The Shuffle: Re-live the nostalgia of Styl Plus with “Runaway”

Introductions won’t be needed for every 90s baby’s favourite group from the early 2000s, because cuts like “Runaway” still exist to remind us Nigerian music didn’t always suck. But if you’re reading this right now, you deserve two congratulations. The first is for crossing paths with Styl Plus again, the other is on your growth through the years because you’re now as old as days.

In the groups early days, a slew of singles and videos off an untitled commercial EP hit everywhere; radio, tv, alaba etc. The unnamed collection housed smash hits “Olufunmi”, “Call My Name” and—the often ignored but equally ranked—third single, “Runaway”.

“Runaway” is built slow and mellow with a tempo that matches the weight of its message. All three (Shiffy, Zeal and Tunde) sing in perfect harmony about possibilities of running into oblivion with a lover. A closer look at the lyrics of their individual verses gleans three shy men who couldn’t quite ever find courage to talk to said amour. It’s supposed to be romantic, but it listens like a one sided conversation you have with yourself at 4am in the morning when you have been drinking and seriously considering making some fun phone calls.

Styl Plus may have unintended it, but in this season of love, “Runaway” will remain a testament for all unsaid ‘i like you(s)’ and awkward crushes that died within.

Re-live the nostalgia of the “Olufunmi” years with Styl Plus’s “Runaway” in the video below

Revisit MoHits peak era hit ‘Pere’

Listen to Ibeyi’s haunting new single “Lost In My Mind”

https://www.instagram.com/p/BQVz6ahlw-o/?taken-by=ibeyi2&hl=en

French Afro-Cuban twin-sister duo Lisa-Kainde and Naomi Diaz also known as Ibeyi have laid relatively low since their appearance in Beyoncé’s global event Lemonade.  “Lost In My Mind” is their first studio release since their self-titled debut project back in 2015. The new single has been part of their touring set since 2015 and it was featured in a French comedy Ouvert La Nuit.

On “Lost In My Mind” Lisa-Kainde sings about loss and loneliness on empty streets with a voice heavy with longing yet warmed with happy memories. The song intensifies with every second as electronic and percussive elements merge to serve as the backdrop for her vocals. Lisa’s refrain, “That’s what happens when I’m lost in my mind,” begins each verse, less a chorus than a reminder that prefaces her tortured dreams that follow. She ends on a chilling note with a warning not to get lost in your mind.

This welcome offering follows their minimalist trend set by their debut album. There’s still no news yet about a release date for their sophomore LP, but we’re looking forward to what they have in store.

Listen to a cut of Lisa-Kainde’s haunting voice on “Lost In My Mind” via Spotify below

Featured Image Credit: ibeyi2/Instagram

 

Listen To Dáramólá’s Tribute To Beauty and Love on “Lotto”

Kuvie brings the big guns on “Dumb”

Perhaps you haven’t heard of Ghanaian producer Kuvie, and we don’t blame you. He’s one of those consummate producers who let’s the work speak for itself. And his work is speaking, so much so that he got signed early last year to Mc Galaxy’s McG entertainment as their first producer.

 

Having an ensemble of rappers and singers on a song is a gamble. There’s the risk that one rapper might end up overshadowing everyone else, or worse, no one has enough time to truly find their rhythm and you end up with a couple of half sixteen bars and no real chemistry. There is even the rare scenario where everyone drops mediocre verses that the producer has to now salvage. But every now and then the right producer finds the right team and creates magic. Ghanaian producer Kuvie does this on his new single Dumb off his fresh off the press EP Senses.

Dumb’s ensemble roster includes Ghanaian acts Ria Boss as Hajia Kitty, Jasmine Mack, Naadu, BBgB and Baba Sana. The vibe is classic 90’s hip-hop, with a minor synth sample that references Dr Dre’s Next Episode. The production is sublime with sparse instrumentation, just enough to complement the ensemble. The 90’s hip-hop influences don’t stop with the production, when Jasmine Mack belts out the song’s hook you are instantly reminded of Kelly Price and there is not an iota of trap or any of the contemporary delivery styles when the rappers drop their bars. Dumb will make you nostalgic for the best of the 90’s and reaching for your old school Spotify playlist, and all this speaks to how great Kuvie is as a producer. Definitely one of the best songs you’ll hear today.

Give Dumb a spin here.

Listen to a cinematic story about “Festival Bar” by Davolee

https://www.instagram.com/p/BQcrrd3ABOJ/?taken-by=eminidavolee&hl=en

With neither international features or recognition in the bag for Olamide, he’s spent the last few years re-reinforcing his local mainstay with music releases and (literally) sold-out concerts. His local strength has also largely kept the dredge-y Yoruba rap culture alive by keeping a keen ear for discovery of talent. His latest progeny Davolee first featured on “Pepper Dem Gang” off Olamide’s The Glory album. His time on air was short, but Olamide’s imprint, YBNL just rolled out a new single and video for Davolee titled “Festival Bar”

“Festival Bar” is a personal documentary of Davolee’s experience as a bartender at a real life bar with the same name and location. He details happenings at Festival Bar leading up to the bust of a new female bartender who was robbing the bar owner by inflating costs of drinks and pocketing the difference. The story is tightly knitted by Davolee’s grounded thug flow and slick edgy confidence without motives or morals.

At the end of “Festival Bar”, Davolee promises more stories to come. Perhaps, a short musical hip-hop drama won’t be too much to ask for. See the video for Davolee’s “Festival Bar” below

Jean Feier is all about the sauce on “Recipe”

German Ghanaian rapper Jean Feier has never strayed from purist rap. As one of the few successful female Ghanaian rappers, Feier’s decision to follow the craft at its purest as opposed to going the pop route might not have made her as popular as her contemporaries but it has found a core, unshakeable audience.

Her debut EP 93M Child under Ghanaian rap collective KCMG released in December 2014 paid homage to first generation rap while looking boldly to future genres like chillwave. Since then she’s built a body of work under the collective, expanding her repertoire and honing her sound.

Her new single Recipe featuring KCMG label mate King Klub is testament to the growth that Feier has made in the last two years, especially in her songwriting. Recipe is super cheeky, delivered in her breathy conversation style cadence,  bragging with the best of them about her talents and personality. Krainsound, the producer on the song works a madness. Deep bass thrums underneath the sparse percussion, giving soul to the vocal hums used in place of synths or wind instruments, the perfect backdrop for Klu to shine with his impressive guest verse that reminds of Q-tip at his prime. Hip-hop purists will definitely bump to this.

You should too.   

Listen to Recipe here.

British Council Announces Lagos Theatre Festival Theme, ‘Rhythm Of The City’

Over the years, The Lagos Theatre Festival has earned its place as one of the most diverse performance art events. Last year, the festival showcased 106 performances featuring 35 companies, classic and contemporary works and grossing nearly around 5,500 theatre-goers.

This year’s edition tagged “Rhythm Of The City” will set out to capture the spirit of Lagos through sounds associated with various repetitive activities woven into the intricate fabric of the city.  The six-day event will kick off on the  28th February and run through to 5th March 2017.

“Rhythm of the City” will feature 5 specially selected curated shows from the UK and Nigeria. 35 companies from Nigeria, Zimbabwe and South Africa will also be showcasing works from different genres of performance arts including drama, comedy and experiential theatre.

For more information about the festival and performances, check out the official site.

Watch a highlight from last year’s festival below:

 

 

Featured Image Credit: Asiri/Twitter

 

Check Out Shonda Rhime’s New Comedy Show Based On Luvvie Ajayi’s  Book ‘I’m Judging You’

Watch Kiss Daniel Cruise Through Hollywood In “Duro” Video

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Kiss Daniel’s 2016 debut New Era was a definitive one for him and he has been hard at work churning out visuals for tracks on the LP. His latest video is for “Duro”, a fourth to “Jombo”, “Sin City”, and “Upon Me”, three videos he has released since dropping New Era.

“Duro” is shot and directed by Patrick Elis and it features panorama shots of the beachside scenery and cuts of Kiss Daniel cruising around Hollywood’s infamous Sunset Boulevard. He’ drives through the strip while serenading his love interest about personal sacrifices and the depths of his love.

It’s a pretty simple concept, but it’s more Kiss Daniel than we have seen in a while, so we will take it. See video for Kiss Daniel’s “Duro” below.

Featured Image Credit: Youtube

Watch Out For Cameos of Wizkid And Maleek Berry in Mr Eazi’s “Leg Over” Video

Styl Plus Come Out Of Hibernation With New Single, “Aso Ibora”

After their last single in 2008, we mourned the final moments of one of Nigeria’s greatest boy bands, Styl Plus. It took them nearly nine years—with only a handful of singles in between— but the group is back with a new single, “Aso Ibora” just in time to Valentine’s Day no less.

Shiffy and Zeal repossess the group’s nostalgic R&B style without ex-mate Tunde on their new single. “Aso Ibora” is a Yoruba word that loosely translates as blanket, here it is used as a metaphor to mean they would always keep their loved ones warm

Styl Plus shaped music of the early 2000s with hits like “Olufunmi”, “Imagine That” and “Call My Name”. Sadly, the group went the same crash and burn path of all boy bands anywhere else in the world. Tunde left to pursue a solo career while Shiffy and Zeal have remained as Styl Plus. It’s unclear if the group plans to stay for long with a come-back project, but we’re looking to find out.

Listen to “Aso Ibora” below

 

 

Featured Image Credit: StylPlus/Eskimo Records

 

Dammy Krane’s Gearing Up For A Comeback Concert And EP. 

Best New Music: Dáramólá’s “Lotto” is a shimmering tribute to beauty and love

https://www.instagram.com/p/BPdPUVdBIe1/?taken-by=itsdaramola

The rise of new wave African R&B artists is underway and if last year’s underground drafts—Nonso Amadi, Tay Iwar and Odunsi—are anything to go by as indicators, the future of Nigerian music we’ve all anticipated may finally be here. Daramola, another artist in that Afro-R&B class, made a late 2016 entry with “Lotto” the lead single off his upcoming The Last Time I Tried album.

Save for links to plush social media profiles on his SoundCloud page, there is very little information on Dáramólá (even on his website). Luckily, “Lotto” opens with unmistakable personality channeled through a simple narrative of love, near-ethereal beauty and leaving bad places.

‘I pray that you’re worth all my failed relationships’ Daramola sings plainly on the pre-hook. These iterations are some of the most defining parts of “Lotto”. Daramola’s voice rings of a kind of honesty only found in folk music. Even when the bounce kicks in on the verse, he emotes lyrics into melodies and swings between the alternating tempos without veering off course. “Lotto” is African R&B meets, fringe poetry meets tints of Yoruba folk music shrewdly laced on an EDM-inspired refrain.

https://www.instagram.com/p/BQJassOhSkH/?taken-by=itsdaramola

Daramola’s The Last Time I Tried album is slated for release on the 24th of this month. In the meantime listen to “Lotto” our best new music for this week below.

 

 

Featured Image Credits: Instagram

Best New Music: Paradise Motel’s “Holy Ghost” Is Indie rock with an undercurrent of Naija

‘Best New Music’ Is a column we publish every Monday to bring you a review of our critics’ choice-Pick.

See Kunle Idowu In Trailer For “Hakkunde”

Actor Kunle Idowu, popularly known as Frank Donga stole into hearts of Nigerians with his antics on the popular NdaniTV comedy skit series, The Interview now he’s bringing that essence to a full-length film, Hakkunde. Hakkunde is a story centred on resilience and self-discovery of a young man trying to survive in an environment set to break even the will of the strong hearted.

Similar to his infamous Frank Donga character, Akande (Kunle Idowu) is an unemployed young man down on his luck who escapes to Kaduna from Lagos seeking employment and an identity for himself. He meets new people, slowly adapts to life in the distinctly different environment and picks up himself along the way. Ali Nuhu, award-winning Hausa actor, Rahama Sadau, African Film Award winner and veteran actor, Alhaji Isa Bello are a few of the top notch actors that make up the cast. The story was produced and directed by Asurf Oluseyi and written by Tomi Adesina.

An official release date has not been set but we’re keeping an eye out.

Watch the official trailer below:

Feature Image Credit: Youtube

 

Watch Gbenga Saka’s Short Film, ‘Jump’

Yagazie Emezi gets featured By Vogue Italia and New York Times

Photographers and designers alike build their portfolios via recognition and features, and in the world of high art and fashion, no nod comes close in career impact like Vogue;s.

Over the last few months, Vogue Italia has beamed its spotlight on Nigerian designers and photographers. The magazine’s latest project ‘Talent on Set’ showcased works from photographer Jerri Rotimi, and apparel cuts from designers Orange Culture, Gozeel Green and McMeka amongst others.

Last weekend, the publication featured photos by Nigerian-Sri Lankan photographer and cartoonist in its Photo Story, with cuts by Nigerian designers Iamisigo and Tzar.

 

This adds another international feature to Yagazie earlier recognition by New York Times last week, for her ‘Portrait of a Liberian woman’. New York Times featured Yagazie in its “Nurturing New Storytellers in Africa and Latin America” article with the picture attached in a slideshow of selected photographs that told simplistic stories of Africa and Latin America.  Yagazie’s work was featured alongside other pictures in the set to debunk stereotypes of war and famine that distort the actual reality of third world countries.

Check out her other photographs and comics on her Tumblr.

Feature Image Credit: YagazieEmezie/Twitter

Meet David Uzochukwu, The Nigerian Photographer Behind Nike’s Latest Campaign.

 


 

Watch Chance The Rapper’s Amazing Medley Performance at the Grammys

https://www.facebook.com/thefader/videos/10154373966241903/

 

Chance The Rapper had a Grammys he will never forget. Whilst he himself admitted that he prepared a speech with the hope of picking up one grammy, to pick up three awards on the night is truly phenomenal, all off a mixtape. And not just any awards – as well as winning a grammy for Best Rap Performance (“No Problems” ft. 2Chainz & Lil Wayne), he won two of the most coveted awards of the night – Best New Artist and Best Rap Album (Coloring Book).

Shortly after picking up his third trophy, he turned in one of the great Grammy performances of recent times, especially for a debutant. Joined by members of The Social Experiment, Kirk Franklin and Francis Starlite, he ran through an uplifting medley of his now Grammy Award winning album Coloring Book.

 

Here Are All The Winners From The 2017 Grammy Awards

These Are The Winners From the 2017 Grammys

“The Biggest Night in Music” went down last night, and these are all the winners.

Album Of The Year:

WINNER: 25 — Adele
Lemonade — Beyoncé
Purpose — Justin Bieber
Views — Drake
A Sailor’s Guide To Earth — Sturgill Simpson

Record Of The Year:

WINNER: “Hello” — Adele
“Formation” — Beyoncé
“7 Years” — Lukas Graham
“Work” — Rihanna Featuring Drake
“Stressed Out” — Twenty One Pilots

Song Of The Year:

“Formation” — Khalif Brown, Asheton Hogan, Beyoncé Knowles & Michael L. Williams II, songwriters (Beyoncé)
WINNER: “Hello” — Adele Adkins & Greg Kurstin, songwriters (Adele)
“I Took A Pill In Ibiza” — Mike Posner, songwriter (Mike Posner)
“Love Yourself” — Justin Bieber, Benjamin Levin & Ed Sheeran, songwriters (Justin Bieber)
“7 Years” — Lukas Forchhammer, Stefan Forrest, Morten Pilegaard & Morten Ristorp, songwriters (Lukas Graham)

Best Rap Album:

WINNER: Coloring Book — Chance The Rapper
And the Anonymous Nobody — De La Soul
Major Key — DJ Khaled
Views — Drake
Blank Face LP — ScHoolboy Q
The Life of Pablo — Kanye West

Best Rap Performance:

WINNER: “No Problem” — Chance the Rapper Featuring Lil Wayne & 2 Chainz
“Panda” —Desiigner
“Pop Style” — Drake Featuring The Throne
“All The Way Up” — Fat Joe & Remy Ma Featuring French Montana & Infared
“That Part” — ScHoolboy Q Featuring Kanye West

Best Rap/Sung Performance:

“Freedom” — Beyoncé Featuring Kendrick Lamar
WINNER: “Hotline Bling” — Drake
“Broccoli” — D.R.A.M. Featuring Lil Yachty
“Ultralight Beam” — Kanye West Featuring Chance The Rapper, Kelly Price, Kirk Franklin & The-Dream
“Famous” — Kanye West Featuring Rihanna

Best Rap Song:

“All The Way Up” — Joseph Cartagena, Edward Davadi, Shandel Green, Karim Kharbouch, Andre Christopher Lyon, Reminisce Mackie & Marcello Valenzano, songwriters (Fat Joe & Remy Ma Featuring French Montana & Infared)
“Famous” — Chancelor Bennett, Ross Birchard, Ernest Brown, Andrew Dawson, Kasseem Dean, Mike Dean, Noah Goldstein, Kejuan Muchita, Patrick Reynolds, Kanye West & Cydel Young, songwriters (Kanye West Featuring Rihanna)
“Hotline Bling” — Aubrey Graham & Paul Jefferies, songwriters (Drake)
“No Problem” — Chancelor Bennett, Dwayne Carter & Tauheed Epps, songwriters (Chance The Rapper Featuring Lil Wayne & 2 Chainz)
“Ultralight Beam” — Chancelor Bennett, Kasseem Dean, Mike Dean, Kirk Franklin, Noah Goldstein, Samuel Griesemer, Terius Nash, Jerome Potter, Kelly Price, Nico “Donnie Trumpet” Segal, Derek Watkins, Kanye West & Cydel Young, songwriters (Kanye West Featuring Chance The Rapper, Kelly Price, Kirk Franklin & The-Dream)

Best New Artist:

Kelsea Ballerini
The Chainsmokers
WINNER: Chance The Rapper
Maren Morris
Anderson .Paak

Best Pop Duo/Group Performance:

“Closer” — The Chainsmokers Featuring Halsey
“7 Years” — Lukas Graham
“Work” — Rihanna Featuring Drake
“Cheap Thrills” — Sia Featuring Sean Paul
WINNER: “Stressed Out” — Twenty One Pilots

Best Pop Vocal Album:

WINNER: 25 — Adele
Purpose — Justin Bieber
Dangerous Woman — Ariana Grande
Confident — Demi Lovato
This Is Acting — Sia

Best Dance Recording:

“Tearing Me Up” — Bob Moses
WINNER: “Don’t Let Me Down” — The Chainsmokers featuring Daya
“Never Be Like You” — Flume featuring Kai
“Rinse & Repeat” — Riton featuring Kah-Lo
“Drinkee” — Sofi Tukker

 

Best Urban Contemporary Album:

WINNER: Lemonade — Beyoncé
Ology — Gallant
We Are King — KING
Malibu — Anderson .Paak
Anti — Rihanna

Best R&B Performance:

“Turnin’ Me Up” — BJ The Chicago Kid
“Permission” — Ro James
“I Do” — Musiq Soulchild
“Needed Me” — Rihanna
WINNER: “Cranes in the Sky” — Solange

Best Traditional R&B Performance:

“The Three Of Me” — William Bell
“Woman’s World” — BJ The Chicago Kid
“Sleeping With The One I Love” — Fantasia
WINNER: “Angel” — Lalah Hathaway
“Can’t Wait” — Jill Scott

Best R&B Song:

“Come and See Me” — J. Brathwaite, Aubrey Graham & Noah Shebib, songwriters (PartyNextDoor Featuring Drake)
“Exchange” — Michael Hernandez & Bryson Tiller, songwriters (Bryson Tiller)
“Kiss It Better” — Jeff Bhasker, Robyn Fenty, John-Nathan Glass & Natalia Noemi, songwriters (Rihanna)
WINNER: “Lake By the Ocean” — Hod David & Musze, songwriters (Maxwell)
“Luv” — Magnus August Høiberg, Benjamin Levin & Daystar Peterson, songwriters (Tory Lanez)

 

 

ICYMI: Here are 5 epic moments from the 59th annual grammys

Sunday Healing: Listen to DAP The Contract’s “Too Young”

At this point we’re very familiar with DAP’s uncanny ability to fuse lyrical mastery and sheer musical brilliance, no matter the subject, and this time, it hits much closer to home. ‘Too Young’ is a tribute to a friend who really was too young to pass away. Some tributes are cloying and lacking in quality on the musical front, but this is a combination of a soothing acoustic guitar and pure vocals, with a raspy imperfection that make it all the more emotional.

The lyrics read like a letter to someone that a lot of people loved, someone who people can’t understand or imagine why he died. Listen and you may feel tears coming on, but then you’ll smile as you hear words that are equal parts tear jerking and as organic as something you’d whatsapp to your friend, when you haven’t seen them in a long time and hope they’re alright. You hear real concern when he says “I hope you eating good, I hope you’re drinking water”, and you pick up your phone to ask just that to those you’ve been too busy to check up on.

Losing a loved one is such a hard thing, and listening to ‘Too Young’ is a soulful, necessary reminder that tomorrow looks promising, but it’s not promised. The phenomenal visual for the album is out this week, in the meantime, listen to the single below.

5 Vibe-Out Essentials from Mr Eazi’s ‘Accra to Lagos’

For a man like Mr Eazi whose entire brand is built on a constant state of chill, the pressure to make a mark with Accra to Lagos, must’ve been unusually crushing. After all, this is a man that came from promoting events in uni, to selling out shows of his own in Lagos with only singles and a handful of features. Against this backdrop of roof-level anticipation for his debut body of work, Mr Eazi delivers a shimmering mixtape that hints at a potential worth supporting for the long haul.

Off Mr Eazi’s Accra to Lagos mixtape, check out 5 of the following album-defining cuts.

Business (feat. Mugeez)


Estranged R2Beez collaborator, Killbeatz is on the deck on “Business” and it’s evident that Eazi is merely tapping into a pre-existing sonic bond between Mugeez and his old producer. Still, Eazi holds his own by stretching his voice thin to hold longer less tired notes (a style similar to what we have heard from Mugeez in the past). Over the last year, Afropop has increasingly become a fusion of African vocals with fringe sounds like edm, dancehall and trap (see Wizkid, Davido, Korrede Bello respectively). But like many songs that truly embody the road-trip theme of Accra to Lagos, the acoustics come at unexpected places, the bounce is sustained and you can still hear that authentic African soul calling at you with a postcard from Mr Eazi.

Feelings

From its simplistic lyrics and social media references, you already get the feel that Mr Eazi was just going for the lowest hanging radio hit with this one. But “Feelings” is not a bad song. YBNL collaborator Young John continues to impress the same magic fingers he used to craft steady hits for Lil Kesh and Olamide over the last two years. Plus, history will do well to remember that Mr Eazi created the Afro-wave vibe and he should be justified to ride it in any direction no matter how obscure to reason.

Accra to Lagos


If you have ever wondered if the deal Eazi inked with Wizkid’s Starboy Records would impact his sound in any way, you should listen to title track “Accra to Lagos”. Eazi builds a consistent flow, rumbling calmly along a baseline that plays like flowing water. He stays low even when the melody goes high and tells a familiar story almost similar to Wizkid’s “Ojuelegba” only faster-paced and stripped down for a more grounded acoustic sound.

Short Skirt (feat. Tekno)

Maleek Berry traced the same footpath he took to create sub-psychedlic Afropop dance hits, “Kontrol” and “Eko Miami” for “Short Skirt”. Tekno is along to keep things fresh and Eazi stays infinitely laid back. This seems to be Mr Eazi’s greatest strength, his deadpan voice has evolved into a style that matches his personality. The confidence allows him to sit vocals comfortably on a wide range of instrumentals no matter how simple or complex. On “Short Skirt”, the poesy is simple but poignant. Eazi asks his lover hold him down like she would hold down her skirt. It’s slight, but nothing on the LP rings quite as honest as asking a lover for protection like they would protect their own body. It takes the phrase ‘one plus one is one’ a little too literally and we could all use a bit of that in this season of love.

Right Now (Bonus Track)

“E get plenty, plenty things, wey I for talk o, you already know”

Many Afro-R&B songs over the next year are going to sound somewhat like Mr Eazi’s bonus track, “Right Now”. Like Tekno’s “Pana”, “Right Now” is tempered down, sleekly mellow and strangely emotive; only better written and stripped of a club bounce. On this love-story-in-reverse, Eazi comes to terms with the inability of his lover to have him as a main. Though he casually lists proof of all the times she has cheated on him, he offers to settle for a low-key side arrangement nonetheless. It not nearly as sexy as he wants it to be, but that’s only if you miss the point of his story.

Download Mr Eazi’s Accra To Lagos via iTunes here.

Listen to Mr Eazi on Legendury beatz’s “Heartbeat”

Listen to “Hard Stacatto” off Chino Amobi’s ‘Minor Matter’ Album

Most people lump ambient music in the same category with white noise (i.e for sleeping and studying), but Chino Amobi is changing that. The Nigerian-American producer and co-founder of NON-Records, a collective of African artists in diaspora, just released a new project titled Minor Matter. Minor Matter is a collection of electronic sounds torn apart and recreated, for textures of melodrama and classical music.

On “Hard Stacatto”, he collaborates with Brooklyn teen prodigy Embaci to create electronic orchestra music. It starts off remarkably ambient with Embaci’s vocals layered softly over gentle bird sounds before the introduction of violins that build up slowly to a peak almost reminiscent of an Opera performance. Embaci’s vocals are quite subtle, even when she breathes ‘Can you see’ onto the fast-paced instrumentals, but Chino cleverly keeps his instrumentals from burying the vocal effect.

Minor Matters also features a voiceover from Evan Ifekoya — another Nigerian artist — on “Locus Of Control”.

Listen to Chino Amobi‘s Minor Matters below

Featured Image Credit: Soundcloud

Haven’t Listened To Owo’s “Kingdom” Yet? Check It Out.

 

Speed Dating With Books Tonight At Idea Hub, Yaba

I haven’t gone on a speed date because I imagine they end up quite badly. Book Barter and Grill and Read came up with a new spin on traditional speed dating with a twist that makes it a whole lot better, a speed date but with books, just in time for Valentine’s Day no less.

The idea behind “Speed Dating With Books” creates an avenue for people to share their love for literature and mingle with other people and they’ve created just that. Interested people would be paired off with each other with random book-related questions to ask to break the ice. For those uninterested in pairing up, there’d be games, giveaways, and books available for purchase. You could also bring your old books along to trade with Bookbarter.

“Speed Dating With Books” will hold this evening at IDEA Hub Rooftop, 296 Herbert Macaulay Road, Yaba, Lagos, Nigeria at 6 pm. Slots are limited and Tickets are available for #3,000 Naira and you can buy one on Paystack.com. The ticket covers drinks, chocolate and finger food.

See you there.

 

Header Image Credit: GidiGuide.com

Check Out What Leonard And Slawn Have To Say About The Nigerian Skate Culture

AV Club: EP 3 of OBFW was basically a badly made drug abuse PSA.

Now I understand that making serialized tv shows specifically for Youtube comes with its own limitations  and one of them is having to compress complex stories into simple arcs. Sometimes it works and sometimes what you have is a hot mess. Episode 3 of OBFW was largely more of the latter.

SPOILER ALERT

If you haven’t seen the new epiosde of Our Best Friend’s Wedding, do so here, and if you have, let’s get to the dragging then.

After a pretty decent second episode (save for that fake accident cliff hanger that they tried to explain away as a dream) that set up the rest of the season quite nicely, I was expecting a straight forward third episode. We got  a straight forward episode but not a good one.

The episode starts with Promise, remember him? He had a passing scene in episode one, the ‘brother’ Charles confides in about his suspicions of his mother having cancer. We see Promise sitting on the lip of his ensuite bathtub, looking bleary eyed  and staring blankly at his mirror. Just in case you weren’t sure he was a druggie.

He flashes back to himself calling a client to demand payment for a job that has lagged for more than five months, so we are clear that Promise is not only a druggie, he is also a broke one. The flashback continues with Promise seeking to drown away his broke sorrows with more drugs (marijuana) when someone comes banging on his door. Of course,  when Promise kills his blunt and opens his door, the landlord is on the other side, fuming. He serves Promise an eviction notice to leave his house at the end of the month, and reiterates again, (just in case you weren’t sure) that the neighbours have been complaining that all Promise does is smoke weed and fog up the entire building. The landlord was pretty funny, but I just couldn’t get past the disturbingly lazy writing in this scene.

Thankfully they move on to Kemi and Jade who again have left their busy lives to come and wait hand and foot on Charles. But seriously though, what do I have to do to find two male friends who I can ask out of the blue to drop all their shit and help me choose a husband and they’ll do it. Or is wait, is it that only women do this?

Anyhow our otherwise jobless OBFW supporting characters ask Charles how his date with the problematic ‘Thirsty’ Tara went and he shows them Tara’s wedding invite. When the girls prod him, he confesses that he had sex with them and goes ahead to antagonize Jade who apparently is a prude. When Jade tries to chastise Charles, he out of nowhere drags her for not being able to find or keep a man. Jade is understandably hurt and leaves, suggesting that if Charles won’t follow the rules of the game, there’s no point. Kemi follows but not before berating Charles and asking that he ‘fix this’.

It is only the person that leaves their house that you can see finish.

OBFW returns to Promise, who is in his car in some abandoned stretch of road. If you’ve seen any gangster films + all the heavy foreshadowing that he is drug addict you should know what is coming next. But the writers decide to waste precious minutes showing us anyway. Charles calls and he rejects the call and flashes back to him at home. His dealer (played by rapper Ozone) shows up and tries to sell him drugs, which he refuse because he is broke and the dealer suggests a ‘job’ he can do. Because you know drug dealers will trust a broke, desperate druggie with hundreds of thousands naira worth of cocaine.

Do I have to tell you what happens next?

After burning his bridges with the OBFW girls, Charles goes to visit his mother at home, and when he gets there, she is on her way out with a man who Charles has never met before. Turns out he is a doctor and Mama Charlie’s date. Charles tries to get her to talk to him but she blows him off for her mans. Why do I get the distinct feeling that this is foreshadowing, that what Mama Charlie was hiding from Charles is that she has a new man. Because if it is…

Jade finally gets some alone screen time and her own subplot (cos you know she is Charles’s eventual bae) and she is at home as usual doing nothing. Tunde’s been calling  non stop (because the only way for to get a woman is to harass her into compliance) and when Jade finally caves and takes the call and agrees to go on a date with Tunde, she does so because she is pressed that Charles said she couldn’t get a man. What the fuck is this; High School Musical?

And of course, the episode ends with Promise, in the bathroom doing a shit ton of Cocaine. He snorts his last line, looks into the mirror and after conveniently filling the tub (do you know how hard it is to fill a bathtub in Nigeria) loses consciousness and falls into it. He is sitting on the side of the tub and falls backward but somehow managed to turn mid fall so he doesn’t hit his head on the wall and falls perfectly into the belly of the tub.

Na feem trick?

Isn’t it is also highly convenient that just then, after being ditched by his mom, Charles shows up at Promise’s? Just in time to see him overdosing and create episode three’s ‘dramatic’ cliffhanger.

Clap for yourselves everyone.

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Now that we’re done with the episode perhaps we should point out that this episode of OBFW perpetuates every stereotype there is about drug use. Don’t believe me, let’s count the ways.

Drug addict tropes Check list.

Broke: Check.

Delaying on rent: Check

Creative without a real job: Check.

Shady dealer who pulls him over to the dark side: Check.

Drug overdose: Check.

To be honest all that was left was a ‘This advert is sponsored by the NDLEA’.

And also there was this.

None of the female interactions on this show have passed the Bechdel test.

It is actually pretty bad, Kemi and Jade have both been portrayed as successful women running their own businesses yet, we never actually see them do anything or even interact with each other if it isn’t about a man or finding a man. Even Charles’s mother seems to only get screen time if a man is involved. The writers need to do better because this is unacceptable. DO FUCKING BETTER!

This week’s OBFW gem is Owo’s What So Not (Touched). Glorious electro pop.

 

AV CLUB: Charles obviously lacks sense in ep 2 of OBFW

Watch Mr. Eazi’s “Leg Over” video featuring Wizkid and Maleek Berry

As part of the roll-out for his newly released Accra to Lagos mixtape, Mr. Eazi has dropped the visuals for “Leg Over”, the lead single off the project. “Leg Over” is directed by cinematographer Teekay and it features cameos from Wizkid, Maleek Berry and Eddie Kaddie living the jet life amidst smoke clouds and hot girls.

See video for Mr Eazi’s “Leg Over” below.


Feature Image Credit: Youtube

Mr Eazi talks Inspiration Behind ‘Accra To Lagos: Vol 1’ mixtape

Olamide’s “Pepper Dem Gang” is a sublime #TGIF masterpiece

Olamide’s reputation as a singles artist always works in reverse for his albums. A recent case in point is his sixth studio album, The Glory, an LP that sailed the backwaters for full-length releases last year, despite being Olamide’s most honest effort since 2013’s, Baddest Guy Ever Liveth.

But while the public failed to acknowledge Olamide’s attempt to embody a semblance of an album artist, individual highlights from the album like “Pepper Dem Gang” prove there might be hope of a near-classic dream for The Glory album (or some parts of it at least). Because, Olamide is at his best on songs like “Pepper Dem Gang” where the instrumental is distinct and his vocals bounce on beat in perfect sync with the tempo. It might take mental patience and a couple of replays, but his voice eventually listens like another instrument layered on the often organised chaos of the entire song.

Olamide songs that fall into this category are usually catchy light-weight earworms that can take your mood from 0-100 if you just give it a chance on your mental stereo. This is the anatomy of a TGIF anthem and nobody does better than Olamide (not even your favs).

If you want to start your weekend a little early, take a look at visuals for Olamide’s “Pepper Dem Gang”, directed by Moe Musa below.

Owo’s “Kingdom” is the right kind of decadence to start your weekend

Even if you hate books and cinema you must have heard Fifty Shades Darker, the Fifty Shades movie is coming to cinemas in a few weeks.  While we don’t particularly care for some vanilla heavy BDSM, we’re loving all the decadent sensual music that’s on the film’s OST. It’s put us in our feels and made us somewhat needy for decadent music with a Nigerian bent to it. Music like Owo is making.

Enter Owo, Nigerian Brazilian singer and all around sex pot. Her EP D + Em: Drums and Emotions is her first full length project after three years of experimental electro pop with a Nigerian tilt. The entire project is pretty amazing, with her Nigerian influences on the eight songs running from subtle to obvious. But Kingdom the latest single off the EP released in January is putting us in the right mood for a little weekend naughtiness.

With heavy electronic synth organs lending the song a gothic darkness, Owo sings about letting a lover into her heart and her bed, sharing the reins of her kingdom. There is an unabashed sensuality to Kingdom, need literally drips off every note. Definitely going onto our other playlist.

Listen to Kingdom here.