See Juls’ “Agoro” music video, featuring Adekunle Gold and Bisa Kdei

“Agoro” is the second video off Juls, Ojekoo EP. Shot in Jamestown, Ghana, “Agoro” gives a glimpse of an Africa without the gloss of airbrushing. While the dull filter rendered on the video isn’t too cheerful, the video is actually quite lighthearted. Adekunle Gold, Juls and Ghanaian Hip life act, Bisa Kdei are shown having a good time enjoying the sights and feel of before they get together, literally doing the “Agoro” (Twi for play or performance).

Watch “Agoro” here;

Featured Image Credits: Youtube/DJ Juls


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“Essentials: Juls’ ‘Ojekoo’ EP is only 5 tracks long and it’s nearly not enough”

Watch: Minz is a hood superstar in “Odoyewu” video

Last year, Minz came out with  “Odoyewu” , turning attention to his emerging Afropop spotlight. It took a minute, but Minz is finally giving the breakout single a video treatment and it’s both simple and compelling.

Without going overboard on filters and lighting, the video for “Odoyewu” is bright and colourful as Mahine directs the video showing a deft understanding of Minz’s range as a celebrity. Although we see him walking into a store unassumingly, he gets swamped by a crowd of female secondary school fans. The video takes a vibrant tone with the pleasing colour themes of his jersey and wall paints. But most of all, it’s the down-to-earth feeling of a superstar’s humble beginnings.

Watch the video for Minz’s “Odoyewu” below.

Featured Image Credits: YouTube/Minz


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ICYMI: Minz has a story to tell and he wants everyone to listen

John Ibe is over fake friends on his new single, “F.O.M.”

Houston based rapper, John Ibe recently released “F.O.M.” off his forthcoming JIBE EP expected to be released by the end of next summer under Next Records label.

On “F.O.M.”, John Ibe expresses discontent with fake friends and their dishonesty over piano-led instrumental, produced by EZM. He describes his expectations of his friends with aggression, implying that he expects them to be on his side completely or get out of his way. Though his reason, “Putting me down ‘cus they know I’m Great” isn’t overly convincing, his confidence makes it hard to argue with the logic.

Listen to “F.O.M.” here

Featured Image Credits: Instagram/_JohnIbe


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Listen to Yinka Bernie’s “Subconscious Flashes” here”

A familiar Kokomaster returns on D’banj’s new video, “Shoulda”

Since the release of King Don Come in August last year, D’Banj has kept the album in rotation by releasing visuals for select tracks. His latest release is for “Shoulda”, last song on the 12-track album. The lighthearted love assertions heard on the song which also features a nostalgic harmonica solo from D’banj is captured in the visuals Unlimited LA directs.

The colourful music video shows an array of models dancing to the beat. The direction is familiar enough—eye candy for the fans—but it’s a tame attempt when contrasted against D’banj’s long history with exploring sexuality’s promotional value. I mean, there is a reason he still calls himself the Kokomaster, right?

Watch the video for “Shoulda” below.

Featured Image Credits: YouTube/DBanjVEVO


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Listen to Moelogo’s “Happy” featuring Adekunle Gold”

Dwin, The Stoic reaffirms his faith on his new single, “Are You The One”

Faith requires that we believe and trust that our doubts have been acknowledged by the highest power. But we are human and even those most in touch with their spirituality must have questions sometimes. On his new song, “Are You The One” Dwin, The Stoic asks from the position of a believer, about life, divinity and how real our beliefs are.

Backed by guitar harmonies and dispersing echoes, Dwin begins by summoning God and asking if he is in conversation with the one he believes is the savior; “Are you the one who takes my soul when I am off this earthly road”. He asks what the point of our existence is, not as a show of doubt in his faith, but because he wants to know more to feel closer to his divinity. And as these stories usually go, he eventually reaffirms his faith by resolving to ask God his questions when he meets him in the afterlife.

Listen to “Are you the one” here


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AT is in a class of her own on “Two of us”

Hear Rotimi’s “Kitchen Table” remix featuring TY Dolla $ign and Trey Songz

Love, passion, affection and lust are the equivalent of the scriptures in Rhythm and Blues circles. Since music you can knock boots to never go out of fashion, Rotimi’s “Kitchen Table” remix is just the right song to set the mood for romance.

https://www.instagram.com/p/Bc49ySFlKfv/?taken-by=rotimimusic

Trey Songz & Ty Dolla add some extra flavor to the aptly titled song about a raunchy feast with seductive lyrics that leave very little to the imagination. Neither Trigga nor TY Dolla $ign are subtle when it comes to baby making music, so “Kitchen Table” is as graphic as you imagine and we wouldn’t have it any other way.“You keep lookin’ at me like that and you gone make me turn this bed into a kitchen table,”  “Lay it down, legs spread on the kitchen table.” The guys sing to their respective partners making it so hard to get through the joint without going ‘Yasss’ at every line.

Listen to “Kitchen Table” here;

Featured Image Credits: Instagram/rotimimusic

AV Club: Daniel Obasi’s “An Alien In Town” is a dull attempt at Afrofuturism

Afrofuturism has become a recurring conversation, in the on-going African renaissance featuring the showcase of a so-called, ‘new Africa’ through various art mediums. African art has always been African art, and to his credit, Daniel Obasi’s new fashion film, “An Alien In Town” offers an interesting perspective from an African reimagining Africa without any of that pretence. The filmmaker, stylist and photographer’s movie debut,Embers of Bloom”, was similarly centred on Afrofuturism. But for his latest work, “An Alien In Town” he depicts yet another amorphous look at post-modernism in collaboration with fashion brand, Vlisco&Co.

The drum scoring reminiscent of war scenes in traditional African movies sets a tense tone for “An Alien In Town” as we follow the lives of three characters: A well-dressed African couple and an alien navigating their way through an unnamed African city. The film starts with the two humans riding a motorcycle through a barren landscape till they find an alien wandering through the scenery and invite the creature to experience the city with them.

Asides the alien, the only futuristic elements captured in “An Alien In Town” are the outfits designed exclusively for this partnership by Tokyo James and Abiola Olusola. But sadly, most of the attention it deserves is distracted by the fast-moving camera and poor video lighting. Though Obasi in a conversation with Vice described the alien as a representation of how Africans living beyond the borders of the continent view Lagos and Africa at large, that sentiment is hardly communicated or reflected throughout the five-minute film.

Like his previous release, “Illegal”, Obasi merely hints at his message on “An Alien In Town”, never properly touching on any concepts. “An Alien In Town” had all potential to be an important tool for telling a post-modern African story from within, particularly given the current popularity of a pop-culture art geared towards rewriting African stereotypes. The opportunity to showcase the truly otherworldly alternative fashion in Nigeria on a global platform is lost in the poor video editing and technical problems, that only gives the film a lurid amateur gloss.

Watch Obasi’s An Alien In Town here:

https://youtu.be/1BWSG8PpBx4

Featured Image Credit:Youtube/Vlisco


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Revisit Our AV Club review of Daniel Obasi’s “Illegal”

Kendrick’s “Black Panther” album to debut at No 1 on Billboard 200

After much ado, Marvel’s first Black superhero feature film, “Black Panther” is finally out and it seems poised to top every possible chart. All signs point to Marvel Studios’ “Black Panther” fueled by the pent-up demand for what is expected to be a blockbuster with predominantly black casts and directors. According to Fandango, the film pre-sold more tickets than any other superhero movie and is on track to become one of Marvel Studios’ most valuable franchises.https://thenativemag.com/wp-admin/edit.php

Marvel not being one to half-ass anything, enlisted Kendrick Lamar to create the original soundtrack and he included contributions from artists like SZA, Khalid, Babes Wodumo and Vince staples. The film’s director, Ryan Coogler and Anthony “Top Dawg” Tiffith, curated the album along with Kendrick Lamar and it is already slated to hit the No. 1 spot on the Billboard 200 chart after it gets it’s Vinyl and cassette treatment.

If—or more accurately, when—it does snag the top spot, it will be the second film soundtrack to top the list this year after “The Greatest Showman”. WAKANDA FOREVER!

Featured Image Credits: YouTube/


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A brief update on African representation in Marvel’s “Black Panther” so far

Ric Hassani features Olamide and Falz on “Believe”

Released earlier this month, Ric Hassani’s “Believe” expressed love in all its tender glory. Olamide contributed to Ric’s love ballad through complementing bars and now, we have an extended version with additional vocals from Falz just days after the initial release of the song.

With percussion heavy Afro-pop beats, Falz attempts to convince a woman he loves that his line of work is not as much of an obstacle as she may assume. Aware of the stereotype, he reminds his lover there could exception to the rule saying “Uncle Olu Still Dey With Aunty Joke”. Ric Hassani’s verse coming in after Falz’s reemphasizes the willingness to love entirely and Olamide keeps up the convincing act on the last verse. “Believe” has all the markings of a wedding song; soothing harmonies, convincing lyrics and a sentimental romantic release date.

Listen to “Believe” here:


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Meet David Uzochukwu, the photographer behind the new Nike campaign”

Kiss Daniel’s “4 Dayz” video is beautiful but it still leaves questions about his gender politics

In the aftermath of the press that trailed the problematic lyrics on “Yeba”, Kiss Daniel seems to have learnt a few lessons about how women feel about being touched without consent—and the invalidity of any apology to the effect.

https://www.instagram.com/p/BfLceePFBlw/?hl=en&taken-by=iamkissdaniel

Directed by Sesan, “4Dayz” lends the same retro-theme seen on “Yeba”, in a manner that feels like a retake for the for the prior released video. But Kiss Daniel tells a more human story with his new video, showing two primary lovers who have literal communication problems. The man is presumably deaf, but it doesn’t stop him from bringing his partner to a night out at a bar where he meets Kiss Daniel to sing for her.

The rest of the video would have been perfect if it featured nought but clips of brightly coloured Ankara prints but for some reason, there is another cringe scene that looks and feels a lesson in consent that missed its mark. The effect of Kiss Daniel’s music isn’t felt by just the deaf man’s lover but also by those on the dancefloor and we get to see another example of a man using the dancefloor as an excuse to get what he hasn’t been offered.

Once again, it is plausible to excuse this cut from “4Dayz” as an exercise in Kiss Daniel’s seemingly dedicated attempt to educate the male folk on shedding entitlement and accepting rejection. Where the point of gender relations seems to have gone over his head, however, is ‘consent before contact’, and the obvious irritation on the face of the actress in the scene only proves the point. The lingering question remains, Is Kiss Daniel merely a narrator depicting typical examples of how everyday gender relations are problematic, or is he another tone-deaf preacher for a cause he doesn’t fully understand yet?

Watch Kiss Daniel’s “4 Dayz” below”


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That Time Kiss Daniel said he doesn’t want no booty twerking women

WavyTheCreator goes “In and Out” of love on her new single

Perhaps thanks to new recognition for Burna Boy, the work producers like Leriq have done behind the scene to curate the sound as genre-bending fusionists will come to the fore. Leriq’s production work on WavyTheCreator’s “In And Out”, represents an idealistic fusion of the global sounds (electronic, hip-hop and Afro-triphop) he seems to have been trying to perfect all his career. Wavy wields her presence with emotional drawls and backup vocals, perfectly designed for synths and bass thumps as she sings of the daily push and pulls of love.

https://www.instagram.com/p/BfL_eWRHIn5/?hl=en&taken-by=wavythecreator

The video, like previously released visuals from Wavy, centres on showing her as an artsy youth but does very little in terms of building her character beyond that. The video doesn’t follow any narrative as we watch to see how many poses Wavy can strike in her blond short hair and rings before we get bored. Odds are, another ‘Interlude‘ and fans will have had enough of her aesthetic look. “In and Out” was shot by San V and directed by TSE .

Stream WavyTheCreator’s “In and Out” here

Featured Image Credits: Instagram/wavythecreator


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ICYMI: Watch the video for Wavythecreator’s “H.I.G.H” here

Watch Leriq and Wande Coal in video for “Will You Be Mine”

Pretty women and beautiful scenery always go well together and It’s one of the reasons you’ll want to keep watching “Will You Be Mine” till the last frame. Directed by Sesan,  the video takes advantage of natures beauty for most of its shots. Its a chill declaration of love with sneak peeks of luxury as Wande Coal rap-sings on Leriq’s trap-inspired beat.

Is it grinch-y (or ambitious) to call dibs on that Porsche the video teased, if she answers No? I mean, it’s valentines.

Watch “Will You Be Mine” here;

Olamide features Skepta on his latest street-hop track “Sheevita Juice”

Olamide’s latest single “Sheevita Juice” is proof that though “Science Student” was banned from the radio, his position as a hit dropper will not be threatened. Skepta’s feature is also proof that the rapper’s recent visit to Nigeria was more than just a courtesy trip for the photos and fan fair. Both artists’ musical personalities are distinct and though they both rap over the fast-paced beat, Olamide sticks to the bars where he is most meticulous, while Skepta incorporates pidgin-spliced lyrics to his sixteen.

https://www.instagram.com/p/BfJlY_cgg2V/?hl=en&taken-by=baddosneh

Olamide has never been known for being literal, and “Sheevita Juice” is another misnomer, for another probably sex-related euphemism, yeah, typical BadooSkepta however, delivers a verse that could speculatively be a description his romantic affair with Nigeria while he was in the country briefly.

Listen to Olamide and Skepta’s “Sheevita Juice” here;

Featured Image Credits: Instagram/baddosneh


“Tomiwa is figuring it out…” Tweet at her @fauxxbella


ICYMI: Listen DJ consequence’s “Assignment” featuring Olamide

Sauti Sol release “Afrikan Star” off their fourth studio album featuring Burna Boy

Sauti Sol has been releasing its fourth studio album since the tail end of last year using an innovative roll-out plan to release tracks over a twelve-month period. Starting with “Melanin” featuring Patoranking, Sauti Sol unveiled “Girl Next Door”featuring Tiwa Savage last month, making “Afrikan Star” featuring Burna Boy, the third track off the unnamed project.

“Afrikan Star” primarily features Sauti Sol’s signature pop formula of praising the African woman’s body—which is quite frankly, starting to border on repetitive. (Don’t even get me started on that stalker line). Burna Boy brings imagery and a semblance of a plot to the mix though, giving a little context to the muse at the heart of the track. “Afrikan Star” mostly succeeds on guitars that highlight a lost era of Pop-R&B set on acoustic work and Burna Boy’s folk-inspired outro.

Stream the third track off Sauti-Sol’s fourth studio album here:


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Best New Music Album Special: Burna Boy, ‘Outside’

Aramide clears all doubts about love with new single, “Magic”

Aramide’s new song, “Magic” shows her appreciation to a lover who swept her off her feet.  Aramide sings, across vibrant guitars with an impassioned voice to support the premise of her lyrics,“When i’m feeling black and blue, I can always count on you”, expressing appreciation for her lover’s constant love in her good and bad times. “Are you feeling this magic?” she asks on the chorus, but more as a rhetorical to make a statement than as an actual question. She eventually admits her assurance that their love is the real deal; “Na We Be This Magic”. 

Listen to Aramide’s “Magic” below.


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ICYMI: Listen to Tay Iwar’s “Issa Don’t Do It”

“Wait” ensures Teni doesn’t miss the love train this season

Love has the tendency to morph us into one of those sad romantics often depicted in moves along the plotlines about bad relationships. Often the lovers forget that compassion isn’t a relationship between a healer and the wounded but between equals.  Savior complex becomes an obsession with being involved in the healing process of people who are supposed to care for one another and Teni expresses this on her latest single, “Wait”.

As Teni sings about her dedication to helping a lover work through his baggage for as long as it may take, it’s impossible to ignore her idea of being her lover’s crutch. Though more often than not, the need to keep trying to “fix” whatever’s necessary to keep the one you love around and making lifetime promise is bad for both partners in the relationship. Teni’s “Wait” has all the markings of a love song intended for the season, but it’s noteworthy for her desire to play a superhero that spandex allergies aren’t pretty.

Stream Teni’s “Wait” here;

Featured Image Credits: Instagram/tenientertainer


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Teni recreates a story every girl can relate to for “Fargin” music video

Kehinde Wiley unveils Obama’s Smithsonian National Portrait at the White house

In line with the tradition that started with George H. Bush in 1993, artists are commissioned for the Smithsonian National Portrait Gallery to create a portrait of the president and the first lady after their tenure. Though Trump might not be the most accommodating US president, some of the grace from Obama’s tenure has spilled into his administration with Kehinde Wiley being the first ever black artist to execute an official presidential portrait for the National Portrait Gallery.

The Yale University-trained painter is famous for depicting his subjects posed in regal with pops of colors and bright patterns for background. He was also credited for his work on Jay Z’s “Picasso Baby” video. Perhaps his reputation is responsible for making the unveiling one of the most anticipated in history, but Obama hasn’t been in public eye for a while and we’ve all missed his heartwarming rhetoric. He revealed at the unveiling that “I tried to negotiate less gray hair and Kehinde’s artistic integrity would not allow (him) to do what I asked. I tried to negotiate smaller ears. Struck out on that as well.” 

You can watch the video for the unveiling below.

Featured Image Credits: Instagram/CNN


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ICYMI: An important missing piece of Nigerian art has been discovered in a London apartment

Wande Coal and Leriq come bearing gifts this season with “Will You Be Mine”

Say what you will about valentines day being a horrible capitalist hallmark and what not, but the holiday isn’t going away. Stores are breaking out valentines shelves so red it’s like walking into a Bloods’ closet and music releases are towing the romance lane as well. And whether you’re with the shenanigans or not, you can’t escape the culture for another few weeks at least.

Wande already tried to rap-sing on D’banj’s “El Chapo” last year, and he’s giving it another go on Leriq’s trap-inspired. As your texts are suddenly getting replied faster, and warm butterflies fill your stomach, add Wande Coal and Leriq’s “Will You Be Mine”, to complement the overall mood for the season.

Listen to “Will You Be Mine” here:

https://soundcloud.com/user-477702801/wande-coal-will-you-be-mine-ft-leriq


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How smooth is Wande Coal’s ‘Shaku shaku’ in this video for “Tur-Key Nla”?

Here are our favorite films from the Pan African Film and Arts Festival lineup

The most thought provoking black movies and black art from around the world in the past year are currently being exhibited at the Pan African Film and Art Festival. Since its early years, the festival has served as a cradle to the best of black art and cinema, giving them a platform for thorough appreciation, free from the marginalization often experienced at other art festivals. With the goal to keep promoting cultural understanding among people of African descent, the festival, now in its 26th year since it began awarding black films.

This year’s festival has a line up of about a hundred and eighty films from over forty countries telling diverse African and diaspora stories. Including a film based on Chimamanda Adichie’s short story “On Monday of Last Week” and Oscar nominated “Watu Note”, We’ve curated the trailers for some of our most anticipated films to share with you.

Toyin Ibrahim Adekeye :”BIGGER THAN AFRICA”

When the slave boats docked in the Americas, Cuba and the Caribbean, hundreds of cultures and religions came with the Africans but only one survived the plantations. The feature documentary looks into the Yoruba culture as the most pronounced African Culture of the Diasporas.

Kelley kali: LALO’S HOUSE

Inspired by true events, LALO’S HOUSE follows the relentless courage of Manouchka, a 14-year-old Haitian girl, and her 5-year-old sister, Phara, who are abducted and thrown into an underground prostitution network that is posing as a Catholic orphanage.

 Roberta Durrant: KROTOA

A biopic on a  Khoi woman considered the mother of black people in South Africa by some, Krotoa is a drama inspired by historical fact about a feisty, bright, young 11-year-old girl who is removed from her close-knit Khoi tribe and brought into the first fort established by the Dutch East India Company in 1652. There she grows into a visionary young woman who assimilates the Dutch language and culture so well that she rises to become an influential interpreter for the first Governor of the Cape Colony. As such Krotoa ends up being rejected by her own Khoi people and eventually destroyed by the Dutch when she tries to find the middle way between the two cultures.

 

Akosua Adoma Owusu: ON MONDAY OF LAST WEEK

Adapted from Chimamanda Adichies’ short story, “On Monday of last week”, this film tells the story of Kamara, a Nigerian woman, working as a nanny caring for the five-year-old son of an interracial couple. Tracy is an African American artist working on a commission in her studio – a space she rarely leaves. When Tracy finally emerges from her studio one afternoon, Kamara’s growing curiosity is piqued. Their brief encounter inspires Kamara to become Tracy’s muse.

Courtney Miller: REPAIRations!

REPAIRations! is a story about the power of optimism against forces that are seemingly more powerful than yourself. Following the story of a man named Isaac who lives during the end of slavery, end of segregation and President Obama’s inauguration, we see how Isaac navigates through an ever-changing America through song and dance.

Stefon Bristol: SEE YOU YESTERDAY

https://vimeo.com/206628005

“See you yesterday” is a short sci-fi film about two African American teenagers determined to outwit fate and role-play as God  building  make-shift time machines to save ones brother from being wrongfully killed by a police officer.

Licínio Azevedo :THE TRAIN OF SALT AND SUGAR 

During the Mozambican civil war in the 1980s, a train under military guard, led by a mystic Sangoma military Commander, must transport its passengers and goods 500 miles through apartheid South African-backed guerrilla-held territory. As rivalries form between the soldiers and friendships between the passengers, violence looms both on board and from the rapacious rebels. This film is Mozambique’s submission for consideration in the Foreign Language Film category for the 90th Academy Awards.

 Katja Benrath: WATU WOTE – ALL OF US

For almost a decade Kenya has been targeted by terrorist attacks of the Al-Shabaab. Much like the religious crisis that springs up in Nigeria, an atmosphere of anxiety and mistrust grew between Muslims and Christians. “Watu Wote All of Us” is based on real life events from 2015’s Mandera bus attack by Kenyan military group, Al-Shabaab. Asides the Pan African Film Awards, it has also received awards at the Student Academy Award and nominations for the Oscar’s Academy Award for Best Live Action Short Film category. 

Yung6ix’s new single, “Grammy Money” features M.I and Praiz

It’s always a shocker when people conclude that songs bragging about wealth are shallow. Whether you admit it or not, we are all out trying to get our hands on enough money to at least live a life of comfort. Asides love, money is probably the most universal subject in music. And it’s just the right fit for Yung6ix’s stately reality, remaining in hip-hop conversations seemingly by sheer will of his wealth and influence.

https://www.instagram.com/p/BfBmOx1DjXM/?hl=en&taken-by=yung6ix

Featuring MI and Praiz on his new single, “Grammy Money”, Yung6ix flexes his connections in the music industry. While Yung6ix and MI rap over the trap beat describing their affluence, Praiz anchors the hook making the song more endearing with the reminder that money is better spent with lovers and the trusty squad; “Balling Everyday With My Woes”.

Listen to Yung6ix, MI and Praiz on “Grammy Money” here.

https://soundcloud.com/user-147332147/grammy-money-yung6ix-ft-mi-praiz-blood-hot

Featured Image Credits: Instagram/yung6ix


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ICYMI: Watch the video for Yung6ix’s “Gbe Seyin” featuring Niniola

Davido is back to highlife basics on “Flora My Flawa”

It’s that time of year when artists try to exploit their charm to tap some of the love in the air, without it feeling forced, corny, or repetitive. Davido’s latest single, “Flora My Flawa” is yet another romantic score from the singer who is returning to highlife for the first time since signing an international distribution deal with SONY. Davido casually shows off poetic songwriting, when he sings “If Nothing Lasts Forever, Me And You Go Be Nothing Forever”.  The accompanying video represents this motif as Davido performs on TV for the ‘Flora’, while giving a glimpse at their future lives together, 30 years from now.

See Davido in “Flora My Flawa” below

Featured Image Credits: YouTube/DavidoVEVO


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Davido released R Kelly’s “If” remix for free