Tàtásè culture’s “I bring what I love” brings self love and freedom

Over time, we’ve seen women strive to find their position of power by abandoning their feminine energy. From the ‘power suit’ becoming a beacon for women’s rights to shoulder pads that made a woman’s shape disappear, the plot has morphed and evolved like so. Somewhere along the lines though, it became about working to be taken seriously whilst wielding the innate feminine energy as a sturdy identity marker.

Tàtásè Culture’s new short film, “I bring what I love” uses a mix of African clothing, design, art and crafts, to celebrate innate femininity. Exploring an African woman’s journey to freedom, Tàtásè Culture highlights ritual processions, adornment with luxurious fabrics and the rebirth of a fearless woman, confident in her sexuality.

The African woman is a sensual being and her sensuality is a part of her power not a detraction from it. With “I bring what I love”, models in silk and lace, sheer fabrics and pastel tones, portray the woman who is at peace with her sexuality, one who loves herself so much, she would only wear the most luxurious and intricate pieces.

Watch “I bring what I love” here:


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AV Club: Daniel Obasi’s “Alien in Town” is a dull attempt at Afrofuturism

He’s Black, he’s gay and he’s unapologetic; MNEK’s “Tongue” is everything

British artist, MNEK, Uzoechi “Uzo” Emenike who already picked up credits writing for artists like Dua Lipa, Stormzy, Madonna, Beyoncé and Craig David, just released “Tongue”, a single off his forthcoming album.

MNEK oozes an irrepressible energy so addictive, you’re inclined to fact check everything you’ve been taught, as he talks lust and love over the thudding beats. In the video, his love interest sits across the opulent table as they play the ‘will we, won’t we – should we?’ game with their eyes. Getting a straight actor to play his love interest in the video, MNEK not only settles confidently into his sexuality, he pushes the boundaries of masculinity past where it presently is.

Speaking with Noisey on the inspiration for the video, he said, “Now I’m not afraid to touch on relationships and on my sexuality in my videos. I feel as though it’s an important thing to put into my visuals, because those are the main source of visual content that I have” and dammit, all of our edges were snatched.

Watch “Tongue” here;

Featured Image Credits: YouTube/MNEKVEVO


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Amaa Rae feels like a singing psychologist dealing with human connection

Watch Lady Donli’s colorful video for “Ice Cream”

Lady Donli’s ability to convey emotions through her music is heard most on “Ice Cream”. Accompanied by additional vocals from DJ Woske and a verse from Tomi Thomas, she depicts just how mysterious love is by using the creamy delicacy as a metaphor. Singing “You Are Sweet Like Ice Cream Baby, You Do Me Like Ice-Cream Baby/ But You Know, We Both Know, That You Are No Good For Me.” it’s seems like a cheesy description for love but it’s rather apt considering both come in varieties. And while they both can be quite the treat, it could get messy when it inevitably melts.

The video for “Ice Cream” displays some footage of Lady Donli, Tomi Thomas and friends in a summer-like laid back scenes. Their warm smiles and charming dances make the video delightful and playful—so playful, there’s a freeze frame with text saying ‘Misplaced Some Footage of Tomi, Sorry’. The video’s director, Kuddi chooses colorful frames and filters to further emphasize the cheerful mood conveyed through the single and characters in the video.

https://youtu.be/VLLZRnZKXmA

Featured Image Credits: YouTube/Lady Donli


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ICYMI: Check out all the essentials for Lady Donli’s ‘Letter To Her’ debut

6 videos you need to see this week

MTV – Episode 1, Shuga Naija

Fans of MTV’s Shuga know they can always count on the show to deliver entertaining drama that mirrors millennial life by touching on issues that are usually considered taboos in society. The 6th series just kick off with the first episode and it jumps right into sex education and society’s reservations towards it. The show is set in Lagos where we are introduced to host of new characters who are  coming-of-age and dealing with secrets threatening to break friendship ties. YCee makes a cameo appearance on the first episode but the show stars Timini Egubson, Sharon Ezeamaka, Jemima Osunde, Rahama Sadau, Adebukola Oladipupo, Abayomi Alvin, and many new faces as actors.

British GQ – Skepta and Naomi Campbell Interview

Last week, Naomi Campbell and Skepta struck a romantic pose on the cover of GQ magazine. The pair also sat for a row of quick fire questions where they discussed how they meet at an award show in 2016. The magazine published the interview on the 8th of March but released a video teasing the different topics the interview touched on from race, politics, the entertainment industry and underwear.

Orezi – “Whine For Me” Feat. Tekno

“Whine For Daddy” is Orezi’s first single of the year and features Tekno. The video shows a cute imitation of CNN’s broadcast where Orezi dressed in a white shirt and a black tie sings to Korra Obidi, the featured model, through her TV screen. The video has all the tropes for dance driven pop songs with the glossy colors, models and clubs scene KurlEvra directs.

Vanity Fair – Davido Oyelowo and Charlize Theron teach Yoruba and Afrikaan

“Gringo” hit the cinema last week and the movie stars David Oyelowo and Charlize Theron were featured on the promotional video for the movie with Vanity Fair. In this video, both actors teach each other slangs and quotes from their traditional languages. The exchange featured David Oyelowo teaching Theron a few Yoruba phrases translating proverbs while she kept things lighthearted with Afrikaan phrases about sex and being drunk.

Tobi Lou – Troop Feat. Smino

Since the beginning of the year, Tobi Lou has kept a consistent stream of music video releases for singles like “Solange” and “LOUNAR”. He continues his streak with a brand new video for “TROOP” featuring Smino. “TROOP” falls under Tobi’s pseudo-sad boy story arch brightened by his syrupy melodies and this psychedelic video Glassface directs. Augmented reality cartoons and graphics pop up as Tobi seems caught up in a happy trip in his magazine-photo wallpapered room.

Gunship – Art3mis & Parzival

While we wait for the cinema adaptation of Ernie Cline’s science fiction novel, “Ready Player One”, GUNSHIP has released a video based on the relationship between the characters of Art3mis and Parzival from the book. GUNSHIP’s depiction focuses on both in such a way that they play central roles as oppose to the supporting role the female lead played in the book. “Art3mis & Parzival” features several 80’s references through the video showing figures of He-man and Transformers through a pixelated animation that follows the heroic story of the characters’ battle against the evil cooperation bent on controlling the virtual world.

Featured Image Credits: YouTube/MTV Shuga


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ICYMI: Skepta’s Homecoming was homely and we were there to capture the special night

Watch Reminisce’s video for “Problem”

Reminisce joined the curious list of street-hop rappers tapping South Africa’s increasingly popular gqom sound when he released “Problem” at the start of the year. Given the current climate of the pop music on the street and it’s South African influence, Reminisce’s penchant for street-inclined lyrics feel right at home over the pacey drums and synths. Whilst the song retains some of hip-hop’s truth-speak with the ironically self-aware bars “Wo Ni Pon Pon Len Se Tele Sugbon Tempos Change/ Shaku shaku Lo Wa Ni Igboro Bayi, E Wo Chain”, it’s an amusing ploy that aptly reflects the reality. The video for “Problem” builds on this lighthearted representation of street pop culture by highlighting everyday life in the streets with choreographers doing the ‘shaku shaku’ dance.

Watch “Problem” here;

Featured Image Credits: YouTube/Reminisce


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Reminisce details the hazards of abusive relationships in “Ponmile” video

Tiwa Savage features Omarion on “Get it Now” remix

Weeks after releasing a video for her single, “Get it Now” off her SugarCane EP, Tiwa comes through with her previously teased collaboration with Omarion, a remix or “Get it Now”.

The Pro2jay-produced “Get It Now” is a sweet and incredibly sultry song that finds Tiwa demanding that her lover stops staring at her and actually takes charge. “The time is running out/You better get it now”, she maintains on the chorus. On his verse however, Omarion is gratuitous and offers a semblance of balance to the conversation, asking that Tiwa  put in the work and make her move if she wants him. It’s an all to familiar back and forth that ultimately leads pleasures fantasies are made of.

Listen to “Get it Now” remix here;

Featured Image Credits: YouTube/Tiwa Savage

Dice Ailes’s latest single, “Mr Biggs” comes with a sleek video

After featuring on M.I’s Rendezvous project on “Your Father”, Dice Ailes’ has shared his first official single of the year. The song is called “Mr Biggs” and it’s chock full of Dice’s liking for affectionate words and franchises references with a bridge that goes, “I Fit Buy You Mr Biggs, I Fit Buy You Sweet Sensation”.

The single comes with a video that depicts Dice Ailes at a ranch searching for a girl who appears to have been abducted. His search for her begins from the horse shed and down a footpath littered with clues that eventually lead him to where she was tied in a water tank. “Mr Biggs” features the striking use of green vegetation, horses, wheat farm and striking images as his love interest bound and struggling in the water directed by Tee Tash.

Watch the video for Dice Ailes’ “Mr Biggs” below.

Featured Image Credit: YouTube/Dice Ailes


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ICYMI: Watch the video for MI and Dice Ailes’ “Your Father” here

FIFA World Cup Trophy makes pit-stop in Nigeria

After a successful launch at the Christ the Redeemer statue in Russia, the FIFA World Cup Trophy Tour by Coca-Cola jetted off to start its international tour by visiting 91 cities in 51 countries across the six continents. 30 of 51 countries have already welcomed the trophy and Nigeria is finally getting her own turn to receive the trophy.

This is the third time the trophy is making a stop at Nigeria ahead of the world cup tournament. The FIFA delegation led by Peter Njonjo, the president of Coca-Cola West Africa, arrived Abuja on Thursday and met with president Buhari. The trophy and its accompanying team are expected to fly into Lagos on Friday morning, to be received by Gov. Akinwunmi Ambode and NFF Vice-President, Seyi Akinwunmi. And by Saturday, fans will be allowed a viewing of the treasured prize at the Tafawa Balewa Square, before the trophy departs Nigeria in the evening.

While we wait for the start of the competition in June, fans can already start to experience the thrills and fun with the official FIFA World Cup Mascot and the trophy made available for viewing and selfies.

Featured Image Credits: Instagram/cocacola_ng

See Simi’s subtle allure in video for “Complete me”

Simi continues to keep her second album, SIMISOLA, in rotation with video releases of tracks from the album. Her previously released videos for “Joromi” and the more recent “Complete Me” share the same theme: love in all its beatific glory.

“Complete me” finds Simi in her romantic element singing to and about a love interest over the fusion of R&B harmonies and traditional drums that allow her sing a mixture of English and Yoruba. For the video, we follow Simi romantic scenes with lingering looks and slow-mo frames. The video focuses mainly on Simi, emphasizing her looks and allure while the man who plays her lover takes the role of support.

Watch Simi’s “Complete Me” Here:

Featured Image Credits: YouTube/X3M Music


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Watch Simi’s “Owanbe” music video

Essentials: Femi Kuti’s ‘One People, One World’ and the purpose of Afrobeat in the 21st century

Like all artists with intent to evoke thoughts and emotions, Fela’s music deliberately arranged symbolic elements of sounds and subject matter in a way that influences and affects listeners. He took on the commitment to serve a social cause with his music, performing at a time when Nigeria’s dictatorial military regimes inspired him to speak against the evils they perpetuated in society without fear for his own life or safety. Fela’s fight for freedom is so awe-inspiring till date, that it’s impossible to separate the Afrobeat genre he created from the activism he encouraged through it.

Femi Kuti’s music continues right where his father’s left off; Jazz fueled and politically charged. Only as his recently released ‘One People, One World’ album shows, his underscoring lyrical theme of music instigating social change is more optimistic. Though he occasionally ventures into rage at the political issues, he funnels Afrobeat’s experimental flow, melodies and songcraft through glossy hippie filters. And yet, his pacifist leanings rather than undermining his activism, only makes it more affecting.

https://www.instagram.com/p/BfjHF0qHDCq/?hl=en&taken-by=femiakuti

Femi gives a quick history lesson on the opening track, “Africa Will Be Great Again”, reminding everyone that things were once good in Nigeria before corruption ruined the economy. And though his father suffered the direct brunt of the political injustice, his message remains optimistic and inspiring backed by the Afrobeat drums and horns; “Be Inspired, Don’t Be Tired/ Africa Will Be Great Again”.

Title-track, “One People, One World” and “Best To Live on The Good Side” underscore the album’s message for peace and the merry sound of the drums and horns. His belief that all of us as individuals have the responsibility to work towards achieving world peace keeps the album lighthearted, breezy and free-spirited. This sentiment is expressly illustrated on the 4th track, “Na Their Way Be That” where Femi seems tired of thrashing corrupt politicians and would rather shove them off singing, “No Matter How Much We Try To Change This Kind of People/ They Will Always be Unreasonable”.

But on “Equal Opportunity” all passive attitudes are set aside as he performs an equal rights anthem channeling the confidence of a protest group; “All Children Must Get Equal Education/ We Say We Want Equal Opportunity”. And on “E Get As He Be”, we hear Femi’s passion and concern for victims of bad government as he name drops a few leaders like Muammar Gaddafi and Hosni Mubarak, blaming them for suffering of the people of Liberia and Egypt respectively. Though he mentions Nigeria’s problems on the song, it isn’t till the last track, “Dem Militarize Democracy” that he turned his full attention to the Nigerian government. The resulting spotlight brilliantly parodies the government as he illustrates how the military never really left government for civilian rule despite the democratic politics.

Femi Kuti’s message of freedom from oppression is still as potent as it was when Fela championed it back in the 70’s.  One People, One World is brimming with 12 oh-so-Afrobeat tracks, but each plays a vital role in delivering a cohesive project campaigning for world peace, unity and equal rights. It’s a lot more hopeful than anything Fela ever did, but new generations always compensate for their myopia by correcting the older generation’s. One People, One World ensures that the sceptre of Afrobeat has risen anew.

Stream Femi Kuti’s ‘One People, One World’ below.

Featured Image Credits: Instagram/femiakuti


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ICYMI: Check out our Best New Music, Seun Kuti’s “Last Revolutionary”

Watch Chidimna’s video for “Love Me”

Over a smooth blend of guitar strums, percussion and drums, Chidinma performs “Love Me” for a love interest. Chidinma has released a video for “Love Me” directed by Asurf Oluseyi and she takes the position of a narrator with a story of a couple playing out in the background.

https://www.instagram.com/p/BgCUOYqBNJ1/?hl=en&taken-by=chidinmaekile

The rustic setting for the video blends with the sombre beat Oscar produced for the song as well as Chidinma’s vocals altering between English and Igbo. While a lot of the video shows the couple fighting, seemingly contrasting Chidinma’s lyrics, “You’re My Lover And My Friend”, they eventually reconcile before the video ends

Watch Chidinma’s “Love Me” here:

Featured Image Credits: YouTube/Chidinma Ekile


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Listen to Aramide’s “Magic”

Meet the Ahosi, the real life inspiration for Black Panther’s Dora Milaje warriors

The “Black Panther” movie arrived in an avalanche of empowering statuses, with the predominantly black cast and “Stripped Aweh” tweets. But what the film got correctly is its accurate representation of Africa in a big budget movie. The fierce Dora Milaje warriors guarding T’Challa, the king of the fictional Wakanda kingdom, were a group of women entrusted as the protectors of the country. Danai Gurira in an interview while explaining her character in the film as the general of the Dora Milaje said that the Dora Milaje are women who pledged their lives to the throne and the security of the kingdom.

Though “Black Panther” is pure fiction and Wakanda is a fantasy nation created by comic writers, the Dora Milaje are not entirely fictional. The all-female army is inspired by a group of warriors who resided in Dahomey (present-day Benin Republic) in the late 1700s. They were known as the Ahosi (King’s Wives) or Mino (Our Mothers) among the members of their Fon ethnic group before European explorers later dubbed them the Dahomey Amazons. The women were reputed for being fierce warriors, who bit out the hearts of their captors who tried to sleep with them, even after their nation was defeated.

According to Stanley Alpern, author of the only full-length English-language study about Dahomey, the female soldiers were chosen because the king banned men from living or sleeping in the palace. No male was allowed near his throne and the warriors were considered to be married to the king. Though he rarely took up sexual relations with them, it is said that any man who attempted to touch Ahosi inappropriately faced the consequence of death.

The warriors originally consisted of imprisoned enemies of Dahomey with the duty of guarding the king and his throne. But they grew in number as time went on, soon consisting more of Dahomey natives then prisoners. And as they grew in number, their duties expanded. They went from being the king’s guards to the nation’s key fighters. After the king found that they were braver and more organized than their male counterparts when it came to battle, he sent them out to fight the nation’s battles. This control of battle given to them lead Dahomey to conquer neighbouring nations, gaining more prisoners and more land. When the French colonizers attacked the nation, the female warriors were at the forefront of the battle for independence. They were about 600 in the beginning, but at their peak, they are said to have had about 8,000 soldiers.

The women were known for their bravery, often greeted with singing and dancing from the people of their tribe until 19th century when the kingdom fell in battle with the French colonizers. The king fled the country after a fierce battle, marking the end of the Kingdom of Dahomey and their army. Dahomey then became a French possession between German Togo and British Nigeria, until Benin declared independence in 1960.

The legends of the African warriors will be represented once more in a new film titled “The Woman King”. Lupita Nyong’o who already plays as a member of the clan in “Black Panther”, will star in the film with Viola Davis. This time, the story concentrates on two members of the Dahomey Amazon clan, the general, Nanisca and her daughter Nawi. It will concentrate on their bond as mother and daughter as they battle the French army, nearby tribes and violence of living under enslavement.

Featured Image Credits: Instagram/somanystyles


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More on african representation in Marvel’s “Black panther”

19 people on women who have influenced them

To celebrate international women’s week, we asked 19 people to tell us one woman who has influenced them the most and how.

D. Male

“My older sister. She read a lot and it influenced me to read more. The books that were available to me were the books she was reading, so from a young age, I was reading books people my age probably weren’t, at the time”

S. Male

“Beyoncé helped me appreciate women through her music at a young age. Listening to her helped me think differently from people around me who tended to lean towards talking down on, and looking at women as subordinates”

T. Female

“Rihanna helped me appreciate my forehead. Before she came into the limelight, my forehead was one of the features I was most conscious about. People made jokes about it a lot and it made me even more conscious. Seeing Rihanna appreciate herself made feel a little less insecure about it”

C. Male

“Genevive Nnaji. She famous and acting at a time when dark skin wasn’t exactly appreciated, and she seemed to appreciate herself and did not let society’s standards get in the way of her career”

A. Male

“The lady I am currently seeing is the one I can say has influenced me the most in recent years. She basically showed that you can transform and grow as a human being if you put your mind to it”

K. Female

“When I was about eight, my best friend’s family moved into a flat above an apartment where a couple of girls lived. That was my first experience with women who lived for themselves. They didn’t seem apologetic at all, and it impacted me more than I realized. At the time, I remember wondering what people would say about them living in an apartment by themselves and stuff, but those thoughts wore off as I spent time with them. I went from quietly judging them without even knowing anything about their lives, like everyone else, to genuinely enjoying watching them just live, and I think I’ve carried that with me since”

L. Female

“Leslie Knope from Parks and Recreation. She encouraged April [another character form the show] to stop being a bum and actually apply herself because she knew she had actual potential. Also a great friend. MY president”

D. Male

“My Grandmother. She likes tea and now I do”

D. Female

“Beyonce, she helped me look in the mirror and realize who the fuck I am #QueenMother”

S. Male

“Watching SZA’s journey since her first album, all the label woes in-between, coupled with her personal stories that played out in front of the world, taught me timing is everything”

A. Female

“The first and only girl I’ve kissed. She influenced my sexuality. Made me believe I might be bisexual”

D. Male

“Alexis Franklin influenced me as an artist, her work encouraged me to explore more brushes for my work”

I. Male

“My dad got me a book about Eileen Soper when I was in uni, she illustrated a lot of the books I read as a child and from reading about her, I realised I could pursue illustration as a career. Her work and her life were a source of huge inspiration to me then. I still carry her book around with me”

C. Male

“Wonder Woman. I hadn’t seen women be strong like that…ever and I was really young. It was mostly just sweet women, seductive or evil. Never really powerful ones. I guess it counteracted many of the other views of women that I was seeing and getting from the world”

D. Male

“Oprah’s excellent interviewing style inspired my passion for journalism”

A. Female

“My aunt. she was the most confident woman I had to look up to. She didn’t let anyone dictate anything to her and I admired her”

T. Male

“Tina Fey taught me that looking inebriated all the time is an aesthetic”

K. Female

“Adrienne Rich was the first person to help me understand the complex relationship between my mother and I”

M. Female

“Afeni Shakur. She dedicated her life to the cause she believed in & raised a revolutionary son”


“Tomiwa is figuring it out…” Tweet at her @fauxxbella


14 people on how they view mental health in love situations

On the stigma around sex education and a woman’s right to choose

Written by Tomiwa Isiaka and Maryam Bello

It is troubling that women have little right to anything at all, even our bodies.

Basic human right should include the right to control and decide on all matters related to sexuality and reproductive health, without discrimination or violence. But women have been stimagtised, petitioned and discriminated against for reasons ranging openness with sexuality, seeking sexual education and social norms surrounding contraception. 

In this part of the world, sexual education is often swept under the category of taboo topics when in reality it equips women with the knowledge to make decisions that would satisfy their personal desires while ensuring maximum protection. What should be first contact for self awareness and positive reinforcement of their sensuality is replaced with the gospel of abstinence, where adolescent boys and girls are under-propped with a combination of biologically inaccurate religious and cultural ideals. This not only increases the number of unwanted pregnancies, it also increases the chances of contracting STI’s and exposes both boys and girls to sexual harassment as they are ill-equipped to recognize sexual assault. In the area of unwanted pregnancies, reports show that Nigeria’s birth rate for adolescents is one of the highest in the world, and this is due to the lack of adequate materials needed to practice safe sex, including education.

When the lack of adequate education and material leads to pregnancy for sexually active youths, the stigma and shame against pregnancies outside marriage and abortions affects their willingness to seek the help and advice that they need. In the case of abortion stigma, the experience of shame is due to the pseudo-cultural and religious values society has loured around the concept. The societal traditions have lead us to believe that abortions violate the “feminine ideals”, meaning the duty of a woman is to give birth, so terminating for whatever reason somehow diminishes the value of womanhood.

One of the primary risks women have to take with abortions in Nigeria is hemorrhaging to death and long-term impacts on fertility. The fears are grounded. Itunu Aderonmu, a 26-year-old skincare expert we met, had three abortions with herbal concoctions at the insistence of her boyfriend, but when he decided he was ready to have a family she miscarried twice and he left her. And like many women in her predicament, she now attends church services and begs God to forgive her for her sins.

When a group is underrepresented anywhere in the world, smaller minority groups in the spread are often set aside simply by slight differences in context. To illustrate, among people who support access to abortions, some believe they are only acceptable in certain conditions (like medical requirements), people who do not fall within these conditions may feel additional stigma within the groups that are believed to support them. This overflow of judgment, coupled with the legal restrictions reinforcing the perception that it is morally wrong, forces pregnant people seeking contraceptives and abortions to find solace in bootleg and often dangerous alternatives.

Mercy had consulted a doctor outside the university clinic when she suspected she was pregnant. In her words, “When he confirmed it, he told me ‘ you are pregnant, seeing how young you are, don’t tell me you want to keep it. We will help you remove it here for 10k (ten thousand naira)”. It only took a few days before the sepsis, a leading cause of death from abortions, set in and Mercy had to find professional help.

With limited access to contraception, an unprecedented number of women in Nigeria have to resort to illegal abortions while the rest merely contribute to Nigeria’s skyrocketing population. Despite religious and cultural taboos making abortion a whispered word, providers from across the healthcare spectrum regularly perform abortions on the low. Unfortunately, the safety and efficacy range widely, with vulnerable women in poorer demographics facing the most dangerous procedures. 

For Blessing, she had her abortion at 19 successfully. But she’s 24 now and the stigma from her religious family after the pregnancy and abortion outside wedlock has forced her out on her own to fend for herself. Her procedure took place in a hospital with a qualified doctor, a lucky thing with so many quacks around. As much as she kept her abortion hush-hush, word eventually got out and it was only a matter of time before her family and the church ostracized her and shamed her till she ended up on the streets with no skills to live off. She told us; “My house was hell at that point, They didn’t ask me to go but from the way they taunted and looked at me they didn’t want me there.” 

So deeply ingrained is the fear of stigmatization and ostracisation that most of these women would only let us use a middle name. It should be clear that these laws and restrictions on abortion do not make any sense legally or public health wise.

Abortions are safer when it is available on the woman’s request and universally affordable and accessible. While taking prevailing conditions in the country into account, it’s important to note that, at this point in human civilization, a criminal law on abortion is unnecessary. Treating abortion as essential health care is a major step forward. Abortions should available at the request of the only person who counts—the one who is pregnant.

Canada has proved that no criminal law on abortion is feasible and acceptable. In Sweden, abortions after 18 weeks can be effectively terminated with very good services, and WHO has shown that first-trimester abortions can be provided safely and effectively at the primary and community level. Though decriminalization will be a massive driving force towards destigmatization of abortions, education and aid to women who seek reproductive health care is the ultimate force. Education will not only reduce the risks of STI’s and reduce unwanted teenage pregnancies, a more mainstream  approach towards creating public awareness for all the positives of sexual and reproductive health issues will remove the constraints tied to women  and their sexuality.

Listen to Reekado Banks on DJ Big N’s “I’m In Love”

https://www.instagram.com/p/BgAz_jdncTb/?hl=en&taken-by=djbign

“I’m In Love” is a rework of “Trilogy” with only Reekado Banks’ verse. DJ Big N initially released this as part of a three-set featuring YCEE, Reekado Banks and Iyanya. With the release of “I’m In Love”, the “Trilogy” almost appears to have been snippets of individual tracks, so it’s safe to assume YCEE and Iyanya’s contribution to the progenitor track will get individual releases.

Listen to “I’m in Love” here;

Featured Image Credits: Instagram/


Mariam is (insert pretentious stuff about myself here). Share your thoughts with me @MA_Y_M


On “Flora My Flawa”, that ‘Son of Mercy’ slump and Davido’s return to high-life

NATIVE x The RoundTable Journal Presents: ‘Songs for Women’

To celebrate International Women’s Day 2018, we invited the women of the Roundtable Journal to curate a playlist, and these are their words. “This playlist has been curated with the busy woman in mind. Put this on, get a glass of something soothing, and forget about the fact that most women still pay taxes on their sanitary products.”

See the tracklist for ‘Songs for Women’ below:

Songs for Women – Frank Ocean

Normal Girl – SZA

Behind the Curtain – Ibeyi

Weary – Solange

Power – Joy Crookes

Sugar Don’t Be Sweet – Jaz Karis

W.A.Y.S – Jhene Aiko

Bluff – Kelela

Hear My Call – Jill Scott

Mascara – Jazmine Sullivan

Weak – SWV

He Wasn’t Man Enough for Me – Toni ‘That Bitch’ Braxton

Moon River -Frank Ocean

Diving Woman- Japanese Breakfast

Best to You- Blood Orange

By Ourselves – Blood Orange

Diddy Bop – Noname

Cranes in the Sky – Solange

Dear Skin- Nakaya

Fu-Gee-La – The Fugees

Unfoolish – Ashanti

Spotless Mind – Jhene Aiko

Me Myself and I – Beyonce

Focus – H.E.R

A Woman’s Worth – Alicia Keys

You Don’t Know my name – Alicia Keys

I Am Not Afraid – Jill Scott

Ex Factor – Lauryn Hill

Nothing Even Matters – Lauryn Hill

Girl – The Internet (feat KAYTRANADA)

Wish I didn’t Miss You – Angie Stone

Rock the Boat – Aaliyah

Jailer – Asa

Insecure – Jazmine Sullivan

Sadboy – Naaz

Casket Pretty – Noname

Jungle – H.E.R

Bad Blood – Nao

212 – Azealia Banks

Let it Go – Keyshia Cole, Missy Elliot, Lil’ Kim

On & On – Erykah Badu

Ego – Beyonce

Creep – TLC

Habib Galbi – A-Wa

Ha Po Zamani – Miriam Makeba

Chove-Chuva – Miriam Makeba

Put Your Records On – Corinne Bailey Rae

Bam Bam – Sister Nancy

Love Hangover – Diana Ross

Vul’indlela – Brenda Fassie

Weekend Special – Brenda Fassie

Feeling Good – Nina Simone

9 Lives – Cocoa Sarai

Treat Me Like Somebody – Tink

Stream ‘Songs For Women’ via Apple Music below

8 artists you should be listening to right now

Moonchild Sanelly

https://www.instagram.com/p/BehujyaHfls/?hl=en&taken-by=moonchildsanelly

Despite South Africa’s flair for electronic music, Moonchild Sanelly is a rare bird. Her music packs bass-heavy beats and rattling samples. But asides the hybrid rhythm of 21st century Africa heard on her songs, her confident no-hold-back style also tackles issues of sexuality and female empowerment. The singer first made a name for herself in the music scene in Durban in 2006, she has since spent the last 12 years moulding her craft. Last year, Moonchild Sanelly featured on DJ Maphorisa and DJ Tira’s smash hit, “Midnight Starring”. Moonchild Sanelly fuses elements of electronic dance music, afro-punk and edgy-pop with hints of kwaito and  Hip-hop as she encourages girls to embrace their sexuality.

https://www.youtube.com/watch?v=q-QS_Djywm8

BbyMutha

https://www.instagram.com/p/BfwbP13lSk9/?hl=en&taken-by=bbymutha

Though you won’t have to listen too closely to pick up references to her kids, BbymMutha’s music refuses to be boxed by motherhood. She uses her music as a tool to vent about her life experiences dealing with the stigma of being a single mother while delivering gems as if to inspire others not to accept the limitation society places on them. It’s a peculiar combination of brash no-fucks attitude with an incredible sense of care. On “Rule”, her confident flow and smirking charm tie the two contrasting traits together as she offers a pussy rulebook over a gritty hip-hop beat. The appearance of her older daughter, Michaela, in the video validates her authenticity without fear for the moralists’ questioning her values as a parent.

Amaa Rae

https://www.instagram.com/p/BZQUYqwBFns/?taken-by=amaarae

Amaa Rae’s music is what happens when an expressive person also knows how to write a good song. Her music has more gut than a butcher’s window. From her captivating voice to the soothing synth arrangements, the moment you hear Amaa Rae’s music, you’re ushers into her story. Though her voice may come off as seductive, she never shies away from vivid descriptions of her romantic relations using metaphors and wordplay to convey moods and emotions. “Lonely” is a slow-burner penned for a love interest who has been unfaithful. And though you can hear the melancholy in her Lana Del Rey-esque vocals, her confidence remains unflattering singing “You Say You’ve Been Over Boarders, Overseas/ The Girls You’ve Seen All Pale In Comparison to Me”.

IAMDDB

https://www.instagram.com/p/BfrXVQslChV/?hl=en&taken-by=iamddb

IAMDDB is no conventional hip-hop artist. The 22-year-old Manchester-born artist gathers musical inspiration from her Angolan and Portuguese roots, and sites playing with bands in Angola, where her father lives, as one of her influences. She throws this diverse mix to produce a sub hip-hop genre she refers to as “urban jazz”. Her kittenish single “LEANED OUT” featuring INKA properly captures the essence of the young Piscean singer: gliding naturally between singing and speech, IAMDDB tells us how much better than the rest is, in the calmest of summer vibes, with an equally playful video. As she says, it’s #MermaidSeason, take a quick dive into her urban jazz haven with “LEANED OUT” below

Junglepussy

https://www.instagram.com/p/Bf9UMTGgaF_/?hl=en&taken-by=junglepussy

Shayna McHayle, best known by her stage name “Junglepussy” is an alternative music artist from NYC. On “ME”, she cites Erykah Badu, Missy Elliot, Brandy and a few others as her influences. And like her influences, Junglepussy stands as the personification of a woman’s freedom to express herself and her sensuality whichever way she pleases. This message is echoed through her lyrics and her delightfully lewd stage name. Junglepussy took a long sabbatical after her 2015 studio album “Pregnant with success”, she recently returned with a new single titled “State of Union” from her upcoming album, giving us a little hint at what’s to come. Through a spoken word performance on “ME”, Junglepussy embodies the essence of a woman happy to be here on earth, being what she wants when she chooses. She begins her poem saying: “I just want to be free, swinging my titties from tree to tree, sipping ginger tea and Hennessey”. And to that, I just want to say this: SAME.

Jean Feier

https://www.instagram.com/p/Bc2EpMAnxJo/?hl=en&taken-by=jeanfeier

Jean Feier seems to focus of producing music for people who understand her message and value rather than the mass music market. In 2014, the Ghanaian-German rapper released her debut project 93MChild, which put her at the top of the list of rappers to definitely pay attention to in the music space. Since then, Jean expanded her discography with a collection that has her recognized as one of the more successful in her genre. If she’s not on your playlist already, you can start by checking out our review of her latest single, “XXX”, you can also listen here:

Tei Shi

https://www.instagram.com/p/BfEQ3rCB8ve/?hl=en&taken-by=teishi

Tei Shi is a 27-year old singer and songwriter today, but that has always been a part of who she is. Born, Valerie Teicher, Tei Shi began writing music at the age of 8. On her latest album, Crawl Space, “Way To Record”, the opening track, is an instructional manual to making music featuring actual vocals from ten-year-old Valerie, who was merely playing around the basics of capturing vocals at the time. More anemic cuts like this feature along the LP, serving as nostalgic anecdotes to Tei Shi’s exploration of growth and self-discovery.

Saweetie

https://www.instagram.com/p/BgCuGj6A-pi/?hl=en&taken-by=saweetie

Saweetie always wanted to be a rapper, but that’s not how the 24-year old’s music career started off. The rapper merely used to record raps on her phone to share with friends. According to her she never really took it seriously, but one day she sent a friend a verse from now the boss-lady anthem and “she was really messing with it”, she told XXL last year. Saweetie soon recorded the track and updated with a video, making it her biggest track yet. The rapper is set to drop her High Maintenance EP, later this month.

The Shuffle: Revisit Freshlyground’s post-apartheid jingle, “Doo Bee Doo”

Zolani Mahola and her band, Freshlyground have been described as one of the most influential voices on the continent in the new millennium. Formed in 2003, Freshlyground released its debut album Jika Jika in the same year. However, the group didn’t become internationally renowned until the release of Nomvula, Freshlyground’s second studio album in 2004.

Perhaps due to a catchy hook, off Nomvula“Doo Bee Doo”  has remained on air as one of the most successful tracks from the project. While “Doo Bee Doo” is framed as an alt-pop song, it’s characteristic success is social awareness. “Doo Bee Doo”  is call for an almost poetic activism to challenge what’s wrong with this present world and our individual roles in reaching a collective nirvana for all. But in spite of this profound theme, Freshlyground opts for feel good, liberating lyrics that remind us that change is everyone’s responsibility, privileged or otherwise.

The video “Doo Bee Doo”, shows the band trying to convert a particularly reclusive man who lives in an isolated area with a ‘Keep Away’ sign on his door. After hearing Zolani singing “Did you hear the news on the radio today? people have agreed to give their love away” on his TV screen, he gets agitated and flips the TV channel to avoid her. But he cannot because she soon appears at his door with her band members as if to establish that no one will be left out of the revolution,“Even enemies will come to be friends.” Given the importance of the song’s message and the subtlety it was delivered through, the Jehovah witness stint of the video is understandable and effective.

Freshlyground is expected to return with Can’t Stop, their first music release after a 5-year break. And though we can’t say for sure if their new album will be politically charged as well, they did release “BLCK GRLS” off the coming album in time for women’s month.

Watch the video for Freshlyground’s “Doo Bee Doo” here:

Featured Image Credits: Web/BigCircle


“Tomiwa is figuring it out…” Tweet at her @fauxxbella


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IRE – Adekunle Gold

This much-talked-about acoustic-set track is the first single off Adekunle Gold’s upcoming debut album, ‘About 30’. It’s easily another one of the singer’s eclectic pseudo-spiritual releases.

Last Revolutionary – Seun Kuti

“Last Revolutionary”, the opening track off Seun’s Black Times offers the perfect inspiration to lead a revolution against the oppression and injustice in today’s society. Through the urgent Afrobeat harmonies provided by the Egypt 80 band, Seun invites listeners to join the fight against injustice.

Dem Militarize Democracy – Femi Kuti
Perhaps because Seun took on Fela’s perceived aggression, Femi seems to have embodied the place of the level-headed elder brother who takes more inspiration from Fela’s positivity instead. This is even reflected in the titles of their respective albums dropped successively in the past weeks, with Seun opting for a grim depiction of the human condition with Black Times and Femi choosing an optimistic outlook on ‘One People, One World’. Thematically, however, “Dem Militarize Democracy” would be the track where Fela’s past and present align, in the work of his sons, and the activism the Abami Eda lived for. On this track, Femi Kuti runs through the hypocrisy of Nigeria’s so-called civilian rule, tracking a democratic era for the country that has failed to deliver on many promises.

Check On You – Cassper Nyovest and Davido

Following their respective wins at the SoundCity MVP awards earlier in the year, Casper Nyovest announced, two collaborations with Davido. “Check On You”, produced by Fresh VDM, is the first of two tracks expected from both megastars.

Nana Hemaa – (feat. Adina, MzVee, Efya, Freda Rhymz, EShun, Feli Nuna & Adomaa)
In honour of late Ghanian pop singer, Ebony Reigns, who recently passed following a ghastly car crash, The Ministry of Tourism, Arts and Culture and The Musicians Union of Ghana (MUSIGA) and The Ghana Music Rights Organisation (GHAMRO) got some of her colleagues together to render a tribute on wax. Try to hold back tears on that Efya verse. RIP Ebony Reigns.

Dark Side Down (feat. J.Molley)- Patrickxxlee

In a true sequel fashion, to their earlier collaboration, “Phonerotica”, “Dark Side Down” makes room for all that has changed in the lives of both rappers within the twelve month period. Be warned, if you follow Patrickxxlee and J.Molley into this dark hole, you may never make it out.

Hurts To Look (feat. Rae Sremmurd) – Swae Lee 

From the three-track care package from the Sremm Brothers, this Swae Lee solo track shows just why people (not this writer) thinks he should go solo full-time. Imagine his star showings on French Montana’s “Unforgettable” and Rae Sremmurd’s “Swang” met and went for a drink. That’s what we get with “Hurts To Look”.

Alte Cruise – Odunsi x Zamir x Santi
“I Ain’t Really Got What You Need, But I’ll Be Here For The Night”, Odunsi sings, championing a derelict cause for relationships without any commitments. It’s not totally bizarre that King Zamir and Santi share his sentiments, but theirs come across as an unconventional approach to relationships, without sounding like heartbreakers, thanks to mellow production work by GMK

Izzokay (feat. Mayorkun) – Dremo
“Izzokay” is an elemental first collaboration for Dremo and Mayorkun who have been both spent considerable time under DMW. Fortunately, on this track, Mayrokun’s light comedy compliments Dremo’s lofty-minded gaze both artists trade bars strengthened by boyish banter, reflective of a chemistry built off more than studio time


The Bumplist is The NATIVE’s official weekly playlist – what we love this week, in no particular order


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Essentials: Zamir’s debut album, ‘XXIII’ packs a few heavy punches

BadBridge, Bris B and Genio take no prisoners on new single, “The Distro”

After going the pop route for the most part of his Regular Trademark EP last year, Bad Bridge’s latest single, “The Distro” is a sharp return back-to-basics. Chalk it up to the peer pressure from working with the bros, Bris B and Genio or the sparse loop and booming bass Elijah Bane produces, Bad Bridge flexes the potency of his punchlines. All three artists spit bars going for outlandish  stunts, but what makes it so interesting is how much personality traits they seem to share. For a bit of a test, try to guess if this colorful brag belongs to Bad Bridge, Bris B or Genio: “Seven Kilos on A Wrist Watch/ Back on Track, Like I’m Pulling Out of A Pit-stop”.

Listen Bad Bridge, Bris B and Genio’s “The Distro” below.

Featured Image Credits: Instagram/badbridgelos


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Check out all the essentials from Bad Bridge’s ‘Regular Trademark’ EP

Dremo and Mayorkun have had it with fake friends on “Izzokay”

DMW starlets, Dremo and Marorkun have been the label’s flagship artists for a minute but neither have collaborated on a solo track with the other, until now. Luckily, “Izzokay” makes up for lost time , leveraging what is perhaps a bromantic relationship behind the scenes for humor themed lyrics and light quips.

https://www.instagram.com/p/BfiWIl9Bttv/?hl=en&taken-by=dremodrizzy

Izzokay” is an Afropop track produced by Young Jonn. Here, both artists do what they are good at with Dremo rapping and Mayorkun singing. “Izzokay” has a beat primed for dance floors and they both know how to keep a melody going with head bumping flow, but the song’s lyrics aren’t as lighthearted. They come for fake friends and stunt on them talking about their life of fame and glamour.

Listen to Dremo’s “Izzokay” featuring Mayorkun here:

https://soundcloud.com/afro-songs/mayorkun-izzokay-ft-dremo

Featured Image Credits: Instagram/dremodrizzy