Essentials: Somadina takes us through the ‘Five Stages’ of grief in her debut EP

New year, new music from our TRYBE alum, Somadina Onuoha. The talented newcomer shared her 5-track debut earlier today, and instantly made it clear that her soft-spoken airy vocals were here to stay. While it’s a short project, it encapsulates a very deep message, where Somadina uses her first body of work to explicate grief, expressed through 5 tracks to represent its 5 stages: denial, anger, bargaining, depression and acceptance.

Grief is a common emotion we all face, and the best music tends to evoke emotion from listeners. Somadina tackles this age-old journey in her own way, weaving seamlessly through the r&b infused tracks, taking us through the different stages of grief stemming from relationship-related bullshit.

This is particularly important, as we’re entering a phase in Nigerian music which is opening up to the idea of actually listening to what women have to say. Raw and honest music such as this,

‘Five Stages’ starts off with “But I Should”, a raw expression of the first stage, denial, over a syncopating piano-led beat. ‘Can’t keep you out but I should/can’t see you walk away so please baby don’t’ she sings, ever so slightly, exposing the desperate plea in her voice and leaving her on the cusp of an explosion as the first stage of the grieving process rolls into the next.

Somadina welcomes in stage two with “Don’t Need”, a KD-produced track that sees her sending a clear message to her interest that she’s moving on. Anger for Somadina is not rage; it’s more of annoyance, it’s realisation as she sings, ‘I don’t really need nothing from you/all it had to take cause you’re a fool’. She’s joined by Jay who poses as her love interest and a stereotypical ‘fuckboy’, who only has nasty things to say after the breakup. ‘Last week you were begging don’t leave me/I think you need me and you need some composure’ come his bruising raps, which are sure to fuel further anger in her.

“Blame Game”, in contrast, is a sweet dream-pop melody produced by Odunsi, and Somadina struggles with conflicting feelings, questioning who bears the blame of the love failing. It’s sweet and short, yet filled with so much of the complexities of a modern relationship. Depression sets in on the fourth track, “Broken” following in the same slowed pitched r&b flow of her earlier songs. ‘I even lost my worth’ she sings, wearing her pain for all to see as she mourns an irreparable relationship.

Somadina rounds up her EP with an “A Capella” as she lets her smooth vocals shine the brightest, without the aid of any instrument. The song starts off soft and slow, eventually picking up the pace as she becomes determined in her resolve, ‘I will be alright/Just look how far I’ve tried’ she sings, convincing herself and listeners that the worst has passed.

Featured image credits/thankgodhimself


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: TRYBE: Somadina the nomadic teenager spreading her wings one bop at a time

Plug into the soulful sounds of BemiSoul this valentine weekend

We came across BemiSoul’s lush soulful vocals via her Instagram page, where the songstress shares snippets of her music, and we can’t seem to get enough. Her cover of Simi’s “Doyin” showed off her mesmerising vocals and now, just in time for Valentine’s Day, she’s dropped two new singles showcasing her rich, soothing vocals even more.

Her anti-love anthem, “Trust Issues” instantly caught our attention, and the compelling number touches on the complexities of modern relationships, where she struggles with allowing herself to invest wholeheartedly in a relationship because of her lack of trust. She’s sure of what she doesn’t want, and checking his phone, worrying when he’s coming home, raising her tone are top on her list.

On “Gratitude” she opts for more familiar afropop romantic tropes as she sings, Fight for us and remove all disturbance/I appreciate you’ over the mellow drum-led beat which sees her appreciating her love interest for all their good qualities and constantly fighting for them. Although a stark contrast for “Trust Issues”, BemiSoul shows that her enviable soothing vocals will be sure to get you through the Valentine’s weekend, no matter your mood.

Featured image credits/instagram:bemisoul


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Efya introduces new alter-ego ‘Big Dragon’ with new single “Fracture”

Lady Donli is the kickass hero in the video for “Corner”

Like she’s been preaching to the rest of us mere mortals, Lady Donli has been enjoying her life. Last year she released her debut album, a brilliant 15-cut blend of different sounds, which enjoyed an amazing rollout which captured the attention of many millennial and Gen Z music lovers who relieved their 00’s nostalgia in her wake.

“Corner” was one of the album’s standouts track, with beautifully-executed assists from sister duo Vanjess and The Cavemen.

The singer-songwriter has now shared the anticipated video for the track, directed by Shaun Kalu, Donli plays the role of Cash Mummy, the campus activist that sticks it to the bad guys, no matter the cost. She rallies up a loyal following that help uncover the prevailing social issue in Nigeria where women are being forced to offer sexual acts for grades at universities. Donli saves the day and it ends in celebration, reinforcing the enjoy your life ethos.

Watch the video for “Corner” below.

Featured image credits/youtube


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Check out which other African artists will be performing alongside Lady Donli at the SXSW Festival this summer

Watch Patoranking in the romantic video for new single, “I’m In Love”

Less than a year after releasing his sophomore album, ‘Wilmer’, Patoranking seems to be back releasing new music, with his  “I’m In Love”, a romantic cut, set to a bouncy mid-tempo beat. “I’m In Love” an accompanying music video, which features Patoranking and a love interest playing around in a sun-soaked location that evokes the atmosphere of a baecation. The new single and video follows Patoranking’s stunning appearance on A Colors Show a few weeks back.

Watch “I’m In Love” below.

Featured Image Credits: YouTube/Patoranking Fire

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: PATORANKING LAUNCHES SCHOLARSHIP WITH AFRICAN LEADERSHIP UNIVERSITY

Listen to Korede Bello’s affectionate new single, “Sun Momi”

We’ve watched Korede Bello grow over the years from a child star to an established artist under Mavin Records. Though he developed a reputation for being a bit reclusive, after the viral success of “Do Like That” portrayed him as the future of Nigerian music, he still gets a loud cheer from fans when he shares new music.

His latest single, “Sun Momi” is sure to come in handy for wedding playlists during the Valentine season run this weekend and we’re interested to see how well the song does in our market.

You can listen to the charming love song below.

Featured Image Credits: Instagram/koredebello
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: TRYBE: Meet Rema, the kid from Benin with the world at his feet

Terry G & Prettyboy D-O team up for new single, “Inspiration”

Everything Prettyboy D-O touches turns to musical gold, and that definitely includes Terry G’s latest single, “Inspiration”. The streets have been calling for this collaboration for a long time, and it has turned out to be a match made in heaven.

From the new song, it’s clear that Terry G has finally got his groove back, singing about how getting high boosts his creative juices. Against a mid-tempo beat, both artists show great synergy, and Prettyboy D-O’s guest verse definitely steals the show, reiterating Terry G’s cravings with more.

The accompanying music video directed by San x TSE “Inspiration” is set in a neon-lit trap house where Terry G and Prettyboy D-O perform their verses. With friends, dancers, speakers, a money counter and a blunt being passed around, the video captures inspiring elements Terry G and Prettyboy DO sing of.

Watch the music video for Terry G’s “Inspiration” featuring Prettyboy DO below.

Featured Image Credits: YouTube/Officialterryg
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: We solved the decade long mystery about Terry G’s “Free Madness”

Where were you: Kida Kudz’s ‘Nasty’ listening party

Though listening parties only draw a fraction of the crowd of big festivals, they are what keeps the music scene thriving through the year. The fanfare for Kida Kudz’s debut project, ‘Nasty’ already established it one of the notable music releases of the year. It generated the media hype that’s worthy for an artist who has successfully crossed over between Nigeria and the UK and Nigerian fans were more than happy to be the first to host him just a day after the EP debuted on the 7th of February.

https://www.instagram.com/p/B8V5TgwnJYm/

It’s an hour after the time written on the invite Kida Kudz sent into fans’ dms and emails, and a stream of ravers are gathering at the car park of the popular Danfo restaurant in Ikoyi. Unaware of Lagos’ poor timing, fans who had come from Jos to show their support for Kida Kudz socialize with other early birds and take pictures with celebrity guests like Zamir. No one notices when Kida Kudz sneaks upstairs to the Revered Nature location of the listening party.

Upstairs, the lights are on, the ‘Nasty’ mixtape is playing and the partygoers and fans are huddled up in groups, talking and waiting while Kida Kudz’s mic is set up. There’s a sense of anticipation as the venue fills with dyed haired party goers, photographs, graphic designers, artists and students. Everyone has come together looking for the same thing: to meet Kida Kudz and celebrate his debut project with him.

https://www.instagram.com/p/B8VnnKhnwM4/

As soon as the mic is ready, he speaks to the room and thanks everyone for coming. “We got one!”, he says with a smile that assures everyone they are at the listening party for an album they’d be talking about for years to come. His confidence seems to spread through the room and the crowd erupts in cheers as the opening track, “Majesty”, booms out of the speakers and more people come closer to catch a clearer glimpse of Kida Kudz in his elements. With more people taking out their phones to share their experience with others and document the moment, he takes off his shirt and shows off his well-toned body to applause from all the adoring fans in the building.

Before getting into his performance, he invites anyone who has anything to say to come forward and speak freely. Three different people take turns expressing how pleased they are with the project and how much impact his music has had on their lives. He reciprocates the love by walking around freely between the crowd to a different spot where a stage is set for him and from there, he performs “Big Up”, “Tasty Time”, “1 am” and others choice picks from the 10 track tape.

View this post on Instagram

📸 @kidakudzgram mixtape link up party

A post shared by noname (@dant3h) on

Kida doesn’t rush home after the show is done. He chills at the car park with Odunsi, Ashely Okoli, Zamir and others who walk up to him to congratulate him for the project and take pictures with him. Lagos couldn’t be any more welcoming.

Featured Image Credits: Instagram/theamateurchannel
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: “1 am” off Kida Kudz’s ‘Nasty’ mixtape debuted as NATIVE’s Best New Music pick

Essentials: Bella Shmurda’s ‘High Tension’

Bella Shmurda is a product of the same ghetto lifestyle that floated the trendy Marlian fandom. It was no surprise that his breakout song, “Vision 2020” featured collaborations with ID Cabasa and Olamide, pioneers of the street-hop sound that dominates the streets of Lagos.

Though the lead single already established Bella Shmurda’s penchant for detailing the gritty street life, his new ‘High Tension’ project is even more immersive as he embedded a whole bundle of Yoruba folk traditions and references that give the 7-track EP an air of lived-in familiarity. On the melancholic opening track, “Ginger Me”, his descriptive lyrics paint a picture of his sad reality over a mournful beat that evokes spiritual elements in his soulful traditional melodies.

He doubled down on the spiritual theme for the second track, “Omnipotent”, where he expressed gratitude for protection from the evils in his life. It’s a similar sentiment to what D’banj captured on “Mobolowowon” and it introduced listeners to a more pleasant side of Bella Shmurda’s street life. The next track, “Liquor” is a romantic number fit to be a wedding dance number with the live band vibe of the backing vocals and instrumentals ID Cabasa produced.

The excitement on ‘High Tension’ doesn’t start to build till the 4th track, “Sho Mo Mi”, a boastful song with a romantic narrative. His confidence in the slow-burning charm of his indigenous Yoruba folk melodies allows him the freedom to hurl everything at listeners with manic intensity on the closing track, “Upgrade”. “Upgrade” highlights Bella Shmurda’s uncanny ability to walk the thin line between good and evil. His charming lyrics unveil the song as a tribute to a love interest, but as the subtextual context of his finessing lifestyle becomes apparent, the song morphs into a heartbreaking kissoff to an ex; “Eni to ba mo mi tele, mo ti lo”. The whole thing is dreamy and lovely, with a horn-driven instrumental that feels that make the song listen like a victory anthem.

High Tension’ opens the door to a more appealing street-hop universe—a reminder that hope can be found even in the darkest places. Bella Shmurda’s inquiry into his street life exhumes depression with an offhand tone as he shields his trauma with a brave face. He leaves listeners with a soulful representation of his harsh reality.

Stream Bella Shmurda’s ‘High Tension’ below.

Featured Image Credits: Instagram/bella_shmurda
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch the music video for Bella Shmurda and Olamide’s “Vision 2020”

Sauti Sol’s “Suzanna” video and 6 others videos you need to watch this week

Sauti Sol – “Suzanna” 

Kenya’s biggest band, Sauti Sol, head to Nigeria for the music video of their latest release, “Suzanna”. Leke Alabi-Isama directed the video in a 70s disco ball motif that celebrates the stylish looks from the past. The band is shown performing the romantic song at a bar before we see shots of them performing on the streets and at a photo shoot. The song is a teaser for what’s to come from Sauti Sol’s coming project.

NSG – “Ourself”

UK based group, NSG have made a name for themselves with their hit song, “Options” and notable features with artists like J Hus, Geko, Not3s. The confidence boost from the fame has done wonders for their street talking as is evident from their latest single, “Ourself”, a boastful song celebrating their acclaim. The video shows off their glamorous lifestyle with a vaction-esque mood board that shows the group on a location in Ghana, on a beach and performing on stage.

Lil Nas X – “Rodeo” Feat. Nas

Lil Nas X partners with Nas for the haunting video for his new single, “Rodeo”. The song had originally featured on Lil Nas X’s ‘7’ album. The video he co-wrote and co-directed with Bradley and Pablo takes a lot of influences from Matrix and Vampire franchises. He transforms from his hip-hop cowboy image to a vampire after being bitten on the neck. He takes the opportunity to throw in a “Thriller” inspired choreography into the mix of supernatural references.

Kufre – “Melodies”

Trap music has grown legs in Nigeria as more artists come out with their interpretations of the psychedelic synth-heavy rap music. Kufre’s debut tape, ‘First Son’ EP earmarked him as a trap artist to look out for with his laidback command of the synth-lead beat and the stoner stories he tells over them. He also released a music video for “Memories” where he creates the psychedelic effect with green room technology.

Eugy – “Rendezvous”

British-Ghanaian singer and songwriter, Eugy has developed a reputation for his easy-listening romantic singles despiting breaking out with a dance-anthem, “Dance for Me”. His latest single, “Rendezvous” reignites the spark of his uptempo melodies as he delivers a groovy song to celebrate his acclaim.

Raveena – “Headaches”

American pop singer, Raveena has dropped her first single of the year, “Headaches”, a love song sweet enough to make you sick before even watching the glossy video. The pay off for the charming relationship she displays with her Asian muse was the visually appealing video that takes some influences from the Asian culture.

Juls – “Your Number” Feat. King Promise and Mugeez

Juls has released the music video for his latest single, “Your Number”, featuring King Promise and Mugeez. Their highlife celebration came to life in the newly released music through the brightly coloured sets and Ankara print set designs. The romantic direction of the song is also depicted with the beautiful models that serve as muses in the video.

Featured Image Credits: YouTube/Sauti Sol
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Sauti Sol have signed an exclusive deal with Universal Music Africa

Olamide kicks off the year with an all-rap EP, ‘999’

A few weeks back, we speculated that Olamide would be delivering a new project in 2020. Our prediction was brought on by the fact that last year marked the first time in his prolific career that the rapper didn’t drop an album, since debuting in 2011. True to form, Olamide has now dropped a new EP, ‘999’, with very little warning. He announced the project just over 24-hours from release, in a series of Instagram posts where he unveiled the title, tracklist and stunning artwork.

While the majority of Olamide’s latest singles have been focused on accomplished pop sensibilities, ‘999’ is an exclusively rap tape. He’s joined on the the 9-track project by Snow, Cheque, Rhatti, Sosa-E, Jackmillz and Jayboi, all up-and-coming rappers, while his son Milly and frequent collaborator Phyno round out the list of featured artists. Production on ‘999’ is handled by Olamide, Eskeez, Pheelz, Crackermallo and ID Cabasa.

You can stream ‘999’ here.

Featured Image Credits:

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: FIREBOY GETS VULNERABLE FOR DEBUT PROJECT, ‘LAUGHTER, TEARS AND GOOSEBUMPS’

Ndani TV’s ‘Skinny Girl in Transit’ is back with a new season

Ndani TV’s hit show, ‘Skinny Girl in Transit’ is returning to screens nationwide on February 14. The new season picks up right where it left off, with a married Tiwa and Mide. The minute-long trailer showed the drama waiting to unfold this season: the newlyweds navigating married life and possibly—*spoiler alert*—children; Salewa deals with her incessant questions from her mother on when she too will get married; we also see more of Didi who navigates life as a single woman, and Wosilat who dreams of fashion school.

Watch the trailer for ‘Skinny Girl in Transit’ below.

Featured image credits/obisomto


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Watch Richard Mofe-Damijo in the trailer for ‘The Perfect Picture – 10 Years Later’

Efya introduces new alter ego ‘Big DraGon’ with new single, “Fracture”

Last weekend, Ghanaian singer/songwriter Efya announced via her social media that she would be releasing new music under a new alter ego, ‘Big DraGon’. Under her prominent moniker, Efya felt she was being held to certain standards that Big DraGon could easily get out of, due to the lack of boundaries when it comes to making music as Big DraGon. ‘She sings as it comes from the soul’, an excited Efya announced, and that’s exactly what she delivers on the newly released single, “Fracture”.

In the Kuvie-produced song she sings, ‘Take a look at me, fixing what I broke/finding life in bold, reflecting as I grow’. The soulful bop finds her confronting the two conflicting sides of her personality which are fractured, but with her decision to accept her other bolder side, she is mending what has been fractured.

Listen to “Fracture” below.

Featured image credits/abdularafat


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Watch Dami Oniru’s stunning visual for “5 Shades of Bri”

The Shuffle: Relive Joseph Shabalala’s glory days on “Hello My Baby” with the Ladysmith Black Mambazo band

It has been a sad day for South Africans following the death of Joseph Shabalala, the leader of the 5-time Grammy-winning Ladysmith Black Mambazo band. His death at the hospital in Pretoria, South Africa, was announced this morning after battling with sickness for a long time. The South African government paid tribute to the musician in a tweet saying “We would like to extend our condolences on the passing of Joseph Shabalala who was the founder of the group Ladysmith Black Mambazo”.

Joseph Shabalala lived an impactful life from being born the eldest of 8 children that lived on a farm in Tugela, an area close to the town of Ladysmith in South Africa. He formed the Ladysmith Black Mambazo band and led the acapella choir to compose songs that fused indigenous Zulu songs and dances with South African isicathamiya, an a capella tradition that was frequently accompanied by a soft, shuffling style of dance. The band signed a recording contract in 1970 after an accomplished radio performance and in 1973, they released Africa’s first gold-selling album, ‘Amabutho’.

In 1987, they released ‘Shaka Zulu’, their first worldwide album produced by Paul Simon and it went on to win the Grammy award for Best Traditional Folk Album. Joseph Shabalala and the Ladysmith Black Mambazo band also contributed backing vocals on Paul Simon’s multi-million-selling ‘Graceland’ album and they were able to perform hit songs like “Hello My Baby” during Paul Simon’s “Graceland : The African Tour” concerts.

The “Hello My Baby” performance from the tour shows frontman, Joseph Shabalala in his elements as he leads the passionate acapella performance of lush, warm, glorious harmonies. Their stylistic mixture of Christian harmonies and Zulu chants created a spiritually-charged atmosphere that still gives us goosebumps when we watch the old video recording.

Joseph Shabalala died at 78 but the impact of his music means his legacy will live forever. Watch his “Hello My Baby” performance at the “Graceland : The African Tour” below.

Featured Image Credits: Instagram/travellerpsalm
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Remembering Hugh Masekela’s Billboard charting hit, “Grazing in the Grass”

Watch the video for Adekunle Gold & Kizz Daniel’s collaborative single, “Jore”

Late last month, Adekunle Gold and Kizz Daniel dropped their very first collaborative single, “Jore”. The endearing love song, co-produced by Pheelz and Major Bangz, has just been updated with an accompanying music video, and it plays into the song’s sultry direction. “Jore” is the first single of the year from Adekunle Gold. The Afro-urban singer is currently working towards the release of his third studio album, tentatively titled ‘Afro Pop’.

Watch “Jore” here.

Featured Image Credits: Instagram/adekunlegold

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: ADEKUNLE GOLD PERSONIFIES THE FEELING OF BEING INTOXICATED BY “YOUNG LOVE”

Fireboy DML drops engaging visuals for latest single, “Vibration”

Fireboy DML’s dedication to his craft is not only limited to his sonic ability and penmanship. With engaging videos for his singles, from his breakout, “Jealous” to the theatric “Scatter”, his knack for release stunning and engaging videos remains constant and sets him apart. For his latest release, he’s just dropped the video for “Vibration”, an infinitely catchy standout that has enjoyed massive airplay on radio and in public settings.

In keeping with the song’s upbeat nature, the TG Omori-directed video for “Vibration” captures Fireboy in the midst of dancer’s, albeit with a retro twist. In one of the two prominent settings, there are dancers in dinner-type wears performing improvised, high octane ballroom moves, while ballerinas serves as the main characters in the other setting.

Check out the video for “Vibration” here.

Featured Image Credits: YouTube/Fireboy DML

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: WATCH THE VIDEO FOR FIREBOY’S “NEED YOU”

What The recent Okada Ban means for commuters in a ‘Greater Lagos’

Earlier this month, the Lagos state government introduced a ban on commercial motorcycles and tricycles (known locally as Keke Marwa) in 14 LG/ LCDAs in the state, in a move welcomed by some, and seen as a hasty punishment by others.

The ban restricts commercial tricycles, and ‘okadas’, including ride hailing services such as Gokada and MAXokada from operating on major roads in several commercial hubs including Surulere, Ikeja and Victoria Island, amongst others.

The state government cited safety concerns following concerning statistics regarding accidents relating to Okadas, the Lagos State University Teaching Hospital recorded 1,200 accident cases in 2019, with a total of 500 involving motorcycles. ‘Okadas’ are also linked to crime, being getaway vehicles for robbers and other criminals seeking to evade law enforcement.

This is not the first time the government would be embarking on such a move, with successive administrations in the state imposing total and partial bans on motorcycles, in an attempt to restore sanity to the city’s transport sector.

With anywhere between 7 to 10 million people on a move daily in Lagos, and 95% of all this travel being on roads, road networks transport seem to bear the main load of Lagos state’s high capacity traffic. 

Before the ban, commercial tricycles were introduced as part of the National Poverty eradication programme in 2001, with their operations mostly limited to inter-suburb routes, due to their affordability, small size, & dexterity. Commerical motorcycles have long been viewed as a dangerous cheat code to Lagos traffic, especially for commuters, the reward of this risky mode of transport was in getting to your destination on time, in a city where traffic congestion is almost ubiquitous.

The introduction of ride hailing services such as Gokada and MAXokada was seen as having the potential to revolutionise transportation in Lagos and the rest of Nigeria as safety helmets and other safety gear were set as standards, and a rider database made it a more secure alternative. Their success helped alleviate traffic congestion, with many commuters opting to leave their cars behind, as these services provided a nifty solution to beating rush-hour traffic.

Though these new services are not without flaws, with some riders still being reported to disobey traffic codes, it would be hard to not view their introduction as a step in the right direction. In terms of safety, out of 2 million trips completed in almost 3 years since its introduction, MAXokada has recorded 100 incidents, with 7 of these being serious incidents, and no casualities so far, according to the group’s CEO.

The current Lagos state administration at some point had even shown a willingness to work with these ride hailing services in order to make them more efficient for Lagos commuters, their inclusion in the ban is set to have a critical toll on their operations, and potentially lead them to scaling back operations, considering heavy investment (MAXokada has so far invested $10 million in Lagos so far) in the city.

The immediate effects of the ban so far would seem to be an added strain on commuters, immediate increase in traffic with commuters witnessing some of the worst traffic this week, and many having to walk long distances to find available buses. Transport fares on buses have been hiked, and fares on ride sharing services like Uber and Bolt have almost tripled during peak periods as a result.

The economy of Lagos will also take a hit, with thousands being employed directly and indirectly by institutionalized and non-institutionalized ‘Okada’ and ‘Keke Marwa’ services, the impacts could be even more far-reaching. 

Whilst Lagos tries to decongest her roads, it can only truly be successful if the state develops adequate and complimentary methods of transport, that can be efficient within the confines of Lagos city’s current layout. This can only be done by involving the public who are at the receiving end of government policy, and are most immediately affected by these types of changes.

In an attempt to alleviate the strain caused, mini buses or ‘Korope’ have been seeing plying routes tradionally undertaken by commercial tricycles, Lagos Bus Services Limited (LBSL) is also set to deploy a fleet of 65 buses to supplement the Berger-Oshodi-CMS axis.

The state government has also announced the introduction of 40 speed boats to try and take advantage of Lagos state’s untapped waterways. How well these new introductions will do in easing the groans of commuters is yet to be seen.

In the days after the ban, social media was been on fire with accounts of ordinary Nigerians lamenting the inconvenience of the ban, as many within the city centre had to walk long distances to crowded bus stops.A quick tour of Marina and other parts of Lagos island shows hoards of commuters battling for limited bus seats, contasting with a relatively saner road climate in the absence of commercial tricycles.

Whilst writing this story, there have been reports of seperate clashes between okada riders and security operatives in the state.

Safety of Lagos commuters and the sanity on its roads would be paramount concerns of any serious government, however a system reset of this nature must be handled delicately, to ensure smooth transitions, and limit the already strenuous traffic conditions.

The task of governance is often riddled with unforseen outcomes, as the needs of many must be catered to with limited resources, but for the time being, Lagosians might have to return to the drawing board with a more realistic interim plan to tackle the city’s traffic paradox.

Featured Image Credits: Web
[mc4wp_form id=”26074″]


Djaji is a creative Vagabond, send me your takes on music and African culture @djajiprime


ICYMI: Nigeria’s Civil War: Teaching The Lesson, To Unite A Nation

Nike unveils new Super Eagles jersey kit at New York Fashion Week

The success of Nigeria’s 1995-themed Nike jersey at the 2018 World Cup has allowed Nike to continue incorporating national history and cultures into their jersey designs. To commemorate the New York Fashion Week on Wednesday, the sportswear giant unveiled a new set of jerseys for Nigeria, USA and Korea. The jerseys celebrate the federations’ distinctive attributes with highly differentiated collections that also highlight Nike’s 65 chassis options across varying necklines, sleeves, cuffs, badge placement, etc.

Nike has given Nigeria’s nostalgia influenced 2018 jersey a more culturally immersive makeover with hand-drawn prints and a colour scheme that resonates with the national flag. The new Nigerian national team jersey didn’t only take on a new look as science is the core of Nike’s design process. The design team leveraged 4D visualization tools to bring the product to life after capturing data on more than 300 footballers and football-specific movements. The result of the precision knitting is a kit that is 55% faster wicking, 13% more breathable and with 10% more stretch than Nike’s previous kits.

The Nike crew collaborated with a creative team of fashion and culture tastemakers from Nigeria. NATIVE spoke to Teezee, one of the creative minds behind the design research and he told us his contribution to the creative process. “I worked with Grace Ladoja, Rukky Ladoja and Bubu Isigo on this project, from the inception of the ideas to the end. We essentially did all the research on the textiles traditionally used in Nigeria, trying to get them incorporated into the new kit.” He also explained that the new jersey wasn’t about getting a better version of the successful 2018 kits. “It’s about introducing new innovation with local-inspired techniques for these new ones.”

This is the 3rd time Nike is unveiling new national team jerseys for Nigeria since they became official kit sponsors of the National Football Federation in April 2015. With the performance-enhancing knitting structure and the national pride artistry on the 2020 kit, we expect to see a pep in the step of our players as they try to secure a spot in the 2020 Olympic Games in Tokyo.

Featured Image Credits: Instagram/ng_supereagles
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: The NATIVE partners with Nike to launch limited edition Ile jersey

Lady Donli, La Meme Gang, Odunsi the Engine and many more African Acts on the 2020 SXSW Festival lineup

Over the past four years, South by Southwest Festival has created a stage for the leading African acts to showcase their music on the global festival’s interactive stage.

Yemi Alade, Mr Eazi, Falz, Adekunle Gold and Mayorkun are among the talented crop of artists that have performed on the SXSW stage. Last year, in partnership with Bavent Street Live and Okay Africa, a 3-day ‘Africa to the World’ stage took place, indicating the upward trajectory of African music in international music scenes.

This year, over 21 artists and DJs from Africa will be performing at the 2020 edition of the festival; the selected artists all showcase a range of diverse genres and sounds from popular afropop, reggae, r&b, hip-hop, rap, dancehall and even ghetto punk, a genre that South African artist, Moonchild Sanelly coined herself.

Here is a list of all the African acts set to bring Africa to Austin, Texas this March:

AKA

Akaycentric

Alternate Sound

Amanda Black

Atemi Oyuncu

Benny Afroe

Bez Idakula

BILS

Cassper Nyovest

Diamond Platnumz

Jinmi Abduls

Lady Donli

La Meme Gang

Moonchild Sanelly

Mpho Sebina

Nadai Nakai

Nyashinski

Odunsi the Engine

Reekado Banks

Teni

Wyre

Featured image credits/instagram


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Santi set to perform at Lovebox Festival this summer

Watch the glossy video for Skiibii & Kizz Daniel’s collaborative single, “Somebody”

After closing out 2019 with the immensely catchy “Big Engine”, Skiibii is wasting no time kick-starting this year. The singer has just dropped a new single, “Somebody”, enlisting the talent of consistent hit-maker, Kizz Daniel. The song showcases both singers’ softer side, where each artist reassures their love interests of their undying commitment. In the accompanying video for “Somebody”, TG Omori lays on the gloss, setting Skiibii and Kizz Daniel in brightly coloured scenes, where they jovially perform their lyrics alongside each other, as well as in the company of models who act as muses.

Watch “Somebody” below.

Featured Image Credits: YouTube/SkiibiiVEVO

[mc4wp_form id=”26074″]


Dennis is not an interesting person. Tweet Your Favourite Playboi Carti Songs at him @dennisadepeter


ICYMI: LISTEN TO KING PERRYY’S CHARMING NEW SINGLE, “MY DARLINA”

Mavin’s latest signee, Crayon drops new single, “Kpano”

Crayon’s 2020 debut, “Kpano”, is the first time we’ve heard from him since since he made his Mavin Records debut with his impressive EP, ‘Cray Cray’. Produced by Ozedikus, who sets a lightweight afropop groove for Crayon’s boastful lyrics about his music’s efficiency, singing “Awon kpano kpano no fit stop the turn up tana”, he’s clearly targeting the dancefloor and you can catch us there.

The mix of Ozedikuz’s catchy riffs and Crayon’s melodic vocals is sure to put a pep in the step of listeners and we expect to hear the song on radio and DJ turntable for the coming weeks.

You can stream Crayon’s “Kpano” below.

Featured Image Credits: Instagram/crayonthis
[mc4wp_form id=”26074″]


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Stream Crayon’s ‘Cray Cray’ EP here

Watch Richard Mofe-Damijo in the trailer for ‘The Perfect Picture – 10 Years Later’

Ghanaian director, Shirley Frimpong-Manso is releasing the sequel to her 2009 hit film ‘The Perfect Picture’ which continues the ongoing story of 3 female friends navigating their lives as with age comes more issues and problems in their relationships.

The film which premiered in Ghana last December,  is set to premier in cinemas nationwide today, and includes a star-studded cast including Richard Mofe-Damijo, Beverly Naya, and John Dumelo, as well as most of the original cast like Naa Ashorkor Mensah-Doku, Lydia Forson and Jackie Appiah.

Watch the trailer for ‘The Perfect Picture’ below.

Featured image credits/youtube


Tami is a lover of astrology, music and women. Tweet your fave female artistes at her @tamimak_


ICYMI: Watch ‘No Victors’ a docu-series about the effects of the civil war