British Council Announces Lagos Theatre Festival Theme, ‘Rhythm Of The City’

Over the years, The Lagos Theatre Festival has earned its place as one of the most diverse performance art events. Last year, the festival showcased 106 performances featuring 35 companies, classic and contemporary works and grossing nearly around 5,500 theatre-goers.

This year’s edition tagged “Rhythm Of The City” will set out to capture the spirit of Lagos through sounds associated with various repetitive activities woven into the intricate fabric of the city.  The six-day event will kick off on the  28th February and run through to 5th March 2017.

“Rhythm of the City” will feature 5 specially selected curated shows from the UK and Nigeria. 35 companies from Nigeria, Zimbabwe and South Africa will also be showcasing works from different genres of performance arts including drama, comedy and experiential theatre.

For more information about the festival and performances, check out the official site.

Watch a highlight from last year’s festival below:

 

 

Featured Image Credit: Asiri/Twitter

 

Check Out Shonda Rhime’s New Comedy Show Based On Luvvie Ajayi’s  Book ‘I’m Judging You’

Watch Kiss Daniel Cruise Through Hollywood In “Duro” Video

https://www.instagram.com/p/BQdRSfZAXDf/?taken-by=iamkissdaniel&hl=en

Kiss Daniel’s 2016 debut New Era was a definitive one for him and he has been hard at work churning out visuals for tracks on the LP. His latest video is for “Duro”, a fourth to “Jombo”, “Sin City”, and “Upon Me”, three videos he has released since dropping New Era.

“Duro” is shot and directed by Patrick Elis and it features panorama shots of the beachside scenery and cuts of Kiss Daniel cruising around Hollywood’s infamous Sunset Boulevard. He’ drives through the strip while serenading his love interest about personal sacrifices and the depths of his love.

It’s a pretty simple concept, but it’s more Kiss Daniel than we have seen in a while, so we will take it. See video for Kiss Daniel’s “Duro” below.

Featured Image Credit: Youtube

Watch Out For Cameos of Wizkid And Maleek Berry in Mr Eazi’s “Leg Over” Video

Styl Plus Come Out Of Hibernation With New Single, “Aso Ibora”

After their last single in 2008, we mourned the final moments of one of Nigeria’s greatest boy bands, Styl Plus. It took them nearly nine years—with only a handful of singles in between— but the group is back with a new single, “Aso Ibora” just in time to Valentine’s Day no less.

Shiffy and Zeal repossess the group’s nostalgic R&B style without ex-mate Tunde on their new single. “Aso Ibora” is a Yoruba word that loosely translates as blanket, here it is used as a metaphor to mean they would always keep their loved ones warm

Styl Plus shaped music of the early 2000s with hits like “Olufunmi”, “Imagine That” and “Call My Name”. Sadly, the group went the same crash and burn path of all boy bands anywhere else in the world. Tunde left to pursue a solo career while Shiffy and Zeal have remained as Styl Plus. It’s unclear if the group plans to stay for long with a come-back project, but we’re looking to find out.

Listen to “Aso Ibora” below

 

 

Featured Image Credit: StylPlus/Eskimo Records

 

Dammy Krane’s Gearing Up For A Comeback Concert And EP. 

Best New Music: Dáramólá’s “Lotto” is a shimmering tribute to beauty and love

https://www.instagram.com/p/BPdPUVdBIe1/?taken-by=itsdaramola

The rise of new wave African R&B artists is underway and if last year’s underground drafts—Nonso Amadi, Tay Iwar and Odunsi—are anything to go by as indicators, the future of Nigerian music we’ve all anticipated may finally be here. Daramola, another artist in that Afro-R&B class, made a late 2016 entry with “Lotto” the lead single off his upcoming The Last Time I Tried album.

Save for links to plush social media profiles on his SoundCloud page, there is very little information on Dáramólá (even on his website). Luckily, “Lotto” opens with unmistakable personality channeled through a simple narrative of love, near-ethereal beauty and leaving bad places.

‘I pray that you’re worth all my failed relationships’ Daramola sings plainly on the pre-hook. These iterations are some of the most defining parts of “Lotto”. Daramola’s voice rings of a kind of honesty only found in folk music. Even when the bounce kicks in on the verse, he emotes lyrics into melodies and swings between the alternating tempos without veering off course. “Lotto” is African R&B meets, fringe poetry meets tints of Yoruba folk music shrewdly laced on an EDM-inspired refrain.

https://www.instagram.com/p/BQJassOhSkH/?taken-by=itsdaramola

Daramola’s The Last Time I Tried album is slated for release on the 24th of this month. In the meantime listen to “Lotto” our best new music for this week below.

 

 

Featured Image Credits: Instagram

Best New Music: Paradise Motel’s “Holy Ghost” Is Indie rock with an undercurrent of Naija

‘Best New Music’ Is a column we publish every Monday to bring you a review of our critics’ choice-Pick.

See Kunle Idowu In Trailer For “Hakkunde”

Actor Kunle Idowu, popularly known as Frank Donga stole into hearts of Nigerians with his antics on the popular NdaniTV comedy skit series, The Interview now he’s bringing that essence to a full-length film, Hakkunde. Hakkunde is a story centred on resilience and self-discovery of a young man trying to survive in an environment set to break even the will of the strong hearted.

Similar to his infamous Frank Donga character, Akande (Kunle Idowu) is an unemployed young man down on his luck who escapes to Kaduna from Lagos seeking employment and an identity for himself. He meets new people, slowly adapts to life in the distinctly different environment and picks up himself along the way. Ali Nuhu, award-winning Hausa actor, Rahama Sadau, African Film Award winner and veteran actor, Alhaji Isa Bello are a few of the top notch actors that make up the cast. The story was produced and directed by Asurf Oluseyi and written by Tomi Adesina.

An official release date has not been set but we’re keeping an eye out.

Watch the official trailer below:

Feature Image Credit: Youtube

 

Watch Gbenga Saka’s Short Film, ‘Jump’

Yagazie Emezi gets featured By Vogue Italia and New York Times

Photographers and designers alike build their portfolios via recognition and features, and in the world of high art and fashion, no nod comes close in career impact like Vogue;s.

Over the last few months, Vogue Italia has beamed its spotlight on Nigerian designers and photographers. The magazine’s latest project ‘Talent on Set’ showcased works from photographer Jerri Rotimi, and apparel cuts from designers Orange Culture, Gozeel Green and McMeka amongst others.

Last weekend, the publication featured photos by Nigerian-Sri Lankan photographer and cartoonist in its Photo Story, with cuts by Nigerian designers Iamisigo and Tzar.

 

This adds another international feature to Yagazie earlier recognition by New York Times last week, for her ‘Portrait of a Liberian woman’. New York Times featured Yagazie in its “Nurturing New Storytellers in Africa and Latin America” article with the picture attached in a slideshow of selected photographs that told simplistic stories of Africa and Latin America.  Yagazie’s work was featured alongside other pictures in the set to debunk stereotypes of war and famine that distort the actual reality of third world countries.

Check out her other photographs and comics on her Tumblr.

Feature Image Credit: YagazieEmezie/Twitter

Meet David Uzochukwu, The Nigerian Photographer Behind Nike’s Latest Campaign.

 


 

Watch Chance The Rapper’s Amazing Medley Performance at the Grammys

https://www.facebook.com/thefader/videos/10154373966241903/

 

Chance The Rapper had a Grammys he will never forget. Whilst he himself admitted that he prepared a speech with the hope of picking up one grammy, to pick up three awards on the night is truly phenomenal, all off a mixtape. And not just any awards – as well as winning a grammy for Best Rap Performance (“No Problems” ft. 2Chainz & Lil Wayne), he won two of the most coveted awards of the night – Best New Artist and Best Rap Album (Coloring Book).

Shortly after picking up his third trophy, he turned in one of the great Grammy performances of recent times, especially for a debutant. Joined by members of The Social Experiment, Kirk Franklin and Francis Starlite, he ran through an uplifting medley of his now Grammy Award winning album Coloring Book.

 

Here Are All The Winners From The 2017 Grammy Awards

These Are The Winners From the 2017 Grammys

“The Biggest Night in Music” went down last night, and these are all the winners.

Album Of The Year:

WINNER: 25 — Adele
Lemonade — Beyoncé
Purpose — Justin Bieber
Views — Drake
A Sailor’s Guide To Earth — Sturgill Simpson

Record Of The Year:

WINNER: “Hello” — Adele
“Formation” — Beyoncé
“7 Years” — Lukas Graham
“Work” — Rihanna Featuring Drake
“Stressed Out” — Twenty One Pilots

Song Of The Year:

“Formation” — Khalif Brown, Asheton Hogan, Beyoncé Knowles & Michael L. Williams II, songwriters (Beyoncé)
WINNER: “Hello” — Adele Adkins & Greg Kurstin, songwriters (Adele)
“I Took A Pill In Ibiza” — Mike Posner, songwriter (Mike Posner)
“Love Yourself” — Justin Bieber, Benjamin Levin & Ed Sheeran, songwriters (Justin Bieber)
“7 Years” — Lukas Forchhammer, Stefan Forrest, Morten Pilegaard & Morten Ristorp, songwriters (Lukas Graham)

Best Rap Album:

WINNER: Coloring Book — Chance The Rapper
And the Anonymous Nobody — De La Soul
Major Key — DJ Khaled
Views — Drake
Blank Face LP — ScHoolboy Q
The Life of Pablo — Kanye West

Best Rap Performance:

WINNER: “No Problem” — Chance the Rapper Featuring Lil Wayne & 2 Chainz
“Panda” —Desiigner
“Pop Style” — Drake Featuring The Throne
“All The Way Up” — Fat Joe & Remy Ma Featuring French Montana & Infared
“That Part” — ScHoolboy Q Featuring Kanye West

Best Rap/Sung Performance:

“Freedom” — Beyoncé Featuring Kendrick Lamar
WINNER: “Hotline Bling” — Drake
“Broccoli” — D.R.A.M. Featuring Lil Yachty
“Ultralight Beam” — Kanye West Featuring Chance The Rapper, Kelly Price, Kirk Franklin & The-Dream
“Famous” — Kanye West Featuring Rihanna

Best Rap Song:

“All The Way Up” — Joseph Cartagena, Edward Davadi, Shandel Green, Karim Kharbouch, Andre Christopher Lyon, Reminisce Mackie & Marcello Valenzano, songwriters (Fat Joe & Remy Ma Featuring French Montana & Infared)
“Famous” — Chancelor Bennett, Ross Birchard, Ernest Brown, Andrew Dawson, Kasseem Dean, Mike Dean, Noah Goldstein, Kejuan Muchita, Patrick Reynolds, Kanye West & Cydel Young, songwriters (Kanye West Featuring Rihanna)
“Hotline Bling” — Aubrey Graham & Paul Jefferies, songwriters (Drake)
“No Problem” — Chancelor Bennett, Dwayne Carter & Tauheed Epps, songwriters (Chance The Rapper Featuring Lil Wayne & 2 Chainz)
“Ultralight Beam” — Chancelor Bennett, Kasseem Dean, Mike Dean, Kirk Franklin, Noah Goldstein, Samuel Griesemer, Terius Nash, Jerome Potter, Kelly Price, Nico “Donnie Trumpet” Segal, Derek Watkins, Kanye West & Cydel Young, songwriters (Kanye West Featuring Chance The Rapper, Kelly Price, Kirk Franklin & The-Dream)

Best New Artist:

Kelsea Ballerini
The Chainsmokers
WINNER: Chance The Rapper
Maren Morris
Anderson .Paak

Best Pop Duo/Group Performance:

“Closer” — The Chainsmokers Featuring Halsey
“7 Years” — Lukas Graham
“Work” — Rihanna Featuring Drake
“Cheap Thrills” — Sia Featuring Sean Paul
WINNER: “Stressed Out” — Twenty One Pilots

Best Pop Vocal Album:

WINNER: 25 — Adele
Purpose — Justin Bieber
Dangerous Woman — Ariana Grande
Confident — Demi Lovato
This Is Acting — Sia

Best Dance Recording:

“Tearing Me Up” — Bob Moses
WINNER: “Don’t Let Me Down” — The Chainsmokers featuring Daya
“Never Be Like You” — Flume featuring Kai
“Rinse & Repeat” — Riton featuring Kah-Lo
“Drinkee” — Sofi Tukker

 

Best Urban Contemporary Album:

WINNER: Lemonade — Beyoncé
Ology — Gallant
We Are King — KING
Malibu — Anderson .Paak
Anti — Rihanna

Best R&B Performance:

“Turnin’ Me Up” — BJ The Chicago Kid
“Permission” — Ro James
“I Do” — Musiq Soulchild
“Needed Me” — Rihanna
WINNER: “Cranes in the Sky” — Solange

Best Traditional R&B Performance:

“The Three Of Me” — William Bell
“Woman’s World” — BJ The Chicago Kid
“Sleeping With The One I Love” — Fantasia
WINNER: “Angel” — Lalah Hathaway
“Can’t Wait” — Jill Scott

Best R&B Song:

“Come and See Me” — J. Brathwaite, Aubrey Graham & Noah Shebib, songwriters (PartyNextDoor Featuring Drake)
“Exchange” — Michael Hernandez & Bryson Tiller, songwriters (Bryson Tiller)
“Kiss It Better” — Jeff Bhasker, Robyn Fenty, John-Nathan Glass & Natalia Noemi, songwriters (Rihanna)
WINNER: “Lake By the Ocean” — Hod David & Musze, songwriters (Maxwell)
“Luv” — Magnus August Høiberg, Benjamin Levin & Daystar Peterson, songwriters (Tory Lanez)

 

 

ICYMI: Here are 5 epic moments from the 59th annual grammys

Sunday Healing: Listen to DAP The Contract’s “Too Young”

At this point we’re very familiar with DAP’s uncanny ability to fuse lyrical mastery and sheer musical brilliance, no matter the subject, and this time, it hits much closer to home. ‘Too Young’ is a tribute to a friend who really was too young to pass away. Some tributes are cloying and lacking in quality on the musical front, but this is a combination of a soothing acoustic guitar and pure vocals, with a raspy imperfection that make it all the more emotional.

The lyrics read like a letter to someone that a lot of people loved, someone who people can’t understand or imagine why he died. Listen and you may feel tears coming on, but then you’ll smile as you hear words that are equal parts tear jerking and as organic as something you’d whatsapp to your friend, when you haven’t seen them in a long time and hope they’re alright. You hear real concern when he says “I hope you eating good, I hope you’re drinking water”, and you pick up your phone to ask just that to those you’ve been too busy to check up on.

Losing a loved one is such a hard thing, and listening to ‘Too Young’ is a soulful, necessary reminder that tomorrow looks promising, but it’s not promised. The phenomenal visual for the album is out this week, in the meantime, listen to the single below.

5 Vibe-Out Essentials from Mr Eazi’s ‘Accra to Lagos’

For a man like Mr Eazi whose entire brand is built on a constant state of chill, the pressure to make a mark with Accra to Lagos, must’ve been unusually crushing. After all, this is a man that came from promoting events in uni, to selling out shows of his own in Lagos with only singles and a handful of features. Against this backdrop of roof-level anticipation for his debut body of work, Mr Eazi delivers a shimmering mixtape that hints at a potential worth supporting for the long haul.

Off Mr Eazi’s Accra to Lagos mixtape, check out 5 of the following album-defining cuts.

Business (feat. Mugeez)


Estranged R2Beez collaborator, Killbeatz is on the deck on “Business” and it’s evident that Eazi is merely tapping into a pre-existing sonic bond between Mugeez and his old producer. Still, Eazi holds his own by stretching his voice thin to hold longer less tired notes (a style similar to what we have heard from Mugeez in the past). Over the last year, Afropop has increasingly become a fusion of African vocals with fringe sounds like edm, dancehall and trap (see Wizkid, Davido, Korrede Bello respectively). But like many songs that truly embody the road-trip theme of Accra to Lagos, the acoustics come at unexpected places, the bounce is sustained and you can still hear that authentic African soul calling at you with a postcard from Mr Eazi.

Feelings

From its simplistic lyrics and social media references, you already get the feel that Mr Eazi was just going for the lowest hanging radio hit with this one. But “Feelings” is not a bad song. YBNL collaborator Young John continues to impress the same magic fingers he used to craft steady hits for Lil Kesh and Olamide over the last two years. Plus, history will do well to remember that Mr Eazi created the Afro-wave vibe and he should be justified to ride it in any direction no matter how obscure to reason.

Accra to Lagos


If you have ever wondered if the deal Eazi inked with Wizkid’s Starboy Records would impact his sound in any way, you should listen to title track “Accra to Lagos”. Eazi builds a consistent flow, rumbling calmly along a baseline that plays like flowing water. He stays low even when the melody goes high and tells a familiar story almost similar to Wizkid’s “Ojuelegba” only faster-paced and stripped down for a more grounded acoustic sound.

Short Skirt (feat. Tekno)

Maleek Berry traced the same footpath he took to create sub-psychedlic Afropop dance hits, “Kontrol” and “Eko Miami” for “Short Skirt”. Tekno is along to keep things fresh and Eazi stays infinitely laid back. This seems to be Mr Eazi’s greatest strength, his deadpan voice has evolved into a style that matches his personality. The confidence allows him to sit vocals comfortably on a wide range of instrumentals no matter how simple or complex. On “Short Skirt”, the poesy is simple but poignant. Eazi asks his lover hold him down like she would hold down her skirt. It’s slight, but nothing on the LP rings quite as honest as asking a lover for protection like they would protect their own body. It takes the phrase ‘one plus one is one’ a little too literally and we could all use a bit of that in this season of love.

Right Now (Bonus Track)

“E get plenty, plenty things, wey I for talk o, you already know”

Many Afro-R&B songs over the next year are going to sound somewhat like Mr Eazi’s bonus track, “Right Now”. Like Tekno’s “Pana”, “Right Now” is tempered down, sleekly mellow and strangely emotive; only better written and stripped of a club bounce. On this love-story-in-reverse, Eazi comes to terms with the inability of his lover to have him as a main. Though he casually lists proof of all the times she has cheated on him, he offers to settle for a low-key side arrangement nonetheless. It not nearly as sexy as he wants it to be, but that’s only if you miss the point of his story.

Download Mr Eazi’s Accra To Lagos via iTunes here.

Listen to Mr Eazi on Legendury beatz’s “Heartbeat”

Listen to “Hard Stacatto” off Chino Amobi’s ‘Minor Matter’ Album

Most people lump ambient music in the same category with white noise (i.e for sleeping and studying), but Chino Amobi is changing that. The Nigerian-American producer and co-founder of NON-Records, a collective of African artists in diaspora, just released a new project titled Minor Matter. Minor Matter is a collection of electronic sounds torn apart and recreated, for textures of melodrama and classical music.

On “Hard Stacatto”, he collaborates with Brooklyn teen prodigy Embaci to create electronic orchestra music. It starts off remarkably ambient with Embaci’s vocals layered softly over gentle bird sounds before the introduction of violins that build up slowly to a peak almost reminiscent of an Opera performance. Embaci’s vocals are quite subtle, even when she breathes ‘Can you see’ onto the fast-paced instrumentals, but Chino cleverly keeps his instrumentals from burying the vocal effect.

Minor Matters also features a voiceover from Evan Ifekoya — another Nigerian artist — on “Locus Of Control”.

Listen to Chino Amobi‘s Minor Matters below

Featured Image Credit: Soundcloud

Haven’t Listened To Owo’s “Kingdom” Yet? Check It Out.

 

Speed Dating With Books Tonight At Idea Hub, Yaba

I haven’t gone on a speed date because I imagine they end up quite badly. Book Barter and Grill and Read came up with a new spin on traditional speed dating with a twist that makes it a whole lot better, a speed date but with books, just in time for Valentine’s Day no less.

The idea behind “Speed Dating With Books” creates an avenue for people to share their love for literature and mingle with other people and they’ve created just that. Interested people would be paired off with each other with random book-related questions to ask to break the ice. For those uninterested in pairing up, there’d be games, giveaways, and books available for purchase. You could also bring your old books along to trade with Bookbarter.

“Speed Dating With Books” will hold this evening at IDEA Hub Rooftop, 296 Herbert Macaulay Road, Yaba, Lagos, Nigeria at 6 pm. Slots are limited and Tickets are available for #3,000 Naira and you can buy one on Paystack.com. The ticket covers drinks, chocolate and finger food.

See you there.

 

Header Image Credit: GidiGuide.com

Check Out What Leonard And Slawn Have To Say About The Nigerian Skate Culture

AV Club: EP 3 of OBFW was basically a badly made drug abuse PSA.

Now I understand that making serialized tv shows specifically for Youtube comes with its own limitations  and one of them is having to compress complex stories into simple arcs. Sometimes it works and sometimes what you have is a hot mess. Episode 3 of OBFW was largely more of the latter.

SPOILER ALERT

If you haven’t seen the new epiosde of Our Best Friend’s Wedding, do so here, and if you have, let’s get to the dragging then.

After a pretty decent second episode (save for that fake accident cliff hanger that they tried to explain away as a dream) that set up the rest of the season quite nicely, I was expecting a straight forward third episode. We got  a straight forward episode but not a good one.

The episode starts with Promise, remember him? He had a passing scene in episode one, the ‘brother’ Charles confides in about his suspicions of his mother having cancer. We see Promise sitting on the lip of his ensuite bathtub, looking bleary eyed  and staring blankly at his mirror. Just in case you weren’t sure he was a druggie.

He flashes back to himself calling a client to demand payment for a job that has lagged for more than five months, so we are clear that Promise is not only a druggie, he is also a broke one. The flashback continues with Promise seeking to drown away his broke sorrows with more drugs (marijuana) when someone comes banging on his door. Of course,  when Promise kills his blunt and opens his door, the landlord is on the other side, fuming. He serves Promise an eviction notice to leave his house at the end of the month, and reiterates again, (just in case you weren’t sure) that the neighbours have been complaining that all Promise does is smoke weed and fog up the entire building. The landlord was pretty funny, but I just couldn’t get past the disturbingly lazy writing in this scene.

Thankfully they move on to Kemi and Jade who again have left their busy lives to come and wait hand and foot on Charles. But seriously though, what do I have to do to find two male friends who I can ask out of the blue to drop all their shit and help me choose a husband and they’ll do it. Or is wait, is it that only women do this?

Anyhow our otherwise jobless OBFW supporting characters ask Charles how his date with the problematic ‘Thirsty’ Tara went and he shows them Tara’s wedding invite. When the girls prod him, he confesses that he had sex with them and goes ahead to antagonize Jade who apparently is a prude. When Jade tries to chastise Charles, he out of nowhere drags her for not being able to find or keep a man. Jade is understandably hurt and leaves, suggesting that if Charles won’t follow the rules of the game, there’s no point. Kemi follows but not before berating Charles and asking that he ‘fix this’.

It is only the person that leaves their house that you can see finish.

OBFW returns to Promise, who is in his car in some abandoned stretch of road. If you’ve seen any gangster films + all the heavy foreshadowing that he is drug addict you should know what is coming next. But the writers decide to waste precious minutes showing us anyway. Charles calls and he rejects the call and flashes back to him at home. His dealer (played by rapper Ozone) shows up and tries to sell him drugs, which he refuse because he is broke and the dealer suggests a ‘job’ he can do. Because you know drug dealers will trust a broke, desperate druggie with hundreds of thousands naira worth of cocaine.

Do I have to tell you what happens next?

After burning his bridges with the OBFW girls, Charles goes to visit his mother at home, and when he gets there, she is on her way out with a man who Charles has never met before. Turns out he is a doctor and Mama Charlie’s date. Charles tries to get her to talk to him but she blows him off for her mans. Why do I get the distinct feeling that this is foreshadowing, that what Mama Charlie was hiding from Charles is that she has a new man. Because if it is…

Jade finally gets some alone screen time and her own subplot (cos you know she is Charles’s eventual bae) and she is at home as usual doing nothing. Tunde’s been calling  non stop (because the only way for to get a woman is to harass her into compliance) and when Jade finally caves and takes the call and agrees to go on a date with Tunde, she does so because she is pressed that Charles said she couldn’t get a man. What the fuck is this; High School Musical?

And of course, the episode ends with Promise, in the bathroom doing a shit ton of Cocaine. He snorts his last line, looks into the mirror and after conveniently filling the tub (do you know how hard it is to fill a bathtub in Nigeria) loses consciousness and falls into it. He is sitting on the side of the tub and falls backward but somehow managed to turn mid fall so he doesn’t hit his head on the wall and falls perfectly into the belly of the tub.

Na feem trick?

Isn’t it is also highly convenient that just then, after being ditched by his mom, Charles shows up at Promise’s? Just in time to see him overdosing and create episode three’s ‘dramatic’ cliffhanger.

Clap for yourselves everyone.

.

Now that we’re done with the episode perhaps we should point out that this episode of OBFW perpetuates every stereotype there is about drug use. Don’t believe me, let’s count the ways.

Drug addict tropes Check list.

Broke: Check.

Delaying on rent: Check

Creative without a real job: Check.

Shady dealer who pulls him over to the dark side: Check.

Drug overdose: Check.

To be honest all that was left was a ‘This advert is sponsored by the NDLEA’.

And also there was this.

None of the female interactions on this show have passed the Bechdel test.

It is actually pretty bad, Kemi and Jade have both been portrayed as successful women running their own businesses yet, we never actually see them do anything or even interact with each other if it isn’t about a man or finding a man. Even Charles’s mother seems to only get screen time if a man is involved. The writers need to do better because this is unacceptable. DO FUCKING BETTER!

This week’s OBFW gem is Owo’s What So Not (Touched). Glorious electro pop.

 

AV CLUB: Charles obviously lacks sense in ep 2 of OBFW

Watch Mr. Eazi’s “Leg Over” video featuring Wizkid and Maleek Berry

As part of the roll-out for his newly released Accra to Lagos mixtape, Mr. Eazi has dropped the visuals for “Leg Over”, the lead single off the project. “Leg Over” is directed by cinematographer Teekay and it features cameos from Wizkid, Maleek Berry and Eddie Kaddie living the jet life amidst smoke clouds and hot girls.

See video for Mr Eazi’s “Leg Over” below.


Feature Image Credit: Youtube

Mr Eazi talks Inspiration Behind ‘Accra To Lagos: Vol 1’ mixtape

Olamide’s “Pepper Dem Gang” is a sublime #TGIF masterpiece

Olamide’s reputation as a singles artist always works in reverse for his albums. A recent case in point is his sixth studio album, The Glory, an LP that sailed the backwaters for full-length releases last year, despite being Olamide’s most honest effort since 2013’s, Baddest Guy Ever Liveth.

But while the public failed to acknowledge Olamide’s attempt to embody a semblance of an album artist, individual highlights from the album like “Pepper Dem Gang” prove there might be hope of a near-classic dream for The Glory album (or some parts of it at least). Because, Olamide is at his best on songs like “Pepper Dem Gang” where the instrumental is distinct and his vocals bounce on beat in perfect sync with the tempo. It might take mental patience and a couple of replays, but his voice eventually listens like another instrument layered on the often organised chaos of the entire song.

Olamide songs that fall into this category are usually catchy light-weight earworms that can take your mood from 0-100 if you just give it a chance on your mental stereo. This is the anatomy of a TGIF anthem and nobody does better than Olamide (not even your favs).

If you want to start your weekend a little early, take a look at visuals for Olamide’s “Pepper Dem Gang”, directed by Moe Musa below.

Owo’s “Kingdom” is the right kind of decadence to start your weekend

Even if you hate books and cinema you must have heard Fifty Shades Darker, the Fifty Shades movie is coming to cinemas in a few weeks.  While we don’t particularly care for some vanilla heavy BDSM, we’re loving all the decadent sensual music that’s on the film’s OST. It’s put us in our feels and made us somewhat needy for decadent music with a Nigerian bent to it. Music like Owo is making.

Enter Owo, Nigerian Brazilian singer and all around sex pot. Her EP D + Em: Drums and Emotions is her first full length project after three years of experimental electro pop with a Nigerian tilt. The entire project is pretty amazing, with her Nigerian influences on the eight songs running from subtle to obvious. But Kingdom the latest single off the EP released in January is putting us in the right mood for a little weekend naughtiness.

With heavy electronic synth organs lending the song a gothic darkness, Owo sings about letting a lover into her heart and her bed, sharing the reins of her kingdom. There is an unabashed sensuality to Kingdom, need literally drips off every note. Definitely going onto our other playlist.

Listen to Kingdom here.

Mr. Eazi talks inspiration behind ‘Accra to Lagos’ mixtape on Apple’s Beats1 Radio

https://www.instagram.com/p/BQTMQpwAEPo/?taken-by=mreazi&hl=en

After nearly two years of feverish anticipation for a full-length project, Mr Eazi’s debut mixtape, Accra to Lagos, is now available for digital downloads and streaming.  As part of promotions for Accra to Lagos, Eazi stopped by Julie Adenuga’s Apple Beats 1 radio show last night where he discussed influences for the record and the story that inspired its curation.

Speaking of his growth as an artist that shuffles across borders of Nigeria, Ghana and the UK, Eazi revealed that, “Majorly the music started picking up in Accra and then it came to London you know and I started recording a lot of music here but then it went to Nigeria, you know Nigeria, once Nigeria found Mr. Eazi it was woah! not letting me go, so I started spending a lot of time in Lagos, started doing more gigs out there”

Mr Eazi also discussed on his experience in Ghana and how the mass appeal of his sound was certified in Nigeria by awards he bagged last year for new artist categories. According to Eazi, Accra to Lagos is a tribute to two of the most influential cities to the evolution of his sound. “Since Accra and Lagos are the top two cities feeling Mr. Eazi, let me just give them sounds, let me just take them on a journey, sonically from Accra to Lagos” He added.

You can get your own copy of  Accra to Lagos via iTunes here

Documenting Nigerian Skate Culture with Slawn, Leonard & Onyedi

Here’s the thing about Nigerian skate culture; while the motivations behind taking up skating and immersing one’s self in the culture are universal (a feeling of otherness, the thrill of accomplishment, family x community and the opportunity to find a tribe bigger than yourself) skaters are also heavily influenced by the cultures in which its members grow up and how the environments in which they find themselves enables or hinders their ability to function as a skate crew. This is why the skate crews document their unique experiences through art and other mediums, creating a visual history of sorts. For any kind of artist, documenting process is vital to being able to track your growth and your journey in your chosen medium.

Because Waffles and Cream, Nigeria’s first skate crew started as skate gear line, documenting has always been a huge part of its identity, and its historians are as unconventional as they come. Olaoluwa Akeredolu (Slawn), Onyedi and Leonard Iheagwam (flowers) are the youngest members of the WAFFLESNCREAM skate crew and have taken the challenge of documenting its growth through their wild and wacky but very original art. Influenced by crews in the United States and South Africa and the vast web that is Tumblr, their art inspired by Nigerian Skate Culture is full of mantras and subversion of popular themes in Nigeria suggesting a self awareness that should be beyond them.

The three are getting properly introduced to the Nigerian art scene at WAFFLESNCREAM’s month Exhibition series, leading to the skate store’s official physical launch in March. Their exhibition starts this evening and will run for a week, so let’s get acquainted.

Leonard Iheagwam is the most active of the three, with with a presence on Tumblr and Instagram where he shares his art that deals almost entirely in subversive themes. Literal interpretations of metaphors and themes and a fascination with other sexualities are common themes you’ll see  in his work.

 

Mind over matter

A photo posted by Leonard (@flowersforleonard) on

If you find my art very vulgar please. #diy #illustration #leoanrdihg

A photo posted by Leonard (@flowersforleonard) on

Slawn Akeredolu’s art is the most commercial of the three and will easily work for merchandizing, it is also a lot more existential, rife with teenage angst, the kind of stuff every 17 year old on the cusp of adulthood struggles with.

slowly killing ourselves dawg

A photo posted by Olaoluwa Akeredolu (@olaoluslawn) on

[lost souls] by slawn inspired by all u the souls lost to social media

A photo posted by Olaoluwa Akeredolu (@olaoluslawn) on

some hand drawn tees I had up at posted

A photo posted by Olaoluwa Akeredolu (@olaoluslawn) on

And Onyedi’s medium is film, he’s already worked on films with Amandla Baraka of Oxosi.com and helped shoot the crew’s first proper skate documentary. It will be interesting to see what he exhibits this evening.

You should go see if you can, we will.

WAFFLESNCREAM

Eugene Odugwu’s art is a swirl of psychedelic fantasy and science fiction

Listen To Rejjie Snow Speak About Racism On “Crooked Cops”

Soundcloud’s related tracks introduced me to a shit ton of relatively unknown artists who create the kind of music I enjoy and I have stumbled on quite a few gems.  Recently, Rejjie Snow, a Nigerian-Irish rapper happened to catch my attention with his “Crooked Cops”.

On “Crooked Cops”, Rejji Snow paints a story of an angry young man who’s discouraged with the corrupt system that seeks to incarcerate or worse, kill him because of the colour of his skin. He ends the song parodying people who believe the system is not as bad as people of colour suggest, invalidating their lived experiences. “Crooked Cops” draws on the nostalgia of classic hip-hop, heavy with influences from the late 80s and early 90s rap specifically N.W.A and O.D.B while the horns hint at Kendrick’s dabbles with Jazz. Or it simply might be because his story depicts the same sad reality that his influences spoke about.

There’s no news on a forthcoming project this year but you can see him on tour this March in New York.

Listen to “Crooked Cops”:

https://soundcloud.com/rejjiesnow/crookedcops

 

 

Header Image Credits: Rejjie Snow/Tumblr

 

 

Listen To Olawumi Has To Say About Being “Alone”

The Bumplist: Migos, J Hus, Eva Alordiah and 7 other must-haves this week

From The Cloud

For The Winter – Wunda B

Wunda B’s latest single “For The Winter” is a touch of many concepts. There’s the nostalgia of Drake’s Take Care, slathered with a Andre 3000-inspired sing-song flow and the psychedelia of new-age cloud rap. “For The Winter” wins with bold delivery, a pseudo-romantic narrative and an ambitious full-groove usually absent from songs with the same intent.

Dreaming – AYLØ

After the success of jazz influenced records like Kendrick Lamar’s ground breaking To Pimp a Butterfly and his EP throw-aways, untitled|unmastered, it’s unsurprising that alternative rap albums like AYLO’s uber-minimalist Honest Conversations will come to be. Despite hard brags, “Dreaming”, one of the underrated gems on the album sounds like water calmly rolling off a steep rock, everything is soft, clean, chill and damn-near perfect.

Wasteman – ThatBoyGMK

This is the up-to-no-good theme song you never knew you needed and it’s all in that sinister baseline synth, the rest is in your head.

White On White – Justin Snow 

We got on Justin Snow’s “White On White” from a SoundCloud repost by Miami’s up and coming GOAT xxxTentacion (facts only). But Justin is no new comer to the game. The rapper was friend and mentee to late A$AB Mob member, Yams. After spending a lot of time away from the game following the death of his mentor, Snow seems to be re-focused on working his way back into the main-stage with this melody driven number.

Never Sober (feat. The Section & KA$H) – New World Ray

New World Ray taps The Section and NativeLand headliner Ka$hlanta for this vibey trap number about never coming down from the high

 

From Our Pot of Jollof

Tilapia (feat. Medikal)- Mr. Eazi

Mr Eazi is going to end our wait for his first full-length project with the release of his Accra to Lagos mixtape this weekend, but in the meantime listen to king of Afro-wave on this highlife inspired number featuring Medikal.

Hossanna (feat Burna Boy) -Shatta Wale

Ghanaian dancehall singer Shatta Wale meets a perfectly match, Burna Boy on this spiritual club jam. If it’s not the beat switching between minimalist interludes and heavy dancehall drops, it’s the way Burna and Shatta sleekly slip into the same flow, both comfortably owning their corners of the instrumentation without ever going out of sync.

To Self – Eva Alordiah
“Even when you hit the top, you gon be staring the sky, wishing you could fly”, this line sums up how deep cut, Eva Alordiah’s latest note “To Self” is. It’s not as broody as you would expect a song titled like a diary entry to be, instead Eva is full of rage but much of it is a message to herself; to look beyond missed opportunities, failed re-ups and break beyond limits put in place by a system unfair to people of her kind.

 

Overseas

High Roller (feat. J Hus) – Nines

Nines signing to XL Recordings may be the final push he needs to break into the mainstream. Effortlessly lyrical and crucially authentic, the Church Street resident links up with NATIVELAND riot-starter J Hus for the latest single from “One Foot Out”.


Kelly Price (feat. Travis Scott) – Migos

Migos are on an unstoppable run right now. With “Bad & Boujee” topping the charts, “Call Casting” dominating the streets, and “T-Shirt” being the early front-runner for video of the year, their stranglehold on the game is undeniable right now. “Kelly Price” is sure to be a single from sophomore album ‘Culture’, with the Quavo, Takeoff and Travis Scott putting in MVP worthy performances.

Listen to The Bumplist below, via Soundcloud.

https://soundcloud.com/thenativemag/sets/the-bumplist

AV Club: The Shade Corner is heavy on the corny and wanting for shade

The easiest way to set yourself up when you’re trying to debut a talk-style web show to a cynical audience is give it a name like ‘The Shade Corner‘. A boastful name almost daring the audience to judge you as impersonally as possible.

Yeah I said it, oya come and arrest me. 

The Shade Corner is the concept of Akah Nnani, who has tried his hand at everything but singing at this point. Akah was the lead on On The Real (which barely got off the ground) and host of Accelerate TV’s news show, before he was swapped for Biodun Laaro. The Shade Corner would have been another chance to redeem himself. Except it isn’t.

I’ll let Terver Bendega, Youtube commenter, explain it best.

Me thinks the strategy session for this program went like this “guys we want to do exactly what the shade room does, only you know…much less authentic. I know let’s call it shade corner. The “corner” will confuse the people.They will see no association whatsoever. Oooh and whatever we do, let’s be sure to add “the shadiest people in all the land”…adding unnecessary words is always a good idea”…

The idea was simple, gather four very attractive people (Camille Shaiyen, Bayo Oke-Lawal, Makida Moka and Noble Ezeala) with one host/show creator, put them in a room and let the shade fly. But when our four heroes on ‘The Shade Corner’ comes together, everything falls flat.

First off TSC’s  designed set is a really bad clone of the E!’s Fashion Police set. It reduces the glory of what should be a  ‘Shade Corner’ to an unimaginative man’s Shade Room. And that’s if you completely ignore the poor segmentation and continuous spate of raucous shouting over each other voices.

Worst lines on this episode in particular order.

AKAH: These are the shadiest people in all the land.

MAKIDA: (while being gently dragged for wearing shade indoors) Because what show are we on?

Perhaps one where you should know better than wear sunglasses inside?

KING CAM: King Cam… Roll Cam.

MAKIDA: I’m not a Module, you don’t study me.

KING CAM: (to Akah)  Were you the midwife at my… berthing… theatre?

AKAH: (bleating out that one tired viral joke) WHEN WILL YOU MARRY? WHEN WILL YOU MARRY?

Where TSC manages to redeem itself are the moments where Bayo Lawal and Noble Ezeala get a word in. Bayo’s world class drag of Cossy Orjiakor had me screaming. He didn’t stop there; he effortlessly took down Omotola, Tonto and Jay Jay Okocha and came back and dragged Akah, all done and dusted without even raising his voice.

Me everytime they let Bayo hold court. 

They need to rest everyone else and give Bayo his own show, and add Noble so he has someone on his level. You can tell that Noble has shade in him, but he kept struggling to keep his shade PG.13.

Noble, set yourself free and let that shade fly.

King Cam gained our attention with her brazenness on the WJGB podcast but save for her ‘I ride for Tonto and her 27 dogs’ line, she was M.I.A on TSC. I guess taking out the anonymity of podcasting made her choke. I don’t want to believe that King Cam is really a Camilla Vanilla. Universe, please do something.

By the end of the episode I felt cheated. Nigerians basically breathe shade, and the entire episode of was just one big breath of corniness.

This is the first episode so we’ll hold out and see if the future episodes get any better, but just in case here’s a refresher.

If you have to call yourself ‘Shady’, then you probably aren’t.

There are drags, there are reads,  and there is shade. Learn the difference.

If the shade isn’t flying then drop the dead weight.

We’ll watch The Shade Room Corner because, paucity of Nigerian helmed shows, and we’ll keep an open mind to see who is legit and who is dead weight.

Until next week, we wait.