Shortly after its constitution, the Lagos State judicial panel of inquiry was, in addition to receiving testimony from victims of police brutality, saddled with the duty of investigating the events of that gory night and providing a comprehensive report with recommendations. Since the panel began sitting and receiving testimonies, it has faced its fair share of bumps which suggests that the parties allegedly involved have no plans to take responsibility for their actions.
Recently, the Nigerian Army announced that it would no longer face the panel, a resolution that’s unsurprising considering its early unwillingness to testify in the first place. It was also recently announced that the Lekki Concession Company (LCC), in charge of the Lekki tollgate, has been petitioning the panel to take back control of the tollgate, even though it’s been quite uncooperative with the panel’s investigation.
Last weekend, though, upon its fourth petition, the LCC was finally granted the ruling to repossess the tollgate by the Justice Okuwobi-led panel. The panel delivered the ruling after a 5-4 vote in favour of the petition, with Ebun-Olu Adegboruwa (SAN), Patience Udoh, Rinuola Oduola and Temitope Majekodunmi being the four to vote against the petition. Since the decision was made public, many concerned Nigerians have vehemently opposed it on social media, citing the lack of accountability on the part of the Nigerian government, the army, and the LCC itself. On Monday, the hashatag #OccupyLekkiTollgate gained quick popularity on the timeline, signifying plans for a protest at the ground on Saturday, February 13.
How are we so quick to re-open the #Lekkitollgate when justice have not been served to victims and relatives who lost family members during the #lekkimassaccre?
As long as there is no justice for the citizens, the government shall not know peace.#OccupyLekkiTollGate#Justice
According to the LCC, their petition to repossess and eventually reopen operations at the tollgate is aimed at fully assessing the on-site damages, in order to file insurance claims for repairs. For those opposed to this move, the mishandling of the tollgate as a crime scene and the apparent obscuring of evidence should deny the LCC any rights of taking back control anytime soon, even if ever at all. Plans for the February 13 protest have also sparked conversation about the effectiveness of protests, considering the ongoing, unfavourable aftermath of the previous protests, which was effectively ended by the President’s insensitive speech after the Lekki massacre.
Also, there’s a planned counter-protest on the same day at the same ground, tagged Defend Lagos. Yesterday evening, Lagos Commissioner of police, Hakeem Odumosu, met with top ranking officials of the state police, with the planned protests against the panel’s decision being the main agenda. The meeting ended with a resolution to “beef up security”, despite the fact that End SARS protesters were always peaceful, even in the face of chaos and a state-sanctioned massacre.
The story of Nigeria's battle against oppression. Summarised in two hashtags.
Throughout the protests and in the weeks that follow, government officials and its supporters enjoined those protesting against rampant police brutality to follow “due process”, claiming that the federal government had accepted the initial terms laid out, which included the institution of judicial panels. The decision to hand the revive the site of a state-sanctioned massacre only goes to show why the Nigerian youth populace was relentless in those weeks of protests. By choosing capitalism over justice, the impending protests at the Lekki toll gate proves that this generation has its conscience intact, and will keep fighting the good fight by using its voice when necessary.
Dennis is a staff writer at the NATIVE. Let me know your favourite the Cavemen songs @dennisadepeter
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the streets of Lagos Island alive with colour, music, and culture. With roots dating back to 1890, the Lagos Fanti Carnival is one of Nigeria’s oldest and most vibrant cultural traditions, celebrating the deep ties between Nigeria and Brazil through a dynamic fusion of Afro-Brazilian heritage and modern creativity.
This year’s edition is supported by the Lagos State Ministry of Tourism, Arts, and Culture, in partnership with Robert Taylor Media and the Brazilian Descendants Association of Lagos. Together, they aim to honour the legacy of the Afro-Brazilian community in Lagos — descendants of formerly enslaved returnees who shaped the city’s culture, religion, and architecture.
The carnival procession will kick off at 12:00 PM, starting from Old Defence Road and will end at the JK Randle Centre, with accreditation beginning at 10:00 AM. Attendees can expect a stunning showcase of traditional costumes, Afro-Brazilian drumming, dance, and performances from local creatives reinterpreting heritage for a new generation.
Whether you’re drawn to the dazzling pageantry, the live performances, or the chance to connect with a rich cultural history, the Fanti Carnival is an unmissable event this Easter.
Tickets are now available, and more information can be found via the official Fanti Carnival website or their social platforms.
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of...
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of its women’s month celebration. The campaign, which looks to extend Vlisco’s rich legacy in African fashion and its ongoing celebration of creativity and cultural storytelling, takes inspiration from Congolese musical icon Fally Ipupa’s latest single, “Mayanga.” The song’s accompanyingmusic video was shot in the Ivory Coast, and seamlessly balances Ipupa’s signature soulful Rumba music with intricate floral motifs and soft, elegant colour palettes that celebrate the strength and individuality that blossoms through community.
In addition to Fally Ipupa, Vlisco also tapped up Ivorian fashion designer Loza Maléombho and Nigerian director Daniel Obasi to contribute to ‘The Garden Of Sisterhood’ campaign. Maléombho’s unique designs and Obasi’s striking storytelling helped contribute to actualising Vlisco’s distinct aesthetic and vision of merging heritage, creativity and fashion.
In a statement discussing the collaboration with Vlisco, the Congolese superstar described it as a beautiful experience. “They understood my vision of working with talented artists and honouring the beautiful women who wear Vlisco fabrics. By creating exclusive designs for me and the remarkable women in the cast, Vlisco really brought our artistic vision to life, harmoniously fusing music and fashion,” he said.
Similarly, Marlou van Engelen, the creative director of Vlisco, expressed that it was an honour working with Fally Ipupa. “His song ‘MAYANGA’ perfectly reflects our admiration for the women who shaped us, inspire us, and mean so much to us. For us, it’s not just about fashion; it’s about the stories told through our beautiful prints. And I believe the best stories are always told together,” she said in a statement.
Rigo Kamp’s Marathon video is an intimate Afro-juju revival that pays homage to Sir Shina Peters and stamps...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and refreshing sound released his self-titled debut EP, delivering a propulsive fusion of Alte, R&B, Funk, and Soul-infused rhythms.
Featuring previously released singles “Morning Sun”and “Summer”, the six-track eponymous EP executively produced by Odunsi The Engine sees Rigo lean heavily into his element as a sonic alchemist, jumping from silky falsettos to gritty grooves without losing an ounce of cohesion, and ultimately stamping the Abuja-born, Lagos-based singer-songwriter as a mad scientist of sound.
Just last November, Apple Music named Rigo Kamp as its Up Next artist, an acknowledgment that underscored his potential and confirmed what the tastemakers and underground scene already knew. Weeks later, he delivered an exhilarating live set for Spotify Fresh Finds in Lagos, proving he’s just as compelling live as he is in the studio.
On “Marathon”,the refreshing opener to the Rigo Kamp EP, Rigo borrows the bounce and swagger of Afro-Juju legend, Sir Shina Peters’ golden-era, fusing nostalgia with re-imagination to birth a vintage performance that feels like a private party for two, where it’s just Rigo, and you.
Get an exclusive first look at the video for Marathon here: