Yesterday, the #EndSARS protests reached great heights, when numerous videos of police officers being violent towards peaceful protestors surfaced on the Internet. All weekend, the Nigerian Police Force has been capturing and imprisoning peaceful protestors for no just cause, while efforts have been made to ensure their release. In Surulere, Oxlade’s manager, popularly known as Ojah Bee, was captured by the police and kept in custody for hours.
At the same time, other citizens named Treasure Nduka, Nkem Okara, Adeola Adebayo, Ayodeji Ayeni and Adetifa Samuel were also arrested and brutalised whilst in police custody. It took the efforts of the Speaker of the House Of Representatives, Mr Femi Gbajabiamila and Desmond Elliot to release those who had been abducted after they had been moved around different stations.
Earlier today, a statement from the Law Student’s Association of Nigeria, demanded that the Inspector General of Police should be removed from office, on account of the unlawful treatment of these people whilst they were held in police custody. In this statement, there were allegations that Treasure Nduka was sexually assaulted, however, by her own accounts, she makes no mention of such and details the brutality she faced when she was arrested.
She said via Twitter:
A policeman was frantically walking towards me with his rifle. I was grabbed, beaten by several policemen and dragged into the barracks where I was harassed and beaten by even more policemen & women. I was denied my right to a phone call, I was denied an audience. I was beaten with sticks, guns and anything else they could find around for hours. At some point, I was gasping for air because they put us in a corner while they beat us to stupor. I have sinusitis (a breathing condition) and my mother was refused access to me (from 3pm-9:03pm). even after she mentioned my condition and how urgently I needed my inhaler. They demanded a sum of 10,000 naira to get the inhaler across to me. I was searched aggressively and stripped in the presence of other policemen before they took me to a cell. A particular police officer by the name Abubakar threatened me severally. Even after a directive was given for our release my mother informed me that officers Helen & Moses were refusing aggressively.
FK Abudu, who was involved in her release also reiterated that Treasure was not sexually assaulted, contrary to reports going around social media. She confirms that she was badly beaten
Treasure wasn't raped. She was beaten and brutalised and treat terribly by those animals, but she wasn't raped. Spoke to her today.
Following a successful first campaign, Studio Monkey Shoulder returns to Nigeria for the second year in a...
Following a successful first campaign, Studio Monkey Shoulder returns to Nigeria for the second year in a row. A brainchild of the Scottish Whisky brand Monkey Shoulder and online radio station Worldwide FM, Studio Monkey Shoulder is a grassroots music initiative created to fund trailblazers who are pushing sonic boundaries while also fostering real-world connections across different regions. Last year, Jazzhole received the Nigerian grant to digitally remaster rare archival recordings that preserve and celebrate Nigeria’s rich musical heritage.
This year, the competition, in continued partnership with legendary DJ and Worldwide FM founder Gilles Peterson, once again invites the country’s most innovative and ambitious grassroots music communities – everything from from independent record stores to DIY music venues, online radio stations and collectives – to apply for a £10,000 grant (₦20 million) to bring their hugely imaginative music projects to life.
“I am thrilled to see Studio Monkey Shoulder grow in its second year in partnership with Worldwide FM. It’s been a privilege to work with the communities we supported in 2024, seeing their projects thrive and come to life,” Peterson stated in a press release. “I am excited to uncover more amazing community-driven projects in Nigeria and witness the talent that comes with it as the project evolves in year two.”
The winner of this year’s grant will join an international creative network that’s designed to elevate community voices and bring their stories to a global stage. Applications for Nigeria’s Studio Monkey Shoulder Fund open on April 28th and close on June 1st.
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the streets of Lagos Island alive with colour, music, and culture. With roots dating back to 1890, the Lagos Fanti Carnival is one of Nigeria’s oldest and most vibrant cultural traditions, celebrating the deep ties between Nigeria and Brazil through a dynamic fusion of Afro-Brazilian heritage and modern creativity.
This year’s edition is supported by the Lagos State Ministry of Tourism, Arts, and Culture, in partnership with Robert Taylor Media and the Brazilian Descendants Association of Lagos. Together, they aim to honour the legacy of the Afro-Brazilian community in Lagos — descendants of formerly enslaved returnees who shaped the city’s culture, religion, and architecture.
The carnival procession will kick off at 12:00 PM, starting from Old Defence Road and will end at the JK Randle Centre, with accreditation beginning at 10:00 AM. Attendees can expect a stunning showcase of traditional costumes, Afro-Brazilian drumming, dance, and performances from local creatives reinterpreting heritage for a new generation.
Whether you’re drawn to the dazzling pageantry, the live performances, or the chance to connect with a rich cultural history, the Fanti Carnival is an unmissable event this Easter.
Tickets are now available, and more information can be found via the official Fanti Carnival website or their social platforms.
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of...
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of its women’s month celebration. The campaign, which looks to extend Vlisco’s rich legacy in African fashion and its ongoing celebration of creativity and cultural storytelling, takes inspiration from Congolese musical icon Fally Ipupa’s latest single, “Mayanga.” The song’s accompanyingmusic video was shot in the Ivory Coast, and seamlessly balances Ipupa’s signature soulful Rumba music with intricate floral motifs and soft, elegant colour palettes that celebrate the strength and individuality that blossoms through community.
In addition to Fally Ipupa, Vlisco also tapped up Ivorian fashion designer Loza Maléombho and Nigerian director Daniel Obasi to contribute to ‘The Garden Of Sisterhood’ campaign. Maléombho’s unique designs and Obasi’s striking storytelling helped contribute to actualising Vlisco’s distinct aesthetic and vision of merging heritage, creativity and fashion.
In a statement discussing the collaboration with Vlisco, the Congolese superstar described it as a beautiful experience. “They understood my vision of working with talented artists and honouring the beautiful women who wear Vlisco fabrics. By creating exclusive designs for me and the remarkable women in the cast, Vlisco really brought our artistic vision to life, harmoniously fusing music and fashion,” he said.
Similarly, Marlou van Engelen, the creative director of Vlisco, expressed that it was an honour working with Fally Ipupa. “His song ‘MAYANGA’ perfectly reflects our admiration for the women who shaped us, inspire us, and mean so much to us. For us, it’s not just about fashion; it’s about the stories told through our beautiful prints. And I believe the best stories are always told together,” she said in a statement.