Listen to GCL3F’s “Faded”, featuring Psycho YP and Straffitti

A significant part of thriving in the streaming era as an indie artist, is the level of consistency involved, bordering on being prolific. Psycho YP and Straffitti have continued to solidify themselves as prime purveyors of Trap music in Nigeria, through their tireless work ethic and the rockstar overtures they portray in their music. On GLC3F’s “Faded”, both rappers extol their ethos of living on the fast lane, without a hint of the destructive streak attached to the lifestyle.

“I’m steady on my grind/and the money on my mind”, Straff raps in a leisurely, self-assured cadence over the bouncy trap beat GCL3F and Le Mav co-produce, mixing intermittent flute riffs, reverb-doused 808 bass and rapidly ticking hi-hats. Setting the mood in vivid terms, YP delivers the hook and a similarly conceited second verse.

You can stream “Faded” below.

Featured Image Credits: Instagram/
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ICYMI: Listen to “Kuronbe” by Straffitti, Prettyboy D-O, Zlatan and Ice Prince

Oxlade shares new single, “Legend”

Oxlade’s star-making appearance on Blaqbonez’s “Mamiwota”, and the ensuing success of his breakout hit song, “Shuga”, pegged him as one of the fastest rising Afropop acts. With the knowledge that he’s still a few ways from being an established act, his newly released “Legend” single serves as a mission statement of sorts, explicitly declaring his plans to become a widely heralded voice in the coming years.

While the pining texture he imbues his lyrics with, gives the song a genuine, heartfelt vibe, Oxlade also makes a couple of confident affirmations, singing “I no talk say na me be the best singer/but I will be great, so fuck what people say”. Punctuating the weightiness of his sentiments, the orchestral backdrop of marching tribal drums, sombre piano keys and dramatic strings feel especially apt.

You can listen to Oxlade’s “Legend” below.

Featured Image Credits: Instagram/
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ICYMI: Listen Oxlade’s “Shugar” break out single

Adekunle Gold shares new single, “Kelegbe Megbe” with an accompanying music video

Adekunle Gold’s attention to delivering captivating visuals for his music might be the result of his graphic design background, but it has certainly helped shaped his music career as an art appreciating artist. His latest release, “Kelegbbe Megbe”, comes with a fashionably aesthetic video that marks his proper, full-colour re-entry into the world at large after last year’s ‘About 30’ album and his romantic “Before You Wake Up” debut for 2019.

“Kelegbe Medgbe” is a return to his folky introspection, offering words of wisdom to listeners over a lightweight beat Sess produces to the ambient swing of synths, horns, percussion, traditional drum riffs and rattling samples. The video Clarence Peters directs highlights Adekunle Gold’s return, older and bolder, surrounded by beautiful African women, print fabric designs and lip-synching his lyrics confidently, “Mi o ran anybody mo (I don’t care what anyone thinks anymore)”. Though nothing has been said about a coming project, the video painstakingly introduces viewers to Adekunle Gold’s world of glitter, fabric prints, beautiful women and high fashion. It’s a place of passion and imagination, and it’s exactly the kind of Adekunle Gold we were hoping would return.

Watch the music video for “Kelegbe Medgbe” below.

Featured Image Credits: YouTube/Adekunle Gold
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ICYMI: Watch the music video for Adekunle Gold’s “Ire”

Reminisce collaborates with Niniola on new single, “Jensimi”

It’s been three years since premier Indigenous rap act, Reminisce put out his most recent studio album, ‘EL Hadj’, making it the longest time between his projects. He’s remained visible, though, via last year’s socially conscious, smash hit “Ponmile” dominating airplay, and his major role on Kemi Adetiba’s acclaimed ‘King of Boys’ screen feature. The rapper looks like he’s back in album mode, with his new single, “Jensimi” coming out as his second release of the year already.

Switching up from the street-smart ethos of the preceding, Sarz-produced “Oja”, Reminisce showcases his pop sensibilities on “Jensimi”, an Afro-house inspired bop with assistance from the subgenre’s best and biggest purveyor around, Niniola. Over Tempoe’s groovy blend of bouncy Afropop drums and interlocking guitar riffs, both artists play out an iteration of a conversation preceding sexual relations. While Reminisce’s cadence is laidback, he imbues his lyrics admiring his interest’s physique with a palpable level of mischief. Though Niniola’s hook oozes of nonchalance, singing “gba jensimi (take let me rest)”, her lascivious performance listens like she’s been mutually interested all along.

You can listen to “Jensimi” below.

Featured Image Credits: Instagram/iamreminisce
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ICYMI: Watch Reminisce’s music video for “Oja”

Listen to Juls’ Agent Sasco-assisted single, “Slow Down”

Following a rather quiet first few months of the year, British-Ghanaian producer, Juls has kicked things up a notch recently. Last month, he dropped “Maayaa” featuring vocals from Tiggs Da Author and Santi, and released its superb music video a few weeks ago. A couple of days removed from picking up production credits on Goldlink’s ‘Diaspora’ album, the producer has just put out a new single, “Slow Down”, with guest vocals from Agent Sasco (aka Assasin), the Jamaican dancehall artist who is popular for his work with Kanye West and Kendrick Lamar.

Putting together an equally sultry and composite canvas, mixing palmwine guitar riffs, trumpet harmonies and sparsely clanging, groovy percussions, “Slow Down” highlights the hallmarks of Juls’ undeniable abilities as a producer and musical auteur. Personifying the feeling of being enchanted by a lady’s physical attributes, particularly her waist, Assasin’s performs an impassioned set, admiring the seductive whine of his muses’ waist, singing “I like the way you throw it down” at the song’s backend. As much as “Slow Down” is a song to catch rocks to, it has also (unknowingly) functioned as a soundtrack to the viral “my waist is cutie” tagline that has accompanied pictures from ladies around social media in recent weeks.

You can listen to “Slow Down” below.

Featured Image Credits: Instagram/JulsOnIt_
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ICYMI: Listen to “Maayaa” by Juls, Tiggs Da Author and Santi

Jaywon Taps Barry Jhay And Lyta For “Aje (Remix)”

Last year, Jaywon dropped his “Aje” single, a prayerful confessional that found the singer asking God for the better things of life. While that single is marred by a seeming use of suicide as an aesthetic to give his already relatable lyrics some extra weight, the addition of younger, similar minded Fuji-pop artists, Barry Jhay and Lyta on the recently released remix, refocuses the song’s primary intentions.

Retaining the song’s subtle and steady beat, comprising gentle vibrato piano harmonies, softly plodding drums and choral vocal backups, Jaywon’s hook, on which he sombrely sings “Iya o ki se omi obe, bless me before it’s too late”, retains its pleading charm. Delivering their own versions of the hook, as well as sole verses, both guest features add an extra lived-in layer. Barry Jhay’s aphorism-packed lyrics sung in Yoruba, brings a rustic soulfulness, while Lyta’s recount of his rise and his fear of falling back into obscurity is affecting, particularly with the recent circumstances surrounding his exit from YBNL.

You can stream “Aje (Remix)” below.

Featured Image Credits: Instagram/JaywonJuwonlo
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ICYMI: Listen to Barry Jhay’s spiritual single, “Mo Le Jo”

Burna Boy wins ‘Best International Act’ at BET Awards 2019

Afrofusion artist, Burna Boy has won the award for ‘Best International Act’ at the just concluded 2019 edition of the BET Awards. Taking home the prize ahead of fellow Afropop luminary, Mr Eazi, and international stars like Dave, Giggs and Aya Nakamura, Burna’s win confirms two (trite) things: Afropop is holding steady as a global phenomenon and Burna is continuing his reign as the genre’s MVP.

Last year was the first time ‘Best International Act’ was combined into one category to encompass artists from Africa and Europe, with Burna succeeding last year’s winner and fellow Afropop giant, Davido. Unlocking another milestone this year, Burna’s new prize follows his Coachella performance from earlier in the, as well as his ongoing African Giant tour.

Although Burna was in attendance, apparently slipping out of the venue few minutes prior to the announcement, Burna’s mom and manager, Bose Ogulu accepted the award on the singer’s behalf, delivering a terse but rousing acceptance speech, encouraging Pan-Africanism, an idea Burna himself is passionate about.

You can watch the acceptance speech in the video below, and read the full list of winners (boldly highlighted) at the 2019 BET Awards below.

Best international act

AKA (South Africa)

Aya Nakamura (France)

Burna Boy (Nigeria) *WINNER

Dave (U.K.)

Dosseh (France)

Giggs (U.K.)

Mr Eazi (Nigeria)

Video of the year

21 Savage featuring J. Cole, “A Lot”

Cardi B, “Money”

Cardi B and Bruno Mars, “Please Me”

Childish Gambino, “This Is America” *WINNER

Drake, “Nice for What”

The Carters, “Apeshit”

Best female R&B/pop artist

Beyoncé *WINNER

Ella Mai

H.E.R. Solange

SZA

Teyana Taylor.

Best male R&B/pop artist

Anderson .Paak

Bruno Mars *WINNER

Childish Gambino

Chris Brown

John Legend

Khalid

Best female hip-hop artist

Cardi B *WINNER

Kash Doll

Lizzo

Megan Thee Stallion

Nicki Minaj

Remy Ma

Best male hip-hop artist

21 Savage

Drake

J. Cole

Meek Mill

Nipsey Hussle *WINNER

Travis Scott

Best new artist

Blueface

City Girls

Juice WRLD

Lil Baby *WINNER

Queen Naija

Best group

Chloe x Halle

City Girls

Lil Baby and Gunna

Migos *WINNER

The Carters

Best collaboration

21 Savage featuring J. Cole, “A Lot”

Cardi B and Bruno Mars, “Please Me”

Cardi B featuring J Balvin and Bad Bunny, “I Like It”

H.E.R. featuring Bryson Tiller, “Could’ve Been”

Travis Scott featuring Drake, “Sicko Mode” *WINNER

Tyga featuring Offset, “Taste”

Album of the year

Cardi B, “Invasion of Privacy” *WINNER

Ella Mai, “Ella Mai”

Meek Mill, “Championships”

The Carters, “Everything Is Love”

Travis Scott, “Astroworld”

Viewers’ choice award

Cardi B featuring J Balvin and Bad Bunny, “I Like It”

Childish Gambino, “This Is America”

Drake, “In My Feelings”

Ella Mai, “Trip” *WINNER

J. Cole, “Middle Child”

Travis Scott featuring Drake, “Sicko Mode”

Dr. Bobby Jones best gospel/inspirational award

Erica Campbell featuring Warryn Campbell, “All of My Life”

Fred Hammond, “Tell Me Where It Hurts”

Kirk Franklin, “Love Theory”

Snoop Dogg featuring Rance Allen, “Blessing Me Again” *WINNER

Tori Kelly featuring Kirk Franklin, “Never Alone”

Best actress

Issa Rae

Regina Hall

Regina King *WINNER

Taraji P. Henson

Tiffany Haddish

Viola Davis

Best actor

Anthony Anderson

Chadwick Boseman

Denzel Washington

Mahershala Ali

Michael B. Jordan *WINNER

Omari Hardwick

Best movie

“BlacKkKlansman” *WINNER

“Creed 2″

“If Beale Street Could Talk”

“Spider-Man: Into the Spider-Verse”

“The Hate U Give”

Young stars award

Caleb McLaughlin

Lyric Ross

Marsai Martin *WINNER

Michael Rainey Jr.

Miles Brown

Sportswoman of the year

Allyson Felix

Candace Parker

Naomi Osaka

Serena Williams *WINNER

Simone Biles

Sportsman of the year

Kevin Durant

LeBron James

Odell Beckham Jr.

Stephen Curry *WINNER

Tiger Woods

BET HER award

Alicia Keys, “Raise a Man”

Ciara, “Level Up”

H.E.R., “Hard Place” *WINNER

Janelle Monae, “PYNK”

Queen Naija, “Mama’s Hand”

Teyana Taylor, “Rose in Harlem”

Video director of the year

Benny Boom

Colin Tilley

Dave Meyers

Hype Williams

Karena Evans *WINNER

Best new international act

Headie One (U.K.)

Jok’Air (France)

Nesly (France)

Octavian (U.K.)

Sho Madjozi (South Africa) *WINNER

Teni (Nigeria)

Featured Image Credits: Instagram/BurnaBoyGram
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ICYMI: Watch Burna Boy’s music video for “Anybody”

Ceeza Milli and Zlatan capture the Afropop zietgiest on new single, “Flenjo”

The pop music scene in Nigeria runs on parties and artists whose music draws from sleek house beats, hip-hop sensibilities and atmospheric R&B. There’s never a shortage of dance music attempting to capture the festive mood at parties and become an instant hit. However, Ceeza Milli and Zlatan’s new single, “Flenjo”, stands out for its clever interpolation, plucking from Nigeria’s richly entertaining pop culture pool.

Opening with the ‘Apostle will hear of this’ cut from a viral meme, the humorous undertone of the party anthem becomes apparent before Zlatan’s lighthearted bars aimed at a love interest he tries to charm with his catchy ad-libs (“Je Ko Mo”), flow and cocksure brags. Ceeza Milli, however, keeps things sweet and simple, singing the lightweight hook for “Flenjo” over the mid-tempo beat Phantom produces, mixing percussion, drum riffs, synths and a Jazz horn sample to add a little Afrobeat flavour to the party.

You can stream Ceeza Milli and Zlatan’s “Flenjo” below.

Featured Image Credits: Instagram/ceezamilli
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ICYMI: Listen to Ceeza Milli’s “Yapa”

See the colorful music video for Simi and Patoranking’s “Jericho”

Simi pushed for a more expansive sonic palette on her 12-track sophomore project under now former X3M label, ‘Omo Charlie Champagne Vol. 1′. Her guest list of features, which included Maleek Berry, Adekunle Gold, Patoranking and Falz helped her accomplished this feat, but Patoranking assisted “Jericho” is particularly distinct for its Ragaee dancehall bent which Patoranking fueled through his patio vocals.

Though Simi’s sweet lyrics don’t have raunchy heft that makes Ragaeton songs so colourful, the recently released music video for “Jericho” makes up for it through the brightly-coloured costumes and dancers. If the song wasn’t already on your summer playlist, the Adasa Cookey directed video urges you to reconsider.

Watch the music video for Simi and Patoranking’s “Jericho” below.

Featured Image Credits: YouTube/Simi
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ICYMI: Check out the essentials from Simi’s ‘Omo Charlie Champagne Vol.1’

Watch AYLØ’s immersive music video for “Paris!”

AYLØ’s “Paris!” is his first release for the year, returning to his neo-R&B sensibilities that have characterized so many of his best songs. He follows the song’s release with an accompanying music video that seems to imply he’s back in project mode as he hints at a coming tape,dnt’dlt’.

TSE, Sanjo and Nwobi Chukwuka direct the music video for “Paris!”, creating an immersive monochrome universe that portrays AYLØ’s relationship with a lover played by Ashley Okoli. The video follows AYLØ and his muse through a series of shots that intimates viewers with the soothing ambience that inspires his romantic confessional.

Watch the music video for “Paris!” below.

Featured Image Credits: YouTube/AYLØ
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ICYMI: Watch the music video for AYLØ’s “STILL II”

Prettyboy D-O shares new single, “Dey go hear Wehh”

Prettyboy D-O’s ‘Everything Pretty’ album debut was one of the markers of 2018, confirming the niche sounds known for their online predominance were on the verge of a major crossover. Stand out tracks like Falz assisted “Chop Elbow”, highlighted his ability to blend socio-political commentary with dancehall melodies, oozing character. He has since grown more popular with music lovers, going on tours and performing shows here in Nigeria and in Europe.

The teasing snippet he shared of his newly released “Dey Go Hear Wehh” hinted at his aggressive intentions on the track, prancing like Street Fighter’s Ryu character with his red-dyed hair. But even that wasn’t enough to numb the shock-effect of the DJ-hype drop that opens the track; “DJ, DJ, DJ D!, Banger! Certified! Prettyboy! Massacre! Massacre! Burst it!”. Prettyboy D-O has never been shy about his violent urges, using it as fuel to imbue mischievousness and charisma to his dance club driven songs. He’s liable to do or say just about anything and on “Dey Go Hear Wehh”, he mocks his haters over a catchy dancehall beat.

Stream Prettyboy D-O’s “Dey Go Hear Wehh” below.

Featured Image Credits: Instagram/prettyboydo
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ICYMI: Watch the music video for “Chop Elbow”

Habeeb Bombata is creating a money recognition app, “Currensee”

Ideally, the loss or absence of one or more of our sense organs shouldn’t imply that life can no longer be experienced in full. It only means there’s a peculiar set of challenges effected by an omnipresent flaw. Since a significant portion of people on the planet have all five senses intact, the challenges of individuals with dysfunctional sense organs are obscure enough to not concern most people. That is until they to have to deal with the reality of those challenges by themselves.

Case in point, Habeeb Bombata, a Computer Science undergraduate of Bells University of Technology, Ota, Ogun state. He recently premiered the first prototype of a money recognition software for visually impaired people, on social media. Explaining the idea behind the striking project, Habeeb explained to the NATIVE that volunteering on “Be My Eyes”, an application focused on assisting the visually impaired, provided him with inspiration. As its name implies, “Be My Eyes” is a help-based platform that pairs visually impaired individuals with sighted individuals who assist them with activities that require visual input.

In volunteering on the ‘Be My Eyes’ app, Habeeb was able to understand the semantics of dependency for visually impaired individuals: While activities like doing chores (laundry and dishwashing), and picking out an outfit or a piece of furniture are elaborate enough to require visual assistance, the realization that less intense tasks can be carried out independently led to Habeeb’s current idea, which he tentatively calls “Currensee”, and his ongoing quest for total fruition.

To be clear, Habeeb’s idea isn’t exactly new, but it has undeniable ramifications. A look around the internet highlights a similar minded, trailblazing app, “LookTel Money Reader”, an application (unknown to Habeeb prior to our conversation) that helps visually impaired individuals recognize the denomination of money in 21 various currencies. Currently, LookTel Money reader doesn’t support the Naira, or any other African currency for that matter, which is where Habeeb’s innovation will hopefully come in, in the near future.

“I’ve been working on the idea (his “Currensee” app) since last November, like when I got my project topic, ‘cos I chose it for myself”, Habeeb says, adding that the combination of his tenacity and his project supervisor’s eventual willingness, is to credit for the beginning stages of execution. Going by the video posted on social media, the current prototype can identify the denominations of the Naira in polymer notes (5, 10, 20 and 50naira), which basically covers the scope of his undergraduate project. Knowing the potential, real-life use for his project, though, Habeeb is looking at pushing the application to encompass the recognition of every Naira denomination.

For an idea he’s been working on for just eight months, Habeeb has come far—thanks in large part to a library of already written algorithm relevant to his app—but he also acknowledges he still has a long way to go in order to make “Currensee” a wholesome, perfectly working app.

Delving into one of the significant hurdles he’s faced with development so far, and will continue to face, he explains that, with “Currensee” being an imagery based AI application using unsupervised machine learning, he needs a large number of samples for each denomination, in varying physical states, in order to train the app to recognise any type of Naira note ranging from crisp to shabby. Currently, the app has been trained with over two hundred variations of the polymer Naira notes, but he projects that he needs about two thousands variations of each denomination, in order to full optimize the app’s abilities. The good thing is, Habeeb realizes he needs external assistance to help in widening the scope of his app, and he’s open to receiving a variety of images of each denomination.

There’s a palpable vigour with which Habeeb discusses “Currensee”, pushing the notion that he’s in it for the long haul, but he still has to contend with paying his bills while working on the project. Currently, he’s working a 9-5, greatly reducing the time he can work on “Currensee”, affecting the speed of his work. Considering its low-profit potential, making the decision to work on the app full time is an unwise risk, and it also limits any seed money towards the manifestation of the app as goodwill donations rather than investments.

Regardless, there’s been a substantial, positive encouragement since his video went viral: a member of the ‘Be My Eyes’ team reached out to offer technical assistance. As much as that counts for something, Habeeb is hoping his prototype attracts enough people who willing to assist, in every aspect possible.

The fact that “Currensee” is solving what many might term a solution to a fringe problem is not lost on Habeeb. It is an especially striking observation considering Nigeria’s status as a developing country, compounded by its benign neglect of those who require medical assistance for illnesses that aren’t widespread. Habeeb’s hope, though, is that increased awareness on the plight of visually impaired individuals in Nigeria, and empathy towards them will help in making his undergraduate project, a viable option for real life use.

You can reach Habeeb Bombata via Twitter and LinkedIn.
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ICYMI: Chiwetel Ejiofo and David Oyelowo raised money for medical care in Nigeria

Amaarae sprinkles some of her fairy-dust magic on Gafacci’s “Like Water”

Gafacci is gearing to release a new EP, ‘Tash BNM’, his follow up to last year’s ‘Ahunda’, which featured Joey B. To announce and build anticipation for the project, the Accra-based producer has shared the lead single, “Like Water”, featuring Amaarae.

The beat Gafacci produces for “Like Water”, mixing sweeping and erupting synth harmonies with traditional drum riffs and droning synth samples bears some semblance of the serene rush of waves at the beach. Over the summery and tropical EDM-influenced beat, Amaarae sings of love with the same lazy sway of the beat as her vocals disappear down vocoded halls of mirrors that affords her the space to deliver only two lines the whole 3-minute length of the song; “She wants a Love who go cool am down like Water/She Wants a lover who go give am give am ginger”.

You can stream Gafacci and Amaarae’s “Like Water” below.

Featured Image Credits: Instagram/amaarae
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ICYMI: Listen to Amaarae and Wande Coal’s “Spend Some Time”

See Skales in Video For New Single, “Ego”

Skales’s transition from being a precociously talented rapper and occasional singer to full-time connoisseur of dancefloor-ready Afropop may still be a hard pill for older fans to swallow, but his pivot is what has kept him relevant in the Nigerian mainstream. His latest single, “Ego” listens like a sleeper hit primed to grow into DJ sets and radio, due to its combination of the Chopstix-produced Afro-house beat, comprising whirring synths and pacey heavy percussions, and Skales’s catchy lyrics stating his ambition to make more money.

Singing, “I want to rock Vercase, I want to rock Phillip Plein/aye yi gan ko easy (this life is not easy), so I not complain/so I cut my coat according to my pocket”, in a dubiously simple and infectious melodic cadence, Skales’s lyrics are grounded by the reality of knowing your financial lane despite the allure of flossing. The song’s music video directed by Bash ‘Em, colourfully highlights Skales’s lyrics as well as its dancefloor-ready bent, featuring lyric appropriate dramatics, dancers showing off their boisterous routines and Skales performing on a moving car and at the top of a multi-story building.

You can watch the video for Skales’s “Ego” below.

Featured Image Credits: YouTube/Skale
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ICYMI: See the music video for Skales and Davido’s “Currency”

$pacely shares new single, “Yawa”, featuring Kofi Mole

When $pacely emerged with the hip and energetic La Même Gang music group from Ghana, his trap influenced rap songs weren’t completely unique; Milli and PatricKxxLee, for one, were mining a similar territory. But few other artists were as interested in fusing indigenous sounds with the sparse synth productions of trap, and certainly, none commanded the same captivating bromance he and the rest of the La Même Gang shared on collaborative singles that shot them into the limelight.

$pacely’s latest single, “Yawa” featuring Kofi Mole is a tribute to the compadre he enjoys with his bros, crediting them for his confidence and success; “One time I put this on the bros/ Two time I put this on my life/ Three times I put this on the gang”. Over the engrossing synth led beat Kuvie produces and Altra Nova masters, his melodic rap verse blends his native Twi language and English to drop fast-paced bars aimed at his competition. Kofi Mole contributes a verse as well, reemphasizing $pacely’s threat that his bros will back him whenever he needs them to.  “Yawa” is the first single expected to herald his coming ‘Fine$$ed’ project, expected to be released in a few weeks.

Listen to “Yawa” below.

Featured Image Credits: Instagram/spacely1z
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ICYMI: Watch the music video for La Meme Gang’s “This Year”

See the music videos for Peruzzi’s “Majesty”

Peruzzi returns his focus to music with the release of an accompanying music video for “Majesty”, off his ‘Heartwork’ EP. The song stood-out for being the project’s centrepiece as Peruzzi expresses his vulnerable emotions about a love interest. While he was able to capture the wistful tendings of feeling like you’ve found the one you love, the music video Dammy Twitch directs expands on his romantic plot to tell a dramatic wedding story.

The video for “Majesty” details the struggle of artists, outlawed by the conservative older generation of parents as we watch Peruzzi’s love interest (played by Big Brother housemate, Cee C) try to convince her parents of her love for Peruzzi. Her argument for her feelings to be considered was neglected until she eventually has to work out on the bridegroom on the wedding day when Peruzzi and his high-fashion styled boys crash the party.

Watch the dramatic video for “Majesty” below.

Featured Image Credits: YouTube/Davido Adeleke
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ICYMI: Listen to “Bayi” by Peruzzi and Zlatan

Watch The Video For DYO and Adekunle Gold’s “Arena Remix”

Nigerian music listeners were introduced to Ivor Novello nominated, British-Nigerian singer, DYO following her stellar guest feature on “Down With You”, a standout track off Adekunle Gold’s sophomore album, ‘About 30’. The two singers have linked up again, this time around on the remix of DYO’s single from April, “Arena”.

Similar to the romance-themed incline of the original, “Arena (Remix)” finds both singers delivering charming odes to their loved interest over a bouncy mix of appergiated guitar licks and a thumping drum pattern, using their distinct vocal qualities to complement each other. DYO’s siren-like voice adds a bewitching effect to the scarcely veiled sexual innuendos of her verse and the Hindi Pop-inspired melody of the hook, while Adekunle Gold’s Juju-inflected vocals add a new element of bucolic appeal.

Going the minimal route, the video for “Arena (Remix)” is focused on both singers, as they sing their lyrics with the frames solely fixed on them in separate settings, imbuing the song with a fresh coat of enchantment due to their impassioned expressions.

You can watch the video for “Arena (Remix)” here.

Featured Image Credits: YouTube/
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ICYMI: Adekunle Gold features Vanessa Mdee on “Before you Wake Up (Remix)”

Kizz Daniel Releases Video For New Single, “Eko”

Thematically joining the myriad of songs dedicated to the dense madness that is the city of Lagos, Kizz Daniel’s “Eko” might not be the most ingenious song you’ll hear this year. But the singer’s penchant for insouciant melodies that easily creep into the ears of Nigerian music listeners, in conjunction with the equal parts punchy and groovy beat Philkeyz produces has helped the song warm its way up the charts since its release earlier this month.

The singer has just put out the music video for “Eko”, capturing his attempted panoramic portrayal of the city. The Daniel Vintage-directed visuals is a slightly frenzied mishmash of frames, showcasing street traders and workers going about their daily business, young people engaging in activities common to inner city life, and a party set a high-end club presumably filled with affluent people. Kizz Daniel is also seen performing his lyrics in the company of the Eyo masquerades, as well as with dancers who highlight the song’s dancefloor-ready vibe.

You can watch the video for “Eko” here.

Feature Image Credit: Youtube/KizzDanielVevo
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ICYMI: The video for “Poverty Die” confirms Baddo’s visual renaissance is afoot

Essentials: Rema’s ‘Rema Freestyle EP’

When Rema debuted “Iron Man” back in March, it was with many trappings of a modern major-label roll-out that would eventually see him top charts with his self-titled ‘Rema’ EP, released in the same month. The 19-year-old’s fame quickly spread with viral dance videos and high-profile artists like Wizkid and Davido co-signing by playing the lightweight Afropop tracks off the tape on their IG Live.

Prior to the project, however, Rema had grown a notable following as a trap rapper, sharing performances from his ‘Rap Nation’ church group and freestyle videos with a dress sense and wardrobe to match his Atlanta rap influences. He had even gotten discovered and signed to Mavin Records through one of such freestyle videos, so naturally, the Afropop direction of the EP that shot him to the limelight was cause for concern. Rema fans and observers were wary of the label playing it safe by forcing the young talents to change his sound to appeal to a more mainstream audience. But as it turns out, we may have underestimated how safe they were playing it.

Rema just released ‘Rema Freestyle’, a 4-track compilation of mixed and mastered versions of freestyle rap videos he shared to keep fans engaged on his social media pages while his Afropop songs casually climbed into every playlist, DJ set, and the subconscious of the Nigerian music lovers. In one sense, this is state-of-the-art, industry chess board strategy for marketing an artist that is no stranger to the Nigerian mainstream to the international audience.

‘Rema Freestyle’ was worth the wait and the hype, containing four tracks he already teased with snippets online. Like any good success story, the EP opens with a sad tale of grief, “Boulevard”, where he details his emotional torture from dating an unfaithful partner who undermined him. A wispy mix of percussion, synths, vocal harmonies and guitar riffs create a cinematic tapestry while his lyrics, “I don’t need her/ Mona Lisa/ And I miss her/ No picture” paints a vivid picture of his bruised ego.

As a result, the buoyant next track, “American Love”, almost seems intended as a revenge kiss-off track to his heart-breaker as he brags and takes petty shots over the sparse trap production. Ironically, his melodic Carti-esque caricature cadence and ad-libs also make for the most ambitious element on the project with its objective to draw the attention of international audiences.

“Spiderman” was perhaps his most notable freestyle, inspiring parody videos from comedians on Instagram who mimicked his quirky hand gestures while rapping. However, the song’s melancholic lyrics and atmospheric production stand at sharp contrast to the humorous fan videos. “Spiderman” reveals Rema’s paranoid thoughts,  dealing with haters that undermine him and those who try to take advantage of his talent and newfound fame. Despite his catchy flow and cartoonishly inventive raps, his lyrics are dark and lucid, revealing his adept pen-game.

Having already established his trap influences, the closing track, “Trap out the Submarine”, expands his sonic palette as he explores more niche synth-pop sounds, singing over a velvety mix of vocal harmonies, drum machine loops and space-age synth chords of a Frankensteinian combination of guitar and synthesizer harmonies. Thematically, however, “Trap out the Submarine” lives in the overlap between political anthem and self-reflection. Lines like “Government they be busy acting crazy/ They shedding so much blood for this” and “So many niggas died/ How did I?/ I told them I was born for this” listen like battle hymns. But despite the down-pitched ambience of the song, there’s also an undercurrent of a celebration of his rise to mainstream dominance.

You can stream ‘Rema Freestyle’ below.

Featured Image Credits: Instagram/heisrema
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Rema is the kid from Benin with the world at his feet

R2Bess Share Video For King Promise-Assisted “Picture”

In March, celebrated Ghanaian music duo, R2Bees released their long-awaited album, ‘Site 15’. In its support, the duo have been releasing music videos for songs off the album, and they’ve just shared the video for “Picture”, the King Promise-assisted third track. Following the M.O of a bulk of its housing album, “Picture” is a romance-inclined cut that finds Mugeez and King Promise singing lyrics of admiration to their love interests, while Omar Sterling delivers a rapped verse in the same vein.

Over Killbeatz’s mid-tempo beat, their catchy lyrics are perfectly suited to the digital age of immortalizing moments with a loved one by taking pictures of and with them—“Girl let’s take a picture, wanna see you smile”, Mugeez sings on the hook. The music video Justin Campos directs for “Picture” captures their sentiments, as all three artists are seen performing their lyrics to beautiful models who act as their muses.

You can watch the video for “Picture” below.

Featured Image Credits: Instagram/

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ICYMI: The video for “Poverty Die” confirms Baddo’s visual renaissance is afoot

PatricKxxLee shares two new singles, “NDNA RIPCN RIPKC” and “Spaceships” featuring Lethabo Acid

PatricKxxLee has built a fan-base that guarantees a sizeable fanfare for everything he shares on his social media pages. Whether it’s a new single, music video or tour announcement, you can be sure it’d get a lot of hype. Though it could get quite exhausting to those outside the fandom, his two new singles, “NDNA RIPCN RIPKC” and “Spaceship” featuring Lethabo Acid were certainly worth the hype.

The two songs seem to highlight PatricKxxLee’s extreme moods as “NDNA RIPCN RIPKC” takes listeners into his more destructive, rock music-inspired world while “Spaceship” featuring Lethabo Acid is much more pleasant. Both songs are peak PatricKxxLee but “NDNA RIPCN RIPKC” is shorter and painfully so with its dizzying pace, oozing character as he captures that sweet spot where pain, rage and satisfying screams meet. He produces a laid-back synth led beat for “Spaceship”, mixing harp riffs, 808 drum samples and piano flourishes for his melodic raps addressed at opposition.

You can stream “NDNA RIPCN RIPKC” and “Spaceships” featuring Lethabo Acid below.

https://soundcloud.com/patrickxxlee/ndna-ripcb-ripkc

https://soundcloud.com/patrickxxlee/spaceships-feat-lethabo-acid

Featured Image Credits: Instagram/PatricKxxLee
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: See the video for PatricKxxLee’s “Achoo” featuring Willy Cardiac