Ice Prince and Jesse Jagz team up for a new single, “Control Number”

As we edge ever so close to the final moments of the year, the festive, Christmas season is beginning to work its magic in the mind of everyone. The louder music and the colorful night light are part of the more obvious signs of the times. But if you pay enough attention, other signs like “Control Number”, Ice Prince’s latest single featuring Jesse Jagz, are indicators of the festivity in the air.

“Control Number” is a celebration, a testament to the fact that in spite of all the bad things that have happened this year, we can always find something to be thankful for. The beat Kel P produces, mixing piano harmonies, cascading synths, horns, traditional drums and 808 drums creates a reflective ambiance that captures both glorious and somber sentiments like a snapshot of happiness, anxiety, and optimism. Ice Prince and Jesse Jagz however perform a boastful set, with Ice Prince singing “Thank God For The Weekend/ I’m Gonna Control Numbers/ I Get Shayo, And All the Girls Know We Control Numbers” for the catchy hook. Jesse Jagz also contributes a rap verse bragging about his success with the swagger of an king pin.

You can stream Ice Prince and Jesse Jagz’s “Control Number” here.

Featured Image Credits: Instagram/iceprincezamani
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ICYMI: See the music video for Ice Prince and Peruzzi’s “Yawa” single

Adekunle Gold shares music video for Flavour assisted “Yoyo” track

One of the highlights of Adekunle Gold’s music is his ability to fuse indigenous Yoruba tropes with contemporary pop trends. For “Yoyo”, one of the standout tracks from his ‘About 30’ sophomore album, he incorporated an eastern-Nigerian sound that showed his growth as an artist, unafraid to push the boundaries of his sonic experiments. After the guest verse from Flavour already helped situate the sound and style of the dance-driven highlife number, Adekunle Gold has released a music video directed by Aje Filmworks, and it is set at a bar where both artists drink and embody the lightweight sentiments they express on the song.

The music video for “Yoyo” has a retro direction that doesn’t particularly commit to any specific time, with Flavour N’abania spotting a durag, models wearing brightly coloured suits and masquerades dancing among the ravers. Still, with beer bottles in nearly every shot, the video portrays Adekunle Gold’s message that “This Life is Sweet Oh/ Enjoy Everyday like Tomorrow No Dey”.

You can watch the music video for Adekunle Gold and Flavour’s “Yoyo” below.

Featured Image Credits: YouTube/Adekunle Gold
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ICYMI: NATIVE Exclusive: Adekunle Gold talks ‘About 30’

Yinka Bernie conveys all the sultry sentiments from finding love on new single, “St. Maria”

There was a moment on Yinka Bernie’s debut EP, ’19 and Over’, that hinted at his desire to push his work into buoyant pop-soul territory. But after hearing the positively contagious groove of his latest single, “St. Maria”, the track is starting to look like a mere preliminary sketch for what’s coming next. Backed by a guitar led beat Malik produces, drawing on the lightweight swing of Caribbean harmonies, his vocals on “St. Maria” are leaner, tighter and more focused on convey the sultry sentiments expressed in his lyrics.

Singing “What’s Your Name, She Said Maria/Where You From? I’ve Been Looking for Ya” over the mellow vibe of the percussion, chime samples, vocal loops and siren samples, “St. Maria” transports listeners to the steamy dancefloor of a dimly lit bar. The effect of the his lyrical imagery and the dance-driven beat is heightened even further by his slurry vocals, mimicking the buzz of a drink. It’s the type of performance you you’d pay good money to experience live with his vocals contorted for a mutated take on dance music.

You can stream Yinka Bernie’s “St. Maria” below.

Featured Image Credits: Instagram/yinkabernie
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ICYMI: Check out all the essentials from Yinka Bernie’s ‘Facades’ EP

The Global Citizen Festival, South Africa

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The Global Citizen Festival, an annual music festival organized by the Global Poverty Project was first held in New York City on September 29, 2012. The headliners included the Foo Fighters, The Black Keys, John Legend, Band of Horses and Neil Young. The festival has since taken its model to Australia, India, the United Kingdom, Germany, Belgium, and Canada and is currently one of the largest, most visible events drawing attention to sustainability and anti-poverty efforts around the world. The festival’s continued mission of ending extreme poverty by 2030 is funded through brand sponsorships and private donations.

This year’s Global Citizen Festival saw significant commitments made towards gender equality and education; the overall pledge from all the commitments was the second highest achieved from any Global Citizen Festival. The main 2018 festival  held at New York City’s central park on September 29 and was headlined by Janet Jackson, The Weeknd, John Legend, Janelle Monae and Cardi B. However, a supplementary festival was thrown in South Africa; birthplace of the Festival’s legacy, Nelson Mandella to commemorate  the centenary of his birth. Beyonce and Jay Z headlined the Johannesburg festival that included  Ed Sheeran, Pharrell Williams, Usher, D’Banj, WizKid, Tiwa Savage and South African rappers Casper Nyovest and Sho Madjozi with Trevor Noah as the host.

A major highlight for Nigerian music was Beyonce including a video interlude of her vacation with Jay Z accompanied by Tekno’s “Pana” in her set; a kind of paean we’ve seen be paid with the homage to Fela at Coachella in April. Wizkid, one of the festival’s opening acts performed a number of his global hits like “Ojuelegba”, “Soweto Baby”, “Daddy Yo”, “Soco” and thrilled with a live mash-up with the Soweto gospel choir. D’banj, introduced by supermodel Naomi Campbell, made an entrance like no other with the Mzazi Youth choir before performing a set that included his “Oliver Twist”, “Fall in Love”, “Emergency” and more. Tiwa Savage also took the stage, opening with “All Over” then joined by South African RNB singer, Donald at the close of her set to perform their collaboration, “Raindrops”.

In the days and hours leading up the concert, the Carters, despite their attempts to fly under the radar, hogged the spotlight as it was their first time performing in Africa together. While the concert was broadcast live on television, the Carters performance was exclusive to ticket holders who earned the tickets by volunteering; unfortunately targeted by robbers as they left the stadium for the exclusive show. Both events were underlined by the threat of violence but while the New York’s was a false alarm that left a few injured, Joburg’s wasn’t as lucky and was marred by the reportedly ever-present danger of crime in the city.

The Global Citizen Festival: Mandela 100 brings the year-long collaboration with the House of Mandela to an end. The festival and its proceeds, inspired by the former leader of South Africa and his lifelong dedication to rallying people together to use their collective voices to speak for the most marginalized people will sustainably impact the lives of about 501 million people across the globe by the year 2030.

See the full 8-hour long show below

https://youtu.be/jEx3-7hnHBE

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Afropop on the rise: Kanye West’s adventures in Uganda and D’banj’s G.O.O.D music years

Watch the video for “Revival”, off of LadiPoe’s ‘Talk About Poe’

Just as the name hints, ‘T.A.P (Talk About Poe)’ was the coming out party for LadiPoe and his fans, after years of sitting on the debut album expected to validate his word game. He just released the music video for “Revival”, one of the standout tracks from the album where he focuses on throwing shots at the competition and appreciating loyal fans who have stuck with him through the years. The music video isn’t too deep on the surface, following Poe as he performs his bars on the roof of a building before his reflection in a mirror is seen rapping at him. Some of his lyrics take a titillating turn when you consider that he’s performing at himself when taking shots at rappers.

You can watch the music video for LadiPoe’s “Revival” below.

Featured Image Credits: YouTube/MavinRecords
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ICYMI: Check out all the Essentials from LadiPoe’s album debut, ‘T.A.P(Talk About Poe)’

Listen to Timaya’s new single, “Kom Kom” featuring King Perryy and Patoranking

Timaya has dominated Afropop zeitgeist with hit songs dating as far back as “Dem Mama” from 2007 and as recent as “Ah Blem Blem” from this year. Timaya’s latest single, “Kom Kom” is indicative for how well-adjusted his music is to the times, looping a Spanish flute sample to make a catchy dance-driven Afropop song tailored to the lightweight bounce and groove of club DJ sets.

Singing “Girl Your Body Kom Kom/ Love the Way You Bend It For Me Oh”, “Kom Kom” is yet another love song too obsessed with the physical attributes of a love interest to be less obvious about it. But whatever the song may lack in lyrical depth, it more than makes up for in melody as Timaya and featured artists, King Perryy and Patoranking show off the range of their Reggae influenced flow. The accompanying music video asides guaranteeing the song’s media attention also helps put a face to the new name on the song. Unlimited LA directs the party-themed music video showing King Perryy as he gives the dance instructions which the video vixens try to emulate.

You can watch the music video for “Kom Kom” below.

Featured Image Credits: YouTube/OfficialTimaya

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ICYMI: Watch Timaya and Olamide try out new dance steps in their music video for “Bam Bam”

See DJ Neptune and Maleek Berry in “My World”

While the rest of us have to find other innovative ways to win the affection of our love interests, musicians have the trusted formula of serenading their way into anyone’s heart. And given Maleek Berry’s accomplished sonic sensibilities, he can probably teach a thing or two. For one of the more somber cuts from his ‘Greatness’ project, DJ Neptune employed the singer to work his magic on “My World”, one of the tracks off the tape which also featured collaborators like kizz Daniel and Runtown.

Over the lush beat Legendary Beatz produces with synth harmonies, snares, and sinuous little melodies tucked away in the back of the mix, Maleek Berry performs a sultry set aimed to charming his love interest. Singing “Let Me Take You Away/ Make I Show You Say I Want You/ Let Me Take You To My World”, the catchy melody of his familiar falsetto and the repetitive lyrics can be convincing, especially when accompanied with Nitin Lutch-directed music video which casts DJ Neptune and Maleek Berry in a neon lit room where they perform the song.

You can watch the music video for DJ Neptune and Maleek Berry’s “My World” below.

Featured Image Credits: YouTube/DJ Neptune
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ICYMI: See the music video for DJ Neptune’s Kizz Daniel assisted track, “Wait”

Barry Jhay shares two new singles, “Normal Level” and “Go Down”

With his two previously released single, “Aiye” and “Don Pablo”, Barry Jhay has shown exceptional skill at making songs that capture zeitgeist, either through showy brags or solemn introspection. His latest releases, “Normal Level” and “Go Down” further establish his nimbleness, dropping the two singles with diverging themes on the same day.

“Normal Level” produced by Lussh who is credited for the mid-tempo beat that sets the reflective mood for Barry Jhay’s somber vocals performance. His lyrics, “Ise Oluwa, Awa Ma Ridi Ni” listen like a prayer, giving thanks for his good fortune. And coming after the good year he has had career-wise, collaborating with top-tier acts like Olamide and Davido, it’s easy to understand where the sentiment is coming from.

However, for “Go Down” he jumps right to the sultry intentions of Afropop with lyrics that fit right in the hazy ambience of dimly lit dancefloors. Over the pacy beat Antras produces, Barry Jhay channels his thin voiced melodies to with the heart of a love interest. Interpolating lines from Lagbaja’s “Konko Below” for his catchy hook; “Oya Pade Mi Ni Isale/ Nlelelelele”,  he takes a straightforward, lyrical approach to revel in and perhaps poke fun at pop convention of pseudo-romantic songs on dancefloors.

You can stream “Normal Level” and “Go Down” below.


Featured Image Credits: Instagram/therealbarryjhay
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ICYMI: Hear Barry Jhay get cocky on “Don Pablo”

Vanessa Mdee and Reekado Banks celebrate the glee of being in love in their “Bambino” music video

Vanessa Mdee and Reekado Banks have teamed up for yet another love song after their initial collaboration on Reekado Banks’ “Move”, released over a year ago.  Vanessa Mdee’s new single, “Bambino”, backed by the Reggaeton fueled beat E-Kelly produces is an unofficial rejoinder for the story that began on their last single.

In between the throbbing bass of the drums that listen like they represent the Tanzanian singer’s vital signs, she croons sweetly, interpolating lines from Whitney Houston’s “My Love Is Your Love” to profess her feelings to a love interest who she “Call(s) Bambino When (She) Looks into (Their) Eyes”. The lyrical concerns she keenly articulates in a mix of English and her native dialect are further emphasized by Reekado Banks on the last verse, also incorporating a few indigenous lyrics as if to show the extent of his love. The video Director Q directs is bright and warm, even at the night scenes where Reekado Banks appears in a party where dancers show off the beat’s dancefloor niceties.

You can watch the music video for Vanessa Mdee and Reekado Banks’ “Bambino” below.

Featured Image Credits: YouTube/Vanessa Mdee
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ICYMI: Watch Reekado Banks’ video for “Move” featuring Vanessa Mdee

La Même Gang debuts video for “Kemor Ame”

Ghana-based collective, La Même Gang is back with a new mix-tape titled ‘Linksters’. The group has established itself as one of the most forward-thinking artists on this side on the planet using a fusion of Afro-inspired composition with a touch of hip-hop. Their new project, Linksters, a twenty track mix-tape especially attempts to exemplify the group’s ethos. Linksters is divided into two 10 track parts, each side dedicated to the group’s hip-hop and Afropop sound variations.

“Kemor Ame” is the first released video off Linksters, and it features the gang rapping in a psychedelic landscape. “We came to set a new trend/ We’re not blending”, Darkovibes sings, in the opening moments of the track emphasising the out-of-the-world intentions behind their style.

Producer Nxwrth’s signature bass-heavy trap instrumental is the perfect backdrop for RJZ and Kidd Black. Their verses on  “Kemor Ame”  sharply contrasts Darko’s, another mark of the cutting-edge poise of La Même Gang’s transcontinental sound.

See  La Même Gang in “Kemor Ame” below:

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La Meme Gang are collaborating with Sarkodie for the second time on, “Know Me”

Save The Date: Burna Boy to headline “Burna Live” in Lagos this month

Fans were disappointed last year when Burna Boy cancelled his first live concert in Lagos due to unknown reasons. Anyone who was able to score NATIVELAND tickets probably got a version of what could have been a great show at The NATIVE’s annual music festival. But Burna promises things will be different at his own show this time around.

https://www.instagram.com/p/BqzXsMjFVGW/

The singer announced “Burna Live” via social media earlier last week. Fans who have followed Burna’s eclectic year since the release of Outside, his third studio-project will be headed to Eko Convention centre this boxing day for “Burna Live”.

You can check Nairabox for more details on tickets and pricing.

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Nigeria’s new national anthem, “YE”, is already making history

Stream Bella Alubo’s new single “Aiya”

Coming off her joint project with YCEE that got featured on our underrated 2018 projects list at the end of the summer, Bella Alubo is back with a new single and third project in view.

https://www.instagram.com/p/BqzXr1rHPe1/

The track description for Bella Alubo’s “Aiya” reads: “Learnt not to wait around to be loved back” and “Aiya” stays true to that central message. Over synths and soft drums, Bella recounts a familiar story of a situtationship turned sour by an unfaithful lover.

Bella Alubo announced her upcoming project ‘re-Bella’ via social media to warm reception last week. ‘re-Bella’ is expected later this week, and “Aiya”, is the lead single off the upcoming 7-track EP. The re-Bella EP will feature guest appearances from underground king, BOJ, South African poet and rapper, Sho Madjozi, Ghanian songbird, EFYA and pop diva, Victoria Kimani.

Stream “Aiya” via Apple Music here:

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Lady Donli’s “Poison” video walks us through the difficulties of being in a toxic relationship

Anticipate FEMME Lagos this weekend

Take it from us: there hasn’t been a lot of events dedicated to women in music.

For context, earlier this year, The NATIVE spoke to Lady Donli who talked extensively about her a ‘living room’ tour. Odd as that sounds, according to Donli, the idea for the tour came as a way to perform intimate sets for fans without paying for space. And naturally, she isn’t the first Nigerian woman to attempt such creative manoeuvres to circumvent the limitations of a performance venue, show logistics and visibility.

This is perhaps why the first edition of FEMME Lagos, a women-only live music showcase feels like a leap into the future of Nigerian entertainment. Curated and produced by Ayomide Dokumu, FEMME Lagos in her words “Seeks to build a community for women in the African music industry. We are promoting female artists by providing a platform to help them get noticed and gain exposure for their music and talent”.

FEMME Lagos does not only the promise performances from only women but also an eclectic selection of artists with diverse sounds. For the first edition of the showcase series, Soul singers JazzZ Atta, Deborah Prest and Maka will take the stage alongside RNB newcomer, Tems and Afro-punkster, Asikey.

FEMME Lagos is coming up this weekend at Miliki, and you can purchase tickets here.

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Best New Music: BBanks’ “Hustle” is the most soulful go-getter anthem released this year

Stream Wurld’s new Afro-beat inspired love song, “Paranoid”

Wurld is a real feelings guy y’know.

“I’ll break all the rules for you/Know that I will fight for you/ Nothing I won’t do to be with you”, Wurld sings on his new single “Paranoid” . The Shizzi produced-track is another one in the slew of uber-expressive tracks from the Nigerian-American Afropop star. Wurld’s no-holds-barred approach to composition tends his song-writing style towards high emotions and hyperbolic inferences. Which is especially poignant on “Paranoid”, a seductively Afro-beat-inspired song about whole-hearted love and letting go of the fear of getting hurt. You can stream the new track below right now.

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https://thenativemag.com/music/listen-to-mut4ys-how-deep-is-your-love-featuring-wurld/

Listen to Mut4y’s “How Deep is Your Love” featuring WurlD

Super Falcons crowned African champions for the ninth time

The Super Falcons of Nigeria continue to etch their names deep into the history books after overpowering the resilient South African team to clench the Women’s Africa Cup of Nations cup for the 9th time ever. Nigerians celebrated the victory with the team after the nerve-racking match remained goalless through the 120 minutes of open play and led to the decisive penalty shootout that ended 4-3 in favor of the Falcons.

Ironically, the Women’s African Cup of Nation started on a sore note for Nigeria, losing to the South African team during the competition’s group stage. But the team showed true strength, building from the defeat to lift the prestigious trophy at the finals. Asides the team’s final trophy, two players, Onome Ebi and Tochukwu Oluehi were also rewarded for their individual brilliance. Both players, a defender and a keeper were listed in CAF’s “Best XI of the Tournament” list for their exceptional efforts.

See the official list below.

Featured Image Credits: Instagram/superfalconsfanpage
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ICYMI: Here’s how an all Nigerian cast brought the Nike’s ‘Naija Collective’ to life

Hear Zamir and Kida Kudz’s highly anticipated collaboration “Dangerous”

The anticipation for Zamir and Kid Kudz latest single probably has something to with the ominous purple coating both rappers are animated with for the accompanying promotional artwork and image. Whether “Dangerous” lives up to expectations is subjective, but it’s not because you’re going to be ambivalent after listening to the track.

https://www.instagram.com/p/BqxhItgAoD4/

Some of Zamir’s smoothest flow ever surfaces on “Dangerous”; Out in Cairo ladies call me mo salah/ Evidently too clean for their fathers’. The unique arrangement of a minimalist drum line, takes some getting used to but as the rhythm sets in with synths, the Chwkdze produced track morphs and transforms but stays a consistent melody all the way. Which is great because by the time Kida comes in to close the track, “Dangerous” evens out as one of the smoothest hip-hop tracks we have heard this year from these parts.

Stream “Dangerous” below

NB: An earlier version of this story misquoted Zamir’s line, this error has been corrected.

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Essentials: Zamir’s debut album, ‘XXIII’ packs a few heavy punches

Africa’s only NBA Academy just got upgraded to an elite basketball training center

Africans have made their impact felt in the NBA with players like Akeem Olajuwon getting inducted into the Basketball Hall of Fame in 2008 and others like Victor Oladipo and Serge Ibaka headed for similar honors. But until 2 years ago, the NBA didn’t have any Academy center in Africa. That changed when the association built the NBA Academy in Saly, Senegal, working with the sports development programme, Sports for Education and Economic Development (SEED), to train young players from different African countries.

The academy has since provided opportunities for young African talents to be discovered by international scouts and increased their chances of being drafted into the NBA, with 24 young prospects given scholarships and training after scouting programs conducted across the continent and 10 former Basketball Without Borders (BWB) Africa campers already drafted into the NBA.

https://www.instagram.com/p/BqsDHengeaL/

However, the association is upping its efforts to make the platform useful for talents through the upgrade in the Academy’s facilities, opening an “Elite basketball training centre”. The new facility boasts of two indoor basketball courts, a weight room, a multidimensional activity centre, conference rooms as well as dormitories and educational facilities.

The centre has already hosted the second NBA Academy African Women’s camp and one of the participants was quoted saying, “This facility will provide aspiring players from across the continent with state-of-the-art courts and training equipment, under the tutelage of our NBA coaches, and our world-class academic staff. This facility, and the enabling environment around it will help uphold our commitment to a holistic approach to player development and providing our elite African student athletes with the tools to succeed on and off the court.”

The Academy’s 360-degree approach to player development, focusing on health, skill, education, leadership and all-around character development will go a long way in ensuring a steadfast growth for basketball as a mainstream sport in Sub-Saharan Africa.

Featured Image Credits: Instagram/nbaacademy
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ICYMI: Find out what Victor Oladipo’s retirement plan after his NBA career is

Odunsi to headline first show in Lagos this December

When Odunsi started releasing music in 2016, he must have dreamed of the day he’d perform on a stage for a crowd of adoring fans. And though his EP and single releases have earned him a notable amount of fans who support his music online, he has gotten a lot more recognition since releasing his album debut, ‘rare.’. To celebrate the success of the indie pop album, Odunsi has announced that he will play an intimate show in Lagos at Hard Rock Cafe on the 24th of December.

https://www.instagram.com/p/Bqsa-zyB66a/

The show is Odunsi’s first headline concert in Lagos, but that’s not to say he’s short on experience with live shows. Just earlier this month, he curated the live set at the “ART X Live” show which featured live performances from Amaa Rae, Teni the Entertainer and BOJ who might also grace “rare. Live” with a surprise performance. While we wait for the expected list of guest performers, the flier already showed that Odunsi is working with “Gidi Fest” organizers, Eclipse Live Africa, to make the show a memorable experience for fans.

‘rare.’ was one of the notable moments in Nigerian music this year with the retro direction Odunsi took. The flier for his live concert also seems to reinforce his nostalgic sentiment with the disco ball imagery. Though there has been no official dress code announcement for this yet, It should come as no surprise is if a throwback theme is announced as more details on the show are revealed.

Featured Image Credits: Instagram/odunsitheengine
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ICYMI: Check out all the essentials from Odunsi’s ‘rare.’ album debut

Hear Olamide’s prayerful new single, “Poverty Die”

Devoted Olamide fans look forward to the ending of the year because usually, they can always count on his end of year concert, OLIC, and an accompanying project to mark the event. Though it’s unclear what will happen with Baddo’s fans this year as OLIC 4 already happened and there has been no word of an Olamide album.

In the meantime what fans have this optimistic new track. “Poverty Die” is set to the melodic swing of indigenous eastern Nigerian music. Pheelz produces the energetic beat with horn samples that Nigerian football fans adopted from celebratory church music. It serves as the backdrop for Olamide’s prayerful performance, showing his unmatched balance of pop and melodrama.

https://www.instagram.com/p/Bqt0JreFEVl/

Singing “Ogun Aye Mi, E Bami Jo Wan Pelu Fire/ Fire/ Fire/ Fire/ Fire, Fire, Fire, Fire, Fire, Fire, Fire, Fire, Fire Fire”, his lyrics, like the cover art for the single is inspired by white garment churches. But rather than making a mockery of the faith, his intent isn’t malicious as he comes across like a true believer, praying against poverty and thanking the creator for blessings.

You can watch the Poka Studios created animated music video for Olamide’s “Poverty Die” below.

Featured Image Credits: Instagram/baddosneh
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ICYMI: Olamide, YBNL and the future of street hip-hop

Ahead of their upcoming album, see R2Bees in “Beautiful” music video

Love has been a running theme in Afropop even before 2Baba’s “African Queen” became such a defining song for the genre. And though love of money, love of partying and love of one’s self is never too far from an Afropop artists’ lips, there’s never a shortage of romantic songs designed to meet the mood and aesthetic of weddings.

Over the Killbeatz produced instrumentals, the R2Bees latest track comes with intimate sets made with lyrics celebrating their love interests. The video Justin Campos directs for “Beautiful” portrays the emotions in the song through a cool and sexy clip set in the outdoors where the models are shown dancing in the garden. Coming on the heels of their “Supa” collaboration with Wizkid, “Beautiful” is also expected to feature on the group’s coming project, ‘Site 51’.

You can watch the music video for R2Bees’ “Beautiful” below.

Featured Image Credits: YouTube/R2Bees Music
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ICYMI: Watch the video for R2Bees’ “Supa” featuring Wizkid here

NATIVE Exclusive: Maka talks big dreams and inspiration behind her new single, “Daddy’s Letter”

Maka does Soul and jazz music, two genres with roots as deep as anyone can imagine. However, lengthy, three-chord jams backed by jazz players don’t often become radio hits, and the 26 year old is anything but unaware of this. Creating music that’ll connect to the kind of fandom she envisions requires that she writes her music in the simplest and most relatable way possible. “I like to sing about real things, mine or other people’s experiences. I sing the way I know how, my voice is uniquely mine, so I think that whoever listens to my work would feel the sincerity in the music and relate immediately”, she tells me while we discuss her new single, “Daddy’s Letter”.

Maka is what you would call a singer’s singer. Her ‘CTRL+M’ EP bleeds sentiments as she reinterprets SZA’s ‘CTRL’ masterfully with her detailed lyrics giving the sleek ballads a lived-in presence. You’d think she was right there, catching you up on the juicy gist of her love life and dishing out some friendly advice when listening to the project.

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She brings me up to speed on her most recent collaborations, ‘Femme’, an all female collaboration with Tems, Jazzz Atta, Deborah Prest and Asikey, slated to be released on the 9th of December. ‘Femme’ is an inspired project coming at a time when the smurfette syndrome seems to be going around the music business. You know, the one token female star that’s swept up and thrown into world billed as ‘the next big thing’, barely afforded room to establish themselves or grow only to inevitably fade into obscurity. With collaborations like this one, women in the music industry can build a thriving community for themselves to up their chance of becoming the biggest stars. Perhaps, this shift from the pretty face in the boys club is what it takes to make the industry less gender bias.

Music has always coursed through Maka’s veins. She has been exposed to music since she was about 6, given a chance to give solo performances by her church choir. Her professional career has however taken off since and she’s put out a slew of singles and covers, collaborating with several acts and even headlined solo concerts in Lagos and Abuja. Asides her own music, she has also made theme music for a web series and the movie “Dinner” and has shared stages with Asa, Simi, Bez and a host of others.

Despite all of her accomplishments, Maka’s music has remained obscure, existing in the fringes of soon to be discovered playlists on Soundcloud. To help boost visibility, the singer has looked to performing live music, starting a bi-monthly pop up show, “Maka – After dark”. And though the feedback from the pop-up show has been positive, Maka’s dream is to dominate the global stage.

The world is Maka’s oyster and she knows it; “I wanna sing EVERYWHERE. I want to be able to execute every single creative thought that crosses my mind. “Maka After Dark” grows with each edition. My music’s reach also grows internationally every time. I honestly don’t think I am that far off from where I want to be. I just gotta keep on moving”, she asserts and I immediately find myself hoping that Maka’s ascent to global acclaim will be propelled by her blissful poise, untainted by the pop machine and the expectations it holds for young women.

Maka’s drive to reach her dreams is so pronounced, one might assume it’s all she obsesses over. But after hearing the vulnerable sentiments she expressing on her songs, her confessional lyrics provide context for her strong faith in herself. Her latest single, “Daddy’s Letter”, for instance, is a tribute to her late dad who she tells me was unafraid of pursuing his dreams. Today marks the 20th anniversary of the death of the man whose sense of adventure made him into an ultimate trifecta: a lawyer, an engineer and accountant. A man who loved to laugh and travel the world as much as he could and left an amazing account of his life for his young daughter to hear and tell.

“I guess the song is really more of a goodbye note from my dad since he never got to say it”, the singer discloses. The closure she seeks on “Daddy’s Letter” is long due as she reminisces over the somber beat Big Foot produces. The song is a reminder to appreciate the good people around us, create memories and cherish the moments shared with all the people we love. The single also comes with a cute animated video which Maka created by herself, showing her willingness to go the extra length to get her message and her music across to more audiences with varying interest.

You can stream “Daddy’s Letter” below.

Featured Image Credits: Instagram/theofficialmaka

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