Meet Daniel Orubo, the creative mind behind our timeline Sex Education

“For most of my life, I would always hear straight sexual experiences in different shades. It’s literally everywhere.

So when people are like there needs to be more straight representation in the series, I’m like have you not seen enough?”.

Days become weeks and weeks become months, but somehow, we’re still not quite sure when things will get back to normal, or if they ever will. Saturdays during lockdown have become pretty mundane; for one thing, we’re no longer waking up with splitting headaches from too much tequila at the club the night before – if that’s your thing. On the other hand, it’s beginning to feel less like a day to look forward to, as there’s no structure to the muddled days that make up lockdown.

One thing we’ve come to look forward to every Saturday at 12 o’clock, is Zikoko’s weekly Sex Life column helmed by Daniel Orubo. The stories are raw and honest and incredibly inclusive, covering a range of sexualities and relationships that represent that diverse melting pot of people in Lagos.

 

View this post on Instagram

 

A post shared by Zikoko (@zikokomag) on

Unfortunately in Nigeria, sexual relationships are at the forefront of music, film, and advertisement, however, talking openly about sex is seen as a taboo. This is where Daniel found his niche, mostly with the purpose to sensitise the wider audience to

Sex education is lacking in most Nigerian homes and school curriculum, as it’s widely viewed as a sin unless one is married. Given this, it’s important for us as a society to at least have open and honest conversations, which dismantle set norms and don’t involve gaslighting, slut-shaming, and straight-up erasure.

This is what makes the work Daniel is doing for Zikoko so important, and it’s crazy to think we would have almost missed out on this, if he had stuck to his initial decision to pursue solely music writing.

Like any writer joining a new publication, Daniel was asked to find his writing niché; which would consist of the topic(s) he is most passionate about. Coming from a different publication where he mostly covered music, he naturally wanted to continue on that course, however, after a conversation with his manager, they decided it was important to talk about sex since no one else was.

“I think when people saw it, they were like it ‘oh this is an interesting take, not a cliched R-rated story on how I lost my virginity’, it’s actual stories of people who have been through experiences like you and I, and stories we haven’t heard before.”

The first edition quickly set the precedent for what was to come on the weekly series, and it was through this that Daniel began to see the effects of openly speaking about sex.

Immediately it came out, I think the response was very positive and most of the people were responding asking if it was going to be inclusive. At that point, I had already done my story for my first story where I interviewed a bisexual person. I couldn’t imagine a world where I would not even represent queer people and just talk to straight people

 

View this post on Instagram

 

A post shared by Zikoko (@zikokomag) on

As a bisexual man navigating life in his social bubble in Lagos, Daniel is dedicated to championing queer stories. Representation is of utmost importance to him and has always been, since he was a child. Growing up, he never saw people like him, and so decided to become a filmmaker to change that.

Not only has he been able to convert the hearts of some Nigerians (‘my friends tell me even the most homophobic people they know are reading Sex Life for the human value’), he’s also been able to continuously question his own beliefs and learn from the lived experiences of people so different from him.

It’s made me open to learning more about other people’s experiences. I just realised that I only knew things at the surface; like I knew people were asexual but did I really know what it meant to be one or a transgender person transitioning. Minus listening to their stories, I still go and research and learn for myself. It takes your head out of your own ass.”

For Pride month, Daniel has focused exclusively on the sex lives of the LGBTQI+ community in Nigeria. Although he’s faced minor backlash from readers who thought he was pushing the gay agenda (to which he fully is), Daniel is forging ahead and connecting with queer people around the city who deserve for their stories to be told. ‘[So] when people are like there needs to be more straight representation, I’m like have you not seen enough. What else do you want to know? That’s kind of why I made it inclusive because we don’t see a lot of experiences of queer people in Nigeria and I know that queer people in Nigeria, their lives are interesting and there is also something about building empathy’.

He’s not planning on stopping anytime soon, in fact, he’s more resilient than ever in fighting for the right to be seen and accepted for his community. The column is introducing him to people he never would have thought of, he’s learning more and he’s telling our stories–Nigerian stories. The ones you won’t hear but that exist and that are valid, regardless of whether you want to read them or not.

As we round up our video interview, Daniel lets me know that he’s constantly meeting new people who challenge the way he sees the world, ‘My best sex life story came out over the weekend. I spoke a trans woman who is transitioning in Lagos on her own because doctors won’t attend to her‘ he tells me excitedly, but emphatically. ‘It’s just like all the layers to that story with someone fighting to just be who they are meant to be. This is hard but she’s like I am going to do this because this is me. And that’s just really inspiring to me’. 

Daniel just wants everyone to realise their power, and find their community who will wholly accept them without hesitation. He tells me:

When people say, oh I accept you and it’s like I don’t really give a fuck. You don’t have the power to validate my existence to fuck off. It’s about me being comfortable with my own experience and me being comfortable with my own existence. Fuck external opinion. It’s me and it’s my life. Just owning my space and being proud of who I am”.

Catch up on Zikoko Sex Life stories here.

Featured image credits/


Tami is living in a black mirror episode and can’t seem to wake up. Tweet your fave female artistes at her @tamimak_


ICYMI: 8 young Nigerians tell us how they discovered their queerness

Beyoncé announces new visual album ‘Black is King’ based on music from ‘Lion King: The Gift’ album

A year after the release of her executive produced ‘Lion King: The Gift’ album, which featured a number of Africa’s best musical acts, Beyoncé has just announced that she will be releasing a visual album titled ‘Black is King’ based on music from last year’s album.

‘Black Is King’ is written, directed and executive produced by Beyoncé herself, and will premiere globally on Disney Plus on July 31, 2020. The visual album, announced on Saturday and filmed over the course of a year, is said to reimagine lessons of ‘The Lion King’ for an audience of “young kings and queens in search of their own crowns,” according to a news release by Disney Plus.

The visual album will also pay tribute to the voyages of Black families throughout time, says Variety, as it tells the story of a young king’s “transcendent journey through betrayal, love and self-identity.” His ancestors help guide him toward his destiny, and with his father’s teachings and guidance from his childhood love, he earns the virtues needed to reclaim his home and throne.

‘Black is King’ will also include appearances from some of the featured artists on ‘The Lion King: The Gift’ and other special guests, producers said. From what we have gathered, Beyoncé definitely has her eyes and ears on the budding creative scene in Africa, as a number of our creative faves have been involved in the making of this visual project. The Nigerian chapter includes directors like Meji Alabi, Dafe Oboro, and Ibra Ake with stylist Daniel Obasi on board, and art by anti.design.

 

View this post on Instagram

 

A post shared by Meji 🌚 (@mejialabi) on

You can watch the trailer for ‘Black is King’ here.

Featured image credits/Youtube


Tami is living in a black mirror episode and can’t seem to wake up. Tweet your fave female artistes at her @tamimak_


ICYMI: Kenneth Ize to partner with Karl Lagerfeld for a 2021 collection

GEMS: A list of the best songs released this week

Every Saturday, The NATIVE Will Put Out A List Detailing The Best And Most Enjoyable Songs Released During The Week. With The Scope Widening And Music Dropping At An Immeasurable Pace, It’s Easy To Miss Out On A Lot Of New Drops, So We’ve Decided To Help Out, By Collating A List Of The Best Hip-Hop, Pop, R&B Song From All Over The Continent. Our Main Goal With This List Is To Make Finding Great Music Of The Moment Easier For You.


Semi Tee – “Lockdown” (feat. Xman)

In an increasingly saturated Amapiano space, Semi Tee is establishing himself as one of the best within the subgenre’s ranks. Following a string of popular singles, including the smash breakout “Labantwana Ama Uber”, the South African producer/DJ dropped his debut album, ‘I’M ONLY TWEENTYONE’, last week, providing an impressive look into his chops as a beat-maker and project curator. In its hour-long, Semi’s debut has its fair share of proper bangers, including the final track, “Lockdown”, which also stands out as the timeliest of the bunch.

While Amapiano’s rise to dominance has been powered by its suitability for dancefloors, “Lockdown” is an example of the subgenre’s adaptability to the current times where large gatherings are discouraged. With Semi’s droning strings, heaving piano riff and the floating synth pad bounce, the song is very much dance-oriented, but the accompanying message is to sweat it out in the safety of our homes. “Wash your hands, stay safe”, featured artist Xman bellows, straddling the line between plaintive warning and playful command. Amapiano has received criticism for being overly carnal in the past, but with a banger like “Lockdown”, no one can say Semi Tee and his colleagues are insensitive.

Kasien – “All I See”

Kasien is gearing up to the release of his debut project, ‘I Found Paradise In Hell’ and has just given us a taste of what’s to come with the lead single, “All I See”. As suggested in the project’s title, the rapper has clearly made it out of a tough situation by making his way through it, and “All I See” gives clear indication of the direction it’s headed in.

Rapping in his most confident cadence against a thumping, bass-heavy drill beat, Kasien touches on protecting his mental space, overcoming his hard times, chasing the bag and more in one fell swoop. “Bad vibes I ain’t tryna hear that, if it ain’t black I ain’t tryna wear that”, he raps, maintaining the entire song’s A B B A rhyme scheme to ride the wave of the thumping beat. Kasien’s self-assuredness makes reference to the current times, which is bringing symptoms of the world’s ill to the forefront, and will only amount in forward motion. This again reflects upon the title of his upcoming EP, which from the sounds of “All I Need”, is indicative of Kasien’s journey through the mud.

 

Rema – “Alien”

With “Alien” Rema shows exactly what he’s capable of, which is… a lot.  In just over a year since his debut on the scene, he has become an omnipresent, omni-talented entertainer. 

Coming off of the dance-driven banger he dropped earlier this month, “Ginger Me”, “Alien” shows off Rema’s range, where he delivers a captivating melodic rap performance over the synth-led Level-produced beat Level which samples Jay Z’s “Dead Presidents II”. While the beat and his gunshot adlibs are a dead give away that he’s influenced by America’s hip-hop scene, the sentiment behind his lyrics cover themes all teenagers around the world can relate to; drugs, love, and feeling misunderstood. 

As a true child of the internet, Rema has been able to hop between cultures and draw them together. From the videos of him performing the song during his All-Star Weekend set to the convenient reference of the trendy #Don’tLeaveMe challenge,  “Alien” is primed to capture any audience from around the world. It’s effortlessly cool and relatable, which means it ticks all the right boxes of what makes a good pop song become a summer anthem. It’s also slightly raw too, as he expertly details the heady lows inside the highs of being rich and famous; “Hating ass niggas looking at me/ I don’t even think they understand me/ I’m an alien”. 

Nasty C – “Steve Harvey”

Nasty C is a top tier rapper—that’s it, that’s the tweet. This week, he made history as the first African rapper to drop a mixtape hosted by an American DJ, and he did it in impressive fashion. If there were any high stakes attached to ‘ZULU’, you’d barely know it from the way Nasty C confidently runs through the 11-track set. A strong highlight of this is “Steve Harvey”, where his trademark bravado shines over a beat which sounds a lot like Future’s “Fuck up Some Commas”.

“Autograph a bitch so much I walk ‘round with a sharpie”, he quips at the beginning of the song, leading the way for a flurry of quotables that peaks with the instantly catchy chorus: “The cash, I must stash (moustache), Steve Harvey”. ‘Zulu’ is mostly meant to drum up hype for Nasty C’s major label debut, ‘Zulu Man with Some Power’, but it contains its moments of loose brilliance, and a song like “Steve Harvey” could very well go on to become a huge fan favourite, much like the song it’s clearly inspired by. “I feel like Pluto”, he proclaims on the opening adlib. Regardless, if “Steve Harvey” is any indication, it looks like we’ll be in for a hell of a ride when the proper album drops.

Tomilola – “Let Go” featuring The Cavemen

For her debut single of the year, afrofusion singer/songwriter Tomilola (formerly known as Atawewe) taps into the groovy sounds of the Cavemen for a confessional, open wound number on which she airs out a number of frustrations in her life. 

Over prominent afropop drums, Tomilola fuses silky r&b melodies with soul elements, as she gives an honest look into the life of a young artist and the fears that keep her up at night. Her soulful voice questions why we try to “Carry Things Too Heavy For (Us)”, a question I’m sure we have all asked ourselves at some point. She encourages listeners to live their lives freely and let go of things they’re struggling with “Cause No One Knows Tomorrow” and we have to make the most of the present. 

The encouraging number was inspired by her decision to move back home and pursue music full time, a move which pressured her to try to make things all fall in line at the same time. In a time where we are surrounded by so much uncertainty, it is always encouraging plugging into the sounds of artists who just simply get it and express what we’re all collectively feeling. 

Prettyboy D-O – “Wetin You Smoke” featuring Olamide

Prettyboy D-O has been teasing his latest project ‘Wildfire’ since the beginning of the year, and we’re beyond thrilled that the wait is finally over. The rapper/singer’s brand of ‘organised’ anarchy and rebellion has endeared him to an army of stans that continue to grow each passing day. ‘Wildfire’ shows Prettyboy D-O’s continued resistance against the haters, naysayers, the government, and pretty much anyone who dares stand in the way of what is his.

On standout track ”Wetin You Smoke”, Prettyboy D-O teams up with Olamide for a catchy and upbeat banger that celebrates the many joys of smoking weed. Over pounding afropop drums, and a frenzy of percussions, D-O and Olamide sing about the many joys of smoking weed. Their incredible synergy is felt as they effortlessly bounce between English and Yoruba on the track. ‘No bring yawa come my door, I get problems on my head/ chop and smoke my ganja, it helps reduce the stress’ D-O sings on the hook, reinforcing the overarching hedonistic message. He just wants to smoke and enjoy life without the stress, who wouldn’t?

Speaking to the NATIVE, Prettyboy D-O shared ‘You know how in the book of Revelations, a wildfire just comes and cleanses the earth and the new world is born? This wildfire project is cleansing the streets for ‘Pretty World’

‘Wildfire’ is definitely Prettyboy D-O’s cleansing, and we can’t wait to see what comes next on the debut album.

Burna Boy – “Wonderful”

Being a Burna Boy fan is a bit like being on a rollercoaster- though he’s constantly getting bad press for his ‘gangster’ antics, he keeps fans entertained with a generous supply of quality music releases. Last year, he followed up 2018’s critically acclaimed album, ‘Outside’ with ‘African Giant’ which went on to earn a Grammy nomination. But despite last year’s incredible run which includes features on Dave’s monster hit, “Location”, Beyoncé’s ‘The Lion King – The Gift’ and Stormzy’s number one single, “Own It”, Burna Boy has shown no signs of stopping or resting on his laurels. He announced his upcoming album, ‘Twice As Tall’ with a new single titled “Wonderful”

“Wonderful” has a groovy reggaeton baseline that Telz produced to cajole listeners to dance and it inspires a rhythmic set from Burna who never misses an opportunity to brag about his earworm melodies; “You no go believe wetin wan happen/ No disturbance when the gbedu catch you/ As the gbedu don start (won jo)”. He fluidly switches from English to pidgin to Yoruba lyrics and reminds listeners of his Afropop dominance as he alludes his music’s compelling quality to magic; “Nkan be like jazz”. 

With crossover success after crossover success, it’s hard to argue with the African Giant. Though his world tour was affected by the pandemic, he hasn’t allowed that to stop him from creating more songs. In fact, “Wonderful” shows he’s still in a celebratory mood and we look forward to what’s to come from the ‘Twice As Tall’ album expected to come out later this year.

Songs of the Day: New Music from Burna Boy x Wizkid, Moonchild Sanelly, Naira Marley & more

In a year where we’ve had to fight for basic human rights while being quarantined away from friends and family, music has emerged as an important distraction from the things that trouble us. With music of African origin rising to global consciousness, it’s important to continue to document the songs that highlight the talent, tenacity and diversity of artists within our industry. We’ve scouted through the continent and come up with our picks of all the best songs released today.

In addition to new drops from Burna Boy and Rema, our weekend recommendations include Kabza De Small’s all-star collaboration with Wizkid, Burna Boy and Cassper Nyovest, new singles from South African artists Moonchild Sanelly, as well as releases from Naira Marley, Tsuni and much more. Enjoy.

Kabza De Small x Wizkid x Burna Boy x Cassper Nyovest x Madumane – “Sponono”

Kabza De Small has used his last few releases in spelling out his status as South African house music royalty, and he continues to do so with the self-reverential title of his latest album, ‘I Am the King of Amapiano: Sweet & Dust’. The sprawling, 3-hour long double album reinforces the validity of his greatness, recruiting a long list of guests to grace his ever pulsating stream of sunny beats.

On one of the many standouts, “Sponono”, Kabza pulls in vocal assists from Wizkid, Burna Boy, Cassper Nyovest and Madumane. With ‘I Am the King’ largely created during the ongoing pandemic, all contributors most likely recorded in different places, but there’s a sense of chemistry between them that’s largely fostered by Kabza’s arrangement: Wizkid setting the tone with his ambient bridge, Burna’s memorable hook, Cassper leaning into his developing melodic side and Madumane chipping in with a stellar verse. The main highlight of the song, though, is Kabza’s tropical beat, which is driven by a groovy, wide bassline, radiant keys and colourful glockenspiel riffs.

Moonchild Sanelly – “Bashiri”

At the centre of Moonchild Sanelly’s persona is her self-assured, rebellious image and an outspoken attitude in the face of conservative norms in African society. On her new single, “Bashiri”, the South African singer takes a potent swipe at predatory religious leaders who exploit their congregation for financial gains. While performs her set in isiXhosa, disdain is palpable in the mocking tone of her yodelled melodies, and the song’s sheer catchiness is heightened by Amorao’s stomping Gqom-infused beat.

Naira Marley – “As E Dey Go”

A few weeks back, Naira Marley was in the news headlining a concert that disregarded social distancing directives during this ongoing pandemic. Currently playing a huge role in the evolution of Stan culture, the rapper has proven that his gaffes will be forgiven and largely forgotten with each new banger, and his new single, “As E Dey Go” might very well be the new smash that absolves him, yet again.

Rexxie laces “As E Dey Go” with a wickedly groovy beat primed to get people on their feet and dancing, and in his usual form, Naira Marley delivers a boastful and enjoyable set, packing his lyrics with memorable one-liners that will no doubt resonate amongst his core, street audience. “As E Dey Go” would have benefitted from clubs being open, but for now, it is a good entry for individual dance parties and it also shows that Naira Marley’s hit-making powers are still intact.

Chinko Ekun x Zlatan – “Doings”

The last time Chinko Ekun and Zlatan linked up, they shifted pop culture in a major way with their smash hit, “Able God”, a song that was instrumental in further popularising the Zanku dance craze. That song also catalysed the ascent of both rappers into mainstream popularity, and nearly two years later, the pair have linked up for “Doings”, a new single that celebrates their lavish lifestyle in a way that blurs reality with outlandish fiction. Backed by Mansa Jabulani’s thumping, groovy production, both rappers deliver vivid imagery of sexual and financial conquests, with Chinko bragging about renting out a Lamborghini for Uber services, while Zlatan reiterates his stance on “Yeye Boyfriends”.

Tsuni – “Anymore”

Tsuni established her credentials as a rising star with her debut EP, ‘Flexxx’, a project that flaunted her burgeoning skills as a versatile singer. She’s now followed up with a new single, “Anymore”, where she displays growth in her songcraft and asserts her determination to keep growing until she reaches the heights she’s set for herself. “I just keep on pushing, I don’t know what the limit is/till my name on every lip, till my song on all they lips”, she quips in a rap-adjacent flow, commanding her way over Beezy X’s bouncy afro-Caribbean beat.

Prince Kaybee x Sir Trill – “Hosh”

Since effectively breaking in 2016 out with the Lady Zamar-assisted “Charlotte”, Prince Kaybee has established himself as one of the top house musicians on the continent with multiple hits and two stellar albums under his belt. On his newly released, third single of the year, “Hosh”, Prince Kaybee continues to show why he’s one of the more exciting DJ/Producers around, teaming up with South African singer Sir Trill for an instantly catchy banger. Over Kaybee’s bright piano melodies and fast-paced percussion, Sir Trill leverages his charismatic melodies and the hypnotic charm of his voice into a delightful performance that’s fitting for a potential smash hit.

J.Derobie – “My People”

Following the breakout success of his emPawa100 entry, “Poverty”, J.Derobie became the latest addition to Ghana’s rich lineage of afro-dancehal artists, and the singer is looking to further prove himself with the impending release of his debut EP, ‘Nungua Diaries’. While we await the arrival of the 6-track next Friday, J.Derobie has shared the lead single, “My People”, an emphatic track where he positions himself as a hometown hero and identifies with people from his hood. “Midland city wey me from/North Yendi wey me born”, he sings with pride over the mid-tempo afro-Caribbean beat.

Praiz x Kingxn – “To the Moon”

Just over six months after dropping his sophomore album, ‘King’, Nigerian singer Praiz is preparing to drop ‘To the Moon’, a new EP scheduled to drop next Friday. In anticipation, Praiz has shared the title track as the second single off the 6-song project, and it features a debut appearance for rapper, Kingxn. Getting in his experimental bag, “To the Moon” finds Praiz declaring his undying affection for his love interest over a ‘80s-inspired synth-pop instrumental. “I go be your shining armour, I care for you”, Praiz passionately sings, while Kingxn adds an affectionate and assertive rap verse in the middle of the song.

Boybreed x Minz – “Julie”

From their collaboration on the sibling duo’s debut EP, ‘Made in the Tropics’, to “Confetti” off E Kelly’s No Secrets’, Boybreed and Minz have clearly developed a strong chemistry on wax, and they continue to flaunt it on their latest joint single, “Julie”. Over TUC’s colourful, afro-dancehall beat, the trio deliver a lovelorn set seeking reciprocal affection from their love interests, matching their relatable lyrics with melodies that convey pining emotions.

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: LISTEN TO NEW MUSIC FROM EGO ELLA MAY, POPSNOTTHEFATHER, TOMILOLA AND THE CAVEMEN & MORE

NATIVE TIME ISSUE: Mowalola the many faced girl

It’s been 47 minutes since Mowalola’s website went live and every piece was sold out. If that’s not enough indication of her influence on the fashion scene, we might have to remind you that she has just been appointed as the Design Director of Yeezy’s recent collaboration with GAP.

For the first cover in our TIME issue, Mowalola had an intimate conversation with close friend and artist Odunsi The Engine, where they talk about predicting the end of the world, MTV raising a whole generation, and feeling alienated in their various industries. Click here for full story

Interview: Odunsi The Engine
Introduction: Seni Saraki
Photography: Aidan Zamiri
Hair: Issac Poleon
Hair Assistant: Harriet Beidleman
Make-Up: Grace Sinnott
Nails: Sylvie Macmillan
Creative Assistant: Emma Ehimiaghe
Body Double: Emmanuelle Loca-Gisquet
Videography: Barbara Broadley
Production: Object & Animal
Producer: Millie Yoxen
Production Assistant: Ivan Stoyanov
Digital Operator: Laura Heckford
Light Assistant: Arthur Comley
Location: Gas Studio

Kenneth Ize to partner with Karl Lagerfeld for a 2021 collection

Our NATIVE 11 alum, Kenneth Ize’s homegrown brand has grown exponentially over the years and has since been spotted on everyone from Donald Glover to Naomi Campbell. This year, he’s already racked up pretty impressive accolades, and his official Paris Fashion Week debut last February stunned crowds and showed more of his boundless talent.

His blend of colourful, bold patterns and prints continuously sets him apart for men and women’s contemporary fashion and streetwear and also landed him a prized finalist spot on the 2019 edition of the LVMH prize for young designers. Although he did not carry the winning prize from the eponymous Lagerfeld award, it has just been announced that Karl Lagerfeld has cooked up a spring capsule collection with the Nigerian designer. Kenneth Ize will be the first black designer, and the first African to collaborate with the high-fashion brand.

Speaking about the upcoming collaboration, Kenneth Ize shared that “The breadth of Karl’s work has been very inspiring to me, and it’s an honour to be working with his namesake maison”, and that the upcoming collaboration would be a “[combination] of Karl’s Parisian-chic aesthetic with elements of traditional African artistry.”

The Ize capsule will be available at select Karl Lagerfeld stores and at Karl.com only in April 2021, and the Lagerfeld Maison said they will be unveiling further details about this collaboration in the coming months.

Congratulations Kenneth.

Featured image credits/karllagerfeld


Tweet your fave female artists at her @tamimak_


ICYMI: NATIVE 11 – Kenneth Ize is playing by his own rules, and he doesn’t care what anyone thinks

Burna Boy teases upcoming project with new single “Wonderful”

Burna is never without his fair bit of controversy online, but the music always trumps this and reminds everyone of his G.O.A.T status, whether we agree with his actions or not. After wowing us with his stellar feature on the genre-mashing remix to “Jerusalema” last week, Burna Boy is showing no signs of slowing down, and has just released the lead single off his upcoming project ‘Twice as Tall’.

The bouncy new Telz-produced single, “Wonderful” is a humble and appreciative track with the perfect blend of afrobeat drums, enthralling percussions, and the South African Zulu sound. Burna Boy opens the track with an old but familiar prayer, giving thanks for life and paying homage to his roots, singing ‘Anywhere I go mo n lati pada si le mi/cause mama mi mo wa ni ile mi’.

He fondly sends a clear message that no matter how far his music takes him around the world, home is always where the heart is. It’s an important message that makes us slow down and appreciate where we come from, especially in light of the fact that we’ve all been forced to actually stay at home in the wake of the pandemic.

Speaking about the new single, Burna Boy shared that:

“Seeing the wonders of my music, interacting with people while touring makes me realise that I’m blessed that my music is universal, blessed that people react to my music whether they understand it or not.

With the COVID-19 pandemic forcing people to stay home, when they didn’t plan for it, it made me reflect on the wonder of just being home and being able to survive under dire circumstances.”

Listen to “Wonderful” below.

Featured image credits/Pitchfork


Tami is living in a black mirror episode and can’t seem to wake up. Tweet your fave female artistes at her @tamimak_


ICYMI: Nasty C releases Dj Whoo Kid-hosted mixtape, ‘Zulu’

Rema is primed for the summer with new single, “Alien”

It’s Rema’s world, and we’re just living in it. Last week, the Benin City-raised artist released a new single, “Ginger Me” and didn’t wait for the dust to settle before he gave us ‘another banger’, “Alien”. While last week’s drop was more dance-driven, Rema has returned to emo-trap with this new single, showing off his versatility.

Clips from his performance at last year’s All-Star Weekend Game Show captured the crowd chanting “I’m an alien” – lyrics we can all now finally hear and sing along to with the single he just released today.

Produced by Level, the beat immediately arrests your attention by sampling Jay Z’s 1996 classic, “Dead Presidents” accompanied by the sound of a can opening, reminiscent of Lil Wayne’s signature lighter flick at the beginning of the song.

The spacey, synth-led arrangement serves as the backdrop for probably the most profane lyrics we’ve heard from the 20-year-old, where he starts off confidently singing “I’m in love with that thottie/And I like it when she calls me daddy”. This is before he comes at the “hating ass niggas looking at me” and brags about how he does what he likes.

Over the past year, we’ve watched Rema grow in the space and in his sound, and we’re now seeing a culmination of his confidence both in the lyrics and in his sound. He’s never been one to play by the rules, and the difference between “Ginger Me” and “Alien” makes it clearer than ever.

Stream Rema’s “Alien” below.

Featured Image Credits: Instagram/heisrema
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Stream Rema’s “GingerMe” here

8 young Africans reveal how they discovered their queerness to us

As heavy as this year has been so far, from global health crises to the adverse effects on our economy, there’s enough to make you want to unplug and detox till 2021. While that may be the case for some, we couldn’t possibly gloss over the fact that June is the month of pride and there are members of our community who aren’t able to express their queerness how they would truly like to.

We have definitely become irreverently louder in dismantling the societal structures which aim to discriminate against some members of our society, and this activism should extend to the LGBTQIA+ society, as we all know it’s not easy navigating life in a country like Nigeria where people’s sexual orientation and identity are still criminalised.

Yesterday, we learnt that lawmakers in Gabon voted to decriminalise homosexuality, and we couldn’t be happier for our brothers and sisters in the Central African state. We look forward to the day where the queer community in Nigeria will also be afforded the same basic human rights.

 

View this post on Instagram

 

A post shared by Pride (@pride) on

In our bid to celebrate the resilience of members in our community, we spoke to some young Africans about how they discovered their queerness, what it means to them and how social media is helping change the perception of LGBTQI+ persons in the continent.

I actually never had a lightbulb moment when I realised I was pansexual. I used to have loads of crushes on girls growing up, but I never knew what they were because it wasn’t common. Then, in my final year of high school, my roommate and I kissed and it was so different.

I choose to be visible because for someone like me who works in the media/music industry, it’s good to use my platform and represent the queer community. It makes others feel safe and more confident to be their true selves.

K, 25, F.

So I first realised I was queer in high school, but I always had an inclination. Like primary school, I would play house with my best friend and we’d kiss through our school hats and in high school, there were some experiences but I’d say I became comfortable with the idea of being queer when I was in University.

I had the freedom to use dating apps go to queer events and explore my community. Visibility on social media helps me feel less perverted ngl because there’s a lot of shame I had to get past especially from high school.

S, 22, F.

I didn’t realise I was gay until, I’d say university. I internalised a lot of homophobia growing up and my parents made it worse by picking on me. My mum would always complain about me painting my nails or doing ‘girly’ things and I just didn’t understand why it was a big deal. When I left Accra, I really able to be myself.

T, 25, M.

I don’t know when I realised but I know I embraced it in 2018, when I met my current girlfriend. I had previous encounters with women, but I wasn’t aware that there was a community or anything that needed to be embraced. Being visibly queer online has two sides: it can be very dangerous but it can also be refreshing as you’re showing more closeted members of the society that it’s okay to just be themselves.

A, 24, F.

I was actually homophobic growing up. I acted out harshly towards others knowing that somewhere in the back of my head, I also liked men too. I went to an all-boys secondary school and that’s where I realised I was drawn to men like me. It was difficult, especially back then when the attitudes towards gay men were much worse, I’m thankful for accepting friends.

P, 27, M.

I realised I was a lesbian three years ago when I was talking to another queer friend who was coming out to me. I kind of realised after having sexual relationships with men that just left me feeling nothing. At the time, I didn’t know, but later on a date with my ex, I kept getting drawn to this girl and it was like everything just clicked.

Being visible really helps me because I am learning to accept myself more. I became way more comfortable, free, confident, creative. It also helps other people that may not be there yet in their journey. I’ve been that unhappy girl so it’s going to be okay, you’ll keep finding yourself every day.

A, 22, F.

I think I always knew I was bisexual. Ever since I was little I found myself more attracted to women than I ever was to men. When my friends and I were in high school and they were all exploring relationships and partnering up with men, I found the entire thing to be stupid and unnecessary. I’ve always hated men.

For so long growing up, I was so scared of my thoughts and feelings. I thought I was sick, thought I was a pervert, thought I was going to hell. Being able to see LGBTQ presentation in today’s world is something I never thought would happen as a little girl. It makes little me so happy to know she’s not alone and it gives me hope for little girls who are going through the same things I was.

J, 22, F.

So I am still figuring myself out. I feel heavy imposter syndrome actually, like I have denied queer attraction so much that I don’t deserve to be in the space. I fell in love with my best friend in school back then. She was gay, but we never spoke about my feelings for her. We had a massive falling out, was so dramatic and I’m sure it’s because I was in denial and a huge dick about it. But I realised I was queer like yesterday lol. Cos I was like, I actually find women attractive. Like I find everyone attractive, literally, anyone can get it. Tbh I just don’t really believe I have a sexuality. Everyone is attractive but I will only get with people I’m into like romantically.

W, 23, F.

People are just queer, deal with it.

Featured image credits/GaymingMagazine


Tami is living in a black mirror episode and can’t seem to wake up. Tweet your fave female artistes at her @tamimak_


ICYMI: Meet Ayopo Abiri, the makeup artist behind the looks in your favourite music videos

How WAFFLESNCREAM are navigating the new normal

Words by Hauwa R. Mukan

The global COVID 19 pandemic sparked chaos around the world, grounding many businesses and forcing brands to revise their business strategies and models like never before.

The WAFFELSNCREAM team is no different, as Nigeria’s first skateboarding brand they’ve had to make some uncomfortable adjustments in this new climate, still forging forward with a new clothing drop, skate edit, opportunities for the future and some initiatives to alleviate the suffering for the less fortunate in their Lagos communities.

BLACK LIVES MATTER

Jumpsuits, t-shirts and bucket hats from the new collection have been selling out. Is it a response to #BLACKLIVESMATTER that has swept the US by storm? Forcing brands and businesses to re-assess the way they deal with their market of people of African descent, in turn shining a spotlight on existing – yet sometimes overlooked- brands owned by people of darker skin in the local and international markets? Or is this just a trend that will settle as soon as the hash-tags and protests disappear from our feed and news screens?

Creative Director Jomi recalls a story of having to send endless paperwork in order to justify the brand’s legitimate business existence. An arduous process filled with endless paperwork that other skate brands in the West will most likely never have to experience. But we know how it is in Nigeria, the unfortunate reputation we have internationally, that strikes fear in the hearts of new international customers/ suppliers because of the stories of cybercrime and systemic corruption – these are the hurdles we face.

These are the racist struggles for us on the African continent, but the WAFFLESNCREAM brand is legit like any other skateboarding company. They are resilient, and here to stay. I mean there’s an entire skate-park they’re building, but let’s leave that victory lap for now until it’s completed. Over the course of the nationwide lockdown, the brand has had time to re-strategize and reorganize. First of all, the streets have been clear so the skaters have been taking full advantage, catching sessions here and there.

 YASIS AND THE LOCKDOWN

 “With the arrival of Covid-19 it stifled us, it shook us and we were freaked out, now we are skating like we used to skate in the beginning. There are now less distractions now, no parties, clubs or other vices that take away our focus- and the roads are actually empty as well. We were able to skate more regularly.”

Progress we will witness in their next skate edit “Lagos Island” due to drop in a few months. But you can catch 13 minutes of African shredding awesomeness in their latest cross over skate edit, YASIS, directed by Mosako “Lowsso” Chalashika from Botswana, highlighting their summer 2019 skate tour across Accra, featuring the WAFFLESNCREAM skate crew from Lagos – Fahd Bello & Henry and Okwubuasi and Accra locals Adrys, Mantedent, Lionel McFirst, John Brobel, Yaw Adeiei and J. Ganyobi from Ghana.

THE NEW DROP

In an ironic sartorial coincidence  – the Seme jumpsuit full body with pockets and branding in thick Ankara fabric is eerily reminiscent of the PPE outfits we see on first responders and medic on the frontlines of the COVID pandemic. Whereas their new of Agege t-shirts were designed specifically for COVID relief, with all the proceeds going to the Lagos Food Bank initiative, providing free meals for those hard struck by the economic impact of the pandemic in local Lagos communities.

“We didn’t know people would respond to it so fast, and we did the t-s in response to feeding our immediate community in Lagos.”

GLOBAL COMMUNITY

“We have been denouncing racism and colonialism, we’ve always been political in the way we think and execute our ideas. We embrace who we and we look forward to the future.”

A future that includes a newly renovated shop in Victoria Island, and an online podcast revival the VIBES platform – most commonly known for experiential events showcasing DJ’s artist and musicians buzzing in the scene. And of course many more dope clothing drops and international collaborations.

So stay safe, be kind to one another.

Watch the cinematic video for Tay Iwar “MONICA”

Tay Iwar’s excellent debut album, ‘GEMINI’, solidified him as an artist with the supreme ability to mine the complexities of falling in love and maintaining relationships. Since its release in March 2019, the critically acclaimed album has become something of a cult classic, and Tay seems to be on the same page with listeners, refusing to abandon promotional efforts over a year later.

The singer has just dropped the music video for “MONICA”, a clear standout that’s exemplary of Tay’s ability to portray and untangle the messiness of modern connections. Skating over a hypnotic and gently booming beat, Tay pieces together the details of a toxic relationship where he tries his best to be the support system for a love interest, but that only ends up exacerbating his own personal issues. “I fell in love with you and I almost died”, Tay sings, loading that memorable line with a vivid representation of his trauma.

The new video for “MONICA” brings Tay’s narrative to life in gripping, cinematic fashion. With gripping and striking aesthetics, we see Tay and most of the other on-screen cast in black outfits during a wedding ceremony, perhaps alluding to the idea that the union is doomed from the start.

Watch the video for “MONICA” here.

Featured Image Credits: YouTube/Tay Iwar

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: ‘GOLD’ IS A STUNNING EP FROM THE TALENTED DUO, TAY IWAR & LE MAV

NATIVE Premiere: Listen to Wande Coal’s latest single, “Naughty Girl”

Earlier this year, Wande Coal announced plans to drop ‘REALMS’, his first project in six years. While we’re waiting for that, he’s been busy serving us new material since the beginning of the year, dropping the video for “Ode Lo Like” and te widely loved fan favourite, “Again”. Keeping the consistency going, we now have “Naughty Girl”, a Pheelz-produced cut which combines Wande’s storytelling chops and his established nous for club-ready jams.

View this post on Instagram

💦

A post shared by Wande Coal (@wandecoal) on

On “Naughty Girl”, Wande recounts meeting a love interest, who turns out to be different from his initial perception of her. “First when I met this girl, she was looking like a sweet angel/never knew she’s a naughty girl”, he sings on the catchy hook, conveying admiration and excitement about finding out her true personality, while the verse is laden with words of affection and promises to do right by her.

Speaking to The NATIVE about the song, Wande Coal said:

“It’s a story about a girl I just met at the time. She is sweet, but super sexy, I thought she was a saint, but it turns out she was a freaky, wild, naughty’ girl”

Wande’s bubbly performance is accompanied by Pheelz’ airy piano melodies, intermittent organ and string riffs, and strident, pounding house drums. If it wasn’t for the ongoing pandemic, which has restricted the possibilities of large gatherings, “Naughty Girl” would have been a definite shoo-in for clubs and summer parties. Regardless, it’s fitting for the individual moments our rooms turn into dancefloors, joining the list of great songs that have been instrumental in keeping spirits high during this difficult period.

Listen to “Naughty Girl” here.

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: THAT TIME WANDE COAL HEADLINED A SOLD OUT SHOW AT THE INDIGO O2 ARENA

The Shuffle: Revisiting India Arie’s timeless classic ‘I Am Not My Hair’

In just the space of a few months, we’ve gone from memeing our way through the pain to rallying together with the aim of dismantling long-standing discriminatory structures in our society. It seems that all across the world, people are demanding justice and welcoming the social reckoning that will inevitably bring about change in our treatment of each other.

There have been various uprisings in the past few weeks, aimed to tackle injustices in every corner of society. These collective actions are bringing systematic oppression to the forefront, with racial and gender-based injustices taking the lead and demanding for a change of societal attitudes.

Back in 2002, India Arie released the uplifiting classic, “I Am Not My Hair”, a timely track which was aimed to empower black women and remind them that Eurocentric standards of beauty are not the measure of their worth or desirability. I don’t know what you were doing in 2002 (or if you were even born) but I vividly recall this song being played everywhere from hair salons to shopping malls and even taking up space on the countdown charts on MTV.

This was in no way the norm in society back then, as there weren’t many black women on screen who looked like us or wore their hair like us. This is what reinforced the notion that proximity to eurocentric standards of beauty made you more accepted in society, whether it related to the complexion of your skin. I remember when I was younger, getting a relaxer to ‘tame’ my hair was the order of the day to make it easier to plait or style, which is crazy when you think about how the focus should really have been on making products to look after our different hair textures.

Thankfully, today, there are varied options for maintaining our hair, and this is why revisiting this song shows just how much the times have changed since we were younger. The song’s sound rests on the delicate pianos, pounding bass, and hi-hat-heavy beat, as both artists sing about being regarded as lower value than their white counterparts because of their ‘nappy [hair]’ and ‘dreadlocks’. India finds freedom and inner strength from society’s glamorisation to state that she is not her hair or your expectations, but is her own person and as such demands access to the same opportunities.

With a self-assured tone, she sings ‘Good hair means curls and waves/ bad hair means you look like a slave’ and then further declaring down the line that ‘At the turn of the century, it’s time for us to redefine who we be‘. She may not have known then that the Covid-19 induced lockdown would catapult us into mass social action with everything that’s been going on in the world, however, revisiting this song today is definitely a ‘gotcha’ moment. It’s not the turn of the century, but the new decade has definitely brought unexpected twists and turns and we’re seeing more black people speak out louder against injustices.

 

I didn’t realise it at the time, but the Akon-assisted number was not only about feeling empowered by your black hair, but also served as a politically charged track, which recounts the struggles that Black Americans constantly face when gunning for the same professional opportunities as white America. That should not still be the same tune we’re signing in 2020–but alas.

Just as the song is about to close, Indie Arie returns with a blazing impassioned soliloquy, ‘Does the way I wear my hair make me a better person?/Does the way I wear my hair determine my integrity?’ inviting listeners to think deeply about the beauty standards we uphold and the worth we place on people with hair and different from ours.

The politics of black hair has always been talked about in the media. Growing up, your natural hair as a black person always attracted attention, both at home and abroad, and certain styles are seen as deeply rebellious or ‘peculiar’. Here, in Nigeria, grown out ‘bushy’ hair made us look irresponsible, and school policies were in place to punish students with outgrown hair. Dreadlocks could get you raised side-eyes from police and passers-by and could even dangerously lead to you being profiled as a hoodlum.

In a way, not much has changed but it’s definitely not where we were 18 years ago when the song dropped. It’s been a rough few weeks for black people–most especially black women–as we are constantly consuming news of black death and several cases of sexual gender-based violence. That’s why we will always value women who are using their music as a means of communicating their lived experiences in the world as black women.

We’re hoping this song brings some well-needed nostalgia and message of encouragement through these unprecedented times.

Featured image credits/Grammy


Tami is living in a black mirror episode and can’t seem to wake up. Tweet your fave female artistes at her @tamimak_


ICYMI: Examining the history and value of African hair

The story behind Cruel Santino and Rema’s billboards in Times Square

Last Friday,  Cruel Santino gave his loyal following the first taste of his upcoming sophomore album which is slated for release later this year, under his very impressive joint venture with Interscope Records called Monster Boy. His first single of the year, “End of the Wicked” sees him teaming up with yet again with Octavian, following their collaboration on “Poison” earlier in the year with Obongjayar.

Also unveiled alongside the new single and joint venture was the almost life-size billboard of Santi in Times Square. Within seconds of its release on the artist’s Instagram page, almost every Cruel Santino fan, from Lagos to the UAE, had reposted the monumental billboard online, as they congratulated the multi-hyphenate artist on this huge achievement.

That same day, Mavin’s golden boy, Rema also shared a photo of his billboard at Times Square, leaving many wondering how in the space of a few hours, two boys from Benin City took over Times Square and achieved such a monumental full-circle moment that’s been in works for years. The answer quite simply is Spotify.

Over the last few weeks, Spotify has globally been celebrating Black artists, creatives, and activists with a series of new playlists, guest-curated playlist takeovers, podcast playlists, and more in celebration of Black Music Month. To this effect, they are currently running different playlists like the new and improved Black to the Future playlist will feature and support sensational black artists from all around the world including South Africa’s very own,  Sho Madjozi and Nasty C who, in honour of Youth Month, will take over the playlist this month.

To underscore the importance of the Juneteenth celebrations in the US, Spotify has also announced that its flagship playlist, “New Music Friday” will exclusively feature black artists from Friday, June 19th throughout June 26th. Additionally, Spotify’s New Music Friday billboards in Time Square have been dedicated only to black artists and will feature, as we have already seen, Nigeria’s refreshingly raw stars  Rema and Cruel Santino.

This is an impressive moment for both artists and most likely signals a directed effort to further entrench their presence in Africa. At the moment, Spotify is only officially available in five African countries including South Africa, Tunisia, Morocco, Algeria, and Egypt. It would be great to see the music behemoth further expand into the continent and make its music and podcast streaming services available here.

Featured image credits/Spotify


Tami is living in a black mirror episode and can’t seem to wake up. Tweet your fave female artistes at her @tamimak_


Native Business Special: Apple Music are betting first on Africa, and that may be the key to victory

Songs of the Day: New music from Ego Ella May, popsnotthefather, Tomilola and The Cavemen, and more

This mid-week selection includes new music from British-Nigerian singer, Ego Ella May, rising South African rapper, popsnotthefather, Nairobi based artist, capespring, as well as new singles from Nigerian artists like Tomilola and The Cavemen, Phaemous, Aussie Maze, Shaun Mba and Loti. Enjoy.

popsnotthefather – “KARMAKOLLEKT”

popsnotthefather emerged as one of the exciting new acts promising to take South Africa’s rap scene to the next level when he debuted “DTF” back in 2018. His feature on The Big Hash’s “Save Me” the following year showed that he was embraced by the scene and now he has finally released his debut project, ‘Not Now Not Ever(NNNN)’. With his unique blend of auto-tuned trap and R&B, the 12-track tape plays out like a psychedelic trip into his world of vulnerability, and mischief. For the lead single, “KARMAKOLLEKT”, he addressed his breakup with an unfaithful partner who he no longer trusts singing; “I know you’ve been lying/ you’ve been hiding”. The accompanying music video demonstrates the breakup before we see popsnotthefather performing his vocals as he heads to a nearby club where there are lots of potential replacements dancing under the glow of the neon lights.

Tomilola – “Let Go” Feat. The Cavemen

As far as advice goes, “let go of things that stress you” is pretty much a textbook affair. Making a memorable song out of it requires a certain magic touch and Tomilola and The Cavemen show that they’re up to the task on their newly released collaboration, “Let Go”. The 3-minute long song transforms the familiar sentiment into a cinematic marvel as Tomilola questions why we try to “carry things too heavy for (us)”. Backed by the lightweight mix of live instrumentals and vocal reverbs, she sings with compassion and grace to encourage listeners to live their lives freely and let go of things they’re struggling with “cause no one knows tomorrow”. You may have heard this expression before, but the compelling performance from Tomilola and The Cavemen will reaffirm it till you feel lighter.

capespring – “Weight.” 

16-year-old Nairobi-based artist, capespring made his introduction into the music scene with his recently released EP, ‘Duality’. Over the 5-track duration of the tape, he showed his versatility as he effortlessly moved from lo-fi trap melodies to soulful R&B croons. Thematically, the EP narrates the teenager’s struggle with love and friendship, using somber and melancholic lyrics to convey his underlying feelings of anger and disappointment. “Weight”, the project’s emotional centrepiece mourns the loss of a relationship as he sings “I really can’t stand it/ I’m not just your practice” over the lighthearted beat that makes for an enjoyable listening experience. 

Ego Ella May – “Give A Little”

Ego Ella May’s soulful jazz music is very comforting, and feels a bit like healing music. The rising British-Nigerian singer is expected to release the follow-up to last year’s ‘So Far’, ‘Honey For Wounds’ on the 26th of June. However, she has released the first track, “Give A Little” with an accompanying video directed by Natalie Wilson. Singing “Threw a lock of my hair in the ocean to give as offering/ Do I have to die for some peace?”, Ego Ella May’s lyrics convey some of the struggles of being a black woman though the airy production. Similarly, the video celebrates black beauty and freedom as we see Ego Ella May and a few other black men and women picnicking in an open field.  

Phaemous – “Forbidden” 

Phaemous has been releasing emotionally charged songs since 2018’s “Lina”. Though he’s been able to secure notable features like Blaqbonez and PsychoYP on “Cruise Control”, he still gets little fanfare outside his Abuja base. However, he hasn’t allowed that to stop him from releasing new music that sticks to his unique r&b sound with auto tuned melodies, romantic lyrics and featherlight beats. His latest single, “Forbidden” is a quintessential Phaemous song about getting his heart broken and trying to understand where he went wrong. Backed by the atmospheric production from UCEE, “Forbidden” is hypnotic and effortlessly sweet as Phaemous sounds like he’s wandering around in a daze while he bares his heart to his muse; “Now I’m finding escape/but I wan be with you”. The video he co-directed also shows him performing the song to a woman who eventually leaves him to perform the song by himself. 

Aussie Maze – “Hands in the Sky” Feat. Shaun Mbah and Loti

Aussie Maze looks committed to sharing more songs for fans during this quarantine period, as he follows up  “Arya” which was released earlier this year, with a new single, “Hands in the Sky”, featuring Shaun Mbah and Loti. “Hands in the Sky” is addressed to their love interests who they promise to love. The trio make a good fit as Aussie Maze’s aloof sensibilities are supported by Shaun MBA’s more direct approach and Loti’s sensual lyrics. The result is a song that’s both tense and playful.  


[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Prettyboy D-O and WANI’s “Mentally” is this week’s Best New Music

Nasty C releases DJ Whoo Kid-hosted mixtape, ‘ZULU’

For the better part of this year, Nasty C has been drumming hype for his third studio album, ‘Zulu Man with Some Power’, and if preceding moves are any indicator, it’s shaping up to be a blockbuster release for African rap music. Earlier this year, it was announced that the South African rapper had entered a deal with Def Jam Recordings, and he was also unveiled as part of the novel set of signings for Def Jam Africa.

Nasty C has already started coining on those international affiliations, collaborating with T.I on the socially conscious single, “They Don’t”,which he recently performed on Late Night with Seth Meyers. In continuing those crossover efforts, the rapper is has now dropped ‘ZULU’, a new mixtape that will be hosted by popular hip-hop DJ, DJ Whoo Kid. This move is a throwback to the period when rappers used to drop mixtapes before full length albums, a tactic that’s used to temporarily feed the streets and drive anticipation.

DJ Whoo Kid gained popularity with his affiliations to 50 Cent, hosting the barrage of mixtapes that came before the American rapper’s uber-successful classic debut album, ‘Get Rich or Die Tryin’’. Since then, he’s remained a fixture in the culture of DJ-hosted mixtapes, hosting tapes from G-Unit and its affiliated members, Mobb Deep, Snoop Dogg, Nipsey Hussle, Skepta and much more. ‘Zulu’ is DJ Whoo Kid’s first association with an African rapper, a collaboration that will no doubt open more ears to Nasty C, in his quest for global prominence.

Check out Nasty C’s announcement below and Listen to ‘Zulu’ as well.

Featured Image Credits: Instagram/Nasty C

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: “THERE THEY GO” IS NASTY C AT HIS SLICKEST AND MOST IMPOSING

Meet the creative mind behind Moresque, your new favourite Instagram style page

The Moresque woman is unapologetically herself. Things happen to her but that’s just life.

Some of the captions can be really messy or crazy, but that’s just life as a young woman. We have unfortunate dating stories, and life just happens. We’re doing all that while wearing amazing clothes”.

Moresque is the new fashion-driven Instagram account curating a stylish collection of affordable and designer pieces for the millennial woman. The most striking thing about Moresque is the outlandish adventures each look comes accompanied with.

A young woman clad in flowing leather pants and slick cornrows is really behind closed doors, a dom in all her relationships and is currently maintaining a roster of three men while still texting her ex. Another in a floaty pink dress meets her boyfriend’s parents for the first time but later at night, she finally lets him try anal. It’s all very interesting, because you’re probably that girl, or you know someone who knows that girl.

 

View this post on Instagram

 

A post shared by Moresque (@moresque__) on

Moresque is actually the brainchild of twenty-two-year-old fashion enthusiast, Morenike Ajayi. It was founded a month ago during the quarantine out of a need to create and put her styling chops to work after months of staying indoors. Morenike is bringing bright spots to your Instagram feed with her stylish looks and cooky captions about the modern sex-positive woman.

                  “During the quarantine period, I was shopping a lot more because there was nothing to actually do and I had nowhere to even wear them to because outside was closed. So I was just styling my own clothes at home. I really wanted an outlet to style clothes for events that I would go to and imagine people going to if we were in quarantine.”

Having completed her undergraduate degree in Bio-Medicine, Morenike quickly realised that she had no idea how to turn the course into a career. She knew liked science, however, she didn’t see how it would relate to her life. ‘People don’t really tell you to relate uni to your life, it’s always ‘do what you’re good at at school’ she tells me, before realising there wasn’t any career part in that field for her.  

It wasn’t long before she landed her masters in a completely different field. Marketing, and then later down the line landing her dream role for a luxury online fashion platform upon the completion of her postgraduate degree. Working on Moresque this past month has helped Morenike develop her creative side a bit more, and she couldn’t be happier with the results.

Her gifted eye for clothes is a result of her growing personal interest in fashion, ‘The pieces are either from things I have seen while browsing online for myself. Sometimes I’ll have the outfit in mind then the caption will come later or I’ll know the caption and work with that to bring the look to life’ she admits to me. She values quality over just stuffing one’s wardrobe with designer items, it’s why she swears by Weekday and Depop for affordable shopping and hidden gems to upgrade your closet.

“I have always loved styling clothes. I’m always on clothing websites trying to figure out how to pull different styles together so it was kind of like, I might as well just do this as a way to deal in quarantine. And I’m also kind of good at it so I may as well put it on the Internet for people to see”

 

View this post on Instagram

 

A post shared by Moresque (@moresque__) on

During this time, people have reached out to her to say they relate to the detailed captions and ask how she comes up with them, but most of the time, Morenike is really just inspired by her “weird mind”. Whether it’s inspiration from the lives of the women on ‘Sex & The City’ or from her life or those of her friends, there’s no shortage of inspiration on what the Moresque gets up to in her stylish fits. Samantha Jones from Sex & The City is a huge style inspiration to me. I’m obsessed with the show and the lives they lived. It’s why the recent post on a woman who finds out she slept with a guy in college is so funny, it’s definitely something that could happen in that world’.

“The Moresque woman does not apologise for being herself. She doesn’t apologise for being imperfect, that’s just her. So you either take it or leave it”.

Having just started out, she’s still finding her feet and working on improving her consistency. She has already garnered a loyal following in just a month, who look out for her posts every day. I think I am going to keep doing it and because people really look forward to the posts’ she tells me. ‘I would feel bad if I stopped this far in. I also really just enjoy doing it for myself; it’s a way for me to shop without spending money. I put the outfits together the way I would wear them but I literally don’t have to spend a dime’.

For now, she’s focused on completing her Masters degree and working out how to take styling more seriously, as she’s now feeling more confident styling other women.

 

View this post on Instagram

 

A post shared by Moresque (@moresque__) on

Featured image credits/Moresque


Tami is living in a black mirror episode and can’t seem to wake up. Tweet your fave female artistes at her @tamimak_


ICYMI: Pay attention to new fashion content creator, Rolake Asumah

NATIVE SOUND SYSTEM relaunch show on NTS Radio

In our constant mission to identify, analyse and champion the music of tomorrow; today, The NATIVE partnered with NTS radio for a monthly show, helmed by NATIVE SOUND SYSTEM- Addy Edgal & Sholzstiltippin. After two seasons of breaking new African sounds to the online radio’s global audience, the duo have returned for a third season with an updated schedule program from a monthly show to a biweekly show.

NATIVE SOUNDSYSTEM’s commitment to being the first to showcase up and coming African music talents means listeners can discover new songs and artists before their Apple Music and Spotify-loving friends can. With the increased airtime, the NATIVE SOUNDSYSTEM have more slots to highlight more hidden gems from Africa and the pilot episode curated by Sholzstilltippin’ features an excellently curated music selection from Zinzi, Odunsi, Ictooicy, New World Ray, Madison2500, Mojo and other emerging artists. The DJ shows off his reputation as an insider in Africa’s music scene as he features unreleased cuts from Zinzi and StanleyGTK.

NATIVE’s aim to document our African culture finds more life through the NATIVE SOUND SYSTEM who also host parties around the world where the magazines are sold. Sholz explained how it evolved from the radio show was birth from the editorial guide.

“It evolved from the need to soundtrack what the NATIVE brand is doing. The magazine has done a good job of representing the visual aspect and the editorial gives the perspective of the NATIVE brand. But NATIVE SOUND SYSTEM is kinda like the radio that’s playing in the car. It’s the soundtrack of the brand and the lifestyle that we live.”

Listen to the pilot episode below.

https://soundcloud.com/thenativemag/native-soundsystem-on-nts-000

Featured image credits/NATIVESOUNDSYSTEM


ICYMI: Listen to NATIVE-Curated playlists on your favourite streaming services

2Baba, 9ice & the burden of expectation on new albums from older artists

There’s no timestamp on appreciating, rediscovering and finding new reverence for great songs and albums, however, for music to be truly considered timeless, it needs to have defined or had a huge impact on the time it was originally released. Think about it: from Fela’s “Water no get Enemy” to Trybesmen’s “Plenty Nonsense” to Wande Coal’s “Bumper to Bumper” to Asa’s ‘Asa’ and other countless classics, music that has the evergreen stamp always seem to arrive right on time, often serving as a cornerstone to the legacy of the artists.

In the canon of modern afropop’s greatest songs, it doesn’t get any more classic than “Street Credibility”, the 2008 collaboration between 9ice and 2Baba—then going under the moniker 2Face Idibia. In its heyday, “Street Credibility” was the true definition of an inescapable hit, a truly flawless record that spread like wildfire and has now gone to be one of the most revered songs in Nigerian music.

For the two artists involved and the producer, ID Cabasa, the classic song plays a significant role in their respective legacies. For 9ice, who already had a mildly successful debut album, ‘Certificate’, “Street Credibility” was the moment he transformed from one mega-hit wonder (“Gongo Aso”) to proper superstar. For 2Baba, it was one of the brighter showcases of his unmatched ability and peerless star power. If you scour through the whole of contemporary Nigerian pop music, you’ll be hard-pressed to pull out a duet better than “Street Credibility”, and you’d only need on one hand to count the number of collaborative songs with the same level of impact.

Twelve years later, 2Baba and 9ice are still very active as musicians, with both of them dropping solo albums in the first half of this year. In a terrain where we’re used to seeing many prominent artists flame out after hitting their zenith, both these artists are in the vanguard of artists who epitomise longevity, and while they aren’t as commercially commanding as they once were, dropping projects that a fair share of the public cares about is a remarkable feat in itself.

As applaudable as it is for artists to drop music deep into the veteran stage of their career, that alone doesn’t equate to a wholesome reception. While there’s a backlog of context from their previous work, a new album has to go through quality checks; the music has to play and the audience will react on its own merit, with knowledge of that context in mind. In the cases of 2Baba and 9ice, their latest solo LPs have been met with mixed reactions, and both as individual projects and in comparison to what is widely regarded as their best works yet, it’s not difficult to see why there’s a lukewarm attitude to these albums.

‘Warriors’, 2Baba’s seventh solo album which was released back in February, is a star-studded affair with moments of brilliance that don’t really coalesce into an entirely enjoyable experience. Let’s be clear: 2Baba hasn’t lost (and will never lose) the bits of magic that makes him a special, generational talent. As recently as the summer of 2018, he enjoyed a golden moment with the Peruzzi-assisted smash hit, “Amaka”, and it appears on the album in all its undiminished glory. The biggest issue with ‘Warriors’, then, is that it doesn’t consistently hit the high bar 2Baba has set for himself.

As listeners, we’re often tethered to our expectations, but in the same breath, we have the capacity to adjust those same expectations when it’s an artist we revere, and no artist is more revered than 2Baba around these parts. With a handful of leisurely listens, rather taking to it as a statement project, ‘Warriors’ opens up and becomes more palatable, even if not entirely wholesome. In dropping the bar low, the songs first deemed as bland become serviceable deep cuts, while the better ones become strong standouts.

All of this begs the question of whether we should expect long-serving artists to continue delivering cutting edge albums. Ideally, the answer should be yes, mainly because artists always have a responsibility to put their best foot forward and new albums are an ideal medium for them to continue proving themselves. But in a young, developing industry which is still writing its rulebook on how to age and co-exist with younger and fresher talent, the needle isn’t fixed and that means approaching projects from older artists with a sense of careful optimism.

When 9ice’s new album, ‘Tip of the Iceberg: Episode 1’ came out late last month, I went in with tempered anticipation, expecting a good listen without looking for anything mind-blowing—that approach worked. ‘Tip of the Iceberg’ is far off from any of 9ice’s best work, but it offers a level of consistency that has been 9ice’s calling card for his past few projects. Pulling in high profile assists from Olamide, Reminisce and Wande Coal, it’s an album which built around his reliable nous for evocative writing in Yoruba.

Despite the flaws, ‘Tip of the Iceberg’ is a serviceable addition to 9ice’s catalogue, and that seems to be a consensus amongst those who have listened to the album. For an artist like 9ice whose recent work inspires ambivalence and sometimes causes controversy (see “Living Things”), the new album is a triumph of sorts, even though it’s quite the middling affair by proper standards.

It is a bit egregious to make excuses for mediocrity, but we also need to evaluate what we demand from longstanding artists who are no longer chasing hit songs, and could merely be making music as a form of their own artistic expression. Last October, Asa effectively ended her 5-year hiatus with her fourth studio album, ‘Lucid’, an exploration of love, heartbreak and resilience, which unfolds at an unhurried pace. Despite Asa’s relatable songwriting and the stellar cosmopolitan sound, there were murmurs about the album paling in comparison with her previous, ground-breaking work.

Complaints like this often stem from our need to re-capture a particular feeling from the artist, something that’s nearly impossible to do. The bitter truth is, artists only have so many chances to deliver magnum opus-worthy work, and whatever they do after they hit their creative peak will most likely be subject to changes in musical direction. We don’t have to accept all of it, but at least we can appreciate the efforts of artists who have been here for a while, and even meet the intentions of their albums halfway.

As the music scene grows wider and older, more longstanding artists will get better at consistently offering cutting edge music—as we’re already seeing with artists like Wizkid, Davido, Burna Boy, Olamide and more. Keeping in mind that they defined whole periods in Nigerian music, new albums (and songs) from older shouldn’t be roundly dismissed for not being up to par, as long as it doesn’t tarnish their legacy in any tangible ways.

[Featured Image Credits: YouTube/9iceofficial]

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: EVERYTHING WE KNOW SO FAR OF D’BANJ’S ASSAULT ALLEGATION

Terra Kulture is hosting a digital art exhibition titled ‘Colour in Light’

It’s been a very difficult year so far and each passing day is a reminder that things are going to get harder, with the current pandemic and racial disparities leaving little certainty and a lot of confusion about the world as we know it. While socialising with our friends and normal life may remain on pause for now, galleries and institutions are coming up with innovative ways for art lovers to continue consuming art online.

Last month, Polartics kicked off their first virtual exhibition, proving that the way we consume art in the future may be changing. This month, we’re getting more from the art world, as Terra Kulture is unveiling a new online exhibition titled ‘Colour in Light’. This endeavour is a joint exhibition of a diverse selection of works by Chigozie Obi, Osagie, U.a.x Seyi, Apreel Geek, and Chukwuka Nwobi exploring the relationship between colour and light, emoting colour through light and shadow. The exhibition will be on from this month till August, and can be viewed here.

 

View this post on Instagram

 

A post shared by Terra Kulture Gallery (@terrakulturegallery) on

Speaking about the exhibition, the curator Tife Adedeji shared that:

“We see colour everywhere. We may say we do not see colour, but we perceive it. Colour helps us discern the world. ‘Colour In Light’ is a visual journey through the eyes of the artists who establish emotions through colour and intensity in their work.

The exhibition will explore their disparate renditions of colour in light to weave their viewer with a more conscious view on colour, and its competence in our vibrations, sensibilities, and environment”.

In addition, Terra Kulture is also calling for submissions for a second online exhibition running from this month until December around the theme ‘Art in Quarantine’. You can apply for the exhibition here.

Featured image credits/U.a.x Seyi


Tami is living in a black mirror episode and can’t seem to wake up. Tweet your fave female artistes at her @tamimak_


ICYMI: Here are some self care tips if you are struggling through these uncertain times

Reni Eddo-Lodge becomes the first black British author to top UK charts

Last week, British-Nigerian author, Reni Eddo-Lodge became the first black-British author to take the number one spot on the Nielsen Bookscan’s UK top 50 with her 2018 book ‘Why I’m No Longer Talking to White People About Race’. The only other black person to top these charts was Michelle Obama, the former US First Lady for her memoir ‘Becoming’.

The 2018 book is a necessary wake-up call to the pervasive, institutionalised racism, where Reni Eddo-Lodge offers a timely and essential new framework for how to see, acknowledge, and counter racism. The news of her chart-topping success, coincidentally, came at a time when the issue of systemic racism was once again rife in the United States following the protests that broke out after the killings of George Floyd and Breonna Taylor by the police.

While this win for Eddo-Lodge is a moment in history that should be immortalised in the sands of times, she has mixed feelings about the win, “I can’t just uncritically celebrate breaking a barrier without asking why the hell the barriers were there in the first place,” she wrote in an Instagram post explaining why she felt “dismayed” at the news. The barriers she refers to are the disparities in publishing companies and media houses between the commercial success of white authors and authors of colour, particularly black female authors.

The uprisings sweeping the world has forced a global soul-searching to understand racial inequalities that haunt every sector of our society. Authors have recently used the Twitter hashtag #publishingpaidme to share the advances they received for their books, in an effort to highlight racial disparities. On June 15, The Black Writers’ Guild in the UK penned an open letter to the UK publishing industry, calling them to tackle the deep-rooted racial inequalities in the publishing sector with 8-direct requests for subsequent reform. Recently, authors like Akwaeke Emezi and writers like Ivie Ani have spoken out about the injustices they have faced as black people working within their various industries as black women.

Speaking to the Guardian, Eddo-Lodge shared:

“Being involved in feminist and anti-racist work, you notice very quickly that you have racism but no one who admits to being racist. We have one in four women being raped or sexually assaulted in their lives, but no self-confessed rapists. We see the structural impact of how these things affect marginalised people, but we see nobody admitting to participating in the marginalisation.

One thing that has been great to see is that their ex-employees have been calling them out left, right and centre. The calling out of companies like Conde Nast has been really interesting. That is an organisation at the top of its game and for those black employees calling out racism, there may not be anywhere else for them to go on to with their skills. I don’t think it’s a fair ask for people who want to change things to have to make huge sacrifices and put their necks out, but I thought that was interesting and commendable”.

The ideal outcome from unearthing these injustices would be swift and immediate change across all industries. Even if we don’t get it as quickly as we would like, it’s endearing to know that black people will no longer stay quiet against injustices. Change can only come when we are all ready to face uncomfortable truths and have difficult conversations. So don’t let up yet, the journey is just beginning.

Featured image credits: Suki Dhanda/The Observer


Tami is living in a black mirror episode and can’t seem to wake up. Tweet your fave female artistes at her @tamimak_


ICYMI: 5 Books by African Authors we’re excited to read this year