ePianoh Wants To Democratise Music Production
ePianoh is dedicated to sharing music production knowledge in a world that heralds
Interview: Heavy-K Won’t Stop Evolving
From steering Afrohouse's rise to helping shape the sound of contemporary 3-Step, Heavy-K's fingerprints are across generations of...
Interview: Joey B Is Ushering In A New Era With ‘Sexy Highlife’
‘Sexy Highlife’ is the manifestation of Joey B's appreciation for Ghanaian music heritage filtered through a lustrous interpretation of...
We Are In The Thick Of A Nigerian Electronic Music Revolution
Much of the work of curating a Nigerian Electronic sound has been led by curators and enthusiasts employing experimentalist...
ENGAGE STUDIOS Launches Studio Cypher “One Take”
Beyond the full studio episodes, One Take will also extend across digital and social platforms through short-form clips and performances....
Essentials: Tekno Is Interrogating The Many Layers of Romance on ‘Where Did Love Go?’
Rather than introducing a new artistic direction, ‘Where Did Love Go?’ continues themes that have remained present across Tekno’s...
Asake’s ‘One Night Only’ Concert In London Was A Masterclass In Gratitude
Walking out spitting lyrics to an unreleased track which aligned with the thematic and sonic universe of ‘M$NEY,’ Asake’s vocals cut...
Interview: EKENE Wants You To Sit With Your Emotions
Across seven intense vignettes of his life, EKENE unpacks his familial trauma, a fixation with morbidity, and the healing...
Dammy Twitch Was Always Fated To Make ‘Call of My Life’
Directed by Dammy Twitch, 'Call of My Life' is staking its claim as a turning point for romcoms in Nigerian
Chinaza King Nazzy Is Crafting A Defining Catalogue Across Genres
Taken together, “London2Paris” and “Setting” show a producer and songwriter who approaches each project with a clear sense of...
uNder: Best New Artists (June, 2026)
Our June 2026 cohorts features Che Mario, DaveTheOracle, Kiki Celine, and Musta4a.
The Shuffle: Sir Shina Peters’ Juju-Rewiring ‘Ace’ Changed Nigerian Music Forever
One can draw a direct line from ‘Ace’ to the mainstreaming of Fuji in the 1990s, and the global rise of
Interview: Wande Coal Is Still The Blueprint
On ‘King Coal,’ his first album in three years, Wande Coal leans into his legacy without losing touch with the present of...
Azzi On The Beat Wants To Challenge The Status Quo
Azzi On The Beat has built a practice around making beats in front of an audience, placing the process at the centre of the...
The Headies Moving To Toronto Leaves More Questions Than Answers
Whether this move will truly "take home to the world" or further deepen the cynicism surrounding The Headies remains to be...
Interview: Khaid Is Trying To Be Understood
Before ‘Rich & Wacko’ arrives, the singer is trying to prime his audience for the sound, an emotive blend of Fuji sonics and...
VVS Lagos Return With “Love Is War”
The new single pairs the genre-fluid precision of Minz and the deeply textured, spiritually grounded cadence of Wizard...
Interview: Efe Oraka Wants To Be True To Herself
‘Eferoghene’ marks a return to her truest self, delicately blending heartfelt confessionals with forthright...
These Rising Acts Could Take Over 2026
As 2026 continues to unfold, these are the artists most likely to make that leap from promising prospects to genuine Afropop...
Svndaypack and Damitothewrld Are Deconstructing The Motions of Romance On ‘Paper Airplanes’
The six tracks that make up ‘Paper Airplanes’ sit within the Soul and R&B canon, and they do so with a clarity of...
