Watch Tobi Lou’s video for “LOUNAR”

Tobi Lou’s “LOUNAR” is part of a three-song series called ‘Tobi lou and the moon’. But don’t let the title make you think him pretentious, Tobi Lou is quite capable of executing abstractness. Thanks to the combination of Tobi lou, JuiceBangers, Swrly and Facer’s synth-heavy production, “LOUNAR” conjures up a sound that is a golden hour glow with cotton candy-coloured skies.

Tobi Lou describes the state of his relationship with a love interest singing, “I think I’m in love with you, but I don’t think its working”. His lyrics confirm the eventual loss of this love, “What we had was special, now we don’t exist” and as most people whose relationships have suffered a falling out, the regret lingers. The video for “LOUNAR” shows Tobi performing the song in a green-room where surreal and trippy images flash mirroring his distressed emotional state.

See Tobi Lou in “LOUNAR” here

Featured Image Credits: YouTube/Tobi Lou


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Tobi lou’s “Solange” is an ode to post breakup blues

Sade Adu’s first song in seven years is a dream worth the wait

Two weeks ago, filmmaker, Ava DuVernay announced via Twitter that Sade Adu was working on her first track since her 2010 album, Soldier Of Love. “It’s entitled ‘Flower of the Universe’ and it is a dream come true”, Ava said in her joyous tweet, celebrating Sade’s contribution to the soundtrack album for her upcoming film,  “A Wrinkle In Time” .

‘Flower of the Universe’ sustains Sade’s dreamlike soulful essence, in a manner that has yet to be replicated, in spite of years of discovery and advancements with electronic vocal manipulation. Sade Adu wields her voice like a lone boat on the Nile, sailing soothingly, in a melancholic yet distant manner, like the war-like drums heard at intervals on “Flower of the Universe”. The trance-like beat rises and falls on apprehensive electronic melodies, as Sade sings “They hear you when you cry, this love is far and wide, when you smile, the stars align, flower of the universe, child of mine”, perhaps hinting at the source material behind the track.

Shortly after Ava DuVernay’s announcement, producer No I.D. also confirmed his contribution to the “Flower of the Universe”, which rightfully intensified the already growing anticipation around the song. No I.D. who recently worked on Jay-Z’s 4:44, is also said to have produced a remix of “Flower of the Universe”. This version will be released on the 9th of March, along with the movie and the original soundtrack

Featured Image Credit: Web/Pintrest


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Shuffle: hear “King of sorrow”, a classic off Sade’s millennium album

Kasiien is disillusioned by love in “Heartbreak Kid” music video

Kasiien’s music presents him to be a feelings-first tragedian who writes about his despair in playful way. Last year, the rapper energised a live moshpit at NATIVELAND ‘18 to rage along with his hip-hop blues. “Heartbreak Kid” finds his sweet spot: dejected, murmured croons delivered in buoyant confessionals venturing into Lil Uzi Vert-esque glossy emo universe where lines like “I’ve Been On The D Low Getting So Waved” feel right at home over ambient synths.

With most of the synths surging off into the distance while the others occasionally twinkle just above an unseen horizon, Kasien navigates nimbly through the motions as he bares his soul, blaming his return to his egotistic and savage ways on his cheating ex. It’s a bit of an overreaction but it’s an honest response to heartbreak. The video for “Heartbreak Kid” is directed by Rose Gold Pictures who uses Kasiien’s self-directed expressions to convey the song’s mood.

Watch the video for Kasien’s “Heartbreak Kid” shot somewhere in Lagos below.

https://www.youtube.com/watch?v=Uc-ZLfWySRY

Featured Image Credits: YouTube/KASIENX


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ICYMI: See how surprise performances made NATIVELAND ’17 our most memorable one yet

Watch YCee and Eugy’s “Say Bye Bye” video

YCee kicked off the year with “Say Bye Bye” featuring Eugy, and went on to show how versatile their brand of hip-hop is assisted by the mid-tempo beat Team Salut produces.

https://www.instagram.com/p/Bf-stCunyVs/?taken-by=iam_ycee

The video for “Say Bye Bye” shows YCee, torn over relationships that aren’t going well. In his bid to move on from his ex, he ends up with a girl who in a twist of fate turns out to be his ex’s girlfriend. With an interesting love triangle in play, the night ends with a win for all involved. And yes, it’s exactly what you think it is.

We know how far fetched that seems but you don’t have to take our word for it; watch the Visionnaire directed video and see for yourself.

Featured Image Credit: youtube/YCee


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Essentials: Ycee and Bella Alubo get in their feels for ‘Late Night Vibrations’ EP

Listen to Eké Miller’s “Directed by Tarantino”

Like any decent creative, Eké Miller knows how to use his understanding of pop culture as a muse. His latest single, “Directed by Tarantino” had our attention quicker than you could say “Kill Bill”. Even faster than he could open the guitar-led song saying “This Sound Like a Movie by Tarantino“.

https://www.instagram.com/p/Bf29CUkAsVY/?taken-by=duke_millz

“Directed by Tarantino” finds Eké Miller lamenting his unfaithful partners while swearing he’ll settle the scores through the success of his grind. Rather than dissolving into broken bitterness, the song maintains an optimistic atmosphere through the harmonious guitar licks and his confident sing-rap bars. From narcos trade to police killings and betrayal, Eké Miller touches socio-politics and still makes hip-hop you can do a line to. And why not? Just like any Tarantino movie will show you, life is better when loyalties are tested, revenge extracted and there’s an ever-present tension between humour and violence.

Listen to “directed by Tarantino” here;

Featured Image Credits: Instagram/duke_millz


Mariam is (insert pretentious stuff about myself here). Share your thoughts with me @MA_Y_M


Ajebutter’s ‘what happens in lagos’ story continues in “lifestyle” featuring maleek berry

Best New Music: Seun Kuti’s “Last Revolutionary” channels rebellion through Afrobeat

The socio-political underling of truth speaking and authority defiance of Afrobeats has sustained a cult-ish following for the genre as the sound of outlaws. Seun Kuti, a true outlaw son of his equally outlawed father, just released ‘Black Times’, his 4th studio album, just days after Femi Kuti’s ‘One People, One World’ hit stores around the world. Though both sons are evidently channeling Fela’s socio-political message through their music, they seem to have split Fela’s pathos into two equally enthralling slants.

https://www.instagram.com/p/BflsgahDXPp/?hl=en&taken-by=shotsdboss

While Femi Kuti’s One People, One World sustains Fela’s message for justice by preaching joy and love, Seun seems to have taken after Fela’s pointed rebelliousness. “Last Revolutionary”, the opening track off Seun’s Black Times offers the perfect inspiration to lead a revolution against the oppression and injustice in today’s society. Through the urgent Afrobeat harmonies provided by the Egypt 80 band, Seun invites listeners to join the fight against injustice.

Fela’s dedication to challenging injustice may have made him the cultural icon he is today, but the obstacles he fought are still towering and as insurmountable as ever. From gender inequality, racial injustice to Trump calling Africa a ‘shithole’, perhaps at no time in history has our freedom ever been more under attack than it is today. Seun’s recognizes this and lends his voice to highlight the struggles in a bid to inspire activism and show his sympathy for the oppressed.

Describing himself as the “Walking, Talking Struggle of (African) People” over the Jazz infused harmonies, he acknowledges and sings the praise of fallen Pan-African icons. Here, he ascribes himself the plight, pain and personality of the African activist through an energetic call and response melody, name-dropping a few activists like Isaac Monroe, Kwame Ture, Kwame Nkrumah and his own late father, Fela Anikulapo Kuti.

“Last Revolutionary” isn’t just another song sampling from the heartache and the anger of the injustice we are facing in the society today. It’s a reminder to those who forget how much we’ve lost to the struggle and why we can’t stop now—“Remember the Ones Wey Fight? Remember the Ones Wey Die For Me?”

Regardless of when you grew up, “Last Revolutionary” is familiar in both style and substance. People have long tried to reason with oppression. They’ve tried to shout at it, thrown bottles at it, cursed its name and lit the streets on fire beneath it. But “Last Revolutionary” is on the right side of things because while it’s aggressively charged, it’s more inspirational and eye-opening than violent. Seun Kuti is using a contemporary sound to hit at something more plainly human. “Till We Free, You and Me, Them No Go See The Last Revolutionary.” 

Listen to Seun Kuti’s “Last Revolutionary” here

Featured Image Credits: Instagram/shotsdboss


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The Shuffle: “Trouble Sleep, Yanga Wake Am” is Fela at his most succinct

Listen to “That’s Me”, a new slow-wine dedicated single from Endia

https://www.instagram.com/p/Bf07DgLgSFe/?hl=en&taken-by=endiaofficial

Endia’s latest single, “That’s Me” picks up right where his last single, “Oboche” left off; Hoping to serenade his way into a love interest’s heart. With Chopstix’s deft production on hand to assist, apathy is totally out of the question. Starting by acknowledging that “Every Girl Deserves To Have A Good Time”, before going on to declare “King of The Girl Dem, That’s Me/ Queen of The Girl Dem, That’s You”, it’s a coy game we’ve all played before getting intimate.

Listen to Endia’s “That’s Me” below.

Featured Image Credits: Instagram/endiaofficial


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ICYMI: Listen to Endia’s “Oboche” here

DJ Woske’s “Rude” scores diversity points featuring Kel, Boogey, Falz and Bayomi

Hip-hop’s diverse subject matters ranging from gangster rap to conscious rap, and sub-genres like trap and grime gives the genre a comprehensive scope that fits all tastes. Houston based DJ, DJ Woske features Kel, Boogey, Falz and Bayomi for his latest single, “Rude” and all four take different routes rapping over the hard hitting and uplifting hip-hop beat he produces with pacy drums and sweeping synths.

https://www.instagram.com/p/BfzP-z9ABQj/?hl=en&taken-by=djwoske

There’s no tortured introspection or narrative arc or grand thematic sweep on “Rude”. It’s a collection of twerked-up riot verses from all four rappers who infuse so much of their individual charisma that the song listens like a sonic Frankenstein. But seeing as there was no observable topic to tie all the verses together, the song highlights the difference in each rapper’s style and frame.

Listen to “Rude” below

Featured Image Credits: Instagram/djwoske


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ICYMI: Listen to Ric Hassani’s “Believe” remix featuring Olamide and Falz /

See the full list of winners at the Oscars

The 90th Academy Awards is in the books and asides NBA star, Kobe Byrant’s Best Short Film (Animated) category win, this year’s Oscars was different from Oscars past. Unlike the previous 89 editions, the awards for acting, directing, writing, composing and more were spread around a variety of acclaimed films. See the full list below.

BEST PICTURE: THE SHAPE OF WATER

Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water (Winner)
Three Billboards outside Ebbing, Missouri

DIRECTING: 

Dunkirk
Get Out
Lady Bird
Phantom Thread
GUILLERMO DEL TORO for “The Shape of Water” (Winner)

ACTOR IN A LEADING ROLE: 

Timothée Chalamet, “Call Me by Your Name”
Daniel Day-Lewis, “Phantom Thread”
Daniel Kaluuya, “Get Out”
Gary Oldman, “Darkest Hour” (Winner)
Denzel Washington, “Roman J. Israel, Esq.”

ACTRESS IN A LEADING ROLE: 

Sally Hawkins, “The Shape of Water”
Frances McDormand, “Three Billboards outside Ebbing, Missouri” (Winner)
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”
Meryl Streep, “The Post”

ACTOR IN A SUPPORTING ROLE: 

Willem Dafoe, “The Florida Project”
Woody Harrelson, “Three Billboards outside Ebbing, Missouri”
Richard Jenkins, “The Shape of Water”
Christopher Plummer, “All the Money in the World”
Sam Rockwell’s, “Three Billboards outside Ebbing, Missouri” (Winner)

ACTRESS IN A SUPPORTING ROLE: 

Mary J. Blige, “Mudbound”
Allison Janney, “I, Tonya” (Winner)
Lesley Manville, “Phantom Thread”
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”

ORIGINAL SCREENPLAY: 

The Big Sick
Get Out (Winner)
Lady Bird
The Shape of Water
Three Billboards outside Ebbing, Missouri

ADAPTED SCREENPLAY: 

Call Me by Your Name (Winner)
The Disaster Artist
Logan
Molly’s Game
Mudbound

ANIMATED FEATURE FILM:
The Boss Baby
The Breadwinner
Coco (Winner)
Ferdinand
Loving Vincent

FOREIGN LANGUAGE FILM: 

A Fantastic Woman (Winner)
The Insult
Loveless
On Body and Soul
The Square

DOCUMENTARY FEATURE:

Abacus: Small Enough to Jail
Faces Places
Icarus (Winner)
Last Men in Aleppo
Strong Island

CINEMATOGRAPHY: 

Blade Runner 2049 (Winner)
Darkest Hour
Dunkirk
Mudbound
The Shape of Water

FILM EDITING: 

Baby Driver
Dunkirk (Winner)
I, Tonya
The Shape of Water
Three Billboards outside Ebbing, Missouri

PRODUCTION DESIGN: 

Beauty and the Beast
Blade Runner 2049
Darkest Hour
Dunkirk
The Shape of Water (Winner)

COSTUME DESIGN: 

Beauty and the Beast
Darkest Hour
Phantom Thread (Winner)
The Shape of Water
Victoria & Abdul

MAKEUP AND HAIRSTYLING: 

Darkest Hour (Winner)
Victoria & Abdul
Wonder

ORIGINAL SCORE: 

Dunkirk
Phantom Thread
The Shape of Water (Winner)
Star Wars: The Last Jedi
Three Billboards outside Ebbing, Missouri

ORIGINAL SONG: 

“Mighty River,” Mudbound
“Mystery Of Love,” Call Me by Your Name
“Remember Me,” Coco (Winner)
“Stand Up For Something,” Marshall
“This Is Me,” The Greatest Showman

SOUND EDITING:

Baby Driver
Blade Runner 2049
Dunkirk (Winner)
The Shape of Water
Star Wars: The Last Jedi

SOUND MIXING:

Baby Driver
Blade Runner 2049
Dunkirk (Winner)
The Shape of Water
Star Wars: The Last Jedi

VISUAL EFFECTS: 

Blade Runner 2049 (Winner)
Guardians of the Galaxy Vol. 2
Kong: Skull Island
Star Wars: The Last Jedi
War for the Planet of the Apes

ANIMATED SHORT FILM: 

Dear Basketball (Winner)
Garden Party
Lou
Negative Space
Revolting Rhymes

LIVE ACTION SHORT FILM: 

DeKalb Elementary
The Eleven O’Clock
My Nephew Emmett
The Silent Child (Winner)
Watu Wote/All of Us

DOCUMENTARY SHORT SUBJECT: 

Edith+Eddie
Heaven Is a Traffic Jam on the 405  (Winner)
Heroin(e)
Knife Skills
Traffic Stop

Featured Image Credits: Instagram/theacademy


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ICYMI: Read this article on aiding and abetting a shitty Nollywood and other Oscar related dilemmas

Kah-Lo is working on an album with Riton

Kah-Lo’s music journey with Riton so far has earned her global recognition as a techno-house singer. In an interview with EarMilk, she revealed that before meeting the DJ, she made mostly monotone rap and alternative R&B music with electronic influences, but since they began collaborating, she has skewed closer to electro-dance. She said in the interview that Riton’s production style tends to influence the way she makes music. Since they began collaborating, the duo have produced dance hits such as “Fasta”, “Fake I.D” and the Grammy-nominated “Rinse and Repeat”. And the duo seem to be kicking their partnership up a notch.

In a recent interview with Emporio Armani Sounds she said she is working on an album with the DJ which will be out soon. In her interview, she hints that we may get a bit of the Kah-Lo from before the collaborations, having learnt from Riton, and channeling previous influences. “you’ll see we’ve taken on different styles and tempos across one album” she said. “I’m really excited for people to discover the different sides of me; many people don’t know that I can sing too and I don’t want to be put into one box, so hopefully this album will showcase that”.

Featured Image Credit: Instagram/thatkahlo


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See Five things you probably don’t know about Kah-Lo

Get your fan merch ready, Comic-Con is coming to Africa this September

Though Comic-Con inspired events have held in African countries like South Africa and Nigeria, we’ve never had a chance to get the full experience of the comical convention. All that is about to change though as the creators of Comic-Con announced that the San Diego convention will be held in South Africa this fall.

With the current fanfare around Marvel’s “Black Panther”, and the collective desire to visit Wakanda—albeit a fictional African society—this is the perfect time to have the international event held on the African continent. What’s more exciting, is Comic-Con Africa is South Africa’s Channel 24 news reports that this version will be two days long, perhaps giving visitors time to explore the continent outside the comic book reality. Global gamers, comic book lovers and so forth will gather at Johannesburg’s Kyalami Grand Prix Circuit and International Convention Centre on September 14-16, 2018, courtesy of Reed Exhibitions Africa.

Comic-con Africa is also currently accepting applications from folks in the comic book, film, television, video game and collectables industries looking to be exhibitors at the convention. Ticket information and a confirmed list of exhibitors is still on the way.

Featured Image Credits: Twitter/VSGamingWorld

 


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A brief update on African representation in Marvel’s “Black Panther” so far

Nigeria’s first digital agriculture platform, Farmcrowdy, just got a major grant

After the drop in demand for petrol, oil producing countries are exploring alternative means of trading at the international market. Nigeria, for instance, is circling back to exporting agriculture after neglecting the sector during the rise of industrialization. Though the government already promised to provide subsidies and such for farmers and exporters, some organisations have devised other ways to leverage the industrial age and rise of technology to provide opportunities for farmers across Nigeria.

Agric-tech start-up Farmcrowdy, is a platform that offers farmers opportunities to find investment to scale-up through crowdfunding from sponsors. The organization was awarded a $325,000 grant through Groupe Spéciale Mobile Association’s (GSMA) “Mobile for Development” fund. This will serve as an important investment to push their agenda further by connecting with mobile operators that can provide technical support, as well as provide equity-free funding for the project focused on social development via mobile platforms.

A week before this announcement, Farmcrowdy announced a $1million seed fund led by international and local investors. The seed fund is to allow the start-up scale operations to expand across more cities in Nigeria. They also aim to increase the number of small-scale farmers they work with and increase their platform’s farm followers and supporters. GSMA’s grant, coupled with their seed fund will help push Farmcrowdy operations further and help Nigeria improve agricultural practices, nationwide

Featured Image Credits: Web/Farmcrowdy


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14 People tell us how they view mental health in love and relationships

Listen to “Staying Power”, Wale’s first single since Atlantic Records drop

Who knew that with indie allowance came energised inspiration to rekindle ambition? Wale Folarin may have parted ways with Atlantic Records, his former record label, last month. But rather than sulk, his latest single, “Staying Power” is a celebration of his independence and a reminder to doubters that his lyrical abilities are as sharp as ever.

Over the eerie, soulful and sombre beat, Wale raps confirming his position in hip-hop today; “I’m like the Outkast of the new school.” He also references his out-of-music success on HBO’s “Crashing” saying “Actin’ Gig From Judd Apatow/ It’s So Funny, I’m Fly From My ‘Crashing’ gig” before issuing out a warning to other rappers by rapping that he “Can out-rap (His) Opponents/ Somebody Tell ’em I’m Back in My Zone”.

Listen to Wale’s “Staying Power” below.

Featured Image Credits: Instagram/Wale


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Watch the video for Wale’s “My Love” featuring Dua Lipa, Major Lazer and Wizkid

Not3s and Maleek Berry leave haters a message on new single “Sit Back Down”

https://www.instagram.com/p/Bd3GKCuFjBd/?utm_source=ig_embed

Coming off back-to-back collaborations with Mabel on “My Lover” remix, then “Fine Line”, the singer is back with new track featuring Maleek Barry. “Sit Back Down” combines Afropop, hip-hop and grime tropes that suites the song’s underlying message about the kind of success that makes winners invincible. Not3s warns those trying to come for him to “Sit Back Down” while Maleek Berry echoes this sentiment as he sings describing himself as “The Boss” who can’t be bothered by haters since they can’t touch him.

Listen to “Sit Back Down” here


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Ajebutter’s ‘what happens in lagos’ story continues in “lifestyle” featuring maleek berry

The Shuffle: Why Nigga Raw’s message on “Obodo” is still relevant today

By the middle of the 2000s, hip-hop rendered in local tongue had begun to gradually glean improved production and quality. Rappers like Lord of Ajasa, 2 Shotz and Big Lo amongst others were forerunners for hip-hop, a sound with barely a niche following at the time. Theirs was an era where accessibility was important for the music, thus they settled for the use of comedy for light social commentary and party-themed music built off easy-to-stick rhymes.

On “Obodo” off Nigga Raw’s 2005 album, Right & Wrong, however, the rapper does more than just funny bars or a pidgin-set hook. Though, the track ironically features, infamous stand-up comedian, Klint Da Drunk, the rapper uses the track to address some of Nigeria’s problems matter-of-factly. Opening his story from a police brutality experience, he tracks the Nigerian reality through national financial insecurity and corruption.

Agreed, songs decrying Nigeria’s socio-economic state have been released through the years, but Nigga Raw’s “Obodo” is still relevant today due to its nuanced approach. Instead of pretentiously glossing over important details, both Nigga Raw and Klint Da Drunk humanise the message of the track, speaking from experiences instead of syllogisms. It’s a common man approach that works without feeling forced, in part due to authenticity grounded by Nigga Raw’s Igbo-spliced lyrics, but also because the days may have passed, but Nigeria is still the same.

Stream “Obodo” via Apple Music below

Mars and Barzini release “More Songs” music video off debut ‘In Spirit’ EP

“Me and Mars, Flow In Tandem / Our Rhythm and blues e dey mad dem”, Barzini raps on the group’s latest video, highlighting their dynamic chemistry with a casual shrug at haters. “More Songs” is the first track off the group’s debut EP, “In Spirit”, a collection of tracks built as hip-hop, while the whole 8-track EP thrives best when Afro-fusion emerges (recommended listens: “No Okada”,“Slow-Mo”, “Shege” and the project’s title track, “In Spirit”) like a simple but clever magic trick. Combined with the use of trap-filtered electronic beats, bars like “Old school like pinging, Fela type flows we’re bringing”, show why Mars and Barzini is so effective as a hip-hop dynamic.

https://www.instagram.com/p/BfvFfNbnPL7/?taken-by=iambarzini

At it’s most impressive, Mars and Barzini is a splinter of Nigeria’s underappreciated of hip-hop from the early 2000s in the works of moderately successful groups like Junior and Pretty, Ruff Rugged and Raw, Trybesmen, and collaborations between Big Lo and 2Shotz amongst others. Like those forerunners from the naughties whose ultimate task was to make hip-hop more accessible, Mars and Barzini are also employing the use of comedy, pidgin-based rhymes and light social commentary channelled through a youthful often boyish point of view.

We may be chocking up sound shifts and genre evolutions to the rise of the digital age for a few more years to come, but there are just some stylistic compositions we may never hear in rotation like the old days. Thank God, we can have faith in Mars and Barzini to keep making good music by finding authentic inspiration from within obscurity and nostalgia.

See Mars and Barzini in “More Songs” below:


Toye is the Team lead at Native Nigeria. Tweet at him @ToyeSokunbi


Essentials: Mars and Barzini debut strong with ‘In Spirit’

Bump This: “Love Is Pain” by Simon A featuring Daramola

Being in love is the most natural of highs, it even comes with the side effect of withdrawal symptoms and everything. One of the side effects of unrequited love is having you at your wits end, screaming for everyone and anyone to listen to the heartbreaking story, like Daramola is doing on Simon A’s new single, “Love is Pain”.

Simon A. produces “Love Is Pain” with sombre electronic samples while Daramola performs the song describing emotions everyone who doesn’t look like Rihanna has probably felt more often than they’ll like to admit. He sings of a relationship where despite his giving constantly, he gets next to nothing in return. He highlights the good, the bad and the ugly sides to matters of the heart.

Listen to “Love Is Pain” here;


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Daramola reinvents Michael Jackson’s “Liberian Girl” into an Afropop Ballad

PatricKxxLee and J Molley are back with a second collaboration, “Dark Side Down”

https://www.instagram.com/p/BfgUbgNFiy1/?hl=en&taken-by=patrickxxlee

In a true sequel fashion, to their earlier collaboration, “Phonerotica”, “Dark Side Down” makes room for all that has changed in the lives of both rappers within the twelve month period. These days, even dirty dancers have to prove themselves before getting permission to give a lap dance. Patrickxxlee can see her man ‘barking over there’, but she’s already sold on his act because she’d rather be intoxicated. J.Molley has no interest in reliving the past, but he’s still as anxious as he is on “Paranoia” off his debut album, Dreams Money Can Buy, when he raps ‘I’m the type to get sent to hell and try to repent  / And there is plenty of bitches there to hold your hand/ When you fall down the path’.

Listen to ParicKxxLee and J Molley’s “Dark Side Down” below.

Featured Image Credits: Instagram/patrickxxlee


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ICYMI: Watch PatricKxxLee’s video for “Dante’s Awakening” here

Is the white man behind Shudu taking Blackxploitation to digital extremes?

Social conditioning overtime has defined what beauty standards we appreciate. Perhaps encouraged by the elitist propaganda of colonial times, these beauty standards are partial to the fairer skinned while leaving the dark-skinned at the bottom. It’s so ingrained in our society that even dark-skinned people internalize the standards and reject the notion that they too can be beautiful without bleaching their skin.

In the media, where models are valued for their looks, societal preferences are used by beauty brands to choose the most profitable faces. Sadly, black people were always left out because as former British Vogue editor, Alexandra Shulman once put it, “You would sell fewer copies. It’s as simple as that”.

Currently, though, there has been a perceptible increase in the appreciation of black beauty in the modelling industry in line with the clamour for diverse representation globally. Though big brands still uncertain and afraid of losing costumers, recycle the established and well-known dark skin people, social media platforms have given more dark skinned models a medium to show their beauty to the world. And because of how repressed dark-skinned people have been in the modelling industry, equality is being achieved by aggressive marketing of black beauty such that it almost as if using the dark skin is now the last stage of every five-step marketing plan. (Think: Black Panther and the Avengers series)

This realization has however inspired Cameron-James Wilson, a white visual artist trying to take advantage of the dark-skinned beauty like it was nothing but a mere fashion fad. He created a virtual reality version of a black model and tried to pass her off as real enough to compete with the women who have been given very little opportunity.

https://www.instagram.com/p/BYtfN1glfTC/?taken-by=shudu.gram

Wilson created a 3D Instagram model, Shudu who, according to his feature story on Harpers Bazaar has “flawless dark skin”. His creation blew up after being discovered and featured on Rihanna’s Fenty Beauty Instagram account wearing the Saw-C lipstick shade. What followed was debates as to whether or not Shudu was real as her following skyrocketed to over 400,000 Instagram users. It was recently found out that she is, in fact, CGI (Computer generated image).

In his interview, Wilson explained how he created the model when he noticed a “big movement with dark skin models”, implying that like the profit-making bandwagon riders, he believes this is just a phase to ride with until it fades away. This particular reasoning has caused a social media influx of criticism, my favourite being this short response to the video clip:

Though he admitted how unreal she is—“She can’t walk on runways”—he gave his reason for believing she can pass for real; “A lot of what we see in media is trying to be less real, with filters and makeup. Shudu is coming from the other direction, she’s a fantasy trying to break through into reality and I have plans to help her do so. She’s already posed with real-life model Nfon Obong and I’d love to see her interact more with people.”

Most of his criticism has centred around his decision to create a dark-skinned model, rather than hire one of the many who is struggling to be seen in the industry and could do with this exposure. In response to this, he said in an interview with Isiuwa that he is not trying to replace models. “If anything it’s a criticism of how fake society has become that a CGI Model can pass for real. We’re living in a very filtered world, that strangely for me Shudu is an escape from. The criticism that I’ve faced only comes from misunderstanding”.

Admittedly, the rise of the digital age has made the world a common pot of some sort for creatives to dip into for inspiration and innovation. A recent look at the production of Marvel’s recent Box office smash, Black Panther, revealed that most of the fight scenes in the movie were CGI effects, through and through. In a sense, one may consider Shudu a potential progression of that same concept in the fashion industry, but Cameron-James Wilson’s blatant work reeks too much of the same kind of exclusion he claims to be trying to preach against.

Featured Image Credits: Instagram/shudu.gram


“Tomiwa is figuring it out…” Tweet at her @fauxxbella


edez channels the doo-wop greats on “Omo oba”

Listen to Odunsi, Zamir and Santi’s new release, “Alté Cruise”

Clear communication of what you’re looking for in a relationship, or any form of partnership is vital, we all know this. Yet many of us continue to assume our intentions are implied and get into partnerships, thinking our partners are on the same cruise we are on.

That being said, relationships being the tricky mess they often are, could cause clearly communicated intentions to be misunderstood as a bit of a dick move, especially in sexual relationships. However, Odunsi, Santi and Zamir’s communicate their unconventional methods on their new single, “Alté cruise”, without sounding like heartbreakers thanks to the combination of their singing styles with mellow production work from Yinoluu and mastering by GMK.

https://www.instagram.com/p/BfzEsKvBAaV/?taken-by=odunsitheengine

Odunsi takes the first verse on “Alté Crusie”,  describing an unsustainable relationship he’s willing to make compromises for; “I Ain’t Really Got What You Need, But I’ll Be Here For The Night”. Odunsi’s sentiment is echoed through the rest of the verses taken by Zamir and Santi, who are willing to chill or play the role of lovers but make it clear they have no intentions to commit to the relationship.

Listen to “Alté Crusie” here:

Featured Image Credits: Instagram/odunsitheengine


“Tomiwa is figuring it out…” Tweet at her @fauxxbella


essentials: Zamir’s debut album “xxiii”packs a few heavy punches

Nadine Ibrahim’s forthcoming short film, “Tolu” set for release

Nadine Ibrahim’s short film debut, “Through her eyes”, a documentary on the internal struggles of a 12-year-old female suicide bomber in Northern Nigeria set a precedent for the kind of films to expect from her. With a passion to tell powerful stories that raise awareness about issues going on in Nigeria and the world in general, Nadine’s anticipated short film “Tolu” seems geared towards accomplishing a similar feat, focusing on patriarchy.

https://www.instagram.com/p/Bfq47y5BU3Q/?hl=en&taken-by=nadineibrahimfilms

Starring Somkele Iyamah, Wale Ojo and others, “Tolu” tells the story of a young girl, who lives with her family in a small fishing community in Nigeria. She embarks with an innocent enough motif of catch some fishes from the ocean to prove herself valuable to the community and break free of gender stereotypes.

According to Nadine Ibrahim, “Tolu” aims to depict the beauty and Nigerian story with visual effects that Nigerian filmmakers rarely use. While we wait for the eventual release of the short film, you can see the film’s trailer here.


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