Listen to Goldlink’s new collaboration with Wizkid on “No Lie”

Goldlink has kept his foot on the gas since earning Grammy nods with “Crew” off his major label project debut, ‘At What Cost’. For his follow up album, ‘Diaspora’, the DC rapper looks to his African roots, adding collaborations with Maleek Berry, Juls and Wizkid to his guest list that boasts of features from Tyler the Creator, Pusha T and Khalid.

After featuring on Santi’s ‘Mandy and The Jungle’ album and pre-releasing his Maleek Berry assisted “Zulu Screams” single, Goldlink already hinted at his interests in Nigeria’s explosive music scene and continues with a Wizkid verse and hook on “No Lie”, the 11th track on the album. “No Lie” starts out with a laidback and danceable beat tailored to Wizkid’s Afropop melodies but the tempo for the P2J co-produced beat switches just before the 2nd-minute mark to fits Goldlink’s relaxed yet assertive flow, waxing poetic about his growing acclaim and .

Stream Goldlink and Wizkid’s “No Lie” below.

Featured Image Credits: Instagram/wizkidayo
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ICYMI: Watch the music video for “Zulu Screams” by Goldlink, Maleek Berry and Bibi Bourelly

Watch Mojo and Prettyboy D-O team up for new “Chop Life Crew” music video

Mojo and Prettyboy D-O are offering context for their reckless lifestyle on their new collaborative single, “Chop Life Crew”. The song invites listeners into their ominous headspace while simultaneously making it sound like the coolest place on earth; “Hide the poli in the backseat, in case the po-po wanna pat-down”.

The beat Ronehi and Le Mav produce to a glowering and captivating mid-tempo bounce is punctuated by layered flute samples, synth harmonies, ad-lib vocals, and drum riffs. It serves as the backbone of the song, laying the buoyant foundation for the rapper’s cocksure bars as they encourage listeners to make the most out of life. Though the overarching mood for the song is showy, there’s an unmistakable air of grit which the July Drama and Aidum Tom directed music video displays through the grim filters, moss-covered walls and face-mask wearing cameos. The street life is tough, but that’s no reason not to live it to the fullest.

Watch the compelling music video for Mojo and Prettyboy D-O’s “Chop Life Crew” below.

Featured Image Credits: YouTube/MOJO
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ICYMI: See the music video for Prettyboy D-O and Santi’s “Pull Up”

Listen to Daramola and Daneon’s joint single, “Love Don’t Cost a Thing”

It’s been nearly a year since Daramola’s last release, “Heartbreak Please”, but his new entry shows no sign of rust as he performs yet another ode to love, “Love Don’t Cost a Thing”. His lightweight melody, auto-tuned and familiar, might remind you of a Tropical version of an EDM song, but by infusing some Nigerian quirks in his vocals, the summer song is as homely as it is festive.

American DJ and producer, Daneon is credited as a co-owner of “Love Don’t Cost a Thing” but he leaves all the vocal performance for Daramola who sings “Leave All Your Worries Behind”, encouraging a love interest and listeners to embrace the carefree vibe the song inspires as we begin this summer. Daramola recently signed a publishing deal with Sony and is expected to release a project in the coming week.

In the meantime, you can stream “Love Don’t Cost a Thing” below.

Featured Image Credits: Instagram/itsdaramola
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ICYMI: Listen to Daramola’s “Heartbreak Please”

J Molley is in a rare amusing mood for new single, “Flower Child”

J Molley’s music often paints the South African artists in a gloomy, sinister universe where heartless monsters lurk in dark alleys. However, for his newly released “Flower Child” single, he takes a detour into a much much brighter scene as he celebrates his acclaim over a mid-tempo trap beat produced by Stick X.

The mix of catchy drum riffs and cheeseball synth chords create a party driven ambience for J Molley to sing/rap in his melodic vocals that make it obvious he’s at the top of the food chain, prowling around the beat, thumping his chest. His “Feeling Way Too Good, I’ve Been liberated/ Know that you don’t understand so you’re just sitting, hating” line punches through the whole track as he confidently explains several reasons the bad vibes around him can’t get to him.

You can stream J Molley’s “Flower Child” below.

Featured Image Credits: Instagram/hoodpharmacist
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ICYMI: Watch the music video for J Molley’s “Always $tressed”

8 Artists we love who need to show up in 2019

It usually takes a couple of years before artists find a healthy rhythm with their audience because the music release cycle runs on popstars sustaining their spotlights for extended periods. In the last six months, new names and faces have shuffled into Nigeria’s class of hit-makers making Nigerian music a little more vibrant. The arrival of Mavin Record’s Rema, Chocolate City inking a huge deal with Warner Music, and Afropop’s outing at Coachella has kept the genre visible globally. However, in spite of newly-infused energy, there are still some fave hitmakers The NATIVE would like to see on the scene in 2019.

Tekno

Everyone misses the Tekno that gave us “Pana”, a track that now brings back 2016 nostalgia when it shuffles into playlists, today. Though his progressive highlife single, “Woman”, stayed in conversations for a few weeks, the cold reception for his latest single, “Uptempo”, took him back to a time before he was the toast of the game; featuring on Drake’s Instagram feed and bagging a feature with Ciara a few months later. Tekno’s penchant for indigenous melodies is a sure bet for Afropop’s dancefloor sensibilities but his recent efforts have seemed lazy as his songs slip farther down playlists.

Niniola

“Maradona” marked the first of many Afro-house hit songs that would revolutionalize the texture of Nigerian mainstream pop. Her raunchy lyrics established her as one of the leading voices in Afropop with her growing discography which saw her release her debut album, ‘This is Me’ in 2017. Though she kept a steady string of singles to keep parties going all through last year, Niniola hasn’t had the same turn-around of women-positive hyperrealistic music. In spite of the release of  “Designer”, a lone single featuring Sarz and it’s hard not to notice her absence.

Wani

Wani became the flag bearer for neo-Afropop after releasing “Blem Refix” on his SoundCloud in 2017. Last year, he followed his rise to fame with a critically acclaimed debut project, here his breezy fusion of R&B and neo-Afropop melodies introduced a modern Afropop to audiences. In spite of the fanfare Wani’s ‘Lagos City Vice’ earned, the singer has since retreated into the comfort of his solitude, releasing just one follow up single, “In 2 U” last year. Wani fans deserve better.

AKA

The hip-hop scene in South Africa was the pride of the whole continent once upon a time and AKA played a major role in that. Last year, “Fela in Versace” reminded everyone of his ability to capture the zeitgeist of the entire continent but this year, the rapper has bearly made any impact. Since the release of “Jika” to ambivalent reactions back in January, AKA hasn’t etched much of a mark on African music in 2019 but enjoy the euphoria of his ‘Touch My Blood’ album from last year.

Reekado Banks

After parting ways with former label, Mavins Records, Reekado Banks has had the creative freedom to release more music and show up for guest verses more frequently. But his more pronounced presence hasn’t had the same wholesome feel he once enjoyed under Mavin’s management. It’s only June and there’s no real pressure but for an artist who just started his own label, there are valid reasons to be concerned about any prolonged silence.

Minz

Though Minz owned the pre-existing Afropop wave of 2017 on his break out single, “Story”, he built a notable following and renown with multiple features and single releases that kept his music in rotation. But for 2019, the singer’s only release is the video for last year’s “Skin” single. For someone who only needs a few more successful singles to crossover to mainstream reverence, staying under the radar may not be the surest-bet strategy.

To Name A Few

To Name a Few have only shared a handful of songs since their haunting “Stay Over” debut earmarked the duo as shiny examples of brilliance in the age of niche music taste. The band was featured in the  Trybe section of our Birth Issue where they discussed T.N.A.F and their unnamed EP, but it’s been over two years since “Based”, the last release from the melancholy fueled Chillwave/Alternative soul band. That unnamed EP has still not gotten a title, nor have they surfaced anywhere ever since.

Boyewa 

Despite occasional releases, Boyewa has shied away from the public spotlight for a few years now, it has also helped build more mythos. With his liking for randomly removing songs from his Soundcloud library, it has always been tough to be a Boyewa fan but this year has seen a drought of new music from the artist/producer. There have however been whispers that he could be dropping a project at any moment, so fingers crossed, the silence is just to build anticipation for its release.

Featured Image Credits: Instagram/hoodpharmacist
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ICYMI: The Best Songs of Summer 2018

Listen to AYLØ’s latest single, “Paris!”

Following lyrics from his debut mixtape, ‘<insert project name\>’, suggesting that he only drops projects and no singles, 2018 seemed like a prolific year for AYLØ, cranking out two singles, a video and some features. He has, however, been quiet for the most part of this year, and so his new single “Paris!” feels like a return to form.

“Paris!” reintroduces fans to the laid back ambience AYLØ’s songs often linger in, thriving under the lightweight vibe of synth harmonies and his neo-R&B vocal texture. Though the song’s romantic intentions are heard in his lyrics, singing “When she moves, I’m a fool”, the catchy and soothing beat is danceable, paired with his relaxed yet assertive flow.

Stream AYLØ’s “Paris!” below.

Featured Image Credits: Instagram/arkhonellz
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ICYMI: Watch the music video for AYLØ’s “Still II”

Listen To Adey’s New Single, “Red”

Anytime Shaggy’s “It Wasn’t Me” is referenced in a song, there’s a high chance the trust in the relationship has been broken. Adey’s “Red”, the singer/producer’s first single of the year, opens with an interpolation of lyrics from Shaggy’s 2000 smash hit, setting the stage for a confessional that is somehow both dubious and seemingly heartfelt.

Although he admits his guilt when he sings, “I a lover and a cheat, and I know this”, he doesn’t seem ready to follow through on his promise to do better, while still trying to hold on to his aggrieved lover. It might be a lot to take in on paper, but the catchy combination of his preppy Afro-Caribbean melodies and the catchy mid-tempo beat Adey produces makes “Red” a leisurely listening fit to slip into sticky summer evening playlists.

You can stream “Red” below.

Featured Image Credits: Instagram/itsadey
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ICYMI: Listen to Adey’s era defining single, “Cigarette”

YungBakugo shares colorful music video for his dreamy new single, “Cloudy Maudy”

YungBakugo’s production on his latest single, “Cloudy Maudy” is a master class in painting with negative space. Instead of crowding the song with different sounds, he leaves holes open so that his silky lo-fi compositions can breathe. The minimalist beat adds an air of mystery such that it sounds like anything could happen. The Toronto based artist compounds that enigma by switching between vocal textures, singing as well as rapping over the dreamy instrumentals.

His lyrics, “Wanna be rich, looking like I robbed a bank, Yeah”, keeps the dreamy direction of the song going and Kali Talmon-Longden follows the same mood with the surreal and colourful music video she directs. The video sets YungBakugo in the company of models and dancers (Jennifer, Tyra Templesmith, Katie Over, Alexandra Gimbert) who also add more colour to the video through their performance.

You can watch the video for “Cloudy Maudy” below.

Featured Image Credits: YouTube/ Yung Bakugo
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ICYMI: Listen to Daramola turn heartbreak into R&B bliss on “Heartbreak Please”

Maison2500’s new single, “Choppas on Deck!”

Hip-hop has always had the reputation of being aggressive if not a little violent, but the drive to rage has seemed at an all-time high since rappers like Xxxtencion and 69 took hip-hop by storm and became icons for the new generation of rappers. Maison2500’s latest single, “Choppas on Deck!” keeps the energy going, striving under the youthful recklessness of punk and hip-hop’s competitive spirit.

“Choppas on Deck!” opens with distorted synthesizer riffs before ad-libs and abrasive drum machines are layered in to spark the aggression from Maison2500’s voice. It quickly becomes apparent that the exclamation point in the song’s title isn’t just for aesthetic as he threatens opponents and practically anyone who stands in his way; “Hit my label, told them I need a raise!”. Though he lands every boast and punchline with gusto, painting himself reckless rockstar, the brand of chaos he exudes is inspiring as he rages confidently about his acclaim.

The new single is expected to feature on Maison2500’s coming project, ‘Mase World‘, scheduled for a yet to be announced release date.

You can stream “Choppas on Deck!” below.

Featured Image Credits: Instagram/maisonvendetta
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ICYMI: Listen to Maison2500’s “Beamer”

Listen to DJ Java’s new single, “Tight Jeans (Remix)” featuring Falz and Ajebutter22

Ajebutter22 and Falz excel at making lightweight songs that toe the line between raunchy tributes and mockeries of our pervy instincts. While their previous collaboration, “Bad Gang” was craftily narrated to question our society’s moral compass, their latest collaboration on DJ Java’s new single, “Tight Jeans (Remix)” doesn’t bother with such politicking as they create a raunchy song destined for dance clubs.

Over the catchy drum led beat mixed with synth and percussion harmonies from “Tight Jeans” released last year, Falz and Ajebutter22 rap about their lustful feelings for their love interests; “I’m in love, I go wife this one”. “Tight Jeans (Remix)” is expected to feature on DJ Java’s coming project, ‘Sounds Of The Ladies Man (Volume 1)’, which is scheduled to be released on Friday, the 14th of June.

You can stream Falz and Ajebutter22 assisted “Tight Jeans (Remix)” and pre-order the project below.

Featured Image Credits: Instagram/djjavaofficial
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ICYMI: Listen to DJ Java’s “Tight Jeans” featuring Falz and OZ

Toye Aru makes Afro-techno magic on new single, “Freedom Riddim”

For his new release, “Freedom Riddim”, Toye Aru approaches Afropop with the curiosity of an alien observer as he mixes techno dancehall sounds with tribal African chants. The result is a stellar exercise in the groovy and wild sentiments that soundtrack nightclubbing to metaphysical extremes.

His production on the song invades the natural world, building the rattling samples, synth lines, percussion and drum riffs around a melodic chant that listen like a call to dance, mate, fight or some other carnal activity. Though there are no actual words asides the song’s “Freedom Riddim” title to determine Toye Aru’s intentions, the lull of the synth harmonies and animalistic texture of the chants build into a euphoric, swirling groove to fit DJ sets at outdoor concert parties or in the dimly lit dance clubs. It’s a mad experiment that finds Afropop sounding more abstract and thrilling than ever before.

Stream Toye Aru’s “Freedom Riddim” below.

Featured Image Credits: Instagram/toye.aru
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ICYMI: Listen to Ciara and Tekno’s “Freak Me”

Watch the music video for “Girate” by Teffy and BOJ

One of the most intriguing things about Afropop, like all pop genres, is how little the severity of the song’s subject does to dampen the merry mood. Teffy’s new single, “Girate”, for instance, describes the harsh reality of unrequited love saying “That Girl Put Me On A Strong Thing”. But his distress is concealed beneath the groove of the Toye Aru’s instrumental that GMK mixes and masters. BOJ’s slurry vocals only add to the lightweight mood of the song.

The pair just released the music video for “Girate” directed by Shaun Eweni and TSE and it follows them as they perform their impassioned verses with the presumed muses featured in the frame.

Watch the music video below.

Featured Image Credits: Instagram/teffytefff

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ICYMI: Ajebutter 22 and BOJ’ release joint project, ‘Make e No Go Cause Fight’

Watch the video for Omawumi’s new single, “Without You”

After last year’s impressive trickle of singles, singer-songwriter, Omawumi is set to release a new project, ‘In Her Feelings’, on June 14th. The upcoming 7-song project will be the follow-up to her critically acclaimed 2017 album, ‘Timeless’. The singer has also put out the project’s lead single, “Without You”, for fans to get a taste of what’s to come.

Set in the same sophisticated yet modish Afropop stylings prevalent on her previous album, “Without You” features mid-tempo percussions and appergiated guitar melodies, embellishing the charming set Omawumi performs to express her romantic feelings to a significant other. The song certainly hints at return to wedding DJ playlist for Omawumi.

The singer has just put out the Fome Peters-directed video for “Without You”, featuring shots of her performing her lyrics in a dress, as well as in more comfortable tights, performing choreographed dance routines with backup dancers.

You can watch the video for “Without You” below.

You can also pre-order ‘In Her Feelings’ project below.

Featured Image Credits: YouTube/omawumi
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ICYMI: See the music video for “Hold My Baby” by Omawumi and Falz

Joining WafflesNCream’s “Go Skate Boarding Day Lagos” this June

WafflesNCream took charge of the skating community in Nigeria when they pushed for a skating holiday to celebrate the International SkateDay with their two-day skate jam in 2017. This year, WafflesNCream continues the tradition with a new edition of “Go Skate Boarding Day Lagos” expected to hold on the 21st and 22nd of June.

Similar to the debut instalment, Go Skate Boarding Day Lagos 2019 is going to kick off with a screening of legendary skate films at the WafflesNCream store in 234 Muri Okunola Street, VI. There will also be activities like merch sales to promote the Lagos skateboarding community. The Skate/BMX jam will hold the next day at the Zenith bank car park in Plot 87 Ajose Adeogun Street, VI followed by the afterparty at Hfactor, 26 Maloney Street, Lagos Island.

 

https://www.instagram.com/p/ByX_y2znDt3/

Featured Image Credits: Instagram/wflsncrm
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ICYMI: Check out WafflesNCream’s D/H ’17 Collection

See Mayorkun and Kizz Daniel In Video For their new collaboration, “True”

The race to release the biggest song that will dominate charts and clubs deep into the months of summer have officially begun. Mayorkun and Kizz Daniel, two of the best hitmakers around, have teamed for a new single, “True”, a catchy bop and a potential contender for Song of the Summer.

Young John and Lussh Beats co-produce the beat for “True”, mixing an undulating piano harmony and a boisterous Afropop drum riff, while Mayorkun and Kizz Daniel deliver their romantic lyrics, reassuring their lovers whose trusts are flailing. By leaning into the reliable mix of romance-inclined sentiments and production revealing their club hit intentions, “True” is exactly the type of collaboration that can last on DJ rotations deep into the summer.

Aje Films directs the semi-dramatic music video for “True”, and it features both singers performing their lyrics of reassurance to their love interests.

You can watch the video for “True” below.

Featured Image Credits: YouTube/DavidoAdeleke
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ICYMI: Here are all the Essentials from Mayorkun’s album debut, ‘Mayor of Lagos’

Olamide gets back his dance-video groove for “Oil and Gas” music video

Olamide’s latest release, the music video for previously releases “Oil and Gas” single finds the YBNL label executive returning to his familiar dance video trope. As his music has gotten more and more club party driven, so has his video’s direction, known for making the Shaku Shaku dance viral with his #Wodancechallenge in 2017.

Though the video for “Oil and Gas” isn’t reaching to create a new dance wave, it does make a cultural statement as the dancers mime to Olamide’s lightweight social commentary over the catchy beat Pheelz produces for dancefloors fascinations. While Olamide’s lyrics toe the line between praising and mocking the rich, the video TG Omori directs also emphasizes, Olamide’s claim to the streets as we watch children in school and on the streets, having fun and dancing in the rain while the older kids run into some money and go shopping.

Like the song, the video for “Oil and Gas” offers some commentary on our society but is more focused on ensuring viewers have a good time while watching. You can see the music video below.

Featured Image Credits: YouTube/OlamideVEVO
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ICYMI: The video for “Poverty Die” confirms Baddo’s visual renaissance is afoot

Watch the music video for Juls’ “Maayaa” featuring Tiggs Da Author and Santi

Released earlier this year, “Mayaa” continued UK based Ghanaian producer, Juls’ fascination with highlife inspired harmonies. With contributed vocals from Tiggs Da Author and Santi, the song takes a romantic direction which has now been brought to life in the black beauty celebrating music video Marco Grey and Jeremy Cole shoot and direct for the song.

The 3-minute long video plays out like a photoshoot session with black models dressed in their traditional attires while the lush music soundtracks their beautiful expressions. Though the stars of the song are missing from the video, you’re not likely to get any complaints from fans and certainly, none from this writer as their absence allows the song’s muse take all the spotlight.

Watch the music video for Juls’ “Maayaa” featuring Tiggs Da Author and Santi below.

Featured Image Credits: YouTube/Juls Baby
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ICYMI: Listen to “Kokosa” by Juls, Damibliz, Worlasi and Zlatan

The Nigerian government has passed the plastic apocalypse into legislation

The flooded roads, submerged slums and destroyed homes have turned rainy season in Nigeria into the stuff of nightmares. The obvious culprit is the trash clogging waterways and floating to the surface to turn the main roads into swamps. Though after the rain, the water eventually subsides, the plastic trash remains ever threatening.

The Nigerian Government has joined the fight against plastic, becoming one of the 32 countries that have passed laws to manage and control the amount of plastic used by its citizens. According to the new legislation made in April, any store found giving plastic bags will either pay a fine of N500,000 or face a 3-year jail sentence while manufacturers will pay a 5 million fine.

On the surface, this new law is fantastic as the nasty impact of plastic bag pollution are clear: Plastic bags are one of the most common items collected from the world’s oceans (along with cigarette butts and plastic bottle caps). When they’re not piling up in landfills emitting awful smells and dangerous gasses, they’re littering streets, clogging drains, and contaminating oceans, where fish eat them and they eventually end up in humans. We might not have the exact figure for how much plastic waste is affecting Nigeria, but according to a UN report, banning plastic bags can cut litter down by more than 60%.

However, the Government seems to have neglected to take the nature of the country into account while making the law. The poor state of the country might pose a problem for the ban on plastic because the cheapest form of (potentially) safe water is sachet water and there’s no provision or discussion for a more suitable alternative to reduce the breakout of waterborne diseases.

Secondly, waste management systems in Nigeria are almost nonexistent so people can’t really tell the implication of irresponsible waste practices. In Rwanda, one of the first countries to successfully ban plastic bags, citizens’ sense of responsibility toward waste management and awareness about its implications was one of the leading factors in their successful implementation. Nigeria will have to match that level of dedication to implementation strategy, building awareness and enforcing responsibility.

The legislation suggests paper bags as a replacement for plastic, but that’s not a sustainable solution given the dastardly effect paper production has on the environment. For the Rwandan government, they were able to successfully ban plastic by encouraging manufacturers to recycle their bags and create a market for eco-friendly bags and practices in the process. For Singapore, they imposed extra charges on bags from grocery stores and, in Indonesian, they created organic biodegradable bags out of cassava roots thanks to innovation hubs.

Since the bill was passed into law in April. no store seems to give a hoot about this ban (everyone still raises their brows when you turn down their plastic bags), so it’s not clear how the government intends to knock this nail in and enforce the law. While we wait for the government to back the law, we can take the initiative and reduce our use of plastic. Taking a reusable tote bag with you rather than the complementary single-use-plastic bag means one less person is contributing to the traffic jams and flooding caused by plastic pollution. Telling a friend (and tell that friend to tell a friend) about the plastic apocalypse.

Featured Image Credits: Instagram/karikaturalv
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Tomiwa is figuring it out… @fauxbella


ICYMI: These kids in Kwara are being taught to code for free admist soot blanket

Listen to “Run Through” by Criostd and Earl Jon Doe

Last year, Earl Jon Doe’s trap collaboration with Criostd, “Way Back”, highlighted his accomplished chemistry with the American based producer. This year, the two who bonded over conversations on the internet have come together for a new single, “Run Through”, this time owned by Criostd, while Earl Jon Doe only gets a guest verse.

Though “Run Through” has a trap beat with the signature mix of ambient synths and 808 drum machines, the electronic pop compositions make for a distinct sound. But the distinct sound doesn’t rescue Criostd’s catchy hook from listening like it was inspired by Travis’ hook on Young Thug’s “The London”. While the familiar sound could be totally accidental, the subject matter, trying to charm a love interest with showy lyrics is certainly something we’ve heard or even tried ourselves.

You can stream “Run Through” by Criostd and Earl Jon Doe below.

Featured Image Credits: Instagram/earljondoe

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ICYMI: Listen to Earl Jon Doe’s “Way Back” produced by Criostd

Watch Timz’s summer themed music video for “Check and Balance”

Timz announces his signing to a new label, Anonymous Music, with the release of the music video for his previously released single, “Check and Balance”. The singer is expected to share new music under his new management in the coming weeks but first, he launches the partnership with a colourful video that celebrates love and steamy summer-time parties. 

While Timz serenades his love interest over the laid-back beat Ozedikus produces, the music video Qudus Badmus (Director Q) directs for the song channels the dance-floor themed melodies and sets a photoshoot scene for the video with dancing models in their season conscious and fashionable costumes. The 3-minute long video is the first release under Anonymous Music, launching the label’s dedicated YouTube channel as the singer and models move to the rhythm of the groovy single. And with the flags of African nations made very visible in the cut, it’s apparent that the label push will earn Timz new fans from across the continent. 

You can watch the music video for “Check and Balance” below.

Featured Image Credits: YouTube/Anonymous Music HQ
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ICYMI: Watch the music video for Timz’s “Number 1”