Watch Johnny Drille dedicate his new single, “Papa”, to fathers

Johnny Drille’s latest single, “Papa” carries all the hallmarks of his unique identity, but the song’s spiritual incline and lived-in richness magnifies them to create probably his most affecting song yet. Singing with his soft tenor, “If you lose your way, you can pray/don’t be afraid, don’t lose faith”, the Mavin singer charmingly recounts the admonitions of his father, depicting the close relationship between the pair in the process.

It’s the type of all too rare moment in Nigerian music, where parental homages are often maternal, and in paternal cases isn’t quite emotionally reverent. Amplifying his intentions, the self-production on “Papa” is a gradually morphing mosaic of live instrumentation, from simple, soothing piano chords and sombre violin strings, to the addition of tribal drums and folksy Irish guitars in its lively final moments. The song comes with a music video Clarence Peters directs, set in the same rustic universe Johnny Drille’s music lingers in.

You can watch Johnny Drille’s “Papa” music video below.

Feature Image Credits: YouTube/MavinRecords
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ICYMI: See Johnny Drille’s music video for “Finding Efe”

Watch Falz and Dice Ailes flex on video for “Alakori”

Taking a turn from the weighty concerns of his ‘Moral Instruction’ album from earlier in the year, Falz’s new “Alakori” single taps from the pop-rap sensibilities that have brought him to mainstream prominence. While his Brother Taju shtick is very much present, it is clad in a slightly more ominous tone, highlighting the severity of the lyrics he raps, simultaneously declaring his affluence and sneering at those who perceive themselves as financial competition.

The rapper is joined by Chocolate City act, Dice Ailes, who delivers the snide hook in Yoruba, as well as the closing verse. Mixing bouncy downbeat drums, submerged piano riffs and intermittent bass guitar interpolations, the percussive mid-tempo beat Chillz produces for “Alakori” highlights the catchy lyrics from Falz and Dice.

In the new Clarence Peters-directed video for “Alakori”, Falz and Dice are set in a variety of animated scenes—two of them harkening back to classic Hollywood movies, ‘Goodfellas’ and ‘Bad Boys’—as they both perform their vindictive lyrics with a palpable and apt level of vigour.

You can watch the video for “Alakori” here.

Featured Image Credits: YouTube/FalzVEVO

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ICYMI: Watch the music video for “Hypocrite” by Falz and Demmie Vee

BlackMagic shares rustic music video for “Anything For Love”

Since earning a cult following with his evergreen hit single, “Repete”, and his highly underrated ‘Version 2.0’ sophomore album, BlackMagic has kept up a stream of quality releases despite his dwindling claim to mainstream audiences. Earlier this year, the rapper/singer put out “Anything For Love”, on which he professes affectionate feelings for a lover, over the spry, glassy guitar riffs and soft clanging, mid-tempo drum pattern produced by Spax. The single dropped just in time for the cuffing season proceedings of Valentine’s Day.

BlackMagic just released the self-directed (under his government name) music video for “Anything For Love”, and although it doesn’t depict the romantic concerns of the song, it is an endearing set of visuals, set in a rural area in Minna, Northern Nigeria, showcasing the joyful faces of locals and the rustic beauty of Black models.

You can watch the video for “Anything For Love” here.

Featured Image Credits: Instagram/ejayblackmagic
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ICYMI: Watch the music video for BlackMagic’s “No Need”

Davolee finally shares the sequel we’ve been waiting for, “Festival Bar Pt. 2”

It has been over two years since Davolee’s breakout single, “Festival Bar”, introduced us to the rapper’s penchant for cinematic storytelling. He ended the song, promising a sequel and the now ex-YBNL affiliate artist has finally put out the sequel.

While the events on “Festival Bar” were streamlined to a single location, “Festival Bar Pt. 2” is spread out across a successive array of locations, succinctly describing important events linked to a moment in the timeline. Unbelievable Beats produces a new beat for this round, mixing an ominous piano riff and sparse 808 snares for Davolee’s recount of the menial jobs he had to take up in order to survive; Transporting goods for a water vendor, Being a “motor boy”.

His story captures the rough reality of surviving on the streets, but what really makes “Festival Bar Pt. 2” riveting is the vivid detailing as he sprinkles in street hacks he and his friends used in getting food, and a bust-up with a supervisor at one of his jobs. Like the initial record, “Festival Bar Pt. 2” closes with the rapper promising another installation, this time hinting at the tale of how he met former boss, Olamide, who helped in his journey into being a celebrated artist.

You can listen to “Festival Bar Pt. 2” below.

Featured Image Credits: Instagram/eminidavolee
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ICYMI: Watch the cinematic video for Davolee’s prayerful single, “Way”

Listen To Lady Donli’s Retro-Inspired Bop, “Comforter”

Late last month, Lady Donli announced her debut album, ‘Enjoy Your Life’ will be released shortly through her social media platforms. She credits African legends as the project’s inspiration and her newly released single, “Comforter”, keeps up her newfound appreciation for classic sounds with the beat JMS produces, combining percussion harmonies, guitar riffs, flute samples, bass and 808 drum machines.

The beat for “Comforter” is as a result reminiscent of a time when Trybe Records and Kennis Music dictated the pace of Nigerian music. Save for the few lines interpolating Burna’s “I’m killing them pa”, her vocal performance listens straight out of the early 2000s. Though the retro-inspired nature of “Comforter” follows her album’s precedent narrative, it is only a loosie single and will not be featured on her album.

You can stream Lady Donli’s “Comforter” below.

Featured Image Credits: Instagram/
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ICYMI: See the music vidoe for Lady Donli’s “Ca$h”

Listen to Goldlink’s new collaboration with Wizkid on “No Lie”

Goldlink has kept his foot on the gas since earning Grammy nods with “Crew” off his major label project debut, ‘At What Cost’. For his follow up album, ‘Diaspora’, the DC rapper looks to his African roots, adding collaborations with Maleek Berry, Juls and Wizkid to his guest list that boasts of features from Tyler the Creator, Pusha T and Khalid.

After featuring on Santi’s ‘Mandy and The Jungle’ album and pre-releasing his Maleek Berry assisted “Zulu Screams” single, Goldlink already hinted at his interests in Nigeria’s explosive music scene and continues with a Wizkid verse and hook on “No Lie”, the 11th track on the album. “No Lie” starts out with a laidback and danceable beat tailored to Wizkid’s Afropop melodies but the tempo for the P2J co-produced beat switches just before the 2nd-minute mark to fits Goldlink’s relaxed yet assertive flow, waxing poetic about his growing acclaim and .

Stream Goldlink and Wizkid’s “No Lie” below.

Featured Image Credits: Instagram/wizkidayo
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ICYMI: Watch the music video for “Zulu Screams” by Goldlink, Maleek Berry and Bibi Bourelly

Watch Mojo and Prettyboy D-O team up for new “Chop Life Crew” music video

Mojo and Prettyboy D-O are offering context for their reckless lifestyle on their new collaborative single, “Chop Life Crew”. The song invites listeners into their ominous headspace while simultaneously making it sound like the coolest place on earth; “Hide the poli in the backseat, in case the po-po wanna pat-down”.

The beat Ronehi and Le Mav produce to a glowering and captivating mid-tempo bounce is punctuated by layered flute samples, synth harmonies, ad-lib vocals, and drum riffs. It serves as the backbone of the song, laying the buoyant foundation for the rapper’s cocksure bars as they encourage listeners to make the most out of life. Though the overarching mood for the song is showy, there’s an unmistakable air of grit which the July Drama and Aidum Tom directed music video displays through the grim filters, moss-covered walls and face-mask wearing cameos. The street life is tough, but that’s no reason not to live it to the fullest.

Watch the compelling music video for Mojo and Prettyboy D-O’s “Chop Life Crew” below.

Featured Image Credits: YouTube/MOJO
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ICYMI: See the music video for Prettyboy D-O and Santi’s “Pull Up”

Listen to Daramola and Daneon’s joint single, “Love Don’t Cost a Thing”

It’s been nearly a year since Daramola’s last release, “Heartbreak Please”, but his new entry shows no sign of rust as he performs yet another ode to love, “Love Don’t Cost a Thing”. His lightweight melody, auto-tuned and familiar, might remind you of a Tropical version of an EDM song, but by infusing some Nigerian quirks in his vocals, the summer song is as homely as it is festive.

American DJ and producer, Daneon is credited as a co-owner of “Love Don’t Cost a Thing” but he leaves all the vocal performance for Daramola who sings “Leave All Your Worries Behind”, encouraging a love interest and listeners to embrace the carefree vibe the song inspires as we begin this summer. Daramola recently signed a publishing deal with Sony and is expected to release a project in the coming week.

In the meantime, you can stream “Love Don’t Cost a Thing” below.

Featured Image Credits: Instagram/itsdaramola
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ICYMI: Listen to Daramola’s “Heartbreak Please”

J Molley is in a rare amusing mood for new single, “Flower Child”

J Molley’s music often paints the South African artists in a gloomy, sinister universe where heartless monsters lurk in dark alleys. However, for his newly released “Flower Child” single, he takes a detour into a much much brighter scene as he celebrates his acclaim over a mid-tempo trap beat produced by Stick X.

The mix of catchy drum riffs and cheeseball synth chords create a party driven ambience for J Molley to sing/rap in his melodic vocals that make it obvious he’s at the top of the food chain, prowling around the beat, thumping his chest. His “Feeling Way Too Good, I’ve Been liberated/ Know that you don’t understand so you’re just sitting, hating” line punches through the whole track as he confidently explains several reasons the bad vibes around him can’t get to him.

You can stream J Molley’s “Flower Child” below.

Featured Image Credits: Instagram/hoodpharmacist
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ICYMI: Watch the music video for J Molley’s “Always $tressed”

8 Artists we love who need to show up in 2019

It usually takes a couple of years before artists find a healthy rhythm with their audience because the music release cycle runs on popstars sustaining their spotlights for extended periods. In the last six months, new names and faces have shuffled into Nigeria’s class of hit-makers making Nigerian music a little more vibrant. The arrival of Mavin Record’s Rema, Chocolate City inking a huge deal with Warner Music, and Afropop’s outing at Coachella has kept the genre visible globally. However, in spite of newly-infused energy, there are still some fave hitmakers The NATIVE would like to see on the scene in 2019.

Tekno

Everyone misses the Tekno that gave us “Pana”, a track that now brings back 2016 nostalgia when it shuffles into playlists, today. Though his progressive highlife single, “Woman”, stayed in conversations for a few weeks, the cold reception for his latest single, “Uptempo”, took him back to a time before he was the toast of the game; featuring on Drake’s Instagram feed and bagging a feature with Ciara a few months later. Tekno’s penchant for indigenous melodies is a sure bet for Afropop’s dancefloor sensibilities but his recent efforts have seemed lazy as his songs slip farther down playlists.

Niniola

“Maradona” marked the first of many Afro-house hit songs that would revolutionalize the texture of Nigerian mainstream pop. Her raunchy lyrics established her as one of the leading voices in Afropop with her growing discography which saw her release her debut album, ‘This is Me’ in 2017. Though she kept a steady string of singles to keep parties going all through last year, Niniola hasn’t had the same turn-around of women-positive hyperrealistic music. In spite of the release of  “Designer”, a lone single featuring Sarz and it’s hard not to notice her absence.

Wani

Wani became the flag bearer for neo-Afropop after releasing “Blem Refix” on his SoundCloud in 2017. Last year, he followed his rise to fame with a critically acclaimed debut project, here his breezy fusion of R&B and neo-Afropop melodies introduced a modern Afropop to audiences. In spite of the fanfare Wani’s ‘Lagos City Vice’ earned, the singer has since retreated into the comfort of his solitude, releasing just one follow up single, “In 2 U” last year. Wani fans deserve better.

AKA

The hip-hop scene in South Africa was the pride of the whole continent once upon a time and AKA played a major role in that. Last year, “Fela in Versace” reminded everyone of his ability to capture the zeitgeist of the entire continent but this year, the rapper has bearly made any impact. Since the release of “Jika” to ambivalent reactions back in January, AKA hasn’t etched much of a mark on African music in 2019 but enjoy the euphoria of his ‘Touch My Blood’ album from last year.

Reekado Banks

After parting ways with former label, Mavins Records, Reekado Banks has had the creative freedom to release more music and show up for guest verses more frequently. But his more pronounced presence hasn’t had the same wholesome feel he once enjoyed under Mavin’s management. It’s only June and there’s no real pressure but for an artist who just started his own label, there are valid reasons to be concerned about any prolonged silence.

Minz

Though Minz owned the pre-existing Afropop wave of 2017 on his break out single, “Story”, he built a notable following and renown with multiple features and single releases that kept his music in rotation. But for 2019, the singer’s only release is the video for last year’s “Skin” single. For someone who only needs a few more successful singles to crossover to mainstream reverence, staying under the radar may not be the surest-bet strategy.

To Name A Few

To Name a Few have only shared a handful of songs since their haunting “Stay Over” debut earmarked the duo as shiny examples of brilliance in the age of niche music taste. The band was featured in the  Trybe section of our Birth Issue where they discussed T.N.A.F and their unnamed EP, but it’s been over two years since “Based”, the last release from the melancholy fueled Chillwave/Alternative soul band. That unnamed EP has still not gotten a title, nor have they surfaced anywhere ever since.

Boyewa 

Despite occasional releases, Boyewa has shied away from the public spotlight for a few years now, it has also helped build more mythos. With his liking for randomly removing songs from his Soundcloud library, it has always been tough to be a Boyewa fan but this year has seen a drought of new music from the artist/producer. There have however been whispers that he could be dropping a project at any moment, so fingers crossed, the silence is just to build anticipation for its release.

Featured Image Credits: Instagram/hoodpharmacist
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ICYMI: The Best Songs of Summer 2018

Listen to AYLØ’s latest single, “Paris!”

Following lyrics from his debut mixtape, ‘<insert project name\>’, suggesting that he only drops projects and no singles, 2018 seemed like a prolific year for AYLØ, cranking out two singles, a video and some features. He has, however, been quiet for the most part of this year, and so his new single “Paris!” feels like a return to form.

“Paris!” reintroduces fans to the laid back ambience AYLØ’s songs often linger in, thriving under the lightweight vibe of synth harmonies and his neo-R&B vocal texture. Though the song’s romantic intentions are heard in his lyrics, singing “When she moves, I’m a fool”, the catchy and soothing beat is danceable, paired with his relaxed yet assertive flow.

Stream AYLØ’s “Paris!” below.

Featured Image Credits: Instagram/arkhonellz
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ICYMI: Watch the music video for AYLØ’s “Still II”

Listen To Adey’s New Single, “Red”

Anytime Shaggy’s “It Wasn’t Me” is referenced in a song, there’s a high chance the trust in the relationship has been broken. Adey’s “Red”, the singer/producer’s first single of the year, opens with an interpolation of lyrics from Shaggy’s 2000 smash hit, setting the stage for a confessional that is somehow both dubious and seemingly heartfelt.

Although he admits his guilt when he sings, “I a lover and a cheat, and I know this”, he doesn’t seem ready to follow through on his promise to do better, while still trying to hold on to his aggrieved lover. It might be a lot to take in on paper, but the catchy combination of his preppy Afro-Caribbean melodies and the catchy mid-tempo beat Adey produces makes “Red” a leisurely listening fit to slip into sticky summer evening playlists.

You can stream “Red” below.

Featured Image Credits: Instagram/itsadey
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ICYMI: Listen to Adey’s era defining single, “Cigarette”

YungBakugo shares colorful music video for his dreamy new single, “Cloudy Maudy”

YungBakugo’s production on his latest single, “Cloudy Maudy” is a master class in painting with negative space. Instead of crowding the song with different sounds, he leaves holes open so that his silky lo-fi compositions can breathe. The minimalist beat adds an air of mystery such that it sounds like anything could happen. The Toronto based artist compounds that enigma by switching between vocal textures, singing as well as rapping over the dreamy instrumentals.

His lyrics, “Wanna be rich, looking like I robbed a bank, Yeah”, keeps the dreamy direction of the song going and Kali Talmon-Longden follows the same mood with the surreal and colourful music video she directs. The video sets YungBakugo in the company of models and dancers (Jennifer, Tyra Templesmith, Katie Over, Alexandra Gimbert) who also add more colour to the video through their performance.

You can watch the video for “Cloudy Maudy” below.

Featured Image Credits: YouTube/ Yung Bakugo
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ICYMI: Listen to Daramola turn heartbreak into R&B bliss on “Heartbreak Please”

Maison2500’s new single, “Choppas on Deck!”

Hip-hop has always had the reputation of being aggressive if not a little violent, but the drive to rage has seemed at an all-time high since rappers like Xxxtencion and 69 took hip-hop by storm and became icons for the new generation of rappers. Maison2500’s latest single, “Choppas on Deck!” keeps the energy going, striving under the youthful recklessness of punk and hip-hop’s competitive spirit.

“Choppas on Deck!” opens with distorted synthesizer riffs before ad-libs and abrasive drum machines are layered in to spark the aggression from Maison2500’s voice. It quickly becomes apparent that the exclamation point in the song’s title isn’t just for aesthetic as he threatens opponents and practically anyone who stands in his way; “Hit my label, told them I need a raise!”. Though he lands every boast and punchline with gusto, painting himself reckless rockstar, the brand of chaos he exudes is inspiring as he rages confidently about his acclaim.

The new single is expected to feature on Maison2500’s coming project, ‘Mase World‘, scheduled for a yet to be announced release date.

You can stream “Choppas on Deck!” below.

Featured Image Credits: Instagram/maisonvendetta
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ICYMI: Listen to Maison2500’s “Beamer”

Listen to DJ Java’s new single, “Tight Jeans (Remix)” featuring Falz and Ajebutter22

Ajebutter22 and Falz excel at making lightweight songs that toe the line between raunchy tributes and mockeries of our pervy instincts. While their previous collaboration, “Bad Gang” was craftily narrated to question our society’s moral compass, their latest collaboration on DJ Java’s new single, “Tight Jeans (Remix)” doesn’t bother with such politicking as they create a raunchy song destined for dance clubs.

Over the catchy drum led beat mixed with synth and percussion harmonies from “Tight Jeans” released last year, Falz and Ajebutter22 rap about their lustful feelings for their love interests; “I’m in love, I go wife this one”. “Tight Jeans (Remix)” is expected to feature on DJ Java’s coming project, ‘Sounds Of The Ladies Man (Volume 1)’, which is scheduled to be released on Friday, the 14th of June.

You can stream Falz and Ajebutter22 assisted “Tight Jeans (Remix)” and pre-order the project below.

Featured Image Credits: Instagram/djjavaofficial
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ICYMI: Listen to DJ Java’s “Tight Jeans” featuring Falz and OZ

Toye Aru makes Afro-techno magic on new single, “Freedom Riddim”

For his new release, “Freedom Riddim”, Toye Aru approaches Afropop with the curiosity of an alien observer as he mixes techno dancehall sounds with tribal African chants. The result is a stellar exercise in the groovy and wild sentiments that soundtrack nightclubbing to metaphysical extremes.

His production on the song invades the natural world, building the rattling samples, synth lines, percussion and drum riffs around a melodic chant that listen like a call to dance, mate, fight or some other carnal activity. Though there are no actual words asides the song’s “Freedom Riddim” title to determine Toye Aru’s intentions, the lull of the synth harmonies and animalistic texture of the chants build into a euphoric, swirling groove to fit DJ sets at outdoor concert parties or in the dimly lit dance clubs. It’s a mad experiment that finds Afropop sounding more abstract and thrilling than ever before.

Stream Toye Aru’s “Freedom Riddim” below.

Featured Image Credits: Instagram/toye.aru
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ICYMI: Listen to Ciara and Tekno’s “Freak Me”

Watch the music video for “Girate” by Teffy and BOJ

One of the most intriguing things about Afropop, like all pop genres, is how little the severity of the song’s subject does to dampen the merry mood. Teffy’s new single, “Girate”, for instance, describes the harsh reality of unrequited love saying “That Girl Put Me On A Strong Thing”. But his distress is concealed beneath the groove of the Toye Aru’s instrumental that GMK mixes and masters. BOJ’s slurry vocals only add to the lightweight mood of the song.

The pair just released the music video for “Girate” directed by Shaun Eweni and TSE and it follows them as they perform their impassioned verses with the presumed muses featured in the frame.

Watch the music video below.

Featured Image Credits: Instagram/teffytefff

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ICYMI: Ajebutter 22 and BOJ’ release joint project, ‘Make e No Go Cause Fight’

Watch the video for Omawumi’s new single, “Without You”

After last year’s impressive trickle of singles, singer-songwriter, Omawumi is set to release a new project, ‘In Her Feelings’, on June 14th. The upcoming 7-song project will be the follow-up to her critically acclaimed 2017 album, ‘Timeless’. The singer has also put out the project’s lead single, “Without You”, for fans to get a taste of what’s to come.

Set in the same sophisticated yet modish Afropop stylings prevalent on her previous album, “Without You” features mid-tempo percussions and appergiated guitar melodies, embellishing the charming set Omawumi performs to express her romantic feelings to a significant other. The song certainly hints at return to wedding DJ playlist for Omawumi.

The singer has just put out the Fome Peters-directed video for “Without You”, featuring shots of her performing her lyrics in a dress, as well as in more comfortable tights, performing choreographed dance routines with backup dancers.

You can watch the video for “Without You” below.

You can also pre-order ‘In Her Feelings’ project below.

Featured Image Credits: YouTube/omawumi
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ICYMI: See the music video for “Hold My Baby” by Omawumi and Falz

Joining WafflesNCream’s “Go Skate Boarding Day Lagos” this June

WafflesNCream took charge of the skating community in Nigeria when they pushed for a skating holiday to celebrate the International SkateDay with their two-day skate jam in 2017. This year, WafflesNCream continues the tradition with a new edition of “Go Skate Boarding Day Lagos” expected to hold on the 21st and 22nd of June.

Similar to the debut instalment, Go Skate Boarding Day Lagos 2019 is going to kick off with a screening of legendary skate films at the WafflesNCream store in 234 Muri Okunola Street, VI. There will also be activities like merch sales to promote the Lagos skateboarding community. The Skate/BMX jam will hold the next day at the Zenith bank car park in Plot 87 Ajose Adeogun Street, VI followed by the afterparty at Hfactor, 26 Maloney Street, Lagos Island.

 

https://www.instagram.com/p/ByX_y2znDt3/

Featured Image Credits: Instagram/wflsncrm
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ICYMI: Check out WafflesNCream’s D/H ’17 Collection

See Mayorkun and Kizz Daniel In Video For their new collaboration, “True”

The race to release the biggest song that will dominate charts and clubs deep into the months of summer have officially begun. Mayorkun and Kizz Daniel, two of the best hitmakers around, have teamed for a new single, “True”, a catchy bop and a potential contender for Song of the Summer.

Young John and Lussh Beats co-produce the beat for “True”, mixing an undulating piano harmony and a boisterous Afropop drum riff, while Mayorkun and Kizz Daniel deliver their romantic lyrics, reassuring their lovers whose trusts are flailing. By leaning into the reliable mix of romance-inclined sentiments and production revealing their club hit intentions, “True” is exactly the type of collaboration that can last on DJ rotations deep into the summer.

Aje Films directs the semi-dramatic music video for “True”, and it features both singers performing their lyrics of reassurance to their love interests.

You can watch the video for “True” below.

Featured Image Credits: YouTube/DavidoAdeleke
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ICYMI: Here are all the Essentials from Mayorkun’s album debut, ‘Mayor of Lagos’