Essentials: Jinmi Abduls’ debut EP, “JOLAG” is the come out party for neo-afropop
A part of the vibrant Afropop scene yet resolutely apart from it
Watered down dancehall music is always big in every soundscape. Something about tapping to the rhythm makes it comforting through periods of confusion, anger, sorrow and outright bliss. Great pop songs can jolt you into emotional and psychological realms only music can reach and this makes it so attractive for new artists trying to gain acclaim in the industry. Jinmi Abdul’s releases have gotten the attention of music blogs with his indigenous aesthetic but his debut project JOLAG shows where his real talent lies.
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The 7 track EP has guest features from Foresythe, Remy Baggins and DMW’s Mayorkun. All three artists are relatively new to the soundscape which gives the EP a coming-out party feel for tomorrow’s Afropop. The lack of A-list features may reduce the impact of such a bold statement but Mayorkun’s DMW co-sign has allowed him cress the soaring height of commercial acclaim, and given the way Mr Eazi emerged from obscurity years ago to releasing smash hits consistently, maybe Jinmi Abdul just needs a bit more time.
JOLAG starts with “Mowadupe” a strong opener with piano samples and traditional drum riffs typical of Nigerian gospel songs. It mixes the nostalgia of Paul Play Dairo’s “Mo Wa Dupe” with alternative melodies to show off his sampling proficiency, an essential skill for all aspiring Afropop artist if Davido’s “If” is anything to go by. Jinmi Abdul is only 19 but that doesn’t stop him from addressing the bad decisions that can come out of being in love on “Linda Highlife”.
“Prada” is an instant favorite from the EP though like every other single off Jinmi Abdul’s collection, it stubbornly sticks to traditional drums. But the synth piano harmonies hint at an Afro-EDM fusion on the love song. Remy Baggins’ production and feature on “Slowly” is also enjoyable as they combine to deliver a Caribbean dancehall number with Remy Baggins’ best Rasta flow impression and Jinmi Abdul’s melodies reminiscent of Justin Bieber’s on Major Lazer’s “Cold Water”.
Mayorkun features on “Scum”, a music equivalent of how men react to misogynist accusations. The dance number makes light of the shortcomings of men and their inability to stay loyal. Both artists promise they are the exception to the rule and in a playful turn of events manages to conclude that everything—including Lagos—is scum.
Jinmi Abdul leans heavily on traditional drum samples as homage to his high-life influence but the sound works better as effect than eccentricity. Though we’ve seen Adekunle Gold soar to commercial success with a similar rhthym, it’s hard to imagine the industry can accommodate another Adekunle Gold.
Listen to Jinmi Abdul’s JOLAG EP below.
Featured Image Credits: Instagram/jinmiabduls
Jinmi Abdul talks to Native on his music influences and more
Asake Links With Tiakola On Gritty “BADMAN GANSTA”
Another step towards ‘Money,’ his fourth
Street-pop star, Asake, has released a surprise new single titled “BADMAN GANSTA.” Produced by super producer, P.Priime, the single, Asake’s second of the year, arrives with a crisp black and white feature and a stellar guest verse from French rapper and singer Tiakola.
The singer posted the full music video–a monochromatic montage of dazzling shots and scenes of his opulent lifestyle–across his different social media handles on Thursday evening, July 24, with a caption that read, ‘The World Of Money.’
Earlier in June, the ex-YBNL star announced a new album titled ‘Money.’ A few months before that, he released a loosie titled “Military” and then “WHY LOVE,” his first official single under his new imprint Giran Republic. “Military” served as a bookend to the first arc of his impressive career as much as an announcement of a new era, while “WHY LOVE” officially kicked off season two.
Following the release of “WHY LOVE,” Asake has also featured on songs like Olamide’s “99,” J Hus’ “Gold”, and Young Jonn’s “Che Che,” delivering standout verses that favour a melodious, laid-back approach as opposed to the spirited, fast-paced style that earned him success early on. “BADMAN GANSTA” also excels with this approach, as Asake’s melodious musings about his current lifestyle dovetail nicely with Tiakola’s equally sturdy verse over a plush beat that samples Amerie’s 2005 classic “1 Thing.”
With Asake releasing three albums in as many years, it’s not unreasonable to assume ‘Money’ might arrive before the end of the year. There’s also the possibility that he might be willing to take his time a little more now, seeing as he his under his imprint now.
Whatever the case may be, ‘Money’ is likely to arrive sooner rather than later, and it will be fascinating to see what other aces Asake has up his sleeves.
Listen to “BADMAN GANSTA” here.
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Ayra Starr Releases Her Sizzling Anthem, “Hot Body”
An 11th-hour summer anthem for the
Ayra Starr has released her highly anticipated single “Hot Body.”
The Mavin popstar has been teasing the new single for a few weeks now, posting multiple promotional videos across social media that built up significant excitement for her third official release of the year. The release of “Hot Body” comes on the heels of recent reports that confirmed the Grammy-nominated singer had officially joined Roc Nation’s roster, the American music label, entertainment, and sports services company founded by rapper and business mogul JAY-Z.
Earlier in February, Ayra Starr shared “All The Love,” a sumptuous Afropop ballad produced by labelmate Johnny Drille and Teemode, before releasing the sleek and sensual Wizkid-assisted “Gimmie Dat” about months later. In that time period, the singer picked up two awards at the 2025 MOBO Awards for Best African Music Act and Best International Act before also clinching her first BET award for Best International Act in June.
It was recently announced that the pop singer would be joining Coldplay on the UK leg of their Music Of The Spheres World Tour between August to September, and her impressive year continues with the release of “Hot Body.” Once again, teaming up with close collaborator Ragee and UK production duo The Elements, Ayra Starr manages to deliver a sweetly erotic summer jam that’s sure to elicit plenty lip-biting, hip gyrating, and flirty winks. “Look what a hot body can do,” she sings repeatedly, almost like an enchantress performing a magic trick.
With her current deal with Mavin and Universal Music still running and the recent confirmation of her management deal with Roc Nation, it’s safe to assume that “Hot Body” might garner significant momentum both at home and abroad. Outside of her music, the singer recently wrapped up the shooting of the film adaptation of Tomi Adeyemi’s Children of Blood and Bone which is reportedly set for release in early 2027.
Listen to “Hot Body” here.
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Zulo Details His Evolution On New ‘Z’ EP
Packed with his reflections on faith, love, and cultural pride, ‘Z’ distills ZULO’s thoughts into a...
ZULO is no stranger to reinvention. Formerly known as Lil Trix, the rapper rose through the ranks with a series of gritty mixtapes that chronicled his upbringing, thrills, and connection to the community. Since his rebrand, he’s steadily grown into a renowned voice in South African Hip-Hop, regarded for his storytelling, cultural homage, and genre fusion.
Three years after the release of ‘Talk To Me Naace,’ his reintroduction to the scene, ZULO has returned with ‘Z,’ a three-track EP that shows a glimpse of his evolution as an artist and human. Packed with his reflections on faith, love, and cultural pride, ‘Z’ distills ZULO’s thoughts into a refined sound that’s bold, emotional, and distinctly South African.
The three-tracker opens with “God’s Armour,” a gospel-inflected protest anthem layered with brass and trap drums. It is followed by “Sweeter Success,” an infectious Afropop-inspired groove built around a nostalgic sample of UPZ’s iconic “Pure Surprise”. Beneath its shine lies a darker message: the emotional cost of ambition, the toll of always pushing for more. ZULO produced the track himself, with additional production from Miglow and SpiceDrums.
‘Z’ closes with “Spaan”, a gritty street anthem that samples Kamazu and confronts addiction, poverty, and the lingering scars of apartheid through the lens of coloured identity. “These songs are battle cries and war journals,” ZULO says. “‘Z’ is everything I’ve fought through to stand where I am. The EP follows a strong run of 2024 singles, including “Adawise,” “JOL,” “Garden,” and “Smaak To Love (Lamza).”
Listen to ‘Z’ here.
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