Last weekend, Momo Hassan-Odukale, Lagos-based creative director and stylist touched down in Dakar, Senegal for Channel’s Métiers d’art 2023 fashion show. Counting Wonderland and Lagos Fashion Week as some of her clients, Momo ethos remains putting together spruce looks while spotlighting homegrown brands and designers like Kenneth Ize, Lisa Folawiyo, Patta, WAF Lagos and the likes. With a front row view of Chanel’s show on December 8th, Momo sat amongst fashion entrepreneur, Reni Folawiyo, Adebayo Oke-Lawal, founder of Orange Culture and other longtime muses, Pharrell Williams and Naomi Campbell.
Commonly globe-trotting especially within Africa, Momo is no stranger to Dakar as she shares, “Dakar is one of my favourite cities in the world,” as she documents her moments prior to and during the show for the NATIVE. Arriving at her hotel, Momo was met with an personalised invitation from Chanel alongside a brand necklace with an African pendant and the iconic Chanel logo. In her usual fashion of representing African fashion designers, Momo’s two outfit choices were picked from Abiola Olusola’s SS23 collections, having to make a difficult decision between the crisp RIBAYI silk dress and the AINA set with a yellow organza apron, draped over a delicately beaded bralette. Opting for the latter and pairing with a pair of blue heeled mules, Momo evidently made the right choice.
With some spare time on her hands, Momo headed to Lulu Cafe dressed in Nyosi Brand’s Sayi Daisy hand-dyed Adiré dress after which she went jewellery shopping at the local market to purchase some rings. “My jewellery was stolen recently so I’m just getting back all of my favourite piece,” Momo shares. Just hours to the show, Momo hit the next stop for a solo sushi date to gather enough fuel for the show slated for later in the day.
Chanel’s Métiers d’art 2023 fashion show breaks records for what is hoped to be the first of many. Being the first European fashion house to stage a show in Sub-Saharan Africa and Dakar couldn’t be a more perfect place. Home to an expansive world of contemporary art, fashion, film, dance and music to name a few, Dakar is an influential art capital both within Africa and on an international scale. “More than just a show, this event will be part of a three-day cultural program accompanied by concrete action in terms of creative dialogue, sustainable development and the transmission of savoir-faire,” Chanel shared in a statement.
Hosted at Palais de Justice, the building, housing Senegal’s Supreme Court, is prominent architecture, characterised by large pillars and a seemingly airy space. The runway, a celebration of the culture and spirit of Senegal, kicked off with a vibrant show by musician and local, Obree Daman alongside a display by dancers from École des Sables. The collection was decidedly reminiscent of the ’70’s with printed silk shirts and pointed collar necklines alongside Chanel’s iconic intricate embroidery textures and patterns. “The show was great. This was my favourite look. I love the casting. I love the models that were walking down,” Momo shares. Following the outstanding show came performances by some Senegalese dancers alongside a glittering rendition by CKay.
Below are some looks from the runway, courtesy Momo Hassan-Odukale.
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the streets of Lagos Island alive with colour, music, and culture. With roots dating back to 1890, the Lagos Fanti Carnival is one of Nigeria’s oldest and most vibrant cultural traditions, celebrating the deep ties between Nigeria and Brazil through a dynamic fusion of Afro-Brazilian heritage and modern creativity.
This year’s edition is supported by the Lagos State Ministry of Tourism, Arts, and Culture, in partnership with Robert Taylor Media and the Brazilian Descendants Association of Lagos. Together, they aim to honour the legacy of the Afro-Brazilian community in Lagos — descendants of formerly enslaved returnees who shaped the city’s culture, religion, and architecture.
The carnival procession will kick off at 12:00 PM, starting from Old Defence Road and will end at the JK Randle Centre, with accreditation beginning at 10:00 AM. Attendees can expect a stunning showcase of traditional costumes, Afro-Brazilian drumming, dance, and performances from local creatives reinterpreting heritage for a new generation.
Whether you’re drawn to the dazzling pageantry, the live performances, or the chance to connect with a rich cultural history, the Fanti Carnival is an unmissable event this Easter.
Tickets are now available, and more information can be found via the official Fanti Carnival website or their social platforms.
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of...
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of its women’s month celebration. The campaign, which looks to extend Vlisco’s rich legacy in African fashion and its ongoing celebration of creativity and cultural storytelling, takes inspiration from Congolese musical icon Fally Ipupa’s latest single, “Mayanga.” The song’s accompanyingmusic video was shot in the Ivory Coast, and seamlessly balances Ipupa’s signature soulful Rumba music with intricate floral motifs and soft, elegant colour palettes that celebrate the strength and individuality that blossoms through community.
In addition to Fally Ipupa, Vlisco also tapped up Ivorian fashion designer Loza Maléombho and Nigerian director Daniel Obasi to contribute to ‘The Garden Of Sisterhood’ campaign. Maléombho’s unique designs and Obasi’s striking storytelling helped contribute to actualising Vlisco’s distinct aesthetic and vision of merging heritage, creativity and fashion.
In a statement discussing the collaboration with Vlisco, the Congolese superstar described it as a beautiful experience. “They understood my vision of working with talented artists and honouring the beautiful women who wear Vlisco fabrics. By creating exclusive designs for me and the remarkable women in the cast, Vlisco really brought our artistic vision to life, harmoniously fusing music and fashion,” he said.
Similarly, Marlou van Engelen, the creative director of Vlisco, expressed that it was an honour working with Fally Ipupa. “His song ‘MAYANGA’ perfectly reflects our admiration for the women who shaped us, inspire us, and mean so much to us. For us, it’s not just about fashion; it’s about the stories told through our beautiful prints. And I believe the best stories are always told together,” she said in a statement.
Rigo Kamp’s Marathon video is an intimate Afro-juju revival that pays homage to Sir Shina Peters and stamps...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and...
Last Friday, Rigo Kamp, a NATIVE uNder alum and one of the architects of an equal parts nostalgic and refreshing sound released his self-titled debut EP, delivering a propulsive fusion of Alte, R&B, Funk, and Soul-infused rhythms.
Featuring previously released singles “Morning Sun”and “Summer”, the six-track eponymous EP executively produced by Odunsi The Engine sees Rigo lean heavily into his element as a sonic alchemist, jumping from silky falsettos to gritty grooves without losing an ounce of cohesion, and ultimately stamping the Abuja-born, Lagos-based singer-songwriter as a mad scientist of sound.
Just last November, Apple Music named Rigo Kamp as its Up Next artist, an acknowledgment that underscored his potential and confirmed what the tastemakers and underground scene already knew. Weeks later, he delivered an exhilarating live set for Spotify Fresh Finds in Lagos, proving he’s just as compelling live as he is in the studio.
On “Marathon”,the refreshing opener to the Rigo Kamp EP, Rigo borrows the bounce and swagger of Afro-Juju legend, Sir Shina Peters’ golden-era, fusing nostalgia with re-imagination to birth a vintage performance that feels like a private party for two, where it’s just Rigo, and you.
Get an exclusive first look at the video for Marathon here: