South African singer, King Monada’s #MalwedheDanceChallenge is the latest viral dance challenge in Africa
Here are all the dance steps you need to keep with the trends
Here are all the dance steps you need to keep with the trends
The role Shaku Shaku played in Afropop’s global relevance today and the “In My Feelings” dance challenge will have you convinced 2018 is the year of the viral choreography. But this isn’t the first time dance challenges have helped push a song into the collective consciousness of music consumers. Over the years, through the #MannequinChallenge, #RunningManChallenge and most recently, King Monada’s #MalwedheChallenge have all benefited from the popularity of social media platforms and the widefire-like spread of their contents.
In an age where everyone is vying for views and likes on their posts, a fun jig to a popular song is the perfect recipe. Take King Monada’s “Malwdhe” dance challenge for instance. It started when the South Africa singer’s hit single, which translates to “Illness” in his native Bolobedu dialect, inspired a dance where listeners feign a faint in tune to his “ke na le bolwedhe bao idibala (I have an illness of fainting)” chant. And as you’d expect, the challenge videos have become memes on Twitter.
https://www.youtube.com/watch?v=w17DYQ4JNnM
Though it might still be too soon to say if the viral meme will translate to a massive hit for King Monada, we spent most of last year trying and failing to avoid Patapaa’s similarly ridiculous “One Corner”. If we’re lucky, these viral challenges will reach a saturation point and the internet will move on to the next phenomenon for content. But right now, we live in an era where dance craze are in till another one comes to replace King Monada’s alarming #MalwedheChallenge.
In Nigeria, Shaku Shaku has remained as relevant as it has by being flexible and accommodating other dances. Olamide shined the spotlight on the dance with his #WoChallenge, and added more sauce to the move in his music video for “Motigbana”. Shaku Shaku also incorporates the Zanku dance, which is essentially the same dance with fancier legwork. You can watch this video of the Zanku dance tutorial below and update your Shaku Shaku package.
Featured Image Credits: Instagram/kingmonadamusic
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You are meeting Debola at a strange time in his life. He wandered into a dream and lost his way back. Tweet at him @debola_abimbolu
Togo YEYE is a community we are building for us by
Togo YEYE, a creative duo formed by Lomé-based creative director Malaika Nabillatou and London-based photographer Delali Ayivi, is a conceptual publication that was created to empower and champion Togo’s young fashion creatives. Since its inception in 2021, Togo YEYE has released several personal projects and has also partnered with a number of brands to further its hugely imaginative aesthetic mandate. For their latest collaboration, Togo YEYE teamed up with textile printing company VLISCO to present Blossoming Beauty. Tagged as a love letter to Togo’s creative community, the campaign captures Lomé’s scenic beauty alongside VLISCO’s vibrant prints with the aim of connecting the feminine grace of nature with identity and artistry.
What does Togo YEYE mean?
Malaika Nabilatou: My name is Malaika Nabilatou, I’m the creative director of Togo YEYE. I’m Togolese and I was born and grew up in Lomé. I see myself as a West African creative director and I’m working to be the best in a few years. Togo YEYE means new Togo in Ewe, one of the most popular languages spoken in the South of Togo.
What inspired you to create Togo YEYE?
Malaika Nabilatou: We started this project, my friend Delali and I, 5 years ago. We just wanted to show that Togolese youth are also creative. Togo YEYE is a community we are building for us by us. It wasn’t just a project for Delali and I. It’s become something for the creative scene of Lomé. Lomé is like our studio.
What role does Togolese culture play in your creative process?
Maryline Bolognima: For me, Togolese culture comes first. For example, in the South, there are the people of Anero. If you come, you can go to Anero. In the North, there are the Evals, so if you come to Togo, you’ll learn a lot.
What’s the most exciting part of working as a team on projects like this?
Malaika Nabilatou: I need to tell the truth, we dreamt about this campaign before [it happened]. When VLISCO contacted us, we were like wow. I can’t really explain how thankful we are to VLISCO for trusting us. Because it’s a risk that they took by trusting us, making that campaign here with our team and honestly we are going to keep it in our hearts for the rest of our lives.
Claudia Sodogbe: For me, it is the first big contract of my life that I had with Togo YEYE. I still remember, on the last day of the shoot, I was feeling nostalgic about separating from the teams and the others. It went well in any case, and I’m very grateful to have been on this project.
What has been your proudest moment as part of Togo YEYE?
Malaika Nabilatou: I think the proudest moment I had with this campaign was when I saw the result first on the website. When I saw the story, I was like “wow, we finally made it.”
No matter who you, these parties provide a safe space to let loose without fear of objectification or...
The crowd marches along on the dancefloor, vibrating to a pulse that is both familiar and electrifying. It takes a second to identify Grammy nominee, Rema’s “Ozeba,” pouring out of the speakers and whipping the crowd into a frenzy as it takes on new life as a turbulent EDM track. The crowd growls and screams in approval of the DJ’s remix, yet another banger in a night filled with back-to-back hits. Hands in the air, sweat dripping from glistening bodies, smoke floating around the dancefloor and young people gyrating with reckless abandon, Element House provides the people with the release they deserve and they reward it with an undying loyalty to its rhythm and raves as they keep coming back.
Party culture has taken on new dimensions in Nigeria over the last two decades as a reaction to economic, social and cultural progressions. This evolution of the way we party is significant considering that Nigeria is a society that lays heavy emphasis on certain accepted standards of moral behavior, rooted in culture and tradition. But that has never once stopped a good time from happening. Millennials and older gen-z will remember the street parties and carnivals of old, usually held at the end of summer holidays or in December, where music by TuFace, Mo’Hits, Akon, Shakira, Lady Gaga and 50 Cent were the staple, among others. There were certain songs automatically expected from any DJ worth his salt otherwise it was not too far-fetched to see a DJ, with his equipment on his head, fleeing for his safety while being chased by an irate mob of partygoers.
The more things change, the more they stay the same. These carnivals and street parties might have been phased out but the idea remains the same while the power and influence of communities powering party culture in Lagos and Nigeria at large has only gotten stronger, especially with the advent of social media. The Block Party series–started in Lagos, Nigeria as the Mainland Block Party–has become the go-to event to celebrate youth culture and foster connections that cut across multiple African cities and walks of life. Today, with curated events in Ibadan, Abuja, Lagos, Accra and others, a community of partygoers is assured maximum enjoyment whenever the Block Party organisers announce an event in their city of the month. The people will always return to where their tastes are catered to, bringing along friends, family and newbies eager to bask in the atmosphere of loud music and togetherness.
In 2012, Warner Bros. Pictures released Project X–a film that follows three friends and high-school students who attempt to gain popularity by throwing a party which ends up escalating out of their control and reaching epic proportions. This idea propagated by Hollywood would go on to influence several house parties thrown in Lagos during the mid to late 2010s. The idea that with the right DJ/music playing at the right venue and with just the right crowd, then immortality was possible–a party so grand that it would be spoken about in glowing terms for years to come until it became lore. Today, house parties are more intimate and controlled, the degrees of separation between attendees reduced by a mutual friend or WhatsApp group they all have in common. From game nights to karaoke sessions to kinky sex parties, whether it’s at Balloons & Cups, a Vogue Boys pool party, or a get-together by the ‘Lagos on a Budget’ IG Community, the role house parties play in the ever evolving party culture is not insignificant, creating a pipeline that feeds into the much larger raves which weekends in Lagos are becoming synonymous with.
Whether it’s Element House today, Mainland House tomorrow, Group Therapy next weekend, WIRED or a host of other house and EDM inspired movements, partygoers are spoiled for choice when it comes to where to indulge their fundamental music tastes in a secure and controlled environment. Nothing is off the menu and a good time is the only badge of honor worth collecting. The increasing popularity of the rave movement in recent years is testament to the fact that it works for both organizers and attendees. The Covid-19 lockdowns changed the way Nigerians party; after months of being isolated from their communities and having to socialize in more intimate and private spaces, it’s no surprise that raves, with their underground nature, became the outlet of choice for several young people as soon as the world opened back up. According to Tonia, a medical doctor and frequent raver living in Lagos, her first few times at parties following the end of the lockdowns were not fun. “I was partying with caution, wearing face masks constantly and carrying hand sanitizer around. It became a much better experience subsequently when everything relaxed and soon enough, I was back enjoying the time of my life at Lagos parties.”
Unburdened from the heavy spending, bottle-popping culture that characterizes Lagos nightlife and cloaked in the embrace of judgment-free anonymity and numbers, raves have become a safe haven for a community of partygoers determined to turn up in the midst of the sheer craziness of living in this day and age. For Michael-Peace, a brand & creative assistant and frequent raver, the appeal goes beyond a need to unwind and the feelings of peace he experiences at raves. “Whether I’m listening to the DJ or just watching the crowd move to the music, it’s a very mindful experience for me,” he says.“I’m grateful to just be there and appreciative of how we can all be one community or family for that period of time.”
The appeal of the rave scene is its inclusivity and it’s a common theme for the new wave of parties exploding in Lagos and environs. No matter who you are or what you stand for, these parties provide a safe space to let loose without fear of objectification or discrimination resulting from socio-economic and political differences, misogyny and other less elegant occurrences which are part of mainstream Nigerian nightlife. This is important to Tonia who, on multiple occasions, has been prevented by bouncers from entering clubs without a male companion. “I’ll always prefer raves, they are much freer and nobody is performing here. There’s no need to show off the number of bottles you bought like there is in a club. Everyone just wants to turn the fuck up and have the time of their lives.”
For five or six hours, the disco lights, turbulent music and fellow ravers provide solace from the outside world. “Dancing the night away” is not merely a suggestion but a divine mandate from the gods of the rave. It is almost impossible to emerge after such an experience and not want to do it again. The music beckons all and sundry to come out, purge yourself of all inhibitions on the dancefloor, then return home and spread the gospel of the electronic music scene to all who might listen. In Michael-Peace’s own words: “There are people I’ve put onto raves and who loved the experience and constantly thank me for introducing them to it. Once you get hooked on it, you’ll never want to let go.”
Party culture in Nigeria continues to evolve as the new wave of parties mark their time and place in history. But the street parties and carnivals of yesteryears are not to be forgotten. The power of community continues to connect the old wave with the new wave, ensuring that actual people remain the focal point of these events, and party goers can enjoy nightlife experiences uniquely tailored to their ever changing wants and needs.
A horror story written by Verem Nwoji Written by The NATIVE – 13.Nov.2024 She was thirteen, and they...
A horror story written by Verem Nwoji
Written by The NATIVE – 13.Nov.2024
She was thirteen, and they were bougainvillaea but she thought they were hibiscus. Because she was thirteen, she didn’t know any better. What she did know was that in the dry season, they went very well with the blondes of the spear grass along the way. “Don’t touch the grass, people pee on them,” she had once been warned by a well-meaning stranger, but she didn’t mind. To her, it was the smallest price she could have been asked to pay for her art.
Her art, was the intricate weaving of bougainvillaea and spear grass and a third item that would often reveal itself eventually. On some days it would be a perfect white feather that would randomly drift down from the sky, on some other days it was the black tape from an old cassette. Most recently they were two plastic straws, one blue and one pink, she would weave them all together into a crown, a crown that she would wear for all of five minutes.
There was this gutter that always flowed with water regardless of the time of the year. A perpetual hotspot for all the chickens and goats, they would come by for a drink of water and a place to sit. The thick moss that clung to its sides kept thousands of resident tadpoles well-fed. She had even seen a little fish once during the rains. It would be at this point that Salome would take off her crown, gently placing it into the gutter just to watch it float away. That was of course until she was scolded by an old woman for throwing rubbish into the gutter and clogging it up. So she decided to just set them by the side of the gutter and keep walking.
Why didn’t she ever take them home? She should have kept them as a prize, a reminder of the beauty she was able to see and make. But no, she would not, because the flowers would surely wilt and be reduced to dust as will all beauty. The only thing that truly lived on was the spirit. That was what her mother believed. Her mother had been named Alice at birth but had since changed her name to Hagar; after the woman who had found rivers in the desert. Her story had been much like hers; counted out and cast aside by the man whom she had built her entire life around. Only to find herself pregnant with Salome.
With a baby and nowhere to go, she’d come to the end of herself but somehow, she had been spared and so had the child. Every moment after that would become a prolonged display of gratitude by the abandonment of all pleasures of the world.
They had no television, one CD player for listening to taped sermons and gospel albums. No smartphones except for the desktop that was powered on every Sunday so Salome could practice her typing. They went to church twice during the weekends and three times during the week. Her mother’s eyes were watchful, so watchful that they became oppressive.
It is said that no fingers are equal but Salome didn’t realise just how short the ones she’d been dealt had been. There were small differences at first, like being the only child in her Primary 1 class who came without a lunch box. As expected, children grow older and learn to compare their lives and by the time she was eleven, she was no stranger to the fact that her school fees were never paid on time or that her mother did not talk or dress like the other mothers at the school and that quite frankly, she terrified them.
Her classmate Stella had once pointed out that she smelt of fish, this could have been because their house doubled as a cold-room. It was all she’d ever known, but she learnt very quickly not to share as freely as she used to. How could she tell anyone that her mother still bathed her every night? Or that the real reason why she wasn’t at school last week was because her mother had been convinced that she was possessed by a demon. Or how that she was only allowed to have the first meal of the day by 6:00 p.m. and another just before midnight because to deny the body was the consecrate the spirit. The one that never wilted.
And so her days were governed by hunger, the kind that swirled like a whirlpool in her stomach all morning and then was reduced to the trickle of surrender by late afternoon. Sluggish, sleepy and unable to concentrate in class, every school day was a limerent blur, a long corridor leading to the next holiday.
Holidays meant time in Mama’s house. Mama was her mother’s mother and the only member of her extended family she was allowed to speak to or spend time with. That was until two years ago when Hagar came to the sudden realisation that just like all her brothers and sisters, Mama was also a witch. But Mama did not seem to be a witch to Salome, she only seemed to believe in a different thing.
She once told her of Tsav – magic, the light and the dark, and the mysterious wonder. She had just finished Primary 5 and was spending what would be her last holiday with Mama. She was sitting on the floor of the veranda, a few pages into Things Fall Apart while Mama sat on a stool, slicing up a yam for pottage.
“Hmm,” she set the book down on the floor, Mama kept slicing.
“This book is something else,” she added, hoping to pique Mama’s interest.
“What happened in it?” Mama asked setting the half-sliced yam down, giving Salome her full attention.
“There was this man that had a swollen stomach, instead of them to try and treat him, they sent him to the forest to die.”
“That’s how it was during our time too, although it was not that bad, there was a hospital but it was very far from my village,” Mama reminisced.
“So what if the person was so sick that he could not walk and did not have anybody to carry him?”
“That did not usually happen, somebody would always help unless he was known as a very bad person, like a thief or a part of mbatsav,”
“What is mbatsav?”
“Those witches and wizards, those wicked people that sit in trees at night and turn into birds.”
“My Social Studies teacher said that those are superstitious beliefs,”
“Then he doesn’t know anything,” Mama’s face grew serious.
“It’s a woman,”
“She doesn’t know anything. This book you are reading…it is this man; I’ve forgotten his name.”
“Chinua Achebe,”
“Yes! Achebe, Igbo man. I don’t know too much about their culture but for us it is different, that swelling of the stomach, for us is usually because of Tsav.”
“So, somebody caused it?”
“No, some people have that witchcraft, that Tsav inside of them, for some it’s in their chest around their heart. Some in their stomach, when they die like that it is because it is finally their turn.”
“How is it their turn?”
“Everything comes with a price, when these people see, it’s not with an ordinary eye, if they say something bad will happen, then it will happen. They are very dangerous.”
“Mama, you’re scaring me,”
“Yes, you should be scared, they look for little children like you to join them. That’s why your mommy is always warning you not to follow people to their houses or eat their food,” so she’d always known that it was wrong. In fact, her grandmother’s words came back to her at that very moment but how could she resist of all things in this world, the whirlpool?
She hadn’t always been an unusual girl; her name was Hadiza but they had once called her Izzy. For their first year of secondary school, she was that small and mild-mannered girl in class that everybody liked – to the secret envy of Salome, an emotion she so often denied. And then one day, with a of snap of the finger that took the passage of several months to actualise, everything changed. She was still the smallest girl in class but she was also intimidating to be around. And while she was still as mild-mannered, there was a lethalness woven into that nature. And so, no one liked her anymore, all her friends grew terrified of her. Terrified in the same way the other mothers were terrified of Hagar.
Everyone said that it was just puberty but to Salome, it was almost as though what lay at the very essence of Hadiza had shifted out of her body and floated away forever. She took no joy in the things she once did. During breaktime, she would go to the far end of the compound sit at the foot of the dogon- yaro tree and watch the vultures swarm in circles or the clouds as they go by. She spoke to no one except for some reason, Salome.
The first time it happened was during Science Class, they were taken out to the school field in search of mimosa pudica. She pointed at a mushroom growing out of a log of half-rotten wood and said, “This one is poisonous,”
“How do you know?” Salome asked, to which she shrugged and walked away. Over the next few weeks, she would drop in with an enigmatic one-liner and each one left Salome with more puzzled than the first.
“Birds are beautiful,” she said once when Salome stood behind her on the assembly line.
“I hate this man so much, he doesn’t know who he’s playing with” she declared after their maths teacher, Mr Sani sent them to kneel outside on the sharp-sand for being the only two people in class who didn’t get his ‘word problem’ questions right.
“The sun is competing with the moon today, but the moon will win,” she was wistful that mid-morning when the white of the moon had still not faded into the blue of the sky.
“He’s not coming back to school on Monday,” she said on the last day Salome or anyone else saw Mr Sani.
On Monday, the Vice-Principal called for an emergency assembly. She looked like she had tried to put powder on her face to conceal her puffy eyes but gave up somewhere along the line.
“Mr Sani, our beloved Mathematics teacher for the junior classes and Physics teacher for the senior classes has gone to be with the Lord,” the words escaped from her lips with a thin shakiness that was foreign to her entire vocal register.
It was pandemonium; starting with gasps, then murmurs filled with disbelief. Soon, several hands were placed on heads and it was not long before the tears came. And those tears quickly turned to wails, not because Mr Sani was the most beloved of staff or the most pleasant person to be around but because for so many of the children who stood in the sun that morning – although not strangers to the concept of death, it was the first time anyone they knew so closely had died. But Hadiza was not surprised, not even by the slightest and Salome looked back just in time to see her lips curl into a small smile.
Salome grew terrified of her, if Hadiza was taking the left, she would take the right. On assembly days she would stand at the front of the line so Hadiza would not speak to her. Avoidance was her strong suit; it was how she survived living with her mother, she could make herself small and invisible and passive and agreeable. And she had to, it was either that or running, which was something she wasn’t any good at.
She couldn’t break free and run down the street like other children did when their mothers descended on them with a cane. She couldn’t pack her bags and steal away into the night in search of a new life like her neighbour’s daughter once did, she just wasn’t brave enough. Hagar knew this, that was why she did what she did. That was why on the day she saw Salome speaking with a boy, she pushed her into the bathroom and pulled down her skirt to search her.
“Girls your age, you only think of one thing. How to know men! How to be used by them. You’ve let him spoil you, haven’t you?” her words were drunken with rage.
“No mummy, I’ve not!” Salome could only cry.
“No matter what I do, you’re dirty and full of sin. A waste of God’s mercy!” Hagar said all those things because the girl had nowhere else to go, no one else to turn to – just like her, and so she wanted Salome to feel just as dirty and as hopeless and as full of sin as she did. And after a full week of exorcism from the spirit of Jezebel was completed, Salome’s own spirit was almost as broken.
“Run, run, run!” The P.E. teacher clapped behind the line of girls and off they went. In the heat of the afternoon’s frustration, he’d set eyes on a group of girls sitting in the shade of a cluster of small trees, pleased to not partake in any of the sporting activities. Salome was one of them and probably the most nervous about being rounded up for a race.
To her surprise, she was off to a great start, Half of them were chubby girls who felt too self-conscious to put in as much effort and the other half were popular girls who thought they were much too pretty to be seen wholeheartedly running to win a race. She on the other hand was running just so the race could be over.
She was the first to touch the wall, turn around and head towards the finish line. Halfway through, everything started to blur and blend into each other. The white shirt of the P.E. teacher faded into the greens of the grass, the trees, the blues of the sky and the parked school bus. Her feet grew heavy, the whirlpool was taking over.
“Keep going! Don’t stop,” the P.E. teacher’s voice was adamant even through distortion.
‘I can’t keep going,’ she protested in her head but her body kept moving and she finished the race.
“Good job, you see how exercise is important?” Ignoring her teacher’s praise Salome went to the tree furthest away from where anyone could see her and leaned on it. Certain she was going to throw up, she wretched but nothing came out.
“Salome, are you okay?” A shadow stood over her, it was Hadiza.
“I’m fine,” Salome straightened up and adjusted her uniform afraid to look back at Hadiza.
“You’re always hungry in school but you don’t like to beg people for food,” Hadiza took one step closer, the sound of her shoes treading the fallen leaves were ominous crunches.
“You’ve been avoiding me, I thought we were friends” she added and Salome for the first time, looked back at her. She was holding a steaming hot eggroll gently cupped between her palms. The aroma hit her
nose instantly.
“I’ve not been avoiding you.” Salome’s lie didn’t sound believable, not even to her.
“It’s okay, I’ll still be your friend even if you don’t want to be mine, I bought this eggroll for you to eat.”
She thought of Eve and Esau, both cheated out of inheritances because of food, she knew she should not but she also could not help herself. If she did not have something to eat at that very moment, she felt as though she would die.
And so, she ate of the sugary dough, and the egg white and the sweet yolk.
Her mouth grew bitter on the walk home, her hands shaky as she wove green palm fronds into a wreath. On the dirt road, she saw the shadow of a bird hovering above her but whenever she looked up she only saw a perfect blue sky.
“Go away from here!” the old woman screamed as she set her wreath down by the edge of the gutter.
“And carry all that rubbish away with you, foolish girl, don’t you know your age?” the old woman kept going.
“You’re dirtying the whole neighbourhood, as big as you are what is wrong with you”
“Stop shouting at me!” Salome screamed back much to the surprise of the old woman.
“So you talk back to elders? Who is your mother? She must hear about this!” Salome was too out of it to feel immediate concern, she just walked away instead secretly wishing that if the old woman found out who her mother was, she would not be able to say a word about it to her.
But the bird never left her, its shadow followed her until she was inside the house. That night she heard a screech from outside her window and a tap on the glass. She covered herself with her blanket not daring to open her eyes.
The next day at school, Hadiza walked up to her with a big smile and asked her if she had slept well and before she could think of a lie to tell, Hadiza had walked away. That girl had done something to her. So she followed her; during break time, she walked to the far end of the compound where the tallest tree stood and hid behind a shrub. There, she saw Hadiza standing with her back facing the tree, she took slow steps backwards until her back was pressed against the tree, and spread her arms out wide, moving them backwards until they were wrapped around the tree trunk. And just like that, she started to climb the tree with her arms and her back. Salome’s heart was like an anvil pounded by a hammer, when she gained control of her shaking body, she went back to class, grabbed her bag and fled the school through the hole in the fence at the back of her class.
But the bird was with her at all times…
The bird would screech five times and by the sixth, it would materialise from the darkness and shadow, its tall silhouette framed by the stray spectres of moonlight. On the first night, she screamed and the bird vanished.
“What happened? What did you see?” Hagar burst into her bedroom seconds after, her wrapper clinging to her chest for its dear life.
“I had a bad dream.” Salome tried to slow her breathing.
“Yes, I know that but what did you see?” Hagar seized her shoulders as though she would draw the answers out from them.
“I saw a bird,” Salome responded at last, making no mention of Hadiza, afraid of what the consequences of that would be.
“Ah, a monitoring spirit!” Hagar declared, “I have fought their kind countless times and the victory has always been mine.”
Hagar soon sprung up from the bed and jolted out the door returning with an entire pack of salt and a pair of scissors.
“We will bind that evil from coming near this house,” Hagar snipped the salt open; she licked her finger and dipped it into the salt approaching Salome with her finger stretched out.
“Lick the salt” she said and Salome did as she was told. Hagar slowly lined a border of salt in a semi-circle around the bed and lines along the windowsills and the door. As she did this, she muttered unintelligible words to herself and the bird did not come the next night.
Then there was the first screech. The second. The third. And a brief pause, just to let the fear sink in. The fourth. The fifth. There was no way the bird could come inside, at least not with the salt in place, right? But after the sixth screech, the bird was there.
It took one step and then the next, looking down at the band of salt and then back up at Salome. It took a step back then three more forward, crossing the arch and Salome could feel her heart drop to the depths of her bowel. She should have screamed like she did the other night but the bird spread its wings and they were wider than her entire bed, it took one quick flap for it to perch at the edge of her bed, pulling the frame down with its weight.
It was then she saw his face for the first time and all thoughts of crying for help were abandoned. She had never seen a bird like that before. Eyes facing forward, those eyes were grey just like it’s feathers, and they stared into her eyes like a man would, intimidating her into the silence of a quivering lip.
Its beak was long, almost as long as it was and had something stuck between it, something that was dripping onto her blanket. It quickly fell from the bird’s beak, landing with a gentle thud and just like that, the bird was gone. She got out of bed and turned on the lights and the wetness on her bed was in the unmistakable shade of blood. The wetness on her bed was in the unmistakable shade of blood and at the centre of it all was a lump of flesh. A human tongue.
Salome couldn’t concentrate in class, she kept thinking about the tongue, how she folded her sheets and soaked them in a basin of water and bleach and flushed to tongue down the toilet. Although Hadiza was not in school, she felt her oppressive presence everywhere.
“Auhhhgh !!!” the old woman let out a throaty moan the moment she set her eyes on Salome, her granddaughters tried to soothe her but all she did was point at Salome and groan. With more eyes turning to her, Salome quickly hurried home and straight into her bedroom with the full knowledge of whose tongue had been delivered to her the night before.
The sun was setting and Salome had completely forgotten about dinner until Hagar walked into the room.
“Why didn’t you come to pray and eat?” Hagar squinted with suspicion.
“I was feeling feverish,” Hagar put the back of her hand on Salome’s forehead.
“Your body is not hot.” Hagar walked around the room, nothing was out of place, so she went into the bathroom.
“Why is your bedsheet still soaked in water? And why…” her voice trailed off and Salome knew that she had seen something. She emerged from the bathroom with wide eyes and dilated pupils.
“Why is there a tongue in your toilet?”
Salome got up from her bed backing off towards the bedroom door.
“You devil! Don’t you dare try to run? I command you!” Hagar’s voice held more fear than it ever did power.
And just like that, Salome took to her heels running faster than she ever had before. She ran past all the houses and all the unhappy street corners until she found herself on the very top of a hill. It was dark and she was all alone.
She saw the bird fly across the sky and then she heard Hadiza’s voice echo with the timbre of her grandmother until they were one and the same. ‘I’ve been waiting for you Salome, climb up the tree and join us. ’
“Which tree?” she looked up to the empty sky and asked.
‘Look around you , ‘It was only then that she finally saw the majestic tree that stood on the hill. She walked to the tree and leaned her back to it, of their own volition, her arms wrapped backwards against the tree. She saw herself go higher and she could hear her bones pop and crack, twist and shatter and the pain was the sweetest
Verem Nwoji is a writer, poet and scaredy-cat, so you can imagine how thrilling of a challenge it was for him to write this story.
Not one to back down from a challenge, he is the author of the self-published poetry titles “outside” (2023) and “inside”(2024), all the while working as a screenwriter and studying Law.
He was the winner of the Random Photo Journal Prize for Creative Writing 2024 and a finalist for EbonyLife Media and Sony Pictures Television International’s Aló Writer’s Initiative 2021.