PatricKxxLee’s edgy trap-hop combines elements of gangster rap’s lyrical pacing with experimental spacey production and of course moodiness inspired by his interest in punk-goth themes. On his Disco Utopia EP, the rapper/producer realized where his bread is buttered and keeps that sound close by for Diary Of An Arsonist, his debut album. Be it increase in confidence or just the growth of trap and EDM on radio, he has found a way to stay true to his sound while also exploring new found sound and lyrical territories.
Of the 18 tracks on Diary Of An Arsonist, only lead single, “Broken Boys Break Toys” released last month features a guest artist. The collaboration with Saint Klaus served as a teaser for an album steeped in pain and emotional confessions that emphasizes Drake’s corniness. PatricKxxLee follows the same rhapsody of strive through most part of the album, offering refuge from the fusillade of showy narratives sweeping through hip-hop. “Inferno Born” sets aside conventional boastful lyrics for a sorrowful moan over a piano heavy baseline but there is an upbeat quality to it as he hoots; “Hell ain’t got nothing on me”. Melodrama is a part of Patrickxlee’s multi-layred charm and though it’s entrenched in personal strife, he conveys his feelings (though sometimes petty) as important as if to mirror the privacy of a diary.
Diary Of An Arsonist is a clever name and it affords PatricKxxLee the opportunity to really get in his feelings about people that complain that he’s always in his feelings. “Hollow Man 2” listens like a response with his sing rap flows over the vibrant electronic baseline and bass drum patterns designed to make heads bop. “Good Girl Gone Bad” does the same, calmly offering “I’ll never think that there’s such a thing as too much love”.
PatricKxxLee’s calling card is his ability to fuse the abrasive and the beautiful without selling either short. “Love Is Rage” builds from marching band drum riffs to more conventional hip-hop drum patterns fused with piano accordion harmonies as he speaks to his addiction to love despite the shame and misery it often brings. He flaunts his vulnerability to endear him to fans who have been through similar struggles, chanting “Lose your life! You ain’t scared to lose your life” on “Lose My Life” that picks up from where Lil Uzi Vert’s “XO Tour Life” left off. The groovy trap beat for “Pocahontas” also offers comfort from PatricKxxLee’s dark narrative with drug infused comfort and his vulnerability to his own self destructive tendencies.
Diaries are incomplete without insecurities showing here and there. “Frenemy Enemy” and “Die Alone” are ambient hip-hop numbers conjuring feelings of uncertainty towards both the known and the unknown.
At its worst, Diary Of An Arsonist is a long listen with over an hour listening time that dampens its replay value. But even at its best, PatricKxxLee’s music requires complete immersion on the murky journey he implores listeners on before it can be appreciated. Nonetheless, Diary Of An Arsonist is a strong debut album for experimental hip-hop. After all, melancholy is nearly impossible to sell for a mass audience in this part of the world, but you only need to hear the pop-infused “SNST BLVD” to realise how wrong that assumption is.
Listen to PatricKxxLee’s Diary Of An Arsonist below.
Street-pop star, Asake, has released a surprise new single titled “BADMAN GANSTA.” Produced by super...
Street-pop star, Asake, has released a surprise new single titled “BADMAN GANSTA.” Produced by super producer, P.Priime, the single, Asake’s second of the year, arrives with a crisp black and white feature and a stellar guest verse from French rapper and singer Tiakola.
The singer posted the full music video–a monochromatic montage of dazzling shots and scenes of his opulent lifestyle–across his different social media handles on Thursday evening, July 24, with a caption that read, ‘The World Of Money.’
Earlier in June, the ex-YBNL star announced a new album titled ‘Money.’ A few months before that, he released a loosie titled “Military” and then “WHY LOVE,” his first official single under his new imprint Giran Republic. “Military” served as a bookend to the first arc of his impressive career as much as an announcement of a new era, while “WHY LOVE” officially kicked off season two.
Following the release of “WHY LOVE,” Asake has also featured on songs like Olamide’s “99,” J Hus’ “Gold”, and Young Jonn’s “Che Che,” delivering standout verses that favour a melodious, laid-back approach as opposed to the spirited, fast-paced style that earned him success early on. “BADMAN GANSTA” also excels with this approach, as Asake’s melodious musings about his current lifestyle dovetail nicely with Tiakola’s equally sturdy verse over a plush beat that samples Amerie’s 2005 classic “1 Thing.”
With Asake releasing three albums in as many years, it’s not unreasonable to assume ‘Money’ might arrivebefore the end of the year. There’s also the possibility that he might be willing to take his time a little more now, seeing as he his under his imprint now.
Whatever the case may be, ‘Money’ is likely to arrive sooner rather than later, and it will be fascinating to see what other aces Asake has up his sleeves.
Ayra Starr has released her highly anticipated single “Hot Body.” The Mavin popstar has been teasing...
Ayra Starr has released her highly anticipated single “Hot Body.”
The Mavin popstar has been teasing the new single for a few weeks now, posting multiple promotional videos across social media that built up significant excitement for her third official release of the year. The release of “Hot Body” comes on the heels of recent reports that confirmed the Grammy-nominated singer had officially joined Roc Nation’s roster, the American music label, entertainment, and sports services company founded by rapper and business mogul JAY-Z.
Earlier in February, Ayra Starr shared “All The Love,” a sumptuous Afropop ballad produced by labelmate Johnny Drille and Teemode, before releasing the sleek and sensual Wizkid-assisted “Gimmie Dat” about months later. In that time period, the singer picked up two awards at the 2025 MOBO Awards for Best African Music Act and Best International Act before also clinching her first BET award for Best International Act in June.
It was recently announced that the pop singer would be joining Coldplay on the UK leg of their Music Of The Spheres World Tour between August to September, and her impressive year continues with the release of “Hot Body.” Once again, teaming up with close collaborator Ragee and UK production duo The Elements, Ayra Starr manages to deliver a sweetly erotic summer jam that’s sure to elicit plenty lip-biting, hip gyrating, and flirty winks. “Look what a hot body can do,” she sings repeatedly, almost like an enchantress performing a magic trick.
With her current deal with Mavin and Universal Music still running and the recent confirmation of her management deal with Roc Nation, it’s safe to assume that “Hot Body” might garner significant momentum both at home and abroad. Outside of her music, the singer recently wrapped up the shooting of the film adaptation of Tomi Adeyemi’s Children of Blood and Bone which is reportedly set for release in early 2027.
Packed with his reflections on faith, love, and cultural pride, ‘Z’ distills ZULO’s thoughts into a...
ZULO is no stranger to reinvention. Formerly known as Lil Trix, the rapper rose through the ranks with a...
ZULO is no stranger to reinvention. Formerly known as Lil Trix, the rapper rose through the ranks with a series of gritty mixtapes that chronicled his upbringing, thrills, and connection to the community. Since his rebrand, he’s steadily grown into a renowned voice in South African Hip-Hop, regarded for his storytelling, cultural homage, and genre fusion.
Three years after the release of ‘Talk To Me Naace,’ his reintroduction to the scene, ZULO has returned with ‘Z,’ a three-track EP that shows a glimpse of his evolution as an artist and human. Packed with his reflections on faith, love, and cultural pride, ‘Z’ distills ZULO’s thoughts into a refined sound that’s bold, emotional, and distinctly South African.
The three-tracker opens with “God’s Armour,” a gospel-inflected protest anthem layered with brass and trap drums. It is followed by “Sweeter Success,” an infectious Afropop-inspired groove built around a nostalgic sample of UPZ’s iconic “Pure Surprise”. Beneath its shine lies a darker message: the emotional cost of ambition, the toll of always pushing for more. ZULO produced the track himself, with additional production from Miglow and SpiceDrums.
‘Z’ closes with “Spaan”, a gritty street anthem that samples Kamazu and confronts addiction, poverty, and the lingering scars of apartheid through the lens of coloured identity. “These songs are battle cries and war journals,” ZULO says. “‘Z’ is everything I’ve fought through to stand where I am. The EP follows a strong run of 2024 singles, including “Adawise,” “JOL,” “Garden,” and “Smaak To Love (Lamza).”