Kai Collective’s Gaia dress has become the item of summer 2020

Unless you’ve been actively staying off social media, there’s no way you would have missed Kai Collective’s super coveted Gaia dress. There hasn’t been this much buzz for a dress on the Internet since the black and blue/white and gold dress debacle (it was black and gold), and it’s certainly much easier for everyone to be on the same side about Gaia.

Almost overnight, Fisayo Longe’s 4-year old label, Kai Collective saw a meteoric rise during the coronavirus-induced lockdown, thanks to this April drop, and after being made in 3 different versions: the mini and the top, Gaia has made its way through the regular girl’s wishlist to the cover of ELLE’s September issue.

 

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With Gaia, Fisayo has definitely found her pièce de résistance. Made with a mesh fabric by another Nigerian, female-owned brand, Grapes Pattern, the Gaia dress immediately commands your attention. In its simplest form, it’s a colourful swirl of textures and patterns that is uniquely crafted for each wearer, as no two Gaia dresses look the same, and this was done in a bid to reduce waste of fabric and resources during the production process. It’s not only sustainable, but it is also the ultimate power move, with its ability to transform the wearer into that bitch by simply just exisiting.

Beyond the dress itself, the power rests in the community of women who have chosen to uplift a black-owned fashion brand and appreciate thoughtful and ethical business models. Fisayo herself recognises this and has promptly started a two Instagram hashtags #GaiaAtHome and #GirlsInGaia which were set up not only to encourage her growing community to take pictures in their colourful Gaia numbers, but also to raise money towards the sex and gender-based violence back home for her in Nigeria.

Her brand of inclusivity and community definitely seems to be paying off as the Gaia is now being worn by everyone from your favourite influencers such as Temi Otedola and Ebonee Davis to Youtubers like Jackie Aina, Patricia Bright, and The Oddity as well as many more beautiful women across the world.

The way the Gaia dress went on to become one of the most sought-out fashion items from the quarantine, is proof of the undeniable power of black people and most importantly black women, themselves. Only six months into the year, we’ve already gone through unprecedented seismic changes across a range of industries – and the fashion industry has not been exempt. After many years of erasing black designers and professionals in the fashion scene, we’re coming into times where the social reckoning is being televised and the people who have been marginalised and getting their due. During the quarantine, we’ve seen this from black female designers such as Mowalola and Hanifa, who have both shattered boundaries and achieved amazing feats.

Given that Kai Collective is big on its community and fostering the spirit of sisterhood, the brand has uniquely positioned itself in a safe space that ensures it continues to grab and pull our attention by utilising social media and establishing a loyal cult following– that apparently even Beyoncé herself may be a part of. Fisayo is no stranger to the power of social media and engaging with one’s audience as she herself started off as a fashion and travel blogger. This inadvertently allowed her to carve out her own niche on the internet and find her community which has stayed loyal to her as she entered the fashion world as a designer.

With more than 40% of black businesses reporting that the coronavirus has marginally affected their sales and business affairs, there’s no better time to continue giving our coins to black-owned, high-quality and sustainable brands, rather than consuming fast fashion. Black-owned brands such as Kai Collective have proven worthy of coins, and as a bonus, we get to see another black woman winning.

Here are some of our favourite Gaia looks.

 

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ICYMI: Kenneth Ize to partner with Karl Lagerfeld for a 2021 collection

Songs of the Day: New music from Psycho YP, The Cavemen, Missaei, SGaWD and more

The past few months have been difficult to go through. An ongoing pandemic has forced us to significantly curtail movements and social interactions, and at the same time, we’re fighting injustices on multiple fronts. Luckily, the one palliative we can rely on is the continued and diverse stream of music that has continued to grace ears from all over the continent. In a bid to highlight the best songs, we’ve looked around to bring you the songs you absolutely need to hear.

Our weekend selections included pre-album singles from Adekunle Gold, Cuppy and Niniola, new singles Jidenna, AKA, and more. To start the week, we’re bringing you an enjoyable selection from Ycee, The Cavemen, Missaei, Psycho YP, Jay10Szn, Mike World, and more. Enjoy.

The Cavemen – “Anita”

The Cavemen season is in full effect. While we wait for the release of their debut project ‘ROOTS’, we have two singles from the group this year, the latest of which is “Anita”, a highlife-inspired soothing and sumptuous romantic cut.

‘Pay me my salary/I want to marry’ they sing in-sync over the chorus, as an array of jaunty guitars, rattles, drums, and horns set the angelic soundscape allowing the Cavemen to lay down their established ministry; delivering the best love songs from these parts through the charged spirit of the highlife genre.

Missaei – “Killa”

For her second single of the year “Killa”, LA-based singer/songwriter Missaei leans further into romantic tropes atop melodies that swell and shimmer with each word she sings. Over her self-produced single, she sings ‘Why you gon’ fight when you killa/Looking so right on sight yea ya killa’ questioning a love interest about their intentions. Missaei always made the kind of music that might support you in dancing through your issues, as she sensually sings about an attractive lover who may be bad for her, but makes her feel right.

PopBoys x Hvrry – “Done Did It” featuring Psycho YP

If there’s one thing we’ve noticed about Psycho YP, it’s his tenacious work ethic. Just this year alone, he’s racked up pretty impressive features with everyone from Sypho the Gift, Alpha Ojini, Malik Bawa, and many more. For his latest, he’s teamed up with producer, Hvrry on new single “Done Did It” from the musical collective, PopBoys.

Psycho YP exchanges bars about getting his shit popping and having a hold on your girl, which he does with ease. ‘Everyday I thank God I’m alive/But to the niggas that be living a lie/You ain’t really got shit in the safe’ he raps in melancholic vocals over a frenzy of strings, echoing synths and drums.

SGaWD – “Feel Right” featuring Mafeni & DOZ

After talking her shit on the anthemic number, “Whorephobia”, singer/rapper SGaWD is back with a new single “Feel Right” featuring Mafeni and produced by DOZ. For “Feel Right”, she drops the slick-tongued kiss-offs for a more soothing and melodious vocals where she shows off more of her romantic side.

Over the infectious beat, she sings  ‘I just want to love you every day, every night/ I just want to show you that I’m down’, expressing that although she’s been wronged in the past, she’s ready to commit to a new partner. She’s joined on the second verse by Mafeni who raps ‘hardly let people in/I ghost on folks unprovoked/of course I do not commit’ as he accepts his past shortcomings in relationships that held him back from finding the one. This is a really good one to help you unwind this new week.

Mike World – “What You Want”

For his first single of the year, newcomer, Mike World is airing out his romantic frustrations on “What You Want”. We’ve all had romantic entanglements with love interests who give us mixed signals, and Mike World is no stranger to such relationships as they are the primary focus of his latest single. ‘You need to tell me what you want/You’re gonna miss me when I’m gone’ he sings, over a catchy drum-led beat as he pleads with a love interest to make up her mind about their connection before it’s too late.

Jay10 – “WATCH the THRONE” featuring Marv OTM

For his fourth single of the year, Ibadan-raised rapper Jay10 delivers a 3-pack single titled ‘Deleted Memories’ with the undeniable standout being “WATCH the THRONE” featuring producer, Marv OTM. Over … beat, he raps about being the underdog and his mission to get to the top at all costs.

In a year of seismic change where we have seen so many systems and structures fail, we’re all hoping that the underdogs, who are gatekept from attaining their full potential, break the chains and form their own table. ‘Bottom of the league, I’m tryna make it to the top/I’m coming for the throne can they save me a spot’ Jay10 clapbacks, as he untilises vocals that fall somewhere between rapping and singing while stating his intention to come for the throne that is rightfully his.

Featured image credits/Instagram


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ICYMI: Here’s all the new music you may have missed last Friday

How ANTI, Twitch & The Alternate Sound put Davido’s Jimmy Fallon Performance together

After the world put a halt to almost every bit of entertainment we were used to consuming, from prestigious award shows, to witty talk shows, the global entertainment industry had to mould itself around a new normal, frantically scrambling for innovative ways to comply with the social distancing directive. Live performances are a huge part of music entertainment, and this is a sect of the industry that has been suffering since the emergence of the novel coronavirus, however from BET’s 2020 awards we are seeing the merits of virtual live performances and a new way in which audiences can enjoy live sets, even if it is from our homes.

For his performance on Jimmy Fallon’s The Tonight Show, Davido proved to us that the same captivating performances we witnessed at the big-dollar-budget BET Awards can be found here at home. Davido has never shied away from going the extra mile at his shows, and he’s done the same with this remote instalment, with the help of esteemed set designers ANTI, DMW in-house videographer Dammy Twitch, and the reputable Alternate Sound band who transformed the familiar studio instrumentals “D&G” and  “Fall” into arresting live arrangements.

Showcasing the brilliance of a Nigerian opus, assisted by long-time affiliate Asa Asika, Davido put on a full production for his debut performance on an American TV, portrayed through two eye-catching sets: the first, Davido’s yellow living room embellished with sunflowers which pans left to a neon-lit jungle for the band.

Speaking with the NATIVE on how these two worlds came into being, set designers ANTI explain:

“We wanted to create two completely different and conflicting worlds within the same physical space. One is cozy and one is wild… He wanted the yellow set and we thought that the green one would go well with it. Really love how Dammy [Twitch] shot the transition sliding from one to the other.”

Dammy Twitch is a long-time collaborator and of Davido’s. Describing Davido as his brother, the pair have worked together on several music videos, including “Bum Bum” with Zlatan and the DMW record, “On God”. Yet despite their long history, Twitch was still convinced this job was too good to be true: “When I was first asked to shoot Jimmy Fallon, I thought they were joking to be honest”

The Alternate Sound – the gifted live band who add their own accents to the familiar records – had a similarly ecstatic response to the news that they would be starring alongside the afropop crossover star on American TV. With one of their 2020 objectives to be “big on international platforms”, assisting Davido with “D&G” and “Fall” was a literal dream come true for the band. Thanks to their efforts and the other incredible artists responsible for putting this segment together, achieving their goal turned into a memorable production which has now attracted much acclaim.

“[The] reception keeps getting better day after day” proclaims Twitch, mentioning that more people now have their eye on him and his work, thanks to his delivery on The Tonight Show. With friends and not-quite friends singing their praises on social media and calling to congratulate them, The Alternate Sound and ANTI have also enjoyed more popularity, owing to their own contributions to the COVID-compliant live set.

“It has been amazing and it is really exciting to see that people really love, support and appreciate what we do and also appreciate the music we play and how we do it, it is really a blessing and we thank God for that.”

Davido is at a point in his career where everybody he works with is instantly elevated. Whilst we at home were all familiar with Dammy Twitch, The Alternate Sound and  ANTI-design, the heroes who put together this magnetic performance video, Davido and of course American TV presenter Jimmy Fallon, both have a huge following across the world, meaning that the recognition these acts have garnered from their latest piece of work reeled in from even further depths than they’re used to.

Having all worked with Davido on previous occasions, this time feels a little more significant, for Twitch at least, not only because of The Tonight Show‘s sizeable platform but also when appreciating the current sociopolitical climate. Twitch explains: “It feels different cause it’s a very good look internationally and the fact that I’m black and doing the thing. It’s a great feeling.”

This collaboration – although the pressure of performing a flawless live set, or the seven-hour task of building up the two stages, or the stress of getting the perfect shots live, persisted – was an overall pleasurable experience, as it always is working with Davido and the team.

“It has always been a wonderful experience working with Davido and that is because he is a really hardworking artist and he pays attention to every detail. He is very disciplined when it comes to work and he doesn’t take his job for granted.”

Remote performances are the ‘new normal’ and so far we have seen Rema, Doja Cat, The Jonas Brother along with The Roots take their own stages on late night shows such as Jimmy Kimmel Live, James Corden’s The Late Late Show and of course The Tonight Show too. Davido’s performance, like the Black Eyed Peas’ (watch here), stands out from these because of the meticulous effort put into crafting an audio-visual experience for viewers. We’re looking forward to seeing more of these dynamic productions in the months to come, especially as we’re stuck at home and can’t enjoy the real deal.

Featured Image/The Tonight Show/Youtube


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WATCH REMA PERFORM “IRON MAN” ON JIMMY KIMMEL LIVE!

Beyoncé’s ‘Black is King’ will now be available to screen in Africa

Beyoncé’s upcoming documentary, ‘Black is King”, based on music from her executive produced ‘Lion King: The Gift’ album, is almost here.

The visual album which will premiere globally on July 31st on Disney Plus was revealed last month and is said to reimagine lessons of ‘The Lion King’ for an audience of “young kings and queens in search of their own crowns”.

After the internet was collectively up in arms regarding the documentary premiering exclusively on Disney Plus , which is not available in Africa, ‘Black is King’ will now be available to screen across some African countries including South Africa, Nigeria, Ghana, Namibia, Cameroon, Burundi, Senegal, Togo, Congo, Zimbabwe, Malawi, Cape Verde and many more. Dstv’s M-Net has announced plans for the screening on August 1st at 20:00 hours on M-Net Channel 101.

Alongside this good news, an official trailer for ‘Black is King’ has also been unveiled and it features cameos from your favorite celebrities from Kelly Rowland, Lupita Nyong’o, to Naomi Campbell, and even Yemi Alade. Despite this star-studded revelation, the plot of the storyline can finally be deduced as the trailer follows a young boy’s journey to finding himself and his roots, while encountering a set of difficult choices that have the power to redesign his fate. ‘

Black Is King’ will also offer videos for singles off the project such as “My Power”, “Mood 4 Eva” and “Brown Skin Girl”.

Watch the trailer for ‘Black is King’ below.

Featured image credits/DisneyPlus


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ICYMI: Beyoncé announces new visual album ‘Black is King’ based on music from ‘Lion King: The Gift’ album

Beyoncé’s ‘Black is King’ will now be available to screen in Africa

Beyoncé’s new visual album titled ‘Black is King”, based on music from her executive produced ‘Lion King: The Gift’ album, is almost here.

The visual album which will premiere globally on July 31st on Disney Plus was revealed last month and is said to reimagine lessons of ‘The Lion King’ for an audience of “young kings and queens in search of their own crowns,” according to a news release.

After the internet was collectively up in arms regarding the exclusive Disney Plus premiere, ‘Black is King’ will now be available to screen across some African countries including South Africa, Nigeria, Ghana, Namibia, Cameroon, Burundi, Senegal, Togo, Congo, Zimbabwe, Malawi, Cape Verde and many more. Dstv’s M-Net has announced plans for the screening on August 1st at 20:00 hours on M-Net Channel 101.

Alongside this good news, an official trailer for ‘Black is King’ has also been unveiled and it features cameos from your favorite celebrities from Kelly Rowland, Lupita Nyong’o, to Naomi Campbell, and even Yemi Alade. Despite this star-studded revelation, the plot of the storyline can finally be deduced as the trailer follows a young boy’s journey to finding himself and his roots, while encountering a set of difficult choices that have the power to redesign his fate. ‘

Black Is King’ will also offer videos for singles off the project such as “My Power”, “Mood 4 Eva” and “Brown Skin Girl”.

Watch the trailer for ‘Black is King’ below.

Featured image credits/DisneyPlus


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ICYMI: Beyoncé announces new visual album ‘Black is King’ based on music from ‘Lion King: The Gift’ album

Davido, Psycho YP, Sarz & WurlD pick nominations for the South African music awards 2020

Since debuting in 1995, the South African Music awards (SAMAs) have made it a duty to spotlight the best and biggest of South Africa’s diverse music scene. In January, the award body set the ball rolling for this year’s edition, announcing that Music Video Of The Year would now be a fan voted category, like Record Of The Year, as well as the creation of the Best Produced Music Video category, bringing the total number of categories to 34.

The 26th edition of the SAMAs was initially scheduled to take place on June 2nd, at the Sun City Arena, however, with the ongoing pandemic derailing original plans, it is now slated to hold virtually, from August 3rd to 7th. This year’s festivities will be broadcast over five nights, with the first four episodes slated to last for 30 minutes and the finale will be on for 45 minutes. The episodes will comprise winner announcements and live performances from nominees, and they will be aired on Multichoice’s Mzansi Magic, as well as a livestream on the My Muze app.

After detailing the logistics, the award body rolled out the full list of nominees over the past week, initially starting off with those in the fan-voted categories, Record of the Year and Music Video of the year, then following up with the remaining categories. Scorpion King duo, DJ Maphosrisa and Kabza De Small, lead the entire pack with ten nominations, including three nods for collaboration of the year, two for Best Kwaito album and one for Best Produced album. Their third album, ‘The Return of the Scorpion Kings’, is also up for Best Engineered album, however, that nomination goes to Mas Musiq, the engineer behind the album.

Following closely is superstar producer, Prince Kaybee, who has nine nominations overall, including two nods each in the fan-voted categories. In addition to Best collaboration for the Msaki-assisted smash hit, “Fetch Your Life”, Kaybee’s third studio album, ‘Re Mmino’ scored him nods for Album of the year, Male artist of the year and Best Dance album.

Samthing Soweto rounds out the top three highest nominees with eight nominations, picking up nods for Album of the year and Best Afro-Pop album, following the critical acclaim and commercial success of his album, ‘Isiphithiphithi’. Other notable artists with multiple nominations include Ami Faku (Newcomer of the Year, Best Afro-Pop), Lady Zamar (Best Dance album, Female artist of the year), K.O (Best Hip-Hop album, collaboration of the year), Spha Mdlalose (Best Jazz album) and Bongo Riot Di Dancehall Wakanda (Album of the year, Best Reggae album).

Zooming out a bit, the Rest of Africa category is dedicated to non-South African artists, and this year’s nominees is dominated by Nigerian artists. In addition to Mozambique’s Isabel Novella and Sha Sha, the Zimbabwean singer who won Best New international act at the recent BET awards, the other nominees are Davido, rap ascendant Psycho YP, and the formidable pair of Sarz and WurlD. The diversity of these nominees is further indication of an increasingly omnivorous Nigerian music scene, where different sonic styles are making in-roads across the continent, regardless of their popularity at home.

Check out an abridged list of the SAMA26 nominations below. (You can find the full list here.)

Rest of Africa Award

Davido – ‘A Good Time’ (Nigeria)

Sha Sha – ‘Blossom’ (Zimbabwe)

Sarz & WurlD – ‘I Love Girls with Trobul’ (Nigeria)

Isabel Novella – ‘Metamorfose’ (Mozambique)

PsychoYP – ‘YPSZN2’ (Nigeria)

Album of the Year

Samthing Soweto – ‘Isiphithiphithi’

Prince Kaybee – ‘Re Mmino’

We Will Worship – ‘Seasons, Volume II’

Bongo Riot Di Dancehall Wakanda – ‘True Stories’

Sibusiso Mash Mashiloane – ‘Amanzi Nemifula: Umkhuleko’

Best Collaboration

Samthing Soweto (feat. Sha Sha, DJ Maphorisa & Kabza De Small) – “Akulaleki”

Prince Kaybee (feat. Msaki) – “Fetch Your Life”

MFR Souls (feat. DJ Maphorisa, Sha Sha & Kabza De Small) – “Love You Tonight”

K.O (feat. Nandi Madida) – “Say U Will”

Sha Sha (feat. DJ Maphorisa & Kabza De Small) – “Tender Love”

Newcomer of the Year

Ami Faku – ‘Imali’

Sbu Noah – ‘A David Kind of Psalm (Live)’

Spha Mdlalose – ‘Indlel’eyekhaya’

Ndabo Zulu & Umgidi Ensemble – ‘Queen Nandi: The African Symphony’

Viwe Mkizwana – ‘Tributes’

Male Artist of the Year

Benjamin Dube – ‘Glory in His Presence’

Samthing Soweto – ‘Isiphithiphithi’

Prince Kaybee – ‘Re Mmino’

Sibusiso Mash Mashiloane – ‘Amanzi Nemifula: Umkhuleko’

Bongo Riot Di Dancehall Wakanda – ‘True Stories’

Female Artist of the Year

Lady Zamar – ‘Monarch’

Ami Faku – ‘Imali’

Riana Nel – ‘Sterker’

Manu Grace – ‘June’

Spha Mdlalose – ‘Indlel’eyekhaya’

Best Afro Pop Album

Ami Faku – ‘Imali’

Bongo Maffin – ‘From Bongo With Love’

Samthing Soweto – ‘Isiphithiphithi’

Mthunzi – ‘Selimathunzi’

Blaq Diamond – ‘Umuthi’

Best R&B/Soul Album

Elaine – ‘Elements’

Tellaman – ‘God Decides’

Lungisa Xhamela – ‘My Heart to Your Soul’

Tshego – ‘Pink Panther’

Yanga Sobetwa – ‘Promised Land’

Best Kwaito Album

DJ Maphorisa and Kabza De Small – ‘Scorpion Kings’

DJ Maphorisa & Kabza De Small – ‘The Return of the Scorpion Kings’

Vigro Deep – ‘Baby Boy III’

DJ Tira – ‘Ikhenani’

MFR Souls – ‘The Beginning’

Best Hip Hop Album

YoungstaCPT – ‘3T’

Yanga Chief – ‘Becoming a Pop Star’

DJ Sliqe – ‘Injayam Vol.2’

K.O – ‘PTYunLTD’

Big Zulu – ‘Ungqongqoshe Wongqongqoshe’

Best Produced Album

‘Swansong’ (by Matthew Fink)

‘Scorpion Kings’ (by MFR Souls DJ Maphorisa, Kabza De Small & Vigro Deep)

‘Re Mmino’ (by Prince Kaybee)

‘Isiphithiphithi’ (by DJ Maphorisa, Kabza De Small, MFR Souls, Howard, Mas Musiq & Samthing Soweto)

‘In a Different Light’ (by Wouter Kellerman)

Best Engineered Album

‘I Write What I Dream’ (by Robin Walsh)

‘Isiphithiphithi’ (by Samthing Soweto, Pete Maher and Mas Musiq)

‘Promised Land’ (by Kurt Michael)

‘The Return of the Scorpion Kings’ (by Mas Musiq)

‘Into Dust/Waltz for Jozi’ (by Peter Auret)

Best Dance Album

Lady Zamar – ‘Monarch’

Prince Kaybee – ‘Re Mmino’

Oskido – ‘Akhiwe’

Malumz on Decks – ‘Find Your Way’

DJ Mshega – ‘Vibez’

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KABZA DE SMALL’S ‘I AM THE KING OF AMAPIANO: SWEET & DUST’ IS A CREATIVE LANDMARK FOR AMAPIANO

Best New Music: FOREVATIRED & Solis team up on nostalgic single, “Film Trick”

The Abuja-based music collective FOREVATIRED are redefining what it means to be a band in Nigeria today. Formed back in 2017 by Faith (Kyyd), the 11-piece act consists of rappers, vocalists, producers, and a number of other visual creators, who are uniquely primed to command our attention, owing to their wide array of sonic influences and also just by the group’s sheer ambiguity.

With no faces to the many names, the inclusive-spirit channeled in their songs and online suggests that perhaps anyone could be a member of this cool new collective – I might be or you just might be – as the buzz around their ambiguity represents our closest thing to a collaborative indie family like Odd Future.

Their debut mixtape ‘THOSE KIDS NEXT DOOR’ arrived seven months after their debut and it’s pristinely packed with versatile and atmospheric soundscapes which soundtrack the realisations that they have come to individually and collectively as a group during the coronavirus-induced lockdowns.

 

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Although ‘THOSE KIDS NEXT DOOR’ makes a defining moment for the group with repeat-worthy songs loaded with relatable lyrics over dreamy futuristic production, it’s the synth-heavy second track, “FILM TRICK” that stands as the project’s most intriguing.

Produced by Faith, the mid-tempo beat led by echoing synths and distorted lasers and keys lays the perfect setting for a nostalgia-induced romantic number influenced by the group’s Nollywood phase during the current lockdowns.

Helmed at both ends by a running clip of Sam Loco’s cringey, yet, humourous advances at a young woman, FOREVATIRED rapper, Pharoah along with Etienne and SOLIS capture a snapshot of the millennial dating scene by playing on our collective recollection of noughties Nollywood films with its grainy production and insane film tricks.

‘She move like film trick, I’m glued to your move like pritt stick’ sings Etienne, who opens the song describing the ethereal quality of a love interest that has them so intrigued and fixated like an adhesive. The chorus ends: ‘They don’t make no more like you’, suggesting that the song is a reflection on a failed romantic relationship. Each artist brings noteworthy addition to the mix, with relatable lyrics that anyone who’s thought ‘right person, wrong time’ can instantly attach meaning to.

As the ambient synths rock and swell with distorted frenzy, possibly to represent the rockiness of the relationship, SOLIS sings ‘I move like film trick/dodging these bullets like matrix’ offering what can be interpreted as the lover’s response to why the relationship is no more. SOLIS (read, your lover) can’t be tied down and protects herself such that, at the first sign of a red flag, she disappears just like the humorous special effects we grew up watching.

They’re both joined by Pharoah who also airs his romantic frustrations, ‘Told you it was love, I’m not capable of that/you were born to fly and I’m a fucking zombie’ he raps, with a conviction which reveals that he’s aware of the faults he raps about, however, he doesn’t let them get in the way. He admits that he’s got ‘a couple tricks’ of his own to protect him in this game called love.

With “FILM TRICK”, FOREVATIRED reminds us that not everyone you love ends up being in your life forever, and just like bad movie special effects, the love you share with someone else can disappear in a split second for a myriad of reasons. Stay strong and keep your chin up, it can get savage out there.

Stream ‘THOSE KIDS NEXT DOOR’ below.

Featured image credits/Instagram


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ICYMI: Here’s all the new music you may have missed last Friday

A Cocktail of Violence: Southern Kaduna is More Than a Hashtag

On June 3rd 2020 in the Kajuru Local Government Area of Kaduna State, residents were attacked by herdsmen at around 5AM. Simon*, a lifelong Kaduna resident and social media activist, reported that the attack claimed nine lives, including women and children, with a mass burial arranged for them. According to him also, these were not the only attacks. In May, Punch newspaper reported on the abductions of fifteen people, one of whom was murdered. Over the past few years, there have been many more media reports on violent clashes across certain hotspots in Kaduna State.  Too many lives have been claimed from Chikun to Jema’a, Kafanchan, and Kachia. Simon says, “it is hard not to believe that this is a targeted ethnic cleansing. To put it simply, there is a genocide happening in Southern Kaduna.” A member of the state house of assembly, also co-signs this belief.

For a few weeks in May and June 2020, social media amplified these killings. Consuming in its intensity, the hashtag #SouthernKadunaMassacre evoked fiery emotions from people across Nigeria. Some of the tweets shared photos of mangled dead bodies, others cried out for justice with “stop the killings, stop the evil…our crime is survival, we just want to live”. Many asked “why is our government silent?” To the digital mass, Kaduna State was an intolerable hotbed fuelled by state-sanctioned extermination of Christians by Muslims.

A top official from one of Kaduna state’s largest local government areas describes it this way. “If all you knew about the southern Kaduna clashes were from social media, you would be left with the unwavering belief that there was an active ongoing state-sanctioned  ethnic genocide against the Adara people of Kajuru and the natives of Southern Kaduna as a whole, which is part of a wider Islamisation strategy by the government in power.”

The United States Travel Advisory ranks Nigeria as a Level 3, which translates to a “reconsider travel” warning. For Kaduna state and a few other states, the explicit advice is a “do not travel” due to kidnapping.  It is critical to examine how Kaduna State, one of the most developed parts of Northern Nigeria, the state with the sixth highest internally generated revenue in Q1 of 2020, currently in the thick of a rapid urbanisation project and lauded for some of the most effective governance practices in the country continues to be defined by a culture of insecurity and a taste for needless violence. The iterations have been many, but the state is inexorably linked with communal violence and deaths.

In the case of the current spate of southern Kaduna killings, the precursor began in October 2018, when Agom Adara, the paramount ruler of the Adara speaking people of Kajuru Southern Kaduna was kidnapped and murdered by suspected Fulani kidnappers. According to this online petition, the late chief had died because he protested the abolition of the Adara chiefdom, the second largest in the state which was integrated into the new Kachia Chiefdom and Kajuru Emirate. Meanwhile, the northern Zazzau Emirate, one described as encompassing almost half of Kaduna was left untouched with similar emirates left intact or with minor changes. His death escalated, the beliefs in and beyond Kajuru that he was killed due to the communal crises. The allegations led to reprisal attacks which became the foundation for subsequent reprisal attacks that led all the way the most recent deaths.

The history story of clashes goes far back. For forty years, Kaduna state has been a host to ethnic and religious violence claiming thousands of lives. In 1980, the site was Kasuwan Magani in 1980. In 1987, riots erupted at the College of Education Kafanchan in 1987. In 1992, it was the Zangon Kataf crisis. A particularly bloody Sharia crisis in 2000/2001, then the Miss World riots of 2002. The post-election violence in 2011 all the way to the Adara/Fulani crisis starting in 2016 to date.

Things were not always like this. Tony*, another lifelong Kaduna resident, says that “before 1992, people lived anywhere, safely and happily. But there was an incident, probably a perceived slur from one side to the other. There began a lot of killing, and many families had to move to another part of town where they felt safer, and thus the dividing lines began to appear.”

The state has taken some steps to manage the insecurities. On the grassroots level, it restructured its ties to traditional leadership, renaming areas to reflect geographic domains instead of tribes in order to downplay the indigene-settler identities, and play up citizenship over ethnicity. In 2019, the Office of Riot Damages, Rehabilitation and Resettlement was opened, operating directly under the office of the governor. In 2017, the Kaduna State Peace Commission was established. Its mandate sums to adopting proactive measures to develop and implement strategies to promote peace and harmony, prevent conflict, and mediate disputes at communal and inter-group levels across the state. Across all 23 local government areas, peace committees have been established.

However, state interventions can only go so far in theory. The practice comes with many challenges. Tunde* a member of the State Peace Commission articulated some of the issues prevalent in the state’s strategies. According to him, the fundamental limitation lies in the structural set up. As it stands, most of the structures developed to respond to insecurity are not based on the needs and realities in the affected communities. An absence of political will over many administrations prior has also led to the many attempts for justice by the affected communities go unmet. “The reprisal attacks between the farmer herder communities for instance is often downplayed and to date no person has yet been persecuted for these crimes.” Says Simon. Finally, despite the state’s best efforts, there is often no acknowledgement of harm by the perpetrators of the violence, which has fostered a culture of mutual mistrust.

In addition, violence from other states present new avenues for insecurity. In the past few years, banditry has rapidly escalated in the North-West, some of which has spilled into Kaduna state. According to a staff member at the state ministry for internal security and home affairs “the result is a violent cycle where one attack happens, one side believes it is the other, and lashes out in retribution and continues to go back and forth.” Today, the format primarily takes on the form of the farmer-herdsmen conflict, following the cycle of attacks and reprisal attacks that continue to claim lives ranging from thirty three to fifty one. Every time, the innocent residents of Kaduna pay the price.

The story of Southern Kaduna is more than a hashtag. It is one that centres many stakeholders, victims and perpetrators, placing a state at the centre of a cocktail of social media outrage, ethnic and religious violence, semi-permanent insecurity and the questions of governance. Credit should be given to the initiatives already on ground, but it is important to remember the value in transparency. It is crucial for the state to own is successes as well as its failures. From a point, it is easy to see why the internet cries out for justice. There is a sense of helplessness, when years of mediation and security interventions have not fully curbed the deaths and insecurity. Yet, as citizens, it is also on us to be more discerning with our responses in an age where social media is often weaponised to stir needless righteous anger. In a few days, the cycle of outrage will shift to another target, but the people on ground are real and our perception can many unintended consequences for those having to manage the crisis with more than tweets. To quote top a government aide, “outrage will have you reading from chapter three instead of chapter one.” We must be careful not to normalise this.

How you can help victims of the violence in Kaduna: Donate to Resilient Aid Initiative, an organisation that specialises in assisting internally displaced Nigerians.

*The names of those interviewed have been changed for their protection. 

Featured image credits/Instagram


ICYMI: We spoke to some members of the creative community in Kaduna about the ongoing conflict

The detailed elements that make up the label of the new Skepta x Havana Club 7 bottle

Over the past few years, UK rap legend, Skepta has made it a personal mission to reconnect with his Nigerian roots – more specifically, his Yoruba roots. In 2018, the man born Joseph Junior Adenuga was ordained “Amuludun of Odo-Aje”, a chieftaincy title conferred upon him in his parents’ hometown in Ogun state. It was a marker of Skepta’s unreserved embrace of a previously unexplored side of his identity.

Beyond imbibing it and bragging about it—“Big chief Skeppy and I answer to no one”—Skepta is finding wholesome ways to project the peculiarities of a culture he clearly appreciates. A few days ago, Skepta launched a limited edition rum bottle in collaboration with one of the world’s leading rum producers, Havana Club. The announcement came with a promotional video that offers some insight into Skepta’s trip to Cuba—where Havana Club operates from—and the profound effect of encountering the outward display of Yoruba culture and vibrant practice of Yoruba religion on the island country.

If the short video feels slightly ephemeral, Skepta leaves a lasting imprint of the trip on the label that graces his Havana Club bottle. The label is a bold representation of Yoruba culture passed through the lens of Santeria, a religion that champions the ideals of Yoruba traditional worship, even though it was formed under the circumstances of the trans-Atlantic slave trade. Santeria, which translates to “worship of the saints”, was synthesised through the syncretism between Yoruba Deities (Orisas) and Catholic Saints, ensuring that Yoruba traditional worship survived through Roman Catholic scrutiny and western feshitisation.

Today, Santeria is thriving on a large scale in island nations like Cuba and Puerto Rico, as well as in countries like Brazil and Mexico. Identifying with Aché—Santeria’s community-based concept of the universal energy behind all things—the label on the Skepta x Havana Club collab is packed with significant imagery, a meticulous design that’s rooted in the connection between Santeria and Yoruba culture. Here, we take a look at the elements that come together to form the striking and deeply symbolic image on the label.

Blue Background

The blue background on the label is designed to look like the texture of the sky. In Yoruba religion, the sky represents the demarcation, as well as the meeting point, between earth and the spiritual realm where the Deities reside.

Cowrie Shells

In addition to their use as apparatus for divination, cowrie shells are found on the statues of Elegua, the deity in charge of roads in Santeria. It is believed that he’s the keeper of the Aché, and the keys to the past, present and future are in his possession. A link of cowrie shells forms the outer boundary on the label, a symbol of Elegua’s overarching presence.

Ewe Oshun

Oshun, the river goddess, is regarded as one of the most powerful deities in traditional Yoruba worship. In Santeria, specifically, she’s regarded as the Orisa in charge of protecting and bringing blessings to the orí (head) of worshippers. Ewe Oshun (Oshun’s leaves) are used in Yoruba rituals, and on the label, they are bunched together within the cowry boundary in the form of a wreath.

 

Conga drum

Within the bounds of the Ewe Oshun wreath, there’s a multi-layered ring fashioned into the shape of the top of a conga drum, a nod to the percussion instrument’s popularity in Cuban and African music—especially Yoruba folk. The conga drum in this case, also serves as a nod to Skepta’s prowess as a rapper and music producer.

Skepta Head Silhouette

Bordering the Ewe Oshun wreath and Conga drum circle is an oval, with a silhouette of Skepta wearing a traditional cap reserved for chiefs. It’s a clear nod to Chief Skepta’s status as Yoruba royalty, however, for extra detail, the oval’s texture contains horizontal lines inspired by the güiro, a percussion instrument with parallel stripes carved across the surface of hollow gourd.

Thoughtfully stitched together, the label on the Skepta x Havana Club 7 bottle adds a substantial layer of meaning that goes beyond a commercial partnership, tastefully exhibiting Skepta’s connection to his Yoruba roots, as well as Havana Club’s dedication to its immediate Cuban society and other local communities. Skeptarum is being sold behind the counter in UK corner stores, while the bottle is available in other countries through e-commerce platforms.

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ESSENTIALS: SKEPTA, CHIP & YOUNG ADZ TEAM UP FOR ASSERTIVE NEW ALBUM, ‘INSOMNIA’

Burna Boy & Davido feature on the deluxe edition of Pop Smoke’s debut album

Today would have marked the 21st birthday of Pop Smoke, the Canarsie, Brooklyn rap who took hip-hop by storm last year with his rumbling voice and sinister, but instantly infectious, brand of drill music. Earlier this month, Pop Smoke’s debut album, ‘Shoot for the Stars, Aim for the Moon’, was posthumously released, and the album proves that the prodigious rapper was strengthening his abilities and widening his musical range before his tragic passing in February.

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Shoot For The Stars Aim For The Moon (Deluxe) OUT NOW 💫

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To commemorate his birthday, Pop Smoke’s management and estate have now released a deluxe edition of ‘Shoot for the Stars, Aim for the Moon’, featuring fourteen fresh tracks and a remix of “Enjoy Yourself”, which appeared on the initial version of the album. Burna Boy makes a guest appearance on “Enjoy Yourself (Remix)”, which should come as no surprise following leaks of his vocals on the tracks and videos of Pop Smoke vibing to Burna’s music. With the Spanish guitar-heavy instrumental and Pop Smoke’s confident contribution remaining the same, Burna adds his own distinct flair to the remix, delivering a patois-heavy verse that adds to the song’s feel-good direction.

Also on ‘Shoot for the Stars (Deluxe)’ is “Tsunami”, a song that features another Afropop megastar in Davido. Since the album’s announcement, Davido has been hyping his collaboration with Pop Smoke. Over stomping tribal percussion and radiant keys, Davido sets the tone for “Tsunami” with his typically energetic delivery on the hook, while Pop Smoke takes over with two verses where he woos a love interest with his hood credentials: iced-out jewelleries, untucked chains and shooters on call.

Listen to “Enjoy Yourself” & “Tsunami” here.

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: WATCH DAVIDO PERFORM “D&G” & “FALL” ON THE TONIGHT SHOW STARRING JIMMY FALLON

Songs of the Day: New Music from Adekunle Gold, Cuppy, Niniola & more

The past few months have been difficult to go through. An ongoing pandemic has forced us to significantly curtail movements and social interactions, and at the same time we’re fighting injustices on multiple fronts. Luckily, the one palliative we can rely on is the continued and diverse stream of music that has continued to grace ears from all over the continent. In a bid to highlight the best songs, we’ve looked around to bring you the songs you absolutely need to hear.

Our selections for today include pre-album singles from Adekunle Gold, Cuppy and Niniola, new singles Jidenna, AKA and more. Enjoy.

Adekunle Gold x Nailah Blackman – “AG Baby”

Months after its initial announcement, Adekunle Gold’s third studio album, ‘Afro Pop, Vol. 1’, is scheduled for release next year. Officially starting the project rollout, the singer has shared the lead single, “AG Baby”, a boastful cut where he relishes his success and touts his prowess. Accompanied by TMXO’s maximalist combination of rippling bass guitar, bright horn harmonies and punchy drums, Adekunle Gold sounds as imperial and suave as ever, while Trinidadian singer Nailah Blackman contributes an infectious that adds to the self-aggrandisement on display.

Cuppy x Rema x Rayvanny – “Jollof on a Jet”

Cuppy SZN is in full effect. The DJ/singer has been drumming up attention for her debut album, ‘Original Copy’, which is set for release next month. To that effect, she has shared the lead single, “Jollof on a Jet”, and it features guest appearances from Nigerian wunderkind Rema and Tanzanian star Rayvanny. “Jollof on a Jet” initially started off as one of Cuppy’s many hilarious moments on social media, and she’s capitalised on it to deliver a lively bop. Backed by Killertunes’ thumping production, Rema and Rayvanny deliver a romance-driven set, with the former taking the hook and the latter delivering a solid verse, while Cuppy adds a repetitive half-sung bridge in between.

Niniola – “Addicted”

Nearly three years since her well-received debut album, ‘This is Me’, Niniola is gearing up to release her sophomore album, ‘Colours & Sounds’, which is scheduled to arrive in September. In anticipation of the album, the singer has dropped a new single, “Addicted”, a Sarz-produced song that takes inspiration from the increasingly popular Amapiano subgenre. Over Sarz’s intermittent horn melodies, piano riffs and thudding percussion, Niniola longs for a physically absent lover, admitting her addiction to him through her expressive lyrics and playfully intense melodies.

AKA – “Cross My Heart”

AKA’s recent project has seen the South African rap artist further embrace his melodic side. On his latest single, “Cross My Heart”, he embraces his falsetto more than he ever has, delivering an affectionate love song that still caters to his big ego. In between the hook where he sings, “I can’t get you out of my mind”, he delivers two rap verses highlighting the characteristics that he feels makes him an ideal romantic partner.

Jidenna – “Black Magic Hour”

Since he broke out, Jidenna has made it a point of duty to represent and reconnect to his African heritage. On his thumping new single, “Black Magic Hour”, he raps, “I rocked these linens ‘fore wakanda looked appealing/the best you rappers do is do a show, pay a visit/while I’m really out here living in Kenya, making shillings”. It’s one of many standout lines on a song where pays homage to his polygamous grandfather and tersely explains why he never looked at Morgan Freeman as a hero figure.

Sipho the Gift x Psycho YP – “ON MY JOB”

Whether he’s being introspective or bullish, Sipho the Gift raps like he’s trying to raise the hair on his listeners’ ears. Just over a month after releasing an EP, ‘Bloom’, Sipho is back with a new single, “ON MY JOB”, and he taps UK-based Nigerian rap star Psycho YP for an adrenaline-fueled cut. Accompanied by sinister piano chords and blown out bass, the pair combine for a boastful cut where they pump their chest and wag their fingers at naysayers, making it clear that they’re not interested in any unnecessary games.

Black Beatz x MOJO – “Dobale”

In addition to his latest solo single, “Chiwawa”, MOJO has been on a prolific streak of scene stealing guest appearances. His latest feature is on “Dobale” by Black Beatz, who produces the bouncy beat and wisely cedes most of the spotlight to his guest. For his part, MOJO delivers a raunchy set admiring the physical attributes of a love interest, rapping his endless stream of memorable bars in his trademark imposing yet playful cadence.

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: LISTEN TO NEW MUSIC FROM TIWA SAVAGE, SUGARBANA, BELLA SHMURDA & MORE

234Jaydaa celebrates Nigeria on her latest single, “23”

On the sleeves of our Ilé jersey in collaboration with Nike, tattooed on a surprising number of inked creatives, and prefixing the mesmerising 234Jaydaa’s birth name, Nigeria’s country code, +234 is worn as a badge of honour by her country people, especially by the creative class who seek to represent our home, and their national pride to the world.

The most recent airing of this Nigerian boastfulness appears on none other than 234Jaydaa’s debut single this year. Nicknamed the “23”, 234Jaydaa’s latest is an ode to her home, Lagos, Nigeria – globally renowned for its wild exuberance.

“23” opens with orchestral tones – characteristic of the fantastical instrumentals 234Jaydaa typically works with – before dropping into the R&B proclivities signposted on the record’s genre description, as the siren-like songstress chants our proudly embellished country code. 234Jaydaa’s unmistakable intonations bring the ‘Soul’.

Verse one on “23” describes the tropical climate Nigerians both loathe and appreciate. Singing affectionately about the radiant palm trees and vigorous bamboos, 234Jaydaa inadvertently questions the globally dominating Western seasons by asking “is it taboo” for the people of Nigeria to tan whilst its “winter”? Closing the verse with “fall in love with the heat by the end of the year”, the answer, of course: it isn’t.

“Never met people more fly”, begins the infectious chorus, redirecting focus from Nigeria’s sunny disposition to the people who inhabit her most captivating metropolis. Narrating Lagosians’ troublesome addiction to partying till dawn, each day re-energised for a repeat of last night’s tempestuous activities, 234Jaydaa sings reverently (emphatically non-judgemental) of her fellow “slaves to the moon” who refuse to relent during the infamous December in Lagos.

Nigerians are an industrial people. With few recourses at our disposal, living in Nigeria requires an industrial spirit, a hustler’s creativity and a willingness to veer outside your comfort zone in order to tap into whatever winning formula is available at the time. On this track, 234Jaydaa not only tips her hat to this “rise and grind” disposition of the Nigerian population, but even employs the same virtues by experimenting with a different style of song-making, as she raps her way through the second verse over the trap-influenced DJ Lolu beat. And just like her people (to whom this song is dedicated), 234Jaydaa comes out triumphant.

Featured Image Credits: Instagram/234Jaydaa 

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Wojumi is a bad bitch & she’s going to brag about it. Tweet her your latest cultural exploits @dewoju


 

Niniola Is back with another Sarz-produced banger, “Addicted’

Niniola and Sarz are an unbridled combination. Much like when Santi links up with Genio or Rema with Ozedikus, when Niniola and Sarz put their heads together for a record, it’s undoubtedly another banger. Today’s installation: “Addicted”

Announcing her sophomore album, Colours & Sounds, slated for a September release, Niniola offers what looks to be the first single off the forthcoming project, a painful love song that sees the Afro-House juggernaut pine after a distant lover.

 

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As the song’s title would suggest, Niniola is addicted to her partner (potentially ex partner as this point) whom she bequeaths to “pada wale where you belong” (come back home where you belong). Shuttling between English and Yoruba, as is her usual flex, Nini confesses that this addiction is driving her crazy, singing “tori ife yi ti da mi l’ori ru” (because this love has scattered my head). 

Courtesy of Nigeria’s finest, the beat for “Addicted” is bouncy, enthralling and quite frankly addictive, corny as it may sound. Sarz is notorious for producing club anthems, for himself (“Beat of Life”, “Hello Africa Riddim”), and for the plethora of artists with whom he works (from Dagrin’s “Kondo” to “MAD” with WurlD). “Addicted” is no different to the other hits in Sarz’s or Niniola’s discography – it would go off in the club. Unfortunately, with gatherings of over 20 people prohibited in Nigeria, clubs and parties seem like a distant dream, and that will likely have an effect on the success record.

In April, according to Rolling Stones’ Alpha Data (the analytics tool behind their charts) US streams were falling as a result of the closure of restaurants and bars – it’s speculated – and album sales dropped dramatically as well. Later in May, the World Economic Forum reported that streaming numbers appeared to have improved, however, noted that more relaxed genres are rising in popularity. Though these data are not collated in the Nigerian context, these listener habits might be applicable here at home also.

“Addicted” is an impeccable record with undeniable potential to soar, and Niniola is not leaving any it to chance, lining up YouTube and Spotify playlisting. We hope despite the COVID-related setbacks, this party-starting number soars. 

Featured Image Credits: Niniola/Instagram 

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Wojumi is a bad bitch & she’s going to brag about it. Tweet her your latest cultural exploits @dewoju


ICYMI: Songs of the day: New music from Tiwa Savage, Sugarbana, Bella Shmurda and Marv OTM and more

Cuppy shares new single, “Jollof on the Jet” featuring Rema and Rayvanny

DJ Cuppy knows how to get the party started and she’s clearly prepping for the summer with her new single, “Jollof on the Jet”. Since she released her first single back in 2017, she’s been building her catalogue as an Afropop curator with singles featuring artists like Zlatan, Tekno and many more.

Now, starting the rollout for her upcoming EP, ‘Original Copy’, she has started on a strong note, taps Nigerian and Tanzanian artists, Rema and Rayvanny for a celebration of the African partying experience; great music, dance floor romance and the delicious Jollof dish.

“Jollof on The Jet” pairs Rema’s endearing Afropop vocals with Rayvanny’s bongo vibe while Cuppy produced the lightweight beat with catchy percussions that invite listeners to dance. While Rema and Rayvanny’s lyrics are addressed at their love interests, Cuppy is more concerned with getting the Jollof meal. “Oya pass the Jollof/ I can’t get enough”, she says, blurring the lines between the undeniable appeal of romance, music and Jollof.

Stream “Jollof of the Jet” below:

Featured Image Credits:

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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: How Apple Music is betting on Africa

Listen to Forevatired’s new project, ‘Those Kids Next Door’

There’s no reason you shouldn’t be paying attention to Forevatired, the sprawling Abuja-based collective comprising 15 multi-disciplinary creatives. Last December, the collective dropped their debut tape, ‘Before You Kill Us All’, which was an excellent project that stands as a manifesto of their genre-bending ideals, as well as their tilt towards expressing a wide range of emotions in riveting ways.

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baby jesus

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Seven months later, Forevatired has returned with their second tape, ‘THOSE KIDS NEXT DOOR’, a project inspired by the pandemic induced. Last week, the collective shared the dreamy lead single, “Devil Fruit”, along with an accompanying, trippy music video to whet our appetites.

The 10-track project is now out in its entirety, and it continues to build on their penchant for curating a fluid combination of immersive soundscapes and relatable songwriting.

Listen to ‘THOSE KIDS NEXT DOOR’ here.

Featured Image Credits: Instagram/Forevatired

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: WATCH REMA PERFORM “IRON MAN” ON JIMMY KIMMEL LIVE!

Krizbeatz releases star-studded sophomore album, ‘African Time’

When he’s not crafting hit songs for a long list of Afropop superstars such as Tekno, Davido and Seyi Shay, Krizbeatz is busy curating albums that double as true pan-African experiences. In 2017, the producer released his debut LP, ‘ADM (Afro Dance Music’), with features from Davido, Sauti Sol, DJ Tira, Victoria Kimani and much more, and now it’s looking like his time again.

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It’s been two years since I released my last album,it’s been a journey for me, more like an excursion, working with different people, going to different places, embracing new sounds,a handful of experiences I must say. The journey that led to the release of this album has been an eye opener for me, I have learnt so much over these years…learnt to deal with my shortcomings and embrace my victories, basically love life and appreciate all that comes with it. I’ve learnt to see from different perspectives of life, and this helped me appreciate my heritage, who I am and the role I play. And I’ve embodied all that experience and knowledge in this album!!! My album is strongly expressive It’s humble, it takes you home It appreciates Africa, our people, our style, our scars which in itself is our beauty. Our dynamism and our strength It reflects the greatness in us, our uniqueness,and the POWER that emerges from us when we stand together. Ladies and gentlemen #AfricanTimealbum is the ‘PRESENT FUTURE’ And I’m so excited about it and can’t wait to drop it It’s a new wave. So anticipate the 17th of July Africa!!!>>>> PS to those that Got my last trivia I’ll be post winners on my Story Later Today be sure to keep up #AfricanTime

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Nearly three years later, Krizbeatz is back with his sophomore project, ‘African Time’, and in usual his fashion, he’s pulled in some of the biggest names in Afropop. The star-studded line-up includes features from Mr Eazi, Vanessa Mdee, Rayvanny, Fuse ODG, Faze, Timaya and much more.

The album was supported by a handful of previously released singles, including “Hit”, featuring Teni and Tekno, and “Abi”, featuring Diamond Platinumz and Ceeboi. ‘African Time’ comprises 14 tracks, and it clocks in at a relatively brisk 42-minute run time.

Listen to the album here.

Featured Image Credits: YouTube/Krizbeatz

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: LISTEN TO YCEE’S NEW 2-SINGLE PACK, ‘QUARANTUNES’

NATIVE Exclusive: CKay talks about staying authentic while exploring sci-fi inspiration

If we harken our minds back to #thattime in 2017 when there was an entire podcast episode dedicated to flagrant comments about some artists, you might remember the comments made about CKay. Shortly after, the Choc City artist responded with an EP titled after the infamous remark, Who the fuck is CKay? and has since seen one of the industry’s most interesting upwards trajectories.

While the tape’s overt attachment to the public outcry meant the buzz was fleeting, the public’s opinion on the legitimacy of CKay’s career remained inconclusive for a while longer. Given that it was still quite early on for him, it was clear that he was audibly still working out who he wanted to be with the EP, and it wasn’t until he dropped “Container” the following year that he finally struck gold.

“It was very different from what I normally do. I just did it as a cruise song and we just put it out.”

CKay fancies himself a lover-boy with songs typically themed around love, heartbreak and sex. Fortunately, he can also switch it up and make upbeat, party songs such as “Container”, a playful party-driven song which celebrates living lavish. The song became a viral sensation on social media after it earned the approval of celebrities like Davido, Zlatan, Mayorkun and others who joined the online challenge made to promote the song.

“That was the first breakthrough that made everyone pay attention to me. We didn’t even take it too seriously at first and from just my Instagram post, I already had American DJs sending me videos. They were sending me videos of people playing it and it wasn’t like I had ever gone to America to do press or anything. I mean it changed my life, cause I got to do shows in so many different places.”

CKay further cemented his place as a bonafide pop star with his follow-up EP, ‘CKay The First’ which showed off his versatility and range, as he adjusted nicely to a newly found freedom from the weight of people asking who the fuck he is. He experimented with different ideas, such as blending classical music and afropop for “Way”, a lightweight turn-up afropop anthem which was inspired by Beethoven’s “5th Symphony” rendition. He also explored spirituality on Barry Jhay-assisted “Beeni”, preached the gospel of emotionless sex on “Dtf” and by all indications, dropped a tape with no skips.

“I’ve always wanted to drop a proper project that will make people shut up and respect my name. To just say “yeah this boy is dope”. I believe to be noticed, I have to make stuff that’s just different and have different ideologies. There are a million songs about love but I made a song like “Dtf” that talks about emotionless sex for the sake of preventing heartbreak.”

Clearly continuing in his penchant for standing out, his latest release, “ALIEN”, a sci-fi short sees him stepping outside of the box, featuring Afrofuturistic costumes, some spoken word, a few tracks from the EP and some melodramatic acting. The acting followed the romantic narration from the poems and the lyrics of the featured songs, “Oliver Khan”, “Dtf”, and “Love Nwantiti”, which served as the soundtrack for the 3 parts of the 7-minute long video.

“ALIEN” starts off with a black and white scene, showing CKay being rescued from a deserted road by a woman who is revealed to be an alien when the coloured frames show her blue skin. The entire short exists to show how love is often found where and when we expect it the least, and CKay has to break his human lover’s heart in order to be with the alien he has fallen in love with.

This interest in science fiction wasn’t birthed out of Black Panther‘s Wakanda making Afrofuturism cool two years ago. CKay’s interest in space exploration has been apparent since he was a child, and this led his parents to push for him to study engineering.

“When we were making the visuals, we were thinking of an angle that would be culturally relevant because all eyes are on Africa. I’m a huge “Star Wars” fan and I wanted to make space suits and all that shit but then I thought about it again and I figured that would be like inferiority complex because we’re portraying a narrative that doesn’t belong to us as Africans.”

His sci-fi plot took elements from the interstellar universe and fused them with his everyday reality in Africa. Though the video is set in Accra, the deserted road he’s stranded on mirrors sci-fi’s usual setting in space. We later see him attempt to bring his alien lover into his human world, but she’s met with a lot of hate for being “different”, which feels a bit relevant to the current times. “ALIEN” leaves no stones unturned, while blurring the lines between CKay’s authentic human reality and the sci-fi alien fantasies that inspired the video.

One of the scenes from the short film was shot in a castle in‌ James Town, Ghana which is a popular historic location for slave-trade. The castle was built to house white people because it was so close to the coast, however, black people weren’t allowed in during the colonial period in Ghana. It’s poetic that a building which signifies segregation in our own land has now been taken over and is being used to create art and express themselves freely. CKay’s authentic depiction of the historic monument from a period some people still won’t acknowledge has value that can’t be quantified. It’s art and its culturally significance is far greater than Star Wars derivative spaceships and laser weapons.

“The Jamaicans, the Europeans and Americans are more intrigued when they see Ankara, red sand, trees. All that shit is crazy to them because it’s culture and they’ve never seen it before.”

CKay hits all the right marks with “ALIEN”. Even if you wished he neglected his indigenous culture and took the more cinematically ambitious route, you can see why it was important for him to portray his authentic African culture especially in light of the recent riots held in America and the UK to fight racism.

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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch CKay’s glossy video for “Way” featuring DJ Lambo

Listen to Jay Cliff’s “Crossfaded”, featuring $pacely & Whoisakin

Back in May, as part of our monthly Fresh Meat series, we spotlighted Ghanaian singer Jay Cliff as an artist deserving of close attention. Over his growing and impressive catalogue, Jay Cliff has established his flair for crafting music that’s mainly reserved for the intimacy and vulnerable thoughts that comes with dark hours. Following the release of his last project, ‘Twelve2Five’ back in January, the singer has just dropped his first single of the year, “CROSSFADED”,  featuring $pacely and NATIVE Fresh Meat alum, Whoisakin.

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While Jay Cliff’s previous work has shown his ability to work within a wide range of emotions, “CROSSFADED” squarely focuses on the carnal, as he builds up anticipation for a sexual encounter through vivid imagery and raw desire. Produced by Moor Sound, the ambient piano twinkles, lush horn harmonies and groovy, mid-tempo percussion leaves maximum room for Jay’s floating melodies and raunchy lyrics where he promises to satisfy his partner’s sexual demands. $pacely and Whoisakin make their appearance further in the song, sharing space on the second verse where they follow the song’s feel-good and lustful precedent.

Listen to “CROSSFADED” here.

Wizkid celebrates birthday with new single, “Smile” featuring H.E.R

Earlier on in the month, following a cryptic tweet by Wizkid of today’s date, fans took it to mean that we’ll finally be getting his long-teased album ‘Made In Lagos’. Instead, however, to celebrate the Starboy’s birthday today, he has shared a new single featuring H.E.R., “Smile” which is a retort to anyone who has ever questioned Wizkid lyrical ability.

The love themed song finds Wizkid taking a more direct approach to confessing his feelings, with punchy and wry lyrics describing his affection. “I’ll do anything for my love/Run inside a building up in flames just to be with my love”, he sings, as he rides the reggae harmonies of the guitar-led beat produced by P2J.

Even with his candid confessions matching the intensity of his guest feature, H.E.R, Wizkid’s allure remains in his catchy melodies, as he changes cadence between English and pidgin lyrics to infuse his signature charm. It’s safe to assume that “Smile” will feature on ‘Made in Lagos’, even though many expected a full project today.

Stream “Smile” by Wizkid and H.E.R below:

Songs of the day: New music from Tiwa Savage, Sugarbana, Bella Shmurda and Marv OTM and more

It’s been almost six months of self-isolating to flatten the curve of COVID-19, and things haven’t become any easier. The one constant through these bleak times is the vast array of new music we’re getting from all our favourite artists, which definitely help make the world a bit brighter considering everything. In a bid to constantly highlight the best music from this period, we’ve scoured through the continent and selected our Top picks of all the best songs released today.

Our selections for today includes new music from The Cavemen, the collaboration between Sugarbana, Bella Shmurda and Barry Jhay, Marv OTM, Zlatan and Tiwa Savage‘s new music videos and more. Enjoy.

Browny Pondis – “Again”

Browny Pondis has come a long way from back when he had to tag musicians on his weekly Friday freestyles, and his latest single, “Again” details his grind to score that elusive hit song that’d shoot his career into acclaim. Browny feels no shame about his struggles and boldly paints a painful picture of his reality, wearing the hardship like a scar; “We put in work in everything but nothing show/ I don tire for this kind life.”

While the frustration is palpable in his voice and the melancholic piano harmonies of the beat, he remains optimistic that he’s just one song away from nationwide acclaim. The down-to-earth approach to songwriting might not have the finesse to make him into a showy pop star, but “Again” deserves endless replays for its catchy melodies and Browny Pondis’ confidence-inspiring performance.

The Cavemen – “Anita”

Everyday on Twitter, there is a picture or video floating around the timeline to remind us about the past, when things were simpler and we could go out without needing protective masks. The Cavemen have been providing nostalgic highlife music for fans before anyone could even imagine there’d ever be a lockdown and their latest single, “Anita” continues their retro style music.

Here, they narrate a romantic tale over catchy live-music instrumental arrangements-highlife guitar riffs, horns, percussion, drums, rattling samples and backing vocals-that accent their nostalgic poise. With more focus on music rather than the lyrics, “Anita” is mood music, and The Cavemen sound very at ease over the colourful backdrop of highlife instrumentals.

Tiwa Savage – “Dangerous Love”

It might interest you to know that falling in love did not fall off in quarantine. Tiwa Savage’s latest single, “Dangerous Love” emphasises this as she expresses her feelings, singing: “I’m deep in love with you/ oh I’m deep in love with you”. With her usual soft yet present vocals over the laidback Afropop beat produced by Cracker Mallo, Tiwa seems to be sceptical about her “Dangerous Love”. In her self-directed the video in collaboration with Ibra Ake, starring Adesuwa, she offers an intimate look at her process whilst getting ready to go out on a date, in between trippy cuts of Tiwa performing her emotive lyrics.

Zlatan – “The Matter” Feat Papisnoop

To say the news headlines for 2020 have been stressful would be putting it lightly. We normalised watching the rising death-toll of Coronavirus victims and now it seems like everything could potentially be a cake. Being in self-isolation means we’re relying on news updates to know what’s going on around us and Zlatan’s “The Matter” depicts a comical narration of our attempts to make sense of what’s going on with the world. He just shared the Visionary Pictures directed video for the song and it’s set in a courtroom where’s he’s dressed as the judge, who has to solve cases arising like “I order shawarma, I see akara”. With cameos from social media comedians like Brother Shagi and Poco Lee, the video for “The Matter” is fun way to spend 3 minutes of your afternoon.

Sugabana – “Shalaye” Feat. Bella Shmurda, Barry Jhay

Sugabana, Bella Shmurda and Barry Jhay have dedicated their music careers to being illustrators of the streets, and on “Shalaye” all three come together to take turns narrating their experience with women who took advantage of them. Singing “You know me I gangsta, I don’t care”, they also admit their role in the crime-ridden community. Sugarbana’s flows standout over the mid-tempo beat produced by Timmy/Badass while Bella Shmurda and Barry Jhay contribute their melodic Yoruba-fueled sets to add more flavour to the song.

Elmina – “Done With You”

Elmina just released her debut EP, ‘No Drama’, a 4-track tape that introduces her unique blend of r&b and afropop, while she navigates her emotional struggles with love and romance. Stand out track, “Done With You” is a potent breakup anthem influenced by early 90s’ R&B songs that soundtracked our high-school relationships. After describing the bright sparks from the initiation of the relationship on the initial tracks on the project, she finally admits everything wrong with their romance on “Done With You” as she sings “If we’re being honest, we both know we got no connection” over the lightweight piano-led R&B beat. The music video Avalon Okpe directed also taps into the nostalgic r&b elements as we watch Elmina walk around her glamorous apartment in slow-motion while she sings her heartfelt lyrics explaining why she’s over the relationship.

Marv OTM – “How You Feel”

Marv OTM has been producing and rapping as a member Abuja-based collective, Apex Village and last year, he put out one of his strongest solo offerings yet, “How You Feel”, which he’s now accompanying with a music video. The psychedelic trap beat and Marv’s druggy lyrics on “How You Feel” already sounded ready for a dystopian sci-fi movie and Ben Ankobiah followed in similar direction with the video he directed. The video shows Marv OTM in a neon-lit garage with a spot car and a white model to highlight the rapper’s cocky brags; “I just pulled up in a Merc’/ It ain’t no lease/ Foreign lil biddy that’s imported from overseas”.

Skepta launches exclusive label and custom bottle with Havana Club

Skeptarum is now a thing, Praise the Lord.

When it comes to rum production, anybody who knows anything about anything knows that the Caribbean is where it’s at. Skepta clearly knows a thing or two, as he’s recently teamed up with one of leading rum producers worldwide, Cuba’s very own Havana Club.

A while ago, Skepta graced the shores of Cuba in a well-documented trip, thanks to the keen lens of Stephen Tayo. Though now, pictures of the colourful and immersive journey through Cuba have expired on the artists meticulously managed IG page, a more lasting product of Skepta’s visit has emerged: A limited-edition bottle of Havana Club 7 designed in collaboration with the global grime legend, Skepta.

Ordained Amuludun of Odo Aje, Ogun State, the London-born grime star has spent his more recent years imbibing Yoruba culture in a bid to wholly reconnect to his Nigerian roots. Regardless of the fact that Skepta grew up slightly removed from Nigeria, being born and raised in England, the Chief still embraces his Yoruba heritage. This is something he has in common with the generations of Cubans who have kept Yoruba customs, religion and tradition alive in the centuries since their predecessors were captured from the motherland and enslaved.

A concept dubbed aché in the Santeria religion – the idea of a sacred creative bond that fashions divine-human connections – is the cornerstone of this collaboration between Skepta and one of the pillars of Cuban society, Havana Club.

At the time, slaves were forced to practice the religion of their masters (which was often Roman Catholicism), the syncretism between the Yoruba Orisa and the Catholic Saints allowed the slaves to practice their own worship in secret. Centuries later, traditional Yoruba religion is thriving in the new world today, which is in great contrast to its decline where it originated from in west Africa.

Not only was Skepta enamoured by the prevalence of Yoruba culture in Cuba, he was also inspired by the joyful industrial spirit that characterises the unwavering sense of community felt throughout Cuba. This same spirit of togetherness runs deep within Skepta’s creative circle in London, it’s also championed in Nigerian youth culture, which Skepta has become more and more attuned to over the past 4 years.

Skepta’s limited-edition Havana Club 7 bottle is masterfully crafted to proudly exhibit the artist’s Yoruba roots, adorned with the ritualistic Ewe Oshun leaves, cowrie shells like those found on statue representations of Orisha Eleguá, Guiro textiles designs, and of course Conga drums to represent the beatsmith’s versatility.

Arriving behind the counter exclusively at UK corner stores on July 1 (in other countries the bottle will be available via e-commerce platforms), the Skepta x Havana Club bottle is dedicated to the local community. Conscious of the global unrest in retaliation to the rampant and persisting racial inequalities all over the world, Havana Club is determined to do their part in uplifting marginalised populations by supporting local businesses and connecting with local people in a less commercial more meaningful way.

A toast to the global creative community, the Skepta x Havana club bottle illustrates the power of aché: “community and togetherness keep us strong”.