Afro-house singer, Avala, reminds us love is blind on new single, “Mo Fe Be”

Before becoming a housemate at this year’s Big Brother show, Avala prepared a generation of 90s babies for the festival lifestyle by inciting the House music-fueled mood for party rave-ups on her Juls produced 2015 hit song, “Crazy House”. She is however more concerned with her romantic feelings on her latest single, “Mo Fe Be”, where she admits to being blindly in love and doesn’t care what others have to say about it.

CKay produces the groovy beat for “Mo Fe Be”, setting a tropical dancefloor scene for Avala’s confessionals, “if na juju you dey use oh/ I don’t mind”. With her carefree lyrics mirroring the lightweight vibe of the beat, she gets away with edgy lyrics in the name of depicting the blind trust required in love. Fortunately for 90s babies, we’ve had enough experience of our own to know better than to take relationship advice from a song written for dancefloor audiences.

You can stream Avala’s “Mo Fe Be” below.

Featured Image Credits: Instagram/lookingforavala

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ICYMI: Watch Tiwa Savage’s music video for “49-99”

Bella Shmurda & Olamide flip their gritty past into hustlers’ anthem on “Vision2020”

Regardless of individual perceptions of street-bred artists and the lifestyle they portray in their music, an irrefutable trait is the potency with which they document their stories. With a pseudonym clearly derivative of New York rapper Bobby Shmurda, you’ll win no prizes for guessing what Bella Shmurda represents in his music. The singer released his debut single, “Vision2020”, back in December, on which he describes the gritty circumstances around his ongoing hustle, while also cleverly indicting the Nigerian government’s continued neglect of underprivileged youth.

Picking up a monumental co-sign, he’s just secured a fiery verse by street-hop heavyweight Olamide. “A ma gba’we mo’ju, a ma j’eba t’abaji (We fast overnight then eat Eba when we wake)”, Olamide emphatically recalls over ID Cabasa’s nudging production, strengthening the song’s riveting quality. In its accompanying TG Omori-directed video, both artists energetically meme their lyrics, in the company of an enthusiastic posse, embellishing its intention as a street anthem for fellow hustlers.

See Bella Shmurda & Olamide “Vision2020” here.

Featured Image Credits: YouTube/BellaShmurdaVEVO

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ICYMI: WHY YOU SHOULD BE WORRIED ABOUT NAIRA MARLEY CAPING FOR YAHOO-YAHOO CRIMES

Idowest is living the ghetto dream in his music video for “Ye Mama”

The ghetto dream is very well documented thanks to the number of artists who have achieved success from their humble beginnings. Idowest secured his spot among the fortunate number when he became an overnight sensation off the impact of his street-hop hit, “Shepeteri”, which saw him get co-signed by Davido and go as far as featuring on Tim Westwood’s BBC “Crib Session”.

The rapper cemented his place as an established rapper with his criminally slept on EP, ‘Mafia Culture Vol. 1’, opening with “Ye Mama”. He just put out the music video for the song on which he narrates his less-privileged past; “Daddy mi sope awon olowo uni/ Uncle mi sope awon o raye story/ Mo wa di omo titi bi eni to fa poli(My dad said no money for college/ My uncle said no time for stories/ So I became a street kid like a drug addict)” The Lucas Ried directed music video opens with shots of Idowest smoking till an old woman starts to question him and eventually chases him out of the house. The video for “Ye Mama” celebrates Idowest’s growth to acclaim as he leaves the house in a red Chevrolet then hits the streets to perform the rest of the triumphant lyrics in front of his adoring fans.

Watch the music video for “Ye Mama” below.

Featured Image Credits: YouTube/Davido Adeleke

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ICYMI: Watch Idowest freestyle on Tim Westwood’s BBC Crib Session 

Johnny Drille sings of eternal love on new single, “Count on You”

Johnny Drille sings of love in the most idyllic sense possible. Instead of coming off as totally naive, though, his penchant for declarative writing, fervent melodies and live instrumentation create an optimistic yet lived-in aura for his music. On his new single, “Count on You”, the Mavin singer dials up the mushiness to an 11, professing undying love with lyrics that land between a marriage proposal speech and a wedding vow. “Baby, this is day one of forever”, he passionately sings on the mostly piano ballad.

Visualizing the song’s emphasis on eternal commitment, the accompanying music video for “Count on You” is built around scenes centred on Teddy A and Bam Bam, both ex-BBNaija contestants who recently tied the knot. The Timmy Davies-directed video follows an endearing sequence of romantic events, climaxing on the stunning proposal and wedding scenes. There are also frames of Johnny Drille performing his set both solo and for the couple, while suited up and playing the piano.

Watch the video for “Count on You” here.

Featured Image Credits: YouTube/MavinRecords

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ICYMI: WATCH THE VIDEO FOR LADIPOE’S STATEMENT TRACK, “LEMME kNOW”

$pacely shares release date & tracklist for debut album, ‘Fine$$e or Be Fine$$ed’

At the beginning of this month, La Même Gang’s $pacely announced the impending arrival of his debut album, titled ‘Fine$$e or Be Fine$$ed’. The singer/rapper has now shared October 11th as the project’s release date, and has also unveiled its star-studded tracklist. Including the two pre-released singles from earlier this year, “Yenkodi” featuring BuMan and Odartei and “Yawa” with Kofi Mole, the project will comprise ten songs. With only one solo song, $pacely pulls in a diverse list of guest features from Ghana and Nigeria, including Pappy Kojo, Joey B, Cina Soul, Odunsi (The Engine), prettyboydo and Teezee.

Building up the anticipation for ‘Fine$$e or Be Fine$$ed’, he’s also shared a third single off the album, “Show Me”, in collaboration with Nigerian singer BOJ. On the new romantic single, both singers express their competence as lovers while requesting the same level of reciprocation from their partners. “Sweety mama follow me, show me love”, $pacely tenderly pleads on the hook, hovering over jazzy horn harmonies and gently propulsive drums.

You can listen to “Show Me” and pre-add ‘Fine$$e or Be Fine$$ed’ below.

Featured Image Credits: Instagram/spacely1z

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ICYMI: WATCH THE MUSIC VIDEO FOR LA MÊME GANG’S “REVEAL”, FEATURING DARKOVIBES AND $PACELY

Wizkid subverts dancehall tropes for Afrobeat bop, “Ghetto Love”

Before Wizkid became a household name in international publications, the Starboy already played a pivotal role in shifting the sound of the mainstream towards the smooth sound of Jazz fueled Afrobeat melodies that still dominates terrestrial radio. Chalk it up to Fela’s monumental influence, but Wizkid has had enough era-defining anthems of his own and for his latest single, “Ghetto Love”, he subverts Afrobeat tropes on his other compositions as he fuses dancehall melodies with the horns and chant samples Killertunes produces.

Though his romantic themed lyrics are predictably lightweight and dance-friendly, the music video for “Ghetto Love” expands the narrative to give a reminiscing approach that sees him reflecting on his journey to being a superstar. A presumed younger version of Wizkid is shown travelling around with his headphones on before we see him performing along to the lyrics in a makeshift studio. Wizkid is also seen performing in a more advanced studio, then with a lit-up background that seems to tribute his “Azonto” music video before the video closes showing shots of Wizkid as he climbs the stage to perform for his adoring fans in Jamaica.

Watch the music video for “Ghetto Love” below.

Featured Image Credits: YouTube/Starboy TV
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ICYMI: Watch the music video for “Dis Love” by DJ Spinall, Wizkid and Tiwa Savage

Vader’s “Ghosted” plays out the rapper’s darkest fantasies

Different artists have employed several gimmicks to portray the hostilities of their reality in the music they make. On Vader’s latest single, “Ghosted”, he imagines a chaotic universe where he’s the hero and the villain, rapping over a synth-heavy beat that pulsates with a haunting aura that fits his dry vocals.

“And now these niggas tryna play me/ It’s all games till I come out spraying/ And now these girls tryna save me/ I just get me a blunt and tell the baby I’m ghosted”, he raps, delivering vivid imagery in each line with graceful control. Though the beat further embellishes the chaos in the world he imagines, it’s his confidence and composure that works the magic to make Vader’s “Ghosted” so compelling.

Listen below.

Featured Image Credits: Instagram/thelastsithlord
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ICYMI: Listen to Vader’s “Wasted Dreams” featuring Bawa

Lyta gets the Davido co-sign on “Monalisa (Remix)”

At the beginning of the summer, Lyta was singing his summer blues. The teenage singer publicly exited YBNL under controversial circumstances, but he’s picked it up since then, joining a new management and dropping a new single, “Monalisa”, as well as its accompanying video. In addition to becoming a sleeper hit, it also caught the ears of Afropop superstar Davido, who has given the singer the highest co-sign with a new verse on the song’s new remix. Apart from Davido’s appearance, nothing about the romantic song is changed, but the addition of an A-list artist will sure help the song’s popularity, and by extension, Lyta’s popularity as well. While its newly released, DK-directed video does touch on the mushy sentiments present on the song, via its destination setting and a couple, the main highlight is the bromance between both artists, and the huge admiration Lyta palpably displays for his high profile guest.

See the video for “Monalisa (Remix)” here.

Featured Image Credits: YouTube/LytaVEVO

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READ: OLAMIDE, YBNL AND THE FUTURE OF STREET HIP-HOP

Watch Dapo Tuburna, Psycho YP & Ycee catch trips in a rad “Penthouse”

Three months after dropping the video for his pseudo-inspiring single, “Lituation”, Dapo Tuburna is still in high spirits on his new single, “Penthouse”, although this time he’s more fixated on delivering outright boasts. Spotting an iteration of a melodic trap flow, it is an interesting stylistic pivot that makes even more sense with the guest features by Psycho YP and Ycee, who are in more familiar territory while delivering their brag-filled bars. Capturing the exuberant and hedonistic essence the song inspires, the accompanying video features all three artists performing their lyrics, while catching trips in the midst of friends, models and hundred dollar bills.

Watch the video for Dapo Tuburna’s “Penthouse” below.

Featured Image Credits: YouTube/Dapo Tuburna

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ICYMI: PSYCHO YP PUTS ON A FLEXING CLINIC ON “WOAH”

Asa details new album, ‘Lucid’

For those at the back, Asa is back. The maverick singer recently returned to putting out new music, after about five years of relative silence. In May, she dropped her comeback single, “The Beginning”, to serve as an immersive palette cleanser. She followed up with “Good Thing”, a radiant cut that harps on the beauty of starting over, put front and centre by the heart-warming, Sesan-directed music video.

Apart from the tangible narrative threads tying both songs together, the somewhat traditional roll-out seemed to point to an upcoming album, which the singer has now confirmed. Taking to her social media pages to detail the LP, she announced ‘Lucid’ as its title, unveiled its stunning cover art and shared an October 11th release date. The album will comprise fourteen (14) songs, with the inclusion of both pre-released singles as the second and third tracks. ‘Lucid’ is Asa’s fourth studio album, and it succeeds her acclaimed 2014 album ‘Bed of Stone’.

Pre-add the album on Apple Music here.

Featured Image Credits: Instagram/Asaofficial

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ICYMI: DOCUMENTING THE YEARS SINCE ASA SET FIRE TO THE MOUNTAIN

Aramide plays out an apprehensive wooing scenario with Reminisce on “Baba Abule”

It’s been three years since Aramide’s debut album, ‘Suitcase’, and although she hasn’t exactly looked like she’s dropping a new LP anytime soon, her occasional string of new singles and lauded stage acumen has kept her name firmly in the mix. After opening the year with her “I Don’t Mind” single and making a guest appearance on Boogey & Paybac’s ‘Alternate Ending’, the singer picked up the distinguished achievement of being inducted into the Recording Academy’s governance board in June, later dropping her first live album, named after a recent headlining concert, ‘Songsversation With Aramide, Vol. 1’.

For her latest act, she features heavyweight rapper Reminisce on her latest song, “Baba Abule”. While SizzlePro’s Yoruba Folk-indebted is brightly layered, Aramide unfolds a dour narrative about repelling the advances of a suitor she plainly deems to be trouble. “Baba abule ma ba mi s’oro ife mo (Don’t talk to me about love anymore, mister)”, she sternly sings on the hook, after relaying her apprehensions on the first verse. Although she remains resolute with her decision, Reminisce still gets off his affectionate raps, going into his Lothario bag for a bunch of lines packed with sweet nothings.

Stream Aramide’s “Baba Abule” below.

Featured Image Credits: Instagram/aramidemusic

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ICYMI: LET ARAMIDE’S “MAGIC” TAKE YOU TO A HAPPY PLACE

Tide recounts a captivating tale of love and betrayal on new single, “No Lie”

Tide’s peculiar knack for crafting soulful, sincere vocals that convey heartfelt emotions despite being showy was highlighted on his NATIVE debut, “Rolling”, a soulful ode to youth. His latest release, “No Lie”, ups the ante even further as he attempts to admit his infidelity without breaking out of his effortlessly cool character.

https://www.instagram.com/p/B19pVjSgrCI/

Singing “Shawty super fine, I ain’t gan lie/ Only hit her once, I ain’t gan lie/ Had too much to drink, I ain’t gan lie/ Yeah I do the most, I ain’t gan lie” confidently over the sparse beat Damie produces, he isn’t quite apologetic, but is charming enough to seem convincing with his honesty. He however never shows his hands, delivering widescreen, yet intimate lyrics that could be addressed at a lover, a friend, a sibling or even God. Refusing to cohere into a single straightforward emotion, “No Lie” seesaws between love and hate and devotion and betrayal while painting Tide a victim of being “cool”, blaming his charm for putting him in a situation where he has sex with someone he clearly shouldn’t have.

Stream Tide’s “No Lie” below.

Featured Image Credits: Instagram/olatidewright
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ICYMI: Listen to Tide’s “ROLLING”

Best New Music: ICTOOICY’s “Melancholy Baby” is an unapologetic commentary on saviour syndrome in romance

ICTOOICY may be one of this year’s sacred discoveries. The first uploaded track on her SoundCloud, “Misunderstood”, a heart-wrenching alt-R&B and hip-hop fusion, dates back nearly two years ago. Though it is more likely the self-described ‘poet with a flow’ creates her own music with tools in her immediate environment, ICTOOICY’s intuitive songwriting balances minimalism and rhythm for smooth lo-fi listening. On “Melancholy Baby”, guitar-riffs subsumed in ambient synths backgrounds themes of mental health as IC sings “call me a melancholy baby”. It’s not entirely clear if she’s broken from love, but IC’s interluding rap verse hints at an overhead gloom hanging over her relationship. If you have ever heard the J.Cole line: ‘she don’t wanna be saved, don’t save her’,  ICTOOICY’s haunting chorus about ‘needing saving’ will feel all too familiar; it echoes a sentiment common in angst-filled romance. IC’s brazen embrace of that ‘sad girl’ label is an unapologetic commentary on the complexities of saviour syndrome in romance.

Stream “Melancholy Baby” via SoundCloud


Toye is managing-partner at NATIVE Nigeria. Tweet at him @ToyeSokunbi


Best New Music: Accra City Vice comes to life in Tulenkey’s trap-house anthem “Yard””

Blaqbonez, Loose Kaynon, A-Q & M.I Abaga come bearing bars on ‘Martell Cypher 2’

Since publicly arriving over a year ago, Chocolate City subsidiary 100 Crowns has made it a point of duty to stay in front of, and steer conversations concerning rap music in Nigeria. Alongside parent label executive and revered rapper, M.I Abaga, and foremost signing Blaqbonez, the A-Q and Loose Kaynon-led imprint has been able pull off a handful of moments, including ‘LAMBaugust’, last year’s 3-week album roll-out, and intermittently holding ‘The Coronation’, a rap-centric event with four instalments till date.

In the wee hours of 2019, the loose collective literally stopped the Nigerian internet, after releasing a Martell-backed cypher that saw all four rappers relentlessly pummel a sturdy BeatsByJayy instrumental with Vibranium-laced raps. They’ve just returned for a similarly scorching, conversation stoking sequel, along with an accompanying video, in which each rapper is suited up to evoke mafioso imagery. Following the same M.O. as the first go around, Jayy again scores ‘Martell Cypher 2’, mixing floor shaking 808 bass and sinister piano keys as haunting as the Joker’s wide grin, while the same order of stepping up to the mic is maintained.

Blaqbonez opens up the cypher in his usual vivacious demeanour, packing his bars with confident quips and clever pop culture references, clearly aimed at shadowboxing Opps who’ve continued to throw virtual stones at him since he declared himself the ‘Best Rapper in Africa’. Loose Kaynon follows up next in a more engaging flow than the novel cypher, scoffing at naysayers and doubters, while flexing the ongoing profitability of his crew. A-Q takes the penultimate spot, and in his usual battle-ready gait, reels off an aggressive litany of shock-indented, wide-ranging bars that feature everything from unsubtle political commentary to his salacious intentions for one of Afropop’s foremost divas. M.I, however closes with the pick of the verses, and while his conceited quips are loaded with subs at another Cognac-sponsored cypher series, it mostly serves as a timely reminder of why he’s regarded as one of the best around these parts to ever pick up the mic.

Subtitled ‘The Purification’, this newly released cypher is in line with 100 Crowns’ lofty moves meant to galvanize interest and support around rap music in Nigeria. While it is undoubtedly an adrenaline shot, it is difficult to see it in a wholesome light, considering the sequel is coming eight whole months after a debut that hinted at better frequency and a diverse line-up. Regardless, it is never a bad time to see four rappers get busy, which is what ‘Martell Cypher 2’ primarily offers.

Watch ‘Martell Cypher 2’ here.

Featured Image Credits: YouTube/MI Abaga

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THE SHUFFLE: REMEMBERING M.I’S “SUPER HUMAN” FEATURING LATE SOUTH AFRICAN LEGEND, HHP

Essentials: Blackmagic’s ‘BM’ EP

After flexing his avant-grande chops with his metal rock ‘Wizard Spell’ album, released earlier this year, Blackmagic returns to the familiar Afropop sound that earned him mainstream acclaim when he debuted “Repete”. He just put out a 7-track EP, ‘BM’, a pure expression in the Blackmagic linage of layering compelling vocals over melodic arrangements that are both slow-moving and deceptively groovy.

‘BM’ slowly builds organic acoustic harmonies into something progressively live music sounding, always with a sense of nostalgia and celebration that’s perfect for setting a pleasant mood at outdoor events. He produces all 7 tracks and leaves the piano, drums and electronic guitar arrangments he lays down on the opening track, “BM19001”, to breath for over 2 minutes before we hear any vocals. Singing “I think I’m ready for the world/ Ready to play my part/Come on and break my heart” in his gentle drawl, it might be a depressing kind of truth, but there’s still something spectacularly freeing about it, especially when paired with the catchy drum and guitar riffs. The melancholy is more prominent on the next track, “BM19002”, written as a sort of apology for ghosting; “Sometimes it bes like that/ Gotta disappear and come right back”.

The third track, however, revives a festive mood through the chant palm-wine music melodies and triumphant horn samples that match his boastful lyrics. Blackmagic delivers a rap verse on “BM19004”, making him more compelling when he reveals some truths he has discovered about having a successful career, “Every circle got haters inside/ got waiters serving you feedback, you need that/ But don’t always take it inside/ we’re all made unique, I don’t generalize”. “BM19005” has a romantic direction that sees Blackmagic singing in French over Reggae instrumentals but though the romantic theme continues through the next track, he seems more earnest, singing “Your love dey scatter my head/ oh baby/ You’re the reason I’m” over the dancehall beat he produces.

‘BM’ closes with a rap song, “BM19007”, a defiant and necessarily abrasive statement that combats toxic behaviours. Over a captivating mix of electronic guitar harmonies and vocal chant samples, he rails against our problematic traits saying the only thing that can fix our situations is love or a miracle. Sharing the project with next to no hype or promotion, there’s something subversive about Blackmagic dropping so many gems on ‘BM’. His hold on the mainstream audience has weaned over the years, but it’s clear that it hasn’t affected how much he cares about his fans.

You can stream Blackmagic’s ‘BM’ below.

Featured Image Credits: Instagram/ejayblackmagic
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ICYMI: Watch Blackmagic’s rustic video for “Anything For Love”

Mr Real takes his philosophical questions to God in his music video for “Oloun” featuring Reminisce, Phyno and DJ Kaywise

Mr Real has followed up the release of his “Oloun” single with an accompanying music video. The song which continued Mr Real’s penchant for preaching the street gospel saw him asking existential questions and waxing philosophical while speaking to his creator over the Afro-house beat Cracker produces. Dr Nell directs the music video for Legendoreel Films, highlighting the spiritual nature of the song with scenes showing Mr Real confessing to a priest before he asks for more blessings. Phyno, Reminisce and DJ Kaywise also appear in the video with the rappers performing their bars while we watch dancers grooving to the beat and actors taking the holy communion.

Watch the music video for “Oloun” below.

Featured Image Credits: YouTube/Mr RealVEVO
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ICYMI: See the music video for Burna Boy and Jorja Smith’s “Gum Body”

Burna Boy and Jorja Smith lull viewers into their intoxicating universe in their music video for “Gum Body”

Call it fabulous, commercially-ordained kismet that the chemistry Jorja Smith and Burna Boy shared on “Gum Body” is what coaxed her to feature the African Gaint on “Be Honest”, her only release so far this year. Both singers have shown a commitment to writing immersive lyrics that make their song’s relatable and on “Gum Body”, off Burna Boy’s latest ‘African Gaint’ album, they forged an artistic kinship that reinforces their tortured lyrical themes of stifled affection.

Meji Alabi directs the recently released accompanying music video with a melancholy setting that lulls viewers into the intoxicating world the singers’ build with their lyrics; “I m I just drunk or something?/ In love, in love, in love, in love”. We watch as Jorja Smith dances seductively to the lightweight beat while Burna Boy is seen nursing two shots of whiskey.

Watch the music video for Burna and Jorja’s “Gum Body” below.

Featured Image Credits: YouTube/Burna Boy
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ICYMI: Watch the music video for “Be Honest” by Jorja Smith and Burna Boy

‘Daughters of Chibok’ wins Best Virtual Reality Story at the Venice Film Festival

The world watched with horror in April 2014 when 276 girls were kidnapped from their school dormitory in Chibok, northeastern Nigeria by extremist group, Boko Haram. The non-admission of the atrocity by the then president, Goodluck Johnathan fuelled social outrage and led to the birth of the #BringBackOurGirls movement. Over the years, following government negotiation with the terrorists, 107 girls have been released from captivity but many more still remain unaccounted for.

Five years later, a documentary titled ‘Daughters of Chibok’ has won the virtual reality linear competition at the 76th annual Venice Film Festival. The Joel Kachi Benson documentary follows the story of Yana Galang, one of the mother’s of the abducted schoolgirls who is still missing; she cleans her daughter’s clothes everyday in hopes that she will return. The documentary, through virtual reality, explores the aftermath of the kidnappings and explores global issues such as poverty and the right to education. This win will plummet the story of the Chibok girls back into global attention once more and invite more people to never forget the atrocities committed by Boko Haram; till then #BringBackOurGirls

Watch Joel Kachi Benson’s acceptance speech below:

https://www.instagram.com/p/B2I8Fk7nZOp/?utm_source=ig_web_copy_link

 

 

Featured image credits/La Biennale Di Venezia


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: HBO has made a documentary about Boko Haram and the abducted girls

Zlatan is Mr-Steal-Your-Girl in the music video for his “Bolanle” collaboration with IVD

Zlatan fans are having the best time, stanning a rapper with a lovable personality, accomplished pop sensibilities and the work ethic to keep a steady string of releases to satisfy millennial fan with their short attention spans. It’s a new weekend and a new Zlatan song to party to as he releases a new collaboration with IVD, “Bolanle”, just weeks after joining DJ Cuppy for “Gelato”.

“Bolanle” highlight’s Zlatan’s appreciation for folky Yoruba music through his melodic Yoruba fueled hook and verse over the catchy beat Phantom produces to a groovy rhythm that suits western Nigerian party music. The story-telling narrative, describing a scenario where a stingy man loses his beautiful lover to a richer person, sets up Zlatan to show off his singing chops before rapping a verse, kicking game on how things are run in the streets; “Who no like better thing?”. The music video Visionary Pictures directs shows Zlatan performing the song with a live band as if to highlight the song’s adaptability to suit wedding DJ sets, but the Mr-steal-your-girl narrative is also sustained through shots of Zlatan winning the affection of a lover by buying her a brand new Mercedes.

Watch the music video for IVD and Zlatan’s “Bolanle” below.

Featured Image Credits: YouTube/IVD Empire Entertainment
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ICYMI: Listen to DJ Cuppy and Zlatan’s “Gelato”

Mannywellz drops breezy 3-song pack, ‘META’

At the dual core of Mannywellz’ music is his migration at an early age, and a compulsive inventiveness to wholesomely represent his cross-Atlantic influences. In January of last year, the Maryland, U.S.-based singer/songwriter/producer put out his sophomore EP, ‘SoulFro’, a career defining tape that features compelling writing to reflect his experiences and perspective, and a distinctive merge of plump African grooves and contemporary hip-hop sounds.

After closing out 2018 with the September remix for one of the project’s cuts, “Yeoo”, with a guest feature from Adekunle Gold, Manny opened this year with “Soul on Fire” in May, and has now followed up with a quick new tape, ‘META’. Symbolically, the project title translates to ‘Three’ from Yoruba, also representing his third project and the number of songs present on the tape. In usual fashion, ‘META’ coins in on his composite instrumental arrangements, propelled by sunny piano harmonies and Afro-Juju inspired rhythms.

Although it is thematically lightweight, with Manny cycling through a brief range of romance-fueled topics, his writing carries a lived-in aura, which is paired with his rustic tenor to give the three songs equal levels of substance. While he vindictively rues a toxic ex from a recently ended relationship on opening track “No More”, things take a brighter turn on next track “Philosophy”, where he declares his mushy credo in relation with being in a loving relationship. Final song, “Imperfections”, is buoyed by the patter of talking drums, perfectly accompanying lyrics that come across as an affectionate renewal of vows.

Stream ‘META’ via Apple Music here.

Featured Image Credits: Instagram/Mannywellz

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


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Paybac digs into an eccentric, vintage-based bag for new single, “Boy Band”

Paybac is a self-confessed experimentation slut. His official debut LP from early last year, ‘The Biggest Tree’, mined immersive Nu-Folk soundscapes to accentuate gripping, personal topics, while he delved into the rumbling world of Trap on the brightly coloured ‘Autopilot’, in late 2018. A few months after trading bars with Boogey on their musically varied but traditionally structured joint album, ‘Alternate Ending’, the indie rap veteran is setting up to dig into his bag of eclectic eccentricities for his upcoming sophomore album, ‘CULT’.

“Boy Band”, the newly released lead single, foreshadows the delightful, left field choices that should propel the project. Sampling a shrill piano riff from “Acid Rock” by ‘70s Afro-Rock band The Funkees, as its central motif, Learn The Creator helms a vintage-based palette, completed by lively percussions that make for a languid groove. Loosely written to amplify his catchy one-liners, Paybac’s toes the line between playful self-assuredness and whimsical rebellion, delivering his lyrics in an infectious mix of smugly sung melodies and chanted raps.

Stream “Boy Band” via Apple Music here.

Featured Image Credits: Instagram/lookatpaybac

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Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


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