Throughout the #ENDSARS protests, the NATIVE will be collecting stories and opinions of Nigerians from all walks of life, from all over the world with the aim to connect our wider community at this trying time. With our new series, ‘For Us By Us’, we will be hearing directly from each other, speaking about the different issues we are all facing and tackling together, in the aim for a better future for ourselves and the next generation.
Written by Anonymous
As I write this, I am terrified, exhausted, shaken, drained and angry. This week has signalled the dawn of a new era in our country. The past week has seen the Nigerian youth rise and say “enough is enough.” The past week has seen us stand up and fight
for our country. I read somewhere today “we are the ones we’ve been waiting for.” And those words have never rung as true as they do right now.
For years, decades even, Nigeria has been on this rollercoaster ride of deterioration and dereliction. Our parents used to tell us stories of a gorgeous black nation, where anyone with a dream, could be a titan. They told us great big stories, one of which, painted a picture of how we built an entire city for an arts festival. They regale tales of how we were held in high esteem all over the world. Brands and companies known the world over flocked here and found a safe haven. People were joyous, money was not
an issue, and life was incredibly forthright with jubilations to come. The most populous black nation on earth. Apparently, we had our own moment.
Scientists and psychologists always say that the human memory is one that should never thoroughly be relied on. Nostalgia provides catharsis in moments of crisis but is a dangerous drug around which to build an existence. They forgot to tell us about the dark days. The dark days that oddly and almost prophetically, coincided with the birth of this generation. For 60 years Nigeria has been taking 10 steps forward and 40 steps back. We have leaders who continue to treat the country like their own personal trust fund. They feel they owe us no communications, no accountability, no transparency. We are beneficiaries of this trust, and very few of us can honestly say we have benefited.
Our currency has been heavily devalued, even without the actual action. Inflation is at an all-time high. Our youth cannot even find jobs to help keep them alive. On top of this, the forces that are supposed to be protecting us, are killing us. For having the audacity to live, to express ourselves, to thrive, to live and love how and who we want. To say that the LBTQ+ community in Nigeria have been unaccounted victims of the same brutality under the Special Anti-Robbery Squad (SARS) is the biggest understatement of the past decade. For years, queer men, women and individuals beyond the binary, have been attacked, raped, extorted, harassed AND murdered because of profiles that the previous generation have taught the nation to attack and hate. For being different. Nobody wants to be ostracized. We didn’t choose this. It chose us.
I would be lying to say that I have experienced the same kind of treatment that a lot of the members of my community face when it comes to police brutality. I however will not try to hide behind any privilege that I may have and say that because it couldn’t happen to me, it would not be an injustice. We have been fighting for the past 6 days. In that time the government has shown no regard for us. They have killed us. Despite the fact that we didn’t bear any arms. There have been no reports of vandalism. Our protests have been peaceful. Yet they have murdered people and illegally detained many others. We have fought for their release. We showed up for each other. No one knows which way this is going to go just yet. It is in equal parts terrifying and exhilarating.
However, we know now more than ever what we want. A lot of us have no idea if we’ll be dead tomorrow. But one thing remains true about our generation. We have proven, time and time again, that there is WAY more that connects us, than there is that divides us. To the ones that have fallen in our quest for a world that should have shown up for them, for as long as we sweat and fight, we are singing your names to the heavens. We remember you. May your journey on the other side be peaceful. We will continue to fight to ENSURE that we thrive in a world that we did not make.
Featured Image Credits: Instagram/the_amarion
Please share any useful information about #ENDSARS protests @nativemag
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the streets of Lagos Island alive with colour, music, and culture. With roots dating back to 1890, the Lagos Fanti Carnival is one of Nigeria’s oldest and most vibrant cultural traditions, celebrating the deep ties between Nigeria and Brazil through a dynamic fusion of Afro-Brazilian heritage and modern creativity.
This year’s edition is supported by the Lagos State Ministry of Tourism, Arts, and Culture, in partnership with Robert Taylor Media and the Brazilian Descendants Association of Lagos. Together, they aim to honour the legacy of the Afro-Brazilian community in Lagos — descendants of formerly enslaved returnees who shaped the city’s culture, religion, and architecture.
The carnival procession will kick off at 12:00 PM, starting from Old Defence Road and will end at the JK Randle Centre, with accreditation beginning at 10:00 AM. Attendees can expect a stunning showcase of traditional costumes, Afro-Brazilian drumming, dance, and performances from local creatives reinterpreting heritage for a new generation.
Whether you’re drawn to the dazzling pageantry, the live performances, or the chance to connect with a rich cultural history, the Fanti Carnival is an unmissable event this Easter.
Tickets are now available, and more information can be found via the official Fanti Carnival website or their social platforms.
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of...
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of its women’s month celebration. The campaign, which looks to extend Vlisco’s rich legacy in African fashion and its ongoing celebration of creativity and cultural storytelling, takes inspiration from Congolese musical icon Fally Ipupa’s latest single, “Mayanga.” The song’s accompanyingmusic video was shot in the Ivory Coast, and seamlessly balances Ipupa’s signature soulful Rumba music with intricate floral motifs and soft, elegant colour palettes that celebrate the strength and individuality that blossoms through community.
In addition to Fally Ipupa, Vlisco also tapped up Ivorian fashion designer Loza Maléombho and Nigerian director Daniel Obasi to contribute to ‘The Garden Of Sisterhood’ campaign. Maléombho’s unique designs and Obasi’s striking storytelling helped contribute to actualising Vlisco’s distinct aesthetic and vision of merging heritage, creativity and fashion.
In a statement discussing the collaboration with Vlisco, the Congolese superstar described it as a beautiful experience. “They understood my vision of working with talented artists and honouring the beautiful women who wear Vlisco fabrics. By creating exclusive designs for me and the remarkable women in the cast, Vlisco really brought our artistic vision to life, harmoniously fusing music and fashion,” he said.
Similarly, Marlou van Engelen, the creative director of Vlisco, expressed that it was an honour working with Fally Ipupa. “His song ‘MAYANGA’ perfectly reflects our admiration for the women who shaped us, inspire us, and mean so much to us. For us, it’s not just about fashion; it’s about the stories told through our beautiful prints. And I believe the best stories are always told together,” she said in a statement.
Rigo Kamp’s Marathon video is an intimate Afro-juju revival that pays homage to Sir Shina Peters and stamps...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and refreshing sound released his self-titled debut EP, delivering a propulsive fusion of Alte, R&B, Funk, and Soul-infused rhythms.
Featuring previously released singles “Morning Sun”and “Summer”, the six-track eponymous EP executively produced by Odunsi The Engine sees Rigo lean heavily into his element as a sonic alchemist, jumping from silky falsettos to gritty grooves without losing an ounce of cohesion, and ultimately stamping the Abuja-born, Lagos-based singer-songwriter as a mad scientist of sound.
Just last November, Apple Music named Rigo Kamp as its Up Next artist, an acknowledgment that underscored his potential and confirmed what the tastemakers and underground scene already knew. Weeks later, he delivered an exhilarating live set for Spotify Fresh Finds in Lagos, proving he’s just as compelling live as he is in the studio.
On “Marathon”,the refreshing opener to the Rigo Kamp EP, Rigo borrows the bounce and swagger of Afro-Juju legend, Sir Shina Peters’ golden-era, fusing nostalgia with re-imagination to birth a vintage performance that feels like a private party for two, where it’s just Rigo, and you.
Get an exclusive first look at the video for Marathon here: