Yung L shares music video for new single, “Kpononor”

The sweet and lovey dovey sentiments of Afropop songs from the 2Face era have slowly given way for more raunchy intentions. In the hand of artists like Yung L, Nigerian pop music can be steamy enough to fit right into Caribbean Reggaeton mixes without missing a beat and his latest single, “Kpononor”, comes with a music video that seems to emphasize this through the beach setting and sexy models in bikini fits.

Clarence Peters directs the music video for “Kpononor”, following Yung L as he sings to the atmospheric Afropop beat Chopstix produces. Singing “When The Gbedu Drop, Everybody Just Dey Turn Up/ Fine Fine Lady Shake Your Bumbum”, Yung L’s primary concern seems to be keeping pace with the rhythmic bounce of the beat and establishing a dancefloor scene. The music video helps bring this to full focus with colorful outfits and sexy models who join the singer for a melanin celebrating photoshoot by the beach.

You can watch the music video for “Kpononor” below.

Featured Image Credits: YouTube/YUNGL MRMARLEY

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ICYMI: Watch the fun music video for Yung L’s “Pressure”

Watch Blaqbonez and YCee party in the music video for “Play (Remix)”

Blaqbonez’s previously released album debut, ‘Bad Boy Blaq’ was so well received, the Chocolate City rapper has released a follow-up EP called ‘Bad Boy Blaq – Re Up’. The new project contains 7 tracks and boasts of features from Oxlade, YCee, Moelogo, Ckay, Vector, Dremo, Psycho YP, Prettyboy D-O and BOJ who all bring their unique style and sound to the mix.

YCee features on “Play (Remix)”, opting for a more melodic performance in light of Blaqbonez’s auto-tuned vocals. He matches the ‘bad boy’ flex of the original track saying “If I Move to Your Girl, It’s a Wrap” over the bouncy Afropop beat that fits right in the house party-themed music video The Myth directs for the collaboration.

You can watch the music video for Blaqbonez and YCee’s “Play (Remix)” below.

Featured Image Credits: YouTube/Chocolate City Music

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ICYMI: Check out all the essentials from Blaqbonez ‘Bad Boy Blaq’ album debut

See ODWoods in colourful new video for “Okay”

Releases from filmmaker and singer, ODWoods, has been sparse over the years, but it would be a gross misconception to assume he hasn’t been around the block long enough. With collaborations with rappers, Ice Prince and Vector, respectively, you get the sense of an artist who is taking his time with his musical journey. His new single, “Okay” subtly echoes this too, as the singer advises listeners to live their lives without trying to be like him. Which makes sense, because only a few artists have the luxury of dropping singles out of the blue, every once in blue moon. We may not hear from him as often, but in ODWoods’ world of coloured floodlights, and beautiful women, he is doing just “Okay”

See ODWoods in “Okay” below

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Best New Music: Falz holds up a mirror against the Nigerian society on “Hypocrite”

Dusten Truce shares ‘2 Birds, One Stone’ album debut

Former X3M label artist, Dusten Truce, just added an album to his growing body of work, releasing ‘2 Birds, One Stone’ as his third project. The 6-track tape blends several sonic influences from Hip-hop, Trap and the several variations of the contemporary Afropop to detail D-Truce’s different moods, emotions and stories from his life’s experiences. The album touches on themes lots of youths will relate with cuts like “Oga Police – 9-5 Interlude” and “Roll Up – The Hotbox Skit”, speaking exploring the pains and joys of the average Nigerian youth.

The brightly colored album art for ‘2 Birds, One Stone’ helped with the promotion of the project on social media as it portrayed the city of Lagos in a beautiful sketch, but the image wasn’t done for mere aesthetic as Dusten Truce also includes a tribute song to Lagos on the tape.

You can stream Dustin Truce’s ‘2 Birds, One Stone’ below.

Featured Image Credits: Instagram/dustentruce

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ICYMI: Watch Dusten Truce’s music video for “Butterfly” featuring 3rty

Watch this hilariously humorless music video for Basketmouth’s “Dia Fada”

As a comedian, Basketmouth has had no problem taking on several personas to get his message across. He was quite accomplished, playing Frank on the “Flatmate” sitcom but is now taking on a more experimental character as a musician called Badman Bob. He just released a new single, “Dia Fada”, featuring Item 7 and Sound Sultan.

Over a mid-tempo beat Orbeat produces, mixing Afropop drums with EDM synth harmonies, “Dia Fada” finds Basketmouth, Item 7 and Sound Sultan reminiscing about the seemingly hopeless state of poverty they’ve come out from. Singing “Who Talk Say We No Go Chop Life/ Who Talk Say We No Go Live Fly/ Who Talk Say We No Go Live Fly (Their Papa)”, “Dia Fada” has an uplifting and inspiring attribute, but the music video is shot in a monochrome black and white edits that dulls the excitement. But what’s even more ironic is the straight-faces on everyone in the video, seemingly staring down their haters. The collage of mean mugging faces makes for captivating imagery, worthy of social media video challenges that could help push the song into the mainstream.

You can see the music video for Basketmouth’s “Dia Fada” featuring Item 7 and Sound Sultan.

Featured Image Credits: Instagram/Basketmouth

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ICYMI: Listen to Sound Sultan’s “Geshomo” featuring 2 Baba and Wizkid

Seun Kuti and Fatoumata Diawara are set to perform at the premiere ceremony for the 61st GRAMMY Awards

Several Nigerian artists have promised to bring home the Grammy awards, but Seun Kuti’s ‘Black Times’ is the most promising prospect in recent memory. The Afrobeat singer took to his social media to share the joy of his album’s Grammy consideration with fans back in October. Though fans were already excited at the official announcement of ‘Black Times’ “Best World Music Album” nomination, the anticipation for the award show skyrocketed when it was announced that Seun Kuti would perform a live set at the 61st Grammy ceremony.

Seun Kuti is expected to share the stage with his Malian counterpart, Fatoumata Diawara whose ‘Fenfo‘ album was also nominated in the same category as Seun Kuti. While we anticipate the outcome of the Grammys award, we are certainly excited to see the two brilliant singers on the Grammys stage. It’s great to see the Grammys paying attention to African acts and considering them for awards.

Featured Image Credits: Instagram/bigbirdkuti

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ICYMI: Revisit “Last Revolutionary”, a standout track from ‘Black Times’

Listen to “Yawa”, Reekado Banks’ first release with Banks Music

Reekado Banks parted way with former label, Mavins Record to create his own Banks Music record company. Though he shared a video across social media platforms to announce the move to his fans, his exit from the label was rather unceremonious in light of the lawsuits that followed his peers (Runtown and Kiss Daniel) after similar change of management. Reekado Banks isn’t too bothered about any problems and even reemphasizes the fact on the new single, “Yawa”.

Singing, “No Doubt/ Yawa Dey Make Man Sad/ But My Brother That Dance/ Me I No Go Kill Myself” over the lightweight high-life beat Quebeat produces with familiar samples, Reekado Banks is too focused on the music to stress. And with his catchy interpolation of some familiar Afropop hits like 2Baba’s “Nfana Ibaga”, “Yawa” is convincingly positive enough to be uplifting. “Yawa” is Reekado Banks’ first release under his Banks Music label and it’s credited to his label while he and DJ Yung are credited as featured. Though there’s a chance that he made the move to promote his label, it’s hard to ignore the fact that he carefully reclines from taking ownership of the song.

You can stream “Yawa” below.

https://soundcloud.com/afrobeats-update/yawa

Featured Image Credits: Instagram/reekadobanks

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ICYMI: See this steamy music video for Vanessa Mdee and Reekado Banks’ “Bambino”

Tellaman’s sophomore album, ‘God Decides’, gets Apple Music spotlight for February

Universal Music Group act, Tillaman, shared his sophomore album today, the 1st of February and it got spotlighted on Apple Music’s first Pan-African “New Artist Spotlight” playlist. The 20-track album, titled ‘God Decides’, boasts of guest features from around the continent with contributions from Tay Iwar, Nasty C, Rowlene, crownedYung and Shekinah.

Backed by the airy production he does by himself and the diverse array of artists on his line-up, ‘God Decided’ takes the direction of a genre-bending sonic experiment as Tellaman fuses Trap, R&B, Afropop and hip-hop influences to describe his passions; life and relationships. The “New Artist Spotlight” spotlight guarantees Tellaman 4 weeks of editorial support from Apple Music and ‘God Decides’ is expected to benefit from the publicity to reach audiences outside of his homegrown South African support.

You can stream Tellaman’s ‘God Decides’ below.

Featured Image Credits: Instagram/tellamanofficial

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ICYMI: Listen to Tellaman and Nasty C’s “Dance” here

“Azaman” is another single from the most eccentric guy in Afropop today

Nigeria has enjoyed a daring wave of entertainers including Charly Boy and Denrele Edun, whose edgy styles pushed the limits of acceptable Nigerian norms regarding appearance and sexuality. But the rise of eccentric musicians in modern Afropop began somewhere between the birth of Kokomaster, D’banj and the success of Akpako master, Terry G. These two men were popular not only for their music but their mannerisms, use of obscure, often suggestive language and a larger than life sense of self.

These days, we have Slimcase, a man who shot to striking levels of fame and relevance in less than two years. Fun fact: Slimcase didn’t have an official track of his own until last year. He doesn’t really sing in the real sense. In fact, his art mostly involves switching between rap-like verses and comically making social commentary with philosophical unseriousness.

His insights have both featured spiritual conversations with ‘Saint Sammi Ganja’, to commentary on the looted ₦36 Million ($100,000) allegedly swallowed by a snake from an office vault at examination board, JAMB’s (Joint Admissions Matriculation Board) headquarters. If you doubt his methods, then you should know this schtick has already landed Slimcase features with some of the biggest artists in Africa including Wizkid, D’banj and Tiwa Savage.

Hard to say if Slimcase is telling a story or just making stuff up, either way, his latest track, “Azaman” proves he is one of the most eccentric people in Afropop today. On his new track, Slimcase is once again mysteriously amidst season hitmakers teasing a woman about drinking beers about being more streetwise. DMW upstart Perruzzi is flanked by veterans 2baba and DJ Neptune, as well as Larry Gaaga, who is also credited as a collaborator on the track.

The premise for “Azaman”  is not straightforward, but nothing ever is with Slimcase anyway. All you need to know is that, this is another hit for the streets, by the streets.

Stream “Azaman” by Slimcase below

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Go spiritual with Teni’s motivational new single, “Uyo Meyo”

Listen to Earl Doe flex on haters on “Kanaku”

As Afropop continues to morph in tune with the popular music of the time, it’s not surprising that the self-assured mood of hip-hop is mirrored in Nigerian pop songs. Earl Jon Doe’s new single, “Kanaku”, advocates for braggadocios Afropop songs, especially when they’re haters watching. Though he provides the groovy melodies that keep listeners focused on the groove, he makes sure to give haters a show off to spite them.

Singing “I Hear You Talking on the Low/Awon Asthma, They Don’t Really Want the Smoke”, you can almost see the gangster rap themed music video. But the laid back beat he produces, layering bouncy 808 riffs, rattling samples and horns over a pulsing bed of synth harmonies and his catchy melody guarantees “Kanaku” a spot of DJ sets.

You can stream Earl Jon Doe’s “Kanaku” here.

Featured Image Credits: Instagram/earljondoe

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ICYMI: Hear Earl Jon Doe puts money first on “Way Back”

Listen to Johnny Drille’s gleeful new singles, “Shine” and “Forever”

It’s not hard to image that Johnny Drille is gearing to have the best weekend of his life. Shortly after his Mavins label announced securing a multi-million dollar deal with Kupanda Holdings, the singer took to social media to thank fans for helping his reach 10 Million streams across all his streaming platforms. He just released two new singles, “Shine” and “Forever” in time to ease fans into a pleasant weekend.

While “Shine” finds him at his more introspective, encouraging listeners of the beauty of life through his affirmative lyrics, his folk influenced take a more pop direction on “Forever”. Laid back Fuji drums are introduced to his shimmering mix of guitar and synth harmonies to make a slow dance number for weddings. The two singles are Johnny Drille’s first releases since his well attend concert in December of 2018.

You can stream “Shine” and “Forever” below.

Featured Image Credits: YouTube/Johnny Drille

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ICYMI: See the charming music video for Johnny Drille and Simi’s “Hallelujah”

Sauti Sol’s Afropop game-changer “Afrikan Sauce” is finally here

Perhaps we will never know the true impact of what Sauti Sol has done with their new album until other African artists follow suit. The group has been teasing its fourth studio album for nearly two years, since the release of “Africa”, their first collaboration with Yemi Alade in 2016.

In the months that followed, Sauti Sol spread out the release of the album with singles releases spanning across the whole of last year. The release of “Kamasutra”, their latest collaboration with Vanessa Mdee effectively puts an end to the 13-track rollout. Afrikan Sauce is now available to be streamed on digital platforms across the internet, packing a collection of favourites already enjoyed across the continent and over, in the past twelve months.

https://www.instagram.com/p/BtTd59mhI02/

Sauti Sol self-describes Afrikan Sauce as an “art and cultural exchange”. The project indeed features famous artists from all four corners of Africa, but the real win for the record is a template for Afropop that actually works to the advantage of the creators.

Over the years, African popular music has been bogged down by the lack of a successful template for releasing projects. This can be summed with the nature of pop music to be quickly consumed and forgotten. But in addition, across the continent African artists, also face a massive distribution and middleman problem. Due to problems to lack of crucial revenue generation avenues, it’s not entirely unexpected for albums to slip into obscurity barely weeks after release. Concerts have been the most financially sustaining source of revenue for many artists, making the margin of success for singles wider than a body of work. Realistically, the risk or investment of making a full-length project is nearly not worth it.

Though exceptions like Seun Kuti, Burna Boy, Mafikizolo who are album artists exist, there is also a horde of top African acts who can’t be bothered with following a stringent project release calendar. An even more familiar template to Sauti Sol’s Afrikan Sauce rollout is Olamide releasing projects loaded with singles that have already gained heavy rotation. Though the YBNL boss has stopped frenetically rolling out singles as he used to three years ago, the formula largely worked towards his advantage. Even better, in the age of streaming, pre-streamed singles count towards overall album sales.

Afrikan Sauce is a game-changer because the Sauti Sol successfully taps into the explosion and refinement of African music on the continent and beyond. Lushly-produced tracks fusing African music’s tendency towards electronic music with acoustics, already places  Sauti Sol above average. A release solidifying the modern continental popular sound into a single project may damn well sling them into an iconoclastic class.

Stream all of ‘Afrikan Sauce’ via iTunes here

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Toye is the Team lead at Native Nigeria. Tweet at him @ToyeSokunbi


Best New Music: Falz holds up a mirror against the Nigerian society on “Hypocrite”

INEC assembles 2Baba, M.I, Tenitheentertainer, Waje, Chidinma, Umar Shareef and Cobhams Asuquo for “Not For Sale”

As we approach the scheduled 16th of February date for the general elections in Nigeria, INEC has assembled a supergroup of musicians to help raise awareness on the importance of making their votes count. Their selection, 2Baba, M.I, Tenitheentertainer, Waje, Chidinma, Umar Shareef and Cobhams Asuquo are among the most loved and successful artists in the country. And though they all have their individual agendas, unique style and specific sound, they leave their difference behind to deliver “Not For Sale”, a heartwrenching plea for citizen to exercise their franchise.

Over a piano led beat, 2Baba takes the lead asking “No Sell Your Vote Oh” for the hook. All 7 artists contribute their verses, giving convincing reasons for why voting is important for the future of the country. The sparse and laid back beat leaves enough room for each artist to show off their individual quirks and that unwittingly highlights the national importance of INEC’s course. The single was released along with a music video directed by Paul Gambit who featured graphic images of some of the concerning events from last year. All the artists on the line up were also featured, flanked by dancers and some notable cameos, Wale Macaulay, Segun Obe and Funky Mallam.

Though this isn’t the first time artists are making jingles geared towards election season, “Not For Sale” is a progression from the previous years because this time, the artists are nonpartisan to any political party. This could be indicative of the increasingly apathetic attitude Nigerians seem to be showing towards ensuring their votes count.

You can see the music video for INEC’s “Not For Sale” featuring 2Baba, M.I, Tenitheentertainer, Waje, Chidinma, Umar Shareef and Cobhams Asuquo below.

Featured Image Credits: YouTube/European Center For Electoral Support

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ICYMI: Mirror of the times: The Kenyan elections and millennial politics

Runtown’s 7-month long battle with Ericmanny is over

After months of legal battle with his former label, Eric Manny Entertainment, Runtown has finally been freed of all contractual ties by the Federal High Court in Abuja. The label had spent the last month serving lawsuits that restrained the singer from performing shows amongst other embargos. Now, Runtown has full autonomy of his music with a restraining order on Eric Manny to desist from further interference in Runtown’s affairs.

Given artists’ instinctive need to protect their intellectual property, Runtown’s successfully exiting his label makes for a part of a recurrent conversation in the music business about record deals and the rules that guard them. RunTown’s legal victory against Eric Manny is both a win for the singer himself and for other artists like him who have been subjected to varying degrees of career holds. Usually, most label and artists clashes are left to half-assed resolutions where the artist makes compromises like Kizz Daniel’s name change from his original Kiss Daniel moniker.

Though Runtown already launched his independent music production company, “Sound God Music Group” last year, he severed his final ties with Eric Manny legally, before launching into operations. His victory helps debunks the popular assumption that big money spenders in the music industry are invincible. It also serves as a cautionary tale for upcoming artists of the dangers of signing label deals that give artists little control and insight to their profits.

Record labels have been losing their relevance since the music landscape changed at the introduction of music streaming services like Apple Music and Spotify. It’s certainly isn’t helping that ever so often, artists come out to speak against their label’s management and opt out of their contractual deals. Labels might very well fade into extinction soon. But it’s great that Runtown figured his way out and won the Eric Manny court case. He can finally move on to the next level of his career and perform shows for his adoring fans across the globe.

Featured Image Credits: Instagram/runtown

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ICYMI: Runtown launched his music company, ‘Sound God Music Group’, last year

CAF resolves court case with Ivory Coast over hosting rights for AFCON 2021

After losing their rights to host the coming 2019 African Cup of Nations (AFCON) to Egypt, Cameroon has been confirmed as the next host for the cross continental football competition in 2021. The change was made to save the country from wasting the resource it had invested in preparation for this year’s AFCON.

Ivory Coast who had previously been scheduled to host the 2021 games protested the decision and even sued CAF to court. But the issue has finally been resolved at a meeting between CAF president, Ahmad Ahmad, and Ivory Coast president, Alassane Ouattara. Egypt is all set to host this year’s AFCON competition expected to go on from the 21st of June and end by the 19th of July, 2019.

Featured Image Credits: Instagram/caf_online

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ICYMI: Nigerian born Greek player, Giannis Antetokounmpo is set to captain the Eastern conference at this year’s NBA All-Star game

Listen to Dolapo’s eager perspective on love on her new single, “Skin”

Dolapo’s new single, “Skin” offers a criminally unexplored perspective to the “Cool Girl” monologue from “Gone Girl”. While the film mocked cool girl’s submissiveness, Dolapo performs a stylish submissive anthem that gratifies pop music’s endless appetite for scandalous female singers.

Though her vocals are downcast for the most part, singing “You Love It When You Get Your Way” over the EDM beat produced with sonic reverb and a baseline that peaks and drops like a sack of confetti, she thrives on the understated contradictions and grim quirks in human sexuality. Her soft vocals caress her vulnerability as she embraces her self-destruction and wields it as an empowering tool singing “I Want All of You/ I Want You To Have Your Way/ Can We Go All Day?”. While Dolapo’s sultry R&B performance is convincingly erotic, the pulse-racing groove of the beat that comes wrapped in serene synths is what gives “Skin” it’s danceclub attribute.

You can stream Dolapo’s “Skin” below.

Featured Image Credits: Instagram/officialdolapo

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ICYMI: Watch the sexy music video for Wande Coal’s “So Mi So”

Mavin Records secures deep pocket investment from Kupanda Holdings, investors of Spotify, Uber

It’s only January and the year is already unfolding nicely. Earlier today, Music Business Worldwide revealed Nigeria’s Mavins Records just brokered a multi-million dollar deal with Kupanda Holdings. Kupanda Holdings is a joint venture between investment firm, Kupanda Capital and TPG Growth, the latter company already known for investing in Spotify, Uber, AirBnB and more. The venture focuses on supporting pan-African businesses with their scale-up efforts.

According to CEO of Mavins Records, Tega Oghenejobo, the label will use the newly injected resources to scale operations to meet “rapidly growing international demand” for African music. In the coming months, the label will make major moves to increase the size of its roster, while doubling its strength in all other music business fronts; from A&R to touring.

Don Jazzy is no stranger to making landmark moves, in 2011 the veteran producer scored production credits on Jay Z and Kanye West’s joint album, Watch The Throne. Speaking on this new partnership, the veteran producer said “Our mission is to grow Mavin Global into the music powerhouse of Africa. By collaborating with artists, African creatives, local and international partners, we can become a globally recognized household name and the go-to platform for connecting African music with the world.”

Mavin Records recently parted ways with front-line man, Reekado Banks, but the label is still home to Korede Bello, Tiwa Savage, Johnny Drille and more. Congratulations to the team, we look forward to all the new developments this new deal will bring for The Mavins Family

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DJ Tunez’s “Turn Up” gives us the Wizkid, Reekado Banks feature we didn’t know we needed 

See Hamzaa in new video for “Breathing Pt. 2”

“Breathing” is one of the first instantly distinct tracks off Hamzaa’s debut First Signs Of Me EP. The light drum-work and Hamzaa’s voice subsuming the arrangement gets even better when the gospel-inflected bridge before the close of the track sets in. For the new video and remix titled “Breathing Pt. 2”, Hamzaa strips some parts of her original song away for verses from rappers, Wretch32 and Ghetts. The track is not entirely transformed, but the guest appearances are not without substance. The video itself is mostly a mash of clipped studio shots of Hamzaa, Wretch32 and Ghetts making music. “Breathing” is about being more comfortable with oneself and it’s not hard to see Hamzaa is most at peace when she’s behind a microphone.

See Hamzaa, Wretch32 and Ghetts in “Breathing”

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NATIVE BIRTH ISSUE: Essentials: Hamzaa’s ‘First Signs of Me’ project debut

Watch AKA’s music video for “Jika” featuring Yanga Chief

AKA made his name in South Africa as a rapper but occasionally, he’d sing a ballad to show off his versatility. His last album, ‘Touch My Blood’, featured “Jika”, an Afropop song where he sings of his romantic feelings over the sultry mid-tempo beat produced by Kiddominant. AKA just released the music video for “Jika” to mark his birthday on the 29th of January.

Life of Nivo produces the music video for “Jika”, set in a futuristic time-frame where AKA and Yanga Chief are old and live in an home for old people. Despite AKA’s best efforts to earn the affection of a pretty woman in the same home, he doesn’t seem to be making any headway till we inexplicable wind up back in a time where everyone is young and partying at a carnival.

You can watch the music video for AKA and Yanga Chief’s “Jika” below.

Featured Image Credits: YouTube/AKAWorldwideVEVO

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ICYMI: See the music video for AKA’s “Fela in Versace”

YCEE shares new single and video, “Balance”

YCee has cemented his status as one of hip-hop’s best shapeshifters thanks to a genre-bending catalogue of hits. And now thanks to excommunicating from his old record label Tinny, the rapper has more freedom test the boundaries of his ability, without the stringent roll out calendar of a label. To prove the point, “Balance” his new single is coming less than two weeks after he released “My Side”, his first single and video for the year.

Over the sweeping synths, rattling samples, a deeply melancholic piano harmony and 808 drums produced by Elmore, YCee reminds everyone how great of a rapper he is, bragging about the acclaim he has gained since he got into the game. Rapping “I’ve Been a Problem, I Swear all Your Niggas Know About Me/ But There Ain’t Nothing They Can Do About It”, YCee remain introspective and quintessential, in spite of his obvious thirst for blood.

See YCee in “Balance”

Featured Image Credits: Instagram/iam_ycee

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ICYMI: You can read all about the pre-released lead single for BOJ and Ajebutter’s ‘Make E No Cause Fight’ EP, “Yawa”, here

Hear Rolay Bondo’s politically-charged new single, “Kriminalz”

With just over two weeks to Nigeria’s general elections, the increased pressure on artists to say something or do something political is mounting. Earlier in the month, Falz dropped his politically-charged Moral Instruction album with a Fela-inspired artwork. Last night, Davido launched his #DefendYourVotes campaign aimed to charge Nigeria’s youth to be more politically active during the coming elections.

“Kriminalz”, this new single by rapper and singer, Rolay Bondo also tows the same path, as a critique of the state of the country and its seemingly nonchalant ruling class. Interpolating the hook from Falz’s “This Is Nigeria”, Rolay uses her new track to highlight some of Nigeria’s problems, much of it, too grim to not care about if real change must happen in the upcoming election season.

See Rolay Bondo in “Kriminalz” below

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Go spiritual with Teni’s motivational new single, “Uyo Meyo”