What Nigeria’s Proposed Social Media Bill Means For The Internet and Free Speech
Nigerian lawmakers are proposing harsher sanctions on social media.
Nigerian lawmakers are proposing harsher sanctions on social media.
Once again, the Social Media Bill is being discussed in the Nigerian House of Assembly following the month-long #EndSARS protests that swept the nation. During the protests, we noted that there was uneven attention being paid to the coverage of the gross human rights injustices taking place around the country by local press due to several warnings from the National Broadcasting Commission.
For many of us, social media became the quickest and fastest way to disseminate information about the protests and call our leaders out for their failures. The young Nigerians raising their fists and placards on the streets would make plans on our social media timelines and logistics would promptly be arranged. It was also where we witnessed the atrocities that took place on the 20th of October and it’s also how we are learning about the true events taking place in Oyigbo, Rivers State. Last week, footage from the Lagos state House of Assembly revealed members who were displeased in how young Nigerians and social influencers had begun using social media. The likes of Desmond Elliot and Mojisola Alli-Macaulay called for stricter sanctions on social media because of the widespread dissemination of unverified information they believe was spread during a time of national crisis.
This footage is worrying for many reasons. For one, the problem with the bill is the idea of who gets to decide what constitutes as false information and manipulations. First introduced back on November 9th, 2019, the bill titled ‘Protection from Internet Falsehood and Manipulations Bill 2019’ was sponsored by Senator Mohammed Sani Musa, representing Niger East senatorial district, with the aim of regulating the menace of hate speech and fake news. Within the ambits of the bill, it is a punishable offense for an individual to transmit a false statement as fact, with prejudice to Nigerian society whether you’re within or outside of Nigeria. This also covers the health and safety of the country’s citizens, influences the outcome of an election in Nigeria, amongst many other things.
The punishment for this crime is “a fine not exceeding N300, 000 or to imprisonment for a term not exceeding 3 years or to both”. Many analysts are concerned that this bill, and rightly so as should it be passed through the Senate, it would greatly infringe on people’s human rights to freedom of expression. For many young Nigerians, there is a shared understanding that this could be used by our government as a tool for internet censorship, raising concerns that the bill’s true intentions may be to stifle political commentary and anti-government scrutiny in light of cases against journalists and publications like Premium Times. During the protests, we watched in real-time how atrocities were committed, from the viral video of the politician at Abule Egba who fired into a crowd of protesters when he was denied audience to DJ Switch’s harrowing Instagram Live videos at the Lekki toll gate on the night of the massacre. We also watched how the Nigerian Army has been on a “fake news” spree, branding things we witnessed via Instagram Live as fake news, showing us just how easy it is for those inc charge to bury what social media is able to unearth in real-time. Till today, none of these offenders have been prosecuted for their crimes.
The Nigerian government is more concerned with silencing free speech online than on protecting their citizens. Many other African countries have done this in the past, for example, countries like Zimbabwe, Sudan, and the Democratic Republic of Congo have forced internet shutdowns in the last year, and Tanzania, Uganda, and a host of North African countries have stringent subsisting rules relating to use of social media and digital publishing.
Earlier in the year, a public hearing held on the 10th of March at the National Assembly saw most speakers, ranging from civil groups, government agencies, and average citizens, on the day in opposition to the bill, highlighting the fact that the bill could be abused by authorities, essentially violating the Human rights of average Nigerians. Speaking at a public hearing, the executive chairman of the National Communications Commission (NCC) noted that the bill gives unconscionable power to the Police to be the judge and jury of proper internet content. The NCC and the broadcasting organisation of Nigeria (BON), amongst others, agreed that most of the bill’s provisions were already captured in previous legislations such as the Cyber Crimes Act of 2015. Speaking further Sa’a Ibrahim, chairman of BON, remarked that the bill is “undefined and misleading”, adding that its purpose was not necessary.
In the aftermath of the protests, more leaders from around the country have been calling for the adoption of more stringent rules on internet usage in the country. Today, news that the Northern leaders were in support of the federal government’s quest to censor social media reached us and many young Nigerians are not too pleased. Many leaders in the North shared that the #EndSARS protests had become “subversive action” intended to divide Nigeria and shared that unfiltered checks on social media had led to the devastating spread of fake news. We were reminded once again that the battle is far from over until the focus of our leaders is on the rampant loss of Nigerian lives and not on social media reputations. Evidently, many are feeling the heat of the continued international exposure.
It has become clear that our leaders see our demands for better on social media as an affront to their elderly age and status, a key marker of the gerontocratic Nigerian system that seems to have built the political sphere. While we agree it’s important for us to take a definitive stand on fake news and hate speech, especially in a culturally diverse country such as Nigeria, we must ensure that the principles of free speech and open discourse remain sacrosanct. Nevertheless, conversations such as these are vital to entrenching the values of democracy in our society. The bill has passed through its second screening, and with increasing support from state leaders, it likely is likely to become law and potentially resurface down the line.
There is an online petition against the social media bill with close to 100,000 signatures. The target is 150,000, and you can sign the petition here.
Featured Image Credits: Web/ NATIVE
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.@tamimak_ Is a Staff Writer at The NATIVE
Celebrating 15 of the most iconic trailblazers, pushing boundaries and transforming culture across West...
In spite of stifling government policies and harsh economic realities, creators across West Africa remain dogged in pushing the envelope of culture, expanding and reimagining experiences for African youth, both locally and globally. Celebrating these creators who keep pushing the boundaries of culture is not only essential to acknowledging the present but also to forging a future that honors the innovation and rippling influence of culture changemakers.
The third installment of THE BLACKLIST, in collaboration with our friends at GUAP Magazine is an initiative set out to celebrate the remarkable individuals who are not only defining but actively transforming West African culture. By giving them their flowers in real time, THE BLACKLIST ensures these trailblazers receive the recognition they deserve, amplifying their contributions and inspiring the next generation of creatives and visionaries. This list underscores the importance of honoring culture-shapers while they’re making history, not just in retrospect.
This year, we highlight 15 of the most iconic voices propelling West African culture to new heights. From groundbreaking visual artists to visionary thinkers and creators, these individuals are crafting a legacy of empowerment, resilience, and innovation.
ABIODUN
Abiodun Oladokun is a multifaceted individual, excelling as a crypto research analyst, lawyer, and DJ. He is the founder of ILÉ IJÓ, a monthly house music rave that operates under the brand name MELT. He has gained recognition in the vibrant Lagos and Ibadan rave scene. In just a short span, he has performed at top-tier raves and cultivated a loyal following for ILÉ IJÓ, with returning attendance growing from a few hundred to over a thousand.
Abiodun is not just a talented DJ but also a catalyst for change. With initiatives like ILÉ IJÓ’s ByUSB program, he provides a launchpad for emerging DJs and cultivates a thriving multi-state rave culture that captivates music lovers in Lagos and Ibadan. Beyond the local scene, Abiodun is a virtual resident DJ at Oroko Radio, a prominent Ghanaian music community platform. He also holds residencies at Redlightfashionroom, an elite community of EDM and House Music enthusiasts in Ibadan.
ANIKO
Aniko is a leading electronic music DJ and Founder of Group Therapy, an electronic music event and community in Nigeria which has quickly become a staple in Lagos’ underground nightlife, known for its high-energy parties and top-tier lineups. Known for her dynamic sets, blending afro house, deep house, techno, and progressive beats, her intricate layering, seamless transitions, and ability to connect with audiences have made her a standout figure in Nigeria’s dance music scene and beyond.
Aniko’s influence extends far beyond Nigeria, making waves across the globe with performances that are consistently hailed as some of the best in the space. Her contributions continue to shape the industry, inspiring both peers and fans alike with her dedication, talent, and passion for electronic music. Aniko’s talent has seen her performing prestigious stages and platforms across the world including HOR Berlin, Boiler Room, Homecoming, Nyege Nyege Festival, and many more.
ASHERKINE
Asherkine’s rise from a grassroots content creator to one of Nigeria’s most beloved figures in entertainment is a tale of vision, hustle, and an unmistakable knack for turning ordinary moments into captivating, unforgettable experiences. Originally finding his footing behind the camera, Asherkine first gained widespread attention when he directed the visuals for Asake’s breakout anthem, “Omo Ope.” But while “Omo Ope” thrust him into the spotlight, Asherkine quickly evolved beyond the role of a director, transforming himself into a one-man powerhouse of generosity and social impact.
In the years following his viral success, Asherkine has become something of a phenomenon, often compared to the American YouTube star, Mr Beast, for his seemingly boundless generosity. Whether handing out cash to struggling market vendors or supplying students with essentials, Asherkine redefines what it means to be a creator in Nigeria, bridging the gap between social media stardom and genuine community outreach. His giveaways aren’t simply about social media virality but are rooted in a deep-seated belief in uplifting his fellow citizens. Asherkine’s journey is a reminder of the evolving power of Nigeria’s creative scene — not just to entertain, but to impact lives directly, leaving an indelible mark on the communities that shaped him
AYANFE OLARINDE
Ayanfe Olarinde is redefining contemporary Nigerian art, carving out a space for herself in a scene she has thoroughly transformed with her layered, evocative creations. Known for her intricate scribbling technique and bold exploration of Nigeria’s social realities, Olarinde’s work has not only shaped the visual identity of a generation of artists but also elevated the
conversation around everyday Nigerian life. Self-taught and driven by a fierce commitment to documenting cultural truths, Olarinde blends mixed media, including ink, acrylics, and found objects, to construct textured pieces that speak to self-image, mental health, and identity formation. Her work often doubles as a critique of contemporary society, using imperfections and layered images to question the constructs of beauty, acceptance, and collective memory.
Olarinde’s accolades speak to her growing influence. She’s exhibited at landmark galleries like SMO Contemporary Arts and Rele Gallery, won the First Bank Magic 125 Creative Contest in 2019, and stood as the only Nigerian recognized at the AWIEF Prize for Creativity Award in South Africa in 2020. Her celebrated series “Dem Bobo,” a visually rich commentary on the ironies of urban life, has been featured by CNN, Vogue, and RADR Africa, reinforcing her reputation as one of Nigeria’s most gifted contemporary artists. Last year, Olarinde made waves as the artist behind the cover art for Asake’s celebrated Work of Art album, and she founded the fashion-forward streetwear brand, WWYD. Currently a mentee at The Nlele Institute and director of Unearthical, where she delves into fine art and fashion photography, Olarinde continues to stretch the boundaries of her medium, solidifying her place as one of the most compelling voices in Nigerian art today.
BRYAN IBEH
Bryan Ibeh (He/they) is a 22-year-old Nigerian-born and Lagos-based filmmaker and multidisciplinary creative working mainly as a director, photographer, producer, and editor. Currently in his final year at the University of Lagos, pursuing a Bachelor’s degree in Mass Communication, Ibeh has established himself as a talented filmmaker, photographer, producer, and creative director. His career as a creative began in 2018, experimenting with alternative-style short films, music videos, and images that showcased his unique visual perspective.
Ibeh’s portfolio includes notable collaborations with Lady Donli, Solis4evr, 808vic, Fave, Bloody Civilian, and others, as well as production credits for Adidas, MAC Cosmetics, DAZED, and SHOWstudio. He exhibited his experimental films at EXPO Lagos in 2021 and co-directed the experimental short fashion film “We Are Looking For Ourselves In Each Other,” which premiered exclusively on Nataal Media in 2022. His latest film, “Nowhere is Safe To Be,” a music film for contemporary artist Yinminu, tackles themes of trauma, bullying, and resilience, reflecting Bryan’s commitment to exploring complex social issues through innovative storytelling.
CHINASA ANUKAM
Chinasa Anukam is an award-winning writer, actor, stand-up comic, & digital content creator. Her first degree is in Law from the University of Bristol, UK. She has subsequently studied acting and improv comedy in the U.K & U.S. She has performed on global stages in cities ranging from New York and London to Abuja & Lagos.
She currently produces, directs and hosts the hit Youtube show, “Is this Seat Taken” which has been widely received and viewed in 120 countries with combined views of 8.5 million across 4 seasons. Additionally, ITST is currently airing on television in 42 countries via the Trace Africa TV network. Outside of work, Chinasa is passionate about travel, dancing, pounded yam, young Africans, women’s rights and telling stories. It is one of her deepest hopes that her career is a testimony of possibility to young Africans, young Nigerians, Nigerian women & black women, that we can take up space anywhere as long as we put in the work and believe.
EKOW BARNES
Ekow Barnes is a distinguished fashion writer, producer and creative strategist, with an impressive portfolio of clients across the continent and beyond. He specializes in fashion writing, creative production, and consultancy with several commissions in Ghana and England. Ekow has worked with brands such as Puma, New Balance, Mercedes-Benz, Emirates, Burberry, Spotify, Qatar Airways, Adidas, WSGN, Vogue, i-D , Ebony, GQ , Guardian and more.Ekow holds a degree in Mass Communication from BlueCrest University (Public Relations Major) in Accra, Ghana.
Ekow is the Co-Founder and serves as Chief Creative Officer of Will and Barnes Group; a creative production and talent management agency based in Accra, supporting creatives and sharing inspirational, thought-provoking narrative and audio-visual stories across the globe. Ekow is passionate about promoting emerging talents and showcasing their works to the world. He contributes to Vogue Italia, Guardian, and GQ South Africa as a writer on sustainable fashion stories with 30+ bylines in notable publications including (but not limited to) Glamour, Ebony, Essence, CNN.
ELSIE AHACHI
Elsie Ahachi, also known as “Elsie not Elise,” is a dedicated music enthusiast who’s turned her love for music and storytelling into a full-time passion. Starting out in 2022 with TikTok videos diving into the music she enjoyed, Elsie quickly built a following of people who resonate with her eye for talent and knack for finding artists who deserve more shine. Now, through her engaging
content and platform, Elsie spotlights emerging voices, creating a space where artists can share their work and stories without the usual industry pressures.
What began as sharing the music she loves has evolved into a multifaceted approach that includes artist interviews, documentaries, and storytelling that dives deeper into the creative processes of musicians. She’s also built a thriving community of music lovers across social media, connecting fans and artists over a shared passion for good music.
FEYIKEMI AKIN-BANKOLE
Feyikemi Akin-Bankole is a Business Management graduate from the University of Warwick and the co-host of F&S Uncensored, a leading Nigerian podcast that has transformed music discourse in the country. With over 200 episodes, F&S Uncensored has become an essential voice in Afrobeats, driving conversations that shape and amplify Nigerian and African pop culture. A lifelong
music enthusiast, Feyikemi has always been drawn to the Nigerian entertainment scene, particularly the vibrant Afrobeats landscape.
Upon returning to Lagos in 2019, Feyikemi began her career as an A&R at Aristokrat Records, later becoming Head of Music at Bounce Networks. She now brings her expertise to Spotify Sub-Saharan Africa as a PR & Communications Executive. In her role, she leads the VIP program for SSA and acts as a central liaison between Spotify and its creative agency, skillfully managing talent relations and campaign strategies. Feyikemi’s dedication to fostering talent in Africa’s music ecosystem makes her a crucial player in elevating African pop culture on the global stage. With her forward-looking vision and impact-driven approach, she is committed to empowering the next generation of artists and creators, championing African music and culture far beyond its borders.
JEMEDAFE CALEB UKOLI
At just 24, Caleb Jemedafe, known across Lagos as the “Party Boy of Lagos,” is transforming Africa’s creative scene with a vision that reaches far beyond parties. Starting from his university dorm room, Jemedafe has spent years championing young African talent, guiding emerging artists to global recognition and multi-million-dollar deals. His journey began with a knack for spotting potential, fueled by a Mechanical Engineering background from Landmark University that offered him dynamic knowledge to navigate the business landscape. At 18, he launched “Let’s Relate,” a groundbreaking festival that blended music and sports, drawing over 20,000 young Africans and capturing the attention of top brands like Hennessy, Ballantine’s, Coca-Cola, and TRACE and attracting performers like Rema. This early success led him to found KVLT, a multifaceted creative cloud and talent accelerator that has fueled the rise of talents such as Victony, Llona, Abstraktt, and DJ Six7even. KVLT isn’t just a company—it’s a thriving community of creative enthusiasts who together represent a new wave in African entertainment.
But his influence doesn’t stop there. Through his flagship event series, Even in the Day, Jemedafe is at the forefront of the reimagination of Africa’s party culture, producing 23 high-energy events across West and South Africa and attracting over 50,000 attendees. Featuring internationally renowned DJs like Tyler ICU and DJ Spinall, the series has become a platform for showcasing Africa’s best DJ talent, creating unforgettable experiences for thousands across various nationalities. Driven by a mission to build a global Afro-creative community, Jemedafe is not just rewriting Africa’s entertainment narrative—he’s building an inclusive, opportunity-filled world where young African creatives can thrive. His journey is a testament to vision, resilience, and the power of community.
LAYI WASABI
Layi Wasabi, whose real name is Isaac Ayomide Olayiwola, is a Nigerian comedian, actor, content creator, and lawyer who is best known for his unique style of comedy, often portraying a comical lawyer in his skits. Layi knew that comedy would be his vehicle to connect with audiences and share his unique perspective on life. Armed with a smartphone and a creative spark, Layi ventured into the world of skit-making, using social media as his stage and a canvas for his imaginative sketches.His infectious energy and relatable characters quickly caught the attention of viewers, propelling him into the spotlight of Nigeria’s vibrant comedy scene. His signature style—lively expressions, clever dialogues, and a knack for memorable quips—resonates with fans across generations, turning his social media platforms into a hub for laughter and joy.
Layi Wasabi is more than just a comedian; he’s a storyteller at heart, weaving narratives that reflect the complexities of life in Nigeria. Whether tackling societal issues or simply celebrating the quirks of daily living, he approaches each skit with authenticity and a keen sense of observation. As he continues to push boundaries and explore new creative avenues, Layi remains committed to his roots, reminding us all that laughter is not just entertainment—it’s a powerful tool for connection and understanding. With his sights set on even greater heights, the world truly is his oyster, and Layi is just getting started.
ORRY SHENJOBI
Orry Shenjobi is a British-Nigerian multidisciplinary artist and Creative Director of Studio ORRY, based in London. Her work crosses boundaries, merging techniques and materials to create immersive art that delves into identity, culture, and social narratives. Shenjobi’s dedication to sustainability plays a central role in her practice, with her studio maintaining a zero-waste policy and a strong commitment to upcycling, reflecting her belief in the transformative power of art as a vehicle for social change. In 2024, Shenjobi showcased her solo exhibition A Wà ńbè: A Celebration of Community and Culture at the Venice Biennale, as part of the “Foreigners Everywhere” series curated by Usen Esiet at the European Cultural Centre in Venice, Italy. This milestone affirmed her position as an artist focused on exploring the importance of community and cultural identity.
Shenjobi holds a degree in Product Design from the University of Leeds and an MA in Social Innovation and Sustainable Futures from UAL, blending creative practice with a deep sense of social responsibility. Her mixed media paintings and product design expertise form the foundation of her practice, while her personal background – born in London and raised in Lagos – brings a vibrant duality to her work. This cultural interplay heightens her sensitivity to diverse social experiences, which she translates into her art.In addition to her own work, Shenjobi is committed to artist development through her program, the Laho Initiative, which supports emerging artists in realizing their potential.
PITH AFRICA
Pith Africa founded in 2021 by Adedayo Laketu, Cosmas Ojemen and Nnaemeka Anazodo, began with a goal: to create a brand that resonates with the vibrant spirit of African youth, celebrating creativity and innovation through fashion, narratives and curated experiences that highlight a new age. Founded in Lagos, Nigeria, Pith Africa was born from a desire to reshape global perceptions of African fashion by creating a brand that tells authentic African stories through bold, expressive designs. From the outset, our mission has been clear: to build a brand that doesn’t just create fashion but fosters a cultural dialogue that resonates locally and globally.
At the heart of Pith Africa’s identity is a deep connection to our community. Our brand draws inspiration from the vibrant streets of Lagos—the energy, the pace, the culture. Pith Africa sees fashion as more than clothing; it’s a canvas for storytelling, a medium to amplify the voices, dreams, and experiences of a new age of Africans. Each collection is a celebration of diversity, innovation, and community, encapsulating the combined dreams of us all while challenging conventional narratives of African fashion and creativity. PITH Africa’s aim is to position African streetwear/fashion on the global stage, proving that our designs can compete with—and redefine—the standards of global fashion. Pith Africa is not just a brand; it’s a platform for celebrating African excellence, creativity, and resilience.
TOLU OYE
Tolu Oye is a visionary entrepreneur and creative force with a passion for celebrating Nigerian culture and heritage. She founded Meji Meji, a fashion brand inspired by a love for community and culture during the pandemic. Over the years, she has established Meji Meji as a platform to connect people through fashion, art, and storytelling. Known for innovative designs that blend nostalgia with modern aesthetics, Tolu has created collections like the Midnight Snack Collection, paying homage to Nigerian sweets and snacks, and “Sisi Ologe,” which reimagines classic hairstyles in extravagant, expressive ways to honour hair as an essential to our identity.
Meji Meji has become a beloved brand for its authenticity as Tolu’s vision and creativity never fails to invoke memories while committing to the preservation of the Nigerian identity across all her projects.
TUNDE ONAKOYA
Tunde Onakoya is a dreamer, social reformer, and Nigerian National Chess master. In 2018, he founded Chess in Slums Africa, a non-profit organization that uses the game of chess as a framework to give children in impoverished communities access to education, technology, and mentorship.The impact of this initiative has reached far beyond the borders of Nigeria, with stories of transformation featured on global media platforms like BBC, Al-Jazeera, and Deutsche Welle. Over 10,000 children’s lives have been touched, with 500 receiving fully funded scholarships to local and international institutions.
Tunde Onakoya actively engages in games of chess with fellow thought leaders, fostering connections that have the potential to amplify the impact of Chess in Slums Africa globally. His ability to articulate the mission and vision of his organization constantly garners attention and admiration, reinforcing the organization’s commitment to making chess an agent of change. Onakoya’s efforts have earned him numerous accolades, including The Future Awards Africa Prize for Community Action in 2021, the Business Insider Award for Social Entrepreneur of the Year in 2022, the JCI Ten Outstanding Young Persons of Nigeria Award for Contribution to Children, World Peace, and/or Human Rights in 2022, the Trendupp Award for Force of Social Good in 2022, Leadership newspaper Humanitarian of the year and the Royal African Award in 2022. Tunde Onakoya continues to be a beacon of inspiration, not just within the realm of chess but in the broader context of using strategic thinking to shape a better world for all.
Featuring Blessing Ewona, Kelvin Doe & more emerging voices shaping the future of our...
Depending on what your perspective is, thousands of young creatives and entrepreneurs in West Africa are finding ways to thrive in spite or because of the socioeconomic conditions in the countries that constitute the region. Maybe the answer is somewhere in between: that double figure inflation rates, coups and autocratic governments, the hurdles of conservative values, and more have made it that the benchmark for excellence is elevated. Talent is abundant, tenacity is no short supply, and new visions are being explored and executed at high levels.
That’s why there’s no time like the present to celebrate and champion the new leaders of the creative economy who are going against the grain in their respective fields, and fostering inclusive spaces and communities where young Africans can truly be themselves. Following last year’s debut edition, we’ve partnered once again with our friends at Guap Magazine for the second edition of the BLACKLIST WEST AFRICA—a celebration of the emerging voices that are shaping the future and spirit of our continent.
With the near-ubiquity of West African culture in the world today, these creatives and professionals on the BLACKLIST WEST AFRICA represent an emerging class of 30 under 30 leaders who are representative of our wider mission to identify and champion the best of African talent tomorrow: today. From the young and daring Ghanaian human rights activist, Nakeeyat Dramani Sam to Nigeria’s Blessing Ewona, who has fostered an inclusive culture of skateboarding in Nigeria, this list is by no means exhaustive one but a celebration and reminder of how far we’ve collectively come in various industries and an acknowledgment of where we can go in the future.
These exceptional BLACKLISTERS prove that there’s no such thing as being ‘too young’ or ‘too early’ to drive change and engage in the critical conversations of our era.
Ademola Falomo studied International Business in the UAE and learned to apply its idiosyncrasies in the field of filmmaking, making him a standout in the industry. As a filmmaker, Ademola has worked with the biggest names in the African music scene in less than a decade of being active. However, he steals more spotlight for himself for being one of the pioneers in Nigeria’s Altè scene; having directed the most important films of renowned creators in the scene. Beyond music, Ademola has credits for documenting even more important African fashion and lifestyle stories including film projects with Puma, Nike, Martell, Jameson, to mention only a few. As founder and creative director, his film company, Family Inc., seeks to aid young, independent filmmakers alike out of West Africa to better nurse their art. One of the ways they do this is through their very frequent community-building meetings aimed at creating and upholding a hub that up and coming filmmakers can run to when in pursuit of clarity.
What is the biggest motivator for the work you do?
“I aim to continue building a community and a platform for fast rising indie filmmakers in Africa. So my biggest motivator is seeing the expansion and the inclusion of more women and men in film with Family.inc and the community we are building; because that growth and inclusion of young filmmakers inspired and nurturing their crafts to tell our stories really brings satisfaction to me.”
Anthony Azekwoh is a contemporary artist and author based in Lagos, Nigeria. His work primarily focuses on African folklore and mythology, using these themes and figures to tell stories of his country, transformation, and change. Following the success of his Lagos-London-New York tour, his most recent exhibition, “There is A Country” showing in both Lagos and Abuja, is an artistic response to the social, political, and economic chaos that pervades Nigeria using paintings and sculptures.
What is the biggest motivator for the work you do?
“I love it. This is what I’ve been doing for as long as I can remember: creating. The love of bringing something new to the world is what drives and pushes me to go forward. Love. Love is my motivator.”
Ayomide Oriowo is the co-founder of TurnTable Media and Analytics; a graduate of Obafemi Awolowo University, music executive, and a seasoned writer. His love for all things music and data led him to co-found TurnTable Charts in 2020. As the Co-Founder of the standard music charting system in Nigeria, Ayomide has contributed towards an ecosystem that aids the documentation of Nigerian art.
What is the biggest motivator for the work you do?
“A lasting legacy and cultural impact is my biggest motivator for the work I do.”
Blessing Ewona is a skateboarder, model and DJ. She founded Dencity, a skate collective where she teaches women and marginalised people to skate. She is looking to expand the community across Nigeria, building a community of female skateboarders, providing skate equipment, skate lessons and a safe space for women in skateboarding. She is also a DJ that goes by “WEAREALLCHEMICALS”, becoming a staple in the electronic/house music scene in Nigeria. Blessing’s seamless mixing and ability to read the crowd make her sets unforgettable. Her passion for house music shines through, creating a euphoric atmosphere wherever she performs.
What is the biggest motivator for the work you do?
“My biggest motivator for the work I do is the opportunity to learn and grow, I find fulfilment in knowing that what I do can create a positive impact on others“
A fashion enthusiast with a wide array of creative roles. From Creative Director to the CEO of “bolapsd” brand, I’ve worn many hats. As a Graphic Designer, I’ve worked with industry giants like Nike, Streetsouk, Ashluxe, Mejimeji, and Teezee and so much more. My journey started in late 2021, and in 2023, I launched “bolapsd forever” a fashion line, hosting a successful pop-up tour in Lagos and Toronto, with another in Abuja this November. My fashion pieces have resonated with people, and sales have been outstanding for such a short time in the business. I’m also a Stylist and Fashion Curator, aiming to guide fashion enthusiasts toward the latest trends. Exciting developments are on the horizon as I continue this incredible journey in the fashion world!
What is the biggest motivator for the work you do?
“It’s a big deal for me to see my dreams becoming a reality, and it motivates me immensely. However, I know that there are still many more achievements to unlock. In barely three years, while I was still in uni all through those 3 years, I’ve come this far, and I believe the next steps will be even more remarkable. This is just the beginning of my journey.”
Caleb Okereke is the Founder and Managing Editor at Minority Africa, a digital publication telling minority stories across Africa, supported by Google News Initiative and NED. He’s reported across Africa for CNN, DW, Aljazeera, Foreign Policy, The Guardian, and VICE News and has worked as an Editor with the New African Magazine. He was previously a Heidi news correspondent in East Africa based out of Kampala, Uganda. Caleb has spoken about inclusive and representative journalism at both Oxford and Stanford universities as well as the International Journalism Festival.
What is the biggest motivator for the work you do?
“The biggest motivator for my work has come from seeing how mainstream media organisations all across Africa, and especially in Nigeria where I am from have committed to news coverage that is designed to exclude marginalised groups. And it doesn’t just stop at design or exclusion but this kind of violent coverage is rewarded and correspondingly sustained – whether in virality or consensus. The dissemination of hate and division through media is not a random occurrence; it’s a deliberate act. Consequently, our response should not be arbitrary either. That intentionality drives me, if hate is not accidental, love cannot afford to be.”
David Nana Opoku Ansah is an artist/image-maker and filmmaker who through analogue and digital mediums creates work to explore freedom, community, vulnerability and quintessential aspects of humanity to challenge the nexus of how images should look and feel through fashion, contemporary image-making and portraiture. His critically acclaimed ongoing project “Area Boys” captures the theme of freedom, vulnerability, truth and what it means for coming-of-age Ghanaian boys. This effortlessly connects David’s origins to his burgeoning identity as an artist. “All things are worth photographing” is a functional pillar of David’s ethos. This project seamlessly bridges David’s roots with his evolving identity as an artist, encapsulating the essence of his artistic evolution.
David’s artistic influence knows no bounds. He is a grantee and the 2020 PhMuseum’s New Generation award winner. David was selected as one of the five African image-makers to reflect on their shared trajectories to James Barnor’s archive in April 2021 at Piccadilly Circus in London. In July 2021, he exhibited work at Le Carreau du Temple in Paris, France. David shot his first magazine cover featuring Kendrick Lamar. Additionally, his inclusion among the select 50 global creatives in the British Fashion Awards’ NEW CREATIVE CLASS of 2022 highlights his indelible mark on the fashion and art landscape. He has worked with Gucci, Off-White, Nike, Farfetch, Vogue International, Circa, Highsnobiety, Daily Paper, Maison Margiela, Reebok, Adidas, Dazed, Culture Art Society, Teen Vogue, New Era Europe, Byredo among others.
What is the biggest motivator for the work you do?
“Curiosity, questioning things and inquisitiveness drive a lot of what I do. I always want to challenge what images can look like and create what I mostly see in my head. There are always these feelings of how things could be more than what exists presently and to me taking the risk to know what these things will look like is everything to me. I want to create works outside the context of what the norms are.”
Isabel Okoro is a visual artist currently based in Toronto, ON. She is exploring the interactions between the motherland and the diaspora, and coined the term normatopia to describe a space which considers the tensions between a harsh reality and a utopia, and chooses to rest and thrive in the humanly achievable sweet spot that exists in the middle. At the cornerstone of her practice is visualising and developing an imagined world, Eternity, as a space to immortalise community members through stories of speculative fiction that embrace her concept of normatopia.
What is the biggest motivator for the work you do?
“The will to see ideas come to life – not just saying things, but showing them.”
Kelvin Doe (aka DJ Focus) is an innovator and social entrepreneur from Freetown, Sierra Leone. Driven by a passion for tech, education and community development, he founded the Kelvin Doe Foundation (KDF) – a federally registered not-for-profit organization in Canada with a mission to provide creative spaces to nurture communities, ignite a culture of innovation, and inspire civic engagement. As the founder of the KDF, he engages with educators, the private sector, government leaders, and leading global visionaries to mobilize and provide resources and tools to advance the impact of experimental and hands-on learning programs – both in Canada and his home country of Sierra Leone.
His recent activity includes crowdfunding to set up a community makerspace. Kelvin has been awarded several national and international awards for his work, including a Presidential Gold Medal (2013) and the MTV EMA Generation Change Award (2019). He is also the youngest person to participate in the “Visiting Practitioner’s Program” at the Massachusetts Institute of Technology. In his two weeks at MIT, he presented his innovations to students in two D-Lab classes, engaged with MIT community members, and participated in hands-on research at the MIT Media Lab.
Kelvin has been invited as a guest speaker at various conferences worldwide, including Maker Faire ‘Meet the Young Makers Panel’, Google Israel Event ‘Moonshot Thinking’, Clinton Global Initiative, TedxTeen The “Crazy Ones” (New York, USA, March 2014), Eco Club Summit (Abu Dhabi, UAE, April 2014), World Intellectual Property Organization African Ministerial Conference “Intellectual Property for an Emerging Africa” (Dakar, Senegal, November 2015), TedxLusaka “Changing Africa’s Narrative” (Lusaka, Zambia, May 2016), Cimientos Foundation (Buenos Aires, Argentina, November 2017). Kelvin serves on the Honorary and Advisory Board of Emergency USA , an organization committed to providing free medical and surgical care to those affected by war and poverty. He currently resides in Toronto, Canada, where he continues to pursue his academic goals and participates in various media and technology-related projects, including his current project, Frugal Radio.
What is the biggest motivator for the work you do?
“There’s a vast reservoir of talent, not just in my home country, Sierra Leone, but across the African continent that remains untapped mainly because we haven’t found a way to cultivate, enhance and connect our talent to the right opportunities. Cases like mine are the exception, and they’re also proof of my larger point–that when provided with legitimate opportunities, Africans will tend to excel. But we have to find a way to systematize “luck” so that stories like mine are not the exception but the norm.”
Afrobeats is ushering in a new global Pop sound thanks in part to producers like Grammy-nominated producer and DJ LONDON. Hailing from Lagos, Nigeria, 24 year old LONDON’s musical ability is best demonstrated in records such as Rema’s “Calm Down” with Selena Gomez and also Rema’s recent song titled “Charm.” Not only was LONDON Rema’s main collaborator on his debut album, having co-produced 14 of out the 16 songs, he has also produced heavily for Ayra Starr having produced her hits “Bloody Samaritan” and “Sability.” He recently produced Stormzy and Raye’s “The Weekend,” a sultry RnB-Rap record that demonstrates his ability to create beyond Afrobeats. LONDON also produced Wizkid’s “Gyrate” from the Grammy-nominated ‘Made In Lagos’ album. LONDON’s uniqueness lies in his candid ear for unusual sounds and melodies for production, and his daring attitude to push the genre forward by way of experimentation and curiosity. Born and Raised in Kaduna, London has taken his sound to first Lagos and now to the world, playing a key role in representing the new-gen Nigeria, who are limitless. He is now working on his own debut project which will feature some of your favourite as well unexpected appearances.
What is the biggest motivator for the work you do?
“Honestly, success is my biggest motivation. I want my music to exist around the world and be in peoples lives everywhere“
I’m a youngest poet in Ghana and also climate change advocate who is currently the Youth Ambassador for an international organization, Climate Vulnerable Forum(CVF) which consists of 58 countries.
What is the biggest motivator for the work you do?
“The motivation behind my work just passion driven. I love humanity and I always want to serve humanity with what I do.”
Born in the vibrant city of Lagos, Nigeria Edo parentage, Walter Obadan is an inventive photographer who has built a noteworthy portfolio, catering to distinguished clients across Nigeria and the broader African creative landscapes. Additionally, he shares a dynamic collaboration with renowned Nigerian music video director, TG Omori. Walter views his career as a necessity, as shot by shot, he builds a story for the Nigerian Entertainment industry and beyond. Despite an unconventional educational trajectory, Walter credits his background in Architecture for bestowing him with a unique technical advantage.
Drawing from his familiarity with shapes, dimensions, angles, and graphics acquired during his incomplete architectural studies, Walter seamlessly integrates these elements into his photography, resulting in a thriving career coupled with a bankable charisma. This distinctive blend of skills has enabled Walter to embark on a continent-spanning journey, collaborating with some of the most prominent figures in the entertainment industry along the way. He is also credited with creative direction for numerous artistes at the inception stage including Afrobeats sensation, Asake. With an impressive clientele including other celebrated names like Burna Boy, Davido, Ckay, Ayra Starr, Kizz Daniel, Black Sherif, Walter aims to extend his artistic prowess to the grandest global stages and festivals, all while proudly flying the Nigerian flag.
What is the biggest motivator for the work you do?
“My biggest motivation is the ability to capture moments in a unique and artistic way, telling stories through my lens. Photography & filmmaking allows me to freeze time, evoke emotions, and share my perspective with the world. It’s the endless possibility of creating something beautiful and meaningful that drives me to keep exploring and improving my craft. Wacko to the world!!”
back for its 8th
Big Brother Nigeria, first launched in 2006, as an experiment to capitalise on the influence Nigerians had on the Africa-wide franchise. Since then, it has welcomed and ushered ascendant stars and personalities into the entertainment industry including actors Tobi Bakre and Bisola, and rapper Laycon back in 2020. Social media and mobile data connectivity has also evolved sufficiently since the first iteration of the show, giving Big Brother Nigeria near-boundless virtual mobility. It has also made it easier for lovers of the show to create fandoms, rife with followers and led by influencers and brands with their own agendas. Today, during Big Brother season, it’s near impossible to avoid its principal characters and rowing fan bases on the timeline.
Although Multichoice and the Big Brother franchise has gained the lion share of audiences attention for the past few years, with its fifth season held during the lockdown recording over 14.6 million mentions from over 4.9 million fan. In recent years, local viewers have discussed at length the weaning attention from reality TV given the return to regular programming since the lockdown restrictions were lifted. Despite these concerns, its move to online streaming via Showmax has opened the show to audiences across the continent and the diaspora, who were once unable to tune into the action without illegal downloading or streaming.
Nevertheless, a new season of Big Brother is always met with attendant fans and audiences who are ever ready to ship new personalities and new contestants. This year’s iteration is drawing in new eyes and longtime viewers by touting an all new All Stars special season featuring past contestants and winners of previous sinners. The new season which launched on Sunday welcomed audiences to 20 familiar contestants who have, at one point or the other, walked the halls of Big Brother’s house. From Whitemoney who won the previous season to media personality, Kiddwaya, fan favourite Mercy, Angel, Cross, Pere, Ike and more, it’s already clear that this new season is packed with all the action that will attract frequent watchers.
Reality TV is attractive to the public for many reasons. For one, it endears the audience to rising personalities at the start of their careers, who look, talk, act and sound just like the audiences that tune in weekly. It restores social capital in the hands of everyday influencers who show us that if you work hard enough, build a loyal community of fans and followers, then you could also chart a path to success and fame. It’s aspirational and it’s the sort of sentiment that sells reality TV. This is why it’s not surprising that Big Brother emerged this year with its latest twist: an all-star roster of past favourites, villains and winners.
True to this, the launch episode of BB Naija All Stars was widely discussed across social media on the night of its launch with currently over 223K impressions on Twitter. With much to anticipate as the new season rolls on, the NATIVE team discuss our takeaways from the premiere episode and share our expectations for the new season and the chaos yet to unfold. Dig in.
Hey fam! What would you say is the most iconic moment from the different Seasons of #BBNaija? Tell us in the comments.
#BBNaijaAllStars.
For more: https://t.co/yhJJoGSYd0 pic.twitter.com/I2RlKfzSXx
— Big Brother Naija (@BBNaija) July 24, 2023
In 2010, for its 5th edition, Big Brother Africa hosted a cast of select housemates from the preceding years. The fourteen housemates from across fourteen African countries comprised mostly previously evicted participants, with Tanzania’s Mwisho being the only runner-up amongst the cast. Eventually won by Nigeria’s Uti Nwachukwu, who was first evicted in the show’s third season, Big Brother Africa: All-Stars was a continent-wide hit for its novelty in bringing back familiar faces, giving viewers characters they didn’t need time to invest in.
The same effect is already happening with Big Brother Naija All Stars, especially since long-term fans of the reality show have watched these housemates in different years, and already have perceptions about each person – who they’re already supporting, the persons they’re already shading and much more dynamics to watch. Beyond those familiar with these faces, this season could be refreshing for the uninitiated as well, especially with the grumbles that the show has been graced by less magnetic characters in the last two years. With experienced housemates and a whole lot of chaos on the horizon, this should be far from the case of old wine busting new skins.
Drama has always been a recurring feature in every season of the Big Brother Naija shows. With more than 20 strangers kept in one space for long periods, alliances will form and tempers will flare. The Big Brother Naija franchise has birthed some of the most heated rivalries; there was Bisola vs. TBoss in season two; Alex vs. Cee-C in season three; and Tacha vs. Mercy in season four, to mention a few. These rivalries, whenever they played out on screen, got the audience engaging in heated debates, with many people throwing support behind their preferred housemate.
With the return of old housemates on the all-stars edition of Big Brother Naija, a lot of rivalries will be given new life and audiences are bound to be hooked to their seats to see who still carries bad blood for each other. Alex vs. Cee-C is one such rivalry that viewers will be looking out for, with host Ebuka Obi-Echendu hinting at it during the show premiere. In season four, Mercy and Ike were love birds but have parted separate ways since then. Once again, they will find themselves in the same house. There are also season six winner Whitemoney and co-housemate Pere who had a fallout during their stay in the house and season seven’s Adekunle and Doyin who still have unresolved issues. These rivalries promise to garner attention from viewers and spark conversation, which will be a big win for the show.
This is a Promise! #BBNAllStars #BBNaija #BBNaijaAllStars pic.twitter.com/gVfZ08j6Ow
— Big Brother Naija All Stars Updates (@BBNaijaAllStars) July 23, 2023
It seemed like at some point, Big Brother was only getting bigger. The day after the show’s finale, all housemates are invited to claim the rewards earned through the season in an award ceremony. The show’s host, Ebuka Obi-Uchendu always announces the unfathomable numbers in viewership and votes Multichoice is able to rack in each year. So from the production perspective, it’s easy to understand why previous season winners, Mercy and White Money would return. The pair also went on to do big things and remained in the news cycle for one reason or another. After Whitemoney emerged the winner of Season 6’s Shine Ya Eye, it’s safe to say that was the point viewers lost interest so that justifies the choice.
However, this could be an unfair advantage to other contestants without a large fanbase. Though Double Wahala contestants, Cee-C and Alex were very popular in their day and undeniably pioneered the hardcore fan engagements the reality show has, their season was 5 years ago. Other contestants like Soma from See Gobe and Princess from Double Wahala also got evicted quite early on in their seasons. Their fan base is not as strong as the show’s former winners who have also garnered a significant following on social media. These dedicated fans stir conversation around their favourites and as we’ve seen in previous years, it plays a major role in how contestants are perceived in the real world. That being said, the advantages are clear but it doesn’t guarantee a win seeing as staunch supporters can be built overnight on this show.
A lot has changed since the reinvented first -technically second- season of Big Brother Naija over 6 years ago. For a number of older contestants, life looks very different and this return comes with new goals and renewed perspective. The first runner up from the Double Wahala season and the first returning housemate, Cee-C, shared with Ebuka Obi-Uchendu, the show’s host that she’s much more mature now. This comes after several fights and disagreements with her love interest at the time, Tobi and his closest friend in the house, Alex. While many expect that old rivalries may resurface, others shared that the pair [Cee-C and Alex] made up several years ago. See Gobe star, Uriel similarly shared with fellow All Stars housemate, Adekunle that she is returning with a more outgoing personality after battling self esteem and confidence issues during her last run.
Other than fresh perspectives, a number of contestants have expanded their families and this leads viewers to believe this comes with maturity. Pepper Dem contestants, Seyi and Frodd are married and the latter had a daughter not long ago. While the discourse around married contestants and their success rate during and after the show is tricky, the Big Brother Naija:All Stars season undeniably provides these crowd favourites a second chance at life. Many are coming to promote their brands and gain an even larger platform than before while others are here to right their wrongs from ages ago. Regardless of personal motives, this season holds potential to be the best one yet.
The Real Hot Girl is back for the #BBNaijaAllStars
and she is A23 now
pic.twitter.com/bGL64Dnn1M
— Showmax Naija (@ShowmaxNG) July 24, 2023
Featured image credits/The NATIVE
Words by Uzoma Ihejirika, Dennis Ade-Peter, Nwanneamaka Igwe & Tami Makinde