The flooded roads, submerged slums and destroyed homes have turned rainy season in Nigeria into the stuff of nightmares. The obvious culprit is the trash clogging waterways and floating to the surface to turn the main roads into swamps. Though after the rain, the water eventually subsides, the plastic trash remains ever threatening.
The Nigerian Government has joined the fight against plastic, becoming one of the 32 countries that have passed laws to manage and control the amount of plastic used by its citizens. According to the new legislation made in April, any store found giving plastic bags will either pay a fine of N500,000 or face a 3-year jail sentence while manufacturers will pay a 5 million fine.
On the surface, this new law is fantastic as the nasty impact of plastic bag pollution are clear: Plastic bags are one of the most common items collected from the world’s oceans (along with cigarette butts and plastic bottle caps). When they’re not piling up in landfills emitting awful smells and dangerous gasses, they’re littering streets, clogging drains, and contaminating oceans, where fish eat them and they eventually end up in humans. We might not have the exact figure for how much plastic waste is affecting Nigeria, but according to a UN report, banning plastic bags can cut litter down by more than 60%.
However, the Government seems to have neglected to take the nature of the country into account while making the law. The poor state of the country might pose a problem for the ban on plastic because the cheapest form of (potentially) safe water is sachet water and there’s no provision or discussion for a more suitable alternative to reduce the breakout of waterborne diseases.
Secondly, waste management systems in Nigeria are almost nonexistent so people can’t really tell the implication of irresponsible waste practices. In Rwanda, one of the first countries to successfully ban plastic bags, citizens’ sense of responsibility toward waste management and awareness about its implications was one of the leading factors in their successful implementation. Nigeria will have to match that level of dedication to implementation strategy, building awareness and enforcing responsibility.
The legislation suggests paper bags as a replacement for plastic, but that’s not a sustainable solution given the dastardly effect paper production has on the environment. For the Rwandan government, they were able to successfully ban plastic by encouraging manufacturers to recycle their bags and create a market for eco-friendly bags and practices in the process. For Singapore, they imposed extra charges on bags from grocery stores and, in Indonesian, they created organic biodegradable bags out of cassava rootsthanks to innovation hubs.
Since the bill was passed into law in April. no store seems to give a hoot about this ban (everyone still raises their brows when you turn down their plastic bags), so it’s not clear how the government intends to knock this nail in and enforce the law. While we wait for the government to back the law, we can take the initiative and reduce our use of plastic. Taking a reusable tote bag with you rather than the complementary single-use-plastic bag means one less person is contributing to the traffic jams and flooding caused by plastic pollution. Telling a friend (and tell that friend to tell a friend) about the plastic apocalypse.
Featured Image Credits: Instagram/karikaturalv
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The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the streets of Lagos Island alive with colour, music, and culture. With roots dating back to 1890, the Lagos Fanti Carnival is one of Nigeria’s oldest and most vibrant cultural traditions, celebrating the deep ties between Nigeria and Brazil through a dynamic fusion of Afro-Brazilian heritage and modern creativity.
This year’s edition is supported by the Lagos State Ministry of Tourism, Arts, and Culture, in partnership with Robert Taylor Media and the Brazilian Descendants Association of Lagos. Together, they aim to honour the legacy of the Afro-Brazilian community in Lagos — descendants of formerly enslaved returnees who shaped the city’s culture, religion, and architecture.
The carnival procession will kick off at 12:00 PM, starting from Old Defence Road and will end at the JK Randle Centre, with accreditation beginning at 10:00 AM. Attendees can expect a stunning showcase of traditional costumes, Afro-Brazilian drumming, dance, and performances from local creatives reinterpreting heritage for a new generation.
Whether you’re drawn to the dazzling pageantry, the live performances, or the chance to connect with a rich cultural history, the Fanti Carnival is an unmissable event this Easter.
Tickets are now available, and more information can be found via the official Fanti Carnival website or their social platforms.
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of...
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of its women’s month celebration. The campaign, which looks to extend Vlisco’s rich legacy in African fashion and its ongoing celebration of creativity and cultural storytelling, takes inspiration from Congolese musical icon Fally Ipupa’s latest single, “Mayanga.” The song’s accompanyingmusic video was shot in the Ivory Coast, and seamlessly balances Ipupa’s signature soulful Rumba music with intricate floral motifs and soft, elegant colour palettes that celebrate the strength and individuality that blossoms through community.
In addition to Fally Ipupa, Vlisco also tapped up Ivorian fashion designer Loza Maléombho and Nigerian director Daniel Obasi to contribute to ‘The Garden Of Sisterhood’ campaign. Maléombho’s unique designs and Obasi’s striking storytelling helped contribute to actualising Vlisco’s distinct aesthetic and vision of merging heritage, creativity and fashion.
In a statement discussing the collaboration with Vlisco, the Congolese superstar described it as a beautiful experience. “They understood my vision of working with talented artists and honouring the beautiful women who wear Vlisco fabrics. By creating exclusive designs for me and the remarkable women in the cast, Vlisco really brought our artistic vision to life, harmoniously fusing music and fashion,” he said.
Similarly, Marlou van Engelen, the creative director of Vlisco, expressed that it was an honour working with Fally Ipupa. “His song ‘MAYANGA’ perfectly reflects our admiration for the women who shaped us, inspire us, and mean so much to us. For us, it’s not just about fashion; it’s about the stories told through our beautiful prints. And I believe the best stories are always told together,” she said in a statement.
Rigo Kamp’s Marathon video is an intimate Afro-juju revival that pays homage to Sir Shina Peters and stamps...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and refreshing sound released his self-titled debut EP, delivering a propulsive fusion of Alte, R&B, Funk, and Soul-infused rhythms.
Featuring previously released singles “Morning Sun”and “Summer”, the six-track eponymous EP executively produced by Odunsi The Engine sees Rigo lean heavily into his element as a sonic alchemist, jumping from silky falsettos to gritty grooves without losing an ounce of cohesion, and ultimately stamping the Abuja-born, Lagos-based singer-songwriter as a mad scientist of sound.
Just last November, Apple Music named Rigo Kamp as its Up Next artist, an acknowledgment that underscored his potential and confirmed what the tastemakers and underground scene already knew. Weeks later, he delivered an exhilarating live set for Spotify Fresh Finds in Lagos, proving he’s just as compelling live as he is in the studio.
On “Marathon”,the refreshing opener to the Rigo Kamp EP, Rigo borrows the bounce and swagger of Afro-Juju legend, Sir Shina Peters’ golden-era, fusing nostalgia with re-imagination to birth a vintage performance that feels like a private party for two, where it’s just Rigo, and you.
Get an exclusive first look at the video for Marathon here: