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Review: Ajebutter22’s ‘Soundtrack To The Good Life’

Review: Ajebutter22’s ‘Soundtrack To The Good Life’

Butter lays out the breezy premise of his third album from the jump—for better and for

Review: ‘Black Panther: Wakanda Forever – Music From and Inspired By’

Review: ‘Black Panther: Wakanda Forever – Music From and Inspired By’

adeptly capturing the movement from grief to

Review: BlaqBonez’ ‘Young Preacher’

Review: BlaqBonez’ ‘Young Preacher’

a 13-song collection of anti-love

Review: Black Sherif’s ‘The Villain I Never Was’

Review: Black Sherif’s ‘The Villain I Never Was’

Black Sherif is unafraid to become the hero of his

Review: Show Dem Camp’s ‘Palmwine Music Vol 3’

Review: Show Dem Camp’s ‘Palmwine Music Vol 3’

Their lyricism cuts open new material and techniques waiting to be

Review: Ckay’s ‘Sad Romance’

Review: Ckay’s ‘Sad Romance’

One of the most impactful troubadours of his generation turns in a befitting

Review: Asake’s ‘Mr Money With The Vibe’

Review: Asake’s ‘Mr Money With The Vibe’

A scorching summation of the singer's hot streak so

Review: M.I Abaga’s ‘The Guy’

Review: M.I Abaga’s ‘The Guy’

M.I’s act of sticking to releasing albums signifies his confidence in his

Review: Omah Lay’s ‘Boy Alone’

Review: Omah Lay’s ‘Boy Alone’

A potential classic made from the sprawling details of youthful

Review: Obongjayar’s ‘Some Nights I Dream Of Doors’

Review: Obongjayar’s ‘Some Nights I Dream Of Doors’

  Obongjayar’s arrival into the music scene wasn’t glossed over. His was a silent but effective entry, taking years to develop his...

Review: Rema’s ‘Rave & Roses’

Review: Rema’s ‘Rave & Roses’

Rema confirms himself as one of the most compelling artists of the

Review: Wurld’s ‘My World with U’

Review: Wurld’s ‘My World with U’

A narrative-based album that sets it apart as the soul singer's most personal work

Review: Asa’s ‘V’

Review: Asa’s ‘V’

one of the most brilliant musical minds of her

Review: Adekunle Gold’s ‘Catch Me If You Can’

Review: Adekunle Gold’s ‘Catch Me If You Can’

Adekunle Gold is standing firm in his convictions, extremely secure of who he is as an artist and a

NATIVE Exclusive: Nissi Ogulu has a lot to say, and you’re going to listen.

NATIVE Exclusive: Nissi Ogulu has a lot to say, and you’re going to listen.

“The best is what you should be aiming for at all times, because that is your capability”

Review: Phyno’s ‘Something to Live for’

Review: Phyno’s ‘Something to Live for’

Phyno continues to surge on with the tenacity of a young

Review: Mayorkun’s “Back In Office”

Review: Mayorkun’s “Back In Office”

Of

NATIVE Exclusive: Cuppy Is Always Getting Better

NATIVE Exclusive: Cuppy Is Always Getting Better

a win for

Review: Odunsi’s ‘rare.’

Review: Odunsi’s ‘rare.’

Afro-Funk

Review: Tems’ ‘If Orange Was A Place’

Review: Tems’ ‘If Orange Was A Place’

Her experimental sophomore

Review: Sarkodie’s ‘No Pressure’

Review: Sarkodie’s ‘No Pressure’

Ghana's foremost rap figure makes an affirming