TED Global is coming to Arusha, and hosting some of our favorite Nigerians

It’s hard to believe that ten years have already passed since international non-profit and inspiration dynamo, TED Global was last in Arusha, Tanzania, gathering the country’s best and brightest minds to inspire, educate and inform. Technology Entertainment and Design (TED) has spent the last twenty years providing inspiration and mentorship for some of the world’s most enterprising individuals, often proving the very first stomping grounds for many of these people and helping to kick start their careers. Nigerian writer Chimamanda Adichie’s very first viral talk came at a TED event and the one she gave subsequently has been converted into a pamphlet and distributed around the world. So yeah, TED is a very big deal.

this is why it is so amazing to see that the TED Global Arusha 2017 line up is very diverse,  including a healthy number of Nigerians, including some of our personal faves. Here’s the list of invited Nigerian speakers at this year’s event.

OluTimehin Adegbeye, Writer and activist: Writing on gender justice, sexual and reproductive rights, urban poverty and media OluTimehin Adegbeye shares her (often very strong) opinions on Twitter and in long-form work. @OhTimehin

Oshiorenoya Agabi, Neurotechnology entrepreneur: Oshiorenoya Agabi is engineering neurons to express synthetic receptors which give them an unprecedented ability to become aware of surroundings. koniku.io

Bibi Bakare-Yusuf, Publisher: Bibi Bakare-Yusuf is co-founder and publishing director of one of Africa’s leading publishing houses, Cassava Republic Press. cassavarepublic.biz

Leo Igwe, Human rights activist: Leo Igwe works to end a variety of human rights violations that are rooted in superstition, including witchcraft accusations, anti-gay hate, caste discrimination and ritual killing. @leoigwe

Tunde Jegede, Composer, cellist, kora virtuoso: TED Fellow Tunde Jegede combines musical traditions to preserve classical forms and create new ones. tundejegede.com

Yvonne Chioma Mbanefo, Digital learning advocate: After searching for an Igbo language learning tool for her kids, digital strategist Yvonne Mbanefo helped create the first illustrated Igbo dictionary for children. Now she’s working on Yoruba, Hausa, Gikuyu and more. @yvonnembanefo

Ndidi Nwuneli, Social innovation expert: Through her work in food and agriculture, and as a leadership development mentor, Ndidi Okonkwo Nwuneli commits to building economies in West Africa. @ndidiNwuneli

Dayo Ogunyemi, Cultural media builder: Dayo Ogunyemi is the founder of 234 Media, which makes principal investments in the media, entertainment and technology sectors. @AfricaMET

Nnedi Okorafor, Science fiction writer: Nnedi Okorafor weaves African cultures into the evocative settings and memorable characters of her science fiction work for kids and adults. @Nnedi

Fredros Okumu, Mosquito scientist: Fredros Okumu studies human-mosquito interactions, hoping to understand how to keep people from getting malaria. ihi.or.tz

Qudus OnikekuDancer, choreographer: With a background as an acrobat and dancer, Qudus Onikeku is one of the preeminent Nigerian choreographers working today. @qudusonikeku

DK Osseo-Asare, Designer: DK Osseo-Asare is a designer who makes buildings, landscapes, cities, objects and digital tools. @dkoa

Olúfẹ́mi Táíwò, Historian and philosopher: Drawing on a rich cultural and personal history, Olúfẹ́mi Táíwò studies philosophy of law, social and political philosophy, Marxism, and African and Africana philosophy. africana.cornell.edu/

Iké Udé, Artist: The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/postnationalist, mainstream/marginal, individual/everyman and fashion/art. ikeude.com

If you can attend the event in person, congratulations to you, and if you can’t the videos will be available on the TED website after the event ends. We cannot wait.

Edwin eats his rice and cabbage. Tweet at him @edgothboy


ICYMI: TED just announced Wale Oyejide of Ikire Jones as 2017 TED Global Fellow

DJ Spinall and Mr Eazi just teamed up for another collaboration

Nearly two years have passed since Mr Eazi found his way into the Nigerian soundscape with a fusion of Ghanaian and Nigerian sound, without blurring the lines. “Skin Tight” might have ear-marked him as the new wave of Afropop but it’s earlier features like DJ Spinall’s “Ohema” that helped him to firmly cement his place as an artist with a diverse set of skillset. The Ghanaian Nigerian singer has teamed up with DJ Spinall yet again for “Calm Down”. But instead of replicating the Afropop hit, they go for an Afrobeat aesthetic that you simply can’t go wrong with.

https://www.instagram.com/p/BW0P1zUB5FF/?taken-by=djspinall

Just like he had on “Ohema”, Mr Eazi starts by asking DJ Spinall for the beat and it turns out it’s a mid-tempo one with piano baseline supported by trumpet samples. While “Calm Down” is not the most laid-back we’ve heard Mr Eazi with noisy drums and loud trumpets, his song writing is more carefree. The dance number allows him to discuss how far he has come since crossing into Nigerian music industry heralded by Wizkid’s co-sign. And as is typical of a popular artist, he can get away with a more introspective narrative, advising himself not to let the fame get to his head; “Eazi, Calm Down/ Sey Jeje/ Ma Lo Sey Gragra/ Ma Lo Sey Bi Oya”.

But despite the strong production on “Calm Down”, it listens like watered down Mr Eazi. His obsession with his successes give the impression that he’s just as surprised as everyone else at his music’s acceptance. Last year’s “Ohema” snuck up on enough folks to capture the pop zeitgeist and there’s really no reason why “Calm Down” won’t do the same. Especially with his sample of Chief Ebenezer Obey’s “Aimasiko”.

Stream “Calm Down” by DJ Spinall and Mr Eazi below.

Featured Image Credits: YouTube/DJSPINALLVEVO


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: DJ Spinall and others shine alongside Mr Eazi at “Mr Eazi Live At African Shrine” concert

Should we expect a Wizkid and Damian Marley collaboration?

Wizkid has advanced in years. And this translates as growth in his music and how far he’s distinctly marketed and branded himself as the new ‘Afro-cool’.  There is a lot to expect of him as he’s constantly being tagged the future and Ambassador of Afropop & Afrobeats. As a young artist of his calibre, Wizkid has undoubtedly had legends, the likes of Bob Marley and Fela Kuti influence his music catalogue. Although those two musicians are late now, their legacies still live on, in part from the impacts made on people and music and on the other hand, because of their sons, Damian Marley and Femi Kuti who have shown they are worthy successors. While growing up, Damian Marley was (and has) been one in the slew of musicians Wizkid has dreamt to work with. A recent tweet he made on his page with an accompanying image of him sitting next to Damian Marley, illustrates that this may just be in works already.

Of course Wizkid’s keen interest to take African music to the world shows in gestures like this he makes through social media, and it’s also abundantly clear in the international star studded Sounds From The Other Side Album he dropped recently. As SFTOS is still steadily gaining popularity, and video releases to tracks off it still under wraps, our conscious minds only keep spectating on how this Africa to the world movement is going by the numbers and by day.

Feature Image Credit: Twitter/@wizkidayo


Fisayo is a journalist who thinks writing is hard and reading too. But her journey somewhere reveals, words are like pawns on chessboard when writing. She wants to see, create and share with the world, experience & communicate these experiences. Tweet at her @fisvyo


 ICYMI: Wizkid Talks How He Got First Drake Feature And The Global Takeover Of Afropop

Watch new Ajebutter22 video for “Ghana Bounce”

You know what’s cool about not having summer weather in Nigeria? You can have summer songs all year round without any raised eye brows. And when the rest of the world finally gets around to summer, Nigerian artists can weigh in on their experience with the summer vibe. Take Ajebutter22’s “Ghana Bounce” for instance where he persuades listeners to dance while delivering a pseudo-romantic corniness nobody but Ajebutter22 could have gotten away with.

https://www.instagram.com/p/BW0Gf4FgYgB/?taken-by=ajebutter22

Despite lush chrome colours, the Mex Film directed video for “Ghana Bounce” thrives on minimalism. Still a summer theme is effortlessly and portrayed with all but three models and really good lighting. Ajebutter22 performs the song with his laid-back demeanor and his humor isn’t lost in the bright lights either. He plays tailor in the three minutes long video that looks like an Afro version of Drake’s 2015 summer jam, “Hotline Bling”—Even though asides the shot where the lead model is in Ankara prints, there’s very little reference to Ghana.

Ajebutter22 continues with his yearly hit single tradition since his “Omo Pastor”. Watch the video below.

Featured Image Credits: YouTube/Ajebutter22VEVO


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Find out why Ajebutter22’s “Ghana Bounce” made our Best New Music

Listen to PsychoYP’s literally socially-conscious new single, “Who Dis”

Cell phones have forced pop culture to move beyond film, music and fashion to encompass personal connections among peers. The digital mobile age is now so deeply interwoven into everyday life that even entertainers tap into themes dependent on their innovation for inspiration. Ideas either pass through these devices (streaming new movies or music) or are inspired by it and in some cases like PsychoYP’s new single, “Who Dis” it does both.

https://www.instagram.com/p/BWs2IWbgxMF/?taken-by=psychoyp

For a rapper who has only been around a short while, PsychoYP has shown has quite an impressively discography with his Lost In The Sauce EP and a handful of singles to boast. His latest song “Who Dis” is inspired by popular social media trend, “New phone, Who Dis?” a meme that suggests moving to a new and improved level. PsychoYP uses this theme as he raps over a throbbing, bass heavy trap drum with synth harmonies produced by Jaylon and Higo. Using his music as a metaphor for a new phone, he describes how he’s getting more listens on his releases and how he can no longer deal with dishonest people so he’s “Just Trying To Get

The haunting piano baseline that plays subtly in the background while loud drums throb away gives “Who Dis” a club-ey vibe, hinting possibility of greater acceptance with the right crowd. PsychoYP’s socially aware describes how getting better can affect our social lives and does this with references to popular social speaks like “Twitter Fingers/Blue Ticks No Replies/ Block/ New Phone, Omo Who This?”

Listen to PsychoYP’s new single below.

Featured Image Credits: Instagram/PsychoYP


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Listen to Chimzy’s “Thank You” featuring Denzel Oaks

Watch DJ Lambo’s “Bebe” featuring Skales and Victoria kimani

Despite constant bickering by critics, Chocolate City, continues to envision themselves as one of the fore runners in the industry. A month after the birth of DJ Lambo’s reign as Chocolate City’s newly commissioned president, she kicks off with new track “Bebe” with Skales and fellow label mate, Victoria Kimani, which she’s just released an accompanying video to also.

https://www.instagram.com/p/BWzpnScltFK/?taken-by=djlambo_

Although the trio detail a loose narrative about love, “Bebe” is more or less about the vibes so be prepared to dance and just have a good time. DJ Lambo doesn’t sing much on the track as you’ll see with other DJs who like to imprint whatever contribution they have on the track, even if its yelling the many variations of their name. (Shoutout to DJ Khaled and DJ Xclusive). Instead, what she gives are ad-libs and taglines while featured artists, Victoria and Skales take the song’s verses and chorus which are largely crafted on onomatopoeic words.

Take a moment to enjoy DJ Lambo’s “Bebe” featuring Victoria Kimani and Skales below.

Feature Image Credit: Youtube/DJ Lambo_”Bebe”


Fisayo is a journalist who thinks writing is hard and reading too. But her journey somewhere reveals, words are like pawns on chessboard when writing. She wants to see, create and share with the world, experience & communicate these experiences. Tweet at her @fisvyo


 ICYMI: Watch Yung L, Chocolate City’s latest signee, in video for his latest single “Cheers”

Yung L’s new single, “Dinner” gives a sneak peek into forthcoming album

The wide-reaching success of Yung L’s “SOS” has been unattainable for the Chocolate City artist despite several follow up releases. He debuted this year with “Cheers”, another dancehall number that should have gotten a lot more public acceptance than it did considering his cross to a bigger label and a video for the single. His obvious talent and label’s backing leaves very little excuse for his one-hit wonder-hood besides his lack of a cohesive project. However, he has released a new single, “Dinner” that could potentially feature on his long awaited, Better Late Than Never album.

https://www.instagram.com/p/BWvORTDAmCc/?taken-by=yunglmrmarley&hl=en

“Dinner” is a cover of  Bryson Tiller’s “Run Me Dry” off his new True To Self album. The Trapsoul singer tied in dancehall elements for his album to evoke an early party starter feel which Yung L uses to deliver a smoky, romantic Afropop number. With beat scratching samples, throbbing drums and Yung L’s Afropop melodies, “Dinner” listens like a cross between Sean Paul and post “Daddy Yo” Wizkid.

Yung L’s ability to make feel good music relies on emotions as much has it does on alcohol. Some might see alcohol as an hindrance but for him, it serves as inspiration for his melodies and perhaps even confidence boost to chat up attractive people at parties. While “Dinner” has a central romantic narrative, he makes sure to emphasize the part liquor plays in the relationship singing, “Good Be Her Waistline/Good Be The Ganja/Good Be Her Bumpa/Bring It All Together/ What A Combination”.

Listen to Yung L’s “Dinner” below.

https://soundcloud.com/afro-songz/yung-l-dinner

Featured Image Credits: Instagram/yunglmrmarley


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch Yung L’s debut video with Chocolate City, “Cheers”

Yemi Alade is super queer on “Charliee”

Yemi Alade’s vibrant style towers above all of our fave things about her. Since the start of her intended reign as Mama Africa Yemi Alade has particularly evolved a streak of youthfully casual but unarguably fire looks and it’s crystal clear as she releases her video for the lead single, “Charliee”, off her recently debuted album, Mama Afrique. However, Yemi Alade throws a bit of queer in the mix, dressing in men’s clothes and making passes at other women.

https://instagram.com/p/BWxJOgElF5S/

It’s unclear how director Paul Gambit expected this twist to be taken by the public, but the director has worked with Yemi Alade on “Ferragamo” in the past, and its hard to presume this was a chanced portrayal of Mama Africa as a typical African man. The idea however seems to be an attempt to balance the gender-stereotype of a woman’s place as a home-maker, especially as Yemi is seen elsewhere in “Charliee” seemingly performing chores in the kitchen.

“Charliee” has been on our playlist since its release in march, the accompanying video just makes it more of a definitive track and is just as peachy as the audio itself. “Charliee” is one of those entertaining videos you would want to watch more than once.

Take a moment and enjoy Yemi Alade’s “Charliee” , engineered by Olaitan Dada below.

Featured Image Credit: YouTube/YemiAladeVevo “Charliee”


Fisayo is a journalist who thinks writing is hard and reading too. But her journey somewhere reveals, words are like pawns on chessboard when writing. She wants to see, create and share with the world, experience & communicate these experiences. Tweet at her @fisvyo


Read more About “Charliee” here

Thank Goodness for this Mr Eazi feature on Nakamura’s “Thankful”

Or maybe it’s Nakamura we should be thanking, because his new release, “Thankful”, is a reminder that underneath Mr Eazi’s recent string of wonky works, is an artistry and knack for performing that are still potential worthy. Apparently, Mr Eazi and Nakamura are long-time buddies. If what they say that true friends are there to light the candle when life is being pesky, then we’ve got to show our appreciation of this friendship. Nakamura was there to perform “Thankful” alongside other acts at the first african leg of Mr Eazi’s concert in Fela’s shrine too. Although Mr Eazi has been given more spotlight and Nakamura is just on the fringes of the popular music scene, Nakamura gives Mr Eazi the spotlight on “Thankful”.

https://www.instagram.com/p/BWr-qwBD_oP/?taken-by=sheunnakamura

The song’s title is a spot-on description. On “Thankful”, Nakamura and Mr Eazi demonstrate how grateful they are to God, family,  friends and fans. Eazi’s catchy chorus you can hear on the track, “Loni loni laye mi dara, mo faramo, Ojo okuku ro ni ile mi mo faramo” loosely translates to “I’ll be grateful during both the good and bad times”. While Nakamura gives a rap in Yoruba about how he’s made it in the industry and shows gratitude to God for his steady climb on the ladder to success, Mr Eazi boasts of gaining airplay in places like Maiduguri, and thanks the lord for his people too. The uttered lines about Lagos and it’s people, the video’s location, the ‘omo eko’ boldly written on Nakamura’s shirt, are all subliminal and shows the two indigenous yoruba boys figuring out directions on acquainting themselves with the people.

“Thankful”, if anything, is built on mid tempo guitar and drum melodies and nothing about the track feels heavy or overly complicated, some trite punchlines are utilised in the lyrics, but what makes “Thankful” so enjoyable is that it’s happy music that gets the listener even grateful too. Bukola Jimoh’s direction of the track’s video, which is shot in a small community in Lagos underscores this point also.

Intended not to take too much spotlight from his friend, Mr Eazi features on a single verse and the song’s chorus, while Nakamura shows us where his dexterity for rap lies.

Mr Eazi is very keen on soft-focus in his music releases —especially his videos where he has a penchant for laid-back mannerisms— so it’s a tad exciting to see him give an engaging performance on the track alongside Nakamura.

Nakamura’s “Thankful” is produced by Sugarbeatz, check out the video below.

Featured Image Credit: Youtube/Sheun Nakamura_”Thankful”


Fisayo is a journalist who thinks writing is hard and reading too. But her journey somewhere reveals, words are like pawns on chessboard when writing. She wants to see, create and share with the world, experience & communicate these experiences. Tweet at her @fisvyo


 ICYMI, Read Up: Mr Eazi’s Tilapia short film is both surprisingly unimpressionable and meaningless

Watch Burna Boy and DJ Jimmy Jatt’s smokey video for “Chase”

Burna Boy’s position in Nigeria’s musical hierarchy may forever be a topic of contention. Sure he always comes through on releases and even brings his A-game on features but somehow, he doesn’t have quite the same standing as artist like Wizkid, Davido, Tekno and Runtown. They are seen as big stars because they have sold themselves as such but Burna Boy seems to be selling himself short. Especially when you go by this video for DJ Jimmy Jatt’s new single, “Chase” released earlier this month.

https://www.instagram.com/p/BWvRNOBhHDU/?taken-by=djjimmyjatt&hl=en

Produced by Benie Macaulay, “Chase” is a mid-tempo Afropop song with horns and piano led instrumentals and a few guitar harmonies sprinkled for an afro feel. While Burna Boy delivers a delightful performance detailing his almost ironic experience as a desirable person, the video directed by Matt Max is a far cry from what we expect from an artist of Burna Boy’s stature. The video for “Chase” is set in a strip dimly lit club featuring dancing poles and a few models to cheer Burna Boy as he performs the song bathed in fluorescent lights and smoke machine fumes. Basically, the least creative school boy’s imagination of what a night out at the club is like.

Music videos play an important role in crafting an artist’s image. The first video for Wizkid’s “Come Closer” was basically utilitarian studio shots of him and three models performing but just before the SFTOS album was released, he put out a much better video that portrays him as an African prince to cement his position as Africa’s biggest musical export. Burna Boy is inconsistent with his videos and this could be one reason why he isn’t rated as high as he should.

Asides being a great way to spend 4 minutes of your day, videos have grown to become a significant part of our music culture. Watch DJ Jimmy Jatt and Burna Boy’s video for “Chase” below.

Featured Image Credits: YouTube/DJ Jimmy Jatt


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


Shuffle: Revisit Burna Boy’s “Like To Party”, the only contender for African summer song of all time

The ballad of R Kelly the pied piper and the myth of separating art from artist

Words by O. Sylvans

I had promised myself I wasn’t going to add my two cents to the discussion that has erupted following accusations that R Kelly has a new posse of young women separated from their parents, sequestered from their friends and controlled as part of a sex cult.

I didn’t want to add anything to the conversation because I didn’t need to be convinced that R Kelly is the physical embodiment of gutter tripe. He has been accused with video of evidence of engaging in sexual activity with a fourteen year old, and even urinating on her on camera. He married Aaliyah, who he met at age 12 and married at age after being contracted to help write the songs for her debut album, an album he titled “Age Aint Nothing But A Number” and filled with songs glorifying the exploitation and abuse of minors. He kept the marriage secret, even though he supposedly didn’t know Aaliyah was 14 and had the marriage annulled when Aaliyah’s parents threatened him with legal action. He has spent the intervening years (23, in case you were wondering) settling civil law suits from women who he initiated sexual relationships with even though he knew they were minors and has exhibited zero remorse for any of his actions. Not even a lick.

But what really moved me to write about this was the new podcast by M.I Abaga, Middle Ground. In the first episode, M.I Abaga and Loose Kaynon are asked by April Maey the show’s female host on their thoughts about the new accusations, and M.I gives some incredibly watery metaphor about how BDSM can be misconstrued by outsiders and thus since he doesn’t personally understand the dynamics of R Kelly’s relationship with his significantly younger sex partners he will not ‘judge’ him. Ordinarily, this wouldn’t bother me, but (and this is a very big but), this new scandal was brought to light by an extensive, incredibly well researched article published by Jim DeRogatis on Buzzfeed. Jim DeRogatis was the man who broke the original story of R Kelly urinating on a 14 year old in 2002. There is extensive information scattered across the internet detailing the man’s many civil suits, which basically are the same thing as criminal lawsuits, only that if you get convicted you pay a settlement instead of going to jail. He has lost several lawsuits in the last decade, which means he was found guilty of statutory rape, sexual assault and manipulation of a minor several times.

Bondage and BDSM, which are consensual activities between adults, is not even remotely close to actively grooming underage minors with the express purpose of manipulating them into sexual relationships once they reach adulthood. As a public figure with considerable influence in the same field and with near identical skill sets like the ones R.Kelly has used to groom and violate dozens of young women, “I didn’t do my research and I’m speaking off the cuff” is not the cross on which you want to be hung.

It is worrying that we need to impress this, that we need to explain that being a person of influence doesn’t excuse shitty behaviour and that we don’t need to personally witness said shitty behaviour from a person of influence before we speak up in support of the victim.  But it is important considering the case of Bill Cosby, still in courts till today.

Over the course of his 50 year career, Bill Cosby ‘allegedly’ drugged, sexually assaulted and raped more than as many as 100 women. But Bill Cosby is also an incredibly talented comedian and actor, and had become the literal symbol for black fatherhood thanks to his long running comedic family television series, The Cosby Show. As Dr. Cliff Huxtable the lovable and often clumsy patriarch of a large black upper middle class family, Cosby built an on-screen persona that ticked all the politically correct boxes. Before long, Cosby left behind his early days as a hard as nails stage comedian and literally disappeared into the Cliff Huxtable character, barely breaking character for years after the show ended. By  many began to conflate the very flawed human with the near perfect fictional characters, treating both as the same person. So when the accusation began to surface, the first of which started in the late 70’s, victims were silenced, insulted and even punished for daring to sully the beloved Cliff Huxtable. It took 40 years, 60+ women from different races and a Time cover for the world to finally take notice and hold Bill Cosby accountable.

And even with all the information that has come to light following investigations into a civil class action lawsuit, many people still aggressively side with Cosby, even his fellow child actors from the show, now all grown up. Cosby’s influence and the adoration of his fans isolated him from the consequences of his actions for most of his life and damaged the lives of victims in the process. R Kelly married a 15 year old who he had started grooming since she was 12 and had convinced to lie repeatedly over the course of 3 years that their relationship was purely professional. In any other scenario, Kelly would have gone straight to jail, but his influence and his network shielded him from criminal investigation and buried the infraction quietly. Today he is still active, luring and grooming underaged, disadvantaged girls with the promise of a music career and pouncing on them when they deemed legal by the state.

People who argue that this legal loophole is a good enough reason to leave things alone fail to realize that reaching the age of consent is not a magic wand that suddenly offers teenagers enlightenment. Allowing a groomed teenager enter a ‘consensual’ relationship with a known predator  is like giving teenaged victims of domestic abuse and torture a gun just because they can now legally own one. Legally enshrined freedoms only remain freedoms if they are not abused, people like R.Kelly routinely abuse these freedoms to satisfy their own perversions.

But ultimately this article is about M.I’s stance, and conversation we need to start having about public figures and accountability. There have been several accusations of domestic violence directed at a number of high profile celebrities, accusations that have not been investigated properly because of these celebrities influence and ‘talent’. In doing so, we have alienated the very real victims of these people, forced several of them, including a number of high profile celebrity ex and estranged wives to pretend everything is remain in toxic contact with their powerful spouses. We are already starting to overlook dangerous character traits, because we need a new summer jam, silence victims speaking out about their abuse because we want to continue to ogle that pair of perfectly oiled an airbrushed six packs. We hear of stories and sigh dramatically before dismissing them because it personally doesn’t affect us.

The parents of the girls entrapped in R Kelly’s ‘sex cult’ had heard about R Kelly’s perversions too, but they prioritized his talent and celebrity over the safety of their families, thinking it would never happen to them. We shouldn’t wait until this becomes a reality in Nigeria before we start holding our celebrities accountable for the things they say. Our musicians especially already make misogynistic music that glorifies and encourages the objectification and harassment of women, and perpetuate these personas in their real lives to sell the fantasy to their audiences, so they are already skating on thin ice when it comes to public statements that are either ambiguous concerning the perverted actions of other celebrities or can be construed to be excusing or endorsing sexual assault, rape and harassment by people of influence.

We can’t ask our celebrities to be our role models, but we can certainly demand they be upstanding citizens, well aware that their influence and talent is not an excuse for deliquence, and their position is not a platform for misguided and ultimately harmful ‘quotes’.

M.I Abaga is getting into the podcast game with “Middle Ground”

No one could have foreseen just how big the Loose Talk podcast, conceptualized by Pulse Nigeria editor, Osagie Alonge would become. The Podcast which dissects music (Nigerian and global) and the pop culture periphery associated with it, resonated with Nigerians home and abroad just getting hip to the podcast trend and looking for content that mirrored their realities. Since then quite a few ‘millennial’ podcasts have popped up trying to find their niches, including the very popular pro-feminist We Just Got Back podcast, Now ‘O’ Clock podcast and the now defunct Zikoko podcast. The big wigs are finally getting into the fray, with none other than M.I Abaga.

The Chairman is pairing up with fellow label mate Loose Kaynon one a new variety opinion podcast called “Middle Ground”, produced by Wendy Akomolafe Kalu and hosted by April Maey. We gave the first episode a listen, and while the transitions are pretty jerky and it is obvious it is going to take a while before the team finds their rhythm, the production work is excellent M.I Abaga and Kaynon have good chemistry and the podcast has the potential to get very good.

We wonder who else will be getting into the game after this, maybe 2face?

Listen to “Middle Ground Ep 1” here.

Hear “Mr Poe – Mr Ice”, Ice Prince’ most hip-hop release in recent times

Anyone who has ever gotten into a row with a hip-hop head knows arguments about rap never come to a heel. The wide range of influences, coupled with a multiplex of sub-genres means rappers are classed based on different indexes. While these radio/club inclined songs serve their purpose for the culture as a whole, introspective lyrics are regarded higher than showy bars. However, the really good rappers like Jay Z and even Drake can find the perfect balance between both extremes and serve a wider audience. Ice Prince and Poe’s latest single, “Mr Poe – Mr Ice” also aims for that balance and considering how well their previous releases have done, they barely need the effort to get on radio.

https://www.instagram.com/p/BWtFyOyhzhu/?taken-by=ladipoe&hl=en

The former Chocolate City rapper and Mavins’ only rapper team up to exchange bars over a 90’s hip-hop beat, complete with electronic funk guitar harmonies, pacey bass heavy drums and melodious vocal samples. Ice Prince takes the first verse and makes the song’s personal narrative immediately obvious, describing his experiences as a celebrated rapper. Most of his lines are showy (as they should) but he manages to tie in a few appreciative lines for fans; “Ain’t Nothing Realer Than The Place I Rep/ So Fuck You And Your 8ball Rap”. Poe’s verse also boasts of goofy lines like, “Ass Is Certain To Jiggle If You Tap It Right” but he’s a lot more down to earth talking about everyday living: “I Just Want My Only Problem Is Whether I Should Rent Or Own”.

“Mr Poe – Mr Ice” shows serves us two rappers baring their honest minds while still stunting and swagging. They exhibit their rap skill by avoiding popular trap music gimmicks on the single that sounds like it was created in the Nas, Pac and Biggie era.

Listen to Ice Prince and Poe’s “Mr Poe – Mr Ice” below.

Featured Image Credits: Instagram/iceprincezamani


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


Check out Poe’s “They See” where he’s real enough to recognize real

Rita Ora’s new single, “Your Song” gets the Afropop treatment featuring Burna Boy

Afropop has found a home away from home in UK clubs where DJs recognize the benefits of its dancehall melodies. This has birthed a generation of artists  like J Hus, Eugy and Kojo Funds who fuse the genre with their sounds and cause it just sounds really good on dance floors. Rita Ora’s brand of pop might stand her apart from the aforementioned artists but even she couldn’t resist the Afropop trend.

Despite the Jay Z co-sign in 2009, Rita Ora has struggled to reach international stardom so whether this move would help is yet to be known. Even her pop covers and big features like Drake on “R. I. P” haven’t helped her to make the required crossover to American market. Her latest single, “Your Song” was released last month with a video but the aesthetically satisfying video has only done so much to make the single viral. Her latest ruse however, sees her delve into the Afropop territories through a remix for “Your Song” featuring Burna Boy.

Team Salut remakes the beat for “Your Song” by placing more emphasizes on the drums and forces the EDM riffs to play second fiddle to the pacey Afro drums. This elevates Rita Ora’s already bright and peppy original to uplifting floor-filler. Burna Boy features on the second verse continuing the feel-good affair with endearing lyrics in patios.

Stream to Burna Boy and Rita Ora on this Team Salut produced remix of “Your Song” below.

Featured Image Credits: Instagarm/ritaora


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


Hear Burna Boy on LeriQ and DJ Tunez’s summer hit single, “Cotton Candy”

Awilo Longomba and Tiwa Savage shame every aproko on “Esopi Yo”

Awilo Longomba’s music has always had the tenacity to catch the bug after a single listen. Even without knowing the context of which the Congolese  musician crafts his lyrics, the melody and ambience of which his releases are set in, tugs at an uninterested person. This of course results from the raunchy and African dance moves he does in his videos and live performances too. But we can’t ignore that the euphoria that often comes with Afropop or Afrobeats drives its products to popular airplay. Thus it’s with unsurprising enthusiasm that we receive this new release, “Esopi Yo” featuring Tiwa Savage.

“Escroquerie komela ba mbongo ya batu, yo”: “Crook, Fraudster, Money Grabber”

“Esopi Yo” translates to “You have been shamed!” and on the track, he and Tiwa Savage sing of the aproko people, who are all about showing off and living pretentious lives. Tiwa croons “Small small my sister o, life na jeje brother o, no fall e your hand o, everywhere you go, you go want to dye jolly o, but you want to see another man bow”, which ties into the basis of the song,  judging its title and Awilo’s quoted line above.

https://www.instagram.com/p/BWsmA2dgZhX/?taken-by=awilolongomba

Awilo splices the song with constantly uttered phrases in the song’s bridge, dramatically intended to bring shame to these class of people. It’s as clear as crystal when he ridicules them with the full cast at the end of the video.

Davido, Flavour and Tekno make cameo appearances, you can spot them while you watch Awilo Longomba’s video for “Esopi Yo” featuring Tiwa Savage below.

Featured Image Credit: Instagram/@awilolongomba


Fisayo is a journalist who thinks writing is hard and reading too. But her journey somewhere reveals, words are like pawns on chessboard when writing. She wants to see, create and share with the world, experience & communicate these experiences. Tweet at her @fisvyo


 ICYMI, Read Up: Tiwa Savage Is That Shy Girl At Every House Party On Young Paris’ Video, “Best Of Me”

AV Club: Mr Eazi’s “Tilapia” short film is both surprisingly unimpressionable and meaningless

Mr Eazi has mastered the laissez faire approach to life and it has leached into everything he does, especially his career as a recording artist. After half a decade of trudging in relative obscurity, he finally stumbled on a zeitgeist in Nigeria, championing a slower approach to afro pop. Nigeria was suffering from ‘frenzy fatigue’, as artist after artist put out minutely different iterations of the same frenetic song. Eazi was catapulted to stratospheric fame and his sound became the thing to mimic.

However, as he rides this wave, we are beginning to suspect that this ‘chillness’ that has his craft isn’t as deliberate as it originally appeared. That a man cannot be bothered to emote more energy than necessary means audiences can only approach the music with a single-minded reciprocity, taking everything else as lightly as Eazi presents it. The gag is, Mr. Eazi wants to be taken seriously. He wants audiences to rip apart his mellow slurring vocals for the meaning of life, he wants his ‘vibes videos’ to serve as audiovisual compliments to his nuanced music, and he wants to be seen as a visionary leader of the new school, taking the West African pop to places it never reached a priori (or so he says).

Even as his latest project, Accra to Lagos—a collection of unhurried love songs where he occasionally celebrates lifestruggles for airplay, in addition to a tour, Mr Eazi has been releasing videos off the project anyway. “Tilapia”, the latest visual cut from the project is released as a retro short film set in rural Ghana. Though Eazi refuses to call it a music video, (talk less of a ‘vibes’ one as he’s tagged other videos from Accra to Lagos), “Tilapia” comes with all the shrewd Eazi-esque tropes you would expectslow motion shots and long camera pans across faces of a small cast, and the African landscape. All of Mr Eazi’s insouciance is still contained here, even as the video opens with an eponymous “Based on a True Story” tag.

The trueness however becomes debatable when the first scene of the video kicks off with Mr Eazi awaking from sleep. This runs parallel to the story Mr Eazi told at a recent live concert about his night as a hungry man who was left with nothing but two fishes for dinner. Into the bargain he states “because say I dey wear fine cloth, no be say I no dey hustle”, this served as a precursor spoken word to the performance of  “Tilapia” that night. On the adjoining short film however, a love story between two people is languidly detailed to stress a point that is non-existent, even as the video occasionally cuts to clips of the fishing process as if to hint a bigger thematic tie-in (that never comes).

In a manner that is almost typically Mr Eazi, “Tilapia” was most probably intended as a representation of African subsistence: a man, his lover and the fish they share together. The result however begs questions the “Skintight” singer really cares about appropriately representing the average man he professes to champion. A retro theme is used with no context, his fishing expedition could have been left out without diminishing the film’s cinematic value. It’s never clear if Mr Eazi is comparing his lover to the Tilapia fish or if it is truly a metaphor for something else, perhaps the people behind the film thought no one would think that far.

Mr Eazi has crept up the charts with his laid-back style as a craft and art form. Not that Mr Eazi can’t make the grade with this style, it just allows him pass off an evidently lackadaisical attitude to presentation. And the results often come with pieces like “Tilapia” where the seemingly grand idea is failed by atrocious execution.

Take a moment to watch Mr Eazi’s “Tilapia” short film below.


Featured Image Credit: Youtube/Mr Eazi “Tilapia (Short Feem)”


Fisayo is a journalist who thinks writing is hard and reading too. But her journey somewhere reveals, words are like pawns on chessboard when writing. She wants to see, create and share with the world, experience & communicate these experiences. Tweet at her @fisvyo


 AV Club: Laura Mvula’s “Generation Anxiety” shows the dark cost of talent.

Watch Kranium’s “Can’t Believe” video featuring Wizkid and Ty Dolla $ign

Before Wizkid’s collaboration with Ty Dollar $ign on “Dirty Wine” from his SFTOS album, he had worked with the singer through their joint feature on Kranium’s “Can’t Believe” released back in May. But while Wizkid has only released two videos from his album (both for “Daddy Yo” and “Come closer”), Kranium has now released the video for their collaboration and saved fans the wait for a Wizkid and Ty Dollar $ign video.

https://www.instagram.com/p/BWu4lBbjfy1/?taken-by=kranium&hl=en

“Can’t Believe” is the second time the trio have assembled following their feature on Major Lazer’s “Boom” in 2015. The single is set on a similar electronic baseline just as their previous collaboration, but it screams of the tropics and that whine-friendly summer time vibe ever present with Afro-Caribbean genre-bending. The video is directed by Rage who shoots a summer themed music video with all the regular tropes—thick models in swim suits and palm trees.

Kranuim, Wizkid and Ty Dollar $ign are seen at a night casino and a sunny side party but the contrasting sets only help emphasize that the right music will keep the party going; day or night.

Watch the video for “Can’t Believe” below.

Featured Image Credit: YouTube/officialkranium


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


Watch: Wizkid might have just ended the Jollof Wars

Roy Charamba muses on the dark side of love gone wrong on “You Know”

Rapper Roy Charamba’s been making beats for a quick minute, teaching himself how to work the amps and sequencers at the ripe age of 11 after his parents emigrated from his home country Zimbabwe to South Africa in search of better work. It’s been six years and after honing his skills and working his way up the ranks, including a killer remix for Frank Casino’s single “Whole Thing” Charamba is ready to switch the sequencer for the booth and get into the action himself. He’s signed to G63 Music, and has just put out his first single under the label, “You Know”.

Charamba’s music draws strong parallels to fellow Zimbabwean PatrickxxLee; both have made careers for themselves as producers, both have a taste for goth influenced melodrama as evinced by the melancholic synths that form the soul of their instrumental beats. But that is where the comparisms end. Roy Charamba is way more direct in his musings, cutting through the self introspection to the heart of the matter. And matters of the heart are at the core of “You Know”, specifically a former lover whose sudden decision to end what comes off as a destructive co-dependent relationship filled with booze and drugs wrecks Charamba’s protagonist. He wants her back, but she seems much better off without him and the protagonist parties even harder to forget her. It’s the quintessential post-millennial love story, almost impossible not to relate.

Rappers from Zim are really the new wave.

Listen to “You know” here.

 

Tomi Thomas is taking matters into his own hands with his ‘Higher Vibrations’

There is a new guard of Nigerian artists fucking things up and redefining what we consider Nigerian music. However, this new guard has proven to have the worst kind of Achilles heel; they’re all pretty shit at performing live. The reasons for this are legion. Unlike the generation before them that most began their music careers as part of church choirs where Choir masters did the grunt work of whipping them into shape and teaching them how to nail a live performance in one take and without any digital accoutrement, this new generation began their careers in their bedrooms tinkering with Fruity Loops and their mirrors for practice. Even the best performers in the world spend insane hours practicing to stay the best performers in the world and since our post millennial performers can’t benefit from the church structure, they’re going to have to make their own. Don’t worry, Tomi Thomas is already on it.

The singer is starting what he calls Higher Vibrations, utilizing the power of Instagram Live to record and livestream jam sessions with a full live band just for the edification of his fans. It is a novel idea, interesting even, without the pressure of guest live performances as championed by music sites like NPR (you should check out their Tiny Desk Concerts, genius), just Tomi, his bands and his friends jamming out. It doesn’t quite have the scale of a proper live performance but it is much needed practice. The first Higher Vibrations sessions is already up on Youtube and guest features Santi (of the Gangsta Fear fame), Odunsi The Engine (a regular fixture at this point at Native) and King Zamir.

All four perform their hit singles and debut a few newbie tracks. It is altogether an enjoyable watch. Now, to take that energy and super-size it at the next live gig.


Watch “Higher Vibrations” here.

Edwin eats his rice and cabbage. Tweet at him @edgothboy


AV Club: Episode One of Lagos Big Boy is basically a showreel for IG celebs

Zehs Cold Island continues to defy the conventional with new single, “Departed”

Music’s all encompassing range of influences is both a curse and a blessing. On one hand it’s always interesting to see new sounds emerge from genre experimentation and fusion but on the other, the classic genres get muddied or neglected all together. Zehs Cold Island’s releases have shown a reluctance to let go of that classic 90’s R&B polluted with EDM and Pop strains. His new single, “Departed” continues a brave stance against popular music of this era.

https://twitter.com/zehscoldisland/status/884891591785275392

Backed by somber piano harmonies, digitally created horn samples and soft mid-tempo gong drum riffs that serve as a mist that evokes a melancholy atmosphere, Zehs Cold Island gives a soulful number declaring he’s ready to fight for his place in the world. From his lyrics, it’s obvious that he recognizes the difficult challenges that are in store for an artist who isn’t ready to pursue trends. The song’s mournful narrative is amplified by both his words; “When the light leave my eyes and I’m about to lay it over/ I will pass on the sword/ I will pass it to another” and the palpable wistful emotion in his vocals layered in different peaches that brings to mind classic 90’s R&B boy bands.

With everything produced and performed independently, Zehs Cold Island is able to stay clear of the mainstream pop sound. The combination of live instrumentation, sampling, and layers of soulful vocals makes “Departed” a warm, appealing single especially for lover of R&B. It’s almost nostalgic.

Listen to Zehs Cold Island’s “Departed” below.

https://soundcloud.com/zehscoldisland/departed

Featured Image Credits: Twitter/zehscoldisland


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


Listen To Zee’s Cold Island’s Epic Battle Chant On “Hall Of Fame”

Hear “Cotton Candy”, a new star-studded collaboration starring Burna Boy, Leriq and DJ Tunez

The thin line that separates DJs and producers often gets blurred because most DJs spend enough time mixing to understand the dynamics for music production. But the best DJs know better than to spread themselves thin and therefore outsource their music’s productions to dedicated producers with the exception of a few like DJ Snake, DJ Drama and the likes. DJ Tunez has teamed up with Aristokrat’s foremost music producer, LeriQ for new single, “Cotton Candy”. And with Burna Boy on the vocals, the reason is quite obviously to get the dancefloor rocking.

https://www.instagram.com/p/BWsJj8NDEPi/?taken-by=dj_tunez&hl=en

Burna Boy who recently also recently appeared on DJ Jimmy Jatt’s “Chase” features to deliver his in-demand (hello summer parties) and infectious dancehall harmonies.

The mid-tempo synth based melodies on “Cotton Candy” is produced by LeriQ using spacious riffs that peak at a base drop. DJ Tunez makes his entry with a siren sample which serves as a pause for Burna Boy to show off his Patios and really induce the feeling of being at a club in the Caribbeans.

Listen to the new single below.

https://soundcloud.com/killersongs/leriq-x-dj-tunez-feat-burna-boy-cotton-candy

Featured Image Credits: Instagram/dj_tunez


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Listen to Burna Boy on DJ Jimmy Jatt’s “Chase”