Life in Quarantine is a new bi-weekly column we will be running to give African artists quarantining in different countries from their home country the audience to speak on their current creative processes during the current global pandemic. We take a look into their daily routines and find out how they are fairing being away from their family and friends with no end in sight, yet. To start off the series, we caught up with Enjoy Your Life president, Lady Donli in Canada.
There is no denying that afropop is getting it’s long overdue golden moment, and we’re witnessing a dominant line of new-age at the forefront, taking our music all over the world. The undeniable allure of afropop has lead to many artists from these parts taking on international shows as seen from Santi’s performance at Tyler the Creator’s Camp Flog Gnaw last year to Rema’s string of live shows in the US.
This is what led Lady Donli to North America for a scheduled tour in different states including New York. She was set to fly back from the States to Lagos, but was unable to make it before the government restricted flying and movement, thanks to Miss Rona. Now in Toronto, Lady Donli is trying to take it one day at a time, and is spending most of her days practising the guitar and getting fed up with her male housemates.
Last week, she held an interesting at home concert for her fans, and following that we spoke to the singer about how she’s finding isolation and how she’s coping with the pandemic.
DONLI: I was on a little North American tour, and I was meant to have a show in New York but my show was cancelled because of the pandemic. I had to take a flight back to Toronto and plan my route from there (Toronto is usually my base when I’m in North America). However, at this time flight prices at the time were so steep so it was literally impossible.
Then I just woke up one morning and they were like borders are closing in Nigeria, and Toronto also closed its borders so I was like oh shit! This was all around the end of March, and I couldn’t get a connecting flight because flying from Canada means I have to transit somewhere so I either had to go to London or New York, and it just didn’t make sense to double my risk.
So I had little choice but to stay here and see how everything plays out. Literally my mantra now is just one day at a time, cause my days are all the same now, they all feel the same. There’s nothing else that can be done, like I’m here and I just have to make the most of it. Being away from my family is hard, this would have been a good period to bond cause I’m never at home ever but we’re here so it is what it is.
On how she’s finding it
Donli: I’m with my manager basically so it’s not too bad. But it’s so cold, the weather here sucks and I am tired of being around men – I’m with my manger and his housemate and they’re both men. On the bright side, I have time to practice the guitar and I’m exercising more and just doing things more consistently that I wouldn’t do if I was in Lagos/Abuja.
On what the city’s like in lockdown
DONLI: I mean people still move about here, the lockdown is actually not that strict, but compared to how Toronto usually is, this is a ghost town. Minus essential stores, all other places are still very much closed, you have to line up to enter grocery stores one-at-a-time. No one’s outside really, and the weather is shit as well so that also contributes. It’s not as strict in the Ontario area, but in other provinces there are way more cases so the social distancing requirements there are stricter. I hear from May they might relax the lockdown a bit over here.
On making new music in isolation
DONLI: Okay so basically my laptop crashed, so that has kind of thrown a huge spanner in the works of my creativity. I’m currently trying to get a new one next week, and so I have not really been recording anything. I have been writing a little bit as I’m practising the guitar, but I have kind of paused on actually creating music and I don’t mind cause a break is needed. I wake up, meditate, make breakfast, practice, practice, practice, exercise, shower, and sleep. Like every day I have the same routine.
On her upcoming single, “Wonda Wonda”
Donli: I made “Wonda Wonda” in November of 2019 in Lagos. I was meant to drop it in like February, but like the dates kept getting pushed back by reasons beyond me. I actually wanted to shoot a video, we had even done the treatment and everything was set to be shot in April, which is when I was originally slated to return to Lagos, but obviously that didn’t happen. Right now, there’s so much uncertainty on whether I will ever get to shoot a video or when all this COVID-sh*t will end so yeah I was just like let’s drop it now cause it’s been ready and people want to listen to it.
On when she wants this all to end
DONLI: I really don’t know when all this will end but I am hoping to come back home in like July. There’s barely any flights, and I definitely don’t want to transit in any country with really high numbers cause of the risk. April ended, thank God, and very soon May will as well. I’m just hoping that by June, I can go home but I’m not trying to be too hopeful.
There’s undoubtedly more to come from the talented singer as she looks to solidify herself as one of the...
“Sweetest Time,” Maya Amolo’s latest single, is a soothing, lovesick confessional that mixes intimate,...
“Sweetest Time,” Maya Amolo’s latest single, is a soothing, lovesick confessional that mixes intimate, heartfelt lyricism with wistful production courtesy of Ugandan musician and producer SOULCHYD aka MAUIMØON. Alongside fellow Kenyan singer Ywaya Tajiri, the self-acclaimed sweetest girl delivers a lustrous duet that sees her soft vocals, which perfectly complement Tajiri’s more robust voice, skip and flit across moody synths, intensifying the spotlight on her wholehearted delivery. “I can feel you rushing through my system / Every single day it’s my religion,” she sings passionately halfway into the record. The whole thing sounds like the aural equivalent of a warm blanket; a truly affectionate record that immerses and envelopes its listeners in its warmth. This is the brand of vulnerable, understated R&B music that has been helping Amolo gain significant attention since she debuted in the pandemic year.
Born and raised in Nairobi, Kenya, Amolo always had an affinity for music. The singer and producer, who took on piano and guitar lessons as a child, has previously credited acts like Brandy, Erykah Badu, Prince, and Kenyan musical icon Eric Wainaina as her early influences – and it’s easy to see how Amolo’s style draws from this strong lineage of musicians whose music is equally expansive, soothing and vulnerable. After years experimenting with different styles, recording covers to beats she ripped from YouTube and posting them on her Soundcloud page, Amolo released her debut project ‘Leave Me At The Pregame’ in 2020.
The EP, which quickly soared up the charts in Kenya, served as a brief but emphatic introduction to Amolo’s minimalistic take on R&B. Standouts like the emotive opener “Puddles,” “Lush Green”, and “Jokes” showcase her clever and poignant lyricism that reflects on themes of love, depression, and self-healing. Along with sparse, melancholic production and the icy sensuality of her voice, Amolo delivered a remarkable debut that made her one of the most promising figures in Nairobi’s alternative music scene. Two years after ‘Leave Me At The Pregame,’ the Kenyan rising star released her debut album, ‘Asali.’
‘Asali,’ which translates to “honey” in her native Kiswahili, showcased Amolo’s progression as both an artist and a human being, as she swapped out the sad-girl tunes that filled her debut EP for more vibrant and intricate records – thanks in part to Sir Bastien and Kenyan producer and rapper Lukorito – that explore themes of growth and the complexities and rich luster of love. The album’s lead singles, “Foundry” and the self-produced “Can’t Get Enough,” found relative success on streaming platforms, placing Amolo as one of the continent’s most exciting new R&B voices. About a year after the release of ‘Asali,’ Amolo updated the album with 8 new songs on a deluxe version that featured Kenyan stars like Bensoul, Xenia Manasseh and Zowie Kengocha.
In August 2024, a few months after she delivered a splendid Colors performance, Amolo released a new project titled ‘What a Feeling.’ The 5-track EP, which essentially serves as an ode to Amolo’s home city, Nairobi, sees her experimenting with an array of dance sub-genres without straying too far from her R&B roots. While the project still retains much of the melancholy and elegance that defined her earlier work, there’s a hypnotic and pulsating energy that courses through ‘What A Feeling,’ that highlights a shift in the singer’s sensibilities. Amolo’s honeyed vocals gently seep through subtle Dancehall, Electronic, R&B and House-inspired production and the accompanying visualizer, a mashup of camcorder footage of her and her friends in Nairobi, also adequately captures the charming and nocturnal vibe of the tape.
The project produced standout tracks like the sensual “Let It Flow,” the title track and “Take It,” which later got remixed by Ugandan singer Soundlykbb and rapper SGawD. With Amolo’s latest release, “Sweetest Girl,” the Kenyan rising star continues her intricate exploration of R&B music, merging it with varying styles to produce her own distinct and refreshing variant. There’s no telling what Amolo might do next, but with only a handful of releases to her name so far, there’s undoubtedly more to come from the talented singer as she looks to solidify herself as one of the genre’s most prominent faces across the continent.
Following the success of “Trenches Luv,” the street-pop star is back with seven new songs on the deluxe...
Over the last few years, street-pop, a guttural version of afropop, has surged to mainstream popularity,...
Over the last few years, street-pop, a guttural version of afropop, has surged to mainstream popularity, birthing stars like Asake, Seyi Vibez, and Shallipopi. On the homefront, a generation of younger stars also put unique spins on the sound. Singer, T.I Blaze, has been a notable star in the sub-genre since his 2021 single, “Sometimes,” and a subsequent remix with icon, Olamide, launched him into a different stratosphere.
Since “Sometimes,” Blaze has established his profile as a reliable source for songs that reflect the pulse of the streets while archiving his come-up story across a debut album (‘El Major’) and three extended plays like ‘The Fresh Prince Of Lagos’ and ‘Dangerous Wavy Baby.’ His 2024 EP, ‘Shakur,’ further underscored his evolution as an artist, featuring slippery numbers about escapism, his thoughts on life in the fast lane, and brotherhood with features from rising stars like Tml Vibez and BhadBoi Oml.
In 2025, the singer has picked up where he left off last year, releasing “Trenches Luv,” a balmy February release that examines the dynamics of romance from his point of view as a young adult moulded by the hard realities of life on the street. The success of “Trenches Luv” has led to a deluxe version of ‘Shakur’ with the singer adding seven new songs to the original version of the project. Impressively, on the new version of the project, TI Blaze taps up Ayo Maff and Ghanaian star Arathejay on “My Brother” and “Mario Remix,” respectively.
Led by a galala-inflected opener, “Track 1,” ‘Shakur (Deluxe)’is both raw and complex with the singer sounding refreshed on songs like “My Brother,” “Dodge,” and “Introduction.” In many ways, this project is an invitation for listeners to explore the many facets of T.I Blaze’s artistry as well as a portent to celebrate his roots and offer a glimpse at his evolution.
Rigo Kamp’s Marathon video is an intimate Afro-juju revival that pays homage to Sir Shina Peters and stamps...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and refreshing sound released his self-titled debut EP, delivering a propulsive fusion of Alte, R&B, Funk, and Soul-infused rhythms.
Featuring previously released singles “Morning Sun”and “Summer”, the six-track eponymous EP executively produced by Odunsi The Engine sees Rigo lean heavily into his element as a sonic alchemist, jumping from silky falsettos to gritty grooves without losing an ounce of cohesion, and ultimately stamping the Abuja-born, Lagos-based singer-songwriter as a mad scientist of sound.
Just last November, Apple Music named Rigo Kamp as its Up Next artist, an acknowledgment that underscored his potential and confirmed what the tastemakers and underground scene already knew. Weeks later, he delivered an exhilarating live set for Spotify Fresh Finds in Lagos, proving he’s just as compelling live as he is in the studio.
On “Marathon”,the refreshing opener to the Rigo Kamp EP, Rigo borrows the bounce and swagger of Afro-Juju legend, Sir Shina Peters’ golden-era, fusing nostalgia with re-imagination to birth a vintage performance that feels like a private party for two, where it’s just Rigo, and you.
Get an exclusive first look at the video for Marathon here: