Niniola goes after her heart in “Oyin” video

Niniola’s latest video for “Oyin” off her debut album, This Is Me, gives, a bit more insight into the song’s lyrics through a burlesque 90’s rom-com inspired storyline Clarence Peters. Like most of Niniola’s videos, the set for “Oyin” is brightly lit as Niniola and her love interest go through their daily lives till they ultimately end up in each other’s arms. She starts out being coy with her feelings for her next-door neighbour who is already in a relationship. But as soon as that relationship goes to shit, she acts on her feelings.

Watch the video for “Oyin” below.

Featured Image Credits: YouTube/OfficialNiniola


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ICYMI: essentials: Niniola details her sound on debut album “This is me”

“Maradona+Wo” is only a freestyle, but Boogey does a lot more than fool around

Boogey’s debut for 2018 is a freestyle over two hits from Afropop in 2017; Niniola’s “Maradona” and Olamide’s “Wo”. But rather than updating the pop themes on the originals, he upturns both club hits.

Riding the pop samples, first he comes for fake friends who only support your art when it’s profitable; “They only scream jam when you making bread”. Then he complains about those people who start to act brand new when they get a little lick of fame—even if their work didn’t exactly earn the acclaim.

Boogey’s rant revives the ‘fix up your life brouhaha’ as he brings up the ridiculous issue of artists picking sides against each other for some exposure; “Got a little buzz, now you giving advice”. He didn’t name any names but “Maradona+Wo” is sure to generate some buzz for his forthcoming album, Nouveau Niveau.

Listen to “Maradona+Wo” freestyle below.


Featured image credit: Instagram/boogeythat

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Watch Waje and Yemi Alade’s video for “I’m Available”

Shot and directed by the super talented Ovie Etseyatse, in this video for “I’m Available”, Waje and Yemi Alade are friends caught up in their thoughts while a little green with envy at a Bridal shower. The two women are ready to find a version of the love the Bride has found. The constant show of their bare ring fingers isn’t so subtle as they sing about their availability. You can’t but love an aptly plotted music video, especially when it compliments a relatable track in this season of love.

Watch Waje and Yemi Alade’s “I’m Available” here;


Featured Image Credit: Instagram/officialwaje

Mariam is not a cat person. Tweet at her @MA_Y_M

Watch this fun music video for Yung L’s “Pressure”

Yung L has released a video for “Pressure”, the 7th song on his 2017 debut album Better Late Than Never (BLTN)“. The video begins with Yung L at his job in a coffee shop when his love interest walks in to buy a cup of coffee. The two leave a few seconds apart, exchanging glances through the shop window. And through the video, we see Yung L dancing in the street with his love interest performing the song the entire time.

Watch Yung L’s “Pressure” here:

Featured Image Credit: YouTube/YungL


“Tomiwa is figuring it out…” Tweet at her @Tomiiwaa_i


Check out Yung L’s “Better late than never” album

Simi is in her romantic element in “One Kain” music video

Off Simi’s Simisola album debut, “One Kain” tells a story as old as time: best friends confused about romantic feelings. It’s a tough one dealing with unrequited love and the fear that your best friend is secretly carrying a crush and even Simi in all her lovey dovey elements can’t seem to make heads or tails of it; “It’s Making Me Feel One Kain/ Tell Me Why”.

https://www.instagram.com/p/Besfz2ZnE0f/?hl=en&taken-by=symplysimi

“One Kain” captures the emotionally challenging phase everyone who hopes to date their best friend has to go through. Aje Films directs the video showing Simi play herself in love with an attractive co-worker who seems to also be her best friend. The sentiment of troubled-romance heard on the song is brought to life in the video as their relationship goes from smooth to stormy when both start to spend time with other partners.

The video ends on a bit of a cliffhanger, reestablishing that the odds of sustaining a platonic relationship with someone we have a certain kind of attraction to, is entirely speculative.

Watch the video below.

Featured Image Credits: YouTube/X3M Music

Eva Alordiah is caught between her lover and a side-piece on “Secret Lover”

Following a short break after her first album, Eva Alordiah resurfaced in 2017 with a wave of activities; She released a song and a music video early in the year, performed at live concerts and a promised compilation project that fans still wait on till date. Eva has shown no signs of slowing down as she began the year with J20 produced “Secret lover”. She has followed the audio release with visuals, and like most of her music videos,  “Secret Lover” conveys the crux of Eva’s lyrics.

As the name suggests, “Secret Lover” is about Eva cheating on someone. Recognizing her wrong, she’d like to keep it on the low singing “Please don’t tell anybody what we do, keep it on the low”. Over drum-heavy instrumentals, she battles with indecision, not wanting to ruin her relationship with her boyfriend but can’t seem to find the courage to end the secret relationship because her lover has her “Head Wound Up”.

You can watch the video for “Secret Lover” below.

Featured Image Credits: Instagram/evaxalordiah


“Tomiwa is figuring it out…” Tweet at her @Tomiiwaa_i


Listen to eva address herself on “To Self”

DMW in-house producer, Fresh VDM releases debut project, ‘Very Disturbing Music’

Producer projects can take many complex or basic forms and span a wide variety of different styles from producer to producer. While some go for conceptual releases showing off their singing abilities like Krizbeatz did on Afro Dance Music, others release instrumentals from specific albums or as Fresh VDM is doing on Very Disturbing Music, a collection of used beat that highlights his craft and gives a sonic behind the scene feel to some Afropop classics such as Davido’s “FIA” and 5 other tracks you’ve probably heard on radio or at the club.

Fresh VDM’s star-studded catalogue cuts across material top-billed acts like Davido, Olamide, Burna Boy, Mr Eazi, Ycee, Mayorkun, among others, have released. Fresh’s moody compositions with upbeat drums that suits Afropop’s dance-driven pseudo-romantic aesthetic perfectly seem to be the focus of the project.

From opening track, “Love You Tire” featuring Mayorkun and Mr Eazi to the last track, DMW’s latest release, “Mind”, Fresh VDM’s sonic range takes frontal stage and though it’s not the most distinct sound, the lingering sense of elation is communicated even when the vocals are taken away and all that’s left are the layers of somber and electronic haze.

You can stream Fresh VDM’s Very Disturbing Music below.

https://soundcloud.com/fresh_vdm/sets/this-is-vdm/s-1NaV3

Featured Image Credits: Instagram/fresh_vdm


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Davido shoutout Fresh VDM on DMW’s sweetly romantic new single, “Mind”

Kiss Daniel is done looking for love on “4Dayz”

With everything wrong with the music industry on display when Kiss Daniel parted ways with former label and floated his Flyboy I.N.C  label, his new single, “4Dayz” is a shinning example of everything right with it. Afropop has always delivered the entertainment required to make tough times bearable and keep listeners focused on the positive. Kiss Daniel and “4Dayz” producer,  Runtinz collaborate to capture the most positive feeling known to man: love.

https://www.instagram.com/p/BerwgnWj3i3/?hl=en&taken-by=iamkissdaniel

Over the upbeat drums, rattling riffs, piano percussion, sweeping synths and guitar harmonies that usually define his compositions, Kiss Daniel confesses that he’s done searching for love. Promising “Girl, I Am Loving You For Days/ Igba Die Lo Ku”, it’s an invitation to drop everything else and run where lovers go to be alone. But given that the catchy beat will undoubtedly get a lot of airplay on radio and at clubs, it’s also an invitation to have another dance while the DJ spins a song for lovebirds.

Releasing “4Dayz” at this time of year might come off a bit too mushy, but with the live band cliches, (rattling samples, highlife piano percussion and guitar harmonies) we are willing to wager weddings will keep this song in rotation longer than this Valentine’s season.

You can listen to Kiss Daniel’s “4Dayz” below.

https://soundcloud.com/afro-songs/kiss-daniel-4dayz

Featured Image Credits: Instagram/iamkissdaniel


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Listen to “No Do”, Kiss Daniel’s Flyboy I.N.C debut

DMW squad head to the arcade for “Mind” video

The DMW squad may not have the unapologetic inauthentic sexy look boy bands of early 2000’s had or the fan fair that comes with that, but with their growing catalog of catchy pop tunes, they seem to be the most harmonious of all the musical outfits. Following the release of “Prayer” featuring Davido and Mayorkun, “Mind” is the latest release from the group. And this time, they are joined by Dremo and new signing, Peruzzi.

https://www.instagram.com/p/BelnI-LH2lU/?taken-by=dmw_hq

The group gets together for a pseudo-romantic number backed by production from Fresh VDM. Over the piano-led beat with crashing synths, electronic guitar riffs and upbeat drums, they sing of an attraction so intense, it’s confusing. Admitting that they “Don’t Even Mind Loving”, along with their overlapping vocals, DMW’s “Mind” revives a left-for-dead genre of pop music by collaborating for a sweetly innocent ballad. Director Q directs the video showing the harmony in the group as they enjoy a night out at an arcade playing games, having some drinks and relishing each other’s company.

You can watch the video for DMW’s “Mind” below.

Featured Image Credits: Instagram/dmw_hq


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch the video for “Prayer” featuring Davido and Mayorkun

Street-hop smash, “Shepeteri” by Idowest and Slimcase gets a befitting video

The unfiltered honesty in street music has always found its audience, but lately, they’ve gotten agonisingly good. So good that the audience is growing exponentially mainstream. The latest hit on the street threatening to cross into the mainstream is Idowest’s “Shepeteri” featuring Slimcase.

https://www.instagram.com/p/BenwAVQAlY3/?taken-by=officialidowest

Clubbing and talent work together to create “Shepeteri” as both artists describe the eye-glazing mundane dancefloor small-talk. Over the ambient house beat produced with tumbling drums, and synth percussion, they employ blunt lines that are meant to be charming, “Je Kin Fofofo/ Omode Yi Jojo(Let me hit, Girl please).” Basically, the sort of things you’ll probably find yourself uttering a few drinks deep in a darkened room, attempting to quickly end a conversation with hopes of getting lucky.

You can watch the video below.

Featured Image Credits: YouTube/DMW HQ


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Watch Koker head to the street for “Okay” video

Listen to OSA’s new trap single “Hopes Up”

OSA’s “Hopes Up” has all the characteristics of a party ready trap anthem; haunting piano harmonies, synth hi-hats, twitchy drum riffs, ad-libs and bass drops that capture the listeners’ attention throughout the track. It’s a predictable enough formula, but if it ain’t broken, don’t fix it. The song opens with a melodic synth-piano pattern that encompasses the song’s main tone and reappears by itself at intervals throughout the song. Osa sing-raps lines about navigating through life “Being Broke” but “Doing The Most” and “Hitting It Then (Going) Ghost”.

Listen to OSA’s “Hopes UP” here:

Featured Image Credit: Instagram/osanorth


“Tomiwa is figuring it out…” Tweet at her @Tomiiwaa_i


ICYMI: Listen to Terry Apala’s cover of ed sheeran’s shape of you

Sheldon The Turn Up has a new dance bop, “Distin”

DJ’s recognise, probably more than most that Afropop and pretty much any dance driven genre relies very little on lyrics. Some even go as far as choping and screwing the song, a groovy baseline will always get a people happy and dancing. Based on this fact, a lot of disk jockeys around the world have created party ready bops concentrating more on creating the perfect sound than telling a sort of moving story. Ghanian DJ, Sheldon The Turn Up is no different. His debut, “That Ting” featuring Kuami Eugene displayed his understanding of how to create a radio-ready jam and he recreates that on “Distin”, this time joined by Ms Vee and N.O.B.

“Distin” begins with synth-piano harmonies before drum-riffs are introduced a few seconds in. The beat sets the groovy tone for the song even before the singing starts. Playing his role as a disk jockey, DJ Sheldon recommends that we “Get Ready For The Turn Up”  before taking the first verse and the chorus singing “I drop the distin o, do you wanna party, Then You Better Listen.

 


“Tomiwa is figuring it out…” Tweet at her @Tomiiwaa_i


ICYMI: Listen to J Hus vibe out on “Did You See”

Biddysings may have beat us to escaping reality with”E.T”

Biddysings’ first single of the year, “E.T”, is an ode to a lover. But it’s not the type of love mere mortals share, their focus is an extraterrestrial love; “on a spaceship we ‘gon find extraterrestrial love”. Their spaceship could be a metaphor for anything from drugs to the bed sheets, but what’s clear is the palpable desire heard in his soulful melodies and synth-based instrumentals.

Over the four minutes playtime for “E.T”, Biddysings sings of his outer-worldly affections. The mix of bass sounds, synth pianos percussion and ambient sounds that Jasper produces for the song heightens the sci-fi theme of “E.T”. And despite the Biddy’s 90’s-esque soul melodies, the upbeat harmonies and synth percussion almost sound futuristic.

Listen to “E.T” here;

https://soundcloud.com/biddysings/e_t

 


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ICYMI: Listen to 2Face’s new dance number, “Amplifier”

BrisB’s “Stop Smashing The Same Broads, Bro” is pushing the boundaries of problematic

For the umpteenth time you guys, a woman’s self respect is not tied to her vagina. Wanting the same political, social, and economic opportunities as men and looking to not be denied opportunities or discriminated against for the absence one extra appendage does not come with a chastity belt all feminists must be made to wear. But if BrisB had his way, women who have had more than one sex partner have no business demanding the equality feminists seek.

It’s not so much that he’s shaming the idea of feminism, it’s that somewhere in his misogynistic hip-hop universe, he assumes that women that don’t fit into his idea of ‘purity’ trivialize the feminist movement. His latest release, a freestyle titled, “Stop Smashing The Same Broads, Bro” attempts to debunk Hip-hop’s ‘crew love’ myth but he may have gotten too carried away.

Seconds into “Stop Smashing The Same Broads, Bro”, it goes from champagne showers to golden showers when he starts to rap;

  ” Miss independent but you depending on me for commitment. Now she tweet that say she be feminist, she reminisce her hustle bumping on some reminisce, kind of be smoking and driving what her daddy bought her, not by blood relation, just by some relation”

Yes, BrisB, she can tweet about being feminist whilst smoking in the whip her ‘daddy’ got her. She can be feminist and be a “sugar baby”, if that’s what she wants. There is no spectrum of feminist worth centered on women using sexual capital for benefit or not.

Of course rap is frequently sexist (most pop songs are) but the rest of the song isn’t even good enough to blindside anyone from the ugly lines and cringe-worthy ideas.

Listen to BrisB’s new single here;

https://soundcloud.com/brisb_los/brisb-stop-smashing-the-same-broads-bro-freestyle-proddoozybeatz

 


Mariam is not a cat person. Tweet at her @MA_Y_M

Essentials: Bella Alubo and YCee get in their feels for ‘Late Night Vibrations’ EP

Bella Alubo and YCEE aren’t the power couple we deserve—or the ones we want even—but after listening to their electric combination on “Radio”, we wondered about the potential for both rappers to embrace their pop sides, working different conventions of that neo-R&B style. No need to look too far though, as Bella and YCEE have reunited for a new project, Late Night Vibration, and this time, they flaunt their vulnerability through the romantic 6 track offering.

https://www.instagram.com/p/BeLaWIhlNI0/?hl=en&taken-by=bellaalubo

Opening track, “Wetin”, is a mellow number where Bella sings “I’ve Been Wondering If I Ever Cross Your Mind” while YCee’s sings “I’m Sorry I’ve Been Making You Wait”, both seemingly mirroring two sides of the love scale. YCEE however, takes a more involved role on “Empathy”, opening the track singing “Act Like You Know What A Man Going through”. He flexes his singing range interpolating Kanye’s 2008 classic, “Heartless”. Bella assists with a reverb asking “Why You Gotta Do Me Like That”. Her verse gives more perspective to their somber crooning as she calls out a ‘Nice Guy’ who doesn’t pay her as much attention as she deserves for all her work.

By “Tropical Fruit Juice”, the third track on the Late Night Vibration EP, both finally ease off more serious love conversations for a more laid-back feel highlighted by ambient synths and soft drums even before the lyrics say anything on the issue; “I’m So Faded/ Oh Lord I’m Faded”. Though things get more preppy on “All Night”, the laid-back theme continues as YCEE and Bella sing in subdued vocals.

We don’t get to hear either artist getting on their rap behaviors to spit punchlines through the EP, but on “Be There”, they bring out their lyrics books for some clever wordplay as they pledge their affections for their lovers hoping that “Bad As E Bad (They) Go Talk Things Out”. Their back and forth feels like a conversation with YCee apologizing for being unavailable and Bella promising to be understanding.

Late Night Vibrations succeeds most at being the perfect pre-Valentine blues for everyone who has been working on their relationship against all odds for a minute. You hear some of this resignment to the fate of things and letting sleeping dogs lie on the last track, “Tonight”, where both singers promise to enjoy the better moments while it lasts; “Nothing Last For Every, I Know/ But It Ain’t Gon Be Tonight”.

Naturally, the scepticism that trails label compilation projects has followed Tinny Entertainment since the label has hinted at a collaboration tape from the Tinny Mafia group. But given YCEE and Bella Alubo’s core theme dedication through Late Night Vibrations, it would be interesting to see how the stories and ideas unfold when more characters are put into play.

You can stream Late Night Vibration below.

Featured Image Credits: Instagram/bellaalubo


You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu


ICYMI: Slow wine to Burna Boy and J Hus’ “Sekkle Down”

Watch Larry Gaaga’s “Doe”, featuring Davido

Larry Gaaga debuted with “Sho ja” featuring Wande Coal but only attained mainstream fame after he was said to have inspired Tu Face’s recent radio jam “Gaga Shuffle”. It’s still unclear in what capacity he contributes to making the song, but he already has another potential jam on his hands with Davido’s feature on his new single, “Doe”. Davido continues in his emotive topic about materialistic love heard on “FIA”, he sounds less emotional. Over the beat mostly dominated by his vocals and ad-libs from Larry Gaaga, Davido tells a tale of a woman who will only “Whine For The Doe”

Watch Larry Gaaga’s “Doe” featuring Davido here:

https://www.youtube.com/watch?time_continue=253&v=z-ngDUlekTE

Featured Image Credit: YouTube/LarryGaaga


“Tomiwa is figuring it out…” Tweet at her @Tomiiwaa_i


ICYMI: Listen to Davido sprinkle Afropop glitz over LaSauce’s “Shine”

Listen to Terry Tha Rapman’s confessional new single, “Open Letter” featuring Lady Donli

Terry Tha Rapman has started the new year with the release of is new 17 track and 4 bonus tracks mixtape ‘Life of Joe Spazm’. The tape features artists including Simi, AT, Lady Donli, Phero, Enigma, Payper, amongst others.

It’s no coincidence that the tape shares a name similar to his debut mixtape “Joe Spazm” which he released 9 years ago. ‘Life of Joe Spazm’ is a follow up to the nine-year-old tape, which is further emphasized on “Open Letter” (featuring Lady Donli), where he hints at the possibility of the return of the Terry his oldest fans would be familiar with 

“Open Letter” begins with Lady Donli singing “This Is An Open Letter To You”, letting us understand that the message of the song is open-ended in itself and may not necessarily require a response. 

This track borrows the two-act concept that brings Eminem’s “Stan” to mind. Terry appears to be reading a letter from a former admirer who is disappointed in his surrender to industry pressure. The fan accuses him of giving up his conscious rapping for mainstream hip-hop and more conventional music, he asks Terry what happened to the rap legend who sold out an arena in Singapore. 

On the last verse of “Open Letter”, Terry raps as himself responding to the admirer’s concerns. He reveals in his lyrics that this was a blogpost that doubled as an open letter to him. In his reply, he lets the fan know that he understands and agrees with his sentiment, and promises that his new mixtape (Life of Joe Spazm) will be the Terry old fans remember.

Stream “Open Letter” off TerryThaRapman’s Life Of Joe Spazm via Apple Music below

https://tools.applemusic.com/en-us/details/1340238890?country=us&media=all&term=terrytharapman&type=album

 


“Tomiwa is figuring it out…” Tweet at her @Tomiiwaa_i


Essentials: Lady Donli debuts with ‘Letters To Her’, a story of the love that could have been

“One Corner” gets an official video and it’s just as ridiculous as you think

The “One Corner” flu was airborne a few months ago. Everyone (and we mean everyone) was humping along to the music sang in an indigenous Ghanaian language filtered through a 90’s street-hop inspired beat complete with terrible auto-tune and pacy drums. The song was bad even before it became unavoidable, seemingly playing from all corners.

Just when we thought we could finally get it out of our system, the singer, Patapass has released an official video but fortunately, it’s as bad as you thought it’ll be. The video for “One Corner” is just a compilation of clips of people doing the “One Corner” dance you’ve probably already seen more times than you hope. There’s no narrative to follow, just people giving the beautiful art of twerking a bad name.

Even though the video does show off a nice view of the Atlantic ocean from Ghana, the video is mostly low-budget and Patapaas’ claim that no money was made off the viral song might explain why that is.

Watch Patapaa’s “One Corner” video below.


Mariam is not a cat person. Tweet at her @MA_Y_M


Essentials: Blue is the warmest colour of Maleek Berry’s “First Daze of Winter” EP 

Del’B’s Video, “Boogie down” shows all the best things about house parties

Producer Del’B established himself as a recording artist last year with two singles, “Boss Like This” and “Boogie Down”. This year, he continues in that path with the release of a video for “Boogie down”

Directed by Adasa Cookey, the video emphasises the song’s feel-good, dance-inclined Afropop theme with a house party and models. Del’B performs “Boogie Down” at a cookout on a bright sunny day where barbecue grills and swimsuit wearing models are shown to convey the festive motif of the song. Though some people are seen just sitting around, other scenes show people playing video games, board games and dancing to the music Del’B produced himself. The party goes on till nightfall but the energy never subsides.

Watch “Boogie down” below.

Featured Image Credit: YouTube/DelBVevo


“Tomiwa is figuring it out…” Tweet at her @Tomiiwaa_i


ICYMI: Listen to Davido sprinkle Afropop glitz over LaSauce’s “Shine”

Di’ja and Tiwa savage own their thirst on “The Way You Are” video

Aren’t sorority sisters the cutest things? Last year, the Mavin Queens, Tiwa Savage and Di’ja made a song together for the former’s Aphrodija EP. The video for their “The Way You Are” track is finally out and with it, they make a confident statement on sexual freedom for women.

We don’t often get women who can confidently flaunt their freedom to feel and express attraction around these parts. This has created a misconception that we don’t show sexual urges and that in turn has resulted in unwanted soliciting because somebody thinks we can’t admit attraction. The lyrics and now the video for “The Way You Are” shows that Di’ja and Tiwa have full autonomy of their attractions and aren’t too shy to act on it.

Paul Gambit directs the video for “The Way You Are” playing to the strengths and sexuality of both Di’ja and Tiwa. There are also shots of girls evidently flirting making for a refreshingly enjoyable watch.

Watch “The Way You Are” here;

Featured Image Credit: Instagram/mavinrecords


Mariam is not a cat person. Tweet at her @MA_Y_M


Tiwa Savage and the curse of the groupie effect

Dorcas Shola Fapson vs Taxify: Why we need to have uncomfortable conversations about gender politics

Fairness can be achieved in one of two ways: Equity and Equality. Although both seem to have the same goal, they are different in practice. Equality requires us to blur the lines of our differences while equity requires that differences are acknowledged, and we provide everyone with the specific tools they need in order to reach overall fairness. Since even biology doesn’t promote equality, fairness will only be achieved if the privileged are willing to admit the elements that tip the scale. That’s why movements like the #MeToo are important, and why Dorcas Shola Fapson’s Taxify experience needs to be taken as an opportunity to discuss fairness in gender politics.

If you were on social media last week, you may have seen Dorcas Shola Fapson’s video recording of her alleged assault by Taxify driver, Henry Nnaemeka. But here’s a quick summary in case you missed it: Shuga actor, Fapson ordered a Taxify but didn’t have the best ride because she wanted to pay via her card while the drive insisted on cash payment. According to her, despite the disagreement on payment mode, she was subsequently prevented from getting out of his car and driven to a location unknown to her.

Nnaemeka’s story was slightly different though. In his statement, there was no destination on her ride, Fapson refused to alight from his vehicle and he had driven her to an unknown destination (close to his own home) because he was afraid of what she might do. What both parties don’t deny however is that Dorcas was grabbed by the waist and Henry Nnaemka, the Taxify driver was pepper sprayed in the eyes.

Social media’s response to Dorcas’ ordeal is a sharp reminder there are still people on the other side of the fence when it comes to equal rights. A considerable amount of people dismissed her story because they couldn’t figure why a ‘respectable’ woman will have pepper spray on her. But given how unsafe it could be for a woman (or anyone really) out that late, the pepper spray ensures her safety and shouldn’t discredit her virtue or story.

People also argued that ‘if she was in any danger’, she would not have been able to make a video’. These views are problematic for many reasons, but most especially because they discredit the problems with our current gender dynamics and how it has spurred women to learn to create our own safety in a male-dominated world. Even men ought to have these protective measures. Her sin, according to the internet, was to document what she genuinely felt was a dangerous situation so she could have evidence of the potential assault should she get an unfair judge trying to discredit her testament. And given the reactions towards her video, her fear seems justified.

Issues like this where the masses seem to be in the wrong hardly ever get attention from celebrities who have to be careful not to get ostracized. But when the socialites speak up on these things, it creates a possibility of some form of public attention and education. Simi may have had the right ideas when she decided to speak on the matter, but ultimately, her actions were a bit disappointing to say the least. The singer posted a tweet expressing her discontent with people who had criticized Dorcas, but after backlash from fans on twitter, she took down her post. In a sense, she would have been better off saying nothing at all on the matter as detractors will most likely miscontrue Simi’s tweet deletion as an admission her stand on gender politics is also problematic.  She ruined an opportunity to use her popularity as a means of creating a platform for discussion outside of the internet’s echo chambers.

It’s no excuse, but it’s worth acknowledging that Simi’s backlash and her response shows how easily echo chambers and the illusion of confidence they create within themselves often bully people out of their views—whether wrong or right. Of course, there are people within these bubbles that have different views, but fear of being ostracized keeps them from speaking up.

If the people who have taken sides against Sola Fapson were to acknowledge how power dynamics affect the interpretation of situations, they may find that acknowledging his faults and how her fear of the situation was justified doesn’t necessarily translate a biased judgement of the matter. After all, a similar situation with the same sex parties involved would most likely have a different outcome because the sense of the power dynamics would have been equal. And perhaps things wouldn’t have escalated as they did.

In our fight for fairness, a way to move forward would be to pause the unending conversations and have some more uncomfortable ones. It requires that we acknowledge our privilege, and since it is impossible to know all of our daily privileges, it requires that we listen to the people on the other side of the coin and understand how best we can all be decent people moving forward. 

 


“Tomiwa is figuring it out…” Tweet at her @fauxbella


About that problematic line from Kiss Daniels “Yeba”