. It is widely rumoured that Tinubu is still involved in the company’s affairs.

Due to the intensity and decentralised nature of the protests, traffic in Lagos became worse over the course of continued demonstrations, leading to increased difficulty in mobility and carrying out business. With its importance as the economic capital of the country, several appeals for the suspension of protests by top government officials harped on the need for commerce in the city to go back to normal, with the sinister warning that these peaceful protests might very well descend into chaos. And they did, following some alleged orchestration by the government.

By late last week, there were already reports of sponsored thugs terrorising and physically harming campaigners and destroying their property. Depending on who you ask, peaceful protests suddenly descending into chaos is believed to be a ploy by the government to create motive for executive decision that would prohibit the protests altogether. On Monday, the Edo state governor Godwin Obaseki announced a state-wide curfew, after several inmates allegedly escaped from a high-security prison with the help of these mischief-makers disguising as protesters —a claim that has come under intense scrutiny on social media.

On Tuesday, Lagos State Governor, Sanwo-Olu took the same route, announcing, via Twitter, an indefinite 24-hour curfew that would begin at 4 pm on that day. This was after a police station in the Orile area of the state was burnt by an angry mob, and several of the buses at the Oyingbo BRT bus station were set on fire. The announcement was made via the Governor’s Twitter account just before noon, giving citizens all of four hours to move from wherever they were to their respective homes. Immediately it was announced, criticism started to pour in, such as the initial medium of dissemination being via Twitter as opposed to a broadcast on television or radio; the relatively short period of time to commute on an especially traffic-congested day. In addition to these concerns, it was also believed that the curfew would be giving leeway to the Police and other security agents to brutalise people, which is exactly what we were protesting in the first place.

Even with the announcement of the curfew, several Nigerians were determined to continue protesting, notably at central demonstrating locations in the city – Alausa and the Lekki-Victoria Island tollgate. For those who were at the latter location, the idea was to continue the sit-in, translating their stationary presence as a non-violation of the curfew. Towards the deadline, there were genuine fears that these campaigners were in grave danger, and it began at around 3:30 pm, when images of LCC equipment staff disconnecting cameras at the tollgate began to spread on social media. This development was especially foreboding, with many fearing that a cover-up was well underway even before any violence.

Soon after 4 pm, many protesters remained at the tollgate, with videos of them chanting the national anthem and waving the Nigerian flag, going around social media. About three hours later, those boisterous chants were disrupted by gunfire from soldiers of the Nigerian army, which was captured from multiple angles by onlookers and brave, scampering protesters. These videos were immediately shared to social media, which raised considerable alarm. Notably, the lights from the billboards at the tollbooths had also gone out, something that had never happened at the site before then, which led many to believe that this was a pre-planned attack on unarmed Nigerian citizens.

To put it simply, it was a massacre.

In one of the heart-wrenching videos that went around, protesters were singing the national anthem while being intentionally attacked by bullets, and you can even hear the raw fear in the voice of a person close to the recording device. Days before, there were rumours going around that soldiers would not attack anyone holding the Nigerian flag and singing the national anthem, and from the looks of things, that isn’t true. Maybe they were just dead set on bringing carnage regardless.

All the short-length video evidence culminated in a virtual gathering on the Instagram Live of DJ/artist, DJ Switch, who showed what was happening at the tollgate in real-time. During the live stream, well over a hundred thousand viewers from all over the world witnessed some of the cruelties DJ Switch and the other protesters were subject to, especially as they were trapped on both sides by the soldiers after the first wave of shootings. This allegedly led to ambulances being blocked from entering the grounds in order to treat those who had been injured, and it meant that protesters were left to their own devices, while under the danger of another attack. In what was perhaps the most harrowing moment of the live stream, thousands watched one of the protesters die from a gunshot wound, an ending that could very likely have been avoided if professional medical help was allowed through.

Amidst all of this, the official Twitter handle of the Lagos state government announced that the curfew had been extended till 9pm for traffic-related reasons, meaning that those shot at the Lekki-Victoria Island tollgate were not even remotely violating any orders by being there at the time of the shooting. That announcement made an already gut-wrenching night even worse. None of this should have happened.

Throughout that night, people living miles around the tollgate, especially Lekki Phase One, reported intermittent gunshots which kept them awake. Thousands more kept vigil, loudly pondering the level of atrociousness we virtually witnessed, while uneasily waiting to hear or read an official statement from the state government or the army. By 4 am the next morning, nearly nine hours after reports of the violent attacks began to surface, Governor Sanwo-Olu delivered a statement via a Twitter thread, which we can all agree meant very little.

In bemoaning the attacks, he identifies the instigators as “forces beyond our direct control”, sharing photos of his visit to injured victims who eventually made it to hospitals, while failing to mention anything about those who lost their lives. Hours later, he made matters even more confounding with his live broadcast statement, going on national television to claim that no lives were lost to the shooting, implying that the video evidence we all saw and live-streamed were completely false. He also decided not to implicate the Nigerian Army, keeping them away from his speech altogether.

If Sanwo-Olu’s approach was perplexing, the Nigerian army’s was downright maddening. Initially forgoing the need for words, the army simply grabbed every news headline clipping they could find, branded it “Fake News” and shared it on their social media accounts. According to the army’s own version of events, no soldier belonging to the military was present or involved in the bloodbath we all witnessed. Rather than feign ignorance or even attempt to muddle the truth, their denial has been outright and seem unbothered, even when the FACTS are to the contrary.

In a press conference around mid-day on Thursday, the army finally broke its silence through Defence Spokesman, Major General John Eneche. Not only did they double down on their narrative of non-involvement, the Major General determined all video footage to be lies aimed at denigrating the Nigerian military, claiming they had all been doctored, and even though he didn’t specifically mention it, DJ Switch’s live stream that thousands watched in real-time seems to be among the alleged falsehood. These boldface claims align with reports that the army had also committed to clearing evidence, by collecting the bodies of those who were killed during the massacre.

It’s known that one of the negative effects of social media is the relative ease of misinformation, a tool used for the spread of propaganda all around the world, and the army is using this downside to scoff at our collective witnessing. Just over an hour before the Nigerian army’s press conference, Sanwo-Olu was on Arise TV to field questions about the Lekki tollgate massacres, and in the hour-long interview, he declined to implicate the perpetrators of this heinous act, basically confirming our suspicions that the government was colluding with the army to cover up something that ideally cannot, and should not, be covered up.

As aggravating as it is, it tallies with the Nigerian government’s attitude towards honesty: they obviously don’t consider it to be the best policy, and much of the local, traditional press hasn’t helped either. For the near fortnight of nationwide protests, a significant portion of the Nigerian has bungled coverage of what has been happening, from totally ignoring the protests to muddling facts, especially when it comes to acts of violence against peaceful protesters. With the exception of digital and satellite news channel, Arise TV, who have tried their very best to be transparent, many other TV stations, especially terrestrial, and newspaper publications have been found wanting, with headlines and stories ostensibly aimed at diluting the #EndSARS movement.

It speaks to the weakening of the press’ freedom in Nigeria, something that shouldn’t be a topic of contention in a democratic society. In the first week of agitations against SARS, rumours spread that radio presenters weren’t allowed to talk about the protests, since radio stations were alleged at risk of incurring fines from the National Broadcasting Corporation (NBC), the regulatory body for media content. This was more or less confirmed on that unfortunate Tuesday evening, as NBC put out a statement while Nigerians were still dealing with the horror and shock of unarmed civilians being killed. The statement was a guideline for covering the “crisis”, and it can simply be summed up as a warning for members of the terrestrial press to desist from any reporting that could be deemed as embarrassing the government.

In a society that adheres to the tenets of democracy, the press doesn’t only document stories, we are here to serve as a vanguard for the truth. On the night of the Lekki Toll Gate massacre, most of the press stood up to the occasion by reporting what was actually going on, but at that point, social media had already become the only trustworthy medium for what was happening in real-time. If an important section of the media refused and was being prohibited from effectively doing their job, Nigerian citizens were taking it upon themselves to document events, even while actively trying to stay alive.

During all this melee, international support for the #EndSARS movement poured in, alongside global condemnation of the brutal killings of unarmed peaceful protesters. There were also widespread calls for the president of Nigeria, Muhammadu Buhari, to address these senseless killings and the overall agitation. On Thursday evening at 7pm, about 48-hours later, the president finally broke a 9-day radio silence with a pre-recorded broadcast, where he read a statement that lasted all of ten minutes.

In his statement, General Buhari, a former military dictator in the ‘80s, glaringly did not acknowledge the Lekki tollgate massacre. His speech can be considered to be a regurgitation of Bola Ahmed Tinubu’s Twitter thread, albeit with far more conspicuous threats against those who would dare continue to protest. “The promptness with which we have acted seemed to have been misconstrued as a sign of weakness and twisted by some for their selfish, unpatriotic interests”, he says at one point during the all too disturbing speech, claiming that the demands of the protests has been fully accepted by the government—even though the Nigerian youth populace is unconvinced about the implementation, and rightly so.

The omission of the killings that happened at the Lekki and Alausa that night is clearly not accidental, especially as he acknowledged the few police officers who died in the line of duty while terrorising citizens who were peacefully asking not to be subjected to their abuse of power. I remember my mum used to tell me that you needed more lies to cover up an initial lie, however, it seems like this government administration are hell-bent on covering up their lie with silence. Momentous times like this one adjusts the perspective of history and the fact that the telling of many stories are controlled by those who were in power and reinvented by those who didn’t live through it.

During my endless scroll on Twitter, a platform that has helped bring a sense of community during these past days, I found a comment from someone who wondered if, decades from now, Tuesday night’s event will be deemed as a riot, provided they’re not altogether erased. It brought to mind the Aba Women’s riot of 1929, which, in reality, was an uprising against unfair taxation by the colonial government at the time. A lot of the time, history has been revised by to alienate what really happened to victims of its time. After all, Napoleon Bonaparte did say that “history is a set of lies that people have agreed upon”.

This time around, though, the people haven’t agreed on the set of lies being peddled by those in power. In fact, it’s this disagreement and vehement dedication to the truth that will ensure that what really happened on the night of October 20, 2020 doesn’t get revised or totally erased. I feel sorry for the previous generations who have had to endure this fate, but we now have the Internet and technology, an eternal tool that will help in documenting one of the gravest crimes against humanity we have witnessed as a generation.

Collation and diverse digital storage of evidence is already happening, and as the days go by, extensive research into the minute details of that unholy night will only come to the light. Thursday evening’s speech by the Nigerian president has caused jitters to creep into the mind and hearts of Nigerians dedicated to seeing an end to police brutality, and it’s anyone’s guess how the next few weeks of this struggle pans out, but the one thing I can say with a level of certainty is that we will not let the truth of the Lekki tollgate massacre go away. We all saw it and we will ensure future generations see it, too.


Dennis is a staff writer at the NATIVE. Please share any useful resources for the #EndSARS protests with me @dennisadepeter


ICYMI: THE FIGHT TO #ENDSARS IS REALLY A FIGHT TO FIX THE NIGERIAN SYSTEM

ICYMI: Here are the takeaways from Buhari’s address to the nation

For the past 12 days, young Nigerians have been out protesting the extrajudicial killings by a unit of the Nigerian Police Force, SARS much to the dismay of the Nigerian Government, who have yet to acknowledge the demands of the Nigeian youth who have made exactly what they want very clear.

Each day, those who are protesting have been faced with some kind of adversity or the other, from brutality from the Nigerian Police and Army Force, to state-imposed curfews which have brought these demonstrations to a complete halt. In all of this, we have heard from the Inspector General of the Police, several state governors and the Vice President, however, President Buhari has only addressed the nation once in the midst of all this chaos, even following the death of many innocent Nigerian lives at the hands of the people who are meant to protect them.

Things have gone awry, and violence has ensued all over the country by armed men who were allegedly empowered by the government to disrupt the peaceful demonstrations that had been going well for over 10 days before they emerged. Following this, Lagos, Edo, Plateu, Ekiti and Delta states have been placed on a curfew, as the state governments announced a State Of Emergency in their respective constituents. As a result, the issue has escalated and many people were calling for the attention of the President who has been considerably quiet this entire time.

Finally tonight, at 7pm, he addressed the nation about the past few days of protests. Here are the 5 key points we took away from the protests.

They’ve given us money, so we should be grateful

Now I can’t tell you I remember anything about Buhari’s policy when he ran for President, but apparently, one of them was a robust plan to sustain MSMES with a robust plan. The Federal Government recently approved a 2.3 trillion Naira budget to sustain the economy during the pandemic, in the face of the imposed disruptions the lockdown caused for SMEs. The president in his address basically reminded us that they were doing a nice thing for the people, so essentially, what I took away from that was that we shouldn’t really be taking them to task about the fact that innocent citizens are dying en masse by the people who are put in these positions to protect us.

They believe they have done what we want

Buhari maintains that we have been listened to, and our demands have been evaluated by scrapping SARS, but still keeping these officials who profile, murder, extort and harrass innocent citizens by changing the initials of their unit from SARS to SWAT. He said that measures are being put in place to address our other demands, however, for as long as we’ve been protesting, the very thing (police brutality and senseless killings) we have asked to discontinue has continued, and lives are still being lost.

Protests should be called off

Not much to dissect here. Bubu said we should all go about our business and stop causing a raucous on the streets.

That Social Media Bill is dangerously close to being passed

Since Tuesday, the powers that be have made particular efforts to make us and the rest of the world believe something that is not true. The Governor of Lagos state maintains that no lives were lost during the Lekki Massacre, however, we all saw through live footage of the incident that people had been shot and killed. Eyewitnesses gave accounts of the events which unfolded and how they did, however, we are being told that these videos have been ‘cropped’ and edited to spread a false narrative.

In Buhari’s address, he doubles down on this notion that there is false information being spread via social media, and this means to me that our access is going to be curbed. We all know and understand the power of social media, especially in the past fortnight and given that they have been clamouring for this for a while, this seems like a prime opportunity for them to double down. Here’s everything you need to know:

No word about the massacre at Lekki, Alausa and other parts of the country

While Buhari did mention that he is saddened by the loss of innocent lives, there was no mention or acknowledgement about the allegations about the military’s hand in these killings. News over the past few days has maintained that the army were not present at the Lekki Toll and in Alausa, therefore the President not acknowledging this incident explicitly suggests that this is the stance he is also taking. Given that this is such a pivotal arc in the narrative of these protests, it’s a bit deep that he did not.

You can watch the full thing right here:

Here’s how you can help the family of late tech designer, Oke Obi-Enadhuze

Nigerians are dying en masse, and it appears that this is the doing of the very people whose job it is to ensure it doesn’t happen in the first place. For the past week, peaceful protestors against SARS and the extrajudicial killings of innocent Nigerians have been under the threat of attack from either policemen or allegedly sponsored thugs, and it all came to a dark peak this Tuesday, when the Nigerian military opened fire on peaceful protestors following a state imposed curfew in Lagos. This led to the death of over 12 lives, as reported by Amnesty International leaving several others injured and in critical condition.

Social media has provided close proximity to the pain of others, regardless of how near or far away we are,  as we’ve watched people lose their lives in real-time over Instagram Live and recorded videos shared on social media. One of such victims is young tech designer Oke Obi-Enadhuze who died yesterday at Mafoluku, Oshodi.

The whole state has been in civil unrest for the past two days, with several accounts of killings, lootings and robberies rife. The city has been on lockdown since, while it becomes more and more unsafe to merely be alive. Reports of bullets flying through civilians roofs in the comfort of their own homes has become commonplace, and it has come to a point where people’s homes are being invaded and even more innocent people are being killed.

Oke is one of such people, who was abiding to the rules of the Lagos State government as they allegedly restore the city to order, yet, his life was still taken in his own home. According to a Twitter thread by Oke’s brother, Oke died by injuries sustained from a knife attack in his Oshodi home, as he was trying to hold off men ransacking the property.

Though there was initially speculation about the perpetrators of the attack, Oke’s girlfriend Derin, who has very publicly expressed her pain at the loss of her significant other, corroborated his brother’s story.

Read the account here:

“The police station at Makinde [Oshodi] was attacked by thugs who wanted to destroy the station, I and my mom and brother were holed up in our house, The attack went on for hours before the thugs eventually breached the police and proceeded to set the station on fire, after accomplishing this they set their sights to the barracks and began the assault, they proceeded to destroy every car in the barracks, my mom’s 2 cars where destroyed and set on fire and then they infiltrated our house by breaking the door. they then proceeded to ransack the house and carted away with everything we own, my brother on trying to get them to take everything but spare us was pushed to my mom’s room and stabbed on the neck, the attacker then proceeded to attack me but missed my neck…We were finally able to put him in a wheelbarrow and took him to a hospital where he was rejected because “he was already dead” unfazed we moved him to another hospital where he met the same treatment this was where he bled his last drops of blood and died, his body has now been moved to a morgue…”

The family is now crowdfunding for resources to help them rebuild their lives after losing everything in the attack. You can donate to the Obi-Enadhuze family here.

Featured image credits/Derinmama


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ICYMI: Nigerian artist, King Mimz shares an account of her time in police custody

For Us By Us: This is what the Feminist Coalition’s role in our society is

Throughout the #ENDSARS protests, the NATIVE will be collecting stories and opinions of Nigerians from all walks of life, from all over the world with the aim to connect our wider community at this trying time. With our new series, ‘For Us By Us’, we will be hearing directly from each other, speaking about the different issues we are all facing and tackling together, in the aim for a better future for ourselves and the next generation.


Founded in July 2020, Feminist Coalition is a group of young Nigerian feminists dedicated to intersectional activism for women’s rights in Nigeria. As organisation around the #EndSARS protests grew all across the country, Feminist Coalition patriotically offered up their platform as a resource base for Nigerian protesters in every state, fundraising and transparently distributing donations for medical bills, food and drink, security at protest grounds, legal aid and much more.

Becoming one of the lifelines of the movement, the Feminist Coalition have received several threats over the past couple of weeks, in the hopes that by dismantling their influence, the #EndSARS movement as a whole will be silenced. Today, with Twitter rife with rumours of plans to make scapegoats out of Feminist Coalition members for being an activist group at the forefront of Nigeria’s current civil rights fight, the girls address all supporters through an open letter shared with NATIVE.

Read below:

We are scared young Nigerian women who were never a threat. We just wanted to contribute towards Nigerians exercising their constitutional rights safely, by providing food, water, masks (for COVID 19), paying medical bills and supporting legal aid for arrested protesters etc.

We do not plan protests, we simply donate to the needs of peaceful protest organisers so that they are safe. We have made it clear in our statements via our website and our social:

Over the course of the past week, we’ve had restrictions placed on our bank accounts and many people who have donated to us or received donations from us have also alleged and complained of restrictions placed on their accounts by certain banks. This is what forced us to move to decentralised payment platforms and only accept donations in Bitcoin using BTC Pay. Please see more details here:

There have also been threats to the safety of coalition members, FK Abudu, other Nigerian civilians as well as general concerns for the safety of peaceful protesters. These threats have been due to misinformation and defamation of who we are and what we stand for by bad actors.

We received donations towards the #EndSARS movement from well-meaning Nigerians and supporters of the movements both here and internationally. People have donated because they are all passionate about building a better Nigeria. All we asked for was an end to the killing of Nigerians at the hands of the police and that the government take real action and hear our cry as people of Nigeria.

Here is our statement on the killing of peaceful protesters in Lagos Nigeria on Oct 20, 2020:

Featured Image Credits: Feminist Coalition

Here’s what happened at Ikoyi Prison earlier today

Following the curfew declared by the State Government, Lagos state has been under chaos for the past two days. When a number of armed military men descended on locations from Lekki to Alausa on October 20th, several young Nigerians lost their lives and social media was awash with graphic images of dead bodies and an aftermath of the brutal shootings.

Since then, blood has filled our streets as the violence continues, in addition to several lootings and robberies all over the state.  While the whole city remains in unrest, more reports of shooting and unrest across different zones in Lagos including  YabaIkorodu, KetuSurulereMushinAjah, Oyingbo, and Isale Eko.  The unrest has still not quelled, and each day brings with it another new development, and today, Ikoyi Prison has allegedly been set on fire by prisoners in a bid to escape.

If this was to be the case, this would be the second account of a jailbreak in the country following the situation in Benin earlier this week. Footage from the scene shows a small fire brewing as inmates and officers evacuate the building and converge in the prison’s courtyard for safety. More footage also shows army officers sectioned around the vicinity guarding its perimeters to catch anyone who was attempting to get away.

With the heavy security personnel at the prison, it’s unlikely that any inmates were able to break free. Residents of the area told The NATIVE that they heard the sounds of gunshots around 9 am, and they became more intense at about midday. According to another set of people who live nearby, the sounds of gunshots have ceased, and the visible thick smoke has calmed down.

This is a developing story and we are currently monitoring the situation closely. Please check back here for updates throughout the day.

Featured image credits/Guardian


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ICYMI: The fight to #EndSARS is really a fight to fix the Nigerian system

Police brutality continues throughout Lagos, following attack from the military

The #EndSARS movement has escalated into mayhem, thanks to the powers that be who are ensuring that we . What started as a peaceful demand from civilians to end police brutality, has now resulted in the senseless killings of innocent Nigerian citizens en masse, as last night, we watched as the Nigerian military opened fire at peaceful protesters all over Lagos State.

As though that wasn’t enough trouble, this morning, the police continued to wreak havoc by shooting at unarmed protesters at Adekunle bus stop, Yaba, at Oyingbo, at Ajah as well as in Isale Eko, where 4 people have been pronounced dead from this morning’s attack.

People have shared videos and images of uniformed police officers firing bullets and tear gas at civilians across social media to warn others of the violence on the streets. There is also footage of burning tires, buses and roads filled with smoke as the city continues to look more like a war zone.

The protests in Lagos were largely peaceful until thugs and hoodlums hijacked the movement and began to attack protesters. This prompted the Lagos State Government to impose a 24-hour curfew which started at 4 pm yesterday. However, reports of the death toll have multiplied since the curfew was imposed less than 24 hours ago. We urge that protesters stay safe by taking up the movement on social media until the curfew is lifted and it’s safe to go out again

.

Featured Image Credits: Twitter/i_ayanfee


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ICYMI: The fight to #EndSARS is really a fight against the system

The fight to #EndSARS is really a fight to fix the Nigerian system

Yesterday was a dark and traumatic day for Nigerians. Following the state-imposed curfew in Lagos state, young Nigerians at the Lekki toll gate decided to make a bold statement, and continue to peacefully protest. Unfortunately, they were met with attacks from the Nigerian Army, who opened fire to disperse the crowd, leading to several getting shot and undisclosed amounts killed. This is all because young Nigerians have been asking the Nigerian Police Force to stop killing innocent Nigerians, for no just cause.

The timeline of the ongoing fight against the havoc the Special Anti-Robbery Squad (SARS) has wreaked on every day Nigerians has been a tumultuous one to trace. Dating back to 2017, Nigerians have been contesting the existence of the rogue unit which has extorted, attacked, and killed many of the country’s young citizens quietly. Today, young Nigerians decided to take charge of this problem, after several promises from the government to disband the unit came to no fruition. Things began to look up a few weeks ago when we took their incessant cries online to popular streets in Nigeria demanding to have nothing less than the complete dissolution of SARS, until yesterday when things took a dark and traumatic turn.

The protests which have sprouted up in over 25 states across the country were sustained well over a week, despite continued efforts posed every day to derail the peaceful demonstrations. Over the course of 12 days, young Nigerians have poured their anger against the system of oppression which has been notorious for their unsupportive outlooks to modern youth culture in the past. These peaceful gatherings which were mostly a melting pot for citizens from all walks of life, backgrounds, religious beliefs, and sexualities– would be a gold mine for any SARS personnel hungry to carry out their usual modus operandi to profile young people as criminals because of their dressing and hairstyle choices. The way young Nigerians banded together with a common goal dispels everything we were told about ourselves by the powers that be, and efforts were definitely made to ensure that we don’t realise or much worse, use our collective power.

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The attitude these SARS operatives, and policemen in general exhibit are emblematic of a societal system that created, upholds, and enables the system of rot we are fighting against today. Nigeria has always been a very conservative and puritanic society, especially throughout the lifetimes of many of the young adults protesting today. Traditional and religious beliefs are deeply interwoven in our moral fabric and we are socialised to take what we get without questioning authority on any level. Young adults grew up being told what to do, say, and what to think, and anything that dared to stray from the beliefs set down by parents, the church, and schools was met with some form of punishment. Even things that are out of a person’s control, for example, being sinistral.

Punishment was largely corporal. You disobeyed instructions and you got a smack from your parents or guardians and in some cases, brutal beatings involving dangerous nearby objects. You failed a test and you were beaten by those in charge of guiding your reasoning and mental advancement. You ‘sinned’ and fear became a tool by churches to make sure the masses remained docile and unable to fight for themselves because they would be judged by an omniscient higher authority. The Nigerian psyche has been primed to manage, adapt, suffer and expect the worst from everyone, ranging from our family who are the people closest to us to our political leaders and others with any sort of state-given power. This is why years and years of having to adapt to sporadic government policies without seeing tangible results have bred an inevitable feeling of distrust between the government and the people they rule and serve. So it follows that law enforcement agencies do not exist to serve citizens but to protect personal interests without much regard for human life. All we have been asking for, these past few days is to not be killed, and what we have got in response is more people being killed.

This is a direct consequence of colonialism, which left the Nigerian people unsure of who they are, adopting another country’s cultures and beliefs, whilst theirs were being demonised. Today, Christians will tell you those who practice traditional worship are diabolical when that used to be the order of the day for our ancestors. We are told to dress modestly in a way that doesn’t attract attention, but modesty in clothing from what we know today about fashion had more to do with the trends of the time, than anything about actually being modest. Nigeria seems to be stuck in a time capsule, and from the systems in operation to our culture, we haven’t moved forward or advanced since our independence over 60 years ago. What the ongoing fight against SARS shows is that the rot doesn’t start and end with the unlawful operations of a rogue unit alone, but actually begins at every level of the Nigerian society which enables and rewards abuse of power and disproportionate use of force.

 

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#endsars #endswat #endsarsbrutality #endpolicebrutality

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SARS and the entire Nigerian Police Force at large are birthed on the belief system that young people do (and should) not have autonomy over their lives and what they choose. Given that the way in which authority is flouted and abused, and the way that we generally treat each other is widely atrocious, proximity to callous abuses of power is nothing new to many Nigerians. From home, we’re constantly told of the value of physical correction methods, and very often, you’ll often hear phrases like ‘spare the rod and spoil the child’ in conversations surrounding discipline and correction. Outside familial disciplinary methods, the average Nigerian on the street lauds power over others who they come across in their daily routine. From security guards at popular housing estates to NYSC officials, and even to the police themselves, everyone with some power will do as much as they can to exercise it over the next person. Run-ins with the police typically involve the use of force, and many people have reported being slapped and attacked with police weapons if the police ever felt like they had been disrespected by a younger person or someone who they believe that they have power over. On top of it, they have no accountability, and usually get away with any level of violence, and this is what has led to the years of strife. To the police, they are well within their rights to act without consequence seeing as they have done so for years, therefore, they cannot believe the audacity of some ‘children’ to demand better treatment.

Seeing how the Nigerian Government reminded us very clearly what they are really about yesterday, and even at the moment as the Police are still wreaking havoc all over the streets, it is not surprising to see why so many older Nigerian adults think and behave the way they do. Many of the earlier generations of boomers and millennials grew up in a society that enabled oppression, and largely infantalised people who are of legal voting age. A number of Nigerians in these generations were also raised on heavy religious ideals, turning them into moralistic cheerleaders who would rather sit back and pray than tackle issues of injustice head-on. Religion birthed concepts like purity culture where women were chastised for wearing certain clothes and were constantly told to be modest and subservient to their male counterparts. Men were socialised differently to take and demand anything they wanted, reinforcing a harmful power divide in many older Nigerians. Outside religion, traditional culture helped propagate these ideals further, for instance, Yoruba culture heavily demands respect to anyone who is older than you, even by minutes.

This culture of upholding respect for any older person is evident in the responses that we see today from many government officials and many of the older generation. In the past few days, government officials have responded online to protesters’ demands for police reform by calling on the parents of these ‘wards’ rather than recognising them as adults of legal age who have a right to vote and be voted for in this country. The infantilisation of Nigerian is a typical response from the older generation used to trivialise and demean our contributions to society by reinforcing gerontocratic ideals. That’s exactly why those in power — including the police — can’t believe the audacity of young Nigerians who are daring demand for better than they are currently receiving in society. This is the effect of a system and society that does not value young people and sees them as inferior and collateral damage, only because they are older.

Years and years of socialisation of this kind led to the profiling that we see today, young people have become the susceptible target for police harassment and aggression. This is where Nigeria is stuck in a time capsule comes in. We belong in a digital age, where most interactions happen via the internet and through technology. Most young people everywhere in the world have advanced gadgets to keep up with the times, yet in Nigeria, some people have been labelled as criminals for doing what young people all over the world do.

As a result of this digital age, white-collar jobs are not the only means to make money anymore, as has been the case in the country for decades. There are job opportunities in many different walks of life, and people who are not required to present themselves as the corporate world demands also get into trouble for freely expressing themselves. Men who decided to grow out their hair, women who wear the kinds of clothes they want to, are looked at with raised eyebrows, and much worse, sometimes killed, raped, extorted for just existing.

The actions of social activist, Segun Awosanya commonly known as Segalink who has been sowing seeds of discord to the wider public against the efforts of the Feminist Coalition who have been monumental support to the ongoing EndSARS protests. Over the weekend, The Feminist Coalition tweeted that they support the LGBTQ protestors, which is a stance you would expect any progressive and radical group to take to protect the interests of marginalised groups in society. Unfortunately, being from a stifling and moralistic country like Nigeria, there was no room for this progressiveness, as they were met with backlash for taking such a leftist stance, which is ironic during a fight for liberation. Nigerians have consistently failed to understand the intersection of the queer community and violence from the police, where they are targetted for being ‘perceived queer’.

Sunday set a dark cloud on the movement and showed that the country is not ready for progressive change yet, opting to leave LGBTQ+ issues in the darkness because the law does not protect them and criminalises their existence. While people like Segalink used this as a means to demonise the movement which no longer idolised him, others used this as an opportunity to show their queerphobia and push these very real issues queer folk face to the side. What people fail to realise is that we can’t talk about one leg of oppression without the other and the fact that the Feminist Coalition had to retract their statement in a utilitarian measure shows that we are not in the clear and are still being oppressed. Although the climate in Nigeria explains why things played out the way they did, it sends a very clear message to the queer community that we are just going to have to bend to Nigerian ideals, and that is what this system does to us.

As is constantly reinforced, the fight is not a sprint but a marathon and the only way forward is a complete reform of Nigeria. Being Nigerian places an unjust and unfair limit on you, and one can’t break through a glass ceiling they can’t see. The social contract between young Nigerians and their leaders is disintegrating and it is only through youth empowerment and inter-generational equity that we can forge a way forward for the Nigeria that we all deserve.

May the souls of those who have been killed in our fight for liberation rest in perfect peace.

 


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ICYMI: The fight against oppression does not exclude the LGBTQ+ community