L.A.X features Moet Abebe for his “Specially” music video

Afropop artists recognize romance as a sure bridge between the genre’s dancefloor driven direction and their more reflective intentions. “Specially” off L.A.X’s debut album, ‘Rasaking’, highlights the singer’s emotional side, layering vulnerable lyrics over a groovy mid-tempo beat Clemzy produces. Though the heartwarming video the song inspires has a sultry, romantic style that has been done over and over and never seems to get old, L.A.X raises the stake by opening the music video with his captivating display of cooking skills and serving his lover breakfast in bed.

Mr Movies directs the romantic set for the video for “Specially”, showing L.A.X and Soundcity OAP, Moet Abebe, playing lovers in the 3-minute long clip. Though the dreamy mood is cut short when she finds a message on his phone that questions his faithfulness, his sultry vocals keeps things passionate till he’s able to apologize and even ask her out on a date where he proposes. With the gorgeously shot clip, highlighting L.A.X’s charming charisma, “Specially” could be the sleeper hit track from the project.

You can watch the music video below.

Featured Image Credits: YouTube/ Rasaki Music
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ICYMI: Check out the essentials from L.A.X’s album debut, ‘Rasaking’

Watch the music video for Burna Boy’s “Dangote”

Burna Boy’s “Dangote” continues his penchant for spinning personal tales of strife into pop songs that everyone can relate with. His encouraging message for hustlers sees him shift from the club-focused mood that made the Zlatan assisted “Killin Dem” such a recognizable hit. But with the music video for “Dangote”, capturing the broad scope of Burna’s heartfelt lyrics, the video is sure to boost the song’s popularity.

Clarence Peters directs the music video, conveying the relatable theme of the song through the different characters who perform the lyrics as if the words were theirs. The wistful slow-mo clip and the well orchestrated scene sets depicting the average hustling Nigerian on the street are striking with each scene telling its own story. But with Burna Boy’s absence from the video till his appearance on a TV screen at the tail end, the video for “Dangote”, a moving celebration of the hustling Nigerian, subverts the hero-worship for a tribute to hardworking Nigerians who get questioned for their ambitious spirit.

You can watch the music video for “Dangote” below.

Featured Image Credits: YouTube/Burna Boy
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ICYMI: See the music video for Burna Boy and Zlatan’s “Killin Dem”

R2Bees share their highly anticipated ‘SITE 15’ album

Ghanaian hip-life duo, R2Bees have been hinting at the release of their ‘SITE 15’ album since last year, releasing La Meme Gang, Humble Dis, Medikal and B4Bonah assisted “Boys Kasa” as the project’s lead single. Mugeez and Omar Sterling just released the 15-track album with Wizkid, Burna Boy and King Promise making up the rest of the guest feature list. While Wizkid features on the neon-soul tinged opening track, “Straight From Mars”, Burna Boy’s feature comes on the 6th track titled “My Baby”. With tracks centered around romantic experiences, the project portrays the proficiency of romantic themed Afropop songs as they perform songs designed to meet the mood and aesthetic of weddings.

You can stream ‘SITE 15’ below.

Featured Image Credits: Instagram/r2beesmusic
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ICYMI: Listen to “Boy Kasa” featuring alternative Afro-hip-hop group, La Meme Gang alongside, Humble Dis, Medikal and B4Bonah

Yemi Alade, Slimcase and Brainee team up for this steamy, form-defying new collab, “Yaji”

Yemi Alade is finally opening her record for 2019 with the release of “Yaji”. It’s her first release since closing the 2018 calendar year with the release of three singles, “Open, Close”, “Number One” and “Oga”, which came with a music video. Over the pacy mix of traditional drum riffs, percussion, and synths that rise and peak before a satisfying bass drop, she performs a party anthem complete with boastful lines and some dance instructions.

“Yaji” features street-hop stars, Slimcase and Brainee and they help infuse more character to the steamy, form-defying Afropop song. Their Yoruba fueled verses capture the liquor inspired cock-sure and raunchy sentiments expressed by guys at a night club.

You can stream Yemi Alade’s “Yaji” featuring Slimcase and Brainee below.

Featured Image Credits: Instagram/yemialade
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ICYMI: See the music video for Yemi Alade’s “Oga” here

A chilling video of Babes Wodumo getting domestically abused just surfaced online

Last May, reports of domestic problems between Babes Wodumo and her partner, Mampintsha, surfaced online when she revealed she was in an abusive relationship during an interview on Metro fm. But without evidence to back her claims, Mampintsha’s denial of being an abusive lover threw enough doubt on the matter till it was eventually shuffled out of relevant conversation. For Babes Wodumo however, she seemed to have returned to the life of battering and torture till she could no longer stand keeping the domestic violence from the world. Last night, she uploaded a distressing video on her IG live, showing Mampintsha as he attacked her in their bedroom.

Wodumo and Mampintsha have been together since the start of their careers, working their way up the music business as musician and label owner as well as lovers who were eventually engaged to be married. Their relationship highlights the problematic relationship that seems to be the pattern when female stars date their bosses, following Tiwa Savage and former manager, Teebilz’s similarly abusive relationship. The video Babes Wodumo shared on her IG live is pretty damning for Mampintsha as it shows him repeatedly smacking the South African Gqom singer across the head. The story is still a developing but South Africans have taken to social media to express their grievances towards the aggressive and oppressive behavior from the label executive. Babes Wodumo’s brave exposure of her abuse has opened the floor for conversations on domestic violence in South Africa and in the entertainment industry.

You can watch a clip from the IG video below.

Featured Image Credits: Instagram/babes_wodumo
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ICYMI: Watch Reminisce detail the hardships of abusive relationship for his “Ponmile” music video

Listen to Ladipoe’s new single, “Jaiye (Time of Our Lives)”

After releasing his highly anticipated album debut in 2018, ‘T.A.P (Talk About Poe)’, Ladipoe is returning with his first single for the year, “Jaiye (Time of Our Lives)”. The triumphant new single finds him riding the lightweight groove created by the percussive beat his label mate, Johnny Drille, produces. Mixing horn samples, thrashing drum riffs and atmospheric synth, there’s a feel-good ambiance as the beat conjures nostalgic sentiments of beach parties from previous summers.

At the center of the lively blend of harmonies, Ladipoe expresses how he’s having the time of his life and “All (He) Wants to Do Is Just Jaiye Jaiye Jaiye”. Though he admits the naivety of his feel-good intentions saying “I Don’t Know The Road We’d Take/ But I’m Down for the Journey”, he covers his raw raps with fluid melodies and a charming, carefree spirit that makes “Jaiye (Time of Our Lives)” endearing.

You can stream Ladipoe’s “Jaiye (Time of Our Lives)” below.

Featured Image Credits: Instagram/ladipoe
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ICYMI: Check out all the essentials from Ladipoe’s ‘T.A.P (Talk About Poe)’ album

6 videos you should see this week

Magnito – “Relationships Be Like (Part 6)” Feat. Don Jazzy and Lasisi

Over the last three months, Magnito has kept up his “Relationships Be Like” rap series where he offers his humorous takes on problems experienced in relationships. The series took an interesting turn on the 6th installment when Don Jazzy and Instagram comedian, Lasisi made an appearance in the music video to highlight the gravity of Magnito quarrel with his lover. Though Don Jazzy only seems to be playing his character while Magnito raps over the bouncy beat Chopstix produces, it only makes the video more playful and charming.

Ms Banks – “Snack” Feat. Kida Kudz

Ms Banks found her groove for her latest release, “Snacks”, featuring UK based Nigerian artist, Kida Kudz. Her rap sensibilities take on a more laid back spirit as she explores Afropop for an easy-going flex anthem. The colorful music video highlights the party inclined theme of the song with dancers following the bounce of the Guilty Beatz produced beat. The release also came with the announcement for the May 9 release date for Ms Banks’ ‘Coldest Winter Ever pt. 2’ album.

Blaqbonez “Good Boy” Feat. BOJ and CKay

Animated music videos are a fun way to promote single releases, especially for artists who either do not want to appear in their own clips or, for one reason or another, don’t have the time to turn up for a video shoot. However, since music has gotten a whole lot more DIY, artists are looking to find more innovative ways share their music with the world. Blaqbonez just put out the music video for “Good Boy” off his recently released ‘Bad Boy Blaq Re-up’ project and it features memojis of himself and featured artists, BOJ and CKay. Employing Apple’s AR tech for their music video is a fun reminder for how gadgets have made creating more convenient for millennials.

Octavian – “Bet” Feat. Skepta and Michael Phantom

Octavian has taken the UK rap scene by storm since releasing his breakout single, “Party Here”, attaining international recognition through Drake’s cosign and winning BBC’s Sound Poll of 2019 (a title previously held by Sam Smith and Adele). His latest release is the video for “Bet” featuring Skepta and Michael Phantom. The bouncy beat Payday and Keanu Torres produce inspires a cool and catchy hook from Octavian with his cigarette-scorched vocals slurring over the crisp trap beat. Skepta’s vocals surfaced on the new version of “Bet” and he’s also appearing the newly released music video directed by Armin Druzanovic in black and white shots that create a strikingly DIY quality with the grainy effects. The simple head nod dance they perform in the video is so compelling against the monochrome backdrop, it has the potential to grow to become the next Harlem shake type dance rave.

X-Men: “Dark Phoenix” Trailer

The second trailer for Simon Kinberg’s “Dark Phoenix” was released last week and it has left very mixed feelings for fans. The trailer shows the characters the X-Men universe introduced to us on “X-Men: Apocalypse” but follows the same plot as Brett Ratner’s “X-Men 3: The Last Stand”, which Kinberg co-wrote. The trailer shows there’d be repeats of key elements from the core X-Men film as it follows the story of Jean Grey struggling to contain her incredible psychic powers that are tormenting and fracturing her mind. While we still see Professor X and Magneto taking opposing sides in the war for Jean’s soul, there’s no Wolverine in the “Dark Phoenix” to save her in what looks like an epic battle from the clips in the trailer. Here, the heroine is being manipulated by a new alien villain played by Jessica Chastain and we just might get a whole new plot-twist when the film hits the cinema this summer. The trailer certainly hints that there’d be a major death.

The Breakfast Club – “Anthony Joshua Interview”

Anthony Joshua was at The Breakfast Club to sit and talk with the hosts about his experiences growing up and what life is like for the world heavy weight champ. He hasn’t been in a fight since he fought and Alexander Povetkin in September and won with a TKO that took his tally up to 22 wins and no loss. During the 43-minute long conversation he had with the show hosts, Anthony Joshua expressed his interest in learning from different cultures and his multi-cultural upbringing and how it has helped him build relationships around the globe.

Featured Image Credits: YouTube/Ms Banks
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ICYMI: Nigerian born Greek player, Giannis Antetokounmpo is set to captain his team at this year’s NBA All-Star game

On Banky W and public profiles as the future of people-oriented political campaigns

In trying to connect with voters, “Fixing our communities one at a time” was Olubankole Wellington’s motif during his just-concluded campaign. Popularly known as Banky W, artist, entertainment entrepreneur and actor, Mr. Wellington’s bid to become the Representative for Eti-Osa federal constituency at the National lower legislative house was audacious to say the least. Announced three months to the polls, on a nascent political party, Modern Democratic Party (MDP), Mr. Wellington’s work was cut out for him.

While he eventually didn’t win last Saturday’s polls, Mr. Wellington’s sentiment clearly struck a chord amongst a substantial portion of voters, winning a handful of polling units over more established parties. Seeing as he was able to pull respectable numbers in a short amount of time, his bid indicates the possibility of future wins for candidates running on the platform of less popular political parties at lesser government levels.

As a familiar face to many Nigerians, including voters of his constituency, an obvious factor in Mr. Wellington’s run is his status as one of Nigeria’s foremost entertainers of last decade. While his party of choice was new to everyone, his candidacy was recognisable because he was recognisable. For social currency, his involvement in the 2012 nationwide protest, Occupy Naija, widespread anecdotes of his sanguine personality, and his philanthropic efforts via scholarships and donations to foundations gave him a public track record.

https://www.instagram.com/p/BuHKIILHJpO/

Building on his perception as a responsible member of society, Mr. Wellington ran an issue-based campaign funded with independent resources and public donations. In this part of the world where elections are deeply intertwined with patronage and party affiliations, rather than the issues themselves, Mr. Wellington’s chosen approach was always going to take more than a three-month headstart. He was contending with eligible non-voters, who aren’t as naive as they are unwilling, often due to lack of trust in candidates, and average Nigerian voters, who are most familiar with ubiquitous political but increasingly savvy at recognising and voting for a genuinely appealing candidate.

Since the 2015 presidential polls, where the opposition party’s win was a fair reflection of the electoral consensus, there’s been a slow but noticeable shift in voting culture. Over the course of this election period, civil societies, and public figures, and the corporate society encouraged Nigerians to get their PVCs and participate at the polls, looking at elections as a feasible means of triggering change. At the just concluded round of elections, noteworthy highlights included opposition wins against incumbents Governors running for Upper and Lower House seats in Oyo, Gombe and Akwa Ibom states.

Results like these aren’t necessarily trends, but they signal an increased awareness in the Nigerian democratic process and the importance of candidate individuality, either for or against. Also, since candidates the prominent political parties contesting for lower level seats, usually have a chasm, borne of anonymity, between them and the voting public, the allure and chances of candidates like Mr. Wellington, who has an affable public profile, increases significantly.

It’s no news that the numerous third force parties stand little chances against the ruling and opposition parties, meaning candidates running on those pseudo-anonymous platforms are even more obscure. For Mr. Wellington, though, the familiarity of celebrity assisted in emboldening perception of a personable candidate, whom voters could connect to without the baggage that comes with running a popular party.

Similarly, coining in on the familiarity that comes with being a public figure, Freedom Atsepoyi contested for the Warri federal constituency seat, as the candidate for the African Action Congress (AAC). Popularly known as Mr. Jollof, a popular comedian and the attributed originator of the popular phrase, “everything stew”, Mr. Atsepoyi eventually resigned off the race on election day, due to inner-party conflict.

Although running on a largely unknown party, Mr. Atsepoyi’s candidacy was recognisable because he was recognisable. With a follower count of 363, 000 on Instagram, and posts with co-signs from celebrities, he had a formidable online presence that knew of, and could track his campaign, even if a significant portion of those followers couldn’t vote for him due to location.

 

https://www.instagram.com/p/BtnRIUklGkW/?utm_source=ig_web_button_native_share

By INEC’s count of the final votes for the presidential elections, candidates from both APC and PDP, Nigeria’s strongest political parties had a combined 25million votes of the roughly 29 million total votes cast.  Although wholesome on the surface, there were concerns for example about Mr. Wellington’s campaign strategy being “elitist”, meaning the middle-class folks whom he appealed to almost immediately, are notoriously apathetic during elections. But his attempt like many other independent candidates translates to a potential for a somewhat optimistic future for Nigerian politics.

Expectations from future candidacies will also go beyond the traditional celebrity scope. Public individuals who have built up relevant reputations over time will have social media as a documentation tool for a valid track record. This is where they will have to do more in assuring potential voters with a public record that serves as a marker of good faith. Such public profiles will lay down good precedent that can inspire hope amongst apathetic and unsure voters alike.

On Burna Boy’s latest single, “Dangote” the singer muses that Aliko Dangote, Africa’s richest man is still trying to amass more wealth. Elsewhere on the track, Burna’s excellent gaze of the what it means to be Nigerian in 2019 emerges when he quips on his own constant grind as if it would be unreasonable for him to do anything less. As far as Nigeria’s democratic process is concerned, votes and voters will continue to show up because, as Burna says, If ‘Dangote still dey find money’, then those who have nothing will need to take charge of their own destiny. As long as the process of fixing the country one community at a time is given equal parts scepticism and patience to succeed, extensive people-oriented politicians will continue to emerge, and public opinion will continue to tilt towards a politically aware polity.

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15 NYSC corp members talk to The NATIVE about working with INEC

Mut4y features Wande Coal for new single, “Start 2 Dance”

Wande Coal has taken several directions with his sound over the length of his career, but it’s his turn-up tunes that has given him the longevity in the music business as he continues to remain relevant with each new party-themed release. His latest offering comes through his guest feature on “Start 2 Dance” by Mut4y, one of the Legendury Beatz producer duo. Mut4y’s began building his reputation for curating Afropop hits after he featured Wizkid for “Manya” in 2017.

His new single, “Start 2 Dance” finds him tapping Wande Coal’s free flowing melody for a dance-themed love song fueled by the same highlife harmonies that made “Manya” so catchy. The lush mid-tempo groove smooth out the bluntness of Wande Coal’s loose lyrics, singing “Omo I Love Your Bubble Butt/ Everything Soft/ Forget Not What Is Not/ Tonight We Make It Hot”. It’s easy to conclude from his zonked out vocals, tipsy cadence and dance obsessed lyrics that “Start 2 Dance” is another booze inspired freestyle from the Mushin To Mo’Hits singer, but he still displays impressively self-awareness with boastful lines like “I Get Them Gbedu Till Infinity/ I Give Them Continuity”.

You can stream “Start 2 Dance” below.

Featured Image Credits: Instagram/wandecoal
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ICYMI: Listen to Mut4y and Wizkid’s “Manya” here

Listen to Adekunle Gold’s romantic new single, “Before You Wake Up”

Despite his spirited performance, Adekunle Gold’s soft-hearted reputation made it quite tough to listen to him singing the hook for “Original Gangster” by Sess and Reminisce. The former YBNL singer debuted with “Sade”, a cover of One Direction’s “Story of My Life” and has since kept up the googly-eyed romantic direction through his subsequent releases, spanning two acclaimed albums.

He shared a new single, “Before You Wake Up”, his debut for the year and it stays well within the intimate subject matter his fans adore him for. Over a guitar led mid-tempo beat credited to Sess, Adekunle Gold makes adorable promises to a lover singing, “I Know You Want A Fancy Wedding/ I don Call Beyonce and Jay Z, They Go Come Sing For You, My Lady”. Though his lyrics are too ridiculous to be believable, it carries a charming quality heard in his emotive voice, delivering the lines without any sense of drama, tension or even humor; “My Mind is Made Up/ I No Go Mess Up”. Too intensely physical to be poetic, it creates a swirl of contradicting sensations because while he’s obviously lying, he’s still sweet as candy.

You can stream Adekunle Gold’s “Before You Wake Up” below.

Featured Image Credits: Instagram/adekunlegold
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ICYMI: See the music video for Flavor assisted “Yoyo” track off Adekunle Gold’s ‘About 30’ album

Hear Ajebutter22’s charming description of romance on “Lagos Love”

The warmth of the lightweight beat Spax produces for “Lagos Love”, fusing Afropop percussion with atmospheric synths is both suited for lounging on a sofa and dancing at the club. It feels like a logical conclusion when Ajebutter22 hops on the calming harmony to perform a moving tribute to romance in Lagos. His vocals amble at the most relaxed pace as he winds through an airy electronic soundscape, using metaphors inspired by the harsh realities of Lagos to describe the soothing effect his lover has on him.

Over the nearly 3-minute length of the song, Ajebutter22 reference relatable problems like traffic, power failure, fuel scarcity, bad roads and more, spinning them into charming lines addressed at his lover; “You Be Like Police Wey No Take Bribe, Conductor Wey Dey Get Change”. His album debut, ‘What Happens in Lagos’ had shown his penchant for writing songs inspired by Lagos, but “Lagos Love” is a gorgeous and clear-minded expansion as he acknowledges the the warmer memories the city inspires.

You can stream Ajebutter22’s “Lagos Love” below.

Featured Image Credits: Instagram/ajebutter22
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ICYMI: Check out the Best New Music: Album Special for Ajebutter22’s ‘What Happens in Lagos’

Listen to Nonso Amadi’s latest single, “Emergency”

After closing 2018 with his “No Crime” single, released in December, Nonso Amadi continues his impressive run as he debuts his new single, “Emergency”. However, the new single sees him change pace from the moody, glassy-eyed R&B songs for when the parties dies down, which has embellished his discography over the years.

The pacy pitter-patter of a drum machine inspires what might be Nonso Amadi’s most carefree songwriting as his catchy melody keeps pace with the warm percussion, bubbling bass synth and a hyped vocal sample that firmly places the song in its danceclub location. But being a breakup inspired song, “Emergency” listens like a jam that looks to define Nonso’s emotions in sound and ambiance, rather than mood. While his melodic cadence is jovial and playful, his lyrics suggest he still can’t get a break with his romantic life as he sings “I Say Emergency oh Way/ You Know My Heart Breaking Oh Way/ Someone Come and Carry Me Away”. Fortunately, the groovy drum riffs and his charming performance  distract from his more intimate intentions.

You can stream “Emergency” below.

Featured Image Credits: Instagram/nonsoamad
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ICYMI: You can watch the music video for Nonso Amadi’s “No Crime” here

15 NYSC corp members talk to The NATIVE about working with INEC

Following the initial postponement of the elections from February 16th, by INEC (Independent National Electoral Commission), pictures of youth corpers who were designated ad hoc staffs for the voting exercise in less-than-ideal conditions flooded the internet.

Shrugging off the shameful circumstances of the previous week, many returned the following week to assist the country in choosing its leaders. The NATIVE spoke to fifteen of them across Nigeria, below is a collection of their experiences.


On the day of the first election postponement, what was your experience?

A, Rivers, M

None of us had any information about what was going to happen that day, so we just went to the classroom allocated to us. Some of us had had experiences with elections, so we expected INEC officials to show around midnight or 1 am, but no one showed, and we heard the news via group chats. But the place I was, it was very peaceful, especially in comparison to others who had terrible stories. The next morning when we had to leave, it was difficult to get transportation because there was supposed to be zero movements. Some of us had to trek really long distances.

H, Edo, F

I was a bit scared because the hall we were kept at wasn’t fenced, anyone or anything could’ve come at us easily. A couple of those who stay in that community heard elections had been moved, so some offered to let us sleep in their compounds. I mean, we were all scared initially, but we accepted and we moved together in groups of about seven to about 5 locations, all close to each other.

L, Rivers, M:

See, it was hectic. The place we were staying was sort of attacked. A couple of people had their phones taken, some got slapped around, and those of us who experienced neither were very very few. No security personnel in sight, the INEC people had left, so we had to defend ourselves until some other indigenes came into intercede with those who were attacking us.

 

After the first postponement, why did you go back for the refixed date?
W, Kaduna, M:

I won’t lie, it was mainly for the money

A, Lagos, F:

I didn’t want to at first, but since I’d started, for me to have already gone through all that stuff, I just figured I’d finish it up.

B, Ogun, F:

I was sure there wasn’t going to be another postponement, and since my place of assignment was calm in the previous weekend, I felt a bit secure. I was still not sure initially, but about an hour after we got there, police officers came to join us.

 

How was voter turnout at your assigned polling unit?
S, Kwara, M:

Out of like 500 people that were registered, below 150 people came out, they were not much.

C, Lagos, M:

It was quite scanty at my own side. We had about 600 registered voters, only about 90-something of those came out.

M, Kebbi, F:

I’d say more than half of those who registered showed up, voting didn’t finish until around past 4 pm. But it was quite dishonest, ‘cos we got some voters who were clearly underaged but when we tried stopping them, the police people around us told to let them be. Apart from that, everything was smooth.

If there was any conflict, how was it handled at your polling unit?
M, Osun, F:

At my polling units there was no violence, although there were reports some of the people hearing gunshots close to their polling units

D, Lagos, F:

At my unit, the turnout was actually a lot initially. But then, these touts came to cause trouble, and some people left and didn’t bother coming back. About 500 people were under my unit, and just 92 were accredited, and it could have been more than that. As at past noon, my unit was empty. There was a policeman initially, but we couldn’t find him when there was an issue, we had to be street smart.

A, Rivers, M:

It was peaceful until closing hours. It got to an extent, after 2pm—because after 2 pm we were told to stop voting—some people were trying to barge in and vote, and it led to a minor conflict. Thankfully, we were in a hall that we could lock, so we allowed some people to come in and vote while security personnel quelled the situation outside. We had to leave in a police vehicle.

 

Will you participate during the second round of gubernatorial elections in two weeks?
D, Lagos, F:

God forbid.

C, Imo, M:

Yeah, definitely.

L, Rivers, M:

I’m still thinking about it, honestly. Just the presidential election is causing all this conflict and violence, the gubernatorial might be even worse. Most of the neighbours who stay here are advising me not to go for it, because they don’t see how there would be no violence.

E, Ekiti, M:

Right now, I heard they are making it somewhat compulsory, but I’m not sure at that.

Burna Boy views Africa’s richest man through a hustler’s gaze on “Dangote”

In Afropop, the lives of the rich and famous are often transmogrified into aspirational anthems, think: YCEE’s “Jagaban”, Casper Nyovest’s “Thuto Mboweni”, AKA’s “Fela In Versace” amongst others. On Burna Boy’s new single, the singer subverts that trope for a more human, not so larger than life view of Africa’s richest man, Aliko Dangote. “Dangote still dey find money” the singer croons, using Mr Aliko’s capitalist grind to justify his own never-ending strife for more money.

Burna Boy’s less than overt Fela interpolations have been a major feature of his Afro-fusion career. In the same manner “Ye” was built with inflections of Fela’s “Sorrow Tears and Blood”, “Dangote”, subtly borrows from Fela’s 1972, “Palaver”. “When I dey move from place to place, wetin I dey find? Na the dollar, I dey find” Burna grumbles, subtly nodding the Abami Eda classic.

“Dangote” is a reminder that if the rich are still trying to make more money, the have-nots will always have to sleep with one eye open at all times.

You can stream it here:

Featured Image Credits: Instagram/burnaboygram
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Toye is the Team lead at Native Nigeria. Tweet at him @ToyeSokunbi


ICYMI: See the music video for Burna Boy and Zlatan’s “Killin Dem” here

Start your month with this absolutely fire Davido and Patoranking collaboration

Patoranking is kicking off 2019 with no hush. “Confirm”, his first single of the year is built on his crowd-favourite chant style, set on high-life built instrumentals. OBO, Davido, who is currently on an American press tour joins the dancehall star on “Confirm” as both singers trade verses about status validation and making money. Elsewhere on the track, Davido celebrates West Africans while Patoranking sings about gratefulness for his life as he pleads to ‘Baba’, to give him some more.

Stream “Confirm” below:


Toye is the Team lead at Native Nigeria. Tweet at him @ToyeSokunbi


The Outside Story: on burna boy’s rebirth and his ascension to immortality

The Afterparty’s new single, “Herbs and Shrooms” is a decent means of measuring listener’s conservatism

Going for an ambitions stage name like The Afterparty could mean you make music that helps listeners get in tune with their less guarded side, or you make music inspired by Toronto singer, PartyNextDoor. Either ways, your music is bound to resonate with the alternative Nigerians who have learnt to be more expressive about their feelings. The latest release from The Afterparty, “Herbs and Shrooms” certain proves this theory right as he records a song about the positive influence herbs have had on his mental health.

Though the popular Afropop fueled instrumentals set the lightweight ambiance for “Herbs and Shrooms” with bouncy traditional drums, rattling samples, synth lines and piano samples, The Afterparty’s confession of a substance reliance is very edgy. Yet his acknowledgment of his drugy intentions is woven so cleverly around a familiar breakup story that only his catchy melody will register to passive listeners. However, it’s the “So Come Closer, Fuck all That Bullshit Baby Just Come Over” hook, layered with a female voice that has the real power to captivate any listener. Asides being a really great mood piece, “Herbs and Shrooms” will also serve as decent indicator of a listener’s conservatism.

You can stream “Herbs and Shrooms” below.

Featured Image credits: Instagram/thaafterprty

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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Listen to Kao Denero and Runtown’s pro-cannabis single, “Green Gold”

Davido, Adesua Etomi-Wellington, IK Osakioduwa among nominees for Nickelodeon kids’ Choice Awards

The entertainment scene in Nigeria continues growing in global recognition at a rate that makes it quite tedious to keep up with all the acknowledgements. Nickelodeon’s Kids Choice Award is only the latest international award show with nominations for Nigerian acts. Davido, Adesua Etomi-Wellington and IK Osakioduwa were announced as nominees for the annual American children’s awards ceremony expected to hold on the 23th of March at the Galen Center in Los Angeles, California.

While Davido was nominated for the Favorite Global Music Star category, Etomi-Wellington and OAP, Osakioduwa were nominated for the Favorite African Star category. Trio will represent Nigeria at the award ceremony which promises to recognize a set of successful youth from various fields such as television, movies, music and social media.

DJ Khaled, who also bagged a nominations for the Favorite Male Artist and Favorite Collaboration for “No Brainer” featuring Justin Bieber, Quavo and Chance the Rapper is expected to host the show. Other international acts geared for recognition at the award show include David Guetta, Taylor Swift, Troye Sivan, BlackPink, J Balvin and HKRVY. However, Davido’s chances aren’t dented by any of the star powers listed with the success the 26 year-old’s “Fall” single has enjoyed on American pop radio and in clubs around the globe.

You can cast your votes for your favorite Nigerian acts here.

Featured Image Credits: Instagram/davidoofficial
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Nigerian born Greek player, Giannis Antetokounmpo is set to captain at the 2019 NBA All-Star game

Essentials: WeTalkSound’s ‘LOFN 2: A Collection of Love Stories’

WeTalkSound (WTS) aren’t so much a music collective as they are a phenomenon laying in wait, infecting music culture to the furthest reaches of the internet. The crew began in Ibadan, consisting of music enthusiast who could do a bit of everything from rapping to producing, singing, spoken-word poetry, visual art illustrations and more. They formed an ecosystem of creatives who put out music releases almost on a weekly bases as they exchanged ideas that helped each member develop their talents.

When they debuted their first compilation project, ‘LOFN: A Collection of Love Stories’, last year, the music collective had began expanding their reach across Nigeria and were among the promoters for the ShowDemCamp concert that closed all festivities lined up for the 2018 calendar year in Lagos. WTS is keeping up the stunning run as they release a follow up installment for their romantic themed compilation series and it boasts of the replete talents that abounds within the group. ‘LOFN 2: A Collection of Love Stories’ is an emotive 12-track tape that plays up the artists’ different influences.

Each of the 11 songs on the tape are produced by 11 different producers while a spoken-word piece performed by Ameenah and Kooper, highlights the different directions each artist can take while staying within the overarching theme of love. A. D. A. M kicks off the project with a sultry performance over a piano led beat Rude Boy produces to the atmospheric tune of lo-fi instrumentals on “On For Later”. Though the beat Nano produces for the next track, “I’ll Be Waiting”, is similarly atmospheric, the angelic vocal samples and Vader’s rap verses lean closer to trip-hop. The mood intensifies with Vader’s lyrics exploring his deeply-felt emotions towards a lover. Mo’Believe contributes a Yoruba fueled chorus on “Ba n Dele”, keeping Y1nka’s 90’s influenced rap verse grounded as they show their appreciation for their lovers.

Busola Beckley’s minute long rendition on “Let It Go” explores the agitation, jealousy and reluctance surrounding a breakup with haunting tinkles of piano keys setting the background for her blood-curdling howls. Her focus on the less glamorous side of love has an honest direction that is also heard on the spoken-word track, “Us” and even elDOTc’s groovy track, “Listen”, where he laments his lover’s faded attraction with a clever interpolation of Olamide’s “Fuck My Exes, I Will Miss You” line. Bio and SoulBlackSheep’s MilesFromMARS duo also contribute a track, “Salawa”, a charming love song that highlights their mastery of atmospheric 90’s inspired indie-pop.

The beat Kaypaino produces for Joeydapoet’s “Crazy Love” shows their understanding of the power of a band with the waves of percussion, ripples of violin-like synths, and gospel-infused backing vocals that lift the slow-burning soul ballad into another stratosphere of emotion. Joeydapoet rises to the occasion, singing “See Your Love Like A Hurricane/ Blows Me Away”, before carrying the cymbals, electric guitar, and boiling bassline into a glistening crescendo. Onyinye, Eri Ife and Sir Bastien paint a charming impression of love on “America” over a percussive beat Sir Bastien produces. And though the pulse-quickening, lightweight EDM beat is captivating, it’s their vocals, rendered with stirring intimacy that makes “America” such a standout track despite it’s short length.

The closing track, “To All The Girls” by Dwin, The Stoic is crushing but triumphant, highlighting Dwin The Stoic’s powerful pipes as he narrates his sad experience with romance over a guitar-led beat produced by Rhaffy. All 12 tracks offer relatable takes on romance as heartfelt romantic ballads are followed closely by a trail of folksy guitar strums and teardrop twangs that set the tone while they watch their paramours eventually walk out the door. ‘LOFN 2: A Collection of Love Stories’ highlights WeTalkSound’s intimately scaled diversity as they focus on the romantic theme and provide a pillowy escape for listeners dealing with the romantic motions.

You can stream ‘LOFN 2: A Collection of Love Stories’ below.

Featured Image Credits: Instagram/wetalksound
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Listen to Sorple’s “All We Need” off the debut WTS project, ‘LOFN: A Collection of Love Stories’

Listen to “Shape Nice” by Afro B, Vybz Kartel and Dre Skull

Connecting the dots between London, Africa, Jamaica and New York, the collaboration between Afro B, Vybz Kartel and Dre skull on “Shape Nice” exemplifies the borderless creativity of Afropop and dancehall in our current disposition. The trio’s performance pushes the limits of Afropop as Afro B brings his African influences while Vybz Kartel infuses his Caribbean dancehall melodies to the laid back percussive Afropop beat American producer, Dre Skull produces.

Their raunchy lyrics ride the captivating beat as the offer graphic description of the sensual view at exotic club that inspired the song. Singing “Back it Up” repeatedly for the catchy chorus, the vocals are primed for a good time on steamy dancefloors with the lights dimmed.

You can listen to “Shape Nice” by Afro B, Vybz Kartel and Dre Skull below.

Featured Image Credits: Instagram/afrob__
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Listen to Afro B and Yemi Alade’s “Melanin Remix”

Photography and art curator, Bisi Silva dies at 56

The art world lost an icon to cancer earlier this month when photography and art curator, Bisi Silva, passed away at the age of 56. She dedicated over 25 years of her remarkable vision and indefatigable spirit to inspire a tectonic shift in the editorial and curatorial art framework in Nigeria and across the African continent. Her training at the Royal College of Art in London and publishing work with Art Africa, Third Text and ArtForum earned her international acclaim but she remained grounded in the Nigerian art industry, expanding the field of practice for others who would come after her.

Bisi Silva founded Centre for Contemporary Art (CCA) in Lagos back in 2007 and the organization has since provided a platform for the development of visual art and culture in Nigeria through presentation and discussions. But asides being able to spur meaningful dialogue, exchange, and collaboration between local and international art agencies, Bisi Silva was also renowned for being an historian, keeping records as a librarian and an archivist through publications.

CCA currently boasts of the largest photographic and visual arts library in Nigeria with her collection of photobooks, artist monographs, theoretical texts, exhibition catalogues, historical accounts, and journals numbering in the hundreds. Her dedication to documenting art and history has been a true inspiration to countless artists and art curators.

Featured Image Credits: Instagram/bisi_silva
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: The deeply African appeal of POLARTICS art gallery

Earl Jon Doe shares a freestyle remix for Burna Boy and Zlatan’s “Killin Dem”

Earl Jon Doe has often taken on the melodious charm of Afropop for his music releases, but after hearing his freestyle remix for Burna Boy and Zlatan’s “Killin Dem”, you’d be convinced his preferred style is rap. Over the catchy Afropop beat produced to the bouncy tempo of the popular Zanku legwork dance-move, Jon Doe spits a cocky rap verse with lines that are disrespectful yet humorously charming.

Rapping “You Niggas Moving Funny, Your Legwork Dey Learn Work”, Jon Doe’s offensive intentions don’t deter him from staying within the jovial dance-mood set by the original “Killin Dem” single. His rap remix only helps add a cock-sure gloss to the hit record.

You can listen to Earl Jon Doe’s “Killin Dem Freestyle” below.

Featured Image Credits: Instagram/earljondoe
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Listen to Jon Doe’s “Kanaku” here