The conversations that keep coming up during our daily newsroom more often than not revolve around platforming the music we love and the communities that surround its wider culture. Very regularly, the music that excites our team reflects The NATIVE’s vision of being a bastion of music from parts of Africa and the Black diaspora. There are exciting acts from the ever-evolving Nigerian music underground, rappers experimenting with Dance Music and Hip-Hop from South Africa, as well as emotive singers whose work blurs the boundary between Hip-Hop and R&B. 

Discovering these acts, being blown away by their skills, and sharing our community about them continues to excite us more than three years after we conceived this column as a platform to spotlight talents that represent all that’s exciting about African music. In a world where marketing budgets, ad spends, and PR placements continue to reshape the music landscape, uNder is still our way of raging against the system and spotlighting deserving acts whose works are vital to sustaining the creative spirit that makes African music indispensable. For our July entry, we have Danpapa GTA, Luwa.Mp4, BrotherKupa, and Andi K, a cohort that is united by a thrilling sense of freewheeling experimentation that is sure to serve them well as their career progresses. We hope you enjoy discovering them half as much as we enjoyed listening to their music and writing about them. 

Luwa.Mp4

For Fans Of: Odunsi (The Engine), Naeto C, and Odd Future. 

In many respects, Punk Rock and Hip-Hop share similarities. They are defiant artistic responses to being misunderstood or marginalized by wider society. They can be loud and abrasive, and center their creators’ angst or disquiet to the max. Fused, Punk Rock and Hip-Hop presents a whole new proposition, delivering a heightened sensory experience that shocks, jolts, and instantly demands attention. The most recent music by rapper and singer, Luwa.Mp4, channels the livewire edge of that fusion in his music, musing on topics from seeking freedom and peace as well as celebrating financial success while revealing a fascinating contradiction between the thunderous sonics of his music and the subtler thematic references he works with. 

It’s all part of a process that has been in the work since the start of his career. Some of his earliest works, like the three-pack, “iLuwa,” with songs like “Goku” and “Revenge,” present a cyber abstraction of his music that is at once riotous and thrilling in its embrace of the macabre. Almost as though he’s aware of the trade-off between satisfying a diverse audience, the trap-influenced “Left-Right,” is an earnest anthem that reveals a layer of sensitivity to the singer born Ayooluwa Akindeji-Oladeji. That eternal struggle between his dystopian vision and the grounding human impulses has continued to influence and colour the margins of Luwa.Mp4’s work. He brought a twinge of acuity to 2022’s “Rage Anthem” with Jeremy Cartier, SportVVS, and Danielscoffin, showing that raging is a function of feeling first and foremost. 

As prolific as he is genre-nonconformist, Luwa.Mp4 has experimented with Pop, Soft Rock, and Afropop across his career, displaying a preternatural ability for deconstructing sounds and reinterpreting them in his image. 2024’s “Don Gorgon,” a searing yearner’s anthem, set the stage for “Cython +,” a futuristic two-pack take on Afropop and Rock. Later that year, he released his debut album, ‘Trial & Error,’ referencing the frenzied nature of his releases and the genre-hopping that he has made a calling card. Still, ‘Trial & Error’ is not a random collection of loosies or B-side releases.  Across 10 songs and 22 minutes, we are immersed in his life, his motivations, and the fits that catch his fancy. ”Imma show you what it really means for me to live like this,” he sings on “H OR H.” He has kept up his prolific streak in 2025, releasing two new extended plays, ‘lore skool’ and  ‘lore skool; xtra crediT,’  that find new ways to memorialise his lifestyle while opening new lanes of expression for Luwa.Mp4. – W.O

Andi K

For fans of: Tyla, Elaine, and Tinashe

Andi K always wants you to move. Even with only a handful of singles released, it’s pretty obvious that the Atlanta-based, Congolese singer and dancer’s musical sensibilities are largely rooted in R&B, but it’s her choice of production that’s usually tailored for the dancefloor or, at the very least, suited for hip gyration. While her honeyed voice, smooth like silk, gives her music a lustrous feel, it’s the way she wields it across different dance-inspired beats that truly sets her apart.

On “All Night,” her first official release from early in 2020, she interpolates the famous melodies from Kevin Lyttle’s 2003 hit single “Turn Me On” over a groovy Dancehall-inspired beat. Her next appearance on a record wouldn’t come until two years later, when she collaborated with super producer Shizzi and WurlD on a single titled “Forever.” Even with only one single under her belt before this collab, she displayed a convincing proficiency alongside two seasoned acts that belied her limited experience. A few months later, she linked up with Atlanta-based producer Quantum Flash for “Ignite,” a House-inspired number that excels thanks to its minimalist groove and Andi K’s sweet harmonies. 

Between 2023 and 2024, the singer released two solo singles: the Amapiano-influenced “Kiss” and “Don’t Let Me Go,” a slinky joint that consolidates elements of Afropop and R&B with seamless ease. This year, the singer has released two extra singles. “Ceilings,” which came out in early January, is arguably her most experimental release yet. It centres her rich Congolese heritage as she mixes the percussive Coupé-décalé with R&B and Afropop, making sure she keeps her listeners on their feet. Her latest single, “Amour,” is a tranquil addition to her catalogue. It’s also the closest she’s come to making a traditional R&B song, proving she’s just as proficient making bulletproof bops as she is delivering slow jams. – B.A

BrotherKupa

For Fans Of: Internet Girl, Blxckie, and Playboi Carti

It’s almost a given that new monarchs will rise with frequency in South African Hip-Hop. In the country that gave the continent rap stars like Cassper Nyovest, Nasty C, and A-Reece, Hip-Hop continues to co-exist with its dance variants. In rising star, BrotherKupa, the Rainbow Country has a new Hip-Hop hero who’s demanding attention for his exciting lyricism, tight-knit worldbuilding, and spastic flow. Taking inspiration directly from his experiences, the circumstances of his come-up, and how he navigates the unpredictable nature of life, BrotherKupa’s songs sound lived-in, boasting an interiority that’s informed by stuff he’s seen and heard of without being overburdened by the tough times. 

He first emerged with a series of loosies and freestyles on SoundCloud around 2020. “SWGBCK” and “GOIN’ 2 HARD” laid bare the motivation for his grind: he just wanted to elevate himself and his family while looking fly. Those early dispatches were built of rattling percussions and fluid snares that platformed BrotherKupa’s voice as he worked his way to some sort of emotional catharsis on these songs. The singer started to come into his own on 2023’s “Motion in pain,” a shapeshifting thesis on pain that was bookended by ‘Worstfeelineva’ and ‘Worstfeelineva2.’ He experienced mainstream breakthrough with the release of 2024’s ‘Teen Revolution,’ a groundbreaking release for the singer who incorporated elements of spoken words, trap, and trance music into a coming-of-age arc that was packed with his thoughts on family, love, and working his way to the top of South African music. 

He showcased his comfort with South African dance music on experimental releases like “GQOM FREESTYLE” and “Limpopo Freestyle,” setting the stage for the May release of  “BEFORE THE WORST,” an eight-track release that picked up where ‘Teen Revolution’ stopped.  It’s a freewheeling journey through the singer’s mind, motifs, and traumas, with specific highlights on “Today is a good day” and “Cups and Feels.” With back-to-back well-received projects,  BrotherKupa is on an upward trajectory that shows no sign of stopping as he continues to excavate the minutiae details of his life for inspiration for a new generation hanging on his every word. – W.O

Danpapa GTA

For Fans of: July Drama, Minz, and Seyi Vibez

Describing Danpapa GTA’s music is no easy task. While many of the young singer and producer’s songs draw inspiration from Afropop, it’s the multitude of other influences he manages to infuse into his records that make them both unique and sometimes hard to pin down. Take “Oja” for example, the opener from his latest three-pack EP ‘Balenciaga kuti.’ The song opens up with these blaring horn arrangements that sound like it was put together by a brass band ensemble, before transitioning into a bouncy Afropop number with a slight psychedelic twist. “Vanity,” the project’s closing track, is also similar in its eccentricity. Think of those quick-fire flows that acts like Asake and Seyi Vibez popularised, over the sort of immersive and experimental production that the likes of Cruel Santino or Odunsi The Engine might favour. 

Taking the reins of his music production, Danpapa GTA, born Akinlemibola Omotoyosi, has been able to craft tracks that are almost singular in their creation. Listening to his lean discography, which currently comprises two EPs and a few singles, is like watching a flower bloom in real time. After releasing a handful of loosies on his Soundcloud page, some of which feature prevalent samples from artists like Tems and anonymous American singer-songwriter Shiloh Dynasty, Danpapa GTA made his first official release in early 2024 with a five-track EP titled ‘Chanel.’ The project is defined by a slightly muted sound and the sort of eclecticism he only showed in bits on his earlier releases. Cuts like the title track, “Demonic,” which features Pilzee and “High Fashion Love” all excel thanks to GTA’s innovative singing and production.

Following the official release of his debut, Danpapa GTA put his foot on the gas, releasing a handful of other singles like “4G” and the short but extremely catchy “Pressure,” while also teasing multiple unreleased songs across his different social media accounts. In that timeframe, he also featured on a couple of tracks from similarly upcoming acts, broadening his oeuvre while also solidifying his reputation as a uniquely gifted act to keep an eye on. His recent three-pack, ‘Balenciaga kuti,’ continues his left-field sonic experimentation, as he looks to establish himself as one of the leading figures of this new wave of talented underground artists striving to leave their mark. – B.A