Over the past few years, UK rap legend, Skepta has made it a personal mission to reconnect with his Nigerian roots – more specifically, his Yoruba roots. In 2018, the man born Joseph Junior Adenuga was ordained “Amuludun of Odo-Aje”, a chieftaincy title conferred upon him in his parents’ hometown in Ogun state. It was a marker of Skepta’s unreserved embrace of a previously unexplored side of his identity.
Beyond imbibing it and bragging about it—“Big chief Skeppy and I answer to no one”—Skepta is finding wholesome ways to project the peculiarities of a culture he clearly appreciates. A few days ago, Skepta launched a limited edition rum bottle in collaboration with one of the world’s leading rum producers, Havana Club. The announcement came with a promotional video that offers some insight into Skepta’s trip to Cuba—where Havana Club operates from—and the profound effect of encountering the outward display of Yoruba culture and vibrant practice of Yoruba religion on the island country.
If the short video feels slightly ephemeral, Skepta leaves a lasting imprint of the trip on the label that graces his Havana Club bottle. The label is a bold representation of Yoruba culture passed through the lens of Santeria, a religion that champions the ideals of Yoruba traditional worship, even though it was formed under the circumstances of the trans-Atlantic slave trade. Santeria, which translates to “worship of the saints”, was synthesised through the syncretism between Yoruba Deities (Orisas) and Catholic Saints, ensuring that Yoruba traditional worship survived through Roman Catholic scrutiny and western feshitisation.
Today, Santeria is thriving on a large scale in island nations like Cuba and Puerto Rico, as well as in countries like Brazil and Mexico. Identifying with Aché—Santeria’s community-based concept of the universal energy behind all things—the label on the Skepta x Havana Club collab is packed with significant imagery, a meticulous design that’s rooted in the connection between Santeria and Yoruba culture. Here, we take a look at the elements that come together to form the striking and deeply symbolic image on the label.
Blue Background
The blue background on the label is designed to look like the texture of the sky. In Yoruba religion, the sky represents the demarcation, as well as the meeting point, between earth and the spiritual realm where the Deities reside.
Cowrie Shells
In addition to their use as apparatus for divination, cowrie shells are found on the statues of Elegua, the deity in charge of roads in Santeria. It is believed that he’s the keeper of the Aché, and the keys to the past, present and future are in his possession. A link of cowrie shells forms the outer boundary on the label, a symbol of Elegua’s overarching presence.
Ewe Oshun
Oshun, the river goddess, is regarded as one of the most powerful deities in traditional Yoruba worship. In Santeria, specifically, she’s regarded as the Orisa in charge of protecting and bringing blessings to the orí (head) of worshippers. Ewe Oshun (Oshun’s leaves) are used in Yoruba rituals, and on the label, they are bunched together within the cowry boundary in the form of a wreath.
Conga drum
Within the bounds of the Ewe Oshun wreath, there’s a multi-layered ring fashioned into the shape of the top of a conga drum, a nod to the percussion instrument’s popularity in Cuban and African music—especially Yoruba folk. The conga drum in this case, also serves as a nod to Skepta’s prowess as a rapper and music producer.
Skepta Head Silhouette
Bordering the Ewe Oshun wreath and Conga drum circle is an oval, with a silhouette of Skepta wearing a traditional cap reserved for chiefs. It’s a clear nod to Chief Skepta’s status as Yoruba royalty, however, for extra detail, the oval’s texture contains horizontal lines inspired by the güiro, a percussion instrument with parallel stripes carved across the surface of hollow gourd.
Thoughtfully stitched together, the label on the Skepta x Havana Club 7 bottle adds a substantial layer of meaning that goes beyond a commercial partnership, tastefully exhibiting Skepta’s connection to his Yoruba roots, as well as Havana Club’s dedication to its immediate Cuban society and other local communities. Skeptarum is being sold behind the counter in UK corner stores, while the bottle is available in other countries through e-commerce platforms.
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the streets of Lagos Island alive with colour, music, and culture. With roots dating back to 1890, the Lagos Fanti Carnival is one of Nigeria’s oldest and most vibrant cultural traditions, celebrating the deep ties between Nigeria and Brazil through a dynamic fusion of Afro-Brazilian heritage and modern creativity.
This year’s edition is supported by the Lagos State Ministry of Tourism, Arts, and Culture, in partnership with Robert Taylor Media and the Brazilian Descendants Association of Lagos. Together, they aim to honour the legacy of the Afro-Brazilian community in Lagos — descendants of formerly enslaved returnees who shaped the city’s culture, religion, and architecture.
The carnival procession will kick off at 12:00 PM, starting from Old Defence Road and will end at the JK Randle Centre, with accreditation beginning at 10:00 AM. Attendees can expect a stunning showcase of traditional costumes, Afro-Brazilian drumming, dance, and performances from local creatives reinterpreting heritage for a new generation.
Whether you’re drawn to the dazzling pageantry, the live performances, or the chance to connect with a rich cultural history, the Fanti Carnival is an unmissable event this Easter.
Tickets are now available, and more information can be found via the official Fanti Carnival website or their social platforms.
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of...
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of its women’s month celebration. The campaign, which looks to extend Vlisco’s rich legacy in African fashion and its ongoing celebration of creativity and cultural storytelling, takes inspiration from Congolese musical icon Fally Ipupa’s latest single, “Mayanga.” The song’s accompanyingmusic video was shot in the Ivory Coast, and seamlessly balances Ipupa’s signature soulful Rumba music with intricate floral motifs and soft, elegant colour palettes that celebrate the strength and individuality that blossoms through community.
In addition to Fally Ipupa, Vlisco also tapped up Ivorian fashion designer Loza Maléombho and Nigerian director Daniel Obasi to contribute to ‘The Garden Of Sisterhood’ campaign. Maléombho’s unique designs and Obasi’s striking storytelling helped contribute to actualising Vlisco’s distinct aesthetic and vision of merging heritage, creativity and fashion.
In a statement discussing the collaboration with Vlisco, the Congolese superstar described it as a beautiful experience. “They understood my vision of working with talented artists and honouring the beautiful women who wear Vlisco fabrics. By creating exclusive designs for me and the remarkable women in the cast, Vlisco really brought our artistic vision to life, harmoniously fusing music and fashion,” he said.
Similarly, Marlou van Engelen, the creative director of Vlisco, expressed that it was an honour working with Fally Ipupa. “His song ‘MAYANGA’ perfectly reflects our admiration for the women who shaped us, inspire us, and mean so much to us. For us, it’s not just about fashion; it’s about the stories told through our beautiful prints. And I believe the best stories are always told together,” she said in a statement.
Rigo Kamp’s Marathon video is an intimate Afro-juju revival that pays homage to Sir Shina Peters and stamps...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and refreshing sound released his self-titled debut EP, delivering a propulsive fusion of Alte, R&B, Funk, and Soul-infused rhythms.
Featuring previously released singles “Morning Sun”and “Summer”, the six-track eponymous EP executively produced by Odunsi The Engine sees Rigo lean heavily into his element as a sonic alchemist, jumping from silky falsettos to gritty grooves without losing an ounce of cohesion, and ultimately stamping the Abuja-born, Lagos-based singer-songwriter as a mad scientist of sound.
Just last November, Apple Music named Rigo Kamp as its Up Next artist, an acknowledgment that underscored his potential and confirmed what the tastemakers and underground scene already knew. Weeks later, he delivered an exhilarating live set for Spotify Fresh Finds in Lagos, proving he’s just as compelling live as he is in the studio.
On “Marathon”,the refreshing opener to the Rigo Kamp EP, Rigo borrows the bounce and swagger of Afro-Juju legend, Sir Shina Peters’ golden-era, fusing nostalgia with re-imagination to birth a vintage performance that feels like a private party for two, where it’s just Rigo, and you.
Get an exclusive first look at the video for Marathon here: