AV Club: The finale of OBFW was quite simply a clusterfuck
You know shit has hit the fan when Oreka Godis is the best actress on a show.
So, before we begin this review of OBFW. a caveat.
I’ve been saying it since episode 2 (episode one of OBFW was perfect) that the show was going to end up a clusterfuck. With every successive episode, instead of resolving subplots and glaring omissions, the show runners and writers chose instead to focus on IllRhymz who basically spent the entire season acting like he’s a jock in a high school movie instead of a smart adult. So I came into this finale with zero expectations, after all if you have none, you cannot experience disappointment, or so they say.
Well, it turns out, you fucking can.
SPOILER ALERT
What the fuck ever, see the episode at your own peril.
I won’t bore you by giving a blow by blow of the OBFW finale, when in all honesty it can be summarized into three lines.
- Charles’s mother doesn’t have cancer so he doesn’t have to marry the first girl that is foolish enough to give him face.
- Jade is in love with Charles but is marrying Tunde because first to produce engagement ring.
- Kemi says she didn’t fuck Charles, but that bitch is lying, she most certainly did.
See, English is easier than they tell you.
Now let’s get to the good stuff; shit that made no sense, abandoned subplots and a general disregard for our sensibilities as data consuming fans.
SHIT THAT MADE NO SENSE
So I know we are all masochistic, for fucks sake we all watched the horrific mess that On The Real (someone please konk the people behind that show for me) but there is nothing we did do deserve having to watch Tolu grovel in front of Tunde and expect him to ‘love’ her back because she fills out his daily planner. Baby girl, that thing you’re doing is called a JOB. Doing your job don’t guarantee you no penis. If you are pressed, quit for the love of God. QUIT.
As if that wasn’t enough, we had to watch Charles as well, in a hoodie sweatshirt and joggers the universal uniform of the depressed, track Jade down to a Cafe Neo and grovel in front of her. After ten episodes of pretending he wasn’t catching feels we are supposed to care that he wants to love her now?
Then there was the whole ‘we were drunk and naked but didn’t do anything’ story Kemi and Charles were touting. The entire season of OBFW we have seen a much older and supposedly more mature Charles, consistently make bad decisions once even the smallest amount alcohol was introduced into a situation. He slept with more than half of his exes after a drink, but somehow when he was even more reckless we’re supposed to believe he did the right thing?
About that big reveal scene. So this entire show is basically built on the premise that Charles’s mother supposedly had cancer. So you’d think the showrunners would take extra care to give us a airtight, foolproof resolution. But NOOOOOOOOOO! After all they’ve stumbled through everything else, why not botch this one too. Everyone conveniently converges at Mama Charles’s house, including her excuse for not having cancer, a new boyfriend. Charles appears in the house, Onome in tow and first thing starts to announce that he’s knocked her up. And next thing they’re explaining that the Doctor is her new boyfriend, and the cancer drugs were for another patient and he conveniently forget them in her bathroom cabinet.
You know what ehn…
Ignored Sub Plots.
PROMISE
Promise is a drug addict. What the hell is going on there? We aren’t told where he found money to pay his rent because last time we check rehabilitation is fucking expensive in Nigeria. Then the drug dealer who put a package of drugs in front of his door with the explicit suggestion that he deliver it. We are supposed to forget all of that?
ONOME
Whatever happened to the money she scammed from Charles? Did he conveniently forget that once she started throwing back pussy? And seriously for someone who lied about a pregnancy and tried to pin it on Charles, Onome was pretty casual in her apology? We know at least one of the people Onome has been sleeping with, and we know Charles’s boss helped Onome scam Charles out of his commission. Since Charles only paid half of the money to Onome, and the man supposedly beats her, how come he just quietly accepted half money?
KEMI
Sure Kemi’s captain husband came back, but we never got to see his face. I know you people want to make him the father of Onome’s baby in Season 2 of OBFW, that much is obvious, but seriously? You tease him for an entire season then not show his face?
THE LEAGUE OF EVIL EXES
So Chioma comes and gives half gist (according to Kemi and Charles), one ex is wombless, another is getting married, another is married with a kid, blah blah blah. If you guys were never going to actually tease even the semblance of compatibility why drag us through episodes of that? WHY?
BONUS ROUND
What the fuck is going on with the back of Jade’s wedding gown?
What?!
Jesus, what a mess of finale.
Of course this is supposedly to set us up for a second season of OBFW but Jesus! What is wrong with having a great first season? What? Is that too much to ask of you people?
Is it?
What OdumoduBlvck’s Greatest School Tour Could Mean For Touring In Nigeria
The rapper’s decision to embark on a local university tour of this nature could go on to become a...
There’s no denying that OdumoduBlvck’s 2023 mixtape ‘Eziokwu’ established his musical genius. While the half dozen projects that preceded ‘Eziokwu’ almost served as target practice, largely showcasing the early iterations of Okporoko music – his unique melodious rap fusion – it was his major label debut that truly grounded the rapper in Nigeria’s rich Hip-Hop lineage. The album’s far-reaching success culminated in a historic joint tour with fellow 2023 breakout star Shallipopi, which saw the two share the stage across 9 cities in the United States. Similarly, riding the high of his latest mixtape, ‘The Machine Is Coming,’ the Anti-World Gangstar head huncho recently announced a new tour. This time, however, instead of taking his new collection of infectious bangers to stages abroad, the rapper decided to visit different universities across the country for what he calls the ‘Greatest School Tour Ever.’
Touring in Nigeria is a subject that has become somewhat controversial over the last few years, splitting opinions amongst many fans, industry experts, and artists themselves. Back in the mid-2000s to early 2010s, local touring was very much the norm. Platforms like Star Music’s ‘The Trek,’ as well as a few prominent local promoters, enabled some of the biggest names like 2face, Olamide, and M.I to hold annual nationwide tours. These tours included stops in cities like Warri, Makurdi, Owerri and many other places that artists are less likely to visit today. University tours were also popular as they presented an avenue for these artists to connect with their younger audience, who mostly served as the bedrock of their fan base.
The rise of digital streaming platforms, which has partly informed the industry’s rapid evolution over the past decade, coupled with other economic and infrastructural issues, has, however, forced a sharp decline in local touring, making it an almost altruistic endeavour in today’s Nigeria. Afropop gaining global exposure meant that the international market immediately became more viable and lucrative to our biggest stars, and this reshaped their priorities. The extensive, multi-city shows became reserved for diaspora fans, while the local audience, in most cases, are treated to a solitary annual show.
OdumoduBlvck looks to buck this trend with the ‘Greatest School Tour Ever,’ prioritizing his primary audience before tending to those abroad. In truth, the Lagos-born rapper is not the only one who has embarked on this type of tour in recent times. A couple of years ago, UK-based rapper Kida Kudz and Ckay also went on similar campus tours, with the latter making stops at 10 different universities across the country. Llona, one of the breakout stars from last year, is also currently on a nationwide tour coming off the success of his impressive debut album ‘Homeless.’ The ‘Greatest School Tour Ever,’ is however, peculiar and momentous because of its timing and OdumoduBlvck’s standing as one of the biggest names around.
At the recent 17th Headies Awards, the rapper became the latest recipient of the Next Rated award, a highly coveted plaque that’s historically reserved for standout acts whose music defines the zeitgeist at a given period. He received the award just two days after he gave an electrifying performance at Afe Babalola University. His latest mixtape, ‘The Machine Is Coming,’ a precursor to his highly anticipated forthcoming debut, currently sits at the No. 2 spot on the Turntable Top 50 Album charts. It is unheard of in recent times: that the Headies Next Rated act, who has one of the top projects in the country, is on a local university tour. The Abuja-native has, however, shown on numerous occasions that he has never really been one to abide by existing standards. The famous opening lines from his breakout single “Declan Rice” (I can do without their Policy I Know), did not only serve as a message to gatekeepers and naysayers but also as a manifesto that declared his mode of operation going forward.
At the time of this writing, the rapper has only made two stops on his ongoing tour, but his decision to embark on a local tour of this nature already looks to be paying dividends. The first two shows have produced viral clips that capture his star power, the hysteria of his headline shows and his rapidly growing influence, especially amongst younger listeners. The viral clips have already created an increased demand for shows, with many young fans harassing the rapper to add more dates to the tour. With the release of ‘The Machine Is Coming’ and his recent crowning moment at the Headies, it’s safe to assume there’s more attention on him now than ever. While it is, of course, still early days, the rapper’s decision to embark on a local university tour, especially given that he’s currently experiencing a career high, could go on to become a significant moment, one that potentially inspires a shift in the touring landscape in Nigeria.
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Fanti Carnival Returns to Lagos This Easter with a Vibrant Celebration of Afro-Brazilian Culture
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the...
The historic Fanti Carnival is set to make its grand return on Easter Sunday, April 20, 2025, bringing the streets of Lagos Island alive with colour, music, and culture. With roots dating back to 1890, the Lagos Fanti Carnival is one of Nigeria’s oldest and most vibrant cultural traditions, celebrating the deep ties between Nigeria and Brazil through a dynamic fusion of Afro-Brazilian heritage and modern creativity.
This year’s edition is supported by the Lagos State Ministry of Tourism, Arts, and Culture, in partnership with Robert Taylor Media and the Brazilian Descendants Association of Lagos. Together, they aim to honour the legacy of the Afro-Brazilian community in Lagos — descendants of formerly enslaved returnees who shaped the city’s culture, religion, and architecture.
The carnival procession will kick off at 12:00 PM, starting from Old Defence Road and will end at the JK Randle Centre, with accreditation beginning at 10:00 AM. Attendees can expect a stunning showcase of traditional costumes, Afro-Brazilian drumming, dance, and performances from local creatives reinterpreting heritage for a new generation.
Whether you’re drawn to the dazzling pageantry, the live performances, or the chance to connect with a rich cultural history, the Fanti Carnival is an unmissable event this Easter.
Tickets are now available, and more information can be found via the official Fanti Carnival website or their social platforms.
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Vlisco’s “The Garden Of Sisterhood” Campaign Comes To Life in New “MAYANGA” Video
A celebration of creativity and cultural
Dutch textile brand Vlisco recently unveiled its latest campaign ‘The Garden Of Sisterhood,’ as part of its women’s month celebration. The campaign, which looks to extend Vlisco’s rich legacy in African fashion and its ongoing celebration of creativity and cultural storytelling, takes inspiration from Congolese musical icon Fally Ipupa’s latest single, “Mayanga.” The song’s accompanying music video was shot in the Ivory Coast, and seamlessly balances Ipupa’s signature soulful Rumba music with intricate floral motifs and soft, elegant colour palettes that celebrate the strength and individuality that blossoms through community.
In addition to Fally Ipupa, Vlisco also tapped up Ivorian fashion designer Loza Maléombho and Nigerian director Daniel Obasi to contribute to ‘The Garden Of Sisterhood’ campaign. Maléombho’s unique designs and Obasi’s striking storytelling helped contribute to actualising Vlisco’s distinct aesthetic and vision of merging heritage, creativity and fashion.
In a statement discussing the collaboration with Vlisco, the Congolese superstar described it as a beautiful experience. “They understood my vision of working with talented artists and honouring the beautiful women who wear Vlisco fabrics. By creating exclusive designs for me and the remarkable women in the cast, Vlisco really brought our artistic vision to life, harmoniously fusing music and fashion,” he said.
Similarly, Marlou van Engelen, the creative director of Vlisco, expressed that it was an honour working with Fally Ipupa. “His song ‘MAYANGA’ perfectly reflects our admiration for the women who shaped us, inspire us, and mean so much to us. For us, it’s not just about fashion; it’s about the stories told through our beautiful prints. And I believe the best stories are always told together,” she said in a statement.
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