See the music video for Di’ja’s Bob Marley inspired new single, “Mr Bob”

Di’Ja’s new single, “Mr Bob”, brings Reggae legend, Bob Marley, to mind in several important respects. For one thing, the song is written like an affectionate letter to a Mr Bob, catching him up on things he missed. Secondly, the Reggae dancehall influences are unmistakable with the lightweight ambiance of the beat IBK Spaceshipboi produces, mixing layers of percussion, horn harmonies, bouncy guitar licks and vocals samples. But it’s the medley where she interpolates some Bob Marley classics like “I Shot the Sheriff” and “Buffalo Soldier” that highlights “Mr Bob” as a tribute song to Bob Marley.

“Mr Bob” was released with a music video set in a bar where Di’Ja is seen wearing outfits with the Jamaican flag colors. The video is also edited with retro filters that make it easy to imagine Bob Marley in the cut of the tribute music video.

You can watch the music video for “Mr Bob” below.

Featured Image Credits: YouTube/MavinRecords

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ICYMI: See Di’Ja’s politically conscious music video for “Save Me”

Here are 7 election season songs you should be bumping right now

We are officially in election season. Political takes have taken over the timeline, cafe-room chats, beer parlour debates, and more notably, popular music. It’s perhaps indicative of the complaints against the current administration as more than ever before, artists are willing to use their platforms and influence to mobilize for progressive political campaigns and jingles. Here’s a list of some of the most notable politically charged singles from the last few months.

INEC’s Avengers – “Not For Sale”

Previous election seasons were dominated by political-party affiliated jingles from our biggest pop-stars. This year, however, artists seem more reluctant to make such alliances as 2Baba, M.I, Tenitheentertainer, Waje, Chidinma, Umar Shareef and Cobhams Asuquo team up on INEC’s “Not For Sale”. Their nonpartisan political message made their soulful plea for citizens to exercise their franchise more compelling.

Slimcase, Simi, Mr. P, 2Baba, Pasuma, Falz, Illbliss, Timi Dakolo, Waje – “No Shishi For Bribe”

The inadequacies of the government become even more magnified during election season with opposition factions pointing fingers and raising pitchforks at the incumbent. It almost never comes up that our democratic government means part of the responsibility should fall on us, voting citizens. But ID Cabasa, Slimcase, Simi, Mr. P, 2Baba, Waje, Falz, Timi Dakolo, Illbliss and Pasuma make an admirable effort to remind everyone of the fact on “No Shishi For Bribe”, begging citizens to vote for the right reasons rather than sell their votes.

Falz – “Talk”


Falz has carved several niches for himself since he got into the industry (comedian, actor, TV show host), but his recent foray into socially conscious issues has been the most divisive despite being commercially accomplished. “This is Nigeria” may have set the template for his new-found political agenda, but it was “Talk” that introduced the candid and confrontational nature of his recently released ‘Moral Instruction’ project. Here he scrutinises with such precise metaphors that he might as well have illustrated a forensics portrait.

Rolay Bondo -“Kriminalz”

There’s a head-snapping, time-warped quality to Rolay Bondo’s new single, “Kriminalz”. Though the “This is Nigeria” inspired hook listens derivative, there isn’t the slightest hint of parody in her gripping tale of Nigeria’s unique backwardness. Her deadpan breakdown of the systematised injustice in the country is matched only by the melancholic percussion and downcast facial expressions in the music video.

Mr Raw – “Obodo Bu Igwe”

It’s hard to imagine any song raffling President Buhari’s feather, but Mr Raw’s lyrics, seemingly addressed to his brothers living outside the city, “It is Crazy/ We Dey Work Hard on a Daily/… Say Na The Youth Dey Lazy”, sure drives home the point that ‘the president doesn’t know what he’s saying’.

Superwozzy – “The Cops, The Youth, The Country”


“The Cops The Youth The Country”  earmarks rapper, Superwozzy’s deft ability, stringing words together in captivating rhymes while also weaving those rhymes into stunning narratives that retain listener’s attention. Over a decidedly soulful beat, Superwozzy retells the story of a young hustler in such riveting detail that the familiar hip-hop narrative feels like nothing we’ve never heard before. In less than 5 minutes, his lyrics describe the day to day hardships of being a young creative in a conservative and overpoliced society.—“SARS Mu Wa La Se/ Wan Mr Bean Wa/ Treating Us Like Trash bi Idoti Ninu Bin Wa”( Sars Took us by the legs/Did us like Mr Bean/treating us like trash, like I idiots, in our own bin). 

9ice – “Promise and Fail”

Normally, we’d be inclined to advise those who live in glass house against throwing stones, but when it comes to the very important subject of governance, we leave room for liberty. 9ice’s certainly wasn’t thinking about the Grammys on “Promise and Fail”, when he called out corrupt politicians for not honouring their promises. And in case you had any doubts about how current an artist popularly referred to as ‘ancestor’ can be, the song’s opening lines are “This is Not the Change That I Voted For/ This is Not a Game Like a PS4”.

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ICYMI: The Kenyan elections as a mirror of the millennial politics of our times

Watch the enchanting music video for Davina Oriakhi’s “Juju”

Davina Oriakhi has released a quirky-bewitching music video for “Juju”, honoring the track off her debut album, ‘Love to a Mortal’. Released back in 2017, the song’s mystical sound stood out through the minimal instrumentation (guitar, synth and her chanting vocals). And though the lush and diffuse atmosphere she creates on “Juju” was already enchanting, the recently released music video adds a cinematic edge to it.

Samara Addai directs the music video, opening with cuts of Davina getting baptized before we follow her out into a park where she performs a mesmerize choreographed dance with a dance partner. As the song builds cautiously into her confessional hook, “This one Pass Juju”, the video portrays her mysticism through a ritual for her divine soul.

You can watch the music video for Davina Oriakhi’s “Juju” below.

Featured Image Credits: YouTube/Davina Oriakhi

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ICYMI: Check out all the essentials from Davina’s ‘Love to a Mortal’ debut

Nigeria Decides 2019: The face of election season Nigerian music is changing for the better

Last week,   “Not For Sale” surfaced online, as the official jingle of the upcoming elections. The new single, backed by the Europen Union in partnership with the Independent Electoral Commission, (INEC), is a collaboration featuring Teni, 2Baba, Waje, Umar M Sheriff, Chidinma, M.I, and Cohbams Asuquo.

Unlike a lot of election season jingles where musicality is rarely a focus, “Not For Sale” actually has sonic high points. Notably, Waje and Teni setting-up Cobhams for a choir-backed bridge that concludes with an acapella outro by 2Baba. It’s a goose-bump inducing interplay of diverse voices that can spark a desire for national harmony in the most apathetic Nigerian. But more so, a tilting emotional element indicative of an ideological shift from how Nigerian musicians have been politically-positioned during past elections.

Traditionally, local artists who have grassroots appeal and influence have always been employed by politicians for election campaigns. During Nigeria’s 2015 election season, big-money political parties began luring influential mainstream artists to also lend a voice to their camps. The result is Olamide releasing “Change” a  pro-Buhari-Osibajo promotional single and “Gbagbe by Ambo”, an ensemble collaboration starring M.I, Ice Prince, Banky W Yemi Alade and others in support of outgoing Lagos State Governor, Akinwunmi Ambode. These are only a few examples of many instances where Nigerian musicians have co-opted to be blatantly partisan in the past, but it is also retrospective of a trend that is being phased out today.

The contentious nature of Nigerian politics makes it hard to separate crooks from public officials who committed to serving the people.  But musicians are directly in the ears of the average Nigerian and there is a limit to how much ignorance they can feign of the impact their choices can have on the people who support them.

As one of Nigeria’s few truly pan-Nigerian popstars, perhaps 2Baba knows this best. Mr Idibia has an active portfolio of songs about Nigeria. He has also headlined political sensitisation concerts like last year’s POLITIC-ALL, and led pre-election issue-based campaigns like the pre-Buhari #VoteNotFight. In addition to “Not For Sale”, Lagos-based NGO, Youth Alive Foundation, also cast 2baba, alongside Simi, Falz, Wasiu Alabi Pasuma, Sunny Nneji and others for “No Shishi For Bribe”, another song about voter responsibility.

https://www.instagram.com/p/Bms9QpqhEio/

Even partisan younger artists are also distancing themselves from traditional candidate co-signs. Davido—who has already been publicly affiliated with a big political party—launched a parallel campaign tagged #DefendYourVote. In his words, “The future of Nigeria is not negotiable”, and the aim of #DefendYourVote is to sensitise young people about their rights and civil responsibilities during the upcoming elections. Elsewhere, rapper, Rolay Bondo’s “Kriminalz”, Yung L’s “To Whom It May Concern” and Falz’s socially-charged fourth studio album Moral Instruction, are honourable mentions of music providing pointed social commentary, charging status-quo to change.

Because social media chatter around politics and social justice can be likened to a virtual bar where the loudest drunk gets heard the most, it can be hard to tell if things are changing in the real world. Going by the news; the president is still arbitrarily abusing power and social institutions whose mere existence marginalises minorities still exist. Cynicism may appear tempting against patronising cliches like ‘Rome wasn’t built in a day’ or ‘democracy needs time’, but if there is any reason to cling on to hope in 2019, it’s public figures taking personal responsibility so the average joe can make better decisions.

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Falz holds up a mirror against the Nigerian society on “Hypocrite”

Melanin Unscripted shares Chi Modu’s “Uncategorized” documentary

Budweiser’s BUDX showcase hosted Chi Modu’s homecoming exhibition in Lagos last year. The Hip-hop photography icon was in the country to share some of his work and experiences with the younger generation of creatives and Amarachi Nwosu’s creative platform, Melanin Unscripted, have created a documentary from the highlights of the exhibition.

The “Uncategorized” documentary ensures that those who missed out on the BUDX event can catch up on Chi Modu’s works and the experiences he shared. In Amarachi’s words, “The video explores his story as a Hip-Hop documentarian while also highlighting how his work and story has inspired young people around the world.” The documentary emphasizes the role of photographers in the fueling youth culture for skaters, artists, DJ and models. The impression Chi Modu’s photographs had on the foundation of Hip-Hop and American youth culture is inspirational as he has played an instrumental role in both keeping and shaping the culture with his camera.

“Uncategorizerd” follows Chi Modu’s journey through New York and Lagos while he reflects on his dual upbringing and the impact it had on his art, bridging the two cultures at the homecoming exhibition in Lagos. Some of his most defining works with legends such as Tupac, Biggie, LL Cool J, Snoop Dogg, Ice Cube, Mary J Blige and others were shown in the documentary as he discusses the strong bonds he built working with each of them and how it helped him capture their more delicate and intimate side.

You can watch the documentary here.

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ICYMI: BUDX announces Chi Modu exhibition in December

Listen to Censodd’s new single, “Dirty Fiona”

The best Afropop songs are able to appeal to the romantic emotions without being engaging enough to distract from the dance rhythm. Thanks to the familiar and lightweight beat Sprng produces for “Dirty Fiona”, Censodd’s heartfelt performance on his sultry new single gets sunlit into a charming dance tune. The rocksteady pace of the piano led mix of synth harmonies, vocal samples, guitar harmonies and a catchy Afropop drum riff that cuts through to add some bounce of the rhythm is easy to get into. But it stands at a direct contrast to Censodd’s lyrics which remain googly-eyed romantic as he alludes to an eternal love; “If You Slow Down, I’ma be Your Last Ride/ And We Go Settle Down”. Fortunately, the song’s catchy melody takes precedent over his demanding lyrics.

You can stream “Dirty Fiona” below.

Featured Image Credits: Instagram/censodd

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ICYMI: Listen to “Blessings” off Jinmi Abduls’ forthcoming project

Best New Music: SOLIS’s “watch me” is the birth of a new kind of artist

When I spoke to SOLIS last year, she gave a pretty quick summary of her creative process saying, “I made everything on my phone”, with a giggle in her voice. It was almost like she was both surprised and pleased with the outcome.

Hip-hop has grown on the back of the advancements in music tech that have shaped the emergence of the genre itself. The invention of 808s for example, took hip-hop away from its funk origins, leading up to today’s syncopated electronic trap music. As the programmes to produce music have gotten more advanced, the adoption of technology to do it faster and better has also spurred the birth of unconventional, often DIY artists.

In the last two years, we have seen Kendrick Lamar collaborator, Steve Lacy—who also produces music on his phone, primarily—come under the spotlight. Somehow though, the narrative around Lacy has been more derivative of his age, instead of the indicator for the evolution of music production for which he is.

One of the most special things about this generation of innovative artists is access to a wide range of influences, and the freedom to take experimental risks that may sound like everything, and nothing at all. This is the first major reason “watch me”, the first single from, SOLIS, is so striking. “watch me” was initially released with a vintage-filtered video casually tweeted with nothing but a deadpan caption that dubbed the track as a “lil something”. Only, it wasn’t a “lil” anything, it was a tear-jerking guitar-led song about finding inner courage after a break-up.

SOLIS is your neighbourhood tortured poet, with a sardonic sense of humour, driven only by the need for expression by any medium necessary. “Watch me as I break, the cycle of I give and you only take”, she sings in low-pitched falsetto over the guitar-led Lo-Fi production. The rawness and vulnerability of her songwriting on “watch me” will be familiar if you have heard pop ballads from modern day neo-R&B provocateurs (Think: Rihanna, SZA or Jhene Aiko).  In her words, “watch me” is inspired by a situation she has moved past, there are boundless possibilities of where she goes from here.

Stream “watch me” by SOLIS here

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Toye is the Team lead at Native Nigeria. Tweet at him @ToyeSokunbi


Falz holds up a mirror against the Nigerian society on “Hypocrite”

FOKN Bois bring Mr Eazi along for fan appreciating new single, “True Friends”

In our current internet obsessed times where social media engagement is currency, it can be hard to distinguish friends from fans. But as far as Ghanaian duo, FOKN Bois, is concerned, fans are the real friends out here. The duo of Wanlov the Kubolor and M3NSAs have released their debut single for 2019, “True Friends”, and it features a verse from Mr Eazi.

Over a piano led beat and 808 drum riffs, Wanlov the Kubolor and M3NSA call out their friends for not being more supportive online singing “One Retweet Sef, You No Do/ Artist Dey Pap, You Say What?/ Chale fuck off!” Mr Eazi’s verse is short, offering some encouraging words to artists with hating friends. Though the mix of Trap influences and Afropop makes for an uplifting record, Mr Eazi’s exponential growth over the years makes his “My Guy You No Go Ever Fall Oh/ E Be Them Wey Dey No Go Move” lyrics feel like an adrenaline boost.

“True Friends” is FOKN Bois’ second release in anticipation of their ‘Afrobeats LOL’ EP set to drop in March.

You can stream FOKN Bois and Mr Eazi’s “True Friends” below.

Featured Image Credits: Instagram/foknbois

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ICYMI: Watch the colorful music video for M3NSA and Amaarae’s “SDI” single

Yung L shares music video for new single, “Kpononor”

The sweet and lovey dovey sentiments of Afropop songs from the 2Face era have slowly given way for more raunchy intentions. In the hand of artists like Yung L, Nigerian pop music can be steamy enough to fit right into Caribbean Reggaeton mixes without missing a beat and his latest single, “Kpononor”, comes with a music video that seems to emphasize this through the beach setting and sexy models in bikini fits.

Clarence Peters directs the music video for “Kpononor”, following Yung L as he sings to the atmospheric Afropop beat Chopstix produces. Singing “When The Gbedu Drop, Everybody Just Dey Turn Up/ Fine Fine Lady Shake Your Bumbum”, Yung L’s primary concern seems to be keeping pace with the rhythmic bounce of the beat and establishing a dancefloor scene. The music video helps bring this to full focus with colorful outfits and sexy models who join the singer for a melanin celebrating photoshoot by the beach.

You can watch the music video for “Kpononor” below.

Featured Image Credits: YouTube/YUNGL MRMARLEY

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ICYMI: Watch the fun music video for Yung L’s “Pressure”

Watch Blaqbonez and YCee party in the music video for “Play (Remix)”

Blaqbonez’s previously released album debut, ‘Bad Boy Blaq’ was so well received, the Chocolate City rapper has released a follow-up EP called ‘Bad Boy Blaq – Re Up’. The new project contains 7 tracks and boasts of features from Oxlade, YCee, Moelogo, Ckay, Vector, Dremo, Psycho YP, Prettyboy D-O and BOJ who all bring their unique style and sound to the mix.

YCee features on “Play (Remix)”, opting for a more melodic performance in light of Blaqbonez’s auto-tuned vocals. He matches the ‘bad boy’ flex of the original track saying “If I Move to Your Girl, It’s a Wrap” over the bouncy Afropop beat that fits right in the house party-themed music video The Myth directs for the collaboration.

You can watch the music video for Blaqbonez and YCee’s “Play (Remix)” below.

Featured Image Credits: YouTube/Chocolate City Music

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ICYMI: Check out all the essentials from Blaqbonez ‘Bad Boy Blaq’ album debut

See ODWoods in colourful new video for “Okay”

Releases from filmmaker and singer, ODWoods, has been sparse over the years, but it would be a gross misconception to assume he hasn’t been around the block long enough. With collaborations with rappers, Ice Prince and Vector, respectively, you get the sense of an artist who is taking his time with his musical journey. His new single, “Okay” subtly echoes this too, as the singer advises listeners to live their lives without trying to be like him. Which makes sense, because only a few artists have the luxury of dropping singles out of the blue, every once in blue moon. We may not hear from him as often, but in ODWoods’ world of coloured floodlights, and beautiful women, he is doing just “Okay”

See ODWoods in “Okay” below

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Toye is the Team lead at Native Nigeria. Tweet at him @ToyeSokunbi


Best New Music: Falz holds up a mirror against the Nigerian society on “Hypocrite”

Dusten Truce shares ‘2 Birds, One Stone’ album debut

Former X3M label artist, Dusten Truce, just added an album to his growing body of work, releasing ‘2 Birds, One Stone’ as his third project. The 6-track tape blends several sonic influences from Hip-hop, Trap and the several variations of the contemporary Afropop to detail D-Truce’s different moods, emotions and stories from his life’s experiences. The album touches on themes lots of youths will relate with cuts like “Oga Police – 9-5 Interlude” and “Roll Up – The Hotbox Skit”, speaking exploring the pains and joys of the average Nigerian youth.

The brightly colored album art for ‘2 Birds, One Stone’ helped with the promotion of the project on social media as it portrayed the city of Lagos in a beautiful sketch, but the image wasn’t done for mere aesthetic as Dusten Truce also includes a tribute song to Lagos on the tape.

You can stream Dustin Truce’s ‘2 Birds, One Stone’ below.

Featured Image Credits: Instagram/dustentruce

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ICYMI: Watch Dusten Truce’s music video for “Butterfly” featuring 3rty

Watch this hilariously humorless music video for Basketmouth’s “Dia Fada”

As a comedian, Basketmouth has had no problem taking on several personas to get his message across. He was quite accomplished, playing Frank on the “Flatmate” sitcom but is now taking on a more experimental character as a musician called Badman Bob. He just released a new single, “Dia Fada”, featuring Item 7 and Sound Sultan.

Over a mid-tempo beat Orbeat produces, mixing Afropop drums with EDM synth harmonies, “Dia Fada” finds Basketmouth, Item 7 and Sound Sultan reminiscing about the seemingly hopeless state of poverty they’ve come out from. Singing “Who Talk Say We No Go Chop Life/ Who Talk Say We No Go Live Fly/ Who Talk Say We No Go Live Fly (Their Papa)”, “Dia Fada” has an uplifting and inspiring attribute, but the music video is shot in a monochrome black and white edits that dulls the excitement. But what’s even more ironic is the straight-faces on everyone in the video, seemingly staring down their haters. The collage of mean mugging faces makes for captivating imagery, worthy of social media video challenges that could help push the song into the mainstream.

You can see the music video for Basketmouth’s “Dia Fada” featuring Item 7 and Sound Sultan.

Featured Image Credits: Instagram/Basketmouth

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ICYMI: Listen to Sound Sultan’s “Geshomo” featuring 2 Baba and Wizkid

Seun Kuti and Fatoumata Diawara are set to perform at the premiere ceremony for the 61st GRAMMY Awards

Several Nigerian artists have promised to bring home the Grammy awards, but Seun Kuti’s ‘Black Times’ is the most promising prospect in recent memory. The Afrobeat singer took to his social media to share the joy of his album’s Grammy consideration with fans back in October. Though fans were already excited at the official announcement of ‘Black Times’ “Best World Music Album” nomination, the anticipation for the award show skyrocketed when it was announced that Seun Kuti would perform a live set at the 61st Grammy ceremony.

Seun Kuti is expected to share the stage with his Malian counterpart, Fatoumata Diawara whose ‘Fenfo‘ album was also nominated in the same category as Seun Kuti. While we anticipate the outcome of the Grammys award, we are certainly excited to see the two brilliant singers on the Grammys stage. It’s great to see the Grammys paying attention to African acts and considering them for awards.

Featured Image Credits: Instagram/bigbirdkuti

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ICYMI: Revisit “Last Revolutionary”, a standout track from ‘Black Times’

Listen to “Yawa”, Reekado Banks’ first release with Banks Music

Reekado Banks parted way with former label, Mavins Record to create his own Banks Music record company. Though he shared a video across social media platforms to announce the move to his fans, his exit from the label was rather unceremonious in light of the lawsuits that followed his peers (Runtown and Kiss Daniel) after similar change of management. Reekado Banks isn’t too bothered about any problems and even reemphasizes the fact on the new single, “Yawa”.

Singing, “No Doubt/ Yawa Dey Make Man Sad/ But My Brother That Dance/ Me I No Go Kill Myself” over the lightweight high-life beat Quebeat produces with familiar samples, Reekado Banks is too focused on the music to stress. And with his catchy interpolation of some familiar Afropop hits like 2Baba’s “Nfana Ibaga”, “Yawa” is convincingly positive enough to be uplifting. “Yawa” is Reekado Banks’ first release under his Banks Music label and it’s credited to his label while he and DJ Yung are credited as featured. Though there’s a chance that he made the move to promote his label, it’s hard to ignore the fact that he carefully reclines from taking ownership of the song.

You can stream “Yawa” below.

https://soundcloud.com/afrobeats-update/yawa

Featured Image Credits: Instagram/reekadobanks

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ICYMI: See this steamy music video for Vanessa Mdee and Reekado Banks’ “Bambino”

Tellaman’s sophomore album, ‘God Decides’, gets Apple Music spotlight for February

Universal Music Group act, Tillaman, shared his sophomore album today, the 1st of February and it got spotlighted on Apple Music’s first Pan-African “New Artist Spotlight” playlist. The 20-track album, titled ‘God Decides’, boasts of guest features from around the continent with contributions from Tay Iwar, Nasty C, Rowlene, crownedYung and Shekinah.

Backed by the airy production he does by himself and the diverse array of artists on his line-up, ‘God Decided’ takes the direction of a genre-bending sonic experiment as Tellaman fuses Trap, R&B, Afropop and hip-hop influences to describe his passions; life and relationships. The “New Artist Spotlight” spotlight guarantees Tellaman 4 weeks of editorial support from Apple Music and ‘God Decides’ is expected to benefit from the publicity to reach audiences outside of his homegrown South African support.

You can stream Tellaman’s ‘God Decides’ below.

Featured Image Credits: Instagram/tellamanofficial

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ICYMI: Listen to Tellaman and Nasty C’s “Dance” here

“Azaman” is another single from the most eccentric guy in Afropop today

Nigeria has enjoyed a daring wave of entertainers including Charly Boy and Denrele Edun, whose edgy styles pushed the limits of acceptable Nigerian norms regarding appearance and sexuality. But the rise of eccentric musicians in modern Afropop began somewhere between the birth of Kokomaster, D’banj and the success of Akpako master, Terry G. These two men were popular not only for their music but their mannerisms, use of obscure, often suggestive language and a larger than life sense of self.

These days, we have Slimcase, a man who shot to striking levels of fame and relevance in less than two years. Fun fact: Slimcase didn’t have an official track of his own until last year. He doesn’t really sing in the real sense. In fact, his art mostly involves switching between rap-like verses and comically making social commentary with philosophical unseriousness.

His insights have both featured spiritual conversations with ‘Saint Sammi Ganja’, to commentary on the looted ₦36 Million ($100,000) allegedly swallowed by a snake from an office vault at examination board, JAMB’s (Joint Admissions Matriculation Board) headquarters. If you doubt his methods, then you should know this schtick has already landed Slimcase features with some of the biggest artists in Africa including Wizkid, D’banj and Tiwa Savage.

Hard to say if Slimcase is telling a story or just making stuff up, either way, his latest track, “Azaman” proves he is one of the most eccentric people in Afropop today. On his new track, Slimcase is once again mysteriously amidst season hitmakers teasing a woman about drinking beers about being more streetwise. DMW upstart Perruzzi is flanked by veterans 2baba and DJ Neptune, as well as Larry Gaaga, who is also credited as a collaborator on the track.

The premise for “Azaman”  is not straightforward, but nothing ever is with Slimcase anyway. All you need to know is that, this is another hit for the streets, by the streets.

Stream “Azaman” by Slimcase below

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Go spiritual with Teni’s motivational new single, “Uyo Meyo”

Listen to Earl Doe flex on haters on “Kanaku”

As Afropop continues to morph in tune with the popular music of the time, it’s not surprising that the self-assured mood of hip-hop is mirrored in Nigerian pop songs. Earl Jon Doe’s new single, “Kanaku”, advocates for braggadocios Afropop songs, especially when they’re haters watching. Though he provides the groovy melodies that keep listeners focused on the groove, he makes sure to give haters a show off to spite them.

Singing “I Hear You Talking on the Low/Awon Asthma, They Don’t Really Want the Smoke”, you can almost see the gangster rap themed music video. But the laid back beat he produces, layering bouncy 808 riffs, rattling samples and horns over a pulsing bed of synth harmonies and his catchy melody guarantees “Kanaku” a spot of DJ sets.

You can stream Earl Jon Doe’s “Kanaku” here.

Featured Image Credits: Instagram/earljondoe

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ICYMI: Hear Earl Jon Doe puts money first on “Way Back”

Listen to Johnny Drille’s gleeful new singles, “Shine” and “Forever”

It’s not hard to image that Johnny Drille is gearing to have the best weekend of his life. Shortly after his Mavins label announced securing a multi-million dollar deal with Kupanda Holdings, the singer took to social media to thank fans for helping his reach 10 Million streams across all his streaming platforms. He just released two new singles, “Shine” and “Forever” in time to ease fans into a pleasant weekend.

While “Shine” finds him at his more introspective, encouraging listeners of the beauty of life through his affirmative lyrics, his folk influenced take a more pop direction on “Forever”. Laid back Fuji drums are introduced to his shimmering mix of guitar and synth harmonies to make a slow dance number for weddings. The two singles are Johnny Drille’s first releases since his well attend concert in December of 2018.

You can stream “Shine” and “Forever” below.

Featured Image Credits: YouTube/Johnny Drille

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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


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Sauti Sol’s Afropop game-changer “Afrikan Sauce” is finally here

Perhaps we will never know the true impact of what Sauti Sol has done with their new album until other African artists follow suit. The group has been teasing its fourth studio album for nearly two years, since the release of “Africa”, their first collaboration with Yemi Alade in 2016.

In the months that followed, Sauti Sol spread out the release of the album with singles releases spanning across the whole of last year. The release of “Kamasutra”, their latest collaboration with Vanessa Mdee effectively puts an end to the 13-track rollout. Afrikan Sauce is now available to be streamed on digital platforms across the internet, packing a collection of favourites already enjoyed across the continent and over, in the past twelve months.

https://www.instagram.com/p/BtTd59mhI02/

Sauti Sol self-describes Afrikan Sauce as an “art and cultural exchange”. The project indeed features famous artists from all four corners of Africa, but the real win for the record is a template for Afropop that actually works to the advantage of the creators.

Over the years, African popular music has been bogged down by the lack of a successful template for releasing projects. This can be summed with the nature of pop music to be quickly consumed and forgotten. But in addition, across the continent African artists, also face a massive distribution and middleman problem. Due to problems to lack of crucial revenue generation avenues, it’s not entirely unexpected for albums to slip into obscurity barely weeks after release. Concerts have been the most financially sustaining source of revenue for many artists, making the margin of success for singles wider than a body of work. Realistically, the risk or investment of making a full-length project is nearly not worth it.

Though exceptions like Seun Kuti, Burna Boy, Mafikizolo who are album artists exist, there is also a horde of top African acts who can’t be bothered with following a stringent project release calendar. An even more familiar template to Sauti Sol’s Afrikan Sauce rollout is Olamide releasing projects loaded with singles that have already gained heavy rotation. Though the YBNL boss has stopped frenetically rolling out singles as he used to three years ago, the formula largely worked towards his advantage. Even better, in the age of streaming, pre-streamed singles count towards overall album sales.

Afrikan Sauce is a game-changer because the Sauti Sol successfully taps into the explosion and refinement of African music on the continent and beyond. Lushly-produced tracks fusing African music’s tendency towards electronic music with acoustics, already places  Sauti Sol above average. A release solidifying the modern continental popular sound into a single project may damn well sling them into an iconoclastic class.

Stream all of ‘Afrikan Sauce’ via iTunes here

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Toye is the Team lead at Native Nigeria. Tweet at him @ToyeSokunbi


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INEC assembles 2Baba, M.I, Tenitheentertainer, Waje, Chidinma, Umar Shareef and Cobhams Asuquo for “Not For Sale”

As we approach the scheduled 16th of February date for the general elections in Nigeria, INEC has assembled a supergroup of musicians to help raise awareness on the importance of making their votes count. Their selection, 2Baba, M.I, Tenitheentertainer, Waje, Chidinma, Umar Shareef and Cobhams Asuquo are among the most loved and successful artists in the country. And though they all have their individual agendas, unique style and specific sound, they leave their difference behind to deliver “Not For Sale”, a heartwrenching plea for citizen to exercise their franchise.

Over a piano led beat, 2Baba takes the lead asking “No Sell Your Vote Oh” for the hook. All 7 artists contribute their verses, giving convincing reasons for why voting is important for the future of the country. The sparse and laid back beat leaves enough room for each artist to show off their individual quirks and that unwittingly highlights the national importance of INEC’s course. The single was released along with a music video directed by Paul Gambit who featured graphic images of some of the concerning events from last year. All the artists on the line up were also featured, flanked by dancers and some notable cameos, Wale Macaulay, Segun Obe and Funky Mallam.

Though this isn’t the first time artists are making jingles geared towards election season, “Not For Sale” is a progression from the previous years because this time, the artists are nonpartisan to any political party. This could be indicative of the increasingly apathetic attitude Nigerians seem to be showing towards ensuring their votes count.

You can see the music video for INEC’s “Not For Sale” featuring 2Baba, M.I, Tenitheentertainer, Waje, Chidinma, Umar Shareef and Cobhams Asuquo below.

Featured Image Credits: YouTube/European Center For Electoral Support

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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


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